Search results for ""APERTURE""
Aperture Robin Schwartz: Amelia & the Animals
Amelia is fourteen years old. In many ways, she is your average American teenager: since she was three years old, she has been her mother’s muse and the subject of her photographs. However, not every mom is a world-class photographer with a predilection for photographing animals. And it’s not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees, and endless dogs, cats, and other animals—portraits that hang in the collections of major art museums around the world. Amelia and the Animals is Robin Schwartz’s second monograph featuring this collaborative photographic series dedicated to documenting her and Amelia’s adventures among the animals. As Schwartz puts it, “Photography is a means for Amelia to meet animals. Until recently, she took these opportunities for granted. She didn’t realize how unusual her encounters were until everyone started to tell her how lucky she was to meet so many animals.” Nonetheless, these images are more than documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared motherdaughter journey into invented worlds, of fables they enact together. Schwartz concludes, “Photography gives us the opportunity to access our dreams, to discover the extraordinary.”
£22.50
Aperture Matthew Pillsbury: City Stages
Matthew Pillsbury: City Stages offers a paean to the craft and visionary potential of large- format, black-and-white photography as well as to the vibrancy of the cultural landscape at a transitional moment—a moment in which our very relationship to that landscape is increas - ingly mediated by omnipresent screens. Over the past decade, Pillsbury has built several extensive bodies of work—Screen Lives, Hours, and City Stages—that deal with different facets of contemporary metropolitan life and the passage of time. Working with black-and-white 8-by-10 film and long exposures, Pillsbury captures a range of psychologically charged experiences in the urban environment, from isolation—tuned into the omnipresent screens of our tablets, laptops, televisions, and phones—to crowded museums, parades, cathedrals, and even protests. Working primarily in New York but with forays to Paris, London, Venice, and other sites, the precise and concrete rendering of cityscapes, iconic landmarks, and interior spaces in his images provides a stage-like setting for the performance of human activity. Thanks to the extended exposures—some as long as an hour—the actions of both individuals and crowds are blurred and transformed into pure gesture and energy. As writer Karl E. Johnson comments on the work, “For Pillsbury, the act of seeing appears to double as a performance, if no more than the performance of life enacted in various spaces and timeframes.” This monograph gathers for the first time selections from all three bodies of work, and spans ten years of the artist’s output.
£40.50
Aperture Marco Breuer: Early Recordings
Marco Breuer: Early Recordings presents the first comprehensive look to date at work by the conceptually driven German artist. Boldly experimental, Breuer uses an extensive and continually evolving range of processes to extract abstract and visually compelling images from photographic paper. Whether it involves placing burning coals on the photographic paper or repeatedly slicing into it or sanding away at the emulsion until holes appear, Breuer's work eviscerates the usual expectations of the cameraless image. The end results are exquisitely gorgeous and minimalist, and this volume reproduces them with attention to every slice, abrasion, and color shift. The images function as "recordings" of the artist's actions—only the trace of impact and expended energy remain. Breuer's work has garnered significant critical acclaim and, as Vince Aletti describes it, has "the intelligence and wit of the mid-century modernist avant-garde and the anything-goes audacity of photography's earliest innovators."
£31.50
Aperture Ernest Cole: The True America
The first publication of Ernest Cole’s photographs depicting Black lives in the United States during the turbulent and eventful late 1960s and early ’70s After the publication of his landmark 1967 book House of Bondage on the horrors of apartheid, Ernest Cole moved to New York and received a grant from the Ford Foundation to document Black communities in cities and rural areas of the United States. He released very few images from this body of work while he was alive. Thought to be lost entirely, the negatives of Cole’s American pictures resurfaced in Sweden in 2017. Ernest Cole photographed extensively in New York City, documenting the lively community of Harlem, including a thrilling series of color photographs, as he turned his talent to street photography across Manhattan. In 1968 Cole traveled to Chicago, Cleveland, Memphis, Atlanta, and Los Angeles, as well as rural areas of the South, capturing the mood of different Black communities in the months leading up to and just after the assassination of Martin Luther King Jr. The pictures both reflect a newfound hope and freedom that Cole felt in America, and an incisive eye for inequality as he became increasingly disillusioned by the systemic racism he witnessed. This treasure trove of rediscovered work provides an important window into American society and redefines Cole’s oeuvre, presenting a fuller picture of the life and work of a man who fled South Africa and exposed life under apartheid to the world.
£45.00
Aperture Richard Renaldi: Manhattan Sunday
Manhattan Sunday is part homage to a slice of New York nightlife, and part celebration of New York as palimpsest—an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. In the essay that accompanies his photographs, Richard Renaldi describes his experiences as a young man in the late 1980s who had recently embraced his gay identity, and of finding a home in “the mystery and abandonment of the club, the nightscape, and then finally daybreak,” each offering a “transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage.” Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night bleeds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. Manhattan Sunday is a personal memoir that also offers a reflection the city’s evolving identity—one that still carries with it and cherishes the echoes of its past.
£40.50
Aperture Paz Errázuriz
Chilean photographer Paz Errázuriz began taking photographs in the 1970s during the Pinochet dictatorship, and in subsequent decades traveled extensively to document the landsape and people of her native country. Throughout her dedicated practice, Errázuriz became intimate with not only her home city, Santiago, but also Chile’s central valley, Patagonia, and Valparaíso, forming long-lasting relationships with her many subjects. Her commitment to her subjects is steadfast—she is known for spending months or years within a given community, building trust and carefully studying social structures. During the dictatorship her projects were in violation of the regulations imposed by the military regime, as she dared to visit underground brothels, shelters, psychiatric wards, and boxing clubs, where women were not welcome. In Paz Errázuriz: Survey, over 170 photographs are compiled for the first time, resulting in a retrospective publication spanning over forty years. In the words of author Gerardo Mosquera, “the spaces explored in Errázuriz’s photos—beyond the striking personalities—reveal an extreme aesthetic that also exposes the potholes and irregularities left in the path of modernization. Her work consistently focuses on the social marginality that continues to plague the country, thereby capsizing Chile’s image of buoyancy by intuitively penetrating the contradictions—the innumerable cracks and fissures—that persist to this day.”
£40.50
Aperture David Wojnarowicz: Brush Fires in the Social Landscape
David Wojnarowicz’s use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape , begun in col - laboration with the artist before his death in 1992 and first published in 1994, engaged what Wojnarowicz would refer to as his “tribe” or community. Contributors—from artist and writer friends such as Karen Finley, Nan Goldin, Kiki Smith, Vince Aletti, Cynthia Carr, and Lucy R. Lippard, to David Cole, the lawyer who represented him in his case against Donald Wildmon and the American Family Association—together offer a compelling, provocative understanding of the artist and his work. Brush Fires is also the only book that features the breadth of Wojnarowicz’s work with photography. Now, on the twentieth anniversary of Brush Fires , when interest in the artist’s work has increased exponentially, this expanded and redesigned edition of this seminal publication puts the work in front of an audience all over again while maintaining the integrity of the original. Through the lens of various contributors, the book address Wojnarowicz’s profound legacy: the relentless tugs, allegiances, censorship, and ethical issues, alongside his aesthetic brilliance, courage, and influence.
£29.66
£21.09
Aperture Wendy Red Star: Delegation
Delegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s singular vision. Copublished by Aperture and Documentary Arts
£45.00
Aperture Alessandra Sanguinetti: Le Gendarme Sur La Colline
In this album, the compelling photographer Alessandra Sanguinetti explores her vision of France, in which old traditions persist even while they fray and shift in relation to contemporary stresses, including multiculturalism. The work presents an intuitive, often lyrical journey that is undercut with a sense of tension about what it means to be French—and to photograph the French—today. Le Gendarme Sur La Colline is the result of a major new commission by Fondation de l’entreprise Hermès and Aperture Foundation, working in alliance. Called “Immersion,” the program seeks to expand artistic dialogue between France and the US, while investing in creativity, and providing a platform for an important emerging artist to create a major new body of work.
£36.00
Aperture Light Matters: Writings on Photography
A leading voice in the field of photography criticism, Vicki Goldberg is well known for her cogent and perceptive writing. Aperture is pleased to release in paperback Light Matters, a selection of this remarkable author’s essays and criticism culled from the past twenty-five years. Goldberg’s take on photography is both insightful and expansive: her subjects range from pop icons to the imagery of death, from the commercial use of journalistic images to the onslaught of sexual content in art photography. She casts new light on the work of the medium’s masters, including Evans, Brassaï, and Arbus, while writing with equal acuity about contemporary trailblazers such as Eleanor Antin and Martin Parr. Dismissing clichés and de!ly negotiating the many diverging paths photography now fol lows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact. Light Matters showcases a writer of great intelligence, wit, and insight, whose understanding of this multifarious and evolving medium is unsurpassed.
£12.95
Aperture Mary Ellen Mark: On the Portrait and the Moment
In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Mary Ellen Mark—well-known for her pictures' emotional power, be they of people or animals—offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.
£22.00
Aperture George Dureau: The Photographs
George Dureau, The Photographs is an album of the great photographic portraits made throughout the forty years of Dureau’s artistic career—a New Orleans romance between the photographer and his subjects. All of Dureau’s exquisite photographs, many of them nudes, were made in his studio in the French Quarter of New Orleans, or on the city’s streets. He began photography for the pleasure of photographing his lovers, and as research material for his paintings. Only later on did he begin to take his photographs seriously as works of art in their own right. Many of his subjects became part of Dureau’s “extended family,” whom he photographed on different occasions over many years. Surprisingly, only one book of Dureau’s photographs has been published: New Orleans, 1985, a modest paperback long out of print. This Aperture book is possible now because of the commitment of the community of Dureau’s supporters to see it happen. George Dureau, The Photographs is edited by Chris Boot, with a text by Philip Gefter.
£36.00
Aperture Dawoud Bey: Elegy
Dawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States.Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy brings together Bey’s three landscape series to date—Night Coming Tenderly, Black (2017); In This Here Place (2021); and Stony the Road (2023)—elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition’s curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn’t merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences. Copublished by Aperture and Virginia Museum of Fine Arts, Richmond
£45.00
Aperture Kristine Potter: Dark Waters
Dark Waters, Kristine Potter’s second monograph, continues her engagement with the American landscape as a palimpsest for cultural ideologies. In this dark and brooding series, Potter reflects on the Southern Gothic landscape as evoked in the popular imagination of “murder ballads” from the nineteenth and twentieth centuries. Her seductive, richly detailed black-and-white images channel the setting and characters of these songs, capturing the landscape of the American South, and creating a series of evocative portraits that stand in for the oft-unnamed women at the center of their stories. In the American murder ballad, which has taken on cult appeal and continue to be rerecorded even to this day, the riverscape is frequently the stage of crimes as described in their lyrics. Places like Murder Creek, Bloody Fork, and Deadman’s Pond are haunted by both the victim and perpetrator of violence in the world Potter conjures, reflecting the casual and popular glamorization of violence against women that remains prevalent in today’s cultural landscape. As Potter notes, “I see a through line of violent exhibitionism from those early murder ballads, to the Wild West shows, to the contemporary landscape of cinema and television. Culturally, we seem to require it.” Dark Waters both evokes and exorcises the sense of threat and foreboding that women often grapple with as they move through the world. Author Rebecca Bengal contributes an evocative short story that underscores the sense of anxiety and foreboding that Potter infuses into each of her images; a deliciously compelling, if chilling, combination. Copublished by Aperture with Images Vevey and The Momentary
£45.00
Aperture Tommy Kha: Half, Full, Quarter
Tommy Kha: Half, Full, Quarter weaves together self-portraits and classically bucolic landscapes punctuated by the traces of East Asian stories embedded in the topography of the American South. In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, “Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology.” Memphis is where his mother, fleeing Vietnam in the early 1980s, settled, along with his extended family. Throughout the work, his mother emerges as a recurring character, sometimes the subject of quiet photographic study, and in others, a collaborative muse. “I’m a cut of my mom,” Kha asserts, “Every photograph I make of her is a Half Self-Portrait.” In snapshots drawn from a family album that serves as the one record of her journey to the United States, she is the source of nostalgia and barely captured memory. In assembling a visual account of the struggle to find his own voice and narrate the fragmented history of his family, Kha challenges the cultural amnesia around Asian lives and experiences in recent American histories. Acclaimed author Hua Hsu contributes an engaging essay, “People Need to Smile More,” and MacArthur Fellow An-My Lê conducts an incisive conversation with Kha that delves into his family history and artistic strategies. Tommy Kha: Half, Full, Quarter is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7|G Foundation. An exhibition of the work will open at Baxter St in New York in February 2023.
£40.50
Aperture Myriam Boulos: What's Ours
A searing, diaristic portrayal of a city and society in revolution by Magnum nominee Myriam Boulos In her debut monograph, Myriam Boulos casts an unflinching eye on the revolution that began in Lebanon in 2019 with protests against government corruption and austerity—culminating with the aftermath of the devastating Beirut port explosion of August 2020. She portrays her friends and family with startling energy and intimacy, in states of pleasure and protest. Boulos renders the body in public space as a powerful motif, both visceral and vulnerable in the face of state neglect and violence. Of her approach to photography, Boulos states: “It’s more of a need than a choice. I obsess about things and I don’t know how to deal with these obsessions in any other way but photography.” Featuring a contextual essay by noted writer Mona Eltahawy, What’s Ours showcases Boulos’s strident and urgent vision.
£38.66
Aperture Sam Contis: Overpass
Overpass is about what it means to move through the landscape. Walking along a vast network of centuries-old footpaths through the English countryside, artist Sam Contis focuses on stiles, the simple structures that offer a means of passage over walls and fences and allow public access through privately owned land. In her immersive sequences of black-and-white photographs, they become repeating sculptural forms in the landscape, invitations to free movement on one hand and a reminder of the history of enclosure on the other. Made from wood and stone, each unique, they appear as markers pointing the way forward, or decaying and half-hidden by the undergrowth. An essay by writer Daisy Hildyard contextualizes this body of work within histories of the British landscape and contemporary ecological discourses. In an age of rising nationalism and a renewed insistence on borders, Overpass invites us to reflect on how we cross boundaries, who owns space, and the ways we have shaped the natural environment and how we might shape it in the future.
£40.50
Aperture Picturing America’s National Parks
To celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium, from America’s most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.
£22.50
Aperture Judy Glickman Lauder: Beyond the Shadows: The Holocaust and the Danish Exception
The extraordinary experiences of ordinary people—their suffering and their unimaginable bravery—are the subject of Judy Glickman Lauder’s remarkable photographs. Beyond the Shadows responds to the world’s looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country’s Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the “Danish exception.” Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. “This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family.” — Sir Elton John
£36.00
Aperture Hank Willis Thomas: All Things Being Equal
Hank Willis Thomas: All Things Being Equal presents a survey of the artist’s prolific and extraordinary interdisciplinary career, with a particular focus on the work’s relationship to the photographic image and to issues of representation and perception. At the core of Hank Willis Thomas’s practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness , Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas’s influences and inspirations.
£45.00
Aperture Looking Again: Photography at the New Orleans Museum of Art
Looking Again is as much about photography as it is about the specific photographs reproduced within it. It is designed to provide the reader with a glimpse into both the collection at the New Orleans Museum of Art and into photography’s complexity. Through 132 objects and essays, Russell Lord explores the many histories of photography, addressing long-held beliefs and offering new ways of thinking about, and looking at, photographs. As the world moves increasingly toward an image-dependent style of communication, there has never been a better time to seriously examine our belief in or apprehension toward the photographic image. Standing on the threshold of what might be a turning point in humanity’s relationship to the photograph, this volume encourages the reader to dig deeply into photography: to look, and then look again. This book is published on the centennial of the first photography exhibition presented at the New Orleans Museum of Art, in 1918.
£54.00
Aperture The Martin Parr Coloring Book!
Photography and Pop-culture buffs, get out your crayons and colored pencils! Martin Parr’s colorful and tongue-in-cheek photographs—his comedy of contemporary manners—have been transformed into a coloring book. Here is Parr’s affectionate and hilarious catalogue of human foibles—our bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them, and all the often-overlooked silly details of our daily life—rendered afresh. The book’s eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment, as well as Parr’s witty take on the coloring book craze. Be inspired to create a new version of a classic Parr—sunbathers in Speedos, tea-drinkers and rainbow cakes, socks with sandals—and in the process, experience his vision in a new way. A riotous take on the eccentricities and peculiarities of today’s world, for all fans of Parr’s work, and an original contribution to the coloring genre!
£12.95
Aperture This Is Mars
This Is Mars offers a thrilling visual experience of the surface of the red planet. The multi-award-winning French editor and designer Xavier Barral has chosen and composed photographic frames, drawn from the comprehensive photographic map of Mars made by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter), to revel in the wonder of Mars. What Yann Arthus-Bertrand did with a light aircraft for The Earth from the Air , Barral does for Mars—by scouring tens of thousands of gigabytes of satellite photographs available from NASA, seeking out the most distinct images of the planet’s surface. The result is visionary—a great science book, a unique artist’s book, and a stunning object. The photographs are accompanied by an introduction from research scientist Alfred S. McEwen, principle investigator of the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Mars’s origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who demystifies some of Mars’s geological history. Now available as a mid-sized, accessibly priced edition, This Is Mars will excite lovers of great photobooks, and everyone curious about the universe and beyond.
£31.50
Aperture Dandy Lion: The Black Dandy and Street Style
Suits that pop with loud colors and dazzling patterns, complete with a nearly ubiquitous bowtie, define the style of the new “dandy.” Described as “high-styled rebels” by author Shantrelle P. Lewis, black men with a penchant for color and refined fashion, both new and vintage, have gained popular attention in recent years, influencing mainstream fashion. But black dandyism itself is not new; originating in Enlightenment England’s slave culture, it has continued for generations in black cultures around the world. Now, set against the backdrop of hip-hop culture, this iteration of dandies is redefining what it means to be black, masculine, and fashionable. Dandy Lion presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism. Throughout the book, self-expression is communicated through personal style, clothing, shoes, hats, and swagger. Lewis’s carefully curated selection of contemporary photographs surveys the movement across the globe in spectacular form, with all of the vibrant patterns, electrifying colors, and fanciful poses of this brilliant style subculture.
£22.50
Aperture Negative Publicity: Artefacts of Extraordinary Rendition
British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control. From George W. Bush’s 2001 declaration of the “war on terror” until 2008, an unknown number of people disappeared into a network of secret prisons organized by the U.S. Central Intelligence Agency—transfers without legal process known as extraordinary renditions. No public records were kept as detainees were shuttled all over the globe. Some were eventually sent to Guantánamo Bay or released without charge, while others remain unaccounted for. The paper trail assembled in this volume shows these activities via the weak points of business accountability: invoices, documents of incorporation, and billing reconciliations produced by the small-town American businesses enlisted in detainee transportation. Clark has traveled worldwide to photograph former detention sites, detainees’ homes, and government locations. He and Black recreate the network that links CIA “black sites,” and evoke ideas of opacity, surface, and testimony in relation to this process—a system hidden in plain sight. Negative Publicity: Artefacts of Extraordinary Rendition, copublished with the Magnum Foundation, its creation supported by Magnum Foundation’s Emergency Fund, raises fundamental questions about the accountability and complicity of our governments, and the erosion of our most basic civil rights.
£58.50
Aperture This is Mars
This Is Mars offers a previously unseen vision of the red planet. Located somewhere between art and science, the book brings together for the first time a series of panoramic images recently sent back by the U.S. observation satellite MRO (Mars Reconnaissance Orbiter). Since its arrival in orbit in 2006, MRO and its HiRISE telescope have been mapping Mars’s surface in a series of exceptionally detailed images that reveal all the beauty of this legendary planet. Each image presents a six-kilometer-wide zone in which the planet’s geography and its geological and mineralogical textures are revealed. Conceived as a visual atlas, the book takes the reader on a fantastic voyage—plummeting into the breathtaking depths of the Velles Marineris canyons; floating over the black dunes of Noachis Terra; and soaring to the highest peak in our solar system, the Olympus Mons volcano. The search for traces of water also uncovers vast stretches of carbonic ice at the planet’s poles. Seamlessly compiled by French publisher, designer, and editor Xavier Barral, these extraordinary images are accompanied by an introduction by research scientist Alfred S. McEwen, principle investigator on the HiRISE telescope; an essay by astrophysicist Francis Rocard, who explains the story of Mars’s origins and its evolution; and a timeline by geophysicist Nicolas Mangold, who unveils geological secrets of this fascinating planet.
£72.00
Aperture Dawoud Bey: Class Pictures
For the past fifteen years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social, and ethnic spectrum— and intensely attentive to their poses and gestures—he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one forty-five-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny, or harrowing, these revealing words are an integral part of the project, and the subject’s statement accompanies each photograph in the book. Together, the words and images in Class Pictures offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.
£22.50
Aperture August Sander: People of the 20th Century: A Cultural Work in Photographs
A landmark in the history of modern art, People of the 20th Century presents the fullest expression of the German photographer August Sander’s lifelong work: a monumental endeavor to amass an archive of twentieth-century humanity through a cross section of German culture. Sander photographed subjects from all walks of life, capturing bankers and boxers, soldiers and circus performers, farmers and families, to create a catalog of the German people, arranged by their profession, gender, and social status. First imagined in the 1920s, he pursued the project for more than fifty years during a politically charged and rapidly changing time, fraught by two world wars and the devastating repercussions of Nazism. Sander never finished the seven-volume, forty-nine portfolio magnum opus, continually refining and shaping it to convey an understanding of the world in which he lived. The photographs, remarkable for their unflinching realism and deft analysis of character, provide a powerful social mirror of Germany between the wars and form one of the most influential achievements of the twentieth century. Now made available again, People of the 20th Century brings together the exquisite reproductions and principal texts of the long out-of-print, seven-volume edition, as well as the main scholarship from the accompanying study edition. This all-in-one edition, with 619 photographs, offers the most comprehensive iteration of Sander’s still-essential vision.
£99.00
Aperture The New Black Vanguard: Photography Between Art and Fashion
In The New Black Vanguard: Photography between Art and Fashion, curator and critic Antwaun Sargent addresses a radical transformation taking place in fashion and art today. The featuring of the Black figure and Black runway and cover models in the media and art has been one marker of increasingly inclusive fashion and art communities. More critically, however, the contemporary visual vocabulary around beauty and the body has been reinfused with new vitality and substance thanks to an increase in powerful images authored by an international community of Black photographers. In a richly illustrated essay, Sargent opens up the conversation around the role of the Black body in the marketplace; the cross-pollination between art, fashion, and culture in constructing an image; and the institutional barriers that have historically been an impediment to Black photographers participating more fully in the fashion (and art) industries. Fifteen artist portfolios feature the brightest contemporary fashion photographers, including Tyler Mitchell, the first Black photographer hired to shoot a cover story for American Vogue; Campbell Addy, founder of the Nii Agency and journal; and Nadine Ijewere, whose early series title, The Misrepresentation of Representation, says it all. Alongside a series of conversations between generations, their images and stories chart the history of inclusion, and exclusion, in the creation of the commercial Black image, while simultaneously proposing a brilliantly reenvisioned future.
£36.00
Aperture The Chinese Photobook: From the 1900s to the Present
Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium’s culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians’ short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook reveals for the first time the richness and diversity of this heritage. This now available in a smaller size, more accessibly priced hardcover edition, volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr’s interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers.
£45.00
Aperture Sebastião Salgado: Other Americas
Other Americas, originally published in France in 1986 and designed by Lélia Wanick Salgado, is Sebastião Salgado’s first book. Upon publication it became an award-winning photobook classic, establishing Salgado’s reputation as the visionary reportage photographer of his generation. With forty-nine black-and-white photographs taken between 1977 and 1984, Salgado’s distilled survey of a continent includes images from Brazil, Ecuador, Bolivia, Peru, Guatemala, and Mexico. The images range in subject, capturing spiritual and religious practices, changing rural landscapes, and intimate domestic life. Each photograph shares a sense of sincere connection—connection between the subject and the photographer, between a population and their homeland, and between Salgado and the audience he seeks to engage. In his text, Alan Riding writes, “Salgado has sought out a lost corner of the Americas and he has made it a prism through which the entire continent can be viewed. A philosophy of life is caught in a look; an entire way of life is frozen in a moment . . .”
£36.00
Aperture Playground: James Mollison
James Mollison’s photo projects are defined by smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison photographs children at play in their school playgrounds, inspired by memories of his own childhood and interested in how we all learn to negotiate relationships and our place in the world through play. For each picture, Mollison sets up his camera during school break time, making multiple frames and then composing each final photograph from several scenes, in which he finds revealing “play” narratives. With photographs from rich and poor schools, in countries including Argentina, Bhutan, Bolivia, India, Israel, Italy, Japan, Kenya, Nepal, Norway, Sierra Leone, the United Kingdom, and the U.S., Mollison also provides access for readers of all ages to issues of global diversity and inequality.
£27.00
Aperture The Photographer's Playbook: 307 Assignments and Ideas
The best way to learn is by doing. The Photographer’s Playbook features photography assignments, as well as ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals. Whether you’re looking for exercises to improve your craft—alone or in a group—or you’re interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities, and insight into the practices of those responsible for our most iconic photographs—John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker, and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.
£19.95
Aperture Penelope Umbrico: Photographs
Penelope Umbrico (Photographs)offers a radical reinterpretation of every-day consumer and vernacular images. As the artist describes, she works “within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects, and information that surrounds us, searching for decisive moments— but in these worlds, decisive moments are cultural absurdities.” Umbrico finds these moments in the printed pages of consumer product mail-order catalogs, travel and leisure brochures, and online sites such as Craigslist, EBay, and Flickr. By identifying and isolating image typologies—candy-colored horizons and sunsets, books used as props—the farcical and surreal nature of the lingua franca of consumerism and recrea-tion is brought to new light. Penelope Umbrico (Photographs) presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico’s first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works, and other material serving as resources for engaging further with the work and issues involved.
£36.00
Aperture Why People Photograph
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugène Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are."
£12.95
Aperture Lynne Cohen: Occupied Territory
In 1987 Aperture published Lynne Cohen’s first monograph, Occupied Territory, an exploration of space as simulated experience—an ersatz reality, idealized and standardized. Now, Aperture is pleased to release a newly expanded and updated reissue of this classic monograph, making Cohen’s pioneering work available to a contemporary audience and situating her appropriately within the lineage of Lewis Baltz, Stephen Shore, and other widely celebrated Topographic photographers. In the twenty years of work contained in the book, Cohen turns her view camera toward classrooms, science laboratories, testing facilities, waiting rooms, and other interior spaces where function triumphs over aesthetics. What decorations the inhabitants might have added to these rooms to make them more inviting—mostly phony attempts at warmth or individualism—only serve to amplify their artifice and uniformity. In cool, functional offices, futuristic reception areas, lifeless party rooms, escapist motel rooms, and haunting killing chambers, Cohen surveys a society of surface, contradiction, and social engineering. In her hands, clouds peel off walls and forest glades invade indoor tennis courts, and the awkward lives of furniture are revealed. Drawing on a background in sculpture, Cohen records the world’s readymade sculptures, waiting to be framed by the photograph. This new edition of Occupied Territory includes a new text by Britt Salvesen, and over fifteen unpublished images drawn from the book’s original time period of the ’70s and ’80s, encouraging a reexamination of Cohen’s deft exploration of Topographic seeing.
£36.00
Aperture Dawoud Bey on Photographing People and Communities: The Photography Workshop Series
In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. In this book, Dawoud Bey—well-known for his striking portraits that reflect both the individual and their larger community—offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something more universal. Through images and words, he shares his own creative process and discusses a wide range of issues, from lighting and location to establishing relationships with subjects, and practical strategies for starting a larger portraiture project.
£22.00
Aperture Berenice Abbott
An innovative documentary photographer, Berenice Abbott pioneered scientific images and photographed the fast-changing landscape of her times. Abbott studied journalism for a year in Ohio before moving to New York in 1918 to study sculpture, where she met Marcel Duchamp and Man Ray. She later moved to France in the 1920s and worked for Ray in his portrait studio before setting out on her own. Her portraits captured many individuals associated with avant-garde art movements, including author James Joyce and artist Max Ernst. Moving back to New York at the end of the decade, she began her renowned Changing New York series (later published as a book in 1939), and went on to become picture editor for Science Illustrated. In this redesigned and expanded version of a classic Aperture book, Abbott’s work is introduced by historian Julia Van Haaften, and includes new, image-byimage commentary and a chronology of this innovative artist’s life.
£14.95
Aperture Larry Fink on Composition and Improvisation
Photography deepens our connections to the world around us, to ourselves, and to one another. In this new and innovative series, Aperture works with the world’s top photographers, many of whom also teach, to publish their core thinking on photography—making their experience, insight, and knowledge accessible to a wider audience, including students. Each title in the series will provide an essential primer on the photographer’s area of expertise and creative process. The key points of their practice are presented in the photographer’s own words, and will answer the questions they are asked most frequently. The commentary will accompany a selection of fifty photographs—iconic images by each featured photographer, as well as key images by others that have influenced their thinking and work. Both individually and collectively, each book in the series functions as a “workshop in a book,” serving as an indispensable tool for students, teachers, and everyone who wants to take better pictures or learn to look at them in a more informed way.
£22.00
Aperture Cape Light
Cape Light, Joel Meyerowitz’s series of serene and contemplative color photographs taken on Cape Cod, Massachusetts, quickly became one of the most influential and popular photography books in the latter part of the twentieth century, breaking new ground both for color photography and for the medium’s acceptance into the art world. Now, over thirty-five years later, Aperture is pleased to bring back this classic collection in its original form. The book features all the now-iconic images of the original edition, newly remastered and printed as never before. In it, everyday scenes—an approaching storm, a local grocery store at dusk, the view through a bedroom window—are transformed by the stunning light of Cape Cod and the luminous vision of the photographer. Meyerowitz is a contemporary master of color photography, and through his eyes small-town life on the Cape is imbued once more with a powerful and captivating beauty.
£40.50
Aperture Zora J Murff: True Colors: (or, Affirmations in a Crisis)
True Colors (or, Affirmations in a Crisis) is a chronicle of survival by trailblazing artist Zora J Murff. Murff constructs a manual for coming to terms with the historic and contemporary realities of America’s divisive structures of privilege and caste. Since leaving social work to pursue photography over a decade ago, Murff’s work has consistently grappled with the complicit entanglement of the medium in the histories of spectacle, commodification, and race, often contextualizing his own photographs with found and appropriated images and commissioned texts. True Colors continues that work, expanding to address the act of remembering and the politics of self, which Murff identifies as “the duality of Black patriotism and the challenges of finding belonging in places not made for me—of creating an affirmation in a moment of crisis as I learn to remake myself in my own image.” Nuanced, challenging, and inspiring, True Colors (or, Affirmations in a Crisis) is a must-have monograph by a rising and standout artist. True Colors is the result of the inaugural Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, with the generous support of 7G Foundation. An exhibition of the work will open at Baxter St in New York in November 2021.
£45.00
Aperture Josef Koudelka: Next: A Visual Biography by Melissa Harris
An intimate portrait of the life and work of one of photography’s most renowned and celebrated artists Throughout his more than sixty-year-long obsession with the medium, Josef Koudelka considers a remarkable range of photographic subjects—from his early theater work, to his seminal project on the Roma and his legendary coverage of the 1968 Soviet invasion of Prague, to the solitariness of exile and the often-devastating impact humans have had on the landscape. Josef Koudelka: Next embraces all of Koudelka’s projects and his evolution as an artist in the context of his life story and working process, offering an unprecedented glimpse into the mind and world of this notoriously private photographer. Based on hundreds of hours of interviews conducted over the course of almost a decade with Koudelka—as well as ongoing conversations with his friends, family, colleagues, and collaborators worldwide—this deftly told, richly illustrated biography offers an unprecedented glimpse into the mind of this notoriously private photographer. Writer, editor, and curator Melissa Harris has independently crafted a unique, in-depth, and revelatory personal history of both the man and his photography. Josef Koudelka: Next is richly illustrated with hundreds of photographs, including many biographical and behind-the-scenes images from Koudelka’s life, as well as iconic images from his work, from the 1950s to the present. The visual presentation is conceived in collaboration with Koudelka himself, as well as his longtime collaborator, Czech designer Aleš Najbrt. Copublished by Aperture and Magnum Foundation
£36.00
Aperture Pao Houa Her: My Grandfather Turned into a Tiger... and Other Illusions
Pao Houa Her’s first major monograph, My grandfather turned into a tiger … and other illusions, explores the fundamental concepts of home and belonging: illusion, desire, and loss.Pao Houa Her’s work draws inspiration from a myriad of sources: apocryphal family lore; portraits of the artist’s community and self; and reimagined landscapes, with Minnesota and Northern California standing in for Laos. The compelling and personal narratives are grounded in the traditions and contemporary metaphors of the Hmong diasporic community. My grandfather turned into a tiger brings together four of the artist’s major series, including the title work which reimagines her family’s history before leaving Laos. Other work deals with a scandal within the Hmong community in which hundreds of elders were swindled as part of a fraudulent investment scheme built around the promise of a new Hmong homeland. In another series, tonally rich black-and-white still lifes of silk flowers collected by her mother are presented alongside images of flowers that adorn the digitally manipulated, hyper-colored popular backdrops used in Hmong photo studios and on dating apps. This beautifully designed monograph showcases Her’s keen eye on the line between ersatz and authenticity; as the artist has stated, photography is “a truth if you want it to be a truth.” My grandfather turned into a tiger is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7|G Foundation. Each cover is unique, featuring up to thirty-two jacket iterations, but is anchored by the same sticker on the front and back.
£45.00
Aperture Alex Webb and Rebecca Norris Webb: Brooklyn, The City Within
Brooklyn is one of the most dynamic and ethnically diverse places on the planet. In fact, it’s estimated that one in every eight US families had relatives come through Brooklyn when settling in the country. Alex Webb and Rebecca Norris Webb have been photographing this New York City borough for the past seven years, creating a profound and vibrant portrait. Alex Webb has traversed every corner of the borough, exploring its tremendous diversity. This parallels his work made in the past forty years, traveling to photograph different cultures around the world—all of which are represented in the place he now calls home. Contrasting with this approach, Rebecca Norris Webb photographed “the city within the city within the city,” the green heart of Brooklyn—the Botanic Garden, Green-Wood Cemetery, and Prospect Park, where Brooklynites of all walks of life cross paths as they find solace. Together, their photographs of Brooklyn tell a larger American story, one that touches on immigration, identity, and home.
£36.00
Aperture Barbara Crane: Private Views
In the early 1980s, photographer Barbara Crane embarked on a photographic project shot during Chicago’s various summer festivals. Armed with a Super Speed Graphic camera and Polaroid film, Crane waded in close to the revelers and focused on capturing the details of clothing and hairstyles, but most importantly, gesture. The images are tightly cropped and terrifically alive, viscerally bringing us into the crush of people eating, drinking, and enjoying the crowd dynamic—an incredible inventory of private gestures performed in public spaces. Private Views offers an intense, sun-drenched, sweat-glistening photographic experience. The effect is mesmerizing and intensely compelling, creating a palpable sensuality from image to image—an incredible document, not of a particular event or personalities, but of something less tangible: the public expression of euphoria.
£22.00
Aperture Ernest Cole: House of Bondage
First published in 1967, Ernest Cole’s House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe. Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time. Cole, a Black South African man, photographed the underbelly of apartheid in the 1950s and ’60s, often at great personal risk. He methodically captured the myriad forms of violence embedded in everyday life for the Black majority under the apartheid system—picturing its miners, its police, its hospitals, its schools. In 1966, Cole fled South Africa and smuggled out his negatives; House of Bondage was published the following year with his writings and first-person account. This edition retains the powerful story of the original while adding new perspectives on Cole’s life and the legacy of House of Bondage. It also features an added chapter—compiled and titled “Black Ingenuity” by Cole—of never-before-seen photographs of Black creative expression and cultural activity taking place under apartheid. Made available again nearly fifty-five years later, House of Bondage remains a visually powerful and politically incisive document of the apartheid era.
£45.00
Aperture Kimowan Metchewais: Some Kind of Prayer
A Kind of Prayer presents the first-ever survey dedicated to the late Cree artist Kimowan Metchewais and his singular body of work on Indigenous identity, community, and colonial memory. After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. A Kind of Prayer is a comprehensive overview that showcases this essential artist’s astonishing vision.
£54.00