Search results for ""Author Alex"

From the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It’s the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world. In this new photographic journey, Massimo Listri travels to some of the oldest and finest libraries to reveal their architectural, historical, and imaginative wonder. Through great wooden doors, up spiraling staircases, and along exquisite, shelf-lined corridors, he leads us through outstanding private, public, educational, and monastic libraries, dating as far back as 766. Between them, these medieval, classical, baroque, rococo, and 19th-century institutions hold some of the most precious records of human thought and deed, inscribed and printed in manuscripts, volumes, papyrus scrolls, and incunabula. In each, Listri’s poised images capture the library’s unique atmosphere, as much as their most prized holdings and design details. Featured libraries include the papal collections of the Vatican Apostolic Library, Trinity College Library, home to the Book of Kells and Book of Durrow, and the holdings of the Laurentian Library in Florence, the private library of the powerful House of Medici, designed by Michelangelo. With meticulous descriptions accompanying each featured library, we learn not only of the libraries’ astonishing holdings—from which highlights are illustrated—but also of their often lively, turbulent, or controversial pasts. Like Altenburg Abbey in Austria, an outpost of imperial Catholicism repeatedly destroyed during the European wars of religion, or the Franciscan monastery in Lima, Peru, with its horde of archival Inquisition documents. At once a bibliophile beauty pageant, an ode to knowledge, and an evocation of the particular magic of print, Massimo Listri. The World’s Most Beautiful Libraries is above all a cultural-historical pilgrimage to the heart of our halls of learning, to the stories they tell, as much as those they gather in printed matter along polished shelves.

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Cyrano de Bergerac 3.0Qué pasaría si un día nos levantáramos y una voz nos dijera al oído qué es lo que tenemos que decir y hacer para conseguir el éxito absoluto en todas las facetas de nuestra vida? Quién se negaría a seguir sus instrucciones?Si te fijas, hoy los humanos adultos estamos rendidos al imperio de las imágenes, ya no digo sólo por Instagram, la publicidad, los medios de comunicación, también por el vídeo, primero fue el HD, luego 4k, después 8k, resolución, resolución, resolución. Ahora ya verás cómo nos obsesionaremos con el reconocimiento facial y todas sus posibilidades. Mientras tanto, las máquinas, nos están adelantando por la derecha con el oído: fíjate en Alexa, Siri, Ok Google, o Echo. Mientras los seres humanos nos preocupamos por ver mejor lo que miramos, las máquinas se están preocupando por escuchar mejor lo que oyen. Risto Mejide, que tantos éxitos ha cosechado con sus libros de no ficción, se lanza ahora a una novela en la que atrapa d

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From some points of view, Timocles departs from the norm of his time, and in particular from near-contemporary comedians such as Alexis, Eubulus and Antiphanes, and appears to be the most 'Aristophanic' poet of the fourth century. More specifically, in a period when political satire seems to have lost its vigor, he employs acerbic attacks against major and minor Athenian politicians. The fact that at least sixteen of the forty-two surviving fragments of his poetry contain explicit or implicit references to politicians can hardly be attributed to chance. Timocles' inventiveness and versatility are also demonstrated, inter alia, in his combination of different motifs, his association of mythical figures with contemporary personalities and his employment of a figurative language. The present volume follows the principles and structure of the commentaries of the KomFrag project. It includes an introduction on Timocles and a detailed examination and commentary of the testimonies and the surviving fragments.

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Was ist "Glück" für die Autoren des Neuen Testaments und für ihre jüdischen Zeitgenossen innerhalb und außerhalb Palästinas? Dieser wichtigen, aber dennoch selten gestellten Frage geht Daniel Maier mittels der Analyse verschiedener Glückstraditionen auf den Grund. Dabei untersucht er in einem ersten Schritt sowohl unterschiedliche Darstellungen der jüdischen Geschichte (z. B. Jubiläenbuch, Flavius Josephus) als auch philosophische Überlegungen (z. B. Philo von Alexandria) aus der Zeit des Zweiten Tempels auf deren Konzepte eines guten Lebens. Auf diesem Fundament aufbauend gelingt es dem Autor, verschiedene Formen des Glücks in den neutestamentlichen Texten zu identifizieren und diese in ihre jüdisch-literarische Umwelt einzuordnen. Durch diesen Kontext ergibt sich ein neuartiges Verständnis von dem, was das "Glück" für die neutestamentlichen Autoren und die frühen Christen war.Diese Arbeit wurde mit dem Manfred-Görg-Juniorpreis 2021 ausgezeichnet.

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Philadelphia is known for many things: brotherly love, Revolutionary War history, passionate sports fans, cheesesteaks, and Rocky are merely a few of them. But the Founding Fathers didn’t just walk the streets of Philadelphia 200 years ago, many still walk here…or so the story goes. Along the streets of Philadelphia you can find the ghosts of Ben Franklin, Betsy Ross, Alexander Hamilton, and Edgar Allen Poe. But those are only the famous ones. There are a few less known ghosts creeping around the historic streets. Nearby Fort Mifflin certainly has its share of hauntings, given its long history of sheltering soldiers and holding prisoners from the Revolutionary War up to the Civil War. And given all the cemeteries that have been established and then relocated--or not--it's almost a given that thousands of disturbed graves might stir up a ghost or two.

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Glam Media presents 100 of the world's best restaurants, selected by top food critics and foodie editors-including Samir Arora, the CEO of Glam Media; former New York Times food critic Patricia Wells; New York Magazine 's Gael Greene; and Japan's first food critic, Masuhiro Yamamoto. Presenting the most reservation-worthy cuisine from four continents, Foodie Top 100 Restaurants Worldwide is for foodies who don't want anonymously compiled directories or crowd-sourced reviews. Detailed accounts of the most innovative menus, ambiance, and service, are accompanied by critics' tips, color photographs, and bonus lists of the top 100 restaurants in the USA, France, Europe, and Asia. With contributions by: Samir Arora Patricia Wells Gael Greene Masuhiro Yamamoto Ruth Reichl Jonathon Gold Bruno Verjus Alexander Lobrano Charles Campion Vir Sanghvi Aun Koh Susumu Ohta Kundo Koyama Yuki Yamamura Erika Lenkert

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Bringing historical events to life with its laugh-out-loud stories and striking illustrations, "Badass" chronicles the asskicking age of antiquity to the fearless modern era in chapters that include the stories of: Ramses II - the greatest of the Egyptian Pharaohs, who once said look upon my works, ye mighty, and despair; Alexander the Great - Macedonian King who conquered the entire known world before his 33rd birthday; Blackbeard - the most feared cutthroat to ever sail the Caribbean; and, Bhanbhagta Gurung - Gurkha soldier who cleared out six enemy positions with grenades, a knife, and a healthy disregard for his own safety. From Julius Caesar and Genghis Khan to Bruce Lee and George S. Patton, this relentless onslaught of badassitude is the perfect addition to the canon of manliness that includes "The Truth About Chuck Norris" and "The Alphabet of Manliness".

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A photographic exploration of the post-war modernist architecture of London. This collection of unique and evocative photography of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, BRUTAL LONDON takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may see every day, an invitation to look differently, a challenge to look up afresh, or to seek out celebrated Brutalism across the capital. The book's portable size and maps for each borough make it useful and practical; while the design, by leading agency A Practice for Everyday Life, echoes the aesthetic of Brutalist architecture with rough textured edges and fonts inspired by the site maps of modernist estates. Finalist for the British Book Design and Production Awards 2017, Photographic Books, Art / Architecture Monographs.

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The first book to document the history of the groundbreaking company Architectural Pottery, tracing its critical influence on midcentury design and its enduring appeal todayArchitectural Pottery's strikingly minimalist designs heralded new domestic housewares that could uniquely accent the modern homeinside and out. Formally expressive yet accessible, their refreshingly unembellished, elegant pots and planters were enthusiastically received by the public upon Architectural Pottery's launch in 1950, soon ubiquitous in spaces representing the epitome of modern living. Highly coveted and prized in design circles, they were seen in houses by Richard Neutra, John Lautner, and the historic Case Study Houses, and featured in the first of MoMA's legendary Good Design exhibitions alongside now-iconic designs by Ray and Charles Eames, Alexander Girard, and George Nelson. Over three decades, Architectural Pottery also developed innovations in stoneware production, expan

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An expert on mind considers how animals and smart machines measure up to human intelligence.Octopuses can open jars to get food, and chimpanzees can plan for the future. An IBM computer named Watson won on Jeopardy! and Alexa knows our favorite songs. But do animals and smart machines really have intelligence comparable to that of humans? In Bots and Beasts, Paul Thagard looks at how computers (bots) and animals measure up to the minds of people, offering the first systematic comparison of intelligence across machines, animals, and humans.Thagard explains that human intelligence is more than IQ and encompasses such features as problem solving, decision making, and creativity. He uses a checklist of twenty characteristics of human intelligence to evaluate the smartest machines--including Watson, AlphaZero, virtual assistants, and self-driving cars--and the most intelligent animals--including octopuses, dogs, dolphins, bees, and chimpanzees. Neither a

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The gripping sequel to the bestselling Killer in the Kremlin2:19pm, Moscow time, 16 February 2024. The Federal Penitentiary Service of the Yamalo-Nenets Autonomous District announces that Alexei Navalny is dead. The news sends shockwaves around the world.In Murder in the Gulag, award-winning journalist John Sweeney goes behind the headlines to reveal what really happened to the Russian opposition leader in the freezing Polar Wolf penal colony in a remote part of Siberia. The book is less a whodunnit - Russian President Vladimir Putin''s machinery of repression killed Navalny - than a howdunnit.The narrative relates Navalny''s extraordinary life story in technicolour detail, from his childhood summers spent with his grandparents in the shadow of the Chernobyl nuclear plant in Ukraine to his untimely death at the age of 47, cut down in his prime.This is a warts-and-all portrayal of a highly charismatic but controversial figu

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‘In many ways, being a fashion model can be compared to the life of a professional footballer. You might get signed, but the work doesn’t stop there. In fact, it’s only just begun.’ Interested in working in the fashion industry? Do you want to be a model, designer, photographer or stylist? Want a rare look at the industry from the inside? Supermodel Eunice Olumide MBE was signed when she was just 16. She has since graced catwalks all over the world, working with top design powerhouses including Christopher Kane, Harris Tweed, Alexander McQueen, and Mulberry. How to Get into Fashion is for you, whether you are looking to become a model or wish to pursue one of the many other careers in fashion – or just want to know what goes on behind the scenes. With stunning photographs and the knowledge of someone who’s been there and done it, this is your essential guide to the industry.

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The merging of Bristol-based Badgerline and Scottish-based GRT Holding saw the creation of FirstBus in West Yorkshire. After the corporate logo was introduced, local liveries arrived. However, by 1998 First were pushing for its Willow Leaf' livery and corporate interior as the standard. Former West Yorkshire PTE vehicles were withdrawn and replaced by the standard Volvo/Wrightbus vehicles from 2004. The low-floor era brought in 120 Volvo/Alexander double-deckers and 20 Volvo saloons with Wrightbus bodies. Investment in Bradford and Leeds was apparent, eventually trickling down elsewhere. In 2012 First refreshed the livery with a more pastel colour scheme, as ninety-eight new buses arrived in Leeds from the Olympic Games. Newer vehicles were also cascaded into Halifax and Huddersfield.Scott Poole documents the ups and downs of this operator, with a range of previously unpublished images.

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One of the finest historical fiction writers in the world - Ben KaneAfter the bloody trials of Alexandria, Sir William Gold is readying for a pilgrimage to Jerusalem to ease the burden on his soul. He hopes, too, that the Holy City might allow his relationship with Emile, cousin of the Green Count of Savoy, to develop.But the Roman Emperor of Constantinople has been taken hostage by an unknown enemy, and the Green Count is vital to the rescue effort. It is up to Sir William to secure his support, but he soon finds that his past, and his relationship with Emile, might have repercussions he had not foreseen...Suddenly thrust onto the stage of international politics, Sir William finds himself tangled in a web of plots, intrigue and murder. He must hold true to his chivalric principles, and to his knights, if he is to save the Emperor and survive to tell the tale.

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Featuring 352 color photos of beautiful glassware and 67 black and white historical photos and catalog pages, this is one of the most authoritative volumes documenting this prolific firm. Dazzling tableware, tumblers, condiments, and more are displayed in many of their popular glass patterns, including Eyewinker, Reverse torpedo, Alexis, Klondike, Onyx, and Floradine. Sweetheart, Crown, Two Post, Delaware, and Oklahoma lamps are also featured. Among the highly sought novelties illustrated are the Snowball Wine Set, Mrs. Snowball, Clown Decanter, Parrot Decanter, and the novelty pitchers Bicycle Girl, Bringing Home the Cows, Squirrel, and Three Birds. The text provides a detailed history of the company, from its founding in West Virginia through its time as a part of the National Glass Company. Values are provided in the captions. This book is a must for all who enjoy, collect, and study beautiful glassware.

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A large country mansion. A locked room. A gruesome murder.Russian oligarch Alexander Volkov has invited 1000 guests to a party at his palatial Surrey residence, Westgrave Hall. But while giving a private tour of the library, a gunman kills Volkov, wounding his ex-wife and slaying her new beau.Nothing makes sense to DCI Craig Gillard. In the blood-spattered crime scene there are no forensic traces of anyone else involved, CCTV shows no one entered or left the library, and everyone seems to have an alibi.Is it a crime of revenge, the squaring of a love triangle, or a Russian government operation? Could the victims have simply shot each other? Gillard’s eventual discovery is shocking even to him.The latest gripping crime thriller from a master of the genre, The Bodies at Westgrave Hall will leave you guessing until the very end. Perfect for fans of Ed James and Damien Boyd.

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'Restless Souls turns genre inside out . . . it never stops being a page-turner' Colum McCann After three years embedded in the Siege in Sarajevo, war correspondent Tom returns to Dublin a haunted shell of his former self. Laughably unqualified, but determined to see him through the darkness, his childhood friends Karl and Baz embark on a journey for an unlikely cure, to an experimental Californian clinic called Restless Souls. But as they try to save Tom from his memories, they are forced to confront their own - of what happened to the lost member of their group, Gabriel. 'Ambitious, rambunctious and extremely accomplished' Sunday Times 'A bawdy, alive, profane panegyric to the indissoluble bonds of friendship' Colin Barrett 'The funniest sad book I've read in a long time' J. Robert Lennon 'A tender, banter-filled debut' Daily Mail 'Sheehan is a brave new voice in fiction, fusing comedy and heart to explore a friendship transformed by trauma' Alexandra Kleeman

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THE HUNTERSIf you seek, they will find...The treasure:For two thousand years, Alexander the Great's legendary tomb - and the extraordinary riches within - has remained hidden, but recent events hold the key to locating the fabled vault. Only one team can solve the mystery that has plagued historians for centuries.The mission: The Hunters - an elite group assembled by an enigmatic billionaire to locate the world's greatest treasures - are tasked with finding the tomb. Following clues to Egypt, they encounter hostile forces determined to stop them. What started as a treasure hunt quickly becomes a rescue mission that will take the lives of hundreds and leave a city in ruins.As the danger mounts, will the Hunters rise to the challenge?Or will the team be killed before they find the ultimate prize? High-octane action. Brilliant characters. Classic Kuzneski.

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S’intéresser au concept de « catégorie » dans la philosophie d’Aristote c’est se pencher sur l’un des objets qui a le plus suscité de commentaires depuis l’Antiquité jusqu’à la modernité récente – de Porphyre à Derrida en passant par les stoïciens, Alexandre et les philosophes arabes. Loin d'être limitée au traité qui a porté ce titre ("Des catégories"), traité dont l'objet et le sens même font difficulté, la kategoria se situe à la croisée des divers champs de questionnements philosophiques aristotéliciens et des enjeux de la physique, de la logique, de la dialectique et de la science « première ». L’objet de ce volume est d’éclairer, à partir de quelques-unes des lectures actuelles et des grandes approches interprétatives, les difficultés majeures d’interprétation que le concept de « catégorie » (kategoria) a posé à la tradition, ainsi que d'en renouveler la compréhension à même les textes.

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The ancient Greeks invented democracy, theater, rational science, and philosophy. They built the Parthenon and the Library of Alexandria. Yet this accomplished people never formed a single unified social or political identity. In Introducing the Ancient Greeks, acclaimed classics scholar Edith Hall offers a bold synthesis of the full 2,000 years of Hellenic history to show how the ancient Greeks were the right people, at the right time, to take up the baton of human progress. Hall portrays a uniquely rebellious, inquisitive, individualistic people whose ideas and creations continue to enthrall thinkers centuries after the Greek world was conquered by Rome. These are the Greeks as you’ve never seen them before.

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Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. Offers a detailed examination of poetic form and its relation to content. Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis. Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more. Includes a helpful glossary of poetic terms.

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Rome, 1964. As 13 year old Andre stands at the foot of the gangway to the ship, his mother fusses over their luggage - 32 suitcases, trunks and tea chests that contain their world. The ship will refuel and return to Alexandria, the home where they have left their father, as the Aciman family begin a new adventure. Andre is now head of the family, with a little brother to keep in line and a mother to translate for - for although she's mute, she is nothing if not communicative.Equal parts transporting and beautiful, this coming of age memoir shares the luminous, fragile truth of life for a family forever in exile, living in Rome, but still yet to find a home.

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You thought you knew the story of the “The Three Little Pigs”… You thought wrong. In this hysterical and clever fracture fairy tale picture book that twists point of view and perspective, young readers will finally hear the other side of the story of “The Three Little Pigs.” “In this humorous story, Alexander T. Wolf tells his own outlandish version of what really happens during his encounter with the three pigs…. Smith''s simplistic and wacky illustrations add to the effectiveness of this fractured fairy tale.”—Children’s Literature “Older kids (and adults) will find very funny.”—School Library Journal

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There is an astonishing world just waiting to be photographed underwater. With marine biologist Dr Alexander Mustard as your guide you can learn all you need to know to explore the amazing creatures and landscapes that lie beneath the surface. From information about diving equipment and cameras, to crucial advice on understanding and controlling light underwater, this book provides all the background you need before you take the plunge. Topics covered include wide-angle light, macro lighting, ambient light and macro techniques. All this is illustrated, of course, with stunning images of the weird and wonderful animals and sights he has encountered beneath the waves.

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All families have secrets. In Sunday Times bestseller Penny Vincenzi's WICKED PLEASURES lies a family secret that will tear it apart. 'Penny Vincenzi is the doyenne of the modern blockbuster' Glamour. Sexy, glamorous and fun, WICKED PLEASURES is the story of a brother and two sisters who find out that they all have different fathers: none of them Alexander, Earl of Catherham, who was married to their mother for almost twenty years. It is the story of the power and the greed of the mega-rich, as the great family banking business upon which fortunes are won and lost comes to the brink of ruin, and family ties are tested to the utmost.

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Genius Inventions gives readers an unprecedented insight into the events, people and histories behind technological and scientific developments that have helped shape modern civilization. Discover the inspiration for some of the most important moments in the history of technology. An invention is rarely the brainchild of a single person, however brilliant, and the book includes timelines that explain the development of each creation and pays homage to some of the other great developments that came before and after. Beautifully illustrated throughout, showing 20 items of rare, on-the-page documents and memorabilia. See plans of the Wright Brothers' plane and extracts from the notebook of Alexander Graham Bell.

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The man with the golden mouth.Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown. Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second. The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

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A Spicing of Birds is a unique and beautifully illustrated anthology, pairing poems from one of America's most revered poets with evocative classic ornithological art. Emily Dickinson had a great love of birds-in her collected poems, birds are mentioned 222 times, sometimes as the core inspiration of the poem. However, in existing anthologies of Dickinson's work, little acknowledgment is made of her close connection to birds. This book contains thirty-seven of Dickinson's poems featuring birds common to New England. Many lesser-known poems are brought to light, renewing our appreciation for Dickinson's work. The editors' introduction draws extensively from Dickinson's letters, providing fascinating insights into her relationship with birds. The illustrations, by late 18th century to early 20th century artists/ornithologists, are often so apt as to seem to have been created with the poems in mind. Included are beautiful watercolors by Mark Catesby, engravings of John James Audubon's paintings, illustrations by Alexander Wilson, chromo-lithographs by Robert Ridgway (curator of birds at the National Museum for some fifty years), paintings by Louis Agassiz Fuertes, and some of the earliest bird photographs by Cordelia Stanwood. The editors also discuss the development and growth of birding in the nineteenth century as well as the evolution of field guides and early conservation efforts. Brief biographies of the artists are included in an appendix. This book is an eloquent tribute to the special place held by birds in our lives and imaginations, and will make an ideal gift for both birders and poetry readers.

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The book opens with an impressive article by Georg Kretschmar. The relationship and the increasing difference between Jews and Christians are determined by the way Jews and Christians have defined themselves against one another. Christians saw Jews as those who rejected Jesus, and therefore identified themselves in opposition to the Jews. The one and only Church, in origin Jewish and gentile became - by definition - anti-Jewish. One of the consequences was Auschwitz, for Jews a never-ending experience. The distinction between Jews and Christians is still present in modern definitions of Church. The problem remains: how can Jews and Christians be defined differently, and both be successors to the same tradition? Other contributions are: Legem statuimus, on rhetorical aspects in the discussion (Johannes S. Vos - Amsterdam), Wie steht es um den judischen Einfluss auf den christlichen Martyrerkult? (Willy Rordorf - Neuchatel), Die Epistula Anne ad Senecam (Wolfgang Wischmeyer - Heidelberg), Juden und Christen in Georgien (Tamila Mgaloblishvili - Tbilisi), Juden und Christen in Alexandrien (Roelof van den Broek - Utrecht), Juden und Christen im Heiligen Land (Adolf M. Ritter - Heidelberg), Juden und Christen in Aphrodisias (Pieter W. van der Horst - Utrecht). The book is written in German.

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A comprehensive and immersive survey of thirty-five Beethoven piano sonatas “Beethoven piano sonatas accompany every pianist, amateur or professional for his or her entire life and constitute one of the most miraculous constants of the human civilization. To help us around the exciting journey through those masterpieces Jan Marisse Huizing combines his expertise, knowledge, and above all his unconditional love for this music.”— Alexander Melnikov, pianist Beethoven’s piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven’s pianism as well as his characteristics of notation, form and content, “types of touch,” articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.

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Aristotle (384 - 322 B.C.) taught logic to Alexander the Great and, by virtue of his philosophical works, to every philosopher since, from Marcus Aurelius, to Thomas Aquinas, to Mortimer J. Adler. Now Adler instructs the world in the "uncommon common sense" of Aristotelian logic, presenting Aristotle's understandings in a current, delightfully lucid way. He brings Aristotle's work to an everyday level. By encouraging readers to think philosophically, Adler offers us a unique path to personal insights and understanding of intangibles, such as the difference between wants and needs, the proper way to pursue happiness, and the right plan for a good life.

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This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory--with their proposed reforms of eroticism, the family, and civic order--as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.

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This is the second volume on medieval Antioch which is meant to become a series of studies on less well-known aspects of the city's eventful history. Its multi-ethnic, multi-religious and multi-linguistic character pose more than one problem which needs further investigation. Unknown material, new interpretations of texts, translations of unknown or less accessible texts accompanied by commentaries, are the main focus of this series of publications on Antioch. This volume reponds to this initiative. Various contributions highlight unknown or understudied aspects of this history. A translation of a Logos of the Greek theologian Nikon of the Black Mountain is presented by Wim Aerts. An almost unknown anonymous enumeration of descriptions of the castles of Nureddin, written in Arabic, was made by Tevfik Buyukasik. The description of Edessa in Abu al-Makarim's History of the Churches and Monasteries of Egypt and some neighbouring Countries was translated by Clara ten Hacken. The Greek Reconquest in 969 influenced Byzantine art (Alexander Simansky). In the same period Northerners from Scandinavia are signalled in Antioch (Krijnie Ciggaar). The Latin conquest of 1098 and its aftermath are discussed by Thomas Asbridge. Jochen Burgtorf focuses on the Hospitaller Lordship of Margat. Tasha Vorderstrasse concentrates on contacts with China, Mongolia and Armenia, while Balazs Major presents material culture when discussing a mill in Valania. In the article by Laurence Delobette crusaders from Burgundy appear on the scene after 1268. The various articles stimulate further research and discussion on the various aspects of the history of this important and influential city in the Eastern Mediterranean.

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Paul Gruhler opened his first studio in 1962 at the age of 21 — a year later he had a solo show at the DeMena Gallery in lower Manhattan. From the beginning, Gruhler, a self-taught artist, was compelled by what came to be known as geometric abstraction, in which the deliberative arrangement of color, line, texture, and scale, in paintings and collage, evoke from these disparate elements a sense of meditative harmony. For sixty years, he has continued to explore the subtle differences that can be made from color and line. Gruhler was fortunate in the early years to have met and become good friends with three older artists who were also important teachers and mentors — first Michael Lekakis, then Harold Weston and Herb Aach. Lekakis, a celebrated sculptor, who already had had exhibitions at the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Modern Art’s exhibition Americans 1963, took Gruhler under his wing, navigating him through New York’s thriving avant-garde art scene. As Carolyn Bauer writes, “Michael Lekakis was instrumental in encouraging Gruhler to attend art events, while taking him to invite-only museum openings.” He also introduced him to renowned artists — among them, Alexander Calder, Isamu Noguchi, Louise Nevelson, and Barnett Newman — whose works influenced the young Gruhler, as did such artists as Mark Rothko, Clyfford Still, and Ad Reinhardt. Lekakis was also instrumental in Gruhler’s first show, giving titles to his paintings and writing catalog copy that drew upon his own abstract poetics. “These canvases,” he wrote, are “multi colored fire densely cascades to suspension hanging a counterpoint of rhythmic patterns in space covering it like a shroud united by a golden fragmentation.” Over these years Gruhler has had numerous solo and group shows in the U.S. in New York and Vermont, in Mexico, and abroad in Finland, Germany, Sweden, and The Netherlands. HARMONICS is both a retrospective and a current view of Paul Gruhler’s intensive art. “My work,” he says, “has been a meditative exploration of vertical and horizontal relationships in space, in order to achieve both harmony and tension within color, line and form.”

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As seen on ABC's The View • One of W magazine’s Most Anticipated Books of Fall 2023"We reserve this space for our humanity in all of its fond, ironic, elated, grief-stricken, confused glory . . . When you find yourself alone and downtrodden, when the news is too much, return to these pages. This one is for you." —from the introduction by Cole Brown and Natalie Johnson"There's something particularly special about Black Love. When you consider the history of our people, the strife and adversity we've overcome, love seems an almost illogically ambitious act of resistance." —from the foreword by John LegendFrom celebrated Black writers, creators, and thinkers—and with a foreword by John Legend—comes a collection of letters and original illustrations on the subject of Black love, a powerful and heartfelt celebration of Blackness in all its many forms.In this exquisite anthology of letters and illustrations, Cole Brown and Natalie Johnson bring together a constellation of influential Black figures to write to the people, places, and moments that mean the most to them. With a foreword from John Legend and contributions from Brontez Purnell, Morgan Jerkins, Reverend Al Sharpton, and Dr. Imani Perry, among many others, Black Love Letters is an ode to a phenomenal community: a testament to the fact that where there has been pain and suffering, there has also always been immeasurable, irrepressible joy and love.With letters from: Akili King • Reverend Al Sharpton • Alexandra Elle • Allisa Charles-Findley • Barbara Edelin • Belinda Walker • Ben Crump • Bill Whitaker • Bilquisu Abdullah • Brianna Holt • Brontez Purnell • Cole Brown • Danez Smith • Dick Parsons • Deborah Willis • Doug Jones • Douglas Kearney • Imani Perry • Jamila Woods • Jan Menafee • Jayne Allen • Jeh Charles Johnson • Jenna Wortham • Jonathan Capehart • John Legend • Joel Castón • Joy-Ann Reid • Justus Cornelius Pugh • Kwame Dawes • Lynae Vanee Bogues • Mahogany Browne • Malachi Elijah • Michael Eric Dyson • Morgan Jerkins • Nadia Owusu • Natalie Johnson • Raka Reynolds • Rhianna Jones • Chef Rōze Traore • Sojourner Brown • Tarana Burke • Tembe Denton-Hurst • Topaz Jones • Tracey Michae’l Lewis-Giggetts • VJ Jenkins

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A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TOTHE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

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The definitive study of the LaSalle Quartet, for forty years the premier exponent of 'the new music' for string quartet. The LaSalle Quartet (1946-1987) was the premier exponent of 'the new music' for string quartet. Founded in 1946 at the Julliard School in New York, it became famous for its performances of works by the Second Viennese School and its commissioning of many new pieces by contemporary post-war composers. As a result, the quartets by Lutoslawski, Ligeti and Nono have since entered the standard repertory, sitting comfortably next to those by Schoenberg, Berg andWebern. The LaSalle Quartet's brilliant advocacy of the quartets by Alexander Zemlinsky resulted in best-selling recordings for Deutsche Grammophon. In an informative and critical dialogue between new and old, the LaSalleQuartet was also an incisive interpreter of the classical quartet repertory; many of its recordings are still in print. Its record as a teaching quartet is equally impressive, numbering among its students at the University of Cincinnati the Alban Berg, Brahms, Prazak, Artis, Buchberger, Ponche and Vogler Quartets. The LaSalle Quartet's founder and first violinist, Walter Levin, is himself a highly influential teacher whose students have included the conductor James Levine and the violinist Christian Tetzlaff, as well as many third-generation string quartets. This book, based on extensive interviews with Walter Levin conducted by Robert Spruytenburg over five years, is in equal measure autobiography, history of the Quartet, reminiscences of the contemporary composers who figured so prominently in its career, and penetrating commentary on the LaSalle Quartet's wide-ranging repertory. All these aspectsare artfully woven into a uniquely valuable, informative and entertaining document of musical life in the twentieth century. ROBERT SPRUYTENBURG lives in Basel. He was introduced to Walter Levin in 1988 and took part inhis chamber music courses. Since 2003, Spruytenburg has been working on the LaSalle Quartet's archives located at the Paul Sacher Foundation in Basel. He is a frequent contributor to classical music programmes for Swiss radio.

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"The maps themselves are things of beauty...a document of its time, of our time." -Sadie Stein, New York Times "One is invited to fathom the many New Yorks hidden from history's eye...thoroughly terrific." -Maria Popova, Brain Pickings Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts-from linguists to music historians, ethnographers, urbanists, and environmental journalists-amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan's playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City's unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York's buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA

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THE AGE OF DRAGONS IS OVER. Uncertainty plagues Azeroth’s ancient guardians as they struggle to find a new purpose. This dilemma has hit Kalecgos, youngest of the former Dragon Aspects, especially hard. Having lost his great powers, how can he—or any of his kind—still make a difference in the world? The answer lies in the distant past, when savage beasts called proto-dragons ruled the skies. Through a mysterious artifact found near the heart of Northrend, Kalecgos witnesses this violent era and the shocking history of the original Aspects: Alexstrasza, Ysera, Malygos, Neltharion, and Nozdormu. In their most primitive forms, the future protectors of Azeroth must stand united against Galakrond, a bloodthirsty creature that threatens the existence of their race. But did these mere proto-dragons face such a horrific adversary alone, or did an outside force help them? Were they given the strength they would become legendary for . . . or did they earn it with blood? Kalecgos’s discoveries will change everything he knows about the events that led to the . . .

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With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. As in the title essay, the widely admired "Reflections on Exile," the fact of his own exile and the fate of the Palestinians have given both form and the force of intimacy to the questions Said has pursued. Taken together, these essays--from the famous to those that will surprise even Said's most assiduous followers--afford rare insight into the formation of a critic and the development of an intellectual vocation. Said's topics are many and diverse, from the movie heroics of Tarzan to the machismo of Ernest Hemingway to the shades of difference that divide Alexandria and Cairo. He offers major reconsiderations of writers and artists such as George Orwell, Giambattista Vico, Georg Lukacs, R. P. Blackmur, E. M. Cioran, Naguib Mahfouz, Herman Melville, Joseph Conrad, Walter Lippman, Samuel Huntington, Antonio Gramsci, and Raymond Williams. Invigorating, edifying, acutely attentive to the vying pressures of personal and historical experience, his book is a source of immeasurable intellectual delight.

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The story of the “American Mediterranean,” both an idea and a shorthand popularized by geographers, historians, novelists, and travel writers from the early nineteenth century to the 1970s. The naturalist Alexander von Humboldt, visiting the Gulf-Caribbean in the early nineteenth century, called it America’s Mediterranean. Almost a century later, Southern California was hailed as “Our Mediterranean, Our Italy!” Although “American Mediterranean” is not a household phrase in the United States today, it once circulated widely in French, Spanish, and English as a term of art and folk idiom. In this book, Susan Gillman asks what cultural work is done by this kind of unsystematic, open-ended comparative thinking.American Mediterraneans tracks two centuries of this geohistorical concept, from Humboldt in the early 1800s, to writers of the 1890s reflecting on the Pacific world of the California coast, to writers of the 1930s and 40s speculating on the political past and future of the Caribbean. Following the term through its travels across disciplines and borders, American Mediterraneans reveals a little-known racialized history, one that paradoxically appealed to a range of race-neutral ideas and ideals.

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The story of the “American Mediterranean,” both an idea and a shorthand popularized by geographers, historians, novelists, and travel writers from the early nineteenth century to the 1970s. The naturalist Alexander von Humboldt, visiting the Gulf-Caribbean in the early nineteenth century, called it America’s Mediterranean. Almost a century later, Southern California was hailed as “Our Mediterranean, Our Italy!” Although “American Mediterranean” is not a household phrase in the United States today, it once circulated widely in French, Spanish, and English as a term of art and folk idiom. In this book, Susan Gillman asks what cultural work is done by this kind of unsystematic, open-ended comparative thinking.American Mediterraneans tracks two centuries of this geohistorical concept, from Humboldt in the early 1800s, to writers of the 1890s reflecting on the Pacific world of the California coast, to writers of the 1930s and 40s speculating on the political past and future of the Caribbean. Following the term through its travels across disciplines and borders, American Mediterraneans reveals a little-known racialized history, one that paradoxically appealed to a range of race-neutral ideas and ideals.

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Fifty years after the Moon landing, a new history of the space race explores the lives of both Soviet and American engineers At the dawn of the space age, technological breakthroughs in Earth orbit flight were both breathtaking feats of ingenuity and disturbances to a delicate global balance of power. In this short book, aerospace historian Roger D. Launius concisely and engagingly explores the driving force of this era: the race to the Moon. Beginning with the launch of Sputnik 1 in October 1957 and closing with the end of the Apollo program in 1972, Launius examines how early space exploration blurred the lines between military and civilian activities, and how key actions led to space firsts as well as crushing failures. Launius places American and Soviet programs on equal footing—following American aerospace engineers Wernher von Braun and Robert Gilruth, their Soviet counterparts Sergei Korolev and Valentin Glushko, and astronaut Buzz Aldrin and cosmonaut Alexei Leonov—to highlight key actions that led to various successes, failures, and ultimately the American Moon landing.

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Jerusalem has a special status as a city that is both terrestrial and celestial. The name includes a cognate for 'peace, ' but the old stones of the city have witnessed epic bloodshed and destruction over the centuries. The three great monotheistic religions all regard it with especial fervor, and it has for at least two millennia attracted pilgrims intent on seeing it before they die. This rich and compelling anthology of travelers' writings attempts to convey something of the diverse experiences of visitors to this most complex and enigmatic of cities. A Jerusalem Anthology takes us on a journey through a city, not just of illusion and powerful accumulated religious emotion, but of colors, lights, smells, and sounds, an inhabited city as it was directly experienced and lived in through the ages. Memoirs of visitors such as as sixth-century AD pilgrim Saint Silvia of Bordeaux, medieval Jerusalemite al-Muqaddasi, Grand Tour voyagers Gustave Flaubert and Alexander Kinglake, the humorous Mark Twain, or the cynical T.E. Lawrence provide vivid and sometimes disturbing vignettes of the Holy City at very different times in its tumultuous history.

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The electrification of the watch led to massive upheaval in the watch industry as mechanical chronometers built by Old World masters developed into electromechanical devices mass produced in Asia. In nearly 600 images and in-depth text, this book retraces the often circuitous paths that led from the electromagnetic pendulum clock to the modern quartz wristwatch. This well-researched volume focuses on the period between 1950 and 1985, but it also covers the long process of electrifying big clocks, which goes back to Alexander Bain's 1841 patent for an electrically operated magnetic pendulum clock. But the crowning achievement of this process was the further miniaturization of the timepiece into the modern quartz wristwatch. Follow the many different technical developments in Switzerland, France, Germany, Russia, Japan, South Korea, and the United States and see detailed images of components, schematics, and complete wristwatch movements from hundreds of makers, including Bulova, Hamilton, Omega, Rolex, and Seiko. This is an ideal book for horologists as well as those interested in the history of science and industry.

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These sermons by Ambrose of Milan (340–397 AD) provide a window into the preaching and scriptural exegesis of the legendary bishop, whose exposition of the Old Testament was instrumental in the conversion of Augustine of Hippo and in the development of Latin theology. In his treatise On Noah and his two Defenses for David, Ambrose borrows from influential Greek theologians, including Philo of Alexandria, Origen, and Didymus the Blind, while developing his own commentary on the exemplary patriarchs. Ambrose’s exegesis typifies both his attention to the letter of Scripture as well as his spiritual and allegorical reading of the holy figures or “saints” who lived before Christ.The first treatise presents Noah as a model just man, as Ambrose pairs the literal and the higher or spiritual meaning of the Genesis flood narrative to address topics ranging from the Genesis narrative to Stoic ethics to the Incarnation. In his defense of David to the emperor Theodosius, Ambrose ties David’s sin and repentance to his own close reading of Psalm 51(50), David’s plea for himself in his famous “Miserere.” While the authenticity of the third treatise included in the volume, the Second Apology of David, has long been challenged, recent scholarship suggests that it transmits Ambrose’s own preaching, which applies the lessons of David’s life to the situation of gentile unbelievers, Jews, and the church; even if it is the work ofa later imitator, the Second Apology is a compelling and systematic treatment of the David’s sin and repentance as relevant to Christian morality and doctrine.The three treatises, previously unavailable in English translation, broaden our understanding of exegesis in the Latin West and our interpretation of Ambrose as preacher and exegete.

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It began with Magic, Bird, and Dr. J. Then came Michael. The Dream Team. The WNBA. And, most recently, "Spree" Latrell Sprewell--American Dream or American Nightmare?--the embodiment of everything many believe is wrong--and others believe is exciting--about the game. Today, despite the NBA strike, despite home run derbies, despite football's headlock on network television ratings, despite the much-heralded return of baseball, basketball has assumed a role in American culture and consciousness impossible to imagine 20 years ago, when arenas were empty and the NBA finals were broadcast via tape delay in the wee hours. So what happened? How did a "black sport," plagued by drug scandal and decimated by white flight, come to achieve such prominence? What are the subtle and not-so-subtle racial codes that define how the game is played and perceived, and the reception of its high-profile stars? What does the shift in popularity from the predominantly white, working-class ethos of baseball to the black, urban ethos of basketball suggest about contemporary life in America? What linkages exist between basketball and hip-hop culture and how did these develop? How has the arrival of women on the scene changed the equation? Bringing together journalists, cultural critics, and academics, this wide-ranging anthology has something for everyone, from hard-core fan to casual observer. Contributors: Todd Boyd, Kenneth L. Shropshire, Gerald Early, James Peterson, Susan J. Rayl, Davis W. Houck, Mark Conrad, Charles J. Ogletree, Jr., Earl Smith, Sohail Daulatzi, Larry Platt, Tina Sloan Green, Alpha Alexander, Tara McPherson, Aaron Baker.

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Hans Urs von Balthasar places Origen of Alexandria “in rank . . . beside Augustine and Thomas” in “importance for the history of Christian thought,” explaining that his “brilliance” has captivated theologians throughout history (Spirit and Fire, 1984, 1). This brilliance shines forth in his nine extant homilies on Isaiah, in which he employs his theology of the Trinity and Christ to exhort his audience to play their crucial role in salvation history.Origen reads Isaiah’s vision of the Lord and two seraphim in Isaiah 6 allegorically as representing the Trinity, and this theme runs throughout the nine homilies. His representation of the seraphim as the Son and Holy Spirit around the throne of the Father brought early accusations that Origen was a proto-Arian subordinationist, followed by a pointed condemnation by Emperor Justinian in 553. These homilies, originally delivered between 245 and 248, are extant only in a fourth-century Latin translation. Though St. Jerome, likely because of these controversies, does not identify himself as the Latin translator, the evidence overwhelmingly points to his pen, and his reliability in conveying Origen’s authentic meaning is well documented.If one sets aside the questionable charges of subordinationism, these homilies, expounding on passages from Judges 6-10, come alive with Origen’s legacy of presenting Christ as the central figure of the soul’s ascent to God. Reading allegorically the two seraphim to be Jesus and the Holy Spirit around the Father’s throne, Origen draws a picture of the Trinity as a tightly knit whole in which the Son and the Holy Spirit eternally sing the Trisagion (“Holy, holy, holy”) to each other and the Father about the divine truths of God’s nature, allowing the part of their song that conveys the “middle things” of salvation history to be heard by creation. The “second seraph” is the Son, or Jesus, who descends holding a hot coal, or Scripture, from the altar of the throne, with which he cleanses Isaiah’s lips, or the believer’s soul. Origen employs his signature exegetical method of allegory and typology through the lens of the threefold meaning of Scripture to emphasize to his hearers that Christ is the deliverer, the content, and the reward of the healing Word. He repeatedly assures them that those who submit to Scripture will enter into salvation history’s cycle of cleansing from sin, growth in virtue, and ever-deepening knowledge of God. As a result, they will become like Christ and thus will be prepared to join the Trinity for all eternity at the heavenly wedding feast.

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