Search results for ""yale university press""

The celebrated survey of female Abstract Expressionist artists revealing the richness and lasting influence of their work The artists Jay DeFeo, Helen Frankenthaler, Grace Hartigan, Elaine de Kooning, Lee Krasner, Joan Mitchell, and many other women played major roles in the development of Abstract Expressionism, which flourished in New York and San Francisco in the 1940s and 1950s and has been recognized as the first fully American modern art movement. Though the contributions of these women were central to American art of the twentieth century, their work has not received the same critical attention as that of their male counterparts. Women of Abstract Expressionism is a long-overdue survey. Lavishly illustrated with full-color plates emphasizing the expressive freedom of direct gesture and process at the core of the movement, this book features biographies of more than forty artists, offering insight into their lives and work. Essays by noted scholars explore the techniques, concerns, and legacies of women in Abstract Expressionism, shedding light on their unique experiences. This groundbreaking book reveals the richness of the careers of these important artists and offers keen new reflections on their work and the movement as a whole.Published in association with the Denver Art MuseumExhibition Schedule:Mint Museum, Charlotte, N.C. (10/22/16–01/22/17)Palm Springs Art Museum (02/18/17–05/28/17)

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An important revisionist history that casts eighteenth-century British politics and imperial expansion in a new light “An important book . . . . Vaughn has greatly added to our understanding of Britain’s empire and politics.”—Journal of Modern HIstory In this bold debut work, historian James M. Vaughn challenges the scholarly consensus that British India and the Second Empire were founded in “a fit of absence of mind.” He instead argues that the origins of the Raj and the largest empire of the modern world were rooted in political conflicts and movements in Britain. It was British conservatives who shaped the Second Empire into one of conquest and dominion, emphasizing the extraction of resources and the subjugation of colonial populations. Drawing on a wide array of sources, Vaughn shows how the East India Company was transformed from a corporation into an imperial power in the service of British political forces opposed to the rising radicalism of the period. The Company’s dominion in Bengal, where it raised territorial revenue and maintained a large army, was an autocratic bulwark of Britain’s established order. A major work of political and imperial history, this volume offers an important new understanding of the era and its global ramifications.

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An essential, up-to-date look at the critical interactions between biological diversity and climate change that will serve as an immediate call to action The physical and biological impacts of climate change are dramatic and broad‑ranging. People who care about the planet and manage natural resources urgently need a synthesis of our rapidly growing understanding of these issues. In this all‑new sequel to the 2005 volume Climate Change and Biodiversity, leading experts in the field summarize observed changes, assess what the future holds, and offer suggested responses. From extinction risk to ocean acidification, from the future of the Amazon to changes in ecosystem services, and from geoengineering to the power of ecosystem restoration, this book captures the sweep of climate change transformation of the biosphere.

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A moving collection of poems by internationally acclaimed Greek poet Kiki Dimoula, brilliantly translated into English Kiki Dimoula’s poetry—the most praised and prized in contemporary Greek literature—is a paradox, both mysteriously intricate and widely popular. Her magic lens defamiliarizes all that is familiar, compressing distances between far-flung realms, conflating concrete and abstract, literal and metaphorical, physical and metaphysical. Exacting and oracular at once, Dimoula superimposes absurdity on rationality, caustic irony on dark melancholy. This first English translation of a wide selection of poems from across Dimoula’s oeuvre brings together some of her most beguiling, arresting, and moving work. The demands on her translators are considerable. Dimoula plays with the Greek language, melds its levels of diction, challenges its grammar and syntax, and bends its words by twisting their very shape and meaning. Cecile Inglessis Margellos and Rika Lesser, Dimoula’s award-winning translators, have re-created her style’s uncanny effect of refraction: when plunged into the water of her poetry, all these bent words suddenly and astonishingly appear perfectly straight.

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The first survey of more than fifty years of drawing by a legendary sculptor and draftswoman Lee Bontecou (b. 1931) established a significant reputation in the 1960s with pioneering sculptures and reliefs made of raw and expressionistic materials. Her art is simultaneously organic and mechanical, and infused with biological, geological, and technological motifs. These same qualities also animate a less-known but compelling body of work: her drawings. Ranging from her early soot on paper works created using powder from a welding torch to recent drawings in pencil and colored pencil that evoke cosmoses and microcosmic worlds, this stunning book is the first retrospective survey of Bontecou’s consistently innovative drawings. More than sixty full-color plates, populated by imagery ranging from black voids to mechanomorphs to hybrid descendants of teeth, plants, and fish, are complemented by original essays from leading scholars who explore themes such as the drawings’ historical contexts, Bontecou’s use of the iconography of the void, and the eco-apocalyptic themes of an artist who came of age in the roiling political atmosphere of the 1960s. Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (01/31/14–05/11/14)Princeton University Art Museum (06/28/14–09/21/14)

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An exquisite appreciation of the distinctive rewards of historical research and a classic guide to the personal yet disciplined craft of discovery, now in its first English translation. Arlette Farge’s Le Goût de l’archive is widely regarded as a historiographical classic. While combing through two-hundred-year-old judicial records from the Archives of the Bastille, historian Farge was struck by the extraordinarily intimate portrayal they provided of the lives of the poor in pre-Revolutionary France, especially women. She was seduced by the sensuality of old manuscripts and by the revelatory power of voices otherwise lost. In The Allure of the Archives, she conveys the exhilaration of uncovering hidden secrets and the thrill of venturing into new dimensions of the past. Originally published in 1989, Farge’s classic work communicates the tactile, interpretive, and emotional experience of archival research while sharing astonishing details about life under the Old Regime in France. At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive’s allure can forever change how we understand the past.

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Winner of the 2013 Yale Series of Younger Poets prize Eryn Green’s Eruv is the latest winner of the oldest annual literary award in the United States, which originated in 1919 to showcase the works of exceptional American poets under the age of forty. Green joins an esteemed roster of past winners that includes Adrienne Rich, John Ashbery, W. S. Merwin, and Robert Hass, and as Carl Phillips, competition judge and chancellor of the American Academy of Poets, points out, this collection “reminds us how essential wilderness is to poetry—a wilderness in terms of how form and language both reinvent and get reinvented.” Taking its title from the Hebrew word for a ritual enclosure that opens from private into public spaces, Eruv includes poems of love, sadness, and pathos while celebrating the power of ritual and untamed landscapes. Just as a larger home can be fashioned out of communally shared alleyways and courtyards, with passages enabling movement from one world to another, Green’s poems provide a similar doorway into a deeper understanding of ourselves.

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Rembrandt van Rjin (1606–1669) was among the few celebrated old masters who enjoyed considerable freedom in his choice of subject matter. Living and working in the Protestant Netherlands, he painted largely for private patrons and the open market, selecting his own subjects in the hope of finding buyers. Although he depicted biblical, historical, and mythological themes in emulation of the great artists of the past, his subjects often focus on fundamental human experiences and emotions that transcend their literary sources. Even when working within the confines of specific commissions, Rembrandt managed to imbue his paintings with deeper, personal meanings. These works reveal the artist’s profound humanity and at times reflect the circumstances of his life. This illuminating study explores some of the central themes of Rembrandt’s paintings, drawings, and etchings: grand – love, sin, repentance and forgiveness, adultery, fatherhood, and the conflict between the generations – as well as mundane and idiosyncratic. It demonstrates how Rembrandt’s subjects can offer new revelations about this complex artist.

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A sobering study of the troubled African nation, both pre- and post-genocide, and its uncertain future The brutal civil war between Hutu and Tutsi factions in Rwanda ended in 1994 when the Rwandan Patriotic Front came to power and embarked on an ambitious social, political, and economic project to remake the devastated central-east African nation. Susan Thomson, who witnessed the hostilities firsthand, has written a provocative modern history of the country, its rulers, and its people, covering the years prior to, during, and following the genocidal conflict. Thomson’s hard-hitting analysis explores the key political events that led to the ascendance of the Rwandan Patriotic Front and its leader, President Paul Kagame. This important and controversial study examines the country’s transition from war to reconciliation from the perspective of ordinary Rwandan citizens, Tutsi and Hutu alike, and raises serious questions about the stability of the current peace, the methods and motivations of the ruling regime and its troubling ties to the past, and the likelihood of a genocide-free future.

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Noted historian Ian Talbot has written a new history of modern South Asia that considers the Indian Subcontinent in regional rather than in solely national terms. A leading expert on the Partition of 1947, Talbot focuses here on the combined history of India, Pakistan, and Bangladesh since 1757 and specifically on the impact of external influences on the local peoples and cultures. This text explores the region’s colonial and postcolonial past, and the cultural and economic Indian reaction to the years of British authority, thus viewing the transformation of modern South Asia through the lens of a wider world.

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Learn to Read Latin helps students acquire an ability to read and appreciate the great works of Latin literature as quickly as possible. It not only presents basic Latin morphology and syntax with clear explanations and examples but also offers direct access to unabridged passages drawn from a wide variety of Latin texts. As beginning students learn basic forms and grammar, they also gain familiarity with patterns of Latin word order and other features of style. Learn to Read Latin is designed to be comprehensive and requires no supplementary materials explains English grammar points and provides drills especially for today’s students offers sections on Latin metrics includes numerous unaltered examples of ancient Latin prose and poetry incorporates selections by authors such as Caesar, Cicero, Sallust, Catullus, Vergil, and Ovid, presented chronologically with introductions to each author and work offers a comprehensive workbook that provides drills and homework assignments. This enlarged second edition improves upon an already strong foundation by streamlining grammatical explanations, increasing the number of syntax and morphology drills, and offering additional short and longer readings in Latin prose and poetry.

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The definitive biography of the celebrated composer, published in English to coincide with the centenary of his death A best seller when first published in Germany in 2003, Jens Malte Fischer's Gustav Mahler has been lauded by scholars as a landmark work. He draws on important primary resources—some unavailable to previous biographers—and sets in narrative context the extensive correspondence between Mahler and his wife, Alma; Alma Mahler's diaries; and the memoirs of Natalie Bauer-Lechner, a viola player and close friend of Mahler, whose private journals provide insight into the composer's personal and professional lives and his creative process.Fischer explores Mahler's early life, his relationship to literature, his achievements as a conductor in Vienna and New York, his unhappy marriage, and his work with the Metropolitan Opera and the New York Philharmonic in his later years. He also illustrates why Mahler is a prime example of artistic idealism worn down by Austrian anti-Semitism and American commercialism. Gustav Mahler is the best-sourced and most balanced biography available about the composer, a nuanced and intriguing portrait of his dramatic life set against the backdrop of early 20th century America and fin de siècle Europe.

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From the prizewinning Jewish Lives series, a new appreciation of the extraordinary life and legacy of Léon Blum, the first Jewish prime minister of France"A valuable introduction and guide to one of the most important, if overlooked, figures in the history of modern France and, indeed, modern Europe."—James McAuley and Patrice Higonnet, New Republic Léon Blum (1872–1950), France’s prime minister three times, socialist activist, and courageous opponent of the pro-Nazi Vichy regime, profoundly altered French society. It is Blum who is responsible for France’s forty-hour week and its paid holidays, which were among the many reforms he championed as a deputy and as prime minister, while acting as a proudly visible Jew, a Zionist, and eventually a survivor of Buchenwald. This biography fully integrates Blum’s Jewish commitments into the larger story of his life. Unlike previous biographies that downplay the significance of Blum’s Jewish heritage on his progressive politics, Pierre Birnbaum’s portrait depicts an extraordinary man whose political convictions were shaped and driven by his cultural background. The author powerfully demonstrates how Blum’s Jewishness was central to his outlook and mission, from his earliest entry into the political arena in reaction to the Dreyfus Affair, and how it sustained and motivated him throughout the remainder of his life. Birnbaum’s Léon Blum is a critical chapter in the larger history of Jews in France.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall Street Journal "Distinguished" –New Yorker "Superb" –The Guardian

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A fresh and penetrating exploration of South Africa’s history, from the earliest known human inhabitation of the region to the present“I did not think it was possible for a white person to write a history of South Africa which a black South African would find to be a fair and accurate account of a beautiful land and its people. Leonard Thompson has disabused me of that notion. His is a history that is both accurate and authentic, written in a delightful literary style.”—Archbishop Desmond Tutu The Fourth Edition of this classic text brings South Africa's history up to date with a new chapter chronicling the first presidential term of Mbeki and ending with the funeral of Nelson Mandela. “An admirably objective history of South Africa . . . [that] will be most useful in contemplating the country’s future.”—Lorna Hahn, New York Times Book Review “This is a work of insight and durability that is certain to assist South Africa’s coming generation of nation-builders to reach a more objective understanding of their past.”—Foreign Affairs “Concentrating on southern Africa’s black inhabitants, rather than on its white minority, this work has received universal praise from scholars and activists alike.”—Washington Post Book World “The text is basic for any reader who wishes to comprehend the historical patterns that preface the struggles that seethe and boil in this country. A careful, reliable book for student research.”—School Library Journal

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An awe-inspiring study of the enduring power of Paleolithic art The cave art of France’s Dordogne region is world-famous for the mythology and beauty of its remarkable drawings and paintings. These ancient images of lively bison, horses, and mammoths, as well as symbols of all kinds, are fascinating touchstones in the development of human culture, demonstrating how far humankind has come and reminding us of the ties that bind us across the ages.Over more than twenty-five years of teaching and research, Christine Desdemaines-Hugon has become an unrivaled expert in the cave art and artists of the Dordogne region. In her new book she combines her expertise in both art and archaeology to convey an intimate understanding of the “cave experience.” Her keen insights communicate not only the incomparable artistic value of these works but also the near-spiritual impact of viewing them for oneself.Focusing on five fascinating sites, including the famed Font de Gaume and others that still remain open to the public, Stepping-Stones reveals striking similarities between art forms of the Paleolithic and works of modern artists and gives us a unique pathway toward understanding the culture of the Dordogne Paleolithic peoples and how it still touches our lives today.

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From Jewish clothing merchants to Bangladeshi curry houses, ancient docks to the 2012 Olympics, the area east of the City has always played a crucial role in London's history. The East End, as it has been known, was the home to Shakespeare's first theater and to the early stirrings of a mass labor movement; it has also traditionally been seen as a place of darkness and despair, where Jack the Ripper committed his gruesome murders, and cholera and poverty stalked the Victorian streets. In this beautifully illustrated history of this iconic district, John Marriott draws on twenty-five years of research into the subject to present an authoritative and endlessly fascinating account. With the aid of copious maps, archive prints and photographs, and the words of East Londoners from seventeenth-century silk weavers to Cockneys during the Blitz, he explores the relationship between the East End and the rest of London, and challenges many of the myths that surround the area.

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This new edition of one of Heidegger’s most important works features a revised and expanded translators’ introduction and an updated translation, as well as the first English versions of Heidegger’s draft of a portion of the text and of his later critique of his own lectures. Other new features include an afterword by Petra Jaeger, editor of the German text. “This revised edition of the translation of Heidegger’s 1935 lectures, with its inclusion of helpful new materials, superbly augments the excellent translation provided in the first edition. The result is a richly rewarding volume, to be recommended to every student of Heidegger’s works, whether a novice or a long-time reader.”—Daniel Dahlstrom, Boston University

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An exploration of the role of the handbag in the history of culture, fashion, and material production The history of the handbag—its design, how it has been made, used, and worn—reveals something essential about women's lives over the past 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy, and even fear. Handbags explores these rich histories and multiple meanings.This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled.Published in association with the Simone Handbag Museum, Seoul

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A fully revised and updated new edition of the classic history of western America “A classic for the twenty-first century, The American West stands as the best one volume treatment of the American West in a generation—a masterful overview, replete with triumph and tragedy, pain and possibility.”—Karl Jacoby, Columbia University “This new edition of The American West is, quite simply, stunning. Incorporating cutting-edge scholarship without losing the vision and clarity of the original, it weaves a cast of protagonists around a clear and gripping narrative. Comprehensive, bold, punchy, this is a textbook that reads like a novel.”—Pekka Hämäläinen, Oxford University The newly revised second edition of this concise, engaging, and unorthodox history of America’s West has been updated to incorporate new research, including recent scholarship on Native American lives and cultures. An ideal text for course work, it presents the West as both frontier and region, examining the clashing of different cultures and ethnic groups that occurred in the western territories from the first Columbian contacts between Native Americans and Europeans up to the end of the twentieth century.

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A fascinating glimpse into the creative process of a major contemporary sculptor, featuring many previously unseen works on paper American sculptor Martin Puryear (b. 1941) creates work that combines the clean elegance of minimalism and the simplicity of traditional materials. His stunning sculptures explore themes of identity, ethnicity, and history, and are rich with social and cultural commentary. Puryear, who is known for abstract, large-scale pieces in wood, stone, and bronze, has captured the attention of the art world for the past 30 years. Despite the apparent simplicity of his works, however, he engages in an extensive iterative process that has, until now, been unknown. Martin Puryear: Multiple Dimensions explores that process, featuring numerous drawings, prints, and small-scale sculptures that have never before been published. This catalogue is the first to examine Puryear’s work across media, providing invaluable insight into his visual thinking, from sketches to working drawings and constructions for sculpture. Handsomely illustrated with nearly 120 color plates that demonstrate the evolution of Puryear’s ideas between drawings, prints, and sculptures, this beautiful volume draws back the curtain on the methodology of this important and enigmatic artist. Distributed for the Art Institute of ChicagoExhibition Schedule:Morgan Library and Museum (10/09/15–01/10/16)The Art Institute of Chicago (02/07/16–05/01/16)Smithsonian American Art Museum (05/27/16–09/06/16)

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The seventeenth-century poet Andrew Marvell (1621–1678) is one of the most intriguing figures in English literature. A noted civil servant under Cromwell’s Protectorate, he has been variously identified as a patriot, spy, conspirator, concealed homosexual, father to the liberal tradition, and incendiary satirical pamphleteer and freethinker. But while Marvell’s poetry and prose has attracted a wide modern following, his prose is known only to specialists, and much of his personal life remains shrouded in mystery. Nigel Smith’s pivotal biography provides an unparalleled look into Marvell’s life, from his early employment as a tutor and gentleman’s companion to his suspicious death, reputedly a politically fueled poisoning. Drawing on exhaustive archival research, the voluminous corpus of Marvell’s previously little known writing, and recent scholarship across several disciplines, Smith’s portrait becomes the definitive account of this elusive life.

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This book examines the small library of 24 books common to all Jewish and Christian Bibles—books that preserve the efforts of diverse writers over a span of many centuries to make sense of their personal experiences and those of their people, the ancient Israelites. Professor Christine Hayes guides her readers through the complexities of this polyphonous literature that has served as a foundational pillar of Western civilization, underscoring the variety and even disparities among the voices that speak in the biblical texts. Biblical authors wrote in many contexts and responded to a sweeping range of crises and questions concerning issues that were political, economic, historical, cultural, philosophical, religious, and moral. In probing chapters devoted to each of the 24 books of the Hebrew Bible, or Old Testament, Hayes reconstructs the meanings and messages of each book and encourages a deeper appreciation of the historical and cultural settings of ancient biblical literature.

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A vivid and incisive analysis of the complex relationship between Israel and its Palestinian citizens written by an acclaimed Israeli historian For decades, hundreds of thousands of Palestinians have lived as Israeli citizens within the borders of the nation formed at the end of the 1948 conflict. Occupying a precarious middle ground between the Jewish citizens of Israel and the dispossessed Palestinians of the West Bank and the Gaza Strip, the Israeli Palestinians have developed an exceedingly complex relationship with the land they call home; however, in the innumerable discussions of the Israel-Palestine problem, their experiences are often overlooked and forgotten. In this book, historian Ilan Pappé examines how Israeli Palestinians have fared under Jewish rule and what their lives tell us about both Israel’s attitude toward minorities and Palestinians’ attitudes toward the Jewish state. Drawing upon significant archival and interview material, Pappé analyzes the Israeli state’s policy toward its Palestinian citizens, finding discrimination in matters of housing, education, and civil rights. Rigorously researched yet highly readable, The Forgotten Palestinians brings a new and much-needed perspective to the Israel-Palestine debate.

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The first full-scale account of a Persian king vilified by history Xerxes, Great King of the Persian Empire from 486–465 B.C., has gone down in history as an angry tyrant full of insane ambition. The stand of Leonidas and the 300 against his army at Thermopylae is a byword for courage, while the failure of Xerxes’ expedition has overshadowed all the other achievements of his twenty-two-year reign. In this lively and comprehensive new biography, Richard Stoneman shows how Xerxes, despite sympathetic treatment by the contemporary Greek writers Aeschylus and Herodotus, had his reputation destroyed by later Greek writers and by the propaganda of Alexander the Great. Stoneman draws on the latest research in Achaemenid studies and archaeology to present the ruler from the Persian perspective. This illuminating volume does not whitewash Xerxes’ failings but sets against them such triumphs as the architectural splendor of Persepolis and a consideration of Xerxes’ religious commitments. What emerges is a nuanced portrait of a man who ruled a vast and multicultural empire which the Greek communities of the West saw as the antithesis of their own values.

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Acclaimed pianist and writer Charles Rosen explores music’s profound ability to convey emotion through sound How does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? Though sentiment and emotion play a vital role in the composition, performance, and appreciation of music, rarely have these elements been fully observed. In this succinct and penetrating book, Charles Rosen draws upon more than a half century as a performer and critic to reveal how composers from Bach to Berg have used sound to represent and communicate emotion in mystifyingly beautiful ways.Through a range of musical examples, Rosen details the array of stylistic devices and techniques used to represent or convey sentiment. This is not, however, a listener’s guide to any “correct” response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody. Taking examples from Chopin, Schumann, Wagner, and Liszt, he traces the use of radically changing intensities in the Romantic works of the nineteenth century and devotes an entire chapter to the key of C minor. He identifies a “unity of sentiment” in Baroque music and goes on to contrast it with the “obsessive sentiments” of later composers including Puccini, Strauss, and Stravinsky. A profound and moving work, Music and Sentiment is an invitation to a greater appreciation of the crafts of composition and performance.

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A decisive account of the dramatic Gallipoli campaign of World War I, with a devastating assessment of its pointless losses The Gallipoli campaign of 1915–16 was an ill-fated Allied attempt to shorten the war by eliminating Turkey, creating a Balkan alliance against the Central Powers, and securing a sea route to Russia. A failure in all respects, the operation ended in disaster, and the Allied forces suffered some 390,000 casualties. This conclusive book assesses the many myths that have emerged about Gallipoli and provides definitive answers to questions that have lingered about the operation.Robin Prior, a renowned military historian, proceeds step by step through the campaign, dealing with naval, military, and political matters and surveying the operations of all the armies involved: British, Anzac, French, Indian, and Turkish. Relying substantially on original documents, including neglected war diaries and technical military sources, Prior evaluates the strategy, the commanders, and the performance of soldiers on the ground. His conclusions are powerful and unsettling: the naval campaign was not “almost” won, and the land action was not bedeviled by “minor misfortunes.” Instead, the badly conceived Gallipoli campaign was doomed from the start. And even had it been successful, the operation would not have shortened the war by a single day. Despite their bravery, the Allied troops who fell at Gallipoli died in vain.

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An irresistible look into more than 300 years of fashion through an exquisite collection of designer dresses What woman can resist imagining herself in a beautiful designer dress? Here, for the first time ever, are 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it.Featuring designs by Paul Poiret, Coco Chanel, Madame Grès, Yves Saint Laurent, Gianni Versace, Vivienne Westwood, Alexander McQueen, and many others, this one-of-a-kind collection presents a stunning variety of garments. Ranging from the buttoned-up gowns of the late 17th century to the cutting-edge designs of the early 21st, the dresses reflect the sensibilities and excesses of each era while providing a vivid picture of how styles have changed—sometimes radically—over the years. A late 1600s wool dress with a surprising splash of silver thread; a large-bustled red satin dress from the 1800s; a short, shimmery 1920s dancing dress; a glamorous 1950s cocktail dress; and a 1960s minidress—each tells a story about its period and serves as a testament to the enduring ingenuity of the fashion designer’s art.Images of the dresses are accompanied by informative text and enhanced by close-up details as well as runway photos, fashion plates, works of art, and portraits of designers. A glossary of related terms is also included.Published in association with The Metropolitan Museum of Art

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In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading. “This study’s comprehensiveness and the author’s bone-dry wit make this compelling reading, not just for folklorists, but for anyone interested in a time when the dead wouldn’t stay dead.”—Booklist “Barber’s inquiry into vampires, fact and fiction, is a gem in the literature of debunking… [and] a convincing exercise in mental archaeology.”—Roy Porter, Nature “A splendid book about the undead, illuminated by the findings of morbid anatomy…. The main value of this most interesting book is to remind us how far we have come in our ability to explain the world and how this has released us from at least some terrors.”—Anthony Daniels, Spectator “This book is fascinating reading for physicians and anthropologists as well as anyone interested in folklore.”—R. Ted Steinbock, M.D., Journal of the American Medical Association “A fascinating and pain-staking (sorry!) thesis, which welds together folklore, epidemic panic, communal stupidity, and forensic and funereal science.”—Huw Knight, New Scientist

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Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann’s life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen’s scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who—with little support from his family and friends in provincial Saxony—painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease.Worthen’s biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation.

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Benny Morris demolishes misconceptions and provides a comprehensive history of the Israeli-Arab war of 1948 This history of the foundational war in the Arab-Israeli conflict is groundbreaking, objective, and deeply revisionist. A riveting account of the military engagements, it also focuses on the war’s political dimensions. Benny Morris probes the motives and aims of the protagonists on the basis of newly opened Israeli and Western documentation. The Arab side—where the archives are still closed—is illuminated with the help of intelligence and diplomatic materials. Morris stresses the jihadi character of the two-stage Arab assault on the Jewish community in Palestine. Throughout, he examines the dialectic between the war’s military and political developments and highlights the military impetus in the creation of the refugee problem, which was a by-product of the disintegration of Palestinian Arab society. The book thoroughly investigates the role of the Great Powers—Britain, the United States, and the Soviet Union—in shaping the conflict and its tentative termination in 1949. Morris looks both at high politics and general staff decision-making processes and at the nitty-gritty of combat in the successive battles that resulted in the emergence of the State of Israel and the humiliation of the Arab world, a humiliation that underlies the continued Arab antagonism toward Israel.

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The first sustained analysis of the cult of the legendary Italian hero Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of “charismatic” political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi’s political style appropriated by political leaders around the world, including Mussolini and Che Guevara.

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A comprehensive bilingual collection of twentieth-century French poetry Not since the publication of Paul Auster’s The Random House Book of 20th Century French Poetry (1984) has there been a significant and widely read anthology of modern French poetry in the English-speaking world. Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organization that highlights six crucial “pressure points” in modern French poetry. Accompanying the selections are a general introduction, informative essays on each period, and short biographical notes—all prepared by the editor.

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The international bestseller: E. H. Gombrich’s sweeping history of the world, for the curious of all ages “All stories begin with ‘Once upon a time.’ And that’s just what this story is all about: what happened, once upon a time.” So begins A Little History of the World, an engaging and lively book written for readers both young and old. Rather than focusing on dry facts and dates, E. H. Gombrich vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. He paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events, from Confucius to Catherine the Great to Winston Churchill, and from the invention of art to the destruction of the Berlin Wall. For adults seeking a single-volume overview of world history, for students in search of a quick refresher course, or for families to read and learn from together, Gombrich’s Little History enchants and educates.

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This volume is a new translation, introduction and commentary on the book of law that shaped the religion in Israel.

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The poetry found in the Book of Lamentations is an eloquent expression of one man’s, and one nation’s, despair. The poet is deep in mourning as a result of the fall of Jerusalem to the Babylonians in the sixth century b.c.e. He looks to Israel’s own sins to explain the catastrophe, and yet he recites poignant examples of Israel’s suffering in wondering aloud if God has abandoned his people altogether. Thus his lament is both a confession and a prayer for hope in spite of the horrible defeat. Lamentations is traditionally thought to have been written by the prophet Jeremiah; today the question is whether one man wrote it or many. In his Introduction, Delbert Hillers gives the evidence against Jeremiah’s authorship and suggests that the poems should be treated as an intelligible unity, most likely written by an eyewitness to the events described. The Book of Lamentations has been taken up through history both as poetry and as an expression of boundless grief. It has become part of the Jewish and Christian liturgies, as well as a source of comfort far beyond the time in which it was written. This commentary fills in the book’s literary and historical background, and we emerge with a fresh respect for the artistry with which it was composed. The poetry itself demands this respect, with a translation here that carries the emotion and heartbreak of the original Hebrew.This new edition by Delbert R. Hillers is a thorough revision of his earlier Anchor Bible commentary, incorporating new literary theories and textual discoveries connected with the very latest Dead Sea Scrolls scholarship.

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Every opera lover enjoys a performance more when accompanied by a knowledgeable friend. In this indispensable guide, well-known opera critic Charles Osborne provides exactly that. Osborne fills in the details on 175 of the world’s most frequently performed operas, including facts about the composer and the music, a plot outline, accounts of famous performers, and much more."This book is exactly what the title claims: an opera lover's companion. Reading it is like going to the opera with a knowledgeable friend who tells you enough to make you want to see the piece but not so much you're drowned in superfluous detail."—Richard Fawkes, Opera Now"What this invaluable book contains is the ideal rundown on 175 operas from Auber's Fra Diavolo to Zimmerman's Die Soldaten, in each case putting the work in context within the composer's development, with a list of characters, a short synopsis and pointers towards the most imortant arias, duets and ensembles, all in a personal congenial tone, like unto an operatically wise and loving uncle."—Denby Richards, Musical Opinion“An erudite, instructive and unpretentious guide.”—Michael Kennedy, The Sunday Telegraph"It’s hard to imagine any other book on the subject more informative and helpful to the average enthusiast. . . . This book is one you’ll cherish."—Books in Canada

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This is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture, and for the philosophical resonance of her art. By restricting herself to nonrepresentational forms, earth-based colors, and, in the case of her watercolors, “found” pieces of paper, Frecon achieves an unequaled sense of balance and openness in her work. The book features ten oil paintings and thirty watercolors dating from the late 1990s to 2007. form, color, illumination celebrates the uniqueness of Frecon's painting and articulates how her work distinguishes itself within the history of abstract painting. The authors describe in-depth how her artistic process and materials are an integral part of her focus and aesthetic. Included is an essay revealing the "ethics” of her aesthetics––an argument for abstraction and an attention to truth that is not divorced from social and environmental concerns.Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (March 6 – May 11, 2008) Kunstmuseum Bern (June 11 – September 28, 2008)

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Experts agree that Jack the Ripper murdered five London women, but how many others did he slaughter in Britain or across the seas? The number of women murdered and mutilated by Jack the Ripper is impossible to know, although most researchers now agree on five individuals. These five canonical cases have been examined at length in Ripper literature, but other contemporary murders and attacks bearing strong resemblance to the gruesome Ripper slayings have received scant attention. These unsolved cases are the focus of this intriguing book. The volume devotes separate chapters to a dozen female victims who were attacked during the years of Jack the Ripper’s murder spree. Their terrible stories—a few survived to bear witness, but most died of their wounds—illuminate key aspects of the Ripper case and the period: the gangs of London’s Whitechapel district, Victorian prostitutes, the public panic inspired by the crimes and fueled by journalists, medical practices of the day, police procedures and competency, and the probable existence of other serial killers. The book also considers crimes initially attributed to Jack the Ripper in other parts of Britain and the world, notably New York, Jamaica, and Nicaragua. In a final chapter, the drive to find the identity of the Ripper is examined, looking at contemporary and later suspects as well as several important theories, revealing the lengths to which some have gone to claim success in identifying Jack the Ripper.

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This is the first revised, expanded, and updated edition of Psychoanalytic Terms and Concepts since its third edition in 1990. It presents a scholarly exposition of English-language psychoanalytic terms and concepts, including those from all contemporary schools of theory and practice. Each entry starts with a brief definition that is followed by an explanation of the significance of the term/concept for psychoanalysis, its historical development, and the present-day controversies about best usage.

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One of the world’s leading scholars offers unique insights into the history and significance of Christian creeds Eminent theologian Jaroslav Pelikan has been translating, editing, and studying the Christian creeds and confessions of faith for sixty years. This book is the historical and theological distillation of that work. In Credo, Pelikan addresses essential questions about the Christian tradition: the origins of creeds; their function; their political role; how they relate to Christian institutions, worship, and service; and how they help to explain the major divisions of the Christian church and of Christian history.Credo standsas an independent reference work devoted to the subject of what creeds and confessions are and what their role in history has been. It is also the first of the four volumes of Creeds and Confessions of Faith in the Christian Tradition, edited by Pelikan and Valerie Hotchkiss.

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How Algeria became a breeding ground for instability, violence, and Islamic terrorism After liberating itself from French colonial rule in one of the twentieth century’s most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria’s recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria’s predicament—political instability, pressing economic and social problems, bad governance, a disenfranchised youth—is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria’s complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers—and an increasing tendency to export terrorism to France, America, and beyond.

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Chivalry—with its pageants, heraldry, and knights in shining armor—was a social ideal that had a profound influence on the history of early modern Europe. In this eloquent and richly detailed book, a leading medieval historian discusses the complex reality of chivalry: its secular foundations, the effects of the Crusades, the literature of knighthood, and its ethos of the social and moral obligations of nobility.“This is a rich book, making effective use of all sorts of documents and illustrations. Keen moves easily across Europe in search of the international spirit of chivalry. . . . The pageantry he presents is colorful and his conclusions uplifting.”—David Herlihy, New York Times Book Review“An elegantly written, important book.”—Carolly Erickson, Los Angeles Times Book Review“Splendid. . . . Keen is exemplary in the use he makes of many kinds of medieval literature, epic and lyric poetry, family and military histories, didactic treatises, translations into the vernacular of books of the Bible and of works from ancient Rome.”—R.C. Smail, New York Review of Books “Original [and] beguiling.”—Fiona MacCarthy, Times (London) “A most readable and comprehensive survey: stimulating, informative, a splendid creation of context.”—Nicholas Orme, Times Higher Education Supplement“All historians of Western society . . . will do well to refer to this book.”—Georges Duby, Times Literary Supplement

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Although the arts are often thought to be closer to the rim of education than to its core, they are, surprisingly, critically important means for developing complex and subtle aspects of the mind, argues Elliot Eisner in this engrossing book. In it he describes how various forms of thinking are evoked, developed, and refined through the arts. These forms of thinking, Eisner argues, are more helpful in dealing with the ambiguities and uncertainties of daily life than are the formally structured curricula that are employed today in schools. Offering a rich array of examples, Eisner describes different approaches to the teaching of the arts and the virtues each possesses when well taught. He discusses especially nettlesome issues pertaining to the evaluation of performance in the arts. Perhaps most important, Eisner provides a fresh and admittedly iconoclastic perspective on what the arts can contribute to education, namely a new vision of both its aims and its means. This new perspective, Eisner argues, is especially important today, a time at which mechanistic forms of technical rationality often dominate our thinking about the conduct and assessment of education.

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When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition. “The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art. "A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography."—Harper's. "It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate."—James Ackerman. "In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship."—Virginia Quarterly Review.

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This book is the indispensable guide to the history of architecture in Venice, encompassing the city’s fascinating variety of buildings from ancient times to the present day. Completely updated and filled with splendid new illustrations, this edition invites all visitors to Venice, armchair travelers, and students of Renaissance art and architecture to a fuller appreciation of the buildings of this uniquely beautiful city.“The best concise introduction to Venetian architecture in English.”—Times Literary Supplement“Compact and manageable . . . an excellent introduction to the novice preparing for a first Venetian experience.”—Society of Architectural Historians“A hugely rewarding and accessible book.”—Richard Cork, Modern PaintersPublished with the assistance of the Getty Grant Program

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Only in 1995 did the United States government officially reveal the existence of the super-secret Venona Project. For nearly fifty years American intelligence agents had been decoding thousands of Soviet messages, uncovering an enormous range of espionage activities carried out against the United States during World War II by its own allies. So sensitive was the project in its early years that even President Truman was not informed of its existence. This extraordinary book is the first to examine the Venona messages—documents of unparalleled importance for our understanding of the history and politics of the Stalin era and the early Cold War years. Hidden away in a former girls’ school in the late 1940s, Venona Project cryptanalysts, linguists, and mathematicians attempted to decode more than twenty-five thousand intercepted Soviet intelligence telegrams. When they cracked the unbreakable Soviet code, a breakthrough leading eventually to the decryption of nearly three thousand of the messages, analysts uncovered information of powerful significance: the first indication of Julius Rosenberg’s espionage efforts; references to the espionage activities of Alger Hiss; startling proof of Soviet infiltration of the Manhattan Project to build the atomic bomb; evidence that spies had reached the highest levels of the U.S. State and Treasury Departments; indications that more than three hundred Americans had assisted in the Soviet theft of American industrial, scientific, military, and diplomatic secrets; and confirmation that the Communist party of the United States was consciously and willingly involved in Soviet espionage against America. Drawing not only on the Venona papers but also on newly opened Russian and U. S. archives, John Earl Haynes and Harvey Klehr provide in this book the clearest, most rigorously documented analysis ever written on Soviet espionage and the Americans who abetted it in the early Cold War years.

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How do military organizations assess strategic policy in war? In this book Scott Gartner develops a theory to explain how military and government leaders evaluate wartime performance, how much they change strategies in response to this evaluation, and why they are frequently at odds when discussing the success or failure of strategic performance.Blending history, decision theory, and mathematical modeling, Gartner argues that military personnel do reevaluate their strategies and that they measure the performance of a strategy through quantitative, "dominant" indicators. But different actors within a government use different indicators of success: some will see the strategy as succeeding when others see it as failing because of their different dominant indicators. Gartner tests his argument with three case studies: the British shift to convoys in World War I following the German imposition of unrestricted submarine warfare; the lack of change in British naval policy in the Battle of the Atlantic following the German introduction of Wolf Packs in World War II; and the American decision to deescalate in Vietnam after the Tet Offensive. He also tests his approach in a nonwar situation, analyzing the Carter Administration's decision to launch the hostage rescue attempt. In each case, his dominant indicator model better predicts the observed behavior than either a standard-organization or an action-reaction approach.

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Henry VIII's forceful personality dominated his age and continues to fascinate our own. In few other reigns have there been developments of such magnitude—in politics, foreign relations, religion, and society—that have so radically affected succeeding generations. Above all the English Reformation and the break with Rome are still felt more than four centuries on. First published in 1968, J. J. Scarisbrick's Henry VIII remains the standard account, a thorough exploration of the documentary sources, stylishly written and highly readable. In an updated foreword, Professor Scarisbrick takes stock of subsequent research and places his classic account within the context of recent publications. "It is the magisterial quality of J.J. Scarisbrick's work that has enabled it to hold the field for so long."—Steve Gunn, Times Literary Supplement

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