Search results for ""ideals""

The Color of Creatorship examines how copyright, trademark, and patent discourses work together to form American ideals around race, citizenship, and property. Working through key moments in intellectual property history since 1790, Anjali Vats reveals that even as they have seemingly evolved, American understandings of who is a creator and who is an infringer have remained remarkably racially conservative and consistent over time. Vats examines archival, legal, political, and popular culture texts to demonstrate how intellectual properties developed alongside definitions of the "good citizen," "bad citizen," and intellectual labor in racialized ways. Offering readers a theory of critical race intellectual property, Vats historicizes the figure of the citizen-creator, the white male maker who was incorporated into the national ideology as a key contributor to the nation's moral and economic development. She also traces the emergence of racial panics around infringement, arguing that the post-racial creator exists in opposition to the figure of the hyper-racial infringer, a national enemy who is the opposite of the hardworking, innovative American creator. The Color of Creatorship contributes to a rapidly-developing conversation in critical race intellectual property. Vats argues that once anti-racist activists grapple with the underlying racial structures of intellectual property law, they can better advocate for strategies that resist the underlying drivers of racially disparate copyright, patent, and trademark policy.

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Tackles a human problem we all share―the fate of the earth and our role in its future Confident that your personal good deeds of environmental virtue will save the earth? The stories we encounter about the environment in popular culture too often promote an imagined moral economy, assuring us that tiny acts of voluntary personal piety, such as recycling a coffee cup, or purchasing green consumer items, can offset our destructive habits. No need to make any fundamental structural changes. The trick is simply for the consumer to buy the right things and shop our way to a greener future. It’s time for a reality check. Ecopiety offers an absorbing examination of the intersections of environmental sensibilities, contemporary expressions of piety and devotion, and American popular culture. Ranging from portrayals of environmental sin and virtue such as the eco-pious depiction of Christian Grey in Fifty Shades of Grey, to the green capitalism found in the world of mobile-device “carbon sin-tracking” software applications, to the socially conscious vegetarian vampires in True Blood, the volume illuminates the work pop culture performs as both a mirror and an engine for the greening of American spiritual and ethical commitments. Taylor makes the case that it is not through a framework of grim duty or obligation, but through one of play and delight, that we may move environmental ideals into substantive action.

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2023 Wall Award Finalist, Theatre Library Association How a Hollywood gem transformed the national discourse on post-traumatic stress disorder. Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

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A new history of medieval Islamic political thought, focusing on the rule of law, limited government and the theory of delegation Studies Ayyubid and Mamluk political thought beyond the prevalent focus on Ibn Taymiyya Offers a novel classification of the themes and concerns of medieval Islamic political thought Studies both Ibn Jama?a's well-known works and previously unstudied treatises Presents a fresh interpretation of a distinctive Sufi political thought and uncovers its interrelatedness with Ash?ari-Sufism and Shafi?ism Includes 5 case studies based on treatises authored by legal theorists, jurists, judges and administrators The legal theorists, jurists, judges and administrators of the late Ayyubid and early Mamluk period tackled a central question in their political thought: how best to govern their communities. This book proposes a taxonomy of the main themes and concerns of this political thought under the three ideals of the rule of law, limited government and legitimate delegation of power. Further, it recommends a contextualist approach for interpreting Islamic political texts based on their narrow social, intellectual and political contexts. Examining treatises by 5 carefully selected authors who flourished in the Syro-Egyptian lands in the period between c.1250 and c.1350, the book also deals with important questions of authorship, readership and dedicatees, authorial motives and intentions, genres and literary styles, sources and influences, and applicability.

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How did enlightened Russians of the eighteenth century understand society? And how did they reconcile their professed ideals of equality and justice with the authoritarian political structures in which they lived? Historian Elise Wirtschafter turns to literary plays to reconstruct the social thinking of the past and to discover how Enlightenment Russians understood themselves. Opening with an illuminating discussion of the development of theater in eighteenth-century Russia, Wirtschafter goes on to explore dramatic representations of key social questions. Based on an examination of nearly 300 secular plays written during the last half of the century, she shows how dramas for the stage represented and debated important public issues—such as the nature of the common good, the structure of the patriarchal household, the duty of monarchs, and the role of the individual in society. Wirtschafter presents a striking reconstruction of the way educated Russians conceptualized a society beyond the immediate spheres of household and locality. Seeking to highlight problems of "social consciousness," she asks what Enlightenment Russians thought about social experience—and how their ideas related to actual social relationships in a society organized around serfdom and absolute monarchy. She portrays Russian Enlightenment culture on its own terms, while at the same time shedding light on broader problems of social order and political authority in imperial Russia.

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The punitive turn of penal policy in the United States after the acme of the Civil Rights movement responds not to rising criminal insecurity but to the social insecurity spawned by the fragmentation of wage labor and the shakeup of the ethnoracial hierarchy. It partakes of a broader reconstruction of the state wedding restrictive “workfare” and expansive “prisonfare” under a philosophy of moral behaviorism. This paternalist program of penalization of poverty aims to curb the urban disorders wrought by economic deregulation and to impose precarious employment on the postindustrial proletariat. It also erects a garish theater of civic morality on whose stage political elites can orchestrate the public vituperation of deviant figures—the teenage “welfare mother,” the ghetto “street thug,” and the roaming “sex predator”—and close the legitimacy deficit they suffer when they discard the established government mission of social and economic protection. By bringing developments in welfare and criminal justice into a single analytic framework attentive to both the instrumental and communicative moments of public policy, Punishing the Poor shows that the prison is not a mere technical implement for law enforcement but a core political institution. And it reveals that the capitalist revolution from above called neoliberalism entails not the advent of “small government” but the building of an overgrown and intrusive penal state deeply injurious to the ideals of democratic citizenship.Visit the author’s website.

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Professionalism is a complex and highly disputed idea of crucial importance in a range of fields, not least health and social care. It can inspire people by reminding them of workplace ideals and the value of occupational expertise. But it can also feel threatening and de-motivating; for example, if it is used to demand ever more from people working in very challenging circumstances. The language of professionalism can evoke a special relationship of trust between service users and practitioners. But it can also suggest a social distance between two classes of people; high status professionals and their lower status 'non-professional' clients. This book is an original and accessible guide to these ambiguities and complexities. Cribb and Gewirtz clarify the nature of professionalism and explain and defend its importance, providing an understanding of, and an analytical engagement with, both idealistic and critical perspectives. In addition, the authors assess the implications of contemporary policy trends for professional work, showing how they may be radically altering our understanding of the 'good' professional. This inviting and reflective study draws upon examples and case studies and weaves in a range of relevant theoretical concepts and perspectives. Written in a style that encourages and supports further reflection on this complex topic, Professionalism is the only book of its kind for practitioners, researchers and students in health and social care.

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This book tackles one of the most pressing issues currently facing centre-left governments: social inequality. At a time when the traditional mechanisms of social cohesion have been undermined by greater individualism, the globalization of production, and the fragmentation of social life, the challenges posed by inequality are more pronounced than ever before. As communities and cultures become more complex, social solidarity and social justice can increasingly seem like impossible ideals. Bringing together original contributions from globally renowned thinkers such as Gosta Esping-Andersen, Saskia Sassen, Ulrich Beck and Anthony Giddens, as well as senior New Labour figures, the book offers a coherent account of the dynamic and multi-faceted nature of contemporary inequality, and lays out how these inequalities can be countered. Drawing on a wide range of evidence, and the experiences of governments worldwide, it proposes a fresh agenda for social change. The Editors propose a 'new egalitarianism' - an approach to equality consistent with the demands of a post-modern economy and society. The book shows that there is a viable future for a left-of-centre politics anchored in egalitarian values, but that it requires a break with some core assumptions of the past. The New Egalitarianism will be essential reading for anyone concerned about social inequality, and the future of democratic politics.

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In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifying and exciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.

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Since 9/11, American foreign policy has been guided by grand ideas like tyranny, democracy, and freedom. And yet the course of events has played havoc with the cherished assumptions of hawks and doves alike. The geo-civil war afflicting the Muslim world from Lebanon through Iraq and Afghanistan to Pakistan confronts the West with the need to articulate anew what its political ideas and ideals actually are. In The Cultural Contradictions of Democracy, John Brenkman dissects the rhetoric that has corrupted today's political discourse and abused the idea of freedom and democracy in foreign affairs. Looking back to the original assumptions and contradictions that animate democratic thought, he attempts to resuscitate the language of liberty and give political debate a fresh basis amid the present global turmoil. The Cultural Contradictions of Democracy picks apart the intellectual design and messianic ambitions of the neoconservative American foreign policy articulated by figures such as Robert Kagan and Paul Berman; it casts the same critical eye on a wide range of liberal and leftist thinkers, including Noam Chomsky and Jurgen Habermas, and probes the severe crisis that afflicts progressive political thought. Brenkman draws on the contrary visions of Hobbes, Kant, Max Weber, Hannah Arendt, and Isaiah Berlin in order to disclose the new contours of conflict in the age of geo-civil war, and to illuminate the challenges and risks of contemporary democracy.

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Throughout American history, ingestion (eating) has functioned as a metaphor for interpreting and imagining this society and its political systems. Discussions of American freedom itself are pervaded with ingestive metaphors of choice (what to put in) and control (what to keep out). From the country's founders to the abolitionists to the social activists of today, those seeking to form and reform American society have cast their social-change goals in ingestive terms of choice and control. But they have realized their metaphors in concrete terms as well, purveying specific advice to the public about what to eat or not. These conversations about "social change as eating" reflect American ideals of freedom, purity, and virtue. Drawing on social and political history as well as the history of science and popular culture, Dangerous Digestion examines how American ideas about dietary reform mirror broader thinking about social reform. Inspired by new scientific studies of the human body as a metabiome-a collaboration of species rather than an isolated, intact, protected, and bounded individual-E. Melanie DuPuis invokes a new metaphor-digestion-to reimagine the American body politic, opening social transformations to ideas of mixing, fermentation, and collaboration. In doing so, the author explores how social activists can rethink politics as inclusive processes that involve the inherently risky mixing of cultures, standpoints, and ideas.

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Not just a few elite scientists, but Londoners from all walks of life--lawyers, prisoners, midwives, merchants--participated in the scientific community of Elizabethan times Bestselling author Deborah Harkness (A Discovery of Witches, Shadow of Night) explores the streets, shops, back alleys, and gardens of Elizabethan London, where a boisterous and diverse group of men and women shared a keen interest in the study of nature. These assorted merchants, gardeners, barber-surgeons, midwives, instrument makers, mathematics teachers, engineers, alchemists, and other experimenters, she contends, formed a patchwork scientific community whose practices set the stage for the Scientific Revolution. While Francis Bacon has been widely regarded as the father of modern science, scores of his London contemporaries also deserve a share in this distinction. It was their collaborative, yet often contentious, ethos that helped to develop the ideals of modern scientific research.The book examines six particularly fascinating episodes of scientific inquiry and dispute in sixteenth-century London, bringing to life the individuals involved and the challenges they faced. These men and women experimented and invented, argued and competed, waged wars in the press, and struggled to understand the complexities of the natural world. Together their stories illuminate the blind alleys and surprising twists and turns taken as medieval philosophy gave way to the empirical, experimental culture that became a hallmark of the Scientific Revolution.

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The intense struggle of political ideals that blazed through early-twentieth-century Europe reached its climax in Spain, where Spanish and foreign revolutionaries, liberals, and reactionaries found themselves caught in a ferocious civil war. For many intellectuals who fought and chronicled the conflict, the war became a political test case that either strengthened their political convictions and commitments or caused them to question their own and others' service to a particular cause. In Written in Red: The Communist Memoir in Spain, Gina Herrmann looks at the memoirs of six Spanish Communist writers to reveal the fascinating and often painful evolution of their politics from the beginning of the war through their long years of exile. While Spanish Communist authors initially shaped their identities and autobiographies along the lines of Soviet models, Herrmann shows how, with the recognition of Stalinism's betrayal of the Communist ideal, the writers increasingly came to experience those models as straitjackets unfit to contain the stories of their rich and difficult lives. The six writers studied here--Dolores Ibárruri, María Teresa Léon, Rafael Alberti, Jorge Semprún, and Teresa and Tomás Pàmies--devoted their lives to the cause of the revolution. Though they have told their separate stories, this book is the first to gather, compare, and interpret them within their historical and intellectual context and from a comparative perspective that takes into account recent developments in Soviet studies.

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How to Read a Japanese Poem offers a comprehensive approach to making sense of traditional Japanese poetry of all genres and periods. Steven D. Carter explains to Anglophone students the methods of composition and literary interpretation used by Japanese poets, scholars, and critics from ancient times to the present, and adds commentary that will assist the modern reader.How to Read a Japanese Poem presents readings of poems by major figures such as Saigyō and Bashō as well as lesser known poets, with nearly two hundred examples that encompass all genres of Japanese poetry. The book gives attention to well-known forms such as haikai or haiku, as well as ancient songs, comic poems, and linked verse. Each chapter provides examples of a genre in chronological order, followed by notes about authorship and other contextual details, including the time of composition, physical setting, and social occasion. The commentaries focus on a central feature of Japanese poetic discourse: that poems are often occasional, written in specific situations, and are best read in light of their milieu. Carter elucidates key concepts useful in examining Japanese poetics as well as the technical vocabulary of Japanese poetic discourse, familiarizing students with critical terms and concepts. An appendix offers succinct definitions of technical terms and essays on aesthetic ideals and devices.

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Liberty and freedom are frequently invoked to justify political action. Presidents as diverse as Woodrow Wilson, Franklin Delano Roosevelt, John F. Kennedy, Ronald Reagan, and George W. Bush have built their policies on some version of these noble values. Yet in practice, idealist agendas often turn sour as they confront specific circumstances on the ground. Demonstrated by incidents at Abu Ghraib and Guantanamo Bay, the pursuit of liberty and freedom can lead to violence and repression, undermining our trust in universal theories of liberalism, neoliberalism, and cosmopolitanism. Combining his passions for politics and geography, David Harvey charts a cosmopolitan order more appropriate to an emancipatory form of global governance. Political agendas tend to fail, he argues, because they ignore the complexities of geography. Incorporating geographical knowledge into the formation of social and political policy is therefore a necessary condition for genuine democracy. Harvey begins with an insightful critique of the political uses of freedom and liberty, especially during the George W. Bush administration. Then, through an ontological investigation into geography's foundational concepts--space, place, and environment--he radically reframes geographical knowledge as a basis for social theory and political action. As Harvey makes clear, the cosmopolitanism that emerges is rooted in human experience rather than illusory ideals and brings us closer to achieving the liberation we seek.

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In a 1907 lecture to Harvard undergraduates, Theodore Roosevelt warned against becoming "too fastidious, too sensitive to take part in the rough hurly-burly of the actual work of the world." Roosevelt asserted that colleges should never "turn out mollycoddles instead of vigorous men," and cautioned that "the weakling and the coward are out of place in a strong and free community." A paradigm of ineffectuality and weakness, the mollycoddle was "all inner life," whereas his opposite, the "red blood," was a man of action. Kevin P. Murphy reveals how the popular ideals of American masculinity coalesced around these two distinct categories. Because of its similarity to the emergent "homosexual" type, the mollycoddle became a powerful rhetorical figure, often used to marginalize and stigmatize certain political actors. Issues of masculinity not only penetrated the realm of the elite, however. Murphy's history follows the redefinition of manhood across a variety of classes, especially in the work of late nineteenth-century reformers, who trumpeted the virility of the laboring classes. By highlighting this cross-class appropriation, Murphy challenges the oppositional model commonly used to characterize the relationship between political "machines" and social and municipal reformers at the turn of the twentieth century. He also revolutionizes our understanding of the gendered and sexual meanings attached to political and ideological positions of the Progressive Era.

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Since the passage of the Civil Rights Act, virtually all companies have antidiscrimination policies in place. Although these policies represent some progress, women and minorities remain underrepresented within the workplace as a whole and even more so when you look at high-level positions. They also tend to be less well paid. How is it that discrimination remains so prevalent in the American workplace despite the widespread adoption of policies designed to prevent it? One reason for the limited success of antidiscrimination policies, argues Lauren B. Edelman, is that the law regulating companies is broad and ambiguous, and managers therefore play a critical role in shaping what it means in daily practice. Often, what results are policies and procedures that are largely symbolic and fail to dispel long-standing patterns of discrimination. Even more troubling, these meanings of the law that evolve within companies tend to eventually make their way back into the legal domain, inconspicuously influencing lawyers for both plaintiffs and defendants and even judges. When courts look to the presence of antidiscrimination policies and personnel manuals to infer fair practices and to the presence of diversity training programs without examining whether these policies are effective in combating discrimination and achieving racial and gender diversity, they wind up condoning practices that deviate considerably from the legal ideals.

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A brilliant personal history from the award-winning author of ‘The Corrections’. Jonathan Franzen, bestselling author of ‘Freedom’ and the highly acclaimed ‘The Corrections’, arrived late, and last, in a family of boys in Webster Groves, Missouri. ‘The Discomfort Zone’ is his intimate memoir of his growth from a ‘small and fundamentally ridiculous person,’ through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions. It's also a portrait of a middle-class family weathering the turbulence of the 1970s, and a vivid personal insight into the decades in which America took an angry turn away from its mid-century ideals. He tells of the effects of Kafka's fiction on Franzen's protracted quest to lose his virginity, the elaborate pranks that he and his friends orchestrated from the roof of his high school, his self-inflicted travails in selling his mother's house after her death, the web of connections between his all-consuming marriage, the problem of global warming, and the life lessons to be learned in watching birds. Sparkling, daring and arrestingly honest, ‘The Discomfort Zone’ is warmed by the same combination of comic scrutiny and unqualified affection that characterize Franzen's fiction. It narrates the formation of a unique mind and heart in the crucible of an everyday American family.

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A multifaceted career-spanning collection from famed activist and journalist David Harris David Harris is a reporter, a clear-eyed idealist, an American dissident, and, as these selected pieces reveal, a writer of great character and empathy. Harris gained national recognition as an undergraduate for his opposition to the Vietnam War and was imprisoned for two years when he refused to comply with the draft. His writings trace a bright throughline of care for and attention to outsiders, the downtrodden, and those who demand change, and these eighteen pieces of long-form journalism, essays, and opinion writings remain startlingly relevant to the world we face today. This career-spanning collection of writings by an always-independent journalist follow Harris from his early days as a prominent leader of the resistance to the Vietnam War, through regular contributions to many publications, including Rolling Stone and the New York Times, and on into the twenty-first century.Born in Fresno and elected student body president of Stanford University in 1966, Harris has always had an undeniably Californian point of view—he imagines the future with an open heart and mind and pursues stories out of genuine curiosity, embedding himself among striking farmworkers, marijuana growers, the homeless on LA’s skid row, and occasionally, redwood trees. Inspiring, clarifying, and fearless, his abiding and lucid patriotism insists that our country live up to its own ideals.

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For men who reject toxic ideals of conquest and oppression that once defined masculinity, what comes next? How do we define the new paradigm that is wanting to emerge? "Authentic masculinity is a transmission of love and freedom, not dominance," teaches John Wineland. "It invites us to feel deeply, disavow numbness, and turn away from ego-driven dogma that has harmed women, the planet, and men themselves." With From the Core, this renowned teacher presents a vision of awakened masculinity rooted in conscious awareness, unflinching responsibility, and true leadership. Men want to live in integrity, know their purpose, and love well-yet most are never shown how. Here, Wineland presents eleven core concepts for masculine evolution-including ways to strengthen your biology, strip away egoic delusions, become a trustworthy healing presence for women, and more. Through guided practices and a fearless exploration of truth, Wineland helps us step powerfully into this unprecedented moment in history. Wineland's mentor David Deida threw down the gauntlet for men in his classic book, The Way of the Superior Man. In this shifting time when we must navigate gender fluidity, sexual politics, and the new rules of intimacy, From the Core delivers a compelling call to advance our exploration of what masculinity means-so each of us can step up, open up, and be of service in our unique way.

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In her most personal book to date, Yayoi Kusama brings us into her private world through poetic recollections, giving insight into her creative process and the essential role language plays in her work and daily life.With a new focus on Kusama’s use of language, this book gives an impressive overview of her poetry, which the artist creates alongside her work in other media. Highlighting the importance of language to Kusama, the book draws special attention to the captivating poetic titles of her paintings, such as in I WOULD LIKE TO SHOW YOU THE INFINITE SPLENDOR OF STARDUST IN THE UNIVERSE and FIGURE OF THE MIDNIGHT DARKNESS OF THE UNIVERSE THAT I DEDICATED ALL MY HEART. These visionary titles are a quintessential part of Kusama’s eye-catching artworks, but also hold their own as unique aphorisms and appealing statements of cosmic spirituality. The poetry collected here touches on Kusama’s personal triumphs and trials, her human ideals, and her heroic pursuit of art and peace above all else.Centered around EVERY DAY I PRAY FOR LOVE, Kusama’s acclaimed exhibition at David Zwirner, New York, in 2019, this book features more than 300 pages of new paintings, sculptures, and Infinity Mirrored Rooms. It also includes photographs of Kusama over time, offering a unique visual timeline of this iconic artist.

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An extraordinarily prolific artist, Norman Rockwell (1894–1978) produced some 4,000 paintings in his lifetime, not including a prodigious quantity of commissioned editorial, commercial, and advertising work. His death in 1978 was regarded the loss of a national icon, an artist who, like no other, celebrated the American Dream. Shunning experimentation and avant-garde techniques in favor of effective composition and relatable subject matter, Rockwell created wholesome, homely paintings with accessible and aspirational appeal. Neat, quaint, and typically jovial, his subjects included classrooms, prom scenes, and Thanksgiving feasts, while his most long-standing projects were covers for The Saturday Evening Post magazine and calendars and covers for the Boys’ Life publication of the Boy Scouts of America. Imbued with optimism and patriotism, the work foregrounds classic professions such as doctor and teacher, as much as the conservative stalwarts of military, family, and faith. Hailed by President Gerald Ford as a “beloved part of the American tradition,” Rockwell’s works reveal as much about his own talents as they do about the story of 20th-century America. This fresh artist introduction from TASCHEN brings together key paintings and illustrations from his celebratory and sunny portfolio, as well as some more unusual works tackling the underside of the United States, to understand an integrally American artist, and the values and ideals that shaped his success.

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For a King renowned for his love life, Henry VIII has traditionally been depicted as something of a prude, but the story may have been different for the women who shared his bed. How did they take the leap from courtier to lover – perhaps even to wife? What was Henry really like as a lover? Henry’s women were uniquely placed to experience the tension between his chivalric ideals and the lusts of the handsome, tall, athletic king; his first marriage, to Catherine of Aragon, was on one level a fairytale romance, but his affairs with Anne Stafford, Elizabeth Carew and Jane Popincourt undermined it early on. Later, his more established mistresses, Bessie Blount and Mary Boleyn, risked their good names by bearing him illegitimate children. Typical of his time, Henry did not see that casual liaisons might threaten his marriage, until he met the one woman who held him at arm’s length. The arrival of Anne Boleyn changed everything. Her seductive eyes helped rewrite history. After their passionate marriage turned sour, the king rapidly remarried to Jane Seymour. Henry was a man of great appetites, ready to move heaven and earth for a woman he desired; Licence readdresses the experiences of his wives and mistresses in this frank, modern take on the affairs of his heart. What was it really like to be Mrs Henry VIII?

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Average body mass in many Western cultures is getting larger and yet the fashion system seems mostly unchanged. Major fashion houses still limit their output to small sizes and the dominant ideal of the female body in fashion imagery is still thin – dangerously thin according to World Health Organization standards. Why is the industry forfeiting a considerable share of the market in the form of plus-size consumers, seemingly against its commercial interests? Why does the thin ideal reign supreme despite damning evidence of its harm to women? And is there a way out of this system of thin ideals and segregated fat bodies? In this original study, Paolo Volonté answers these questions and more, drawing on influential literature on the body, beauty standards and the roles of clothing in society. He reveals some surprising factors behind the perpetuation of the thin ideal such as the precedent of thin models and the introduction of standardised sizing for mass-manufactured clothing. He also revisits less surprising factors such as the attitudes of designers and consumers towards the female body, and notions of 'perfection'. By critically analysing these factors, Volonté reveals why plus-size fashion is often characterised by 'low aesthetic commitment' and low quality marketing. He explores the nature of the segregation of fat bodies in fashion and considers what the future may hold for consumers, designers and marketers alike.

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Do your sentences sag? Could your paragraphs use a pick-me-up? If so, The Writer’s Diet is for you! It’s a short, sharp introduction to great writing that will help you energize your prose and boost your verbal fitness. Helen Sword dispenses with excessive explanations and overwrought analysis. Instead, she offers an easy-to-follow set of writing principles: use active verbs whenever possible; favor concrete language over vague abstractions; avoid long strings of prepositional phrases; employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; and reduce your dependence on four pernicious “waste words”: it, this, that, and there. Sword then shows the rules in action through examples from William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and many more. A writing fitness test encourages you to assess your own writing and get immediate advice on addressing problem areas. While The Writer’s Diet is as sleek and concise as the writing ideals contained within, this slim volume packs a powerful punch. With Sword’s coaching writers of all levels can strengthen and tone their sentences with the stroke of a pen or the click of a mouse. As with any fitness routine, adhering to the rules requires energy and vigilance. The results, however, will speak for themselves.

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Winner of the Duff Cooper PrizeWinner of the NCR Award for Non-Fiction From the high politics of Court and Cabinet room to the kitchen or the queue, Peter Hennessy's Never Again: Britain 1945-51, the first part of his Post-War Trilogy, recreates life in early post-war Britain.'Hennessy conjures up the Attlee years more vividly than any previous writer' Ben Pimlott, Guardian At the end of the Second World War Britain was in flux. It was an age of rationing and rebuilding; when hope for a better future contrasted with the horror of war. Fresh ideals emerged during the common experience of the conflict and the new, widespread belief that everyone should be treated equally led to the creation of the 'welfare state' and the NHS, despite tough economic circumstances. Internationally, Britain was finding a place in a world increasingly overshadowed by Cold War with the Soviet Union. 'A joy to read' Sunday Times 'Hennessy is never for a moment dull' Philip Ziegler, Daily Telegraph 'Hennessy is the antithesis of the dry-as-dust academic historian. He laughs a great deal, and punctuates his writing with cheery and illuminating anecdotes' Ian Aitken, Guardian 'A sympathetic, highly readable, meticulously researched account of the Cabinet room politics and popular habits of life and recreation during the high noon of Labourism' Roy Jenkins, Observer

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This volume focuses on the life and work of Rhina P. Espaillat, an extraordinarily observant lyric poet who applies ideals of musicality, metaphor, and meaning to formally crafted verse that connects personal experience to universal themes.Born in the Dominican Republic, Espaillat was seven years old when her family was granted political asylum in the United States during the brutal dictatorship of Rafael Trujillo. She published her first poems in Ladies' Home Journal at age fifteen, and after graduating from college went on to marry, teach, raise a family, and maintain a literary career spanning more than seven decades. Having cultivated a fluent and scholarly bilingualism throughout her life, Espaillat also became a gifted translator of works by numerous important poets of the Spanish- and English speaking worlds, including Sor Juana Ines de la Cruz, St. John of the Cross, Robert Frost and Richard Wilbur.THE COLOSSEUM CRITICAL INTRODUCTION SERIESEach title in the Colosseum Critical Introduction Series provides a thorough study of the life and work of an important American writer who has sought to renew the craft and deepen the intellectual and spiritual dimensions of contemporary poetry. Intended to be at once brief and compelling, these introductory texts will help readers find their way into some of the best voices in the literature of our day.

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In Sound the Trumpet, Lawrence J. Haas examines the effort by America’s leaders and its people, its government and private institutions, to use the force of our ideals, the strength of our economy, the power of our military, and the influence of our culture to advance freedom and democracy around the world. Focused on the period since World War II – when human rights promotion became a central feature of U.S. foreign policy – Haas explores what Presidents and Congresses have done, the tools they have used, the results they have achieved, and the obstacles that have stood in their way. Writing in a concise, accessible style that will engage all readers interested in U.S. foreign policy, he tells a story of dramatic success that is somewhat offset by tragic errors and missed opportunities; of idealism and its practical limits; of clashes between America’s long-term goal of advancing freedom and democracy and such short-term goals as protecting national security, ensuring regional stability, and guaranteeing access to natural resources. Most strikingly, this story demonstrates America’s unique and enduring power to shape the course of history and make the world a safer, more prosperous place. Haas argues forcefully that, for all of our missed opportunities and tragic errors, the world is a better place because of our efforts.

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A Primer of Italian Fascism makes available for the first time in English translation the key documents pertaining to one of our century’s defining mass political movements. Whereas existing anthologies survey Fascist writings in a multiplicity of national settings, A Primer of Italian Fascism opts for a tightly focused, in-depth approach that emphasizes the development of Fascist ideology in the country of its birth. Historically speaking, Italian Fascism was the original Fascism. The model for subsequent movements including Nazism, Falangism, and Integralism, Italian Fascism set out to define a “third way” to modernization known as “corporatism.” A Primer of Italian Fascism situates the rise and fall of corporatist ideals within the framework of the actual history of Mussolini’s movement and regime. It includes not only classic doctrinal statements such as Mussolini’s “Foundations and Doctrine of Fascism” and writings by corporatist theorists such as Bottai, Pellizzi, Rocco, and Spirito, but also an array of fundamental political and juridical documents, including the party platforms adopted by the Fascist combat brigades, the 1938 Manifesto of Race, the 1940 Manifesto of Verona, and the Fascist labor and school charters. By making available such an extensive array of source texts, A Primer of Italian Fascism aims to open up for the English reader a more complex and complete vision of Fascism, both in Italy and beyond.

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Don't Miss the Original Series Tom Clancy's Jack Ryan Starring John Krasinski!Tom Clancy delivers a #1 New York Times bestselling Jack Ryan novel that will remind readers why he is the acknowledged master of international intrigue and nonstop military action. It is The Campus. Secretly created under the administration of President Jack Ryan, its sole purpose is to eliminate terrorists and those who protect them. Officially, it has no connection to the American government—a necessity in a time when those in power consider themselves above such arcane ideals as loyalty, justice, and right or wrong. Now covert intelligence expert Jack Ryan Jr. and his compatriots at The Campus—joined by black ops warriors John Clark and “Ding” Chavez—have come up against their greatest foe: a sadistic killer known as the Emir. Mastermind of countless horrific attacks, the Emir has eluded capture by every law enforcement agency in the world. But his greatest devastation is yet to be unleashed as he plans a monumental strike at the heart of America. On the trail of the Emir, Jack Ryan Jr. will find himself following in his legendary father’s footsteps on a manhunt that will take him and his allies across the globe, into the shadowy arenas of political gamesmanship, and back onto U.S. soil in a race to prevent the possible fall of the West....

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1 in 10 undergraduates in the US will study abroad. Extoled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and a F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of "global citizenship," "intercultural communication," and "cultural immersion" emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field's central institutional ideals

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1 in 10 undergraduates in the US will study abroad. Extoled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and a F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of "global citizenship," "intercultural communication," and "cultural immersion" emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field's central institutional ideals

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Given his energetic involvement in practical initiatives and extensive lecturing, Rudolf Steiner had little time to write books. Of those he did write - belonging almost entirely to the earlier years of his work - four titles form an indispensable introduction to his later teaching: Knowledge of the Higher Worlds, Occult Science, The Philosophy of Freedom and Theosophy. Are we free, whether we know it or not? Or is our sense of freedom merely an illusion? Rudolf Steiner tackles this age-old problem in a new way. He shows that by taking account of our own activity of thinking, we can know the reasons for our actions. And if these reasons are taken from our world of ideals, then our actions are free, because we alone determine them. --- But this freedom cannot be settled for us by philosophical argument. It is not simply granted to us. If we want to become free, we have to strive through inner activity to overcome our unconscious urges and habits of thought. In order to do this we must reach a point of view that recognises no limits to knowledge, sees through all illusions, and opens the door to an experience of the reality of the spiritual world. Then we can achieve the highest level of evolution, and recognise ourselves as free spirits.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Frida Kahlo’s bold, carefully crafted visual identity is in many respects an extension of her art, celebrating her Mexican heritage and countercultural ideals while defying traditional notions of female beauty. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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We are living through a period of dramatic political change – Brexit, the election of Trump, the rise of extreme right movements in Europe and elsewhere, the resurgence of nationalism and xenophobia and a concerted assault on the liberal values and ideals associated with cosmopolitanism and globalization. Suddenly we find ourselves in a world that few would have imagined possible just a few years ago, a world that seems to many to be a move backwards. How can we make sense of these dramatic developments and how should we respond to them? Are we witnessing a worldwide rejection of liberal democracy and its replacement by some kind of populist authoritarianism? This timely volume brings together some of the world's greatest minds to analyse and seek to understand the forces behind this 'great regression'. Writers from across disciplines and countries, including Paul Mason, Pankaj Mishra, Slavoj Zizek, Zygmunt Bauman, Arjun Appadurai, Wolfgang Streeck and Eva Illouz, grapple with our current predicament, framing it in a broader historical context, discussing possible future trajectories and considering ways that we might combat this reactionary turn. The Great Regression is a key intervention that will be of great value to all those concerned about recent developments and wondering how best to respond to this unprecedented challenge to the very core of liberal democracy and internationalism across the world today. For more information, see: www.thegreatregression.eu

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Applying a broad geographical approach to comparative Latino literary and cultural studies, Continental Shifts illuminates how the discursive treatment of Latinos changed dramatically following the enactment of NAFTA—a shift exacerbated by 9/11. While previous studies of immigrant representation have focused on single regions (the US/Mexico border in particular), specific genres (literature vs. political rhetoric), or individual groups, Continental Shifts unites these disparate discussions in a provocative, in-depth examination.Bringing together a wide range of groups and genres, this intercultural study explores novels by Latin American and Latino writers, a border film by Tommy Lee Jones and Guillermo Arriaga, “viral” videos of political speeches, popular television programming (particularly shows that feature incarceration and public shaming), and user-generated YouTube videos. These cultural products reveal the complexity of Latino representations in contemporary discourse. While tropes of Latino migrants as threatening, diseased foreign bodies date back to the nineteenth century, Continental Shifts marks the more pernicious, recent images of Latino laborers (legal and not) in a variety of contemporary media. Using vivid examples, John Riofrio demonstrates the connections between rhetorical and ideological violence and the physical and psychological violence that has more intensely plagued Latino communities in recent decades. Culminating with a consideration of the “American” identity, this eye-opening work ultimately probes the nation’s ongoing struggle to uphold democratic ideals amid dehumanizing multiethnic tension.

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Originally published in 1962. In The Road to Normalcy, Wesley M. Bagby explains how the election of 1920 contributed to momentous shifts in American politics by detailing why the major political parties abandoned sentiments that were widely accepted several years prior to the election. Prior to World War I, two significant streams of progressivism maintained center stage in American politics—the Progressive movement and the world peace movement. The war proved not to be prohibitively distracting for the Progressive movement, which carried on well into the war years. But the war also introduced new elements into American political life, such as the restriction of free speech, popular outbursts of intolerance and hatred encouraged by war propaganda, and a belief in the necessity and efficacy of violence. Many of these elements eroded the ideals undergirding the Progressive movement. The international peace movement reflected the spirit of idealistic internationalism that characterized the tenor of American foreign policy from the beginning to the end of the war. However, the election of 1920, the first presidential election after World War I, addressed the question of whether America would resume its progressive efforts at home and abroad following the war. The election ultimately stymied both political currents, proving to be an end for both the Progressive movement and the world peace movement.

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Award-winning author Don Brown explores the history of democracy in the United States in this installment of the Big Ideas That Changed the World series The Greek word democracy comes from demos (people) and kratos (rule)—meaning “the people hold power.” In this timely graphic novel, acclaimed author-illustrator Don Brown explores the history of democracy—from civilization’s beginnings as hunter-gatherers to the birth of monarchies and vast empires, and from the earliest republics to our present-day government.Narrated by Abigail Adams, We the People! explores how Athenian and Greek assemblies inspired our legislative and judiciary branches; how Enlightenment ideals of reason, toleration, and human progress shaped our founding fathers’ thinking; how Mali’s Manden Charter and England’s Magna Carta influenced our Bill of Rights; and how the Haudenosaunee (Iroquois) Confederacy directly shaped the US Constitution. Explaining the fundamentals of democracy—liberty, equality, and justice for all—in a kid-friendly way, We the People! is a powerful reminder that power rests in the people’s hands. Big Ideas That Changed the World is a graphic novel series that celebrates the hard-won succession of ideas that ultimately changed the world. Humor, drama, and art unite to tell the story of events, discoveries, and ingenuity over time that led humans to come up with a big idea and then make it come true.

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An in-depth look at the philosophical issues behind HBO's Game of Thrones television series and the books that inspired it George R.R. Martin's New York Times bestselling epic fantasy book series, A Song of Ice and Fire, and the HBO television show adapted from it, have earned critical acclaim and inspired fanatic devotion. This book delves into the many philosophical questions that arise in this complex, character-driven series, including: Is it right for a "good" king to usurp the throne of a "bad" one and murder his family? How far should you go to protect your family and its secrets? In a fantasy universe with medieval mores and ethics, can female characters reflect modern feminist ideals? Timed for the premiere of the second season of the HBO Game of Thrones series Gives new perspectives on the characters, storylines, and themes of Game of Thrones Draws on great philosophers from ancient Greece to modern America to explore intriguing topics such as the strange creatures of Westeros, the incestuous relationship of Jaime and Cersei Lannister, and what the kings of Westeros can show us about virtue and honor (or the lack thereof) as they play their game of thrones Essential reading for fans, Game of Thrones and Philosophy will enrich your experience of your favorite medieval fantasy series.

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Traces the development of American industrial power and the hurdles that threatened the country's ascendenceC A lively tour of the United States in the first half of the twentieth century, America Ascendant traces the development of America's tremendous industrial power and its commercial deployment, at home and abroad. Emphasizing the contributions of those charismatic presidents who shaped the future of politics—Theodore Roosevelt, Woodrow Wilson, and Franklin Delano Roosevelt—the book also covers pioneers such as Henry Ford and the Wright brothers, whose technological contributions transformed societies the world over. The book investigates the phenomena that threatened America's ascendance—the Great Red Scare of 1917-20 and the rout of organized labor, the Great Crash of 1929 and the searing depression years, and the apartheid policies that undermined American democratic ideals. Moreover, Sean Dennis Cashman sets the American story within the dramatic context of the rise and fall of political empires in Europe and Asia and two devastating world wars. Enriching the volume is an integrated account of the American cultural scene, replete with such figures as Ernest Hemingway, Frank Lloyd Wright, George Gershwin, Louis Armstrong, Billie Holiday, Charlie Chaplin, and D. W. Griffith. Imaginatively conceived, America Ascendant once again reveals Sean Dennis Cashman's flair for bringing American history to life with all its triumphs, drama, and ambiguities.

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Style of dress has always been a way for Americans to signify their politics, but perhaps never so overtly as in the 1960s and 1970s. Whether participating in presidential campaigns or Vietnam protests, hair and dress provided a powerful cultural tool for social activists to display their politics to the world and became both the cause and a symbol of the rift in American culture. Some Americans saw stylistic freedom as part of their larger political protests, integral to the ideals of self-expression, sexual freedom, and equal rights for women and minorities. Others saw changes in style as the erosion of tradition and a threat to the established social and gender norms at the heart of family and nation.Through the lens of fashion and style, Dressing for the Culture Wars guides us through the competing political and social movements of the 1960s and 1970s. Although long hair on men, pants and miniskirts on women, and other hippie styles of self-fashioning could indeed be controversial, Betty Luther Hillman illustrates how self-presentation influenced the culture and politics of the era and carried connotations similarly linked to the broader political challenges of the time. Luther Hillman’s new line of inquiry demonstrates how fashion was both a reaction to and was influenced by the political climate and its implications for changing norms of gender, race, and sexuality.

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All aspire to liberty and security in their lives but few people truly enjoy them. This book explains why this is so. In what Conor Gearty calls our 'neo-democratic' world, the proclamation of universal liberty and security is mocked by facts on the ground: the vast inequalities in supposedly free societies, the authoritarian regimes with regular elections, and the terrible socio-economic deprivation camouflaged by cynically proclaimed commitments to human rights. Gearty's book offers an explanation of how this has come about, providing also a criticism of the present age which tolerates it. He then goes on to set out a manifesto for a better future, a place where liberty and security can be rich platforms for everyone's life.The book identifies neo-democracies as those places which play at democracy so as to disguise the injustice at their core. But it is not just the new 'democracies' that have turned 'neo', the so-called established democracies are also hurtling in the same direction, as is the United Nations. A new vision of universal freedom is urgently required. Drawing on scholarship in law, human rights and political science this book argues for just such a vision, one in which the great achievements of our democratic past are not jettisoned as easily as were the socialist ideals of the original democracy-makers.

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The Judge as Political Theorist examines opinions by constitutional courts in liberal democracies to better understand the logic and nature of constitutional review. David Robertson argues that the constitutional judge's role is nothing like that of the legislator or chief executive, or even the ordinary judge. Rather, constitutional judges spell out to society the implications--on the ground--of the moral and practical commitments embodied in the nation's constitution. Constitutional review, in other words, is a form of applied political theory. Robertson takes an in-depth look at constitutional decision making in Germany, France, the Czech Republic, Poland, Hungary, Canada, and South Africa, with comparisons throughout to the United States, where constitutional review originated. He also tackles perhaps the most vexing problem in constitutional law today--how and when to limit the rights of citizens in order to govern. As traditional institutions of moral authority have lost power, constitutional judges have stepped into the breach, radically altering traditional understandings of what courts can and should do. Robertson demonstrates how constitutions are more than mere founding documents laying down the law of the land, but increasingly have become statements of the values and principles a society seeks to embody. Constitutional judges, in turn, see it as their mission to transform those values into political practice and push for state and society to live up to their ideals.

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In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifying and exciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.

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This iconoclastic and fundamental work, Eric Nordlinger's last, advocates a new variant of isolationism, a "national strategy" confining U.S. military actions largely to North America and to neighboring sea-and air- lanes but encouraging international activism and engagement in nonsecurity realms. In Nordlinger's view, disengaging from security commitments on distant shores would liberate the United States to use its resources and decision-making powers to act more effectively abroad in matters of economic policy and human rights. A national strategy would then become a powerful new method of encouraging international ideals of democracy, and isolationism would be freed of its previous associations with appeasement, weakness, economic protectionism, and self-serving nationalism. Nordlinger draws on the recent historical record to show that a national strategy would have lessened the perils of earlier decades, including those of the Cold War. While real dangers did exist during this period, engaged strategies, such as containment, too often exacerbated them. The United States could have effectively and far less expensively helped to deter Communist aggression in Europe and Asia by encouraging other nations to make larger investments in their own protection. Marshaling impressive empirical evidence in defense of a controversial position, this final work by a leading scholar of international affairs is essential reading for scholars, practitioners, and lay readers alike.

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Why Anti-Time Management?Discover the answer to the age-old question of "work-life balance" and what to do about it. Award-winning author Richie Norton brings you into the future with the power of Time Tipping, a framework that allows you to live and work wherever you choose. Enjoy expansive freedom by prioritizing attention, not managing time.What would your life look like today if you had already achieved what you want? Norton delivers an innovative roadmap that allows you to get your time back, how to change how you're paid, and how to protect and expand your time around your values by integrating revolutionary principles like: - Project Stacking: How to single-task multiple, lucrative projects- Work Syncing: How to bring work-life ideals in concert, creating space- Expert Sourcing: How to design your work around results, not means Inspired by great personal loss, Norton shares how he and his family live with no regrets and how attention prioritization and time creation are learnable skills despite hardships. Anti-Time Management will help you be present for the people, projects, plans and priorities that matter most. Like light through a prism, you can purposefully create asymmetrical results by making small, intentional decisions on one side of your life and work to create brilliant strobes of possibilities on the other.

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Why it is a mistake to let commercial entertainment serve as America's de facto ambassador to the world What does the world admire most about America? Science, technology, higher education, consumer goods—but not, it seems, freedom and democracy. Indeed, these ideals are in global retreat, for reasons ranging from ill-conceived foreign policy to the financial crisis and the sophisticated propaganda of modern authoritarians. Another reason, explored for the first time in this pathbreaking book, is the distorted picture of freedom and democracy found in America's cultural exports. In interviews with thoughtful observers in eleven countries, Martha Bayles heard many objections to the violence and vulgarity pervading today's popular culture. But she also heard a deeper complaint: namely, that America no longer shares the best of itself. Tracing this change to the end of the Cold War, Bayles shows how public diplomacy was scaled back, and in-your-face entertainment became America's de facto ambassador. This book focuses on the present and recent past, but its perspective is deeply rooted in American history, culture, religion, and political thought. At its heart is an affirmation of a certain ethos—of hope for human freedom tempered with prudence about human nature—that is truly the aspect of America most admired by others. And its author’s purpose is less to find fault than to help chart a positive path for the future.

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It is widely held today that classical Islamic law frees wives from any obligation to do housework. Wives’ purported exemption from domestic labor became a talking point among Muslims responding to Orientalist stereotypes of the “oppressed Muslim woman” by the late nineteenth century, and it has been a prominent motif in writings by Muslim feminists in the United States since the 1980s.In Wives and Work, Marion Holmes Katz offers a new account of debates on wives’ domestic labor that recasts the historical relationship between Islamic law and ethics. She reconstructs a complex discussion among Sunni legal scholars of the ninth to fourteenth centuries CE and examines its wide-ranging implications. As early as the ninth century, the prevalent doctrine that wives had no legal duty to do housework stood in conflict with what most scholars understood to be morally and religiously right. Scholars’ efforts to resolve this tension ranged widely, from drawing a clear distinction between legal claims and ethical ideals to seeking a synthesis of the two. Katz positions legal discussion within a larger landscape of Islamic normative discourse, emphasizing how legal models diverge from, but can sometimes be informed by, philosophical ethics. Through the lens of wives’ domestic labor, this book sheds new light on notions of family, labor, and gendered personhood as well as the interplay between legal and ethical doctrines in Islamic thought.

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