Search results for ""author reid"

This is a book about how film encountered love in the course of its history. It is also a book about the philosophy of love. Since Plato, erotic love has been praised for leading the soul to knowledge. The vast tradition of poetry devoted to love has emphasized that love is a feeling. Love in Motion presents a new metaphysics and ontology of love as a reciprocal erotic relationship. The book argues that film has been particularly well suited for depicting love in this way, in virtue of its special narrative language. This is a language of expression that has developed in the course of film history. The book spans this history from early silent directors such as Joseph von Sternberg to contemporary filmmakers like Sophia Coppola. At the centre of this study is a comparison between Classical French and American love films of the forties and a series of modernist films by Luis Bunuel, Francois Truffaut and Wong Kar Wai.

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The contributors of this volume address the question of identity among Christ-believers from the viewpoint of prayer. Prayer brings into the discussion several dimensions that make up religious identity. It is attested rather early that prayer was theology performed, and thus intertwined with emerging theologies. Furthermore, prayer was Christocentric in orientation and focus. As of yet, these aspects have not received due attention in scholarly discussions. Christian identity, albeit fragile and complex, was taking shape already in the first century and found itself on the verge between textual phenomenon and social realities. The texts had an impact on those who were exposed to them, in creating representations of social reality, but were not to be identified with that reality. Texts on prayer are prescriptive in that they recommend certain notions of Christian identity, with the addressees invited to embrace certain ways of thinking and acting. The present volume looks into that process.

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An amnesia victim asking "Who am I?" means something different from a confused adolescent asking the same question. Marya Schechtman takes issue with analytic philosophy's emphasis on the first sort of question to the exclusion of the second. The problem of personal identity, she suggests, is usually understood to be a question about historical life. What she calls the "reidentification question" is taken to be the real metaphysical question of personal identity, whereas questions about beliefs or values and the actions they prompt, the "characterization question," are often presented as merely metaphorical. Failure to recognize the philosophical importance of both these questions, Schechtman argues, has undermined analytic philosophy's attempts at offering a satisfying account of personal identity. Considerations related to the characterization question creep unrecognized into discussions of reidentification, with the result that neither question is adequately addressed. Schechtman shows how separating the two questions allows for a more fruitful approach to the reidentification question, and she develops her own narrative account of characterization. She suggests that persons constitute their identities by developing autobiographical narratives that bear the right relation to facts about the environment, the general concept of a person, and other people's concepts of who they are.

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This is a book about how film encountered love in the course of its history. It is also a book about the philosophy of love. Since Plato, erotic love has been praised for leading the soul to knowledge. The vast tradition of poetry devoted to love has emphasized that love is a feeling. Love in Motion presents a new metaphysics and ontology of love as a reciprocal erotic relationship. The book argues that film has been particularly well suited for depicting love in this way, in virtue of its special narrative language. This is a language of expression that has developed in the course of film history. The book spans this history from early silent directors such as Joseph von Sternberg to contemporary filmmakers like Sophia Coppola. At the centre of this study is a comparison between Classical French and American love films of the forties and a series of modernist films by Luis Bunuel, Francois Truffaut and Wong Kar Wai.

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Social, cultural, theological, and economic presentations of children offer important clues to understanding the development of Christianity and society in Late Antiquity. This volume brings together studies of a diverse collection of sources - patristic texts, apocrypha, medicinal treatises, hagiography, pseudepigrapha, papyri, and more - illuminating how children mediated the relationship between Christian thought and Late Antique society. The contributors address the existence of children's culture, medicine and healing of children, disability and deformed children, the economic condition of orphans, theological appropriations of children, the presentations of family relationships in Christian thought, monasticism and family obligations, early Christian response to pedophilia and the formation of Christian ethical identity, and the role of children in apocryphal texts. With contributions by: Reidar Aasgaard, Tony Burke, Carole Monica C. Burnett, Susan R. Holman, Cornelia B. Horn; Inta Ivanovska, Nicole Kelley, Chrysi Kotsifou, John W. Martens, Robert R. Phenix, Carrie Schroeder, Ville Vuolanto

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Gestalterinnen hatten einen entscheidenden Anteil an der Entwicklung der Moderne im Wien der Zwischenkriegszeit. Die Publikation präsentiert neue Forschungen zu Designerinnen, Keramikerinnen, Modeschöpferinnen, Grafikerinnen, Gartenarchitektinnen, Fotografinnen, Kunsthistorikerinnen und Mäzeninnen. An ihrem Beispiel wird gezeigt, wie angestammte Rollenbilder in der Zwischenkriegszeit aufgebrochen wurden und welch eminente Bedeutung diese Frauen für die Wiener Moderne hatten. Sie setzten sich mit bestehenden Vorurteilen auseinander und schufen neue visuelle Sprachen, um erfolgreich Karriere zu machen. Gleichzeitig trugen sie zu einem kritischen Diskurs über die Emanzipation der Frau bei. Zu den Gestalterinnen der Wiener Moderne gehörten u.a. Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny Harlfinger-Zakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d'Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie Reidemeister-Neurath, Lisl Weil, Vally Wieselthier, Helene Wolf und Berta Zuckerkandl

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In the early summer of 1941 German mountain soldiers under the command of General Eduard Dietl set out in northern Norway up through Finland to the Russian border. Operation Silberfuchs was underway. The northernmost section of the Eastern Front would ensure Hitler supplies of nickel from Finnish mines, and bring the strategically important port city of Murmansk under German control. The roadless rocky terrain and extremes of weather created major challenges for the German troop movements. Despite this Dietl's men made quick gains on his Russian foe, and they came closer to Murmansk. Despite repeated warnings of a German attack, Stalin had failed to mobilize, and the British hesitated to come to the rescue of the Red Army. But while the weather conditions steadily worsened, the Russians' resistance increased. Three bloody efforts to force the river Litza were repulsed and the offensive would develop into a nightmare for the inadequately equipped German soldiers. In an exciting and authoritative narrative based on previously unpublished material, Alf Reidar Jacobsen describes the heavy fighting that would lead to Hitler's first defeat on the Eastern Front. With firsthand accounts of the fighting on the front line, this is a dramatic new account of a forgotten but bloody episode of World War II.

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SERGIO: Estás bien, mamá? Saldremos de esta. Dentro de poco me pagarán. Mamá?JUANI: He pasado la mayor parte de mi vida en esta casa y ahora quieren echarme de ella, quieren dejarla vacía como si nunca la hubiera habitado.SERGIO: No tardarán en llegar a nuestra puerta.JUANI: En esta casa he hecho el amor con mi marido, he visto crecer a mi hijo y a mi hija, hacerse grandes, he visto a mi nieta dando sus primeros pasos por estos pasillos. En esta casa he llorado todas las veces que me he sentido triste, he reído, he sido la persona más feliz del mundo y la más desgraciada. Van a vaciarme de ella y dejarla como una cáscara de nuez.LV PREMIOS LITERARIOS KUTXA CIUDAD DE SAN SEBASTIÁN(MODALIDAD TEATRO EN CASTELLANO)

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'Musa Dagh stood beyond the world. No storm would reach it, even if one should break'It is 1915 and Gabriel has returned to his childhood home, an Armenian village on the slopes of Musa Dagh. But things are becoming increasingly dangerous for his people in Turkey, and, as the government orders round-ups and deportations, the villagers of Musa Dagh decide to fight back. The seminal novel of the Armenian genocide, Franz Werfel's bestselling 1933 epic brought the catastrophe to the world's attention for the first time, and has become a talismanic story of resistance in the face of hatred.'Forty Days will invade your senses and keep the blood pounding. Once read, it will never be forgotten' The New York TimesTranslated by Geoffrey Dunlop and James Reidel

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he urgent need to enhance sustainable development in developing countries has never been greater: poverty levels are growing, land conversions are uncontrolled, and there is rapid loss of biodiversity through land use change. This timely book highlights the need for integrated assessment tools for developing countries, considering the long-term impacts of decisions taken today. The success of land use policies has in the past often been hampered by the fact that we simply do not know enough about their impact on sustainable development across developing countries. This book contributes to bridging this knowledge gap while facilitating the successful design and implementation of land use policies. The challenge of land use changes in response to changes in the policy environment - macro policy, agricultural and forest policy, environmental policy - is explored with a focus on the South. Detailed case studies encompassing seven countries across Africa, Asia and Latin America are presented via a common framework of analysis. In each case, sustainable development concerns are identified from environmental, economic and social perspectives. The interrelated causes of these problems are analyzed by identifying key drivers and relevant land use policies, and the potential impact of prioritized land use policies are then discussed. This important book will prove invaluable to academics, researchers, postgraduate students and policy makers concerned with land-use planning, sustainable development and environmental studies. Contributors: A.M. Arbi, I. Bezlepkina, M. Bonin, F. Brouwer, M. Bursztyn, L. Chen, Y. Cisse, E. Coudel, S.A. Dalimunthe, N. Debortoli, N.I.S. Dewi, S. Feng, L.N. Gachimbi, P. Gicheru, H. Jeder, S. Kashyap, H. Konig, D. Lindoso, X. Ma, D. McNeill, S.N. Makokha, I. Nesheim, N. Novira, N. Ounalli, S. Patil, S. Purushothaman, F. Qu, T.S. Rahayu, P. Reidsma, S. Rodrigues-Filho, J. Schuler, M. Sghaier, X. Shi, J.-P. Tonneau, R. Verburg, J. Von Braun, J.W. Wamuongo, A.P. Wicaksono

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Más de 3.000.000 de ejemplares vendidos.Elísabet Benavent es la voz masiva de una generación.Jesús Ruiz Mantilla, El PaísQué sucede cuando descubres que el final de tu cuento no es como soñabas?- Érase una vez una mujer que lo tenía todo y un chico que no tenía nada.- Érase una vez una historia de amor entre el éxito y la duda.- Érase una vez un cuento perfecto.Elísabet Benavent, @BetaCoqueta, regresa al panorama de la literatura con una novela que explora el significado del éxito en la vida y reflexiona con ironía y humor acerca de las imposiciones sociales, la presión del grupo y la autoexigencia que, aunque cueste creerlo, no es sinónimo de felicidad.Los lectores han dicho...Un libro magnífico. Adictivo! Una historia real, bien escrita. He reído, llorado, suspirado. Elísabet, he leído todos tus libros y, aunque parezca imposible, sigues sorprendiéndome.Una historia madura que nos hace reflexionar. No e

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Una aspirante a actriz cansada de hacer castings...Un artista reconocido en plena crisis creativa...Unos valiosos cuadros encontrados en un desván...Y el arte del engaño para cambiar las leyes del karma.Después de vender más de 3.000.000 de ejemplares de sus novelas, Elísabet Benavent vuelve con El arte de engañar al karma, una novela donde despliega su virtuosismo narrativo, la magia para crear historias, con un estilo lleno de risas y lágrimas, en una novela sorprendente, llena de belleza y arte en la que las mujeres dejan de ser musas para ser creadoras. Y volar alto. Por encima de cualquier expectativa.Las lectoras han dicho sobre Un cuento perfecto:Un libro magnífico. Adictivo! Una historia real, bien escrita. He reído, llorado, suspirado. Elísabet, he leído todos tus libros y, aunque parezca imposible, sigues sorprendiéndome.Una historia madura que nos hace reflexionar. No es una novela al uso centrada

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This open access book addresses the protection of privacy and personality rights in public records, records management, historical sources, and archives; and historical and current access to them in a broad international comparative perspective. Considering the question “can archiving pose a security risk to the protection of sensitive data and human rights?”, it analyses data security and presents several significant cases of the misuse of sensitive personal data, such as census data or medical records. It examines archival inflation and the minimisation and reduction of data in public records and archives, including data anonymisation and pseudonymisation, and the risks of deanonymisation and reidentification of persons. The book looks at post-mortem privacy protection, the relationship of the right to know and the right to be forgotten and introduces a specific model of four categories of the right to be forgotten. In its conclusion, the book presents a set of recommendations for archives and records management.

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A reprint, with new introductory essay, of the D. Reidel edition of 1973.This reissue of Charles Kahn's classic work includes a substantial new introductory essay, which presents a reformulation of the theory of syntactic and semantic unity for the system of uses of the verb be in Greek (conceived primarily as a verb of predication), and hence a defense of the conceptual unity for the notion of Being in Greek philosophy.The book offers a systematic description of the use and grammar of the verb to be in Ancient Greek, before the philosophers took it over to express the central concepts in Greek logic and metaphysics. Evidence is taken primarily from Homer but supplemented by specimens from classical Attic prose. Topics discussed include the original status of the verb in Indo-European, as well as the logical and syntactic relations among copula, existential, and veridical uses.

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