Search results for ""bloomsbury publishing""

The savage partisan war on the Eastern Front during World War II saw a wide variety of forces deployed by both sides. On the Soviet side, civilian partisans fought alongside and in co-operation with Red Army troops and Red Army and NKVD ‘special forces’. On the German side, German Army security divisions, with indigenous components including cavalry, fought alongside SS police and Waffen-SS units and other front-line troops employed for short periods in the anti-partisan role. In addition to providing the background history of the forces of both sides, this study focuses upon three examples of German anti-partisan operations that show varied success in dealing with the Soviet partisan threat. Notably, it covers a major operation in north-west Russia during the spring of 1943 – Operation Spring Clean – that saw Wehrmacht security forces including local components fighting alongside troops under the SS umbrella against a number of Soviet partisan brigades. During the fighting, German forces even employed captured French tanks from earlier in the war against the partisans. Featuring specially commissioned artwork and drawing upon an array of sources, this is an absorbing account of the brutal fighting between German security forces and their Soviet partisan opponents during the long struggle for victory on World War II’s Eastern Front.

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Despite the increasingly futile, bloody struggles for territory that had characterised the Eastern Front the previous year, the German and Austro-Hungarian commands held high hopes for 1916. After the success of the 1915 Gorlice–Tarnów Offensive, which had driven Russia out of Galicia and Poland, Germany was free to renew its efforts in the west. Austria-Hungary, meanwhile, turned its attention to defeating Italy. In an attempt to relieve pressure on their British and French allies at the Somme and Verdun, Russia launched one of the bloodiest campaigns in the history of warfare. General Brusilov’s June advance was quickly characterised by innovative tactics, including the use of shock troops – a tactic that German armies would later adapt to great effect. The momentum continued with Romania’s entry into the war and the declaration by the Central Powers of a Kingdom of Poland – two events which would radically transform the borders of post-war Europe.Drawing on first-hand accounts and archival research, internationally renowned historian Prit Buttar presents a dramatic account of an explosive year on the Eastern Front, one that gave Russia its greatest success on the battlefield but plunged the nation into revolution at home.

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By the end of the first week of November 1942, the German Sixth Army held about 90 per cent of Stalingrad. Yet the Soviets stubbornly held on to the remaining parts of the city, and German casualties started to reach catastrophic levels. In an attempt to break the deadlock, Hitler decided to send additional German pioneer battalions to act as an urban warfare spearhead. These combat engineers were skilled in all aspects of city fighting, especially in the use of demolitions and small arms to overcome defended positions and in the destruction of armoured vehicles. Facing them were hardened Soviet troops who had perfected the use of urban camouflage, concealed and interlocking firing positions, close quarters battle, and sniper support. This fully illustrated book explores the tactics and effectiveness of these opposing troops during this period, focusing particularly on the brutal close-quarters fight over the Krasnaya Barrikady (Red Barricades) ordnance factory.

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Following the end of World War II, France attempted to reassert control over its colonies in Indochina. In Vietnam, this was resisted by the Viet Minh leading to the First Indochina War. By 1954, the French army was on the defensive and determined to force the Viet Minh into a decisive set-piece battle at Dien Bien Phu. Over the past five decades, Western authors have generally followed a standard narrative of the siege of Dien Bien Phu, depicting the Viet Minh besiegers as a faceless horde which overwhelmed the intrepid garrison by sheer weight of numbers, superior firepower, and logistics. However, a wealth of new Vietnamese-language sources tell a very different story, revealing for the first time the true Viet Minh order of battle and the details of the severe logistical constraints within which the besiegers had to operate. Using these sources, complemented by interviews with French veterans and research in the French Army and French Foreign Legion archives, this book, now publishing in paperback, provides a new telling of the climactic battle in the Indochina War, the conflict that set the stage for the Vietnam War a decade later.

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In the summer of 1942, the Wehrmacht invaded the Caucasus in order to overrun critical oil production facilities at Maikop, Grozny and Baku. However, the Red Army stopped the Germans short of their objectives and then launched a devastating winter counteroffensive that encircled them at Stalingrad. Consequently, Hitler grudgingly ordered an evacuation from the Caucasus, but ordered 17. Armee to fortify the Kuban bridgehead and hold it at all costs in order to leave open the possibility of future offensives. On the other side, the Soviet Stavka ordered the North Caucasus Front and the Black Sea Fleet to eliminate the Kuban bridgehead as soon as possible. The stage was set for a contest between an immovable object and an unstoppable force. With the help of stunning specially commissioned artwork, this book tells the enthralling story of the impressive but strategically foolish German stand at Kuban, which tied down seven Soviet armies in a sideshow battle of attrition, which the Soviets dubbed ‘the Kuban meat grinder.’

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In August 1940, the Luftwaffe began an operation to destroy or neutralize RAF Fighter Command, and enable Hitler to invade Britain that autumn. It was a new type of air warfare: the first ever offensive counter-air campaign against an integrated air defence system. Powerful, combat-proven and previously all-conquering, the German air force had the means to win the Battle of Britain. Yet it did not. This book is an original, rigorous campaign study of the Luftwaffe’s Operation Adlerangriff, researched in Germany’s World War II archives and using the most accurate data available. Doug Dildy explains the capabilities of both sides, sets the campaign in context, and argues persuasively that it was the Luftwaffe’s own mistakes and failures that led to its defeat, and kept alive the Allies’ chance to ultimately defeat Nazi Germany.

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Following the raid on Pearl Harbor and the entry of the United States into World War II, President Franklin D. Roosevelt identified the European theatre as his country’s priority. Their first joint operation with the British was an amphibious invasion of French North Africa, designed to relieve pressure on their new Soviet allies, eliminate the threat of the French navy joining the Germans, and to shore up the vulnerability of British imperial possessions and trade routes through the Mediterranean. Operation Torch was the largest and most complex amphibious invasion of its time. In November 1942, three landings took place simultaneously across the French North African coast in an ambitious attempt to trap and annihilate the Axis’ North African armies between the invading forces under General Eisenhower and British Field-Marshall Montgomery’s Eighth Army in Egypt. Using full colour artwork, maps and contemporary photographs, this is the thrilling story of this complex operation.

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Even before the spectacular success of its X-1 rocket-powered aircraft in breaking the ‘sound barrier’, the adventurous Bell Aircraft Corporation was already pushing ahead with a parallel project to build a second aircraft capable of far higher speeds. The X-2 (or Model 52) explored the equally uncertain technology of swept-back wings. Now common in modern conventional fighter aircraft, the Bell X-2 was revolutionary in using this type of airframe to probe Mach 3 and research the effects of extreme aerodynamic friction heat on airframes. Although both X-2s were destroyed in crashes after only 20 flights, killing two test pilots, the knowledge gained from the programme was invaluable in developing aircraft that could safely fly at such speeds. Using stunning artwork and historical photographs, this is the story of the plane that ultimately made the Lockheed Blackbird and Concorde possible.

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Plagued by unreliable vehicles and poorly thought-out doctrine, the early years of World War II were years of struggle for Britain’s tank corps. Relying on tanks built in the late 1930s, and those designed and built with limited resources in the opening years of the war, they battled valiantly against an opponent well versed in the arts of armoured warfare. This book is the second of a multi-volume history of British tanks by renowned British armour expert David Fletcher MBE. It covers the development and use of the Matilda, Crusader, and Valentine tanks that pushed back the Axis in North Africa, the much-improved Churchill that fought with distinction from North Africa to Normandy, and the excellent Cromwell tank of 1944–45. It also looks at Britain's super-heavy tank projects, the TOG1 and TOG2, and the Tortoise heavy assault tank, designed to smash through the toughest of battlefield conditions, but never put into production.

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A major illustrated history of the Long Range Desert Group from the foremost expert on British wartime special forces. Formed in June 1940 for the purpose of gathering intelligence behind enemy lines, the Long Range Desert Group (LRDG) played a secretive but vital role in North Africa during World War II. Highly trained in mechanized reconnaissance and specializing in desert operations, the unit provided support to the Special Air Service (SAS) in missions across the vast and treacherous terrain of the Western Desert. In this highly illustrated history of the LRDG, Gavin Mortimer reveals the origins and dramatic operations of Britain’s first ever special forces unit.

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In the two centuries before the Norman invasion of England, Anglo-Saxon and Viking forces clashed repeatedly in bloody battles across the country. Repeated Viking victories in the 9th century led to their settlement in the north of the country, but the tide of war ebbed and flowed until the final Anglo-Saxon victory before the Norman Conquest. Using stunning artwork, this book examines in detail three battles between the two deadly foes: Ashdown in 871 which involved the future Alfred the Great; Maldon in 991 where an Anglo-Saxon army sought to counter a renewed Viking threat; and Stamford Bridge in 1066, in which King Harold Godwinesson abandoned his preparations to repel the expected Norman invasion in order to fight off Harald Hard-Counsel of Norway. Drawing upon historical accounts from both English and Scandinavian sources and from archaeological evidence, Gareth Williams presents a detailed comparison of the weaponry, tactics, strategies and underlying military organization of the Anglo-Saxons and Vikings, and considers the developments which took place on both sides in the two centuries of Viking incursions into Anglo-Saxon England.

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As the Allies advance towards Germany, they face dogged resistance from the hard-pressed German forces. Take command of the Allies in their final push to end the war in Europe, or hold fast as the German defenders as the fight is brought to your door. This new Campaign Book for Bolt Action offers new linked scenarios, rules, troop types and Theatre Selectors, and provides plenty of options for novice and veteran players alike.

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The year is 1940, and the German invasion of Britain has begun. With this new campaign book for Bolt Action, players can fight the battles of World War II’s greatest ‘what if’ scenario. Defend the cliffs of Dover and the beaches of Kent from wave after wave of German landing craft. Parachute into the Home Counties in a surgical strike to capture Winston Churchill. Rally the Home Guard in a last, desperate attempt to keep England free of the Nazi invaders! Containing new rules, scenarios, and unit types covering all of the unique features of this alternate history campaign, it offers a chance for all Bolt Action players to truly rewrite the history of World War II.

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With this new supplement for Frostgrave, players can lead their warbands into the vast network of catacombs, sewers, and dungeons that run underneath the Frozen City. It was in these dark confines that the ancient wizards known as Beastcrafters experimented on living creatures, creating strange hybrids and deadly monsters, many of which still roam the forgotten passageways. Along with a host of new scenarios, treasures, soldiers, and creatures, the book also contains rules for the traps and secret passages that are often found in the dungeons. With wonderful and rare magical treasures to be discovered, will players risk taking their warbands down into the Breeding Pits?

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Although seen as a replacement for the A6M Zero-sen carrier-based fighter, the Mitsubishi J2M Raiden was actually designed as a land-based naval interceptor optimised for speed rather than manoeuvrability. Engine cooling problems for its Mitsubishi Kasai 23 engine, airflow and flight control issues plagued the Raiden's development, but despite these production delays, aces Sadaaki Akamatsu Yoshihiro Aoki, Susumu Ito and Susumu Ishihara all claimed significant scores in the Raiden. Kawanishi's N1K family of fighters were privately developed by the manufacturer from the N1K Kyofu floatplane fighter. Again plagued by structural and engine maladies, the N1K1-J Shiden eventually entered frontline service in time to see considerable action in the doomed defence of the Philippines in October 1944. Despite suffering heavy losses, the units equipped with new fighter proved that the N1K could more than hold its own against P-38s and F6Fs. The improved N1K2-J Shiden-KAI started to reach the frontline by late 1944 – in time for defence of the Home Islands. Here, it proved to be the best IJN fighter of the war.

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At the crescendo of the Second Barons' War were the battles of Lewes and Evesham. It was an era of high drama and intrigue, as tensions between crown and aristocracy had boiled over and a civil war erupted that would shape the future of English government. In this detailed study, Richard Brooks unravels the remarkable events of the battles of Lewes and Evesham, revealing the unusually tactical nature of the fighting, in sharp contrast to most medieval conflicts which were habitually settled by burning and ravaging. At Lewes, Simon de Montfort, the powerful renegade leader of the Baronial faction, won a vital victory, smashing the Royalist forces and capturing Henry III and Prince Edward. Edward escaped, however, to lead the Royalist armies to a crushing victory just a year later at Evesham. Using full colour illustrations, bird's-eye views and detailed maps to generate an arresting visual perspective of the fighting, this book tells the full story of the battles of Lewes and Evesham, the only pitched battles to be fought by English armies in the mid-13th century.

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As the final month of fighting in Europe in 1945 dawned the Allies embarked upon a series of mopping up operations, destroying the last centres of German resistance as the essentially defeated Wehrmacht fought on in increasingly desperate conditions, driven on by the explicit no surrender order issued by Hitler. Yet at the same time, the Allied alliance was already on shaky ground, as German resistance was crushed the Allies began to eye each other nervously across a battletorn Europe, with the politically driven military decisions to have a huge impact on the future of the continent. This book traces the final operations of the war, from the liberation of Denmark, the Allied drive towards the Baltic straits, incursions in Yugoslavia, Hungary, Czechoslovakia and engagements in Eastern and Western Germany, whilst also analyzing how the Allied strategies in the final days of the war were a hint of the future difficulties that would drive the Cold War.

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A gripping history of Britain’s Special Boat Squadron in World War II, drawing on veteran interviews and including rare photographs from the SAS Regimental Association. The Special Boat Squadron was Britain's most exclusive Special Forces unit during World War II, and yet its exploits have been largely forgotten. This book tells its story. Highly trained, totally secretive and utterly ruthless, the SBS was established as an entity in its own right in early 1943. Unlike its sister unit, which numbered more than 1,000 men, the SBS never comprised more than 100. Led by men such as the famed Victoria Cross recipient Anders Lassen, the SBS went from island to island in the Mediterranean, landing in the dead of night in small fishing boats and launching savage hit and run raids on the Germans. Through unrivalled access to the archives of the SAS Regimental Association and interviews with the surviving members of the unit, Gavin Mortimer has pieced together the dramatic feats of this elite fighting force. In this new and updated paperback edition, featuring additional content including new text and photographs, the unit and its members are finally granted the recognition that they so richly deserve.

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Rogue Stars is a character-based science fiction skirmish wargame, where players command crews of bounty hunters, space pirates, merchants, prospectors, smugglers, mercenary outfits, planetary police and other such shady factions from the fringes of galactic civilisation. Crews can vary in size, typically from four to six, and the character and crew creation systems allow for practically any concept to be built. Detailed environmental rules that include options for flora, fauna, gravity, dangerous terrain and atmosphere, and scenario design rules that ensure that missions are varied and demand adaptation and cunning on the parts of the combatants, make practically any encounter possible. Run contraband tech to rebel fighters on an ocean world while hunted by an alien kill-team or hunt down a research vessel and fight zero-gravity boarding actions in the cold depths of space – whatever you can imagine, you can do.

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From Andrew Wiest, the bestselling author of The Boys of '67: Charlie Company's War in Vietnam and one of the leading scholars in the study of the Vietnam War, comes a frank exploration of the human experience during the conflict. Vietnam allows the reader a grunt's-eye-view of the conflict – from the steaming rice paddies and swamps of the Mekong Delta, to the triple-canopy rainforest of the Central Highlands and the forlorn Marine bases that dotted the DMZ. It is the definitive oral history of the Vietnam War told in the uncompromising, no-holds barred language of the soldiers themselves.

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Take charge of Operation Barbarossa and drive towards Moscow or command the steadfast defenders of the Soviet Union. From the early battles for Leningrad and Sevastopol to the tank clash of Kursk and the bitter urban warfare of Stalingrad, this new Theatre Book for Bolt Action provides wargamers with new scenarios and special rules that give them everything they need to focus their gaming on the Eastern Front.

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Winchester lever-action repeating rifles are an integral part of the folklore of the American West. Introduced after the American Civil War, the first Winchester, the M1866, would go on to see military service as far afield as Bulgaria, but it was in the hands of civilians that it would become known as ‘The gun that won the west’. Offering a lethal combination of portability, ruggedness and ammunition interchangeability with pistol sidearms, the Winchesters and their innovative and elegant breech-loading system represented a revolutionary design. They were used by a staggering variety of military and civilian groups - gold-miners, trappers, hunters, farmers, lawmen, professional gunmen and Native Americans. It equipped a whole generation of settlers and as such left an imprint on American culture that continues to resonate today. This book explores the Winchesters’ unique place in history, revealing the technical secrets of their success with a full array of colour artwork, period illustrations and close-up photographs.

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Inspired by the exploits of the German Fallschirmjäger in the blitzkrieg campaigns, Winston Churchill called for the formation of a 5,000-strong Airborne Force in June 1940. From these beginnings The Parachute Regiment became one of the foremost units of the British Army both in World War II and up to the present day. This new history of the British Paratrooper, from 1940 to 1945, details the unique training, weapons and equipment used by these elite troops. A wealth of first-hand and until now unpublished materials brings the history of the ordinary paratrooper to life, drawing on the author’s position as a former curator of the Regimental Museum. Illustrations and photographs illuminate the equipment and combat performance of the elite ‘Paras’ in the context of some of the most significant campaigns of World War II, including D-Day and Operation Market-Garden.

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In the spring of 1966 the Vietnam War was intensifying, driven by the US military build up, under which the 9th Infantry Division was reactivated. Charlie Company was part of the 9th and representative of the melting pot of America. But, unlike the vast majority of other companies in the US Army, the men of Charlie Company were a close-knit family. They joined up together, trained together, and were deployed together. This is their story. From the joker who roller-skated into the Company First Sergeant’s office wearing a dress, to the nerdy guy with two left feet who would rather be off somewhere inventing computers, and the everyman who just wanted to keep his head down and get through un-noticed and preferably unscathed. Written by leading Vietnam expert Dr Andrew Wiest, The Boys of ’67 tells the unvarnished truth about the war in Vietnam, recounting the fear of death and the horrors of battle through the recollections of the young men themselves. America doesn’t know their names or their story, the story of the boys of Charlie, young draftees who had done everything that their nation had asked of them and received so little in return – lost faces and silent voices of a distant war.

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The act of undressing has a multitude of meanings, which vary dramatically when this commonly private gesture is presented for public consumption. This ground-breaking book explores the significance of undressing in various cultural and social contexts. As we are increasingly obsessed with dress choices as signifiers of who we are and how we feel, an investigation into what happens as we remove our clothes has never been more pertinent. Exploring three main issues - politics, tease, and clothes without bodies - Acts of Undressing discusses these key themes through an in-depth and eclectic mix of case studies including flashing at Mardi Gras, the World Burlesque Games, and ‘shoefiti’ used by gangs to mark territories. Building on leading theories of dress and the body, from academics including Roland Barthes and Mario Perniolato, Ruth Barcan and Erving Goffman, Acts of Undressing is essential reading for students of fashion, sociology, anthropology, visual culture, and related subjects.

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Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions provides a wide-ranging analysis of the role of the director in shaping adaptations for the stage today. Through its focus on a wide range of international productions by Katie Mitchell, Theodoros Terzopoulos, Peter Sellars, Jan Fabre, Ariane Mnouchkine, Tadashi Suzuki, Yukio Ninagawa, Andrei Serban, Nikos Charalambous, Bryan Doerries and Richard Schechner, among others, it offers readers a detailed study of the ways directors have responded to the original texts, refashioning them for different audiences, contexts and purposes. As such the volume will appeal to readers of theatre and performance studies, classics and adaptation studies, directors and theatre practitioners, and anyone who has ever wondered 'why they did it like that' when watching a stage production of an ancient Greek play. The volume Contemporary Adaptations of Greek Tragedy is divided in three sections: the first section - Global Perspectives - considers the work of a range of major directors from around the world who have provided new readings of Greek Tragedy: Peter Sellars and Athol Fugard in the US, Katie Mitchell in the UK, Theodoros Terzopoulos in Greece and Tadashi Suzuki and Yukio Ninagawa in Japan. Their work on a wide range of plays is analysed, including Electra, Oedipus the King, The Persians, Iphigenia at Aulis, and Ajax. Parts Two and Three – Directing as Dialogue with the Community and Directorial Re-Visions - focus on a range of productions of key plays from the repertoire, including Prometheus Landscape II, Les Atrides, The Trojan Women, The Bacchae, Antigone and The Suppliants, among others. In each, the varying approaches of different directors are analysed, together with a detailed investigation of the mise-en-scene. In considering each stage production, the authors raise issues of authenticity, contemporary resonances, translation, directorial control/auteurship and adaptation.

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Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.

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Ecofeminism has been an important field of theory in philosophy and environmental studies for decades. It takes as its primary concern the way the relationship between the human and nonhuman is both material and cultural, but it also investigates how this relationship is inherently entangled with questions of gender equity and social justice. Shakespeare and Ecofeminist Theory engagingly establishes a history of ecofeminist scholarship relevant to early modern studies, and provides a clear overview of this rich field of philosophical enquiry. Through fresh, detailed readings of Shakespeare’s poetry and drama, this volume is a wholly original study articulating the ways in which we can better understand the world of Shakespeare’s plays, and the relationships between men, women, animals, and plants that we see in them.

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Rhythm is often referred to as one of the key elements of performance and acting, being of central importance to both performance making and training. Yet what is meant by this term and how it is approached and applied in this context are subjects seldom discussed in detail. Addressing these, Rhythm in Acting and Performance explores the meanings, mechanisms and metaphors associated with rhythm in this field, offering an overview and analysis of the ways rhythm has been, and is embodied and understood by performers, directors, educators, playwrights, designers and scholars. From the rhythmic movements and speech of actors in ancient Greece, to Stanislavski’s use of Tempo-rhythm as a tool for building a character and tapping emotions, continuing through to the use of rhythm and musicality in contemporary approaches to actor training and dramaturgy, this subject finds resonance across a broad range of performance domains. In these settings, rhythm has often been identified as an effective tool for developing the coordination and conscious awareness of individual performers, ensembles and their immediate relationship to an audience. This text examines the principles and techniques underlying these processes, focusing on key approaches adopted and developed within European and American performance practices over the last century. Interviews and case studies of individual practitioners, offer insight into the ways rhythm is approached and utilised within this field. Each of these sections includes practical examples as well as analytical reflections, offering a basis for comparing both the common threads and the broad differences that can be found here. Unpacking this often mystified and neglected subject, this book offers students and practitioners a wealth of informative and useful insights to aid and inspire further creative and academic explorations of rhythm within this field.

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Freedom has only ever meant Love. And life lived without love Is not life enough. Chess is in prison. Facing a lengthy sentence, her cell mate, Serena, becomes her soul mate. But when Serena is given parole, Chess faces total isolation. Hope comes in the form of a music producer looking for a reason to love music again. She finds a powerful voice in Chess. But to harness her talent, Chess must first face her past. Featuring Kae Tempest's trademark lyrical fireworks and live music, this is a story of love and redemption. Hopelessly Devoted received its world premiere on 19 September 2013 at the DOOR, Birmingham Rep, co-produced by Paines Plough and Birmingham Rep. It toured the UK again in 2014.

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Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.

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Readings for Reflective Teaching in Further, Adult and Vocational Education is a unique portable library of exceptional readings drawing together seminal extracts and contemporary literature from international sources from books and journals to support both initial study and extended career-long professionalism for further, adult and vocational education practitioners. Introductions to each reading highlight the key issues explored and explain the status of classic works. This book, along with the core text and associated website, draw upon the work of Andrew Pollard, former Director of the TLRP, and the work of many years of accumulated understanding of generations of further, adult and vocational professionals. Readings for Reflective Teaching in Further, Adult and Vocational Education, the core text, Reflective Teaching in Further, Adult and Vocational Education, and the website, provide a fully integrated set of resources promoting the expertise of further, adult and vocational professionals. The associated website, www.reflectiveteaching.co.uk offers supplementary resources including reflective activities, research briefings and advice on further readings. It also features a glossary of educational terms, links to useful websites and showcases examples of excellent research and practice. This book forms part of the Reflective Teaching series, edited by Andrew Pollard and Amy Pollard, offering support for reflective practice in early, primary, secondary, further, vocational, university and adult sectors of education.

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The Importance of Being Earnest is one of the most enduringly popular of British comic dramas, and a mainstay of English literature and drama courses at college and university level. This is an ideal edition for students with on-page notes to help clarify meaning, and a completely new introduction. In the new introduction, Francesca Coppa explores recent critical approaches to the play, including queer and postcolonial readings, as well as giving the context in which the play was written and how it relates to Wilde's personal life and public persona. The introduction also discusses the play's stage history, providing students with an ideal overview of the play and its resonances for contemporary audiences.

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Developed by one of the world''s leading theatre companies, this fantastic resource offers teachers a practical, drama-based approach to teaching and appreciating three of Shakespeare''s most popular plays: Romeo and Juliet, Macbeth, and A Midsummer Night''s Dream. The toolkit brings the plays alive as performance pieces, with pupils undertaking drama-based explorations of the text that take them through much of the play. Teachers'' notes and accompanying photocopiable worksheets offer a lesson-by-lesson teaching route through each of the three plays in turn. The schemes of work offer teachers a route through each play that has been designed to be flexible and to bolt on to what they already teach. The schemes comprise a series of lessons that can either be followed in their entirety as a stand-alone scheme of work or which can be dipped into by teachers wanting to augment their existing schemes of work.

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A Cultural History of the Home provides a comprehensive survey of the domestic space from ancient times to the present. Spanning 2800 years, the six volumes explore how different cultures and societies have established, developed and used the home. It reveals a great deal about how people have lived day-to-day in a range of regions and epochs by providing a historical focus on the location in which they will have spent much of their time: the domestic space.1. A Cultural History of the Home in Antiquity (800 BCE - 800 CE)2. A Cultural History of the Home in the Medieval Age (800 - 1450)3. A Cultural History of the Home in the Renaissance (1450 - 1648)4. A Cultural History of the Home in the Age of Enlightenment (1648 - 1815)5. A Cultural History of the Home in the Age of Empire (1815 - 1920)6. A Cultural History of the Home in the Modern Age (1920 - present)Each volume discusses the same themes in its chapters:1. The Meaning of the Home2. Family and Household3. The House4. Furni

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How do we study Christian life and thought? How have political and cultural events influenced the experiences of Christians in different places, at different times? How has the world's largest religion been lived in varied parts of the world? The Christian Experience is the first textbook to unite traditional approaches to Christianity with special attention to art, music, architecture, and lived experiences. The material, individual, and personal sides of Christianity are brought to the fore throughout this chronological survey. Every chapter begins with a "first encounter" in order to bring the subject matter to life for students, mirroring the author's approach in his successful book Experiencing the World's Religions. This book on Christianity features over 100 color images, maps, and diagrams, and each chapter ends by pointing to additional print and electronic resources. Michael Molloy considers practices, insights, and artistic creations of Christians across the centuries. The book shows how Christian belief is being practiced in our own time, and it invites readers to imagine how Christianity might evolve in the future.

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Nearly every day brings news of another merger or acquisition involving the companies that control our food supply. Just how concentrated has this system become? At almost every key stage of the food system, four firms alone control 40% or more of the market, a level above which these companies have the power to drive up prices for consumers and reduce their rate of innovation. Researchers have identified additional problems resulting from these trends, including negative impacts on the environment, human health, and communities. This book reveals the dominant corporations, from the supermarket to the seed industry, and the extent of their control over markets. It also analyzes the strategies these firms are using to reshape society in order to further increase their power, particularly in terms of their bearing upon the more vulnerable sections of society, such as recent immigrants, ethnic minorities and those of lower socioeconomic status. Yet this study also shows that these trends are not inevitable. Opposed by numerous efforts, from microbreweries to seed saving networks, it explores how such opposition has encouraged the most powerful firms to make small but positive changes.

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Look at us, Margaret - the press is on our side. We're heroes: the public is behind us, we're protecting our children, the party is united behind the cause. You can stand against it if you want, but you will stand alone. Margaret Thatcher, Britain's first female Prime Minister, gets lost around the streets of Soho on the eve of the vote for Section 28. Unwittingly, she finds herself quickly becoming a cabaret sensation within London's gay community. This camp political drag cabaret explores, through songs and laughter, homophobia and censorship, and how one person could have made a difference. Margaret Thatcher Queen of Soho received its world premiere at London's Theatre503 in June 2013 as part of the Thatcherwrite Festival, and was revived in a full production there in December 2013.

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Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter’s Tale, The Merchant of Venice, Measure for Measure, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare’s work.

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Contemporary Irish Plays showcases the new drama that has emerged since 2008. Featuring a blend of established and emerging writers, the anthology shows how Irish writers are embracing new methods of theatre-making to explore exciting new themes – while also finding new ways to come to terms with the legacies of the Troubles and the Celtic Tiger. Freefall is a sharp, humorous and exhilarating look at the fragility of a human life, blending impressionistic beauty, poignancy and comedy. Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Drum Belly is a fascinating play about the Irish mafia in late 1960s' New York. It premiered at the Abbey Theatre in 2012. Previously unpublished, Planet Belfast by Rosemary Jenkinson is about a woman named Alice – Stormont’s only Green MLA who must toe a delicate line between large, sectarian power bases in order to promote an environmental agenda in Northern Ireland. Desolate Heaven is a story about two young girls hoping to find freedom from home in the trappings of love. It was first performed at Theatre 503, London, in 2013 Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley Street by Louise Lowe is a piece of site-specific theatre which led audience members on a tour of the backstreets of inner-city Dublin. Edited by the leading scholar on Irish theatre, Patrick Lonergan, Contemporary Irish Plays is a timely reminder of the long-held tradition and strength of Irish theatre which blossoms even in its new-found circumstances.

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For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. Always drawing together the work of 10 leading playwrights – a mixture of established and current writers – the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre’s literary department and reflects the past year’s programming at the venue in the plays’ ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. This anthology of 100 monologues is the ideal resource for teenagers and young people attending auditions either in the amateur or professional theatre world; students leaving secondary school to audition for drama school; as well as teachers of English and Drama looking for suitable dramatic for their students to engage with and perform. It provides suitable scene-study books that are suitable and relevant to the student in terms of tone, style and content. Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource.

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Since its publication in 1968, Difference and Repetition, an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Gilles Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.

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Hamlet remains the most-studied of all Shakespeare's great tragedies. This collection of newly-commissioned essays gives readers an overview of past critical views of the play as well as new writing about the play from today's leading scholars. The range of perspectives offered makes the book an invaluable companion to anyone studying the play at an advanced level. The final chapter on learning and teaching resources is particularly useful as a guide for further study.

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Patient, disease and physician were the three corners of the ‘medical triangle’ according to one of the texts attributed to Hippocrates, a famous ancient Greek doctor. This volume, covering a period from roughly 800 BCE to 800 CE, examines and deconstructs these three aspects of ancient medicine in the Mediterranean world. It shows that, while physicians sought to assert themselves as experts in the medical art, they had to contend with numerous other healers whose methods, remedies and tools patients often favoured. It explores the ways in which civic entities, cities, kingdoms and empires, and their officials directly and indirectly shaped medical encounters and discoveries. It examines the interaction between medicine and the environment, non-human animals and plants. To attempt a cultural history of medicine in antiquity requires bringing together a wealth of sources: the texts attributed to Hippocrates, Galen and other medical authors are not neglected, but they are studied alongside other literary and historical works, letters on papyri, funerary inscriptions celebrating healers, surgical tools and bioarchaeological remains. While discussing the enduring cultural impact of classical Greek and Roman medicine in the West, through texts such as the Hippocratic Oath or names of diseases and types of medicines, this volume reveals the various ways in which health, disease and medical treatments were experienced diversely in the ancient world, according to gender, socio-economic class and ethnicity.

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Islamic Spirituality: Theology and Practice for the Modern World examines and explores the inner dimension of Islam. The writings of important figures in the historical development of Islamic spirituality are examined, as well as the major sources of religious authority in Islam, the Qur'an and Hadith. Both classical Sufis and Sufism are explored as well as contemporary mystics. Key figures discussed include medieval Islamic theologian al-Ghazali (d.1111), and Said Nursi (d.1960), arguably one of the most important modern theologians in the Islamic spiritual tradition. Discussing both historical and contemporary dimensions of Islamic spirituality allows the author to ground classical Sufi texts in contemporary ideas and practices. Exploring spirituality in relation to key contemporary issues such as ecology, Zeki Saritoprak demonstrates how, when, and where people can practice Islamic spirituality in the Modern world. Providing an overview of the intellectual and theological basis of Islamic spirituality, and including the author's own translations of a selection of key texts, this volume is ideal reading for courses exploring Islamic spirituality and mysticism and anyone interested in the spiritual practices of nearly a quarter of the world’s population.

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The Middle Ages (c.500–c.1500) are wellknown for the growth of universities and urban regulations, plague pandemics, increasingly sophisticated ways of causing injury in warfare, and abiding frameworks for health and illness provided by religion. Increasingly, however, archaeologists, historians and literary specialists have come together to flesh out the daily lives of medieval people at all levels of society, both in Christian Europe and the Islamic Mediterranean. A Cultural History of Medicine in the Middle Ages follows suit, but also brings new approaches and comparisons into the conversation. Through the investigation of poems, pottery, personal letters, recipes and petitions, and through a breadth of topics running from street-cleaning, cooking and amulets to religious treatises and death rituals, this volume accords new meaning and value to the period and those who lived it. Its chapters confirm that the study of latrines, patterns of manuscript circulation, miracle narratives, sermons, skeletons, metaphors and so on, have as much to tell us about attitudes towards health and illness as do medical texts. Delving within and beyond texts, and focusing on the sensory, the experiential, the personal, the body and the spirit, this volume celebrates and critiques the diverse and complex cultural history of medieval health and medicine.

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Whether you're a novice making your first film or a more advanced animator looking to strengthen an existing concept, Animating Short Stories provides practical techniques to bring your story to life. Each technique is clearly and beautifully illustrated covering different animation mediums; including 2D, 3D and stop-motion. It takes readers step by step through: - how to develop story ideas - to prepare for creative obstacles - scriptwriting and storyboarding - each chapter provides clear examples and full colour images from award-winning student films as well as commercial examples from big studios In addition, a companion website includes a specially created short film demonstrating key visual storytelling and narrative techniques alongside the student movies featured throughout. Also included are documents pertaining to sample production schedule and shotlists, screenplay templates, style guides and cheat sheets.

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