Search results for ""author anne"

Les études présentées dans ce volume sont basées sur les cours et conférences d’histoire et d’archéologie bibliques donnés par l’auteur de 1986 à 2020. La bibliographie de ces années figure au début du volume, faisant suite à celle des années 1958-1995, parue dans la même série, OLA 65. Le premier chapitre présente les rapports de l’Égypte antique avec Canaan, Israël et Juda durant deux millénaires, divisés selon les périodes de l’histoire égyptienne qui font découvrir des ancêtres des tribus israélites en Cisjordanie, Transjordanie et au Nord de la Péninsule Sinaïtique, bien avant les données bibliques. Par exemple, la Maison de Joseph, connue plus tard comme Éphraïm, apparaît dès les XIXe et XVIIIe siècles av.n.è., tout comme la tribu de Siméon, dans les Textes d’Exécration du Moyen Empire, dirigés contre des princes et des tribus dont on pouvait craindre l’inimitié. Jérusalem est alors mentionnée quatre fois. Chapitre II compare divers aspects du droit biblique au droit de l’antique Mésopotamie. Le droit familial vient notamment en ligne de compte avec l’avortement, la sodomie, l’inceste, l’adultère. Des exemples de lois cultuelles sont présentés ensuite et un paragraphe de l’ouvrage de Maïmonide, «Le guide des Égarés», est analysé. Chapitre III traite ensuite du mariage, divorce et lévirat en se basant sur la législation biblique et sur les documents de l’époque gréco-romaine trouvés à Qumrân et dans le Désert de Juda. Chapitre IV examine les actes de mariage judéo-araméens d’Éléphantine, provenant de la colonie militaire du Ve siècle av.n.è., où nombre de documents bien conservés ont été retrouvés. Le développement de l’idéologie royale est présenté au Chapitre V depuis les cas exceptionnels de la divinité du roi au Ps. 45,7 et Éz. 28 jusqu’au choix divin de la dynastie de David et le messianisme. Le chapitre suivant traite de la situation sociale de l’esclave qui peut être très différente selon son sexe, sa nationalité ou la période où il vivait. Le prophétisme sous ses différents aspects est examiné au Chapitre VII. Il ne s’agit pas d’une revue des écrits prophétiques de la Bible, mais du prophète vu par l’historien. Chapitre VIII traite en particulier de l’histoire quelque peu compliquée des tribus de Transjordanie, tandis que Chapitre IX dresse une brève histoire des Édomites, vivant au sud de Juda. L’histoire générale d’Israël et de Juda n’est pas traitée directement dans ce volume, car elle a fait l’objet des deux ouvrages récents de la même série, OLA 275 et OLA 287.

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

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Las obras filosóficas de Lucio Anneo Séneca (ca. 4 a.C.-65 d.C.) han ejercido un duradero influjo sobre la cultura occidental y contienen una formulación significativa de las ideas del estoicismo maduro. ?Sobre la felicidad? ??De vita beata?? plantea algunas cuestiones centrales de la ética antigua: la relación del placer con la virtud y con la felicidad, el ideal humano, la figura del sabio, la significación del concepto de naturaleza aplicado al hombre, la justificación de las riquezas, los supuestos religiosos de la ética, etc. El tratado está traducido y anotado por Julián Marías, quien en su largo prólogo -titulado ?Introducción a la filosofía estoica?- expone la historia y contenido de esta doctrina desde Zenón a Marco Aurelio.Traducción e introducción de Julián Marías

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With its triangular floor plan, Wewelsburg Castle occupies an extraordinary position in German architectural history. The castle, which was completed in 1609, incorporates a medieval tower structure. An inscription above the main portal indicates the intentions of its builder, Paderborn’s Prince Bishop Dietrich von Fürstenberg: to assert the interests of sovereignty and realize the aims of the Counter-Reformation within his territory. The dilapidated state of the building in the 19th century inspired Schinkel’s proposal to transform Wewelsburg castle into an artificial ruin, and Annette von Droste-Hülshoff was moved to make it the subject of some of her ballads. In the Weimar Republic, the Catholic youth movement held interregional events here. In the “Third Reich”, Heinrich Himmler pursued extensive plans to convert the castle into an ideological center of the SS. 1285 prisoners of a specially established concentration camp were murdered during construction. The SS blew up the building in 1945, causing extensive damage. Today, the reconstructed Wewelsburg Castle has resumed its pre-1933 function as a youth hostel, and it is the home of the Historical Museum of the Prince Bishopric of Paderborn. The neighboring guardhouse accommodates the permanent exhibition “Wewelsburg Castle 1933 – 1945, Cult and Terror Center of the SS”, which is also a memorial for concentration camp victims. It will be reopened with a new concept in 2010.

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Hawaiian legends figure greatly in the image of tropical paradise that has come to represent Hawai'i in popular imagination. But what are we buying into when we read these stories as texts in English-language translations? Cristina Bacchilega poses this question in her examination of the way these stories have been adapted to produce a legendary Hawai'i primarily for non-Hawaiian readers or other audiences. With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructed them as representative of Hawaiian culture. Hawaiian mo'olelo were translated in popular and scholarly English-language publications to market a new cultural product: a space constructed primarily for Euro-Americans as something simultaneously exotic and primitive and beautiful and welcoming. To analyze this representation of Hawaiian traditions, place, and genre, Bacchilega focuses on translation across languages, cultures, and media; on photography, as the technology that contributed to the visual formation of a westernized image of Hawai'i; and on tourism as determining postannexation economic and ideological machinery. In a book with interdisciplinary appeal, Bacchilega demonstrates both how the myth of legendary Hawai'i emerged and how this vision can be unmade and reimagined.

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The Financial Times – Best books of 2022: Politics 'The prolific military chronicler and analyst Mark Galeotti has produced exactly the right book at the right time.' The Times A new history of how Putin and his conflicts have inexorably reshaped Russia, including his devastating invasion of Ukraine. Putin's Wars is a timely overview of the conflicts in which Russia has been involved since Vladimir Putin became prime minister and then president of Russia, from the First Chechen War to the two military incursions into Georgia, the annexation of Crimea and the eventual invasion of Ukraine itself. But it also looks more broadly at Putin's recreation of Russian military power and its expansion to include a range of new capabilities, from mercenaries to operatives in a relentless information war against Western powers. This is an engrossing strategic overview of the Russian military and the successes and failures on the battlefield. Thanks to Dr Galeotti's wide-ranging contacts throughout Russia, it is also peppered with anecdotes of military life, personal snapshots of conflicts, and an extraordinary collection of first-hand accounts from serving and retired Russian officers. Russia continues to dominate the news cycle throughout the Western world. There is no better time to understand how and why Putin has involved his armed forces in a variety of conflicts for over two decades.

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At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna. But Hermann Merz, a manufacturer and baptised Jew married to Catholic Gretl, has moved up in the world. Gathered in the Merz apartment in a fashionable part of the city, Hermann's extended family are at the heart of Tom Stoppard's epic yet intimate drama. By the time we have taken leave of them, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and - for Austrian Jews - the Holocaust in which 65,000 of them were murdered. It is for the survivors to pass on a story which hasn't ended yet.Tom Stoppard's Leopoldstadt was first performed at Wyndham's Theatre, London, in January 2020.WINNER: OLIVIER AWARD FOR BEST NEW PLAY, 2020WINNER: TONY AWARD FOR BEST PLAY, 2023Winner of the Drama Desk Award for Outstanding Play; the New York Drama Critics Circle Award for Best Foreign Play; the Drama League Award for Outstanding Production; and the Outer Critics' Circle Award for Outstanding New Broadway Play.'One of Britain's greatest living playwrights to provide his most personal play yet.' The Times'The news that Tom Stoppard has written a new drama ranks as top-end seismic activity.' Daily Telegraph

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An acclaimed history of empire and resistance: this is the moving story of the rebel prince who beat the world’s most powerful corporation. The ships of the East India Company first docked at India's shores in Surat in the early 17th century. In time, through astute politics and military power, the Company became masters of this great port. But the Company came not with the intention of building Indian maritime trade, but with the single-minded goal of destroying its trading prowess. By 1800 the port was completely annexed, through a Treaty that gave protection to future generations of the local Nawab rulers. But, as elsewhere in India, the Company violated its promises. It stopped the family’s income, usurping its palaces, estates, jewellery and possessions. This left the infant granddaughters of the last Nawab on the brink of destitution. But in an unprecedented counter-attack, the father of the two girls stood to defy the Empire and expose its corruption overseas to the British at home. Travelling to London, he would shatter the Company's reputation. His campaign for justice would call for the end of British rule in Hindustan. Not only did the prince win back the family's possessions for his daughters but found true love in Victorian England.

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Ukraine is again-since its annexation of Crimea in February 2014 and the ongoing war in the Donbass-the stage of the largest crisis in Europe since the end of the Cold War. When it comes to understanding the resolution and prevention of complex hybrid conflicts, theories in international relations are trapped in their state-centered perspectives. Meanwhile, the role of the individual actor, alone or organized, often remains underestimated as political and moral agent. In this book, Marc Raphael Dietrich sheds light on a critical yet politically practicable notion of cosmopolitanism which centers on the individual and is framed by a set of universal principles, thus providing valuable alternative insights on the Crimea and Donbas conflict.

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The wars and relationship between the Ottoman and Russian Empires have shaped the history of the Balkans, Eastern Europe and the Caucasus. Historians who ask when and where the rivalry between these two empires began have turned their gaze to the Balkans or Eastern Europe to find an answer. But while the bigger wars and conflicts took place in the area between modern-day Ukraine and Turkey, the origin of the rivalry lies further east in the North Caucasus, which in the mid-16th century became the first borderland between the two imperial powers. This book analyses the hitherto poorly understood boundary region between the Ottoman Empire and the Tsardom of Muscovy from the Muscovites' annexation of the nearby Khanate of Astrakhan in 1556 to their expulsion from the region by the Ottomans and their allies in 1605. Drawing on a wide array of Ottoman and Muscovite primary sources, it addresses the story of imperial entanglements from multiple perspectives, analysing the actions of both empires and considering the motivations of the peoples caught in between.

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All Hoof the Unicorn wants to do is be part of a football team but his club never appreciated his talents and kicked him out. Then he spots an advert for BAD UNITED and he feels a tingling in his hooves. A chance to be part of a team again! A chance to play the game he loves! And a chance to show off his skillsHoof is thrilled to find his new teammates are more than up for the challenge. Led by enthusiastic mermaid coach Serena Winmer, the team consists of: Bones, their skeleton captain who sometimes struggles to keep her head; Rex, the ROARsome dinosaur defender; cheetah striker Bolt brings the thunder; Tinkerball dazzles with her magic fairy moves and Annette guards the goal with her life (and eight spider legs). All deemed not good enough to play for their teams (who decides what's good anyway?!), BAD UNITED combine strength, skill, speed and stench to show everyone what they've gotThe first book in a super and silly graphic novel series, perfect for fans of

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A riveting account of private art collectors' passion from Roman times to the present Whether it's the discovery of $1.6 billion in Nazi-looted art or the news that Syrian rebels are looting UNESCO archaeological sites to buy arms, art crime commands headlines. Erin Thompson, America's only professor of art crime, explores the dark history of looting, smuggling, and forgery that lies at the heart of many private art collections and many of the world's most renowned museums. Enlivened by fascinating personalities and scandalous events, Possession shows how collecting antiquities has been a way of creating identity, informed by a desire to annex the past while providing an illicit thrill along the way. Thompson's accounts of history's most infamous collectors—from the Roman Emperor Tiberius, who stole a life-sized nude Greek statue for his bedroom, to Queen Christina of Sweden, who habitually pilfered small antiquities from her fellow aristocrats, to Sir William Hamilton, who forced his mistress to enact poses from his collection of Greek vases—are as mesmerizing as they are revealing.

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How can we resolve conflicts in this world? Why is that we continue to live in a world of turmoil, when we all wish to live in a world of peace and harmony? Just in recent years, we ve faced issues that jeopardize international peace and security, including the rise of ISIS, Syrian civil war and refugee crisis, break-off of diplomatic relations between Saudi Arabia and Iran, Russia s annexation of Crimea, China s military expansion, and North Korea s nuclear development. In hopes of offering solutions to global crises, thereby bringing peace, security, and happiness to all people, Ryuho Okawa, Global Visionary who has readers in over 100 countries wrote The Laws of Justice. This book shows what global justice is from a comprehensive perspective of the Supreme God. Becoming aware of this view will let us embrace differences in beliefs, recognize other people s divine nature, and love and forgive one another. It will also become the key to solving the issues we face, whether they re religious, political, societal, economic, or academic, and help the world become a better and safer world for all of us living today."

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One of the most serious crises since the end of the Cold War began with Russia's seizure and annexation of Crimea in March 2014 and subsequent 'secret' war in Eastern Ukraine. As more territory was taken from Eastern Ukraine, Western countries countered with economic sanctions directed against Russia. While the conflict did not escalate to the levels originally feared, over time, it became apparent that President Putin had failed to affect the regime change intended in Ukraine, and Russia's economy had been damaged. In Ukraine and the Art of Strategy, Sir Lawrence Freedman provides an account of the origins and course of the Russia-Ukraine conflict through the lens of the theory and practice of strategy. That is, he explores Putin's near, medium, and long-term strategies when he decided to initiate the conflict. How successful has he been? In contrast to many who see Putin as a master operator who has resuscitated a supine Russia against all odds, Freedman is less impressed with his strategic acumen in terms of the long-term fallout. By exploring concepts such as coercive diplomacy, limited war, escalation and information operations, Freedman brings the story up to the present, where a low-level conflict between Ukrainian and breakaway rebel forces in the east grinds on, and illuminates the external challenges faced by the governments' involved. Freedman's application of his unique strategic perspective to this supremely important conflict has the potential to reshape our understanding of it, and his analysis of the likely outcomes will force readers to reconsider the idea that Vladimir Putin is unmatched as a strategic mastermind.

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This volume revisits the Nobel Prize-winning economist Kenneth Arrow’s classic 1963 essay “Uncertainty and the Welfare Economics of Medical Care” in light of the many changes in American health care since its publication. Arrow’s groundbreaking piece, reprinted in full here, argued that while medicine was subject to the same models of competition and profit maximization as other industries, concepts of trust and morals also played key roles in understanding medicine as an economic institution and in balancing the asymmetrical relationship between medical providers and their patients. His conclusions about the medical profession’s failures to “insure against uncertainties” helped initiate the reevaluation of insurance as a public and private good.Coming from diverse backgrounds—economics, law, political science, and the health care industry itself—the contributors use Arrow’s article to address a range of present-day health-policy questions. They examine everything from health insurance and technological innovation to the roles of charity, nonprofit institutions, and self-regulation in addressing medical needs. The collection concludes with a new essay by Arrow, in which he reflects on the health care markets of the new millennium. At a time when medical costs continue to rise, the ranks of the uninsured grow, and uncertainty reigns even among those with health insurance, this volume looks back at a seminal work of scholarship to provide critical guidance for the years ahead.ContributorsLinda H. AikenKenneth J. ArrowGloria J. BazzoliM. Gregg BlocheLawrence CasalinoMichael ChernewRichard A. CooperVictor R. FuchsAnnetine C. GelijnsSherry A. GliedDeborah Haas-WilsonMark A. HallPeter J. HammerClark C. HavighurstPeter D. JacobsonRichard KronickMichael L. MillensonJack NeedlemanRichard R. NelsonMark V. PaulyMark A. PetersonUwe E. ReinhardtJames C. RobinsonWilliam M. SageJ. B. SilversFrank A. SloanJoshua Graff Zivin

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[Short description in English] Burkina Faso’s religious landscape, where traditional, Muslim and Christian religions intersect, is part of a social and historical context spread over several centuries marked by a diversity that has been studied by researchers for a long time. As the security situation deteriorates in recent years in the Sahel region, the religious question is increasingly being redefined and put at the forefront of the Burkinabe socio-political scene. This collective work offers readers a synthesis of the knowledge accumulated by researchers over the past decades on the different religions and the social dynamics associated with them to shed light on the management of the country’s religious diversity and coexistence without masking the tensions and conflicts being experienced. [Full description in French] Le Burkina Faso est caractérisé par un paysage religieux, où se côtoient religions traditionnelles, musulmanes et chrétiennes. Cette cohabitation s’inscrit dans un contexte social et historique étudié de longue date par les chercheurs. Alors que la situation sécuritaire se dégrade depuis plusieurs années dans la zone sahélo-saharienne, la question religieuse est de plus en plus mise sur le devant de la scène burkinabè. Cet ouvrage collectif propose aux lecteurs une synthèse des connaissances accumulées par les chercheurs au cours des dernières décennies sur les différentes religions et les dynamiques sociales qui y sont associées. La première partie décrit les courants religieux en présence. Elle souligne ainsi la centralité du religieux pour saisir les changements sociaux. Dans la seconde partie, les interactions entre religions sont questionnées à travers des thématiques transversales d’actualités, telles que l’éducation, la démographie, la politique, les ONG confessionnelles, l’historicité de la notion de djihad ou l’usage des NTICs. Les dynamiques sociopolitiques récentes qui traversent le Burkina Faso redéfinissent sans doute le champ du religieux, tout en s’inscrivant dans un contexte historiquement et socialement marqué par la diversité. Cet ouvrage éclaire la question actuelle de la gestion de cette diversité par des exemples de coexistence religieuse étalés sur plusieurs siècles, sans masquer les antagonismes et conflits vécus. Préface par Pr. Benjamin Soares, Department of Religion, Université de Floride, États-Unis.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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L'ouvrage d'I. Arkhipov sur Le vocabulaire de la metallurgie et la nomenclature des objets en metal dans les textes de Mari constitue le troisieme volume de la serie des Materiaux pour le Dictionnaire de Babylonien de Paris. Apres des etudes portant sur le vocabulaire des habits et textiles (MDBP I) et sur la vaisselle de luxe (MDBP II), cet ouvrage s'interesse aux techniques et produits de la metallurgie et de l'orfevrerie. Peu d'objets ont ete retrouves lors des fouilles, mais de nombreux documents administratifs et lettres donnent des descriptions souvent tres precises de leur forme, de leur fabrication ou de leur emploi. Une premiere partie etudie le vocabulaire akkadien et ses eventuelles notations ideographiques, a partir du corpus entier des archives de Mari. Les mots y sont classes en douze categories. La seconde partie donne l'edition de nombreux textes administratifs en ordre chronologique. Pas moins de 645 textes sont edites: 114 sont entierement nouveaux, 531 constituent la reprise de textes deja publies (essentiellement dans ARM XXV), collationnes et parfois completes par des joints. L'ensemble est suivi de diverses annexes. L'ouvrage montre le haut niveau technologique atteint par les ateliers syriens a cette epoque ancienne. Ces temoignages ecrits, issus de l'administration du palais de Mari, sont desormais a la disposition de toutes les personnes interessees: philologues, archeologues, historiens des techniques, etc.

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Les quatorze articles traduits dans ce volume constituent la première présentation d'ensemble d'une ¿uvre importante dans le domaine de l'histoire de la philosophie ancienne. Ils s'étendent sur plus de vingt ans et portent tous sur ce que l'on pourrait appeler, au sens le plus large du terme, l' «épistémologie aristotélicienne», en prenant «épistémologie» en son sens français et non au sens que ce terme a dans le monde universitaire anglophone. Les textes ont été rangés dans un ordre à la fois systématique et pédagogique, et non dans un ordre chronologique, parce que, malgré d'inévitables changements de détails, les positions adoptées par Robert Bolton sont restées fondamentalement les mêmes. Il est remarquable que, alors que Bolton semblait isolé dans les années 1970-1980, ses thèses soient aujourd'hui au moins mieux comprises et même, sans doute, plus largement partagées. Le mérite le plus immédiat de l'approche boltonienne d'Aristote, c'est de définir exactement la place de l'épistémologie aristotélicienne. Ce qui fournit un élément important pour en cerner la nature. Ce faisant Bolton applique à l'Aristotélisme lui-même l'un des traits qu'il cru déceler dans la méthode d'Aristote: d'abord saisir un élément de l'essence de la chose que l'on veut connaître, comme premier pas vers la saisie de cette essence.

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100 Jahre nach Edition und Übersetzung der Chronik Michaels des Großen (1126-1199) durch Jean-Baptiste Chabot erscheint mit «Die 'Beschreibung der Zeiten' von Mor Michael dem Großen (1126-1199): Eine Studie zu ihrem historischen und historiographiegeschichtlichen Kontext» nun eine längst fällige Revision des Werkes. Das Ergebnis ist eine Neubewertung und eine Differenzierung der syrisch-orthodoxen Historiographiegeschichte insgesamt. Michael bedenkt mit großem Ernst die Möglichkeiten historischer und chronologischer Erkenntnis und erweitert durch seine formalen Innovationen die ihm vorgegebenen Grenzen. Er verbindet formale Elemente der eusebianischen Chronik und der Kirchengeschichte mithilfe von schriftlichen und graphischen Mitteln zu einer monumentalen Schau von Vielfalt und Endlichkeit der weltlichen Reiche. Er findet so historische Begründungen und formalen Ausdruck für innerweltlichen Wandel und Kontingenz. Im Kontext einer gefährdeten Welt nach der Eroberung von Edessa 1144 und 1146 unterzieht seine Weltchronik historische und religiöse Grundannahmen syrisch-orthodoxer Identität einer Totalinventur. Auf der Basis einer historisch-kulturellen und einer religiösen Verortung wird die Gegenwart als christliche Autarkie annehmbar.

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La derniere partie du recit de l'Exode, apres le passage de la Mer Rouge, a moins pour objet les peripeties des quarante annees d'errance au desert que la constitution d'Israel comme peuple veritable, avec les deux piliers majeurs que sont la Loi et le Temple, celui-ci annonce par la tente qui abrite l'arche d'Alliance et par les prescriptions liturgiques qui s'y rattachent. Apres Philon, les commentaires chretiens ne sont pas nombreux et ont ete produit surtout par les allegoristes: Origene, Didyme, Gregoire de Nysse, et surtout Cyrille d'Alexandrie. Ce sont eux qui constituent l'essentiel de la chaine. Les antiochiens, notamment Eusebe d'Emese, sont beaucoup plus rarement nommes et sont en tout cas plus concis. Pour cette section de la chaine, la tradition primaire est perdue; on doit se contenter de la tradition derivee (le type III de la classification Karo-Lietzmann), oA' rien ne distingue de prime abord les citations litterales des citations remaniees, et qui a laisse se perdre bien des attributions. Les notes attirent l'attention de l'usager sur cette difficulte. Les fragments, devenus accidentellement anonymes, meritent une particuliere attention. La preparation de ce volume a permis d'augmenter le nombre de fragments connus, qui avaient echappe aux collections precedentes, notamment pour Philon, pour Diodore de Tarse, pour Severien de Gabala et pour Severe d'Antioche.

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God's rottweiler or shepherd of the faithful? There's no doubt about Benedict XVI's theological legacy. He's been at the center of every major theological controversy in the Catholic Church over the last fifty years. But he remains a polarizing figure, misunderstood by supporters and opponents alike. A deeper understanding of Benedict's theology reveals a man dedicated to the life and faith of the church. In this collection of essays, prominent Protestant theologians examine and commend the work of the Pope Emeritus. Katherine Sonderegger, Kevin Vanhoozer, and Carl Trueman-among others-present a full picture of Benedict's theology, particularly his understanding of the relationship between faith and reason and his pursuit of truth for the church. The global Christian faith can learn from Benedict's insight into the modern church and his desire to safeguard the future of the church by leaning on the wisdom of the ancient church. Contributors: Tim Perry Ben Myers Katherine Sonderegger Gregg R. Allison Kevin J. Vanhoozer R. Lucas Stamps Christopher R. J. Holmes Fred Sanders Carl R. Trueman David Ney Peter J. Leithart Joey Royal Annette Brownlee Preston D. S. Parsons Jonathan Warren P. (Pagán)

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A historical overview of Mexican Americans' social and economic experiences in Texas For hundreds of years, Mexican Americans in Texas have fought against political oppression and exclusion--in courtrooms, in schools, at the ballot box, and beyond. Through a detailed exploration of this long battle for equality, this book illuminates critical moments of both struggle and triumph in the Mexican American experience. Martha Menchaca begins with the Spanish settlement of Texas, exploring how Mexican Americans' racial heritage limited their incorporation into society after the territory's annexation. She then illustrates their political struggles in the nineteenth century as they tried to assert their legal rights of citizenship and retain possession of their land, and goes on to explore their fight, in the twentieth century, against educational segregation, jury exclusion, and housing covenants. It was only in 1967, she shows, that the collective pressure placed on the state government by Mexican American and African American activists led to the beginning of desegregation. Menchaca concludes with a look at the crucial roles that Mexican Americans have played in national politics, education, philanthropy, and culture, while acknowledging the important work remaining to be done in the struggle for equality.

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Michael was only 15 when a mysterious accident changed his life forever. He was rebuilt out of paper by his father, and ten years later he is still trapped in the paper version of his teenage body. To escape his stagnant life at home, he runs away to the city by the sea, which promises art and adventure. Instead, Michael discovers the city is tearing at the seams. With rumors swirling that a militarized north will annex the city, newcomer Michael has more to worry about than the unpredictable seaside weather. After being rescued from a rainstorm by Maiko, an unemployed fur model, Michael's cruel high school sweetheart Mischa suddenly reappears. Michael becomes torn between loyalty to Maiko and Mischa's decadent underground art world. But when he finds himself drawn to the city's most notorious artist, David Doppelmann, Michael begins another dangerous transformation, one that will either lead to uncovering his true self, or destroy him and everyone he cares about. Part fable, part surrealistic journey, Gallagher Lawson's impressive debut is a gripping narrative about the nature of artistic identity and its tenuous relationship to the greater good, Lawson has created a visionary, allegorical novel of our time.

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On 24 February 2022, Russia launched a full-scale invasion of Ukraine, giving rise to the deadliest conflict on European soil since the Second World War. How could this happen in twenty-first-century Europe? Why did Putin decide to escalate Russia’s war against Ukraine, a war which began with Russia’s annexation of Crimea in 2014? In this timely book, Gwendolyn Sasse analyses the background to this war and examines the factors that led to Putin’s fateful decision. She retraces the history of Ukraine’s struggle for independence from Russia and shows how democratic developments in Ukraine had become a risk for Russia’s political system. She also shows that ambiguous Western policy towards Russia encouraged elites in the Kremlin to think that they had more room for action than they did. The result is a brilliant analysis of the background to the war, a concise account of the course of the war itself and a timely reflection on what its consequences will be – for Ukraine, for Russia and for the West. An indispensable book for anyone who wants to understand the most dangerous conflict of our time.

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In the 2016 CBC Massey Lectures, former Special Advisor to the UN Secretary-General and international relations specialist Jennifer Welsh delivers a timely, intelligent, and fascinating analysis of twenty-first-century geopolitics.In 1989, as the Berlin Wall crumbled and the Cold War dissipated, the American political commentator Francis Fukuyama wrote a famous essay, entitled “The End of History,” which argued that the demise of confrontation between Communism and capitalism, and the expansion of Western liberal democracy, signalled the endpoint of humanity’s sociocultural and political evolution, and the path toward a more peaceful world. But a quarter of a century after Fukuyama’s bold prediction, history has returned: arbitrary executions, attempts to annihilate ethnic and religious minorities, the starvation of besieged populations, invasion and annexation of territory, and the mass movement of refugees and displaced persons. It has also witnessed cracks and cleavages within Western liberal democracies as a result of deepening economic inequality.The Return of History argues that our own liberal democratic society was not inevitable, but that we must all, as individual citizens, take a more active role in its preservation and growth.

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The North Atlantic, 14 April 1912. Amid the chaos of the sinking Titanic, a young Eleanor Annenberg meets the eyes of a stranger and is immediately captivated. As the ship buckles around them, she follows him down into the hold and finds him leaning over an open sarcophagus, surrounded by mutilated bodies. She catches but a glimpse of what lies within before she's sucked into a maelstrom of freezing brine and half-devoured corpses. Elle is pulled out of the water, but the stranger - and the secrets she stumbled upon - are lost. Unintentionally, however, he leaves her a gift; one so compelling that Elle embarks on a journey that pulls her into a world of ancient evils, vicious hunters and human prey to find the man who saved her that fateful night. From trench warfare at Cape Helles in 1915 to a shipwreck in the tropical shallows off the Honduran coast, from a lost mine beneath the towering Externsteine in a Germany on the verge of war to the gothic crypts of Highgate Cemetery in London, Elle gets closer to a truth she has sought for most of her life. But at what cost? Gifts, after all, are seldom free.

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Ever since Pushkin, Russian poets have been famous for their ability to combine private and public experience in lyric poetry of a comprehensiveness and intensity unmatched elsewhere. Ranging in extremes from the melting tenderness of unrequited love to the bitter comedy of political chaos, this collection of poems covering two centuries includes work by Lermontov, Tyutchev, Fet, Annensky,Mayakovsky, Bely, Mandelstam, Akhmatova, Tsvetaeva, Pasternak, Brodsky and others less celebrated but no less extraordinary. The text is divided into six sections. Russian poets constantly reflect on their art, so the first section is appropriately entitled 'The Muse'. Their other great topic is Russia herself, explored in parts two and three. Part four presents the inner world, parts five and six traditional themes of love and mortality. Poetry has often been a matter of life and death in Russia, where Mandelstam was not the only poet to perish in the Gulag. The comfortable private domain familiar to many English and American writers barely exists in a country where political realities are exigent - one reason for the fierce intensity found in so many of these poems.

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Ces dernieres annees le christianisme a commence a gagner un nombre croissant d'adeptes parmi certaines sections des Maasai, societe guerriere de pasteurs semi-nomades occupant un territoire s'etendant au sud du Kenya et au nord de la Tanzanie. Cette expansion recente constitue un fait nouveau qui attend description et explication. Entretemps aucune science n'est encore parvenue a donner une reponse satisfaisante a une question beaucoup plus vieille: pourquoi, pendant plus d'un siecle, l'histoire religieuse de ce peuple, entoure d'ethnies qui ont toutes repondu positivement a l'action missionnaire, a-t-elle ete caracterisee par un refus categorique, oppose avec une constance remarquable, aux efforts des missionnaires occidentaux pour l'attirer vers la religion du Christ?Le livre presente une analyse critique des diverses solutions que sociologues, anthropologues, historiens et missiologues ont proposees pour resoudre une question qu'ils ont ete habitues a considerer comme une enigme et a ressentir comme une croix. La discussion des differentes hypotheses conduit l'auteur a relater divers aspects de l'ecologie, de l'histoire, de l'economie, de la structure sociale, du monde des valeurs, de l'univers symbolique et des methodes de socialisation d'une des societes les plus fascinantes d'Afrique Noire. Au bout du periple il propose sa propre lecture des origines de la resistance maasai, une interpretation dont l'originalite consiste tant dans le rejet de toute "monoculture theorique" que dans le refus des schemes de causalite deterministe. Dans la mesure ou la socialisation des membres d'une societe implique l'interiorisation de normes et de valeurs, il est clair que son impact ne peut etre analyse exclusivement en termes de causes au sens strict du mot, mais aussi en termes d'intentions, d'objectifs, de motifs et de raisons; en d'autres mots il est indiscernable de l'activite par laquelle le sujet octroie a son comportement sens et signification.Avant tout contribution originale a l'anthropologie est-africaine, cet essai interessera egalement les specialistes de l'univers culturel des pasteurs nomades et les etudiants du changement social. Il constitue aussi un echantillon de ce que pourrait etre une missiologie vraiment scientifique.

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Self-driving cars, natural language recognition, and online recommendation engines are all possible thanks to Machine Learning. Now you can create your own genetic algorithms, nature-inspired swarms, Monte Carlo simulations, cellular automata, and clusters. Learn how to test your ML code and dive into even more advanced topics. If you are a beginner-to-intermediate programmer keen to understand machine learning, this book is for you. Discover machine learning algorithms using a handful of self-contained recipes. Build a repertoire of algorithms, discovering terms and approaches that apply generally. Bake intelligence into your algorithms, guiding them to discover good solutions to problems. In this book, you will: Use heuristics and design fitness functions. Build genetic algorithms. Make nature-inspired swarms with ants, bees and particles. Create Monte Carlo simulations. Investigate cellular automata. Find minima and maxima, using hill climbing and simulated annealing. Try selection methods, including tournament and roulette wheels. Learn about heuristics, fitness functions, metrics, and clusters. Test your code and get inspired to try new problems. Work through scenarios to code your way out of a paper bag; an important skill for any competent programmer. See how the algorithms explore and learn by creating visualizations of each problem. Get inspired to design your own machine learning projects and become familiar with the jargon. What You Need: Code in C++ (>= C++11), Python (2.x or 3.x) and JavaScript (using the HTML5 canvas). Also uses matplotlib and some open source libraries, including SFML, Catch and Cosmic-Ray. These plotting and testing libraries are not required but their use will give you a fuller experience. Armed with just a text editor and compiler/interpreter for your language of choice you can still code along from the general algorithm descriptions.

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Ce livre reprend a frais nouveaux le theme du "Merite des Peres" (zekhut avot), plus de 70 ans apres l'ouvrage de A. Marmorstein, qui constituait jusqu'ici l'etude de reference sur le sujet. Une premiere partie, consacree a l'etude du vocabulaire, montre que ce theme n'est pas compatible avec la notion de gratuite, mais qu'il designe en fait la solidarite qui unit les patriarches a leur descendance. Les differents aspects de cette solidarite sont longuement presentes dans la deuxieme partie, qui explique en outre comment cette croyance est a la fois populaire et controversee. La troisieme partie porte sur l'expression du theme dans la priere synagogale. Le livre se termine par une annexe intitulee "Merite des peres et Nouveau Testament", qui replace la formule de Paul "aimes a cause des peres" (Rm 11,28) dans le contexte de la tradition juive.

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Nelemwa et Nixumwak sont deux variantes dialectales de l'une des vingt-huit langues de la Nouvelle-Caledonie, parlee par un millier de locuteurs dans l'Extreme-Nord de la Grande Terre (ile principale de l'archipel), dans la region de Koumac, Poum, Tiabet, ainsi que les ilots voisins.Cette grammaire fait suite au "Dictionnaire nelemwa-nixumwak" (2000) et presente une analyse descriptive de la structure syntaxique de l'enonce et ses correlats semantiques; elle comporte aussi un texte illustratif en annexe.Nelemwa et Nixumwak font partie du groupe Nord, ces langues sont typologiquement differentes de celles du Sud par leur systeme phonologique, leur ordre et leur systeme de marque actancielle. Le dictionnaire deja publie et cette grammaire constituent des documents permettant une meilleure connaissance de ces langues et de la diversite des systemes linguistiques de l'archipel.

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Since Israel began its construction in 2002, the Wall has sparked intense debate, being condemned as illegal by the International Court of Justice. Israel claims it is a security measure to protect Israeli citizens from terrorist attacks. Opponents point to the serious impact on the rights of Palestinians, depriving them of their land, mobility and access to health and educational services. This book explores the Palestinian experience of the Wall in their international context. What are the real intentions behind the Israeli security argument? Is it a means of securing territory permanently through an illegal annexation of East Jerusalem? The West Bank Wall is a cutting account of the impact of the wall and how it affects prospects of a future peace in the Middle East.

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Written to Eurocode 7 and the UK National AnnexUpdated to reflect the current usage of Eurocode 7, along with relevant parts of the British Standards, Pile Design and Construction Practice, Sixth Edition maintains the empirical correlations of the original—combining practical know how with scientific knowledge —and emphasizing relevant principles and applications of soil mechanics and design. Contractors, geotechnical engineers and engineering geologists responsible for designing and constructing piled foundations can find the most current types of pile, piling equipment, and relevant methods in this latest work. The book summarizes recent changes, including new codified design procedures addressing design parameters and partial safety factors. It also presents several examples, many based on actual problems.Broad and Comprehensive In Its Coverage Contains material applicable to modern computational practice Provides new sections on the construction of micropiles and CFA piles, pile-soil interaction, verification of pile materials, piling for integral bridge abutments, use of polymer stabilising fluids, and more Includes calculations of the resistance of piles to compressive loads, pile groups under compressive loading, piled foundations for resisting uplift and lateral loading, and the structural design of piles and pile groups Covers marine structures, durability of piled foundations, ground investigations, and pile testing Addresses miscellaneous problems such as machinery foundations, underpinning, mining subsidence areas, geothermal piles, and unexploded ordnance Pile Design and Construction Practice, Sixth Edition serves as a comprehensive guide for practicing geotechnical engineers and engineering geologists. This text also works as a resource for piling contractors and graduate students studying geotechnical engineering.

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Now in paperback, The Shadow of Things to Come and its catastrophic and carnivalesque dreamscape speak out against political rhetoric and the destruction of meaning by government. In an unnamed African nation, the people are subject to a state of perpetual warfare and to an Orwellian abuse of language that strips from language its meaning and renders life senseless. And in a bare room lit only by moonlight, a young man hides, waiting for the mysterious crocodile-men to come and help him escape from the violent tyranny of the state. While he waits, he tells his story. This is Kossi Efoui’s catastrophic and carnivalesque dreamscape, the dark setting of The Shadow of Things to Come. Here, men and women are taken in the night, spirited away from their families, and sent to plantation penal colonies to be worked to the edge of madness. When they return, they are empty shells, their lost time referred to as the “Time of Annexation.” But though his parents were taken, our protagonist survived, first in the care of a quirky benefactress named Mama Maize, then under the wing of the state itself, as a student at one of its elite schools. When he meets a bookseller named Axis Kemal, however, he has found a surrogate father, an eccentric and wise man who can bring him out of the meaningless confusion and tell him the truth about the society he lives in. Through his characters, Efoui speaks out against atrocity and the abuse of power, but more, he writes against political rhetoric and the destruction of meaning by government. This novel is a love letter to language and, in Chris Turner’s dazzling translation, it becomes a stunning introduction for English-language readers to an exciting new talent.

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Catalyst will transform your approach to networking, making it fun and infinitely more effective. A good business developer, prospector and networker knows how to create a positive connection with the people they meet. They are the catalyst that creates a chemical reaction between strangers, and they know how to convert these opportunities into new business.Louisa Clarke and David Kean have spent their careers catalysing strangers into contacts and converting contacts into clients - and even into friends. They have built successful businesses together using the proven techniques in this book, and they have helped hundreds of companies around the world win billions in new business by applying the same methods. Catalyst is full of illustrative anecdotes, hard-won wisdom and a step-by-step methodology. Whatever industry you work in, if you need more clients to buy your services and you're not sure how to find them, convince them or win them, this is the book for you. Follow this approach and new business will come. You might even make some friends along the way. For many people, networking, prospecting and selling are scary. If the word 'networking' makes you recoil, if the word 'prospecting' conjures up terrifying spectres of endless cold calls, and if you run for the hills at the mention of 'sales', this book will be balm for you. Because, whilst it doesn't make it effortless, it does make it easy. 'Catalyst is a manual for winning business in today's economy, recommended to anyone who wants to grow their client base. Catalyst is brimming with great advice and inspiration' - Annette King, CEO Publicis Groupe UK

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'This collection of essays provides a rich assortment of methods used to investigate the complex economic, social, environmental, demographic and political systems in cities throughout the world. It gives researchers, lecturers and students a useful taste of the different ways of studying these phenomena in diverse urban settings.'- Ivan Turok, University of Glasgow, UKIn this timely Handbook, more than 17 renowned contributors from Asia, the Americas and Europe provide chapters that deal with some of the most intriguing and important aspects of research methodologies on cities and urban economies.The Handbook comprises five parts: methodology, continental distinctions, positioning cities, planning for the future, and urban structures. The 'methodologies' section includes interviews, empirical and theoretical approaches whilst 'continental distinctions' offers contributions on China, North America, Europe, Latin America and South Africa. 'Positioning' treats cities in the international context and relates them to economic and administrative spaces whilst 'planning' includes general strategic economic planning, as well as the experience of individual cities. Finally, the 'structures' section refers to contextual and situational aspects of urban development.Providing a comprehensive study of urban development and competitiveness, this Handbook will strongly appeal to students wishing to gain a deeper understanding of research methods in urban economics, urban studies and planning.Contributors: J.A. Annema, D. Arribas-Bel, A. Battaglia, R. Boix, J.M.P. da Cunha, J. Duminy, E.H. Fry, V. Galletto, K. Kourtit, P.K. Kresl, W.F. Lever, J.L. Lezama, Q. Li, J.F. McDonald, P. Ni, P. Nijkamp, N. Odendaal, I. Orihuela, A. Otgaar, H. Priemus, S. Ronda, C. Salone, J. Sobrino, D.-G. Tremblay, J. Trullén, V. Ugalde, L. van den Berg, B. van Wee, V. Watson

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A cutting-edge view of the digital humanities at a time of global pandemic, catastrophe, and uncertaintyWhere do the digital humanities stand in 2023? Debates in the Digital Humanities 2023 presents a state-of-the-field vision of digital humanities amid rising social, political, economic, and environmental crises; a global pandemic; and the deepening of austerity regimes in U.S. higher education. Providing a look not just at where DH stands but also where it is going, this fourth volume in the Debates in the Digital Humanities series features both established scholars and emerging voices pushing the field’s boundaries, asking thorny questions, and providing space for practitioners to bring to the fore their research and their hopes for future directions in the field. Carrying forward the themes of political and social engagement present in the series throughout, it includes crucial contributions to the field—from a vital forum centered on the voices of Black women scholars, manifestos from feminist and Latinx perspectives on data and DH, and a consideration of Indigenous data and artificial intelligence, to essays that range across topics such as the relation of DH to critical race theory, capital, and accessibility.Contributors: Harmony Bench, Ohio State U; Christina Boyles, Michigan State U; Megan R. Brett, George Mason U; Michelle Lee Brown, Washington State U; Patrick J. Burns, New York U; Kent K. Chang, U of California, Berkeley; Rico Devara Chapman, Clark Atlanta U; Marika Cifor, U of Washington; María Eugenia Cotera, U of Texas; T. L. Cowan, U of Toronto; Marlene L. Daut, U of Virginia; Quinn Dombrowski, Stanford U; Kate Elswit, U of London; Nishani Frazier, U of Kansas; Kim Gallon, Brown U; Patricia Garcia, U of Michigan; Lorena Gauthereau, U of Houston; Masoud Ghorbaninejad, University of Victoria; Abraham Gibson, U of Texas at San Antonio; Nathan P. Gibson, Ludwig-Maximilians-Universität, Munich; Kaiama L. Glover, Barnard College; Hilary N. Green, Davidson College; Jo Guldi, Southern Methodist U; Matthew N. Hannah, Purdue U Libraries; Jeanelle Horcasitas, DigitalOcean; Christy Hyman, Mississippi State U; Arun Jacob, U of Toronto; Jessica Marie Johnson, Johns Hopkins U and Harvard U; Martha S. Jones, Johns Hopkins U; Annette K. Joseph-Gabriel, Duke U; Mills Kelly, George Mason U; Spencer D. C. Keralis, Digital Frontiers; Zoe LeBlanc, U of Illinois at Urbana-Champaign; Jason Edward Lewis, Concordia U; James Malazita, Rensselaer Polytechnic Institute; Alison Martin, Dartmouth College; Linda García Merchant, U of Houston Libraries; Rafia Mirza, Southern Methodist U; Mame-Fatou Niang, Carnegie Mellon U; Jessica Marie Otis, George Mason U; Marisa Parham, U of Maryland; Andrew Boyles Petersen, Michigan State U Libraries; Emily Pugh, Getty Research Institute; Olivia Quintanilla, UC Santa Barbara; Jasmine Rault, U of Toronto Scarborough; Anastasia Salter, U of Central Florida; Maura Seale, U of Michigan; Celeste Tường Vy Sharpe, Normandale Community College; Astrid J. Smith, Stanford U Libraries; Maboula Soumahoro, U of Tours; Mel Stanfill, U of Central Florida; Tonia Sutherland, U of Hawaiʻi at Mānoa; Gabriela Baeza Ventura, U of Houston; Carolina Villarroel, U of Houston; Melanie Walsh, U of Washington; Hēmi Whaanga, U of Waikato; Bridget Whearty, Binghamton U; Jeri Wieringa, U of Alabama; David Joseph Wrisley, NYU Abu Dhabi. Cover alt text: A text-based cover with the main title repeating right-side up and upside down. The leftmost iteration appears in black ink; all others are white.

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Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or neo-classical modernism. The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valery and Gide.

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LA+ Botanic explores our evolving relationship with plants with contributions that reflect on the many natures and relations that are being materialised in plant conservation, botanic gardens, and botanic art today. A wide range of topics is covered, including plant conservation efforts and the challenges posed by global heating and extinction, the limited plant choices imposed by the horticultural industry, and the many representations of plants found in visual, material, textual, and architectural works. Edited by Karen M'Closkey, contributors include Giovanni Aloi, Irus Braverman, Patrick Blanc, Xan Sarah Chacko, Sonja Dümpelmann, Jared Farmer, Annette Fierro, Matthew Gandy, Ursula K. Heise, Andrea Ling, Janet Marinelli, Beronda L. Montgomery, Catherine Mosbach, Katja Grötzner Neves and Bonnie-Kate Walker.

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The 2013 collapse of Rana Plaza, an eight-story garment factory in Savar, Bangladesh, killed over a thousand workers and injured hundreds more. This disaster exposed the brutal labor conditions of the global garment industry and revealed its failures as a competitive and self-regulating industry. Over the past thirty years, corporations have widely adopted labor codes on health and safety, yet too often in their working lives, garment workers across the globe encounter death, work-related injuries, and unhealthy factory environments. Disasters such as Rana Plaza notwithstanding, garment workers routinely work under conditions that not only escape public notice but also undermine workers' long-term physical health, mental well-being, and the very sustainability of their employment. Unmaking the Global Sweatshop gathers the work of leading anthropologists and ethnographers studying the global garment industry to examine the relationship between the politics of labor and initiatives to protect workers' health and safety. Contributors analyze both the labor processes required of garment workers as well as the global dynamics of outsourcing and subcontracting that produce such demands on workers' health. The accounts contained in Unmaking the Global Sweatshop trace the histories of labor standards for garment workers in the global South; explore recent partnerships between corporate, state, and civil society actors in pursuit of accountable corporate governance; analyze a breadth of initiatives that seek to improve workers' health standards, from ethical trade projects to human rights movements; and focus on the ways in which risk, health, and safety might be differently conceptualized and regulated. Unmaking the Global Sweatshop argues for an expansive understanding of garment workers' lived experiences that recognizes the politics of labor, human rights, the privatization and individualization of health-related responsibilities as well as the complexity of health and well-being. Contributors: Mark Anner, Hasan Ashraf, Jennifer Bair, Jeremy Blasi, Geert De Neve, Saydia Gulrukh, Ingrid Hagen-Keith, Sandya Hewamanne, Caitrin Lynch, Alessandra Mezzadri, Patrick Neveling, Florence Palpacuer, Rebecca Prentice, Kanchana N. Ruwanpura, Nazneen Shifa, Dina M. Siddiqi, Mahmudul H. Sumon.

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Is fashion that is out of order and doesn't seem to follow any obvious rules truly accidental? Or has dissonance in fashion always been a guiding principle? Can coincidence therefore be predictable and controllable? A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be out of order, so as to increase its attractive power and generate attention with its interruptions of the ordinary. The contributions, on the border between art and fashion and residing within the realms of literary theory, design theory, cultural history and technology, demonstrate in manifold ways processes, images and ideas that are striving for innovation and transgressing established parameters. The publication is dedicated to the constructive side of the development of fashion, whereby the theme of Out of Order is combined with the concept of dissonance as a creative formula. If one starts from the premise that fashion is no longer fashion when it can be generalised, categorised, repeated and described, then the process of dissonance constitutes the significant impulse for everything new. With contributions from: Pamela Church Gibson, Annette Geiger, Judith Gerdsen, Hanna Heilmann on Vibskov & Emenius, Iris Maria vom Hof in conversation with Oliver Sieber, Verena Kuni, Isabell Lizardi & Matt Johnson, Thomas Oláh, Andrea Sick, Bitten Stetter & Daniel Späi, Terre Thaemlitz, Barbara Vinken, Harry Walter and Gundula Wolter.

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In March 1940, Oberleutnant Wilhelm Walther transferred from Aufkl rungs-Abteilung 5, an armoured reconnaissance unit, to Bau-Lehr-Bataillon z.b.V. 800 - forerunner of what would soon be known as the Brandenburger'. Two months later, he led a commando action in the Netherlands and became the first of his unit to be awarded the Ritterkreuz (Knight's Cross). By May 1944, Walther was an Oberstleutnant and an experienced regimental commander in what had evolved as the Division Brandenburg'. He would eventually join Obersturmbannfuhrer Otto Skorzeny's SS-Jagdverb nde as Chief of Staff, before seeing out the last days of the war with the short-lived Schutzkorps Alpenland. More than 200 images, together with the original German captions and English translations, portray the life and times of this career officer, from the German annexation of the Sudetenland in 1938, to operations in Russia, Greece and the Balkans during 1941-44. In comparison with other units of the Second World War, relatively little has been published about Germany's commando forces. This is hardly surprising, considering the paucity of source material available and the air of mystery and intrigue still surrounding this specialist formation. This unique collection of rare images was sourced from the photograph album of Wilhelm Walther and is sure to appeal to all with an interest in the war in the West and on the Eastern Front, as well as to militaria collectors, modellers and re-enactment groups.

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Even though he had made a name for himself in the 1930s with his Berlin single-family homes, Eiermann later on found it difficult to accept commissions for this building type when, during the period of the 'economic miracle', he was approached by numerous people interested to get a design by him. Only the Hardenberg House in Baden-Baden satisfied him, but above all his own house, which he also built in Baden-Baden in 195962. This house in particular, built after his success with the German Pavilion at the 1958 Brussels Worlds Fair and at the same time as the Berlin Gedächtniskirche and the German Embassy in Washington, was to become one of the main works of his post-war creative output. As a builder in his own right, he was able here to uncompromisingly realise his ideal image of living for himself and his family in architecture. Eiermann himself tried to explain the house, which only crystallised in a longer planning genesis, primarily from the functional side: main house and annexe, the latter for garage, studio and guest apartment, the elongated main house in bulkhead construction under a flat sloping roof. In fact, the house is convincing in its sophisticated functionality. But it does not stop there. The complex group of buildings on a steep hillside site with its stagelike terraces, the staged interplay of views from the inside to the outside and, at night, also from the outside to the inside, is an extremely artificial structure even from its basic disposition. The Eiermanntypical façade, with its exterior walkway and white linkage as well as the corrugated Eternit roof provide a ponderous contrast. Together with echoes of traditional Japanese houses and gardens, but above all with the adoption of motifs from sailing- ship building give this house an unmistakable character. Since 2020, the house has new owners, on whose behalf the Stuttgart architects 'no where' (Henning Volpp and Karl Amann) have undertaken an extremely careful renovation. Eiermann's estate, which is kept at saai, the Archive for Architecture and Engineering at the Karlsruhe Institute of Technology (KIT), provided the historical drawings and photographs for this volume. The photographs were primarily taken by Horstheinz Neuendorff, an architectural photographer who was on friendly terms with the architect. Since the early sixties, Neuendorff had been commissioned by Eiermann to capture his new buildings in black-and-white photographs of a high artistic standard. Color photographs of the current condition were newly made by Olaf Becker from Munich. Gerhard Kabierske is an art historian specialising in architectural history and monument preservation. 19932020 he worked at the saai in Karlsruhe where he was responsible, among other things, for the Eiermann archive.

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Performance Art in practice – pedagogical approaches opens up a variety of philosophies that explore, explain and challenge Performance art and introduces a range of practices used in higher level education. The book is a collection of nine independent essays. All the writers have several years of practice as artists, curators, teachers, professors, researchers and in establishing performance art education in Finland. The essays explain, challenge and deconstruct performance art from various angles: the body as a tool and a base of identity, self as material, pedagogic acts of dissidence, challenging societal questions without politicing art, building sustainable artwork based on emotions, intuition and research, using Fluxus scores in contemporary practices etc. are all topics dealt by the writers of Performance Art in practice – pedagogical approaches. The essays are written from a practical point of view: how do we concretely teach performance art, why have we chosen these ways and what are the outcomes. Teaching the experimental art form, that doesn’t wear a uniform and relies on ever changing time and space isn’t all evident. Deconstructing performance art and reconstructing pedagogy springs out ideas that are relevant also elsewhere in the contemporary society. The book challenges art school institutions: Individuality bound to collegiality, fruitful dialogue that bases on trust and sharing with a sociologically and politically challenging curricula come out in texts written by Aapo Korkeaoja, Eero Yli-Vakkuri, Jussi Matilainen, Pia Lindy and Tuomas Laitinen that refer to the remote countryside campus of SAMK Kankaanpää school of art. More urban perspective with philosophies, research interests and pedagogic practices at The University of Arts Helsinki are opened up by Tero Nauha, Annette Arlander, Pilvi Porkola and Leena Kela in their essays.

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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