Search results for ""indiana university press""

At the turn of the twenty-first century, manipulation of the democratic process coupled with preexisting political and economic grievances led to years-long civil wars in Sierra Leone, Liberia, and Côte d'Ivoire. During and after these conflicts, international peacekeeping efforts and humanitarian intervention became the dominant paths for restoring stability by rebuilding the state. Using these three countries as case studies, this manuscript sheds light on internationally driven state building in war-torn West African nations, the problematic nature of the postcolonial state, and the difficulties of securing its people's wellbeing. Connecting peace and conflict, democracy, and international development studies, Bah and Emmanuel argue that there is a clear nexus between the concepts and practices of peace building and statebuilding; that peace building and statebuilding are not domestic matters alone but also matters of global intervention; and that civil wars can be viewed as oppor

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True to My God and Country explores the role of the more than half a million Jewish American men and women who served in the military in the Second World War. Patriotic Americans determined to fight, they served in every branch of the military and every theater of the war. Drawing on letters, diaries, interviews, and memoirs, True to My God and Country offers an intimate account of the soul-searching carried out by young Jewish men and women in uniform. Ouzan highlights, in particular, the selflessness of servicewomen who risked their lives in dangerous assignments. Many GIs encountered antisemitism in the American military even as they fought the evils of Nazi Germany and its allies. True to My God and Country examines how they coped with anti-Jewish hostility and reveals how their interactions with Jewish communities overseas reinforced and bolstered connections to their own American Jewish identities.

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"I shall here present my life," writes Descartes in Discourse on Method, "as in a painting" and my method "as a fable." Through the Eyes of Descartes demonstrates how a Cartesian aesthetics is interwoven in his thought. It brings together a variety of materials: his metaphysical writings and essays in natural philosophy, through to his letters, drawings, and printed images.Cecilia Sjöholm and Marcia Sá Cavalcante Schuback seek to bring Descartes into dialogue with contemporary phenomenology as well as contemporary psychoanalytic thought. They focus on how perception interacts with emotions and thought, and the way in which our gaze is directed toward limit-phenomena of beauty and fascination.In Through the Eyes of Descartes, Cecilia Sjöholm and Marcia Sá Cavalcante Schuback counter the traditional picture of Descartes by presenting his work in an entirely different light: a Descartes of the arts, of sensibility, of inner images, and of imagination.

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Mary Ann Shadd Cary was a courageous and outspoken nineteenth-century African American who used the press and public speaking to fight slavery and oppression in the United States and Canada. Part of the small free black elite who used their education and limited freedoms to fight for the end of slavery and racial oppression, Shadd Cary is best known as the first African American woman to publish and edit a newspaper in North America. But her importance does not stop there. She was an active participant in many of the social and political movements that influenced nineteenth century abolition, black emigration and nationalism, women's rights, and temperance. Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century explores her remarkable life and offers a window on the free black experience, emergent black nationalisms, African American gender ideologies, and the formation of a black public sphere. This new edition contains a new epilogue and new photographs.

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While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.

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The concern for purity was the cornerstone of the religious culture of ancient Judaism. Purity and Identity in Ancient Judaism explores how this concern shaped the worldview of Jews during the Second Temple period as well as their daily practices and social relations. It examines how different groups offered competing visions and methods for living a life of purity, which embodied a promise for personal and cosmic salvation and at the same time determined the degree of sectarian separation.Purity and Identity in Ancient Judaism offers a comprehensive description of the world of purity among the Jews of the Second Temple period in general and within the tradition of the Pharisees in particular. Yair Furstenberg explores the language of purity that provided Jews in antiquity a powerful tool for organizing legal, social, and ideological boundaries, and its study is therefore pertinent for understanding the powers that shaped the varieties of Second Temple Judaism and their later offshoots: Early Christianity and Rabbinic Judaism. Purity and Identity in Ancient Judaism offers new methods for carefully integrating the New Testament, Qumran literature, and early rabbinic sources into a comprehensive history of purity laws from the world of the Second Temple and the Pharisees to the later rabbinic movement, allowing the reader to trace the emergence of new religious sensibilities within changing social and cultic circumstances.

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In Senegal, portraiture serves as a vital index and creator of social connection. People sit for and display portraits, keep albums, and view illustrated magazines together. Through these portraiture practices, Senegalese have fashioned idealized images to mend fraught and fragmented lives in the context of decades of migration. The Future Is in Your Hands provides an expansive frame for photography to highlight the role of affect in portraiture practices. Moving from the colonial to the newly independent Senegal, Beth Buggenhagen combines museum, ethnographic, and archival research on photography's past with lens-based artists who address themes of separation, visibility, rupture, and repatriation through portraiture. Buggenhagen, in collaboration with Senegalese photographers, explores how photographs, as visual and material objects, migrate themselves and, like the bodies they represent, create a record not only of lived experiences but also of the cycle of migration for this labor-exporting country.By complicating the history of portraiture in Senegal, The Future Is in Your Hands reveals the enduring power of images and the efforts under way to keep this art form safely in Senegalese hands.

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In Friendship, Italian philosopher Claudia Baracchi explores the philosophical underpinnings of friendship. Tackling the issue of friendship in the era of Facebook and online social networks requires courage and even a certain impertinence. The friendship relationship involves trust, fidelity, and availability for profound sharing. Sociologists assure us this attitude was never more improbable than in our time of dramatic anthropological reconfiguration. Research on friendship cannot therefore ignore ancient thought: with unparalleled depth, Friendship examines the broader implications of relationship, both emotional and political. Today, the grand socio-political structures of the world are trembling. The hold of valued paradigms that traditionally positioned individuals, determined their destinies, and assigned them their roles and reciprocal responsibilities is becoming uncertain. In these many global shifts, previously unforeseen possibilities for individual and collective becoming are unleashed. Perhaps friendship has to do with worlds that are not: that are not yet, and that should be desired all the more. Focusing on the works of Aristotle, Baracchi explores ancient reflections on friendship, in the belief that they have much to teach us about our relationships in the present day.

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In Friendship, Italian philosopher Claudia Baracchi explores the philosophical underpinnings of friendship. Tackling the issue of friendship in the era of Facebook and online social networks requires courage and even a certain impertinence. The friendship relationship involves trust, fidelity, and availability for profound sharing. Sociologists assure us this attitude was never more improbable than in our time of dramatic anthropological reconfiguration. Research on friendship cannot therefore ignore ancient thought: with unparalleled depth, Friendship examines the broader implications of relationship, both emotional and political. Today, the grand socio-political structures of the world are trembling. The hold of valued paradigms that traditionally positioned individuals, determined their destinies, and assigned them their roles and reciprocal responsibilities is becoming uncertain. In these many global shifts, previously unforeseen possibilities for individual and collective becoming are unleashed. Perhaps friendship has to do with worlds that are not: that are not yet, and that should be desired all the more. Focusing on the works of Aristotle, Baracchi explores ancient reflections on friendship, in the belief that they have much to teach us about our relationships in the present day.

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Unlike their condemnations of Nazi atrocities, contemporary Western responses to Soviet crimes have often been ambiguous at best. While some leaders publicly denounced them, many others found reasons to dismiss wrongdoings and to consider Soviet propaganda more credible than survivors' accounts. Blissful Blindness: Soviet Crimes Under Western Eyes is a comprehensive exploration of Western responses to Soviet crimes from the Bolshevik revolution to the Soviet Union's final years. Ranging from denial, dismissal, and rationalization to outright glorification, these reactions, Darius Tołczyk contends, arose from a complex array of motives rooted in ideological biases, fears of empowering common enemies, and outside political agendas. Throughout the long history of the Soviet regime, Tołczyk traces its most heinous crimes—including the Red Terror, collectivization, the Great Famine, the Gulag, the Great Terror, and mass deportations—and shows how Soviet propaganda, and an unmatched willingness to defer to it, minimized these atrocities within dominant Western public discourse. It would take decades for Western audiences to unravel the "big lie"—and even today, too many in both Russia and the West have chosen to forget the extent of Soviet atrocities, or of their nations' complicity.A fascinating read for those interested in the intricacies and obstructions of politics, Blissful Blindness traces Western responses to understand why, and how, the West could remain willfully ignorant of Soviet crimes.

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Unlike their condemnations of Nazi atrocities, contemporary Western responses to Soviet crimes have often been ambiguous at best. While some leaders publicly denounced them, many others found reasons to dismiss wrongdoings and to consider Soviet propaganda more credible than survivors' accounts. Blissful Blindness: Soviet Crimes Under Western Eyes is a comprehensive exploration of Western responses to Soviet crimes from the Bolshevik revolution to the Soviet Union's final years. Ranging from denial, dismissal, and rationalization to outright glorification, these reactions, Darius Tołczyk contends, arose from a complex array of motives rooted in ideological biases, fears of empowering common enemies, and outside political agendas. Throughout the long history of the Soviet regime, Tołczyk traces its most heinous crimes—including the Red Terror, collectivization, the Great Famine, the Gulag, the Great Terror, and mass deportations—and shows how Soviet propaganda, and an unmatched willingness to defer to it, minimized these atrocities within dominant Western public discourse. It would take decades for Western audiences to unravel the "big lie"—and even today, too many in both Russia and the West have chosen to forget the extent of Soviet atrocities, or of their nations' complicity.A fascinating read for those interested in the intricacies and obstructions of politics, Blissful Blindness traces Western responses to understand why, and how, the West could remain willfully ignorant of Soviet crimes.

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Jacqueline Kahanoff: A Levantine Woman is the first intellectual biography of this remarkable Egyptian-Jewish intellectual, whose work has secured her place in literary pantheon as a herald of Levantine, Mediterranean, and transnational culture. Growing up Jewish in cosmopolitan Egypt in the 1920s and 1930s, Jacqueline Kahanoff experienced a bustling Middle East enriched by diverse languages, religions, and peoples who nonetheless were deeply connected to each other through history, business, daily practices, and shared landscape. At the age of twenty-four, Kahanoff immigrated to the United States. Her stories, essays, and short autobiographical novel attest to her penchant to cross boundaries, generations, social classes, sexes, and Western and Eastern constructs. After immigrating to Israel in the early 1950s, she critically addressed the country's "provinciality" and "ethnic nationalism" as seen through her conception of a transnational Levantine culture. Through many writings, Kahanoff set forth her distinctive vision of Israel as a Mediterranean country with a broad, multicultural Levantine identity. Drawing on an extensive array of sources, ranging from interviews with Jacqueline Kahanoff's acquaintances and contemporaries to unpublished writings, David Ohana explores her fascinating life and intellectual journey from Cairo to Tel Aviv. The encompassing vision of a Levantine Israel made Kahanoff the initiator of a different cultural possibility, more extensive than that offered in her time, and also, perhaps, than is offered today.

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Drawing on her high level of technical proficiency, professional violinist Maureen Taranto-Pyatt shares practical guidance in her new methodology, "Progressive Form."With The New Art of Violin Playing, violinists will learn to appreciate the physics (weight and momentum) and geometry (angles and rotations) of movement with an accurate understanding of anatomy and physiology in order to facilitate a nuanced flow of compression and release. Featuring nearly 400 images and music examples to illustrate elements of technique, balance, and gesture, this accessible guide will help musicians manifest deeper meaning and greater satisfaction in making music. Taranto-Pyatt divides the material into three parts—Left Arm, Right Arm, and Integration—that can be used as a step-by-step retooling of technique or as a reference for targeted issues.A comprehensive exploration of method in service of musical expression, The New Art of Violin Playing offers the serious violinist a path toward a more integrated and liberated musical world through the combined use of balance concepts, guided movement, and creative images.

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Traditionally, humanitarianism is considered a nonpolitical urgent response to human suffering. However, this characterization ignores the politics that create and are created by the crises and the increasingly long-term dimension of relief. In The Politics of Crisis-Making, by shedding light on how humanitarian practice becomes enmeshed with diverse forms of welfare and development, Estella Carpi exposes how the politics of defining crises affect the social identity and membership of the displaced. Her ethnographic research in Lebanon brings to light interactions among aid workers, government officials, internally displaced citizens, migrants, and refugees after the 2006 war in Beirut's southern suburbs and during the 2011-2013 arrival of refugees from Syria to the Akkar District (northern Lebanon). By documenting different cultures, modalities, and traditions of assistance, Carpi offers a full account of how the politics of crisis-making play out in Lebanon. An important read, The Politics of Crisis-Making reveals that crisis, as an official discourse and framework of action, has the power to shape the social membership of forced migrants and internally displaced people, engendering unequal political, ethnic, and moral economies.

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Traditionally, humanitarianism is considered a nonpolitical urgent response to human suffering. However, this characterization ignores the politics that create and are created by the crises and the increasingly long-term dimension of relief. In The Politics of Crisis-Making, by shedding light on how humanitarian practice becomes enmeshed with diverse forms of welfare and development, Estella Carpi exposes how the politics of defining crises affect the social identity and membership of the displaced. Her ethnographic research in Lebanon brings to light interactions among aid workers, government officials, internally displaced citizens, migrants, and refugees after the 2006 war in Beirut's southern suburbs and during the 2011-2013 arrival of refugees from Syria to the Akkar District (northern Lebanon). By documenting different cultures, modalities, and traditions of assistance, Carpi offers a full account of how the politics of crisis-making play out in Lebanon. An important read, The Politics of Crisis-Making reveals that crisis, as an official discourse and framework of action, has the power to shape the social membership of forced migrants and internally displaced people, engendering unequal political, ethnic, and moral economies.

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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

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Jews, Race, and the Politics of Difference explores how Russian Jewish writers and political activists such as Vladimir Jabotinsky turned to "race" as an operational concept in the late imperial politics of the Russian Empire.Building on the latest scholarship on racial thinking and Jewish identities, Marina Mogilner shows how Jewish anthropologists, ethnographers, writers, lawyers, and political activists in late imperial Russia sought to construct a Jewish identity based on racial categorization in addition to religious affiliation. By grounding nationality not in culture and territory but in blood and biology, race offered Jewish nationalists in Russia a scientifically sound and politically effective way to reaffirm their common identity.Jews, Race, and the Politics of Difference presents the works of Jabotinsky as a lens to understanding Jewish "self-racializing," and brings Jews and race together in a framework that is more multifaceted and controversial than that implied by the usual narratives of racial antisemitism.

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Ruth Blau: A Life of Paradox and Purpose explores the life of a curious, if not mysterious, character in modern Jewish history. Born a French Catholic, Ruth Blau (Ben-David) (1920–2000) lived a constantly twisting life. During World War II, Blau was active in the French Resistance, and under their command, she joined the Gestapo as a double agent. After the war, she studied philosophy as a PhD candidate at the Sorbonne during the 1950s. After converting to Judaism and moving to Israel in 1960, Blau was involved in concealing Yossele Schumacher, a seven-year-old child, as part of a militant conflict between ultra-Orthodox and secular Jews in Israel. In 1965, despite a huge scandal, she married Amram Blau, head of the anti-Zionist ultra-Orthodox Neturei Karta. After the death of her husband in 1973, Blau took upon herself to travel to Arab countries to help the Jewish communities in distress in Lebanon and Iran, where she met Yasser Arafat, head of the Palestinian Liberation Organization, and his deputy Abu Jihad. But the most significant connections she made were in Iran. In 1979, she met with the leader of the Iranian revolution, Ayatollah Khomeini.Ruth Blau: A Life of Paradox and Purpose represents the first full-length biography of this remarkable woman. Drawing on a trove of archival materials and interviews with those who knew Ruth, Motti Inbari offers a complex, multifaceted portrait of a woman undertaking a remarkable and influential journey through modern European and Middle Eastern history.

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Moshe's Children presents the inspiring story of Moshe Zeiri, a Jewish carpenter responsible for rescuing hundreds of Jewish refugee children who had survived the Final Solution. During the liberation of Italy, Zeiri, a volunteer in the British Army in Italy, assumed responsibility for and vowed to help around seven hundred Polish, Hungarian, Russian, and Romanian children. Although these orphans of the Shoah had been deprived of a family, a home, and a language and were irreparably robbed of their past, they were able to rebuild their lives through Zeiri's efforts as he founded the largest Jewish orphanage in postwar Europe in Selvino, Italy, where he began to rehabilitate the orphans and to teach them how to become citizens of the new nation of Israel.Moshe's Children also explores Zeiri's own story from birth in a shtetl to his upbringing and Zionist education, his journey to the Land of Israel, and his work there before the war. With narrative verve and scholarly acumen, Sergio Luzzatto brilliantly tells the gripping stories of these orphans of the Holocaust and the good man who helped point them to a real future.

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Teen films of the 1980s were notorious for treating consent as irrelevant with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensuring date rape is no longer a joke and girls' desires are celebrated, sexual consent remains a problematic and often elusive ideal in teen films.In Consent Culture and Teen Films, Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") does not protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.

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In 1974, thirty-year-old philosopher and translator David Farrell Krell began corresponding and meeting with Martin Heidegger and Hannah Arendt. Years later, he would meet Jacques Derrida and, through many letters and visits, come to know him well. Drawing on unpublished correspondence and Krell's warmly told personal recollections, Three Encounters presents an intimate and highly insightful look at the lives and ideas of three noted philosophers at the peak of their careers. Three Encounters offers a chance for readers to encounter these three great philosophers and their ideas, not merely through the lens of their biographies, but as "people" we come to know through their personal correspondence and Krell's recollections. Three Encounters demonstrates the intertwining of thought and lived experience.

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From an early age, Yabar listened to Aunt Rosa's story of the commander of the river. Somali legend tells of how two wise men were entrusted with creating a river, because their country had none and had no drinking water. But when crocodiles found their way into the water, the people elected a commander of the river to control the beasts and allow access to the water. To know Good, you must live with necessary Evil. After his father abandoned him, Yabar sets out on a journey to discover what became of him. Sent from his home in Rome to his aunt's house in London, Yabar will discover a terrible family secret, which he may want to forget.The Commander of the River is a timeless and compelling coming-of-age story set in contemporary Italy. The second novel by acclaimed Somali Italian writer Ubah Cristina Ali Farah, it explores themes of racism, trauma, adolescent angst, and the rebellious torments of the young.

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Despite decades of Putin, it is too simplistic to assert that authoritarianism has eliminated Russian activism, especially in relation to everyday life. Instead, we must build an awareness of diverse efforts to mobilize citizens to better understand how activism is shaped by and, in turn, shapes the regime. Varieties of Russian Activism focuses on a broad range of collective actions, from labor unions to housing renovation, religion, electoral politics, minority language rights, and urban planning. Contributors draw attention to significant forms of grassroots politics that have not received sufficient attention in scholarship, or that deserve fresh examination. The volume shows that Russians find novel ways to redress everyday problems and demand new services. Together, these essays interrogate what kinds of practices can be defined as activism in a fast-changing, politically volatile society. An engaging collection, Varieties of Russian Activism unites leading scholars in the common aim of approaching the embeddedness of civic activism in the conditions of everyday life, connectedness, and rising society-state expectations.

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In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century.A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history.Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.

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The fiction of Nobel Laureate Shmuel Yosef Agnon is the foundation of the array of scholarly essays as seen through the career of Alan Mintz, visionary scholar and professor of Jewish literature at the Jewish Theological Seminary of America. Mintz introduced Agnon's posthumously published Ir Umeloah (A City in Its Fullness)—a series of linked stories set in the 17th century and focused on Agnon's hometown, Buczacz, a town in what is currently western Ukraine—to an English reading audience, and argued that Agnon's unique treatment of Buczacz in A City in its Fullness, navigating the sometimes tenuous boundary of the modernist and the mythical, was a full-throated, self-conscious literary response to the Holocaust. This volume is an extension of a memorial dedicated to Mintz's memory (who died suddenly in 2017) which combines selections of Alan's work from the beginning, middle and end of his career, with autobiographical tributes from older and younger scholars alike. The essays dealing with Agnon and Buczacz remember the career of Alan Mintz and his contribution to the world of Jewish studies and within the world of Jewish communal life.

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With the beginning of the National Socialist dictatorship, Germany not only experienced a deep political turning point but the private life of Germans also changed fundamentally. The Nazi regime had far-reaching ideas about how the individual should think and act.In "A Third Reich, as I See It" Janosch Steuwer examines the private diaries of ordinary Germans written between 1933 and 1939 and shows how average citizens reacted to the challenges of National Socialism. Some felt the urge and desire to adapt to the political circumstances. Others felt compelled to do so. They all contributed to the realization of the vision of a homogeneous, conflict-free, and "racially pure" society.In a detailed manner and with a convincing sense of the bigger picture, Steuwer shows how the tense efforts of people to fit in, and at the same time to preserve existing opinions and self-conceptions, led to a close intertwining of the private and the political."A Third Reich, as I See It" offers a surprisingly new look at how the ideological visions of National Socialism found their way into the everyday reality of Germans.

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How did German Jews present their claims for equality to everyday Germans in the first half of the nineteenth century? We Will Never Yield offers the first English-language study of the role of the German press in the fight for Jewish agency and participation during the 1840s. David Meola explores how the German press became a key venue for public debates over Jewish emancipation; religious, educational, and occupational reforms; and the role of Jews in German civil society, even against a background of escalating violence against the Jews in Germany, We Will Never Yield sheds light on the struggle for equality by German Jews in the 1840s and demonstrates the value of this type of archival source of Jewish voices that has been previously underappreciated by historians of Jewish history.

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The first biography of a key and complex American religious figure of the nineteenth century, considered by many to be the "father of Shaker literature." Richard McNemar (1770–1839) led a remarkable life, replete with twists and turns that influenced American religions in many ways during the early nineteenth century. Beginning as a Presbyterian minister in the Midwest, he took his preaching and the practice of his congregation in a radically different, evangelical "free will" direction during the Kentucky Revival. A cornerstone of his New Light church in Ohio was spontaneous physical movement and exhortations. After Shaker missionaries arrived, McNemar converted and soon played a prominent role in expanding and raising public awareness of their religion by founding Shaker communities in the Midwest, becoming the first Shaker published author and the most prolific composer of Shaker hymns.Split between two opposing religious traditions—an evangelical movement attracting tens of thousands and Shakerism, which drew only hundreds to its villages—Richard McNemar's life poses a challenge for any biographer. Christian Goodwillie's mastery of the archival records surrounding McNemar and the Shakers allows him to tell McNemar's story in a way that fully captures the complexity of the man and the scope of his enduring legacy in American religious history.

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"My mother says that there are things in life that she can't forgive . . ."At age 16, Dipita's mother, Mbila, arrived in Switzerland from Cameroon. Trafficked into Europe, she supported herself and her son as a prostitute in Geneva. Dipita, now a young, black, gay man serving a five-year sentence in a Swiss prison, shares their story and his own search for purpose. He intertwines their stories with the life of Uncle Démoney, a former civil servant in Cameroon, who staked everything on sending his sister to Switzerland.39 Berne Street explores the complex themes of prostitution, immigration, and homosexuality through a fluid and expressive prose that makes it ring true. Originally published in French, it won the Prix du Roman des Romands in 2014.Max Lobe's 39 Berne Street vividly describes the unforgivable actions visited by family members upon family members in desperate bids for survival and contentment in the midst of Dipita's struggle toward forgiveness and acceptance.

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The United States may have a puritanical past, but the 21st century is wide open to diverse gender expression and romance. Good Sex is the manifesto—or Manisexto, if you will—for this cultural revolution. Same-sex marriage is legal, the #MeToo movement has exploded, colleges nationwide now teach consent-based sexual health, the media celebrates body positivity, and transgender visibility has become mainstream. Defining "good sex" as both ethical and pleasurable, Catherine M. Roach features such topics as equity, intersectionality, and shared pleasure while offering a lively discussion that is inclusively feminist, queer-friendly, and sex-positive without being divisive.An accessible guidebook, Good Sex provides hope that America's sexual, gender, and racial injustices can be addressed together. After all, this new gender and sexual revolution strengthens the pursuit of happiness and love. Welcome to the revolution!

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How do the temporal features of sacred music affect social life in South Asia? Due to new time constraints in commercial contexts, devotional musicians in Bengal have adapted longstanding features of musical time linked with religious practice to promote their own musical careers.The Politics of Musical Time traces a lineage of singers performing a Hindu devotional song known as kīrtan in the Bengal region of India over the past century to demonstrate the shifting meanings and practices of devotional performance. Focusing on padābalī kīrtan, a type of devotional sung poetry that uses long-duration forms and combines song and storytelling, Eben Graves examines how expressions of religious affect and political belonging linked with the genre become strained in contemporary, shortened performance time frames. To illustrate the political economy of performance in South Asia, Graves also explores how religious performances and texts interact with issues of nationalism, gender, and economic exchange.Combining ethnography, history, and performance analysis, including videos from the author's fieldwork, The Politics of Musical Time reveals how ideas about the sacred and the modern have been expressed and contested through features of musical time found in devotional performance.

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Before the widespread popularity of automobiles, buses, and trucks, freight and passenger trains bound the nation together. The Station Agent and the American Railroad Experience explores the role of local frontline workers that kept the country's vast rail network running.Virtually every community with a railroad connection had a depot and an agent. These men and occasionally women became the official representatives of their companies and were highly respected. They met the public when they sold tickets, planned travel itineraries, and reported freight and express shipments. Additionally, their first-hand knowledge of Morse code made them the most informed in town. But as times changed, so did the role of, and the need for, the station agent.Beautifully illustrated with dozens of vintage photographs, The Station Agent and the American Railroad Experience, brings back to life the day-to-day experience of the station agent and captures the evolution of railroad operations as technology advanced.

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How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace. Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context.

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How can we foster a more inclusive, responsible, and communicative future? What if illustrated scholarship is one way to get there? Organized around eight terms in the study of religion, the groundbreaking, multifaceted book A Universe of Terms: Religion in Visual Metaphor combines text and image to examine the human as both catalyst of crisis and principal agent for its mitigation. Mona Oraby and Emilie Flamme—a professor and an illustrator—were spurred to create an alternative form for scholarly communication, one that stages conversations between thinkers who likely would not all find themselves in the same room. This graphic nonfiction book acknowledges the significance of certain terms to the social sciences and the humanities, narrates their limitations, and shows why we need a structure and style for thinking them otherwise. It further urges the iterative rethinking of any new terms this exercise yields. Through its unique visual lexicon, A Universe of Terms explores religious media in postcolonial and secular contexts, performances of religious feeling, the political economy of religion, sacred presence, and human striving amid social inequality and climate change. Beautifully illustrated and inspired by a range of media from graphic novels to podcasts, A Universe of Terms is a visual experiment, one that invites readers to think again and anew about how the visual is integral to thought.

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"We weren't religious per se. The most frequent mention of God in our house was my mother yelling 'Goddammit!'"Elisa Bernick grew up "different" (i.e., Jewish) in the white, Christian suburb of New Hope, Minnesota during the 1960s and early 1970s. At the center of her world was her mother, Arlene, who was a foul-mouthed, red-headed, suburban Samson who ultimately shook the walls of their family until it collapsed. Poignant and provocative, Departure Stories peers through the broader lens of Minnesota's recent history to reveal an intergenerational journey through trauma that unraveled the Bernick family and many others.Deftly interweaving reporting, archival material, memoir, jokes, scrapbook fragments, personal commentary, and one very special Waikiki Meatballs recipe, Bernick explores how the invisible baggage of place and memory, Minnesota's uniquely antisemitic history, and the cultural shifts of feminism and changing marital expectations contributed to her family's eventual implosion. Departure Stories: Betty Crocker Made Matzoh Balls (and other lies) is a personal exploration of erasure, immigrants, and exiles that examines the ways departures—from places, families and memory—have far-reaching effects.

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The first in-depth history of philanthropy in Indiana. Philanthropy has been central to the development of public life in Indiana over the past two centuries. Hoosier Philanthropy explores the role of philanthropy in the Hoosier state, showing how voluntary action within Indiana has created and supported multiple visions of societal good. Featuring 15 articles, Hoosier Philanthropy charts the influence of different types of nonprofit Hoosier organizations and people, including foundations, service providers, volunteers, and individual donors.

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Ethicality and Imagination is the astounding conclusion to John Sallis's landmark trilogy launched with Force of Imagination and Logic of Imagination. In this new work, Sallis embarks on an unforgettable voyage spanning the cosmos and delving deep into what makes us human. If the first two works consider the question of being and thinking, respectively, the third and culminating volume takes up the question of action. In a series of highly original and always provocative meditations, Sallis articulates the way humans are rooted in their abodes yet not determined by them. Ethicality and Imagination develops a new approach to the relation of the imagination to literature, ethics, political thought, and recent discoveries in astrophysics. It represents a brilliant conclusion to one of the most exciting works of thinking in the Continental school in recent decades.

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In Lucknow, the capital of India's most populous state, the stigmas and colonial legacies surrounding sexual propriety and population growth affect how Muslim women, often in poverty, cope with infertility.In Infertility in a Crowded Country, Holly Donahue Singh draws on interviews, observation, and autoethnographic perspectives in local communities and Lucknow's infertility clinics to examine access to technology and treatments and to explore how pop culture shapes the reproductive paths of women and their supporters through clinical spaces, health camps, religious sites, and adoption agencies. Donahue Singh finds that women are willing to transgress social and religious boundaries to seek healing. By focusing on interpersonal connections, Infertility in a Crowded Country provides a fascinating starting point for discussions of family, kinship, and gender; the global politics of reproduction and reproductive technologies; and ideologies and social practices around creating families.

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What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work?We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic.We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.

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In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literature several decades after the Holocaust.Making German Jewish Literature Anew offers fresh interpretations of second-generation authors such as Maxim Biller, Doron Rabinovici, and Barbara Honigmann as well as of third-generation authors, many of whom come from Eastern European and/or mixed-religion backgrounds. These more recent writers include Benjamin Stein, Lena Gorelik, and Katja Petrowskaja. Throughout the book, Garloff asks what exactly marks a given text as Jewish—the author's identity, intended audience, thematic concerns, or stylistic choices—and reflects on existing definitions of Jewish literature.

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In Building Bridges between Chan Buddhism and Confucianism, Diana Arghirescu explores the close connections between Buddhism and Confucianism during China's Song period (960–1279). Drawing on In Essays on Assisting the Teaching written by Chan monk-scholar Qisong (1007–1072), Arghirescu examines the influences between the two traditions. In his writings, Qisong made the first substantial efforts to compare the major dimensions of Confucian and Chan Buddhist thought from a philosophical view, seeking to establish a meaningful and influential intellectual and ethical bridge between them.Arghirescu meticulously reveals a "Confucianized" dimension of Qisong's thought, showing how he revisited and reinterpreted Confucian terminology in his special form of Chan aimed at his contemporary Confucian readers and auditors "who do not know Buddhism." Qisong's form of eleventh-century Chan, she argues, is unique in its cohesive or nondual perspective on Chinese Buddhist, Confucian, and other philosophical traditions, which considers all of them to be interdependent and to share a common root.Building Bridges between Chan Buddhism and Confucianism is the first book to identify, examine, and expand on a series of Confucian concepts and virtues that were specifically identified and discussed from a Buddhist perspective by a historical Buddhist writer. It represents a major contribution in the comparative understanding of both traditions.

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Nietzsche's Voices, a much-anticipated volume of the Collected Writings of John Sallis, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971–72."Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. With this warning always in mind, Sallis first discusses Nietzsche's life and the relevance of the ancient Greeks to his thought and then analyzes Nietzsche's views on truth, history, morality, and the death of God. The entire second half of the book is devoted to Nietzsche's main work, the tragic, comedic, poetic Thus Spoke Zarathustra.Nietzsche's Voices offers a sensitive and brilliant introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers.

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Nietzsche's Voices, a much-anticipated volume of the Collected Writings of John Sallis, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971–72."Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. With this warning always in mind, Sallis first discusses Nietzsche's life and the relevance of the ancient Greeks to his thought and then analyzes Nietzsche's views on truth, history, morality, and the death of God. The entire second half of the book is devoted to Nietzsche's main work, the tragic, comedic, poetic Thus Spoke Zarathustra.Nietzsche's Voices offers a sensitive and brilliant introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers.

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Wars are fought on the home front as well as the battlefront. Spouses, family, friends, and communities are called upon to sacrifice and persevere in the face of a changed reality. Hoosiers on the Home Front explores the lives and experiences of ordinary Hoosiers from around Indiana who were left to fight at home during wartimes. Drawn from the rich holdings of the Indiana Magazine of History, a journal of state and midwestern history published since 1905, this collection includes original diaries, letters and memoirs, and research essays—all focused on Hoosiers on the home front of the Civil War through the Vietnam War. Readers will meet, among others, Joshua Jones of the 19th Indiana Volunteer Regiment and his wife, Celia; Attia Porter, a young resident of Corydon, Indiana, writing to her cousin about Morgan's Raid; Civil War and World War I veterans who came into conflict over the Indianapolis 500 and Memorial Day observances; Virginia Mayberry, a wife and mother on the World War II home front; and university students and professors—including antiwar activist Howard Zinn and conservative writer R. Emmett Tyrrell Jr.—clashing over the Vietnam War.Hoosiers on the Home Front offers a compelling glimpse of how war impacts everyone, even those who never saw the front line.

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Wars are fought on the home front as well as the battlefront. Spouses, family, friends, and communities are called upon to sacrifice and persevere in the face of a changed reality. Hoosiers on the Home Front explores the lives and experiences of ordinary Hoosiers from around Indiana who were left to fight at home during wartimes. Drawn from the rich holdings of the Indiana Magazine of History, a journal of state and midwestern history published since 1905, this collection includes original diaries, letters and memoirs, and research essays—all focused on Hoosiers on the home front of the Civil War through the Vietnam War. Readers will meet, among others, Joshua Jones of the 19th Indiana Volunteer Regiment and his wife, Celia; Attia Porter, a young resident of Corydon, Indiana, writing to her cousin about Morgan's Raid; Civil War and World War I veterans who came into conflict over the Indianapolis 500 and Memorial Day observances; Virginia Mayberry, a wife and mother on the World War II home front; and university students and professors—including antiwar activist Howard Zinn and conservative writer R. Emmett Tyrrell Jr.—clashing over the Vietnam War.Hoosiers on the Home Front offers a compelling glimpse of how war impacts everyone, even those who never saw the front line.

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The personal letters of Americans during the Civil War preserve first-person records of news, people, and emotions that humanize the horrific events of the war and provide unique insights into the conflict's effects on individuals, families, communities, and America. Often, however, only the letters sent home survived, leaving half of the story missing. Between Home and the Front presents previously unpublished letters from the Walters family's collection held by the Smithsonian's National Postal Museum, which include the exchange of correspondence between the home front and front line, a perspective not often seen.Between Home and the Front gives us a glimpse into the poignant questions, answers, and sentiments Private David Walters of the 5th Indiana Calvary and his wife Rachel shared in their correspondence. The letters from David give details about some of the lesser-known actions of the western theater of combat, such as Morgan's Raid. The letters by Rachel Walters record how she managed the household and a young child while becoming hub of communication for the family, often receiving missives from David's brothers, Isaac and John Wesley, both of whom served with Indiana units, and relaying the information to others. From the early letters describing a Civil War soldier's enlistment to his widow's struggle in the aftermath of the war, the letters of the Walters family add incomparable details to the study of the Civil War. Between Home and the Front offers not only unique first-person accounts from those that experienced the Civil War but also meticulous annotations that provide valuable historical context for the events, people, and material culture described in the letters.

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In Specters of God, John D. Caputo returns to the original impulse of his work, the "mystical element" in things, here under the name of an "anxious apophatics," as distinct from an "edifying apophatics" anchored in unity with God. In dialogue with Schelling, a new turn for him and the lynchpin of this argument, Caputo addresses the nocturnal powers in being, the specters that haunt our being and bring us up short. The result is an erudite and insightful analysis—in his usual lively and masterful style—of several key "spectral" figures from medieval angelology and Eckhart's Gottheit, through Luther's deus absconditus and Schelling's "Satanology," to the spectralization and virtualization of the world in the "posthuman" age. Arguing that the name of God is not the master name of a super-being who is going to save us but a placeholder for sources deep in our apophatic imaginary, he asks, Has "God" become a (holy) ghost of the past? A passing spectral effect of the ancient harmonies of the spheres? Does radical thinking culminate in a cosmopoetics beyond theism and its theology, in a doxology to the transient glory of the world, whatever it was in the beginning, however eerie its end, world without why?

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