Search results for ""indiana university press""

Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertainquestions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent.Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphaland Edith Wyschogrod.

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"The great virtue of this book is that it provides a practical acquaintance with the writing itself by means of copious passages of translation from representative novels." —New York Times Book Review"C. T. Hsia's book is by now an acknowledged classic. It truly opened up a new field and prepared the way for generations of American scholars to do research. We are all in his debt." —Leo LeeThis pioneering, classic study of 20th-century Chinese fiction covers some sixty years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76.

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"The editors have performed a great service in making widely available a documentary history of the interpretation of the Eve and Adam story." —Publishers Weekly"This fascinating volume examines Genesis 1-3 and the different ways that Jewish, Christian, and Muslim interpreters have used these passages to define and enforce gender roles. . . . a 'must' . . . " —Choice"Wonderful! A marvelous introduction to the ways in which the three major Western religious traditions are both like, and unlike one another." —Ellen Umansky, Fairfield UniversityNo other text has affected women in the western world as much as the story of Eve and Adam. This remarkable anthology surveys more than 2,000 years of Jewish, Christian, and Muslim commentary and debate on the biblical story that continues to raise fundamental questions about what it means to be a man or to be a woman. The selections range widely from early postbiblical interpretations in the Apocrypha and Pseudepigrapha to the Qur'an, from Thomas Aquinas to medieval Jewish commentaries, from Christian texts to 19th-century antebellum slavery writings, and on to pieces written especially for this volume.

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"These four volumes in this major series . . . provide a single-source reference to the status of the field of women's history and to ways that the field can be expanded. . . . A basic set for all academic libraries." —Library Journal Academic NewswireWriting on South and Southeast Asia, Ramusack surveys both the prescriptive roles and lived experiences of women, as well as the construction of gender from the period of the early states to the 1990s. Sievers presents an overview of women's participation in the histories of China, Japan, and Korea from prehistory to the modern period.

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Figuring Age engages the virtually invisible subject of older women in western culture. Like other markers of social difference, age is given meaning by a culture. Yet unlike gender and race, the subjects of age and aging have received little sustained attention. Central to Figuring Age is the crucial question of how women are aged by culture. How are older women represented in a visual culture that is dominated by images of youth in television, film, and life performance? How do psychoanalysis, rejuvenation therapy and hormone replacement therapy, the fashion system, cosmetic surgery, and midlife bodybuilding shape our views of aging as well as of the older body itself? What is the "timing" of aging? To what extent is aging a culturally-induced trauma?

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This sequel to the popular Quick Hits puts the focus on learning. More Quick Hits offers simple but successful strategies that award-winning teachers have found help promote student understanding and retention. The book also tells how to create the best environment in which to teach the courses you love.

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"Think of this as 'The Thinking Man's Bloom' or 'The Thinking Woman's Closing of the American Mind.' It takes up debates about education and reasons about them, where Bloom often only blasted away. . . . This is one of the more helpful recent statements of the case for the classics, accompanied by rather venturesome curricular suggestions." —Christian Century"His exciting readable book calls for a return to a study of the classics—and of the Renaissance poets and scholars, like Petrarch, who rediscovered the classics." —Michael Dirda, Washington Post Book World" . . . a splendid statement bringing together in a careful and coherent way the prospects for a solid humanities curriculum." —Ernest L. BoyerTen years ago when this book was first published it was called Education's Great Amnesia: Reconsidering the Humanities from Petrarch to Freud. It is being reissued now in a second edition with a different title for a new generation of readers who cannot have forgotten what they never knew. What are the humanities? Can we agree on a core curriculum of humanistic studies? Robert Proctor answers these questions in a provocative, readable book.

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This anthology introduces readers to Tsarist Russia's emerging popular and commercial urban culture and the individuals and groups that produced and consumed it. The selections translated here illustrate in colorful detail how the experiences and the composition of Russian society and culture evolved from the late eighteenth century through the 1917 revolution, in response to economic, technological, and political changes. Fortunetelling and etiquette manuals, thieves' tales, children's literature, popular songs, war stories, women's novels, satires of life in America, and vaudeville skits are just a few of the genres represented.

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"Rarely has a short book accomplished so much as Terborg-Penn's seminal work. With the utmost attention to detail Terborg-Penn examines the contributions of black suffragist stalwarts . . . It undoubtedly will become the definitive work on African American women's involvement in the mainstream woman suffrage movement and specifically on black women's struggle for the vote." —Choice" . . . this is a well-written overview of a crucial aspect of African American history that would be ideal for the college classroom." —Journal of American History" . . . not only a major contribution to suffrage history . . . but also a powerful indictment of white suffrage activists who were able to see beyond the sexism but not the racism of their society." —Journal of Southern History"This groundbreaking volume provides a theoretical and practical framework for new paradigms in African American women's history. . . . All Black politicians should read and discuss this unique and brilliant book. Many lessons can be learned." —Philadelphia New ObserverThis comprehensive look at the African American women who fought for the right to vote analyzes the women's own stories and examines why they joined and how they participated in the U.S. women's suffrage movement. Terborg-Penn shows how every political and racial effort to keep African American women disfranchised met with their active resistance until black women finally achieved full citizenship.

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"I am immensely impressed by the scholarship and painstakingly detailed analysis." —George Jellinek Song by song, this comprehensive study addresses the works of Fauré, Chausson, Duparc, and Debussy, four composers who brought to the magnificent poetry of their contemporaries the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914.

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" . . . takes a new look at the situation in one of the hottest spots on the globe and asks what impact the politicization of women will have on the lives of people in the emerging Palestinian state." —NWSA JournalThis volume introduces the reader to the social and political roles and challenges faced by women of Arab/Palestinian society. Even Arabic commentators have failed to accurately assess the contributions of women within the struggles of Gaza and the West Bank. These essays, written from an "insider's" perspective, show how Palestinian women confront issues of gender, feminism, and the national agenda.

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From cabarets and candlelight vigils to full-scale Broadway productions such as Angels in America and Rent, over the past 15 years public performances and dramatic texts have shaped, and been shaped by, the history of AIDS. Author David Roman examines the ways that gay men have used alternative, activist, and mainstream theater and performance to intervene in the AIDS crisis. He considers solo performance, community-based projects, mixed-media events, activist demonstrations, and AIDS educational theater initiatives.Roman shows how performance and theater have participated in the cultural politics of race, sexuality, citizenship, and AIDS in the United States. Not only has the theater provided a forum for gay male response to the epidemic, Roman contends, but it has also determined the degree to which those responses have shaped the ideological formulation of AIDS. Acts of Intervention provides a new method for discussing the relation between AIDS and representation, combining ideas from performance theory, gay and lesbian studies, critical race discourse, and cultural studies.

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Is Science Multicultural? explores what the last three decades of European/American, feminist, and postcolonial science and technology studies can learn from each other. Sandra Harding introduces and discusses an array of postcolonial science studies, and their implications for "northern" science. All three science studies strains have developed in the context of post-World War II science and technology projects. They illustrate how technoscientific projects mean different things to different groups. The meaning attached by the culture of the West may not be shared or may be diametrically opposite in the cultures in other parts of the world. All, however, would agree that scientific projects—modern science included—are "local knowledge systems." The interests and discursive resources that the various science studies bring groups to their projects, and the ways that they organize the production of their kind of science studies, are distinctively culturally-local also. While their projects may be unintentionally converging, they also conflict in fundamental respects.How is this inevitable cultural-situatedness of knowledge both an invaluable resource as well as a limitation on the advance of knowledge about nature? What are the distinctive resources that the feminist and postcolonial science theorists offer in thinking about the history of modern science; the diversity of "scientific" traditions in non-European as well as in European cultures; and the directions that might be taken by less androcentric and Eurocentric scientific projects? How might modern sciences' projects be linked more firmly to the prodemocratic yearnings that are so widely voiced in contemporary life? Carefully balancing poststructuralist and conventional epistemological resources, this study concludes by proposing new directions for thinking about objectivity, method, and reflexivity in light of the new understandings developed in the post-World War II world.

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"This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . " —Multicultural Review"This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." —Choice". . . a college-level analysis which will appeal to any interested in African studies and literature." —The BookwatchThis book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.

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The need for a modern text to teach Chinese to English-speaking students has long been recognized. Even today Chinese tends to be taught by rote rather than concept for the want of pedagogically sophisticated course materials. Jennifer Liu and Margaret Yan, two Indiana University professors, have now produced a cognitively based first year course for learning Chinese. The innovative features of their texts include.* An introduction to the cultural and social contexts of Chinese* A presentation of Chinese calligraphy* Lessons with real-life situations and lively dialogue* Explanations of Chinese pronunciation and grammar* Illustrations including cartoons* Chinese characters with mnemonic visuals* Criteria-grouped vocabulary* An instructor's manual* Student workbook

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The most creative moments of African American culture have always emanated from a lower class or "ghetto" perspective. In contemporary society, this ghetto aesthetic has informed a large segment of the popular marketplace from the incendiary nature of gangsta rap, through the choreographed violence of films like Menace II Society, to recurrent debates around the use of the word "nigga," and even the assertion of this perspective in professional basketball. In each case, most of the discussion around these cultural circumstances tends to be dismissive, if not completely uninformed.In analyzing the ranges of images from the O. J. Simpson trial to Snoop Doggy Dogg, Am I Black Enough for You looks at the way in which the nuances of ghetto life get translated into the politics of popular culture, and especially the way these politics have become such a profitable venture, for both the entertainment industry and the actual producers of these topical narratives. The book follows the widening generation gap represented by Bill Cosby's pristine "race man" image in the mid-80's, culminating in the proliferation of the hard-core sentiments associated with the nigga in the 1990's.The book argues for a historical understanding of these contemporary examples, which is rooted in the social policies of the Reagan/Bush era, the declining industrial base of urban communities and the increasing significance of the drug trade and gang culture. In addition, the book follows the evolution of gangster culture in twentieth century American popular culture and the shift from ethnicity to race that slowly begins to emerge over this time period.Contrary to mainstream conservative sentiment, Am I Black Enough for You suggests that the criticism of gangsta culture is a misguided attempt which reaffirms traditional views about Black culture. This criticism is articulated across race, so that in many cases, African Americans articulate the same sentiments as their white conservative counterparts.Am I Black Enough for You offers astute analysis of the liberating possibilities of representation that lie at the core of contemporary black popular culture.

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"In this book, Barbara Owen has created a rich resource of historical information coupled with strategies for interpreting that information on today's instruments." —Journal of the American Musical Instrument Society". . . Barbara Owen has succeeded admirably in distilling three centuries of organ registration practice into a volume less than three hundred pages long. . . . Anyone with an interest in the history of the organ and its music . . . will not want to ignore this book." —Sixteenth Century Journal"It is rare to find a book that combines such careful scholarship with a practical focus that makes it accessible to performing musicians as well as research specialists." —Notes"An excellent volume from historical, musical style and interpretive standpoints. Highly recommended for all large academic and professional music collections." Choice" . . . recommend this book to all serious organists." —The American Organist MagazineBarbara Owen has prepared the first work to present in a single book the registrational practices of organists from c.1550 to 1800. The four parts of the book move from the Renaissance through the Early, High, and Late Baroque. Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.

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"Hountondji . . . writes not as an 'African' philosopher but as a philosopher on Africa. . . . Hountondji's deep understanding of any civilization as necessarily pluralistic, and often even self-contradicting as it evolves, is simply magisterial. . . . This is a precious gem of a book for anyone who wishes to reflect on civilization and culture." —ChoiceIn this incisive, original exploration of the nature and future of African philosophy, Paulin J. Hountondji attacks a myth popularized by ethnophilosophers such as Placide Tempels and Alexis Kagame that there is an indigenous, collective African philosophy separate and distinct from the Western philosophical tradition. Hountondji contends that ideological manifestations of this view that stress the uniqueness of the African experience are protonationalist reactions against colonialism conducted, paradoxically, in the terms of colonialist discourse. Hountondji argues that a genuine African philosophy must assimilate and transcend the theoretical heritage of Western philosophy and must reflect a rigorous process of independent scientific inquiry. This edition is updated with a new preface in which Hountondji responds to his critics and clarifies misunderstandings about the book's conceptual framework.

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"I think many people would find it a useful resource, both in terms of information on particular philosophers and as a point of inspiration for designing courses that incorporate the work of women philosophers. . . . I expect I will refer individual students to this book as a resource for their own work and I will consult it in designing future courses." —Teaching Philosophy"With intelligence and agility, the writers [present] female thinkers who influenced the famous (male) philosophers of their respective ages. This should become a standard text in both philosophy and women's studies classes and will have great appeal to lay readers as well. Highly recommended." —Library JournalThis study of women philosophers from the Middle Ages to the 20th century covers a wide spectrum of ideas—from religion, to evolution, to political theory. This unique volume brings creative women thinkers into mainstream discussions of the history of philosophy. Contributors examine the work of, among others, Hildegard of Bingen, Vicountess Conway, Sor Juana, Mary Wollstonecraft, Hannah Arendt, Angela Davis, and Hypatia herself.

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This early 20th-century classic chronicles the adventures of an orphaned newspaper boy in his "hand-to-hand scuffle" with life in a midwestern metropolis. Gene Stratton-Porter's faith in the healing power of nature is also apparent, in a lovingly depicted tamarack swamp set near the city.

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Here feminist philosophers and ecofeminist scholars pursue the connections between feminism and environmentalism. Topics include the ecofeminist ethic; the role of patriarchal concepts in perpetuating the domination of women and nature; the grassroots origins and character of a thoughtful ecofeminism; the "ecofeminism-deep ecology debate" in environmental philosophy; deep ecological treatment of animal rights and the omission of ecofeminist analyses of the domination of animals, abortion, and nuclear deterrence; and ways ecofeminism and the science of ecology are or could be engaged in complementary, supportive projects.The contributors are Carol J. Adams, Carol H. Cantrell, Jim Cheney, Chris Cuomo, Deane Curtin, Victoria Davion, Roger J. H. King, Stephanie Lahar, Patricia Jagentowicz Mills, Patrick D. Murphy, Val Plumwood, Catherine Roach, Robert Sessions, Deborah Slicer, and Karen J. Warren.

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Is evil evidence against the existence of God? Even if God and evil are compatible, it remains hotly contested whether evil renders belief in God unreasonable. The Evidential Argument from Evil presents five classic statements on this issue by eminent philosophers and theologians and places them in dialogue with eleven original essays reflecting new thinking by these and other scholars. The volume focuses on two versions of the argument. The first affirms that there is no reason for God to permit either certain specific horrors or the variety and profusion of undeserved suffering. The second asserts that pleasure and pain, given their biological role, are better explained by hypotheses other than theism.Contributors include William P. Alston, Paul Draper, Richard M. Gale, Daniel Howard-Snyder, Alvin Plantinga, William L. Rowe, Bruce Russell, Eleonore Stump, Richard G. Swinburne, Peter van Inwagen, and Stephen John Wykstra.

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With round-the-clock drugs, games, and eros parlors to entertain them and virtual weather to sustain them, humans live inside a global network of domed cities known collectively as "the Enclosure." Having poisoned the biosphere, we've had to close ourselves off from the Earth. The cities of the Enclosure are scattered around the globe on the land and sea, and are connected by a web of travel tubes, so no one needs to risk exposure. Health Patrollers police the boundaries of the Enclosure to keep the mutants and pollution out. Phoenix Marshall decodes satellite images for a living. He has spent all 30 years of his life in Oregon City, afloat on the Pacific Ocean. He busies himself with work and various forms of recreation to keep boredom at bay. One morning he opens his door to find Teeg Passio. Teeg is the same age as Phoenix, but she's different; she's menacingly and enticingly wild. She grew up on the outside. Her mother oversaw the recycling of the old cities, and her father helped design the Enclosure. Teeg works maintenance, which allows her to travel outside the walls. When she introduces Phoenix to her crew, he is drawn into a high-tech conspiracy that may threaten everything he understands. Are humans really better off within the Enclosure? Is the Earth? Are Health Patrollers keeping us safe or just keeping us in? Teeg seduces Phoenix out of his orderly life, enlisting him in a secret, political and sexual rebellion. Teeg and her co-conspirators, part mystics, part tech-wizards, dream of a life embedded in nature. Then one day, during a closely monitored repair mission on the outside, a typhoon offers the rebels a chance to escape the Enclosure and test their utopian dreams in the wilds.

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". . . the papers in Deviant Bodies reveal an ongoing Western preoccupation with the sources of identity and human character." —Times Literary Supplement"Highly recommended for cultural studies . . . " —The Reader's Review"It would be useful for upper-level undergraduate and graduate courses in the sociology of the body, the history and sociology of science and medicine, and women's studies courses, particularly those exploring the feminist critiques of science and medicine." —Contemporary Sociology". . . a powerful deconstruction of the scientific gaze in configuring bodily deviance as a means of legitimating the social order within multiple historical and social contexts. . . . the many excellent selections will make for compelling reading for students of medical anthropology and the history of science." American AnthropologistDeviant Bodies reveals that the "normal," "healthy" body is a fiction of science. Modern life sciences, medicine, and the popular perceptions they create have not merely observed and reported, they have constructed bodies: the homosexual body, the HIV-infected body, the infertile body, the deaf body, the colonized body, and the criminal body.

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" . . . will draw a wide readership from the ranks of literary critics, film scholars, science studies scholars and the growing legion of 'literature and science' researchers. It should be among the essentials in a posthumanist toolbox." —Richard DoyleAutomatic teller machines, castrati, lesbians, The Terminator: all participate in the profound technological, representation, sexual, and theoretical changes in which bodies are implicated. Posthuman Bodies addresses new interfaces between humans and technology that are radically altering the experience of our own and others' bodies.

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"This collection of articles touches upon some important issues in humanistic anthropology. . . . Folklorists, students of comparative literature, and anthropologists can all find something of interest in these essays." —American Anthropologist"Superbly edited, impeccably researched, and discriminatingly tied together as a coherent gathering of insight, the volume is a welcome addition to a significant field of study that is only now beginning to appreciate the finer achievements of the South Pacific's unique contribution." —Rongorongo Studies" . . . the defining collection on contemporary verbal arts in Oceania. . . . of real value to scholars concerned with the relationships between verbal art, social change, gender, power, [and] social organization." —Don Brenneis". . . it will be welcome to historians of the South Pacific and useful to others grappling with problems of oral tradition." —Journal of Interdisciplinary History"The volume abundantly illustrates the continuing vitality of oral traditions in the South Pacific, as well as the continuing wealth these traditions provide for researchers." —Pacific Affairs

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"The Changing Same" examines defining moments in African American women's fiction and its reception: the "Women's Era" of the 1890s, the Harlem Renaissance, and the "New Black Renaissance" of the 1970s and 1980s. Deborah McDowell maps this history in readings of Emma Dunham Kelley, Frances E. W. Harper, Jessie Fauset, Nella Larsen, Alice Walker, Toni Morrison, and Sherley Anne Williams. She examines representations of slavery, sexuality, and homoeroticism; the reception of African American women's fiction in the 1980s; and African American feminist writing in the "Age of Theory."

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Dorothy Arzner was the exception in Hollywood film history—the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career—her work as a film editor to her directorial debut, to her departure from Hollywood in 1943—is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the heterosexual couple in Christopher Strong and Craig's Wife. Part Three treats Arzner's lesbianism and the role that desire between women played in her career, her life, and her films.

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"An important contribution to a debate that will continue for some time." —Health and Canadian Society"Insightful and thought-provoking. . . . As Caplan has demonstrated so clearly . . . we would all be better off if the ethicists spoke first and not last." —The Washington Post"Caplan's views are important and instructive. . . . [This] book represents some of his best work." —New England Journal of Medicine"Caplan's [book] is thought provoking, insightful, and well argued. I recommend it highly." —The Journal of the American Medical Association" . . . a generously illustrated discourse on method in medical and practical ethics." —EthicsA member of the President's Task Force on National Health Care Reform examines some of the most controversial biomedical issues of our time.

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"The essays are provocative and enhance knowledge of Third World women's issues. Highly recommended . . . " —Choice" . . . the book challenges assumptions and pushes historic and geographical boundaries that must be altered if women of all colors are to win the struggles thrust upon us by the 'new world order' of the 1990s." —New Directions for Women"This surely is a book for anyone trying to comprehend the ways sexism fuels racism in a post-colonial, post-Cold War world that remains dangerous for most women." —Cynthia H. Enloe" . . . provocative analyses of the simultaneous oppressions of race, class, gender and sexuality . . . a powerful collection." —Gloria Anzaldúa" . . . propels third world feminist perspectives from the periphery to the cutting edge of feminist theory in the 1990s." —Aihwa Ong" . . . a carefully presented wealth of much-needed information." —Audre Lorde" . . . it is a significant book." —The Bloomsbury Review" . . . excellent . . . The nondoctrinaire approach to the Third World and to feminism in general is refreshing and compelling." —World Literature Today". . . an excellent collection of essays examining 'Third World' feminism." —The Year's Work in Critical and Cultural TheoryThese essays document the debates, conflicts, and contradictions among those engaged in developing third world feminist theory and politics. Contributors: Evelyne Accad, M. Jacqui Alexander, Carmen Barroso, Cristina Bruschini, Rey Chow, Juanita Diaz-Cotto, Angela Gilliam, Faye V. Harrison, Cheryl Johnson-Odim, Chandra Talpade Mohanty, Ann Russo, Barbara Smith, Nayereh Tohidi, Lourdes Torres, Cheryl L. West, & Nellie Wong.

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" . . . an excellent, comprehensive account of the Ethiopian revolution . . . essential for anyone who wishes to understand revolutionary Ethiopia." —Perspective"This masterly history deals with the Emperor and the Dergue . . . on their own terms. . . . [Keller] buttresses his analysis with careful and useful detail." —Foreign Affairs"Keller's analytic grasp of the complex features of Ethiopian history and society from a wide range of sources is remarkable." —African Affairs

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" . . . carefully researched and clearly written . . . Goodwin makes a major step in redefining the enterprise of studying language use in context and across contexts." —American Ethnologist"I recommend the book highly." —John Haviland, American Anthropologist"Goodwin's thoughtful interpretation of these examples [of children's conversation] is replete with wise insights, challenging critical darts, and well-referenced links to a wide literature." —Child Development Abstracts & Bibliography"Intellectual breadth shines through this book." —Barrie Thorne "By combining Goffman's approach to ethnography with in-depth conversational analysis, Goodwin provides important and novel insights into the interactive processes through which culture is created and maintained. The results should be of interest to any social scientist." —John J. Gumperz " . . . required reading for linguists, anthropologists, sociologists, and educators." —Language and Acquisition"This book is clearly a significant addition to the study of the range and power of children's voices at play . . . " —Harvard Educational Review"He-Said-She-Said provides fascinating insight into the importance of social context in the organization of gender." —Signs"A rare and wonderful combination of ethnography and conversational analysis. Goodwin gives both a sensitive account of African American adolescent street talk and a careful approach to the study of language in use." —Ray McDermott "Marjorie Harness Goodwin's study of children's talk provides the best and most comprehensive analysis of gender differences in interaction, situated in the broader context of children's social organization. She didn't set up experiments; she didn't just take field notes. She hung around with the children in her neighborhood until they trusted her, then tape-recorded their natural conversations as they played together. This is Goodwin's long-awaited compilation of years of painstaking analysis of the transcripts of those tapes. It is not only one of the best sources, if not the best source, for anyone interested in how boys and girls use language in their daily lives—indeed, to constitute their daily lives; it is also a model ethnographic study of language in its natural setting." —Deborah Tannen, author of You Just Don't Understand: Women and Men in ConversationThis groundbreaking study describes in detail the complexities of children's communication. By integrating the analysis of conversation with ethnography, Marjorie Harness Goodwin systematically and empirically reveals how a group of urban black children constitute their social world through talk.

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" . . . fluently written and often humorous . . . " —Notes" . . . should be required reading for performers and teachers." —The Eighteenth CenturyKonrad Wolff characterizes in detail the personal musical language of several great masters of the piano, pursuing different lines of investigation to discover each composer's essential traits. He brings the accumulated wisdom of his long career as a pianist and teacher to this delineation of compositional styles. Both intellect and musicality contribute to his cogent observations, and his literary style is as eloquent as the music he describes.

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"The book is clearly written for the general reader and includes many descriptions of trance experiences. It may serve as a good introduction to the nature and appeal of the shamanic revival in modern Western cultures." —Theological Book Review" . . . a case study in experiential anthropology that offers a unique mix of autobiography, mythology, experiential research, and archaeological data to support a challenging thesis—that certain body postures may help induce specific trance states." —Shaman's Drum"This is a spellbinding and exceptionally readable book by an extraordinary woman." —Yoga Journal"And suddenly the understanding of my own vision washed over me like a mighty wave . . . For life or for death, I was committed to that mighty realm of which I was shown a brief reminder, the world where all was forever motion and emergence, that realm where the spirits ride the wind." —from the PrologueGoodman reexamines our notions of the nature of reality by studying the ritual postures of native art assumed by her subjects during trance states. For readers desiring to discover this world of ancient myths, she has included a practical guide on how to achieve such ecstatic experiences.

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"This is a groundbreaking contribution to the literature of sexual assault and family violence." —Susan Brownmiller"[Russell] has done a superb study which yields comprehensive and undeniable findings about a subject no one had even whispered about before . . . a classic work." —Phyllis CheslerOne out of seven American women who have ever been married has been raped by a husband or ex-husband. Written by the principal investigator for the National Institute of Mental Health study that discovered this shocking statistic, this book is a monumental, eye-opening work that dispels misinformation and illusions about a previously ignored aspect of family violence.

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" . . . sparkles with wit, intelligence and bold characterization." —Women's Review of Books" . . . a ripping yarn . . . admirable translation . . . sensitive introductory essay." —Times Literary Supplement" . . . a remarkable journal worthy of the attention of a wide audience." —Doris Grumbach, National Public RadioIn male guise, Nadezhda Durova served ten years in the Russian cavalry. The Cavalry Maiden is a lively narrative which appeals in our own time as a unique and gripping contribution to the literature of female experience.

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"Students reading Scott have come away with a real appreciation of the hardships under which these workers built Magnitogorsk and of the nearly incredible enthusiasm with which many of them worked." —Ronald Grigor Suny"A genuine grassroots account of Soviet life—a type of book of which there have been far too few." —William Henry Chamberlin, New York Times, 1943" . . . a rich portrait of daily life under Stalin." —New York Times Book ReviewGeneral readers, students, and specialists alike will find much of relevance for understanding today's Soviet Union in this new edition of John Scott's vivid exploration of daily life in the formative days of Stalinism.

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" . . . an excellent collection . . . " —Journal of Language & Social PsychologyAn important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.

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The best of contemporary Israeli poetry is presented here in exciting new English translations. Poets included in the anthology are Amir Gilboa, Abba Kovner, Haim Gouri, Yehuda Amichai, Dan Pagis, Natan Zach, David Avidan, Dahlia Ravikovitch, Ory Bernstein, Meir Wieseltier, and Yona Wallach.

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"...not merely interesting and novel, but also exceedingly provocative and heuristically fertile." -The Review of Metaphysics "...essential reading for anyone interesting in...the new reader-centered forms of criticism." -Library Journal In this erudite and imaginative book, Umberto Eco sets forth a dialectic between 'open' and 'closed' texts.

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" . . . this book makes a significant contribution to what we know about illicit enterprise and corruption." —Social Forces" . . . reads with the ease of an action-filled, best-selling novel . . . worthy and refreshing . . . " —Journal of Criminal Justice

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" . . . cuts squarely across the accepted tradition . . . Fuller examines these two great soldiers from a fresh viewpoint and refuses to let himself be bound by tradition." —New York Times Book Review" . . . readable, instructive, stimulating, and . . . controversial as when first published." —Military ReviewFirst published fifty years ago, Fuller's study of Ulysses S. Grant and Robert E. Lee remains one of his most brilliant and durable works, Grant and Lee is a compelling study not only of the two men, but also of the nature of leadership and command in wartime.

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" . . . [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' —The Classical Review

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Addressed to educators and general readers—the "consumers of literature" from all walks of life—this important new book explores the value and uses of literature in our time. Dr. Frye offers, in addition, challenging and stimulating ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and kaleidoscopic experience found in the study of literature. Dr. Frye's proposals for the teaching of literature include an early emphasis on poetry, the "central and original literary form," intensive study of the Bible, as literature, and the Greek and Latin classics, as these embody all the great enduring themes of western man, and study of the great literary forms: tragedy and comedy, romance and irony.

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According to an old saying, "We make a living by what we get, but we make a life by what we give." In 22 brief and insightful essays, Richard B. Gunderman shows us that the key to more rewarding giving can be found by looking beyond mere donations of money. Exploring the ethical core of sharing and examining its importance for both those who receive and those who give, here is a book to deepen our understanding of what it means to share.

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In the heart of North America, the Missouri, Ohio, and Mississippi rivers come together, uniting waters from west, north, and east on a journey to the south. This is the region that Stephen Aron calls the American Confluence. Aron's innovative book examines the history of that region—a home to the Osage, a colony exploited by the French, a new frontier explored by Lewis and Clark—and focuses on the region's transition from a place of overlapping borderlands to one of oppositional border states. American Confluence is a lively account that will delight both the amateur and professional historian.

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Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century. In 1904, Halford Mackinder delivered a seminal lecture entitled The Geographical Pivot of History to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the heartland of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved pre

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"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." —Semiotica" . . . Heath is an antidote to the Cinema 101 worldview." —Voice Literary SupplementHeath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.

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