Search results for ""author roy"

The Armistice of November 1918 ended four years of slaughter that left armies exhausted and populations weary of war - but the fighting was not over. In Russia, civil war and revolution had divided the nation and the Allies sought to intervene on behalf of the White' Russians against the Bolsheviks and this conflict continued long after the war had finished elsewhere in Europe. A vital source of information from inside the Bolshevik-held territory came from British secret agents in Petrograd, the main one being Paul Dukes. Known as the Man of a Hundred Faces', Dukes had managed to infiltrate both the Communist Party and the political police. The problem which faced the head of the British Secret Intelligence Service, Maurice Smith-Cummings, was getting Dukes' information back to London. Carrying information overland was proving far too problematical, so Smith-Cummings hit upon the idea of using one of the Royal Navy's new fast Coastal Motor Boat which was revealed just before the end of the war. He recruited Lieutenant Augustus Agar and through him he found five men, all unmarried, who could handle the two CMBs. Using an inlet on the Finnish coast as a base, Agar slipped past a series of forts, submerged breakwaters and the Russian Baltic Fleet to reach Petrograd and made contact with Dukes. A frequent courier service was soon established, with Agar carrying couriers in and out of Petrograd under the very noses of the Russians. So confident did Agar become, he even torpedoed the Russian cruiser Oleg. He followed this with support from Admiral Sir Walter Cowan in an all-out raid upon the Russian ships with eight larger CMBs and a bombing raid by the RAF. The raid resulted in the sinking of two battleships and the submarine depot ship Pamiet Azova. Agar was quietly given the Victoria Cross but told not to publish his memoirs until 1963. As for Paul Dukes, his cover was eventually blown, and he had to escape via Latvia in a number of hair-raising escapades. In 1920 he was knighted by King George V, who called Dukes the greatest of all soldiers'. To this day, Dukes is the only person knighted based entirely on his exploits in espionage. This is their remarkable story.

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As the nearest RAF station to Occupied Europe, the airfield at Hawkinge in Kent found itself quite literally on the frontline during the Second World War. However, Hawkinge's association with British military aviation began more than two decades earlier, during the First World War. Already a pre-war airfield, it was in 1915 that the land was requisitioned for use by the Royal Fling Corps. The first personnel arrived a few months later to serve at was initially named Folkestone Field. Mainly used as a base for transporting aircraft across to France and the Western Front, a name change to Hawkinge Aeroplane Dispatch Station soon followed, at which point its remit also included the transportation of supplies to troops in France and Belgium. It was following the re-organisation of the RAF in 1923 that Hawkinge underwent the next stage in its development. New hangars and operations buildings were erected, with water and communications systems installed. The airfield's role changed to that of training for both RAF and the Army; 25 Squadron was the first full squadron to be based at Hawkinge. In the first months of the Second World War, airfield was re-designated as a Fighter Station in No.11 Group, following which the first Hurricanes from 3 Squadron arrived on 19 December 1939. Throughout the Battle of France and into the Dunkirk evacuation Hawkinge played a vital role providing around the clock air-cover for Allied forces. But it was in the summer of 1940 that Hawkinge endured its finest hour'. The first Luftwaffe attack on Hawkinge occurred on 12 August. Despite widespread damage, the grass runways were quickly repaired, ensuring that the Spitfires and Hurricanes which used it as a forward base were soon operating again. Despite the Luftwaffe's best efforts, Hawkinge remained operational throughout the war. As the RAF went on the offensive in 1941, Hawkinge had a vital part to play in maintaining these missions against Goering's forces - both as a location to refuel on the way out, or a place of refuge on the return, both for fighters and bombers alike, including those of the USAAF following America's entry into the war. Following the war, the fighter base was officially closed on 3 September 1945. In 1964 the Ministry of Defence sold the land, although for a short while in 1968, memories of the war were invoked with the airfield's use in the making of the classic film Battle of Britain. Only a small corner of the original site has survived and is today home to the renowned Kent Battle of Britain Museum.

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In this new telling of Mexico's Second Empire and Louis Napoleon's installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life. From 1861 to 1866, the French incorporated the armies of Austria, Belgium--including forces from Crimea to Egypt--to fight and subdue the regime of Mexico's Benito Juarez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico. In a bid to oust Juarez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota's reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III's failure to save Maximilian disgusted Europeans and sealed his own fate. Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple's tragic reign.

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Master the game of Mahjong with this must-have game strategy guide for Mahjong beginners and enthusiasts.Originally played with cards, and then piece carved from ivory or bamboo, the Chinese game of Mahjong or "Mah Jongg" is well over a thousand years old. Said to have originated in the court of the Emperor of Wu, for centuries Mahjong remained a diversion exclusively for the royal class of China. Mahjong has been called "the game of a hundred intelligences." When played by experts it can be fast and subtle—even difficult to follow. Mah Jong Handbook is the all-comprehensive Mahjong guide, offering a clear and concise introduction to the classic Chinese, Western, and Japanese rules of the game and outlining its many variants. A great way to learn Mahjong—it presents the complex rules in a clear format, introducing those unfamiliar with the game to its rules and techniques. It will also allow more experienced players to expand their understanding of winning strategy quickly.Part One covers the rules of the game. Part Two provides alternatives, variations, and additions to the game. Part Three explores the fundamentals of successful strategy. With illustrations of sample hands, scoring charts, and a glossary of terms, Mah Jong Handbook is an invaluable resource—a complete guidebook to the ancient but always fascinating game of Mahjong.This Mahjong guidebook includes: 192 page, full-color book Play basics like scoring, wall-building and rules Essential tools to improve and enhance game-play skills Winning strategies to be on the offensive and play defense Tips to master the game through actual examples and scenarios Mah Jong Handbook is the book that readers will need to become a knowledgeable, confident and winning Mahjong player.

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While many books have been written about Bertrand Russell's philosophy and some on his logic, I. Grattan-Guinness has written the first comprehensive history of the mathematical background, content, and impact of the mathematical logic and philosophy of mathematics that Russell developed with A. N. Whitehead in their Principia mathematica (1910-1913). This definitive history of a critical period in mathematics includes detailed accounts of the two principal influences upon Russell around 1900: the set theory of Cantor and the mathematical logic of Peano and his followers. Substantial surveys are provided of many related topics and figures of the late nineteenth century: the foundations of mathematical analysis under Weierstrass; the creation of algebraic logic by De Morgan, Boole, Peirce, Schroder, and Jevons; the contributions of Dedekind and Frege; the phenomenology of Husserl; and the proof theory of Hilbert. The many-sided story of the reception is recorded up to 1940, including the rise of logic in Poland and the impact on Vienna Circle philosophers Carnap and Godel. A strong American theme runs though the story, beginning with the mathematician E. H. Moore and the philosopher Josiah Royce, and stretching through the emergence of Church and Quine, and the 1930s immigration of Carnap and GodeI. Grattan-Guinness draws on around fifty manuscript collections, including the Russell Archives, as well as many original reviews. The bibliography comprises around 1,900 items, bringing to light a wealth of primary materials. Written for mathematicians, logicians, historians, and philosophers--especially those interested in the historical interaction between these disciplines--this authoritative account tells an important story from its most neglected point of view. Whitehead and Russell hoped to show that (much of) mathematics was expressible within their logic; they failed in various ways, but no definitive alternative position emerged then or since.

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The story of how humans and all living things came into existence is told in two widely believed versions: the Book of Genesis and Darwin's Origin of Species. It was the philosopher Karl Popper who presented us with a third story, no less important. His New Interpretation of Darwinism denies the creative power of blind chance and natural selection and establishes knowledge and activity of all living beings as the real driving forces of evolution. Thus, spiritual elements are back in the theory of evolution, and in Popper's view "the entire evolution is an adventure of the mind."In this book, Hans-Joachim Niemann establishes Karl Popper as an eminent philosopher of biology. In the first chapter, biographical details are unearthed concerning how Popper's biological interests were inspired by a biological meeting in the old windmill at Hunstanton in 1936. The second chapter focusses on the year 1986 when Popper, in several lectures, summarized the results of his life-long biological thinking. The most important of these, the Medawar Lecture given at the Royal Society London, was lost for a long time and is now printed in the Appendix. A new world view begins to emerge that is completely different from Creationism or Darwinism.Twenty years after Popper's death, the last chapter looks back on his biological thoughts in the light of new results of molecular biology. His attack at that time on long-lasting dogmas of evolutionary theory turned out to be largely justified. The new biology seems even well suited to support Popper's endeavour to overcome the gloomy aspects of Darwinism that have made organisms passive parts of a machinery of deadly competition. Neither blind chance nor natural selection are the creative forces of all life, but rather knowledge and activity. How they came into existence is still a secret and a worthwhile research programme.

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In 1983, Ursula Schulz-Dornburg accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to “explore the changing patterns in architecture and symbolism among the Sa‘dan Toraja”. On the way back from Rantepao to Ujung Pandang airport, Schulz-Dornburg passed the distinctive houses of the Bugis or To-Ugiq people, perched on the yellow paddy fields. Fascinated by their complex, expressive architectures, she began to photograph the houses in the short time she had before leaving, realising that the structures would likely not exist in their traditional form for much longer. The result is a body of work that not only surveys the houses’ physical forms but also considers wide-ranging ideas of physical and emotional homebuilding and the precarious place of tradition in the present day. Poised between heaven and earth and standing above the water when the rice fields are flooded, the Bugis houses reflect the creation myth of their people, in which the gods of the upper and lower worlds came together to create man to populate the uninhabited middle world. The farmers depicted by Schulz-Dornburg are likewise suspended between historic tradition and the impending pressures of the contemporary world. As they go about their work or greet her camera, they and their homes are held in the balance between past and future, mythology and everyday reality. With these shrewd and sensitive images, Schulz-Dornburg captures life as it is built and lived within a particular culture and landscape, offering a searching reflection on the places we call home. With a text by Sirtjo Koolhof.

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Paul R Goddard, a retired consultant radiologist, has taken a Swift-like move and penned a slim satirical cartoon book. A former President of various medical societies including the Radiology Section of the Royal Society of Medicine, the Bristol Medico Chirurgical Society and the MRRA (UK), Professor Goddard is no stranger to controversy. His witty cartoons will cause much merriment amongst the workers in the National Elf Service, apart, perhaps, from some of the less discerning management and political acolytes (the more discerning will undoubtedly also enjoy the book!). There is an Elf Service in Cloud Cuckoo Land, a place that is sometimes known as Faerie and Elfdom. It is strange how the National Elf Service seems to mirror our own wonderful NHS but is peculiarly different.....in our system the patients are not cranked in on a giant conveyor belt such that a new patient arrives even as the last is leaving the surgery....and there is no huge physical gulf between the managers and the clinical staff as management try to pull the doctors over the cliff edge onto the rocks of despair! (Are you sure? ed.) In Faerie (Cloud Cuckoo Land?) the Right Horrible Jellybean Shunt is in charge...so different from our own world but eerily similar. He seems to think that the junior dwarves (doctors?) can work ten days a week. To find out what happens you will have to either purchase the book or steal one from some unsuspecting NHS worker who has placed his copy within easy reach. This book will make a great present for anyone who works in the health services... perhaps as a birthday or Christmas gift for a real worker or as a retirement present for a higher management acolyte?

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'...In this year celebrating the centenary of the conquering of the South Pole - it is more than fitting to have one of the unregarded figures of Antarctic history brought into the limelight of remembrance'. Extract from Introduction by Dr. Ross D.E. MacPhee, American Museum of Natural History As senior surgeon on board Discovery, Dr. Reginald Koettlitz played a vital role in the heroic period of polar exploration when Nansen, Amundsen, Shackleton and Scott dominated the headlines. He was awarded a medal by the Royal Geographical Society for his role in the Discovery Expedition, 1901-04. During the earlier successful three-year Jackson-Harmsworth Expedition to Franz Josef Land, Koettlitz fine-tuned his measures to prevent scurvy, became an experienced ski runner, dog and pony handler and expert in polar survival. These skills were available when Koettlitz was appointed senior surgeon on the Discovery Expedition led by Scott, but due to personal reasons and the inability to acknowledge Koettlitz's polar experience, both Scott's expeditions were beset by major life-threatening issues that Koettlitz had faced and resolved on Franz Josef Land. On the ill-fated Terra Nova Expedition Scott and his four companions died on their failed attempt to be the first to reach the South Pole. In addition, Koettlitz travelled across north-east Africa from Berbera to Cairo on foot, mule and camel, crossing the Blue Nile to Khartoum shortly after the Battle of Omdurman. Before leaving for South Africa he assisted Shackleton in planning the Nimrod Expedition which almost resulted in the South Pole being reached. This well-researched account is enriched with previously unseen archive material such as correspondence with Nansen and photographs relating to polar history during the period 1890-1916.

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"Richard, Duke of Aquitaine, son of the King of England, remained with Philip, the King of France, who so honored him for so long that they ate every day at the same table and from the same dish, and at night their beds did not separate them. And the King of France loved him as his own soul; and they loved each other so much that the King of England was absolutely astonished at the vehement love between them and marveled at what it could mean." Public avowals of love between men were common from antiquity through the Middle Ages. What do these expressions leave to interpretation? An extraordinary amount, as Stephen Jaeger demonstrates. Unlike current efforts to read medieval culture through modern mores, Stephen Jaeger contends that love and sex in the Middle Ages relate to each other very differently than in the postmedieval period. Love was not only a mode of feeling and desiring, or an exclusively private sentiment, but a way of behaving and a social ideal. It was a form of aristocratic self-representation, its social function to show forth virtue in lovers, to raise their inner worth, to increase their honor and enhance their reputation. To judge from the number of royal love relationships documented, it seems normal, rather than exceptional, that a king loved his favorites, and the courtiers and advisors, clerical and lay, loved their superiors and each other. Jaeger makes an elaborate, accessible, and certain to be controversial, case for the centrality of friendship and love as aristocratic lay, clerical, and monastic ideals. Ennobling Love is a magisterial work, a book that charts the social constructions of passion and sexuality in our own times, no less than in the Middle Ages.

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A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canonPainting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities.Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.

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**Explore the fascinating history of the real Downton Abbey as the Crawley family saga makes its way on to the big screen with Downton Abbey, the major motion picture**'Bright, breezy and unpretentious' Guardian'A loving and faithful portrait of Almina and her world' Countryfile magazine* * * * * *The story of the real Downton Abbey, told by Lady Fiona Carnarvon, chatelaine of Highclere Castle where the phenomentally successful TV series was filmed.Lady Fiona Carnarvon became the chatelaine of Highclere Castle - the setting of the hit series Downton Abbey - eight years ago. In that time she's become fascinated by the rich history of Highclere, and by the extraordinary people who lived there over the centuries. One person particularly captured Fiona's imagination - Lady Almina, the 5th Countess of Carnarvon. Almina was the illegitimate daughter of banking tycoon Alfred de Rothschild. She was his only daughter and he doted on her. She married the 5th Earl of Carnarvon, at 19, with an enormous dowry. At first, life at Highclere was a dizzying mix of sumptuous banquets for 500 and even the occasional royal visitor. Almina oversaw 80 members of staff - many of whom came from families who had worked at Highclere for generations. But when the First World War broke out, life at Highclere changed forever. History intervened and Almina and the staff of Highclere were thrown into one of the most turbulent times of the last century. Almina was forced to draw on her deepest reserves of courage in order to ensure her family, the staff and the castle survived. This is the remarkable story of a lost time. But Highclere remains and in this book, Fiona weaves Almina's journey and those of her family into the heritage and history of one of England's most exquisite Victorian castles.

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On 2 April 1982, Argentina invaded the Falkland Islands. The British Prime Minister, Margaret Thatcher, was determined that Argentina’s seizure of British sovereign territory would not stand. A Task Force, led by the Royal Navy, was ordered to the South Atlantic to recover the Falklands. The campaign that followed became a remarkable chapter in British military history. This book gives a ‘warts and all’ description of Giles Orpen-Smellie’s experience, as a battalion intelligence officer, of how battlefield or tactical intelligence, relevant at battalion level during the battles ashore, was collected and assessed to develop a picture of the Argentine defenders. He explains what information was known at the time, the gaps in that information and how the information that was available influenced decisions. He goes on to compare what he believed he knew in 1982 with what he now believes to have been a rather different reality. The South Atlantic was the last place on earth that Britain had expected to mount a military operation. Consequently, almost no peacetime contingency planning had been done. The campaign that followed, widely regarded as an efficient and spectacular British success, was actually a much closer-run thing than had been realised when Argentine forces on the Falklands surrendered on 14 June 1982. The British victory was won by a bloody-minded determination to ‘muddle through’ and get the job done with boldness and risk-taking overcoming the previous lack of planning and preparation. It was this determination that gave the British their edge. However, the harsh school of conflict exposed some gaps in British military training and capabilities. Tactical intelligence was one of those gaps and this book describes how tactical intelligence almost became an Achilles heel in what was otherwise an impressive British military operation.

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Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her – from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits.In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen’s many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. ‘While all of these portraits may not be recognisably activist images’, asserts Watts, ‘they’re rooted in the belief of a micro-politics of everyday lives and relationships.’ Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative.Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters’ own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later.Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers’ Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University.Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist’s limited edition of fifty signed and numbered copies, accompanied by an original print.The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

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Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department. In 1920 he moved to Johannesburg as acting Professor of Music at the then University College. He was soon appointed Professor of Music and stayed at the University of the Witwatersrand for 30 years. Kirby was a conductor, timpanist, flautist, composer, teacher, musicologist, scientist and an artist. As well as researching and writing on African music, he wrote the definitive book on the wreck of the Grosvenor. Kirby was concerned about the demise of traditional cultural practices of African people. Whilst at Wits, he was encouraged by his colleagues, people like Raymond Dart and Louis Maingard, to make a comprehensive study of the musical practices of the indigenous peoples of southern Africa. Between 1923 and 1933, supported by several study grants, he travelled thousands of miles, undertook more than nine special expeditions as well as many shorter excursions in his ancient Model T Ford to places like Pietersburg and Potgietersrus, to the area then known as Sekhukhuneland, Transvaal, and to Swaziland and Botswana. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of the instruments, and this collection is now known as the Kirby Collection and housed at the South African College of Music, University of Cape Town. The book Musical Instruments of the Native Races of South Africa, first published in 1934, was the culmination of these research trips. It has become the standard reference on indigenous South African musical instruments, but has been out of print for many years. This fourth edition, with a revised title, contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music programme at the South African College of Music, and new reproductions of the valuable historic photographs by Paff and others, but leaves Kirby’s original text unchanged.

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A comprehensive overview of preaching culture in eighteenth-century England. This book looks at the role of preaching culture in eighteenth-century England. Beyond the confines of churches, preaching was heard at political anniversaries and elections, thanksgiving and fast days, and society and charity meetings, all of which were major occasions on the English political and social calendars. Dozens of sermons were published each year, and the popularity of sermons, both from the pulpit and in print, make them crucial for understanding the role of religion in eighteenth-century society. To provide a broad perspective on preaching culture, this book focuses on print and manuscript evidence for preaching in London. London had a unique combination of preaching venues and audiences, including St. Paul's cathedral, parliament, the royal court, the corporation of London, London-based societies, and numerous parish churches and Dissenting meetinghouses. The capital had the greatest range of preaching anywhere in England. However, many of the developments in London reflected trends in preaching culture across the country. This was a period when English society experienced significant social, religious and political changes, and preachers' roles evolved in response to these changes. Early in the century, preachers were heavily engaged in partisan politics. However, as these party heats waned, they increasingly became involved with societies and charities that were part of the blossoming English urban culture. The book also explores the impact of sermons on society by looking at contemporary perceptions of preaching, trends in the publication of sermons, the process of the publication and the distribution of sermons, and the reception of sermons. It demonstrates how preachers of various denominations adapted to an increasingly literate and print-centred culture and the continuing vitality of oral preaching culture. The book will be of interest not only to scholars of religion and sermon literature, but also to those interested in eighteenth-century politics, urban society, oral and print cultures, and publishing. JENNIFER FAROOQ is an independent scholar.

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The first study to deal exclusively with the cult and the political theology underpinning it, taking the story up to 1859. The cult of King Charles the Martyr did not spring into life fully formed in January 1649. Its component parts were fashioned during Charles's captivity and were readily available to preachers and eulogists in the weeks and monthsafter the regicide. However, it was the publication of the Eikon Basilike in early February 1649 that established the image of Charles as a suffering, innocent king, walking in the footsteps of his Saviour to his own Calvary at Whitehall. The figure of the martyr and the shared set of images and beliefs surrounding him contributed to the survival of royalism and Anglicanism during the years of exile. With the Restoration the cult was given official status by the annexing of the Office for the 30th January in the Book of Common Prayer in 1662. The political theology underpinning the cult and a particular historiography of the Civil Wars were presented as the only orthodox reading of these events. Yet from the Exclusion Crisis onwards dissonant voices were heard challenging the orthodox interpretation. In these circumstances the cult began to fragment between those who retained the political theology of the 1650s and those who sought to adapt the cult to the changing political and dynastic circumstances of 1688 and 1714. This is the first study to deal exclusively with the cult and takes the story up until1859, the year in which the Office for the 30th January was removed from the Book of Common Prayer. Apart from discussing the origins of the cult in war, revolution and defeat it also reveals the extent to which politicaldebate in the late seventeenth and early eighteenth centuries was conducted in terms of the Civil Wars. It also goes some way to explaining the persistence of conservative assumptions and patterns of thought. ANDREW LACEY is currently Special Collections Librarian, University of Leicester, and College Librarian, Trinity Hall, Cambridge.

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The wager fragment in Blaise Pascal’s Penseés opens with the phrase "infini rien"—"infinite nothing"—which is meant to describe the human condition. Pascal was responding to what was, even in the seventeenth century, becoming a pressing human problem: we seem to be able to know much about the world but less about ourselves.The traditional European view of human beings as creatures made in the image of God and potentially capable of a mystical union with God was increasingly confounded by the difficulty of finding God in nature. Despite his own scientific work, however, Pascal argued that if one does not know whether or not God exists, one should bet that he does: if one is right the rewards are infinitely good and, if one is wrong, what one has lost is, by comparison, utterly trivial.The argument behind this wager is one of the most celebrated—and disputed—in the history of philosophy. It has been seen in terms of the calculus of probabilities, as a piece of religious apologetic, as an event in the religious and psychological life of Pascal himself, and as an event in the life of the Jansenist movement and its various expressions at Port-Royal.In this book, Leslie Armour explores the underlying logic of ideas brought to the surface by the intersection of two philosophical lines of thought. He shows that Pascal had come to philosophy by way of two particular strands of Platonism, one strongly mystical, associated with the founder of the French Oratorian order, Pierre de Bérulle, and the other the Augustinian Platonism associated with Duvergier de Hauranne and Cornelius Jansen. At the same time Pascal was engaged in an internal struggle with skepticism. While he agreed that it is difficult to find God in physical nature, he disagreed with the claim that we know nothing of nature. The problem is that the human being is both infinite and nothing.Thus, Armour locates Pascal’s wager within the confluence of a vital neo-Platonism and an intellectually powerful skepticism. He concludes that even today, "If we must act and cannot know enough, we must bet.

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Arising triumphantly from the ashes of its predecessor, the phoenix has been an enduring symbol of resilience and renewal for thousands of years. But how did this mythical bird become so famous that it has played a part in cultures around the world and throughout human history? How much of its story do we actually know? Here to offer a comprehensive biography and engaging (un)natural history of the phoenix is Joseph Nigg, esteemed expert on otherworldly creatures from dragons to gryphons to sea monsters. Beginning in ancient Egypt and traveling around the globe and through the centuries, Nigg's vast and sweeping narrative takes readers on a brilliant tour of the cross-cultural lore of this famous, yet little-known, immortal bird. Seeking both the similarities and the differences in the phoenix's many myths and representations, Nigg describes its countless permutations over millennia, including legends of the Chinese "phoenix," which was considered one of the sacred creatures that presided over China's destiny; classical Greece and Rome, where it can be found in the writings of Herodotus and Ovid; nascent and medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, the skepticism and speculation they've raised, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo, including for our own University of Chicago. Never beset by hardship or defeated by death, the phoenix is the ultimate icon of hope and rebirth. And in The Phoenix: An Unnatural Biography of a Mythical Beast, it finally has its due a complete chronicle worthy of such a fantastic and phantasmal creature. This entertaining and informative look at the life and transformation of the phoenix will be the authoritative source for anyone fascinated by folklore and mythology, re-igniting our curiosity about one of myth's greatest beasts.

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In this beautifully executed, concertina-fold book, Allen Jones RA explores the human form and how painting on a figure is a vastly different process, and has vastly different results, to painting from a figure. The first half of the book features detail photography of the artist’s sculpture series Waiting on Table. The second half concertinas out to reveal the front and back of one of Jones’s most prominent sculptures, A Muse, which can also be displayed as a wall hanging. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. “Painting on a figure is quite different from painting the figure” is an observation that Jones has grown to embrace, and one that has greatly informed his practice. Like the Romans, Jones has discovered that colour matters. Jones was elected a Royal Academician in 1986. He is one of Britain’s most distinguished artists from the pioneering Pop Movement, whose paintings and sculptures are held in many important international collections, including: Tate Gallery and the Victoria & Albert Museum in London, the Museum of Modern Art in New York, the Hirshhorn Museum and Sculpture Garden in Washington DC, the Museum of 20th-Century Art in Vienna, the Wallraf-Richartz Museum in Cologne, the Moderna Museet in Stockholm and the Stedelijk Museum in Amsterdam.Colour Matters is one of a collection of four artist’s books by Allen Jones that Black Dog Press is releasing in September 2022.

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Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

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The 11th edition of the market-leading atlas for primary school pupils, Philip's RGS Junior School Atlas has been fully revised and updated with all the latest facts and curriculum requirements.- The essential atlas for primary schools with clear and easy-to-follow maps and diagrams - updated for 2021/2022- Published in association with the Royal Geographical Society- Recommended for Key Stage 2 of the National Curriculum - and all 7-11 year olds - An excellent introduction to mapping concepts such as scale, direction, symbols, longitude and latitude- 22-page Britain and Ireland section with clear thematic charts, diagrams and large-scale regional maps- 22-page section on The World, with political maps - and thematic treatment of key themes, from volcanoes and earthquakes to transport and tourism- Continents section with physical and political maps- Easy-to-follow map references and 1,000-place indexThe market-leading atlas for pupils at primary schools, Philip's RGS Junior School Atlas is a stimulating and authoritative first introduction to the world of maps, and is recommended for Key Stage 2 of the National Curriculum.The introductory section describes the meaning of scale, how to measure distances using the maps, and explains the symbols on the maps.The following section is devoted to the United Kingdom and Ireland. Thematic maps cover topics such as mountains and rivers, climate and weather, population and cities, farming and fishing, industry and energy, transport, tourism and conservation. Regional maps of England and Wales, Scotland and Ireland complete this section.The rest of the atlas is made up of world thematic maps and world continental maps. Included are topics such as the world's climate, vegetation, agriculture, energy sources, and environmental concerns, such as global warming. A simple letter-figure index completes the atlas - a useful introduction to help the young reader find his/her way around the maps. Available in both Hardback and Paperback editions.

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In 1948, Hawker Aircraft, faced with new jet projects that could not use their existing airfield at Langley, began the process of searching for alternative accommodation for their flight-testing requirements. It would, however, take three hard years before Dunsfold Aerodrome would be made available by a reluctant Air Ministry and the company was able to launch its first jet aircraft design - the Sea Hawk - into series production for the Royal Navy, closely followed by the superlative Hunter. Hawker Aircraft would go on to produce nearly 2,000 Hunters before other projects came to the fore. As Hunter production continued in the late 1950s, the company looked to its successor - the Mach 2 capable air superiority fighter designated P.1121, though this would stall before flight in the wake of serious national financial short-falls. With the loss of its premier project, the company came upon a radical new engine proposal and schemed an aircraft around it capable of vertical take-off and landing. While many decried the proposal, claiming it would never amount to anything, the Harrier would go on to prove the nay-sayers wrong as it came into its own during the Falklands War. Following the Harrier, Hawker Siddeley stepped into the competitive trainer aircraft market with the Hawk for the RAF. After completion of the RAF requirement, Hawk was sold into air arms across the world, including the US Navy, an incredible achievement for a UK design. British Aerospace then brought forth the Harrier GR.5, the UK version of the US AV-8B, a completely upgraded and improved Harrier. One might expect that this prolific output was the result of some massive industrial plant in the Midlands rather than an isolated aerodrome tucked in the rural hinterland of south Surrey. Surrounded for most of its existence by secrecy, due to the nature of its work, Dunsfold has largely escaped the notice of the general public. This work shines a light on the remarkable work carried out there.

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'An outstanding page-turner . . . historical fiction at its absolute best' - Alison Weir'An engaging heroine . . . and Borman's depiction of Villiers, with all his ruthless charisma, is striking' - The Sunday Times_____________________________________________Frances Gorges seems destined to be happy at last. King James has apparently lost his appetite for hunting witches, so the medical skills and herbal knowledge that saw Frances accused of witchcraft no longer seem to hang over her like a death sentence. The King would rather be hunting stag and boar - and Frances's beloved husband Thomas is firmly established in the royal household as the Master of Buckhounds. Their family is growing and their estates are secure.But life at court is never without intrigue, jealousy and danger for long, and a new arrival turns the world upside down.George Villiers is a young man with the face of an angel - and as his many enemies are about to discover, the cunning heart of a devil.Soon James is totally in thrall to this charismatic new lover. All the King's former favourites are crushed by Villiers' lies and ruthless scheming. Thomas's life is made a misery and Frances is back under suspicion as Villiers - rapidly made the Earl of Buckingham - moves to secure the hand and fortune of her friend Katherine Manners.Appalled at the courtier's greed and ambition and the King's weakness and lust, Frances finds herself drawn back towards her old friend Sir Walter Raleigh and his last, desperate plot to see a Catholic monarch on the throne. And then her troubles really begin...The Fallen Angel is a standalone novel of thrilling power and emotional drama. It is also the concluding volume in the King's Witch trilogy, establishing Tracy Borman as one of our leading writers of historical fiction.'Unexpected twists and turns with every page . . . masterfully crafted' - Nicola Tallis'Lots of fascinating detail and insight into James's backstabbing court . . . enjoyable' - The Times'Lush, wholly convincing and utterly gripping. Fact and fiction have rarely been blent so seamlessly' - Sarah Gristwood

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This is the life story of one of the most interesting human beings who ever lived. A political genius who remade Europe and united Germany between 1862 and 1890 by the sheer power of his great personality. It takes the reader into close proximity with a human being of almost superhuman abilities. We see him through the eyes of his secretaries, his old friends, his neighbours, his enemies and the press. Otto von Bismarck 'made' Germany but never 'ruled' it. For twenty eight years he acted as a prime minister without a party. He made speeches, brilliant in content but hesitant in delivery, and rarely addressed a public meeting. He planned three wars and after a certain stage in his career always wore military uniform to which he had no claim. The 'Iron Chancellor', the image of Prussian militarism, suffered from hypochondria and hysteria. Contemporaries called him a 'dictator' and several observers credited him with 'demonic' powers'. They were not wrong. The sheer power of his remarkable 'sovereign sel' awed even his enemies. William I observed that it was hard to be emperor under a man like Bismarck. He towered physically and intellectually over his contemporaries. His spoken and written prose sparkled with wit, insight, grand visions and petty malice. He united Germany and transformed Europe like Napoleon before and Hitler after him but with neither their control of the state nor command of great armies. He was and remained a royal servant. This new biography explores the greatness and limits of a huge and ultimately destructive self. It uses the diaries and letters of his contemporaries to explore the most remarkable figure of the nineteenth century, a man who never said a dull thing or wrote a slack sentence. A political genius who combined creative and destructive traits, generosity and pettiness, tolerance and ferocious enmity, courtesy and rudeness - in short, not only the most important nineteenth-century statesman but by far the most entertaining.

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One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.

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'Borman approaches her topic with huge enthusiasm and a keen eye for entertaining...this is a very human story of a remarkable family, full of vignettes that sit long in the mind.' Dan Jones, The Sunday Times'Tracy Borman's eye for detail is impressive; the book is packed with fascinating courtly minutiae... this is a wonderful book.' The Times'Borman is an authoritative and engaging writer, good at prising out those humanising details that make the past alive to us.' The Observer'Fascinating, detailed account of the everyday reality of the royals... This is a book of rich scholarship.' Daily Mail'Tracy Borman's passion for the Tudor period shines forth from the pages of this fascinatingly detailed book, which vividly illuminates what went on behind the scenes at the Tudor court.' Alison Weir'I do not live in a corner. A thousand eyes see all I do.' Elizabeth IThe Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well.

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The 195 mile trail covers a large part of this beautiful, populous and rich county, incidentally one of the smallest counties in England, only 634 square miles. It is a county of rich contrasts. In the north-east there are wide open panoramas over low hills and farm lands as seen in the area around Barkway. Standing on Therfield Heath you can look down on to the flat plains of Cambridgeshire. Then in the south west there are the steep wooded escarpments of the Chilterns. The route visits ancient market towns, the Cathedral City of St Albans and countless picture postcard villages nestling in an intimate landscape of farmland and woods. In 1801 Hertfordshire had a population of about 100,000; now it is well over one million. It has never been a heavily industrialised area but it has seen its own industrial changes from malting and brewing, plaiting of straw for hats, paper making, industries associated with wool such as fulling (cleaning the woven cloth) and silk mills. Today technical industries and service industries dominate the industrial scene. A good introduction to the county, and how it developed from pre-history can be found in "The Hertfordshire Landscape" by Munby (1977) and "Hertfordshire, a Landscape History" by Rowe and Williamson (2013). People have settled the area since prehistoric times. Along the very ancient Icknield Way there is evidence of many waves of people. On Therfield Heath (see Leg 1) there is a long barrow of the Neolithic Age (2500 BC) and round barrows of the Bronze Age (1000 BC). There is evidence of the Beaker People in Hertfordshire. The hill forts of the Iron Age settlers gave way at the height of their power to the might of the Roman invasion. Many Roman roads go through Hertfordshire, e.g. Ermine Street and Watling Street, and our walk crosses the remains of the Roman town of Verulamium (St Albans). In the Dark Ages Hertfordshire was part of the shifting boundary between the English settlers (Angles & Saxons) and the later invaders, the Vikings. It was a long and turbulent time before the country became united. A good novel, which covers this period, is the "Conscience of the King" by Alfred Duggan. In the Medieval period the great abbeys were founded and one can still be seen in St Albans (see Legs 4 & 5). Many fine Medieval churches can be seen on this walk and short detours will be worth your while to seek out some of these (unfortunately due to the presence of valuable historic items most country churches are now locked on weekdays). During the 16th to 18th centuries many country estates were established in Hertfordshire e.g. Hatfield House, Knebworth House and Ashridge House. Some of the houses have not survived but our walk will take you through parkland, which reminds the walker of those estates. Walkers passing through Ayot St Lawrence will be going through such parkland and Ashridge still has its great house. It was first a monastery, then a great house, now a management college. The growth of London and the coming of industry saw some rapid development in the county in the 19th and 20th centuries. An example of this development was the Ovaltine factory at Kings Langley with the model farm to feed its need for eggs and milk. The factory and farms are all now sadly gone (see Legs 7 & 8). No major rivers flow through the county, however it is still famous for the large number of chalk streams and their associated wildlife (the River Lee or Lea, a tributary of the Thames has its source just north of Luton, flows though the county and is navigable up to Hertford). The Grand Union Canal passes through our county on its way north west (see Leg 7). The railways opened up Hertfordshire for industry and settlement and such towns as Hemel Hempstead and Watford grew from several hundred people to 80,000 plus. Many of the great road routes, which fan out from London (such as the A1, A5, A6, A10 and M1) pass through our county. Finally we saw the first garden cities (Letchworth and Welwyn Garden City) and the new town of Stevenage. The great orbital road, the M25, cuts its way through the county (see Legs 7 to 9) not forgetting the electricity pylons, supplying our thirst for power. Many famous people are associated with Hertfordshire. Samuel Pepys was a regular visitor who once when staying in Baldock noticed that the landlady was very pretty but "I durst not take notice of her, her husband being there". Queen Elizabeth I, then a princess, was a virtual prisoner at Hatfield House when the Roman Catholic Queen Mary was on the throne. King James I had a palace at Royston (the start of our walk) from where he hunted on the lands of north Hertfordshire. The so called Rye House Plot to kill King Charles II was hatched on its borders. Izaac Walton of "Compleat Angler" fame knew the River Lea well. The earliest Christian martyr, St Alban, was executed in Roman times at the site of the city bearing his name. Francis Bacon lived at Gorhambury (an estate near St Albans through which our walk passes). He is buried in the church of St Michael nearby. George Bernard Shaw made his home in Ayot St Lawrence; his home is now a National Trust property and is close to our route. George Orwell, Barbara Cartland, Charles Lamb and W. E. Johns lived in the county. In spite of the development, most of your walking will be on rural pathways through fields, villages and woods where you can enjoy the peace and forget the might and noise of industry that remind you of the century we live in -- Good walking

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This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652–1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father’s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldán’s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.

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Edición en español del álbum ilustrado de Dr. Seuss, ganador de la Mención de Honor Caldecott, que trata el tema de hacernos responsables de nuestros propios actos y de ser capaces de decir «¡lo siento!». En este divertido álbum ilustrado, el joven paje Bartolomé Cubbins (protagonista de Los 500 sombreros de Bartolomé Cubbins) le da una lección de buen comportamiento al viejo rey Derwin. Aburrido de la lluvia, el sol, la niebla y la nieve, Derwin ordena a sus magos crear algo «nuevo» que caiga del cielo. ¡Lo que obtiene es un aguacero de una sustancia verde y pegajosa llamada glúpiti, que amenaza con destruir todo su reino! Pero con la ayuda del sabio Bartolomé, el Rey (y los lectores) aprenden que, a veces, las palabras más sencillas pueden resolver los mayores problemas.Las ediciones rimadas y en español de los clásicos de Dr. Seuss publicadas por Random House brindan la maravillosa oportunidad de disfrutar de sus historias a más de treinta y ocho millones de personas hispanohablantes en Estados Unidos. Los lectores podrán divertirse con las ediciones en español de The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez, dos peces, pez rojo, pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!), y Horton Hears a Who! (¡Horton escucha a Quién!). Ideal tanto para leer en casa como en la escuela, estos libros han sido meticulosamente traducidos, respetando la rima, por autores y traductores latinoamericanos, y supervisados por Teresa Mlawer, reconocida y galardonada traductora durante más de cincuenta años. A Spanish edition of Dr. Seuss's Caldecott-Honor winning picture book about taking responsibility and saying you're sorry!In this hilarious picture book featuring unrhymed verse, young page boy Bartholomew Cubbins (star of Dr. Seuss's The 500 Hats of Bartholomew Cubbins) teaches old King Derwin a lesson in good behavior. Bored with rain, sun, fog, and snow, Derwin orders his royal magicians to create something "new" to fall down from the sky. What he gets is a downpour of sticky green goo called Oobleck, which soon threatens to wreck his entire kingdom! But with the assistance of wise Bartholomew, the king (along with young readers) learns that the simplest words can sometimes solve the biggest problems.Random House's rhymed Spanish-language editions of classic Dr. Seuss books make the joyful experience of reading Dr. Seuss books available for the more than 38 million people in the United States who speak Spanish. Readers can enjoy over 30 different classic Dr. Seuss titles including The Cat in the Hat (El Gato Ensombrerado); Green Eggs and Ham (Huevos verdes con jamón); One Fish Two Fish Red Fish Blue Fish (Un pez dos peces pez rojo pez azul); The Lorax (El Lórax); Oh, the Places You'll Go! (¡Oh, cuán lejos llegarás!); How the Grinch Stole Christmas! (¡Cómo el Grinch robó la Navidad!); and Horton Hears a Who! (¡Horton escucha a Quién!). Perfect for home and classroom use, they are meticulously translated in rhyme by native Latin American Spanish speakers overseen by award-winning translator Teresa Mlawer.

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Whether you want to get cultural on Museum Island, explore Berlin's complex history at Checkpoint Charlie, walk in the footsteps of royalty at Schloss Charlottenburg, or sample a tantalizing array of street food from around the globe, your DK Eyewitness travel guide makes it easy to experience all that Berlin has to offer.From the Brandenburg Gate to the TV Tower, Berlin boasts an incredible array of iconic sights, as well as a world-renowned arts scene which has cemented the city's reputation as the European capital of cool. Beyond the centre, Berlin offers beautiful green spaces and idyllic lakes which provide the perfect tonic to the excitement of the city.Our newly-updated guide brings Berlin to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the city's iconic buildings and neighbourhoods. DK Eyewitness Berlin is your ticket to the trip of a lifetime. Inside DK Eyewitness Berlin you will find: - A fully-illustrated top experiences guide: our expert pick of Berlin's must-sees and hidden gems.- Accessible itineraries to make the most out of each and every day.- Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money.- Colour-coded chapters to every part of Berlin, from Unter den Linden and Alexanderplatz to the quiet charms of Prenzlauer Berg and even further afield.- Practical tips: the best places to eat, drink, shop and stay.- Detailed maps and walks to help you navigate the region country easily and confidently.- Covers: Around Unter den Linden, Museumsinsel, Alexanderplatz, North Mitte and Prenzlauer Berg, Friedrichshain, Tiergarten, Kreuzberg, Around Kurfürstendamm, Around Schloss Charlottenburg, Beyond the Centre.Touring the country? Try our DK Eyewitness Germany. Want the best of Berlin in your pocket? Try our DK Eyewitness Top 10 Berlin.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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The volume is the first to cover parts of Middlesex which lay from 1889 until 1965 within the administrative county of London, with histories of the parishes of Islington and Stoke Newington. Before their inclusion in Greater London the parishes embraced the metropolitan boroughs of Islington and Stoke Newington, with a total population of over 250,000. Detached parts of Hornsey parish are included in the account of Stoke Newington. Islington, stretchingnorth from where two routes from the City met at the Angel, was built up early with roadside settlements along Upper Street and High Street, forming Islington town, and farther north at bower and Upper Holloway. Canonbury, Highbury, and Barnsbury, which had been medieval manors, were built up as middle-class suburbs in the 19th century. The south-west corner of the parish, near King's Cross, was given over to industry, working-class housing, and institutions, which included the royal Caledonian asylum, the Metropolitan cattle market, and Holloway and Pentonville prisons. Islington was noted in the 19th century for its evangelical churchmanship and in the 20th for local political issues. Stoke Newington lay on the north-east side of Islington and was a much smaller parish. Settlement grew up along High Street, which was a stretch of Ermine Street forming the eastern boundary with Hackney, and along Church Street, which joined it at right angles. Stoke Newington was favoured by wealthy City men, many of whom from the late 17th century had marked nonconformist leanings. From the 19th century successive waves of immi-grants from Londonand its east end gradually changed the character of the parish, although they did not reach the north-western part until the building of the large Woodberry Down estate after the Second World War. The area today contains littleopen space, apart from Highbury Fields in Islington and Clissold Park and Abney Park Cemetery in Stoke Newington. Most of the housing consists of 19th-century terraces and villas. Large-scale refurbishment from the 1960s has helped to promote conservation but, by leading to the 'gentrification' of parts of Islington, to produce controversy and social divisions.

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Louis IX, king of France from 1226 to 1270 and twice crusader, was canonized in 1297. He was the last king canonized during the medieval period, and was both one of the most important saints and one of the most important kings of the later Middle Ages. In Blessed Louis, the Most Glorious of Kings: Texts Relating to the Cult of Saint Louis of France, M. Cecilia Gaposchkin presents six previously untranslated texts that informed medieval views of St. Louis IX: two little-known but early and important vitae of Saint Louis; two unedited sermons by the Parisian preacher Jacob of Lausanne (d. 1322); and a liturgical office and proper mass in his honor—the most commonly used liturgical texts composed for Louis’ feast day—which were widely copied, read, and disseminated in the Middle Ages. Gaposchkin’s aim is to present to a diverse readership the Louis as he was known and experienced in the Middle Ages: a saint celebrated by the faithful for his virtue and his deeds. She offers for the first time to English readers a typical hagiographical view of Saint Louis, one in counterbalance to that set forth in Jean of Joinville’s Life of Saint Louis. Although Joinville’s Life has dominated our views of Louis, Joinville’s famous account was virtually unknown beyond the French royal court in the Middle Ages and was not printed until the sixteenth century. His portrayal of Louis as an individual and deeply charismatic personality is remarkable, but it is fundamentally unrepresentative of the medieval understanding of Louis. The texts that Gaposchkin translates give immediate access to the reasons why medieval Christians took Louis to be a saint; the texts, and the image of Saint Louis presented in them, she argues, must be understood within the context of the developing history of sanctity and sainthood at the end of the Middle Ages.

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Following the top-ten bestselling success of A Battle Won, Under Enemy Colours and A Ship of War, Sean Thomas Russell's captivating fourth novel Until The Sea Shall Give Up Her Dead is the maritime adventure of 2014. Under the command of Captain Charles Hayden, Royal Navy frigate HMS Themis is sent to counter the threat of the French forces in the West Indies. In the middle of the vast Atlantic, Hayden discovers two Spanish noblemen, castaway in a ship's boat - a stroke of almost impossible good fortune. The Spaniards' explanation for their plight seems so improbable that Hayden's officers suspect them of being criminals or even spies. But they have secrets far more shocking than that - secrets which will haunt Hayden in his new posting. Upon reaching the Barbados station, Hayden finds himself under the command of the vainglorious Sir William Jones, an impetuous and foolhardy officer. Refusing orders will cost Hayden his command. Accepting them might cost him his ship and crew. UNTIL THE SEA SHALL GIVE UP HER DEAD is the brilliant fourth tale in the epic maritime adventures of Charles Hayden. A masterpiece already rivalling the stories of Bernard Cornwell and Patrick O'Brian. Praise for Sean Thomas Russell: 'Russell's encyclopaedic command of nautical lore, joined to his rare ability to spin a ripping yarn, combine to place the reader right in the middle of the action, of which there is plenty' Neal Stephenson 'Well-written, plenty of adventure . . . places the reader in the midst of the action of battle' The Marine Society 'An impressive, sweeping and momentous naval epic' Crew Report Sean Thomas Russell is a lifelong sailor whose passion for the sea - and his love of nautical history - inspired the adventures of Charles Hayden. His latest book follows bestsellers A Battle Won, Under Enemy Colours and A Ship of War. Sean lives on Vancouver Island. www.sthomasrussell.com

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Since the last Ice Age, the only safe route into Canada's interior during the winter started at the Bay of Fundy and followed the main rivers north to the St. Lawrence River through what is now New Brunswick. Aboriginal people used this route as a major highway in all seasons and the great imperial powers followed their lead. The Grand Communications Route, as it was then called, was the only conduit for people, information and goods passing back and forth between the interior settlements and the wider world and became the backbone of empire for both England and France in their centuries of warfare over this territory. It was Joseph Robineau de Villebon, a commandant in Acadie, who first made strategic use of the route in time of war because he understood its importance in the struggle for North America. A strategic link between the Atlantic colonies and Quebec, the French made extensive use of the route to communicate and move troops between the northern settlements and Fort Beauséjour, Louisbourg, and Port-Royal. The British put great effort into maintaining and fortifying the route, building major coastal forts at Saint John to guard its entrance and erecting garrisons and blockhouses all along the way to the St Lawrence, first as a defence against the French and then to ward off the Americans. The route also played a key role in the American Revolution as well as the Aroostook War of 1839 that saw bodies of troops lining each side of the border extending from St. Andrews (NB) and Calais (ME) to Madawaska. In 1842, the Grand Communications Route and the Webster-Ashburton Treaty determined the location of the Canada—US border. It is still in use today: the Trans-Canada Highway and Route 7 follow its path. As well as telling the story of the Grand Communications Route from the earliest human habitation of the area, The Road to Canada describes the historic sites, forts, blockhouses and other historic remains that can still be visited today, including Martello Tower (Saint John), the Fort Hughes blockhouse (Oromocto), the Fort Fairfield blockhouse (Fort Fairfield, ME), Le Fortin du Petit-Sault (Edmundston), the Fort Kent blockhouse (Fort Kent, ME) and Fort Ingall (Cabano, QC). The Road to Canada is volume 5 in the New Brunswick Military Heritage Series.

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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'Powerful, vital and visionary' - Jimmy McGovern SOMETHING unusual happened in Britain during the spring of 2020. As the nation went into lockdown to fight a killer pandemic our view of what constituted a hero changed. Suddenly celebrity businessmen, actors, sports stars, singers, even royals seemed irrelevant. The people we were truly in awe of were the low-paid lifesavers, so much so that we stood outside our homes every Thursday to applaud them. As spring turned to summer and the Black Lives Matter movement gathered momentum, action was taken against those from past generations who had been feted, such as Bristol slave trader Edward Colston whose statue was hauled down. It felt as though the country was re-evaluating the notion of heroism. But how did we arrive at such a skewed version of it? 'Diamonds in the Mud' asks why the British have traditionally been taught to venerate kings and queens, generals and Eton-educated Prime Ministers, while, a few notable exceptions aside, those who changed history from below rarely got a look-in. It does so by telling the stories of a selection of working-class heroes the award-winning writer has met through life and journalism. Men and women who rose from humble backgrounds to change the world. Some in a huge way, others in a smaller way, but all made the people they came from immensely proud. From relentless matriarchs like Doreen Lawrence and the Hillsborough mothers to Omagh bomb victim Donna Marie McGillion whose stoicism told the men of terror they wouldn't win; from football men like Bill Shankly and Bob Paisley who brought their people joy to the Fans Supporting Foodbanks group and Marcus Rashford who fed the poor; from class warriors like Dennis Skinner to glass-ceiling breakers like Barbara Castle; from trade union leader Jack Jones who fought fascists in Spain to Muhammad Ali who inspired a generation of British black people to stand tall; from sacked dockers who opened a social justice hub for all-comers to NHS nurses who lost their lives on the Covid frontline as they battled to save others. The book argues that these are the type of heroes we should be teaching future generations about. That, perhaps, if children in state schools were taught about the achievements of those from the same class as them they would have a fraction of the confidence enjoyed by public school pupils and realise that they too have the capability to change the world. And maybe Britain would become less of a cap-doffing nation that teaches ordinary people the main thing they need to know is their place.

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Insight Guides Explore BarcelonaTravel made easy. Ask local experts.Focused travel guide featuring the very best routes and itineraries, now with free eBook.Discover the best of Barcelona with this unique travel guide, packed full of insider information and stunning images. From making sure you don't miss out on must-see, top attractions like la Rambla, La Ribera and Sagrada Familia, to discovering cultural gems, including the unmissable Museo Picasso, the beautiful Parc de la Ciutadella and wonderful music museum, the Museu de la Musica, the easy-to-follow, ready-made walking routes will save you time, and help you plan and enhance your visit to Barcelona.Features of this travel guide to Barcelona:- 19 walks and tours: detailed itineraries feature all the best places to visit, including where to eat and drink along the way- Local highlights: discover the area's top attractions and unique sights, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Barcelona's rich history and culture, and learn all about its people, art and traditions- Insider recommendations: discover the best hotels, restaurants and nightlife using our comprehensive listings- Practical full-colour map: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- Key tips and essential information: packed full of important travel information, from transport and tipping to etiquette and hours of operation- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: La Rambla; Royal Barri Gotic ; Official Barri Gotic; Sant Pere; La Ribera and El Born; El Raval; The waterfront; Ciutadella; Along the beach; The Eixample; Sagrada Familia and Park Guell; Montjuic; Barca; Pedralbes; Gracia; Tibidabo; Sitges; Wine tour; Dali tourLooking for a comprehensive guide to Spain? Check out Insight Guides Spain for a detailed and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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A compelling, intimate history of the Revolutionary period through a series of charismatic and ambitious families, revealing how the American Revolution was, in many ways, a civil war.“Posterity! You will never know, how much it cost the present Generation, to preserve your Freedom! —John Adams to Abigail Adams, 26 April 1777 All wars are tragic, but the "revolutionary generation" paid an exceptionally personal price. Foreign wars pull men from home to fight and die abroad leaving empty seats at the family table. But the ideological war that forms the foundation of a civil war also severs intimate family relationships and bonds of friendship in addition to the loss of life on the battle fields. In The Times That Try Men's Soul, Joyce Lee Malcolm masterfully traces the origins and experience of that division during the American Revolution—the growing political disagreements, the intransigence of colonial and government officials swelling into a flood of intolerance, intimidation and mob violence. In that tidal wave opportunities for reconciliation were lost. Those loyal to the royal government fled into exile and banishment, or stayed home to support British troops. Patriots risked everything in a fight they seemed destined to lose. Many people simply hoped against hope to get on with ordinary life in extraordinary times. The hidden cost of this war was families and dear friends split along party lines. Samuel Quincy, Josiah Quincy’s only surviving son, sailed to England, abandoning his father, wife, and three children. John Adam’s dearest friend, Jonathan Sewell, fled with his family to England after his home was stormed by a mob. Sewell’s sister-in-law was married to none other than John Hancock. James Otis’s beloved wife Ruth was a wealthy Tory. One daughter would marry a British Army captain and spend the rest of her life abroad while the other wed the son of a major general in the Continental Army. The pain of husbands divided from wives, fathers from children, sisters and brothers from each other and close friends caught on opposite sides in the throes of war has been explored in histories of other American wars, yet Malcolm reveals how this conflict reaches into the heart of our country's foundation. Loyalists who fled to England became strangers in a strange land who did not fit into British society. They were Americans longing for home, wondering whether there would—or could—be reconciliation. The grief of separated loyalties is an important and often ignored part of the revolutionary war story. Those who risked their lives battling the great British empire, and those who left home loyal to the government were all caught in a war without an enemy. In his rough draft of the Declaration of Independence Thomas Jefferson reflected sadly that “we might have been a free and a great people together.” The Times That Try Men's Souls is a poignant and vivid narrative that provides a fresh and timely perspective on a foundational part of our nation's history.

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From the colonial history in the streets of the Rocks neighborhood, to Aboriginal art in the Art Gallery of New South Wales, a visit to the iconic Sydney Opera House, to climbing the Sydney Harbour Bridge—this easy-to-use guide provides all the information you need. Just beyond Sydney, discover landscapes of outstanding beauty, such as the Royal National Park, the Blue Mountains, and the vineyards of the Hunter Valley. Plus there are suggestions for scenic walking and driving tours and for the best shops, markets, bars, and restaurants in Sydney.Discover DK Eyewitness Travel Guide: Sydney. • Hotel and restaurant listings and recommendations. • Detailed itineraries and "don't-miss" destination highlights at a glance. • Illustrated cutaway 3-D drawings of important sights. • Floor plans and guided visitor information for major museums. • Free, color pull-out map (print edition) marked with sights, a selected site and street index, public transit map, practical information on getting around, and a distance chart for measuring walking distances. • Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. • Area maps marked with sights and restaurants. • Detailed city maps include street finder index for easy navigation. • Insights into history and culture to help you understand the stories behind the sights. • Suggested day-trips and itineraries to explore beyond the city. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sydney truly shows you this city as no one else can.Series Overview: For more than two decades, DK Eyewitness Travel Guides have helped travelers experience the world through the history, art, architecture, and culture of their destinations. Expert travel writers and researchers provide independent editorial advice, recommendations, and reviews. With guidebooks to hundreds of places around the globe available in print and digital formats, DK Eyewitness Travel Guides show travelers how they can discover more.

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The town of Maidstone became indelibly associated with revolution and riot between the 14th and 16th centuries when it experienced the Peasants' Revolt, Cade's Rebellion and the Wyatt Revolt. The townsfolk seem to have enjoyed an independant spirit ever since. Following the Battle of Maidstone, fought between Parliamentarians and Royalists in 1648, the Mayor was Clerk to the court which tried Charles I and it was probably he who pronounced the death sentence. Town meetings voiced opposition to the Revolutionary War with France, and urged the King to dismiss Pitt the Younger and his ministers, but the local population was patriotic. When the threat to the country became apparent the people speedily raised a regiment of Volunteers to defend the homeland. Maidstone artisans were prominent in the Swing Riots of 1830. The town was a centre for the fulling process, essential to cloth production, and for a long period enjoyed a virtual monopoly in threadmaking. It also provided local ragstone for the Tower of London and Windsor Castle Chapel and became, in time, a major source of hops and fruit. Brewers such as Fremlins and Style and Winch were situated here, as were producers of Hollands gin and cherry brandy.Papermaking was an industry of local importance. Sharps toffee, Fosters Clarks grocery lines, Tilling-Stevents buses and Rootes, who built the first Singer car in 1912, were among national names that began life in the town. Penenden Heath has been the county meeting place and the spot from which justice was dispensed since before Domesday, so it was appropriate that Maidstone should eventually become the county town for Kent. Nowadays the county administration and public services are centred here and they have largely replaced the former industries, which have all but disappeared. But the town is proud of its long and rich history and this fully illustrated account helps explain precisely why Maidstone has been such an important town in south-east England for over a thousand years.

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Casts new and valuable light on English musical history and on Enlightenment culture more generally. This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens'College, Cambridge.

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Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet's Madrid City Map is your conveniently sized passport to travelling with ease. Get more from your map and your trip with images and information about top city attractions, walking tour routes, transport maps, itinerary suggestions, an extensive street and site index, and practical travel tips and directory. With this easy-to-use, full-colour navigation tool in your back pocket, you can truly get to the heart of Madrid, so begin your journey now!Durable and waterproofEasy-fold format and convenient sizeHandy slipcaseFull colour and easy to useExtensive street and site indexImages and information about top city attractionsHandy transport mapsWalking tour routesPractical travel tips and directoryItinerary suggestionsCovers Plaza Mayor, Royal Madrid, La Latina, Lavapias, Sol, Santa Ana, Huertas, El Retiro, Salamanca, Malasaña, Chueca, Parque del Oeste, Northern MadridLooking for more extensive coverage? Check out Lonely Planet's Madrid, our most comprehensive guidebook to the city, covering the top sights and most authentic offbeat experiences. Or check out Lonely Planet's Pocket Madrid, a handy-sized guide focused on the can't-miss experiences for a quick trip.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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As Marie Antoinette took her last breath as Queen of France in Paris, another formidable monarch-Antoinette's dearly beloved sister, Charlotte-was hundreds of miles away, in Naples, fighting desperately to secure her release from the revolutionaries who would take her life. Little did Charlotte know, however, that her sister's execution would change the course of history-and bring about the end of her own empire."You are the queen. You are the queen that Antoinette wanted to be."Austria 1767: Maria Carolina Charlotte-tenth daughter and one of sixteen children of Empress Maria Theresa of Austria-knows her position as a Habsburg archduchess will inevitably force her to leave her home, her family, and her cherished sister, Antoinette, whose companionship she values over all else. But not yet. The Habsburg family is celebrating a great triumph: Charlotte's older sister, Josepha, has been promised to King Ferdinand IV of Naples and will soon take her place as queen. Before she can journey to her new home, however, tragedy strikes. After visiting the family crypt, Josepha contracts smallpox and dies. Shocked, Charlotte is forced to face an unthinkable new reality: she must now marry Ferdinand in her sister's stead.Bereft and alone, Charlotte finds that her life in Naples is more complicated than she could ever have imagined. Ferdinand is weak and feckless, and a disastrous wedding night plunges her into despair. Her husband's regent, Tanucci, a controlling and power-hungry man, has pushed the country to the brink of ruin. Overwhelmed, she asks her brother Leopold, now the Holy Roman Emperor, to send help-which he does in the form of John Acton, a handsome military man twenty years Charlotte's senior who is tasked with overseeing the Navy. Now, Charlotte must gather the strength to do what her mother did before her: take control of a country.In a time of political uprisings and royal executions and with the increasingly desperate crisis her favorite sister, Queen Marie Antoinette, is facing in France, how is a young monarch to keep hold of everything-and everyone-she loves? Find out in this sweeping, luxurious tale of family, court intrigue, and power.Includes a Reading Group Guide.

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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Situated in a dress circle position on the slopes of the village of Les Avants, overlooking Lake Geneva in Switzerland, Chalet Monet is the magnificent home of Dame Joan Sutherland OM AC DBE and her husband, Maestro Richard Bonynge AC CBE. In his charming, eloquent, conversational style, Richard Bonynge takes us inside the home he has shared with Dame Joan, and in so doing provides rare insight into the lives of two of the greatest international cultural icons in opera of all time. The Chalet was introduced to Dame Joan and Richard by their close friend Noël Coward who resided in the neighbouring property. The opulence of each of the distinctive rooms over the four floors and vistas from the Chalet is artfully captured in stunning photography. Paintings and objets dart line the walls and fill the cabinets, each with their own provenance; presented by royalty or celebrities, embroided by Dame Joan or collected by Richard. Through the stories of these artefacts, told by Richard in eloquent conversational style, we learn about the life and times of two of the most formidable figures associated with opera in the 20th century. "For those fortunate enough to have discovered and experienced the thrill of opera and all the larger than life characters associated with it, to enter Chalet Monet is somewhat of a fairy tale experience that could be taken right out of a Cinderella story ... Chalet Monet is a house with a thousand stories. It is living history, theatrical, a beautiful home with enormous spirit like its owners. It radiates grandeur yet intimacy with places to sit and contemplate, views to linger over, books to be read, paintings to admire and music to listen to. It is a treasure trove for the senses where many a story has been told orbegun. Only its walls and its owners remember the decades of music making here and possibly the oddneighbour and the cows on the grassy slopes ... Thank you, Richard for allowing us to enter your private and colourful world." From the Preface by Fiona Janes, Artistic Director/General Manager Joan Sutherland & Richard Bonynge Foundation. This sumptuously produced coffee table book captures the essence of the fairy tale that is Chalet Monet.

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The unvarnished history of America’s most notorious palace and its American queenMoments before the Roaring Twenties sunk into the Great Depression, socialite heiress Marjorie Merriweather Post and financier E.F. Hutton constructed an estate to outdo all estates. To the tune of $4 million (about $68 million today) and four years of labor they called forth a 118-room mansion in a conflated Spanish, Portuguese, and Venetian design over a coral reef in hurricane-prone Palm Beach County. They named it Mar-a-Lago—a winter haven where corporate titans, the glitterati, and nobility gathered. But the honeymoon didn’t last long. In American Castle, Pulitzer Prize finalist Mary C. Shanklin reveals a century of controversy, politics, and lifestyles of the super-rich and powerful after Mar-a-Lago became a part-time residence and party place upon Post’s divorce from Hutton over mutual adultery. It’s a story of an American royal who, at the age of 27, inherited a cereal company that would later become the General Foods Corporation and spent a lifetime in business, art collection, philanthropy, and the management of multiple estates—including her white elephant, Mar-a-Lago. Though she tried time again, as Shanklin covers in riveting detail, Post could not offload the behemoth due to its extraordinary maintenance costs and the uppity Palm Beach neighbors.Drawing from previously untapped interviews, documents, and recordings, Shanklin follows Mar-a-Lago’s evolution as it collides with the Kennedys, the state of Florida, a potential make-over as The Mar-a-Lago Center for Advanced Scholars, Lady Bird Johnson, Richard Nixon, the National Park Service, and—of course—Donald Trump, who pursued subdivision, threatened to sell to Reverend Sun Myung Moon and the Unification Church, hosted Michael Jackson and Lisa Marie Presley, made it a for-profit club, received scandalous dinner guests, turned it into his Winter White House, and watched the FBI raid before holding a home-court presser as the first former president to face criminal charges.How did the Palm Beach hamlet so lacquered in grace and elegance come to find itself rooted in American Castle: One Hundred Years of Mar-a-Lago.

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'A daily love letter from a brave young woman to her adored father . . . immensely evocative of wartime Britain, extremely well edited, and occasionally powerfully moving' ANDREW ROBERTS, TLS'It wasn't easy being a Churchill child - and only Mary managed it with serenity and aplomb, as her diary of wartime ATS service shows' ANNE DE COURCY, SUNDAY TELEGRAPH'Mary's affectionately intimate and emotionally volatile diaries [...] are an informal record that perfectly complements Churchill's own six authoritative volumes of memoirs of the second world war ... This is a happy book' SPECTATOR'Gives a new and valuable perspective on Churchill in wartime' THE OLDIE 'A fascinating and intimate insight into the iconic Prime Minister's family life' DAILY TELEGRAPH 'I am not a great or important personage, but this will be the diary of an ordinary person's life in war time. Though I may never live to read it again, perhaps it may not prove altogether uninteresting as a record of my life'In 1939 seventeen-year-old Mary found herself in an extraordinary position at an extraordinary time: it was the outbreak of the Second World War and her father, Winston Churchill, had been appointed First Lord of the Admiralty; within months he would be Prime Minister.The young Mary Churchill was uniquely placed to observe this remarkable historical moment, and her diaries -- most of which have never been published -- provide a front-row view of the great events of war, as well as exchanges and intimate moments with her father. But they also capture what it was like to be a young woman during wartime. An impulsive and spirited writer, full of coming-of-age self-consciousness and joie de vivre, Mary's diaries are untrammelled by hindsight or self-censorship or nostalgia.From aid raid sirens at 10 Downing Street to seeing action with the ATS, from cocktail parties with presidents and royals to accompanying her father on key diplomatic trips, Mary's wartime diaries are full of colour, rich in historical insight, and a charming and intimate portrait of life alongside Winston Churchill.Compiled and edited by Mary's daughter, Emma Soames, in collaboration with The Churchill Archives Centre.

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