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"A beguiling tale of espionage and double-dealing in the years leading up to World War II. ... Strap in for a narrative that demands a suspension of disbelief—and richly rewards it." —Kirkus Reviews (starred review); Best Books of February SelectionThe untold story of the World War I hero who became a fixture of high society in Golden Age Hollywood—all while acting as a double agent for the Japanese Empire as it prepared to attack Pearl HarborFrederick Rutland’s story is a rags-to-riches coup for the ages—a lower-class boy from England bootstraps his way up the ranks of the British military, becoming a World War I pilot, father of the modern aircraft carrier, cosmopolitan businessman, and Hollywood A-list insider. He oversaw this small empire from his mansion on the fabled Bird Streets of Beverly Hills. Snubbed for promotion in the Royal Air Force due to little more than jealousy and class politics, Rutland—to all appearances—continued to spin gold from straw, living an enviably lavish lifestyle that included butlers, wild parties, private clubs, and newswor­thy living . . .. . . and it was all funded by the Japanese Empire.Beverly Hills Spy reveals the story of Rutland’s life of espi­onage on behalf of the Axis, selling secrets about fleet and aircraft design to the Japanese Imperial Navy that would be instrumental in its ability to attack Pearl Harbor, while col­lecting a salary ten times larger than the best-paid Japanese admirals. Based on recently declassified FBI files and until-now untranslated documents from Japanese intelligence, Ronald Drabkin brings the scope of this unforgettable tale into full focus for the first time. Rutland hides in plain sight, rubbing elbows with Amelia Earhart and hosting galas and fundraisers with superstars like Charlie Chaplin and Boris Karloff, while simultaneously passing information to Japan through spy networks across North and Central America. Countless opportunities to catch Rutland in the act are squandered by the FBI, British Intelligence, and US Naval Intelligence alike as he uses his cunning and charm to mis­direct and cast shadows of doubt over his business dealings, allowing him to operate largely unfettered for years.In the end, whether he fully intends to or not, Rutland sets in motion world events that are so monumental, their consequences are still being felt today.Beverly Hills Spy is a masterpiece of research on spy craft, a shocking narrative about an unknown but pivotal figure in history, and brings new information to light that helps us understand how Pearl Harbor happened—and how it could have been prevented.

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY JANET MASLIN, THE NEW YORK TIMES'Victoria the Queen, Julia Baird's exquisitely wrought and meticulously researched biography, brushes the dusty myth off this extraordinary monarch' The New York Times Book Review (Editor's Choice).The true story for fans of the hit ITV drama series Victoria starring Jenna Coleman, this page-turning biography reveals the real woman behind the myth: a bold, glamorous, unbreakable queen. Drawing on previously unpublished papers, this stunning book is a story of love and heartbreak, of devotion and grief, of strength and resilience.When Victoria was born, in 1819, the world was a very different place. Revolution would begin to threaten many of Europe's monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public's expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger parts of the globe. Born into a world where woman were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand.Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother's meddling and an adviser's bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. At twenty years old, she fell passionately in love with Prince Albert of Saxe-Coburg and Gotha, eventually giving birth to nine children. She loved sex and delighted in power. She was outspoken with her ministers, overstepping boundaries and asserting her opinions. After the death of her adored Albert, she began a controversial, intimate relationship with her servant John Brown. She survived eight assassination attempts over the course of her lifetime. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security-queen of a quarter of the world's population at the height of the British Empire's reach.Drawing on sources that include revelations about Victoria's relationship with John Brown, Julia Baird brings vividly to life the fascinating story of a woman who struggled with so many of the things we do today: balancing work and family, raising children, navigating marital strife, losing parents, combating anxiety and self-doubt, finding an identity, searching for meaning. This sweeping, page-turning biography gives us the real woman behind the myth.

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A Times Book of the Year 2019'You should not deny yourself the pleasure of reading it' Sunday Times'A remarkable work and an important addition to the extraordinary wartime history of literary London' Literary ReviewWho were the Lost Girls? At least a dozen or so young women at large in Blitz-era London have a claim to this title. But Lost Girls concentrates on just four: Lys Lubbock, Sonia Brownell, Barbara Skelton and Janetta Parlade. Chic, glamorous and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, they cut a swathe through English literary and artistic life in the 1940s. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became the mistress of the King of Egypt and was flogged by him on the steps of the Royal Palace. And all of them were associated with the decade's most celebrated literary magazine, Horizon, and its charismatic editor Cyril Connolly. Lys, Sonia, Barbara and Janetta had very different - and sometimes explosive personalities - but taken together they form a distinctive part of the war-time demographic: bright, beautiful, independent-minded women with tough upbringings behind them determined to make the most of their lives in a highly uncertain environment. Theirs was the world of the buzz bomb, the cocktail party behind blackout curtains, the severed hand seen on the pavement in the Bloomsbury square, the rustle of a telegram falling through the letter-box, the hasty farewell to another half who might not ever come back, a world of living for the moment and snatching at pleasure before it disappeared. But if their trail runs through vast acreages of war-time cultural life then, in the end, it returns to Connolly and his amorous web-spinning, in which all four of them regularly featured and which sometimes complicated their emotional lives to the point of meltdown.The Lost Girls were the product of a highly artificial environment. After it came to an end - on Horizon's closure in 1950 - their careers wound on. Later they would have affairs with dukes, feature in celebrity divorce cases and make appearances in the novels of George Orwell, Evelyn Waugh, Anthony Powell and Nancy Mitford. The last of them - Janetta - died as recently as three months ago. However tiny their number, they are a genuine missing link between the first wave of newly-liberated young women of the post-Great War era and the Dionysiac free-for-all of the 1960s. Hectic, passionate and at times unexpectedly poignant, this is their story.

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The specialty of plastic surgery was developed and named by Sir Harold Gillies following his work between the two world wars reconstructing severely damaged servicemen from the First World. War. Sir Harold went on to inspire and train other surgeons from around the world. Among them was his cousin Sir Archibald McIndoe, who in the Second World War set up the unit at East Grinstead Hospital which looked after severely burned airmen and some other servicemen. The airmen themselves set up the famous Guinea Pig Club which gave enormous social and often financial support to the severely injured. After the Second World War specialised burn units were created throughout the UK, including one at Stoke Mandeville Hospital, where Anthony Roberts served. After the number of war injuries had reduced, the burn unit for all three services was set up at RAF Halton, a few miles from Stoke Mandeville. A close relationship between the hospitals developed which led to military surgeons being posted to Stoke Mandeville for training in the care of burns and an introduction to plastic surgery. Most doctors will never be involved in a disaster during their working lives. Anthony Roberts was involved in treating casualties from the Bradford City football stadium fire in 1985 that claimed 56 lives and resulted in hundreds more being injured, many of them with severe burns. It had a major effect on him, and on all those involved. It started his appearances on the media and his overseas visits to other countries to talk about it. And subsequently he was asked to join and to lead other international efforts to provide help. He led the first British team from Stoke Mandeville that gave aid in Sarajevo during the war. He returned several times and has also given aid in three other war zones and six major disasters. Because of this involvement in all these situations Professor Roberts taught junior trainee surgeons from the three British services and those of several foreign countries. As well as his military involvement, Anthony Roberts spent sixteen years working with the Royal Protection Group at State occasions, and thirty years working as a motor racing track doctor including at Formula One level, providing immediate and vital treatment to drivers who suffered serious injuries and burns following accidents on the track and to spectators. There have been enormous changes in the specialty over the past fifty years and a detailed view of these is given in an absorbing account of this life-enhancing surgery by one who served on the frontline in difficult and dangerous situations around the world.

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Tentsmuir has been a scene of human activity for over 10,000 years. It witnessed one of the earliest known occurrences in Scotland of Mesolithic hunter-gatherers and has supported human activities throughout the Neolithic and Iron Age. In medieval times it was a home for the Norman nobility, and then a royal hunting forest with highly-valued fishing rights for Scottish Kings. Tentsmuir is prone to flooding in winter due to the front line of dunes blocking drainage to the sea. It provides a natural refuge for a wide range of plants, as well as resident and migrating birds, and other animals, including outstanding populations of butterflies and moths. Consequently, this led to the creation in 1954 of a National Nature Reserve at the north-eastern end of the Tentsmuir Peninsula. Initially, an active period of coastal accretion more than trebled the size of the reserve. Now, however, Tentsmuir is eroding in places. The probability of rising sea levels and increasing exposure to storms may cause a level of destruction such that the physical existence and biological future of Tentsmuir cannot be guaranteed. This book is an attempt to record how even within a limited geographical area, such as this peninsula on the east coast of Scotland, plant and animal communities are constantly reacting to environmental change. Frequently, it is difficult to decide whether or not these changes should be resisted, encouraged, or ignored. Examples are provided of instances where human intervention to counteract change has resulted in negative as well as positive consequences for biodiversity.

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This book is the first major study of Lydian material culture at Gordion and also the first published monograph on Lydian painted pottery from any site excavation. Richly illustrated, it provides a comprehensive definition and analysis of Lydian ceramics based on stylistic, archaeological, and textual evidence, while thoroughly documenting the material’s stratigraphic contexts. The book situates the ceramic corpus within its broader Anatolian cultural context and offers insights into the impact of Lydian cultural interfaces at Gordion. The Lydian pottery found at Gordion was largely produced at centers other than Sardis, the Lydian royal capital, although Sardian imports are also well attested and began to influence Gordion’s material culture as early as the 7th century BCE, if not before. Following the demise of the Lydian kingdom, a more limited repertoire of Lydian ceramics demonstrably continued in use at Gordion into the Achaemenid Persian period in the late 6th and 5th centuries BCE. The material was excavated by Professor Rodney Young’s team between 1950 and 1973 and is fully presented here for the first time. Ongoing research in the decades following Young’s excavations has led to a more refined understanding of Gordion’s archaeological contexts and chronology, and, consequently, we are now able to view the Lydian ceramic corpus within a more secure stratigraphic framework than would have been the case if the material had been published shortly after the excavations.

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Winner of the Shimada Prize for Outstanding Work of East Asian Art History By the end of the sixth century CE, both the royal courts and the educated elite in China were collecting works of art, particularly scrolls of calligraphy and paintings done by known artists. By the time of Emperor Huizong (1082-1135) of the Song dynasty (960-1279), both scholars and the imperial court were cataloguing their collections and also collecting ancient bronzes and rubbings of ancient inscriptions. The catalogues of Huizong's painting, calligraphy, and antiquities collections list over 9,000 items, and the tiny fraction of the listed items that survive today are all among the masterpieces of early Chinese art. Patricia Ebrey's study of Huizong's collections places them in both political and art historical context. The acts of adding to and cataloguing the imperial collections were political ones, among the strategies that the Song court used to demonstrate its patronage of the culture of the brush, and they need to be seen in the context of contemporary political divisions and controversies. At the same time, court intervention in the art market was both influenced by, and had an impact on, the production, circulation, and imagination of art outside the court. Accumulating Culture provides a rich context for interpreting the three book-length catalogues of Huizong's collection and specific objects that have survived. It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts, neither glorifying Huizong as a man of the arts nor castigating him as a megalomaniac, but rather taking a hardheaded look at the political and cultural ramifications of collecting and the reasons for choices made by Huizong and his curators. The reader is offered glimpses of the magnificence of the collections he formed and the disparate fates of the objects after they were seized as booty by the Jurchen invaders in 1127. The heart of the book examines in detail the primary fields of collecting -- antiquities, calligraphy, and painting. Chapters devoted to each of these use Huizong's catalogues to reconstruct what was in his collection and to probe choices made by the cataloguers. The acts of inclusion, exclusion, and sequencing that they performed allowed them to influence how people thought of the collection, and to attempt to promote or demote particular artists and styles. This book will be of interest to scholars and students of Chinese art history, social history, and culture, as well as art collectors. Published with the assistance of The Getty Foundation.

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The volume describes thirteen hundred years in the life of the city of Gloucester from the late 7th century A.D. to the mid 1980s. William the Conqueror's order for the Domesday survey at his Christmas council at Gloucester in 1085, the spectacu-lar architectural achievements of the monks and their masons at St. Peter's abbey in the 14th century, and the city's resistance to the siege which turned the course of the Civil War in 1643 are events of nationalsignificance familiar to students of English history. Less well known is the complex story of development in which those events are landmarks. The volume describes how the Saxon borough, formed in the shell of Roman colonia at a crossing of the river Severn, became in the early Middle Ages a royal administrative centre, military base, and seat of religious foundations; it exam-ines the variety of economic functions which sustained the city throughout the medieval and early modern periods, with at different times ironworking, clothmaking, the trade on the river, pinmaking, market trade, and banking coming to the fore; and it traces the efforts of the townspeople to gain control of their own affairs and recounts how the system of government which they secured from the Crown in 1483 hardened into oligarchy in the 16th century, fuelled politi-cal dissension in the 17th, and proved surprisingly effective as a force for city improvement in the 18th. It tells how in the 19th century railways and the trade brought by the Gloucester and Berkeley ship canal gave a new direction to the Georgian cathedral city, bringing new industries and rapidgrowth, and how an array of public bodies grappled with the consequent need for better public services, new churches, and schools. The story of Gloucester is continued into the later 20th century when changing patterns of employment and major redevelopment removed many familiar landmarks, leaving the ornate Perpendicular cathedral and the extensive Victorian docks as the most substantial reminders of a rich and varied history. The account of Gloucester'shistory is divided into three parts. The first is a sequence of five chapters, divided chrono-logically. The second deals with particular features and institutions of the city, topic by topic. The third describes topographicallythe outlying hamlets and parishes that have been taken into the modern city.

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Voices from the Napoleonic Wars reveals in telling detail the harsh lives of soldiers at the turn of the eighteenth century and in the early years of the nineteenth - the poor food and brutal discipline they endured, along with the forced marches and bloody, hand-to-hand combat. Contemporaries were mesmerised by Napoleon, and with good reason: in 1812, he had an unprecedented million men and more under arms. His new model army of volunteers and conscripts at epic battles such as Austerlitz, Salamanca, Borodino, Jena and, of course, Waterloo marked the beginning of modern warfare, the road to the Sommes and Stalingrad. The citizen-in-arms of Napoleon's Grande Armée and other armies of the time gave rise to a distinct body of soldiers' personal memoirs. The personal accounts that Jon E. Lewis has selected from these memoirs, as well as from letters and diaries, include those of Rifleman Harris fighting in the Peninsular Wars, and Captain Alexander Cavalie Mercer of the Royal Horse Artillery at Waterloo. They cover the land campaigns of the French Revolutionary Wars (1739-1802), the Napoleonic Wars (1803-1815) and the War of 1812 (1812-1815), in North America. This was the age of cavalry charges, of horse-drawn artillery, of muskets and hand-to-hand combat with sabres and bayonets. It was an era in which inspirational leadership and patriotic common cause counted for much at close quarters on chaotic and bloody battlefields. The men who wrote these accounts were directly involved in the sweeping campaigns and climactic battles that set Europe and America alight at the turn of the eighteenth century and in the years that followed. Alongside recollections of the ferocity of hard-fought battles are the equally telling details of the common soldier's daily life - short rations, forced marches in the searing heat of the Iberian summer and the bitter cold of the Russian winter, debilitating illnesses and crippling wounds, looting and the lash, but also the compensations of hard-won comradeship in the face of ever-present death. Collectively, these personal accounts give us the most vivid picture of warfare 200 and more years ago, in the evocative language of those who knew it at first hand - the men and officers of the British, French and American armies. They let us know exactly what it was like to be an infantryman, a cavalryman, an artilleryman of the time.

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The Tudors are England's most notorious royal family. But, as Leanda de Lisle's gripping new history reveals, they are a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family's obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen's lap--and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past--those parts they wished to remember and those they wished to forget. By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary's reign, Elizabeth's fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family's determined and flamboyant ambition.

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El Monte Everest, con toda su relevancia para la realeza, los exploradores, los imperialistas. Y dos sherpas, posados en un acantilado, esperando que el hombre de la cornisa de abajo se mueva.Un inglés cae de un acantilado en Nepal, y yace inerte en la cornisa. Dos sherpas se arrodillan en el borde del abismo, permanecen allí, intercambian algunas palabras a la espera de que el hombre tome la decisión de moverse, de descender. En esos minutos, el mundo se abre para Kathmandu: un pueblo soleado en otro continente, las páginas de Julio César. Montañismo, colonialismo, compromisos y obligaciones; en la fluida prosa de Sebastián Martínez Daniell, cada respiro es cristalino, y brinda una perspectiva desde la que se puede ver la inmensidad del mundo. An Englishman has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martinez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.Mount Everest, and all it means to royalty, explorers, imperialists, and two sherpas, perched on a cliffside, waiting for a man on the ledge below to move.A British climber has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martínez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.

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This book investigates a puzzling and neglected phenomenon - the rise of English Arminianism during the decade of puritan rule. Throughout the 1650s, numerous publications, from scholarly folios to popular pamphlets, attacked the doctrinal commitments of Reformed Orthodoxy. This anti-Calvinist onslaught came from different directions: episcopalian royalists (Henry Hammond, Herbert Thorndike, Peter Heylyn), radical puritan defenders of the regicide (John Goodwin and John Milton), and sectarian Quakers and General Baptists. Unprecedented rejection of Calvinist soteriology was often coupled with increased engagement with Catholic, Lutheran and Remonstrant alternatives. As a result, sophisticated Arminian publications emerged on a scale that far exceeded the Laudian era. Cromwellian England therefore witnessed an episode of religious debate that significantly altered the doctrinal consensus of the Church of England for the remainder of the seventeenth century. The book will appeal to historians interested in the contested nature of 'Anglicanism' and theologians interested in Protestant debates regarding sovereignty and free will. Part One is a work of religious history, which charts the rise of English Arminianism across different ecclesial camps - episcopal, puritan and sectarian. These chapters not only introduce the main protagonists but also highlight a surprising range of distinctly English Arminian formulations. Part Two is a work of historical theology, which traces the detailed doctrinal formulations of two prominent divines - the puritan John Goodwin and the episcopalian Henry Hammond. Their Arminian theologies are set in the context of the Western theological tradition and the soteriological debates, that followed the Synod of Dort. The book therefore integrates historical and theological enquiry to offer a new perspective on the crisis of 'Calvinism' in post-Reformation England.

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World War I witnessed unprecedented growth and innovation in aircraft design, construction, and as the war progressed - mass production. Each country generated its own innovations sometimes in surprising ways - Albatros Fokker, Pfalz, and Junkers in Germany and Nieuport, Spad, Sopwith and Bristol in France and Britain.This book focuses on the British approach to fighter design, construction, and mass production. Initially the French led the way in Allied fighter development with their Bleriot trainers then nimble Nieuport Scouts - culminating with the powerful, fast gun platforms as exemplified by the Spads. The Spads had a major drawback however, in that they were difficult and counter-intuitive to fix in the field. The British developed fighters in a very different way; Tommy Sopwith had a distinctive approach to fighter design that relied on lightly loaded wings and simple functional box-girder fuselages. His Camel was revolutionary as it combined all the weight well forward; enabling the Camel to turn very quickly - but also making it an unforgiving fighter for the inexperienced. The Royal Aircraft Factory's SE5a represented another leap forward with its comfortable cockpit, modern instrumentation, and inline engine - clearly influenced by both Spads and German aircraft.Each manufacturer and design team vied for the upper hand and deftly and quickly appropriated good ideas from other companies – be they friend or foe. Developments in tactics and deployment also influenced design - from the early reconnaissance planes, to turn fighters, finally planes that relied upon formation tactics, speed, and firepower. Advances were so great that the postwar industry seemed bland by comparison.

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This is the first known biography of Sir Charles Bullen Hugh Mitchell G C M G, former Governor of the Straits Settlements and District Grand Master of the freemasons in the Eastern Archipelago.The book traces his early life as an officer in the Royal Marines, where he served for 15 years, ending up with the rank of Lieutenant Colonel, as well as his long, distinguished career in the Colonial Service, serving Queen Victoria in many countries including Natal in Southern Africa during and after the Zulu Wars, British Honduras, British Guiana, Fiji and Singapore.It is his time in Singapore that is given extensive treatment in the book. Having been sworn in as Governor and Commander-in-Chief of The Straits Settlements and their Dependencies (the 'Colony') on 1 February 1894, Mitchell inherited a colony, which was in very serious financial difficulty. With his prudent financial management, the governor brought the Colony back to a strong financial position and completed many projects. He was also instrumental in the implementation of the Federation of Malay States and was its first High Commissioner.His governorship was cut short when he died suddenly at the Colony's Government House (the current Istana) on 7 December 1899 and was buried in Singapore.However, his legacy was written out by his successor Sir Frank Swettenham who would take credit for the Colony's achievements. To this end, this book will go towards correcting the history of Singapore and Malaya at that time.The book also contains one of the very few public accounts of freemasonry in Singapore during the 19th Century and those of prominent freemasons participating in the colonial administration and commercial sector in the Colony.

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This is the first known biography of Sir Charles Bullen Hugh Mitchell G C M G, former Governor of the Straits Settlements and District Grand Master of the freemasons in the Eastern Archipelago.The book traces his early life as an officer in the Royal Marines, where he served for 15 years, ending up with the rank of Lieutenant Colonel, as well as his long, distinguished career in the Colonial Service, serving Queen Victoria in many countries including Natal in Southern Africa during and after the Zulu Wars, British Honduras, British Guiana, Fiji and Singapore.It is his time in Singapore that is given extensive treatment in the book. Having been sworn in as Governor and Commander-in-Chief of The Straits Settlements and their Dependencies (the 'Colony') on 1 February 1894, Mitchell inherited a colony, which was in very serious financial difficulty. With his prudent financial management, the governor brought the Colony back to a strong financial position and completed many projects. He was also instrumental in the implementation of the Federation of Malay States and was its first High Commissioner.His governorship was cut short when he died suddenly at the Colony's Government House (the current Istana) on 7 December 1899 and was buried in Singapore.However, his legacy was written out by his successor Sir Frank Swettenham who would take credit for the Colony's achievements. To this end, this book will go towards correcting the history of Singapore and Malaya at that time.The book also contains one of the very few public accounts of freemasonry in Singapore during the 19th Century and those of prominent freemasons participating in the colonial administration and commercial sector in the Colony.

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An investigation into the connections between military and literary culture in the late medieval period, and how warfare shaped such texts as Malory's Morte. Offers an impressive vision of a militaristic culture and its thinking, reading and writing. This is war as political and economic practice - the continuation of politics by other means. The book develops that feeling of war as avery real practical and intellectual problem and shows how a discourse community comes to share its thinking: in the processes of translating, annotating, rewriting, and so on. A major contribution to the literary history of thefifteenth century. Professor Daniel Wakelin, University of Oxford. Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of Knyghthode and Bataile. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period. Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London.

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The epic finale to The Bone Witch series! As Tea's dark magic eats away at her, she must save the one she loves most, even while her life—and the kingdoms—are on the brink of destruction. Perfect for readers of Leigh Bardugo's Ninth House and Holly Black's The Cruel Prince!In the Eight Kingdoms, none have greater strength or influence than the asha, who hold elemental magic. But only a bone witch has the power to raise the dead. Tea has used this dark magic to breathe life into those she has loved and lost…and those who would join her army against the deceitful royals. But Tea's quest to conjure a shadowglass, to achieve immortality for the one person she loves most in the world, threatens to consume her. Tea's heartsglass only grows darker with each new betrayal. Her work with the monstrous azi, her thirst for retribution, her desire to unmask the Faceless—they all feed the darkrot that is gradually consuming her heartsglass. She is haunted by blackouts and strange visions, and when she wakes with blood on her hands, Tea must answer to a power greater than the elder asha or even her conscience. Tea's life—and the fate of the kingdoms—hangs in the balance.Thrilling and atmospheric, this bestselling series is perfect for readers looking for Memoirs of a Geisha meets dark fantasy stories with diverse representation and multicultural influences original worldbuilding and captivating writing witch and wizard series for teens and adultsThe Bone Witch Series:The Bone Witch (Book 1)The Heart Forger (Book 2)The Shadowglass (Book 3)Praise for The Shadowglass:"Satisfying." —Foreword "A must-purchase." —School Library Journal"A worthy conclusion to a story that is, at its core, about love and letting go." —Kirkus Reviews

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Tells the history of the precious balsam of Matarea: a substance traded for its weight in gold Uses archaeological and textual sources to trace the cultivation of balsam trees from the 4th century BCE to the 17th century CE Surveys the evidence for the symbolic value and practical applications of balsam in the Middle East, North Africa and Europe Establishes the many uses of balsam in pre-modern medicine, religious ritual and royal ceremonies Correlates modern botanical studies with historical sources in the identification of the trees that once grew in the plantation of Matarea in Egypt Explores the complex socio-cultural factors that contributed to the sense of value accorded to rare commodities Richly illustrated with over 50 line drawings, engravings, watercolours and photographs, drawn from sources ranging across time from medieval manuscripts to 20th-century photographs, depicting balsam trees, balsam resin receptacles, the compound of Matarea, maps and more Using written sources, visual data and archaeological material, Marcus Milwright reconstructs the fascinating cultural history of the balsam tree from Jericho and En-Gedi to Egypt, and from ancient times to the 17th century. Miwright addresses the symbolic associations of balsam and the site of Matarea (where the last balsam tree died in 1615), the distribution of products from the tree through trade and diplomacy, and the applications of these products in medicine, ritual and the domestic environment. He also establishes links with resin-producing trees from the Arabian Peninsula and the Horn of Africa. The balsam of Matarea was a substance famous as a panacea among physicians in the Middle East and Europe during the Antique and Medieval periods. It was used in many aspects of medieval life and is associated with figures such as the Virgin Mary, Jesus Christ, King Solomon, the Queen of Sheba and Cleopatra.

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Ronnie Wood is one of the foremost rock guitarists in the world, but his artistic talents extend beyond music. Throughout his stellar musical career from The Birds to the Faces and the Rolling Stones, Ronnie has never lost his passion for painting, drawing and sculpture. Exuding the same irrepressible energy as Ronnie himself, Ronnie Wood: Artist is the first ever comprehensive collection of his paintings and other artworks, created to mark the occasion of his seventieth birthday. The bright, bold volume brings together the fruits of a lifetime in the arts, brimming with six decades of memorable and diverse work, from his art college portfolio (he studied alongside Pete Townshend) to the intimate work of his personal life today. Inside, a generous selection of his Stones work, including rare watercolours of Mick, Keith and Charlie backstage, meets acrylics of contemporaries Rod Stewart, Jeff Beck and Keith Moon. Portraits of formative jazz innovators Count Basie, Miles Davis and Billie Holiday sit alongside blues heroes Howlin’ Wolf, Muddy Waters and Big Bill Broonzy. Paintings of Hollywood’s elite – Paul Newman, James Dean and Marilyn Monroe – juxtapose real-time fashion sketches of Kate Moss and Naomi Campbell and deft pastel compositions from his residency at the Royal Ballet. The artist himself provides the captions and insights into the thought and motivation behind each piece. With an introduction by Emmanuel Guigon (director of the Museu Picasso, Barcelona, where Ronnie will be beginning a residency in 2018) and an afterword by none other than Keith Richards, Ronnie Wood: Artist exists where fine art and rock ’n’ roll collide. This extensive and eclectic collection offers unique insights into the entire world of Ronnie Wood, and, with close to 400 works, is a fitting testament to the artistic range and ambition of rock ’n’ roll’s most successful artist

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Potter, writer, teacher, editor, curator and gay rights activist, Emmanuel Cooper was a unique figure in the cultural landscape of this country for almost half a century. When he died in 2012 he left behind not only an extraordinary body of work, but also an archive that illuminated both his own life and career and that of the many other makers, artists and activists who had been his friends, colleagues or the subject of his writing. This book is based almost exclusively on that archive. Using his unpublished memoirs, diaries, and correspondence, Making Emmanuel Cooper illuminates the journey of an intelligent, if unconfident, working class boy growing up in a small north Derbyshire mining village whose life was transformed, firstly at school, by the magic of clay, and then in adult life by the liberation politics of the late 1960s. The book includes a fascinating account of Emmanuel's career as a potter as well as his thoughts on a range of issues from the art versus craft debate through to gay marriage and monogamy, as well his passion for folk art, insights into his work at the Royal College of Art and his editorship of the internationally acclaimed Ceramic Review magazine. Making Emmanuel Cooper also charts his involvement in the gay liberation movement, his journalism for the Morning Star and his part in the creation of the hugely influential Gay Left collective. He was the art critic for the original Gay News and his groundbreaking books on aspects of queer art and culture - including the pioneering The Sexual Perspective - examined issues around sexuality and the visual arts that pre-date the Tate Gallery's recent Queer Art in Britain show by some thirty years. Richly illustrated, Making Emmanuel Cooper is both a personal and a social history that celebrates the life and times of an important artist and remarkable man.

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Fitness and well-being expert Paula Kerr used exercise and nutrition to navigate the toughest physical and emotional battles of her life and move forward. In Fitter Stronger - Resilience - If You're Going Through Hell, Keep Going, she explains her story in full. With nutrition hacks and work outs for all abilities, there are contributions from clinical experts and those who have used fitness to turn their lives around, including chef Michel Roux Jr and former Royal Marine and triple amputee Mark Ormrod OBE - called 'Britain's answer to Superman' by Prince Harry. This book identifies the vital coping mechanisms we all need when a grenade is thrown into our world and we need to adapt to survive. Carefully researched and beautifully presented, this is a practical guide to managing adversity, by creating a strong, healthy, mind and body. Paula Kerr was a successful journalist when she was diagnosed with breast cancer, after a routine operation. To help her navigate two gruelling years of treatment and maintain family life, she relied on a nutrient dense diet, regular exercise and a positive mindset, to aid her return to full health, climbing Ben Nevis between trips to the chemotherapy ward. Wishing to share her experience with others, Paula qualified as a personal trainer and created Fitter Stronger, offering health holidays and classes for those experiencing illness, injury or trauma. Fitter Stronger has grown into a hugely successful brand, including personal training, wellness breaks in the UK and South Africa, NHS and private medicine rehab clinics, and a youth fitness and motivation programme for primary, secondary and further education. In all areas of her work, she promotes exercise and nutrition as vital tools for a peaceful, healthy and energetic life. 'If you keep your mind and body strong, you are unstoppable.' - Paula Kerr

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It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother's coffin as the world watched in sorrow-and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling-and how their lives would play out from that point on.For Harry, this is that story at last.Before losing his mother, twelve-year-old Prince Harry was known as the carefree one, the happy-go-lucky Spare to the more serious Heir. Grief changed everything. He struggled at school, struggled with anger, with loneliness-and, because he blamed the press for his mother's death, he struggled to accept life in the spotlight.At twenty-one, he joined the British Army. The discipline gave him structure, and two combat tours made him a hero at home. But he soon felt more lost than ever, suffering from post-traumatic stress and prone to crippling panic attacks. Above all, he couldn't find true love.Then he met Meghan. The world was swept away by the couple's cinematic romance and rejoiced in their fairy-tale wedding. But from the beginning, Harry and Meghan were preyed upon by the press, subjected to waves of abuse, racism, and lies. Watching his wife suffer, their safety and mental health at risk, Harry saw no other way to prevent the tragedy of history repeating itself but to flee his mother country. Over the centuries, leaving the Royal Family was an act few had dared. The last to try, in fact, had been his mother. . . .For the first time, Prince Harry tells his own story, chronicling his journey with raw, unflinching honesty. A landmark publication, Spare is full of insight, revelation, self-examination, and hard-won wisdom about the eternal power of love over grief.

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WINNER OF THE 2017 ROYAL SOCIETY INSIGHT INVESTMENT SCIENCE BOOK PRIZEWhat the judges said: 'Every man and woman should read this book on gender bias ... an important, yet wickedly witty, book.' 'Fine's entertaining and thoughtful book is a valuable addition to the discussion about gender.' Ian Critchley, Sunday Times 'In addition to being hopeful, Fine is also angry. We should all be angry. Testosterone Rex is a debunking rumble that ought to inspire a roar.' Guardian'A densely packed, spirited book, with an unusual combination of academic rigour and readability ... The expression "essential reading for everyone" is usually untrue as well as a cliché, but if there were a book deserving of that description this might just be it.' Antonia Macaro, Financial TimesTestosterone Rex is the powerful myth that squashes hopes of sex equality by telling us that men and women have evolved different natures. Fixed in an ancestral past that rewarded competitive men and caring women, these differences are supposedly re-created in each generation by sex hormones and male and female brains.Testosterone, so we're told, is the very essence of masculinity, and biological sex is a fundamental force in our development. Not so, says psychologist Cordelia Fine, who shows, with wit and panache, that sex doesn't create male and female natures. Instead, sex, hormones, culture and evolution work together in ways that make past and present gender dynamics only a serving suggestion for the future - not a recipe.Testosterone Rex brings together evolutionary science, psychology, neuroscience and social history to move beyond old 'nature versus nurture' debates, and to explain why it's time to unmake the tyrannical myth of Testosterone Rex.For fans of Fine - whose Delusions of Gender 'could have far-reaching consequences as significant as The Female Eunuch' (Viv Groskop, Guardian) - and thousands of new readers, this is an upbeat, timely and important contribution to the debate about gender in society.

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'Delightful' A HISTORY BOOK OF THE YEAR / BOOK OF THE WEEK, Daily Mail'Goodwood curator James Peill writes with a wonderfully light touch . . . The Goodwood story is extraordinary and rightly celebrated' Country LifeThe history of Goodwood, England's greatest sporting estateGoodwood has been the home of English sport for centuries. The story of how a small hunting lodge became the iconic location for the globally-renowned Festival of Speed, Glorious Goodwood and Goodwood Revival events is inextricably intertwined with the tale of the Dukes of Richmond. The Dukes were, variously, patrons of the arts, political influencers, royal confidantes, architectural innovators, horticultural enthusiasts and stewards of the community. Above all, they were passionate about the sports for which Goodwood is best known: horseracing, motor sports, foxhunting, cricket, shooting and golf. Drawing upon the wealth of the Goodwood archives, James Peill vividly captures the character of each Duke, some radical and others staunchly traditional, and the wide-ranging impact they had on the Goodwood of today.The broader context is a sweeping history of England, and one family's part in it. Beginning with Charles II and his mistress Louise de Keroualle, the parents of the first Duke, Glorious Goodwood takes the reader on a journey through time, from the seventeenth century to present day, via the Jacobite Rising, the Battle of Waterloo and the First and Second World Wars. There are cameo appearances from George Stubbs, Canaletto, Alexander, Emperor of Russia, Queen Victoria, Jackie Stewart and Edward VII, who famously hosted Privy Council meetings in the Tapestry Drawing Room during race week.Glorious Goodwood is a vivid and intimate portrait of a house and its inhabitants set against a dazzling, panoramic backdrop of English history. At the heart of this colourful and compelling story is a rich sense of the British heritage Goodwood embodies.

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Captain John Alexander served in the Royal Engineers and was posted to the 17th Indian Division, known as the Black Cats, which was sent into Burma against the Japanese as part of the 14th Army. John’s unit was 60 Indian Field Company. After the capture of Hong Kong and the fall of Singapore in February 1942 the Japanese army advanced into Burma, catching the Allies ill-equipped and unprepared. Rangoon fellin March, thus beginning a long fighting retreat by the Allies through thick jungle to the northwest frontier with India. But the Allies regrouped and fought back, and in 1944 fierce fighting, culminating in the battles of the Admin Box, Kohima and Imphal, caused the Japanese forces to begin to withdraw. At the beginning of 1945 the 14th Army launched a successful offensive pushing the Japanese southwards before them. Mandalay was retaken and then Rangoon in May 1945. The Japanese Army finally surrendered on 15 August 1945. Many histories of the Burma Campaign have been written, and the terrible conditions of jungle warfare against a brutal enemy are well known. John Alexander returned home on leave before the end of the conflict with his body weakened by fever, jungle sores and dysentery, and his mind affected by what we now call PTSD. But he also brought back with him a collection of ‘souvenirs’ from the campaign – artefacts that range from Japanese currency and cigarettes to letters, swords, a bayonet, sketches, and his own diaries, letters and decorations. This book will be a reflection on the personal stories behind this terrible and often forgotten war, looking at the conflict both from a British and a Japanese perspective. Through an examination of these artefacts, the horror and humanity of the combatants who took part in this far-away conflict will be vividly brought to life.

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TELEGRAPH 50 BEST BOOKS OF 2022THE UNTOLD STORY OF PRINCESS DIANA'S STEPMOTHER 'A sparkling biography of a fascinating woman' - Lynn Barber, Telegraph ***** 'Gaudoin's book is revealing and hugely entertaining. Highly recommended.' - Daily Mail 'Gaudoin tells these delicious stories with brio' - Sunday Times Debutante of the year. Able politician. Femme fatale. Just some of the many labels attached to the irrepressible, controversial Raine Spencer: Countess, socialite and stepmother to Diana, Princess of Wales. But who was the real Raine? What was hidden behind the immaculately manicured public façade and her overwhelmingly negative tabloid image? From her childhood days as daughter of romantic novelist powerhouse, Barbara Cartland, to Westminster councillor and wife of Earl Spencer, Three Times a Countess recounts Raine's compelling and glamorous life, revealing her to be a powerful, accomplished woman who, after a tumultuous relationship, reconciled with Diana to become the Princess's closest confidante and a key witness at the inquest into her death. To her friends, Raine was shrewd, intelligent, witty and loyal; to her enemies, pushy, overly flamboyant and ruthless. From a career spanning local politics to dealing with the fortunes of Althorp; from taking on the Spencer family estate to her final role as a board member at Harrods, Raine's life was, by any standards, a success . Yet she could not sway the powerful media narrative which pitted her as 'the evil stepmother' at every turn. A societal whirl of London Seasons, family feuds, politics, pomp and 'big hair', Gaudoin's vibrant history of the Countess sets the record straight once and for all, drawing insight from those who knew Raine most. Three Times a Countess reveals a sophisticated, determined woman whose loyalty knew no bounds and whose cache of secrets would have worried even the most upright of royals.

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A pocket-sized travel guide, packed with expert advice and ideas for the best things to see and do in London, and complemented with a sturdy pull-out map - perfect for a day trip or a short break.Whether you want to stroll through royal parks and palaces, seek out the best pubs and restaurants, discover historic monuments or avant-garde art - this great-value, concise travel guide will ensure you don't miss a thing.Inside Mini Map and Guide London:- Easy-to-use pull-out map shows London in detail, and includes an Underground map- Color-coded area guide makes it easy to find information quickly and plan your day- Illustrations show the inside of some of London's most iconic buildings- Color photographs of London's museums, architecture, shops, palaces, and more- Essential travel tips including our expert choices of where to eat, drink and shop, plus useful transportation, currency and health information- Chapters covering Whitehall and Westminster; Mayfair and St James's; Soho and Trafalgar Square; Covent Garden and the Strand; Holborn and the Inns of Court; Bloomsbury and Fitzrovia; King's Cross, Camden and Islington; The City; Shoreditch and Spitalfields; Southwark and Bankside; South Bank; Chelsea and Battersea; South Kensington and Knightsbridge; Kensington, Holland Park and Notting Hill; Regent's Park and MaryleboneMini Map and Guide London is abridged from DK Eyewitness Travel Guide LondonStaying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Top Ten London.About DK Eyewitness Travel: DK's Mini Map and Guides take the work out of planning a short trip, with expert advice and easy-to-read maps to inform and enrich any short break. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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Whether you want to get cultural on Museum Island, explore Berlin's complex history at Checkpoint Charlie, walk in the footsteps of royalty at Schloss Charlottenburg, or sample a tantalizing array of street food from around the globe, your DK Eyewitness travel guide makes it easy to experience all that Berlin has to offer.From the Brandenburg Gate to the TV Tower, Berlin boasts an incredible array of iconic sights, as well as a world-renowned arts scene which has cemented the city's reputation as the European capital of cool. Beyond the centre, Berlin offers beautiful green spaces and idyllic lakes which provide the perfect tonic to the excitement of the city.Our newly-updated guide brings Berlin to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the city's iconic buildings and neighbourhoods. DK Eyewitness Berlin is your ticket to the trip of a lifetime. Inside DK Eyewitness Berlin you will find: - A fully-illustrated top experiences guide: our expert pick of Berlin's must-sees and hidden gems.- Accessible itineraries to make the most out of each and every day.- Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money.- Colour-coded chapters to every part of Berlin, from Unter den Linden and Alexanderplatz to the quiet charms of Prenzlauer Berg and even further afield.- Practical tips: the best places to eat, drink, shop and stay.- Detailed maps and walks to help you navigate the region country easily and confidently.- Covers: Around Unter den Linden, Museumsinsel, Alexanderplatz, North Mitte and Prenzlauer Berg, Friedrichshain, Tiergarten, Kreuzberg, Around Kurfürstendamm, Around Schloss Charlottenburg, Beyond the Centre.Touring the country? Try our DK Eyewitness Germany. Want the best of Berlin in your pocket? Try our DK Eyewitness Top 10 Berlin.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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In the nineteenth century, the phenomenon of 'going abroad' was born. Beautiful Mediterranean towns, the luxurious spas of Mittel-Europe and the golf courses of France became the playground of the idle wealthy. Until foreign travel became more accessible, the picturesque towns and smart hotels catered only to an elite mix of royalty, celebrities and high society. This was where the great and glamorous could relax, mingle, see and be seen – where rules could be broken and routines forgotten. Drawing on the Mary Evans Picture Library's archives and contributions from Galleria L’IMAGE, Lucinda Gosling traces the growth of some of Europe’s most exclusive and desirable holiday destinations – from Monte Carlo and Maidenhead, to Biarritz and St Moritz – and explores the lives of the privileged holidaymakers who travelled there. Revealing a world of gossip and glamour, Holidays and High Society tells the story of travel in a golden age through its fashions, faces and places, using evocative vintage travel posters, brochures, fashion spreads and more. The ultimate form of escapism for anyone with a passion for the past.

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Daphne Oram (1925–2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. Oram left the BBC in 1959 to pursue commercial work in television, advertising, film and theatre, to make her own music for recording and performance, and to continue her personal research into sound technology – a passion she had had since her childhood in rural Wiltshire. Her home, a former oasthouse in Kent, became an unorthodox studio and workshop in which, mostly on a shoestring budget, she developed her pioneering equipment, sounds and ideas. A significant part of her personal research was the invention of a machine that offered a new form of sound synthesis – the Oramics machine.Oram’s contribution to electronic music is receiving considerable attention from new generations of composers, sound engineers, musicians, musicologists and music lovers around the world. Following her death, the Daphne Oram Trust was established to preserve and promote her work, life and legacy, and an archive created in the Special Collections Library at Goldsmiths, University of London. One of the Trust’s ambitions has been to publish a new edition of Oram’s one and only book, An Individual Note of Music, Sound and Electronics, which was originally published in 1972. With support from the Daphne Oram Archive, the Trust has now been able to realize this ambition.An Individual Note is both curious and remarkable. When commissioned to write a book, she was keen to avoid it becoming a manual or how-to guide, preferring instead to use the opportunity to muse on the subjects of music, sound and electronics, and the relationships between them. At a time when the world was just starting to engage with electronic music and the technology was still primarily in the hands of music studios, universities, and corporations, her approach was both innovative and inspiring, encouraging anyone with an interest in music to think about the nature, capabilities and possibilities that the new sounds could bring. And her thinking was not limited to just the future of the orchestra, synthesizer, computer and home studio, but ventured, with great spirit and wit, into other realms of science, technology, culture and thought. An Individual Note is a playful yet compelling manifesto for the dawn of electronic music and for our individual capacity to use, experience and enjoy it.This new edition of An Individual Note features a specially commissioned introduction from the British composer, performer, roboticist and sound historian Sarah Angliss.

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First published in 1954, William Golding's debut novel, now a classic, is a stark story of survival, probing the depths of human nature, and what happens when civilization collapses. As dystopian stories like The Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned. This new educational edition provides supplementary material, chapter summaries, discussion questions and additional teaching resources to help guide students and support teachers throughout the text. When a plane crashes on a remote island, a group of schoolboys are the sole survivors. As the reality of their situation sets in, the boys attempt to establish control and their world gradually descends into brutal savagery. As Catcher in the Rye became the classic coming-of-age tale, Lord of the Flies is the classic story of innocence lost. A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond. The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be. All of these concerns are current today and can be easily related to the novel through effective teaching and learning. This new educational edition encourages original and independent thought from students, as well as guiding them through the text. The supplementary material includes a biographical section on William Golding, and his own interpretive essay 'Fable' on Lord of the Flies, as well as providing information about the novel's historical context, which will be ideal for students completing GCSE and A-Level courses as well as those studying the novel worldwide. At the end of the text there are chapter summaries, comprehension questions, discussion points and activities plus a glossary of less familiar words or phrases. All of these are intended to inspire and generate creative teaching, learning and love of the novel.

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'A gorgeous book with beautiful photos, and a historical document to boot.' - Steve Wright, BBC Radio 2Join Lady Carnarvon and discover the fascinating life behind the scenes at the 'real Downton Abbey'.Lady Carnarvon's love of history is richly rewarded at Highclere Castle with its mine of family records going back some 300 years. She has delved into the archives to create a book that invites you inside the Castle, past and present. Throughout the centuries, Highclere has welcomed Royalty, Statesmen, Egyptologists and pioneers of technology along with men and women from the worlds of music, art and letters. The etiquette of the invitation, the balance of guests at a weekend house party, their 'placement' at dinners, and the entertainment of friends, as well as the domestic management required to execute the perfect occasion, have all preoccupied successive generations of châtelaines. This book tells the story four real life weekends - from 1866 to 1936 - when the great and the good gathered at Highclere to change the world in some large or small part. It then reflects on how the current Countess entertains 'At Home' at Highclere today. Each weekend showcases the life of the house, both upstairs with the rich and famous and below stairs with the staff and employees. You are transported to a world where guests were collected from the long since defunct Highclere Station in carriages or later in the earliest cars having had the train stop specifically for them and where the allocation of the most prestigious bedrooms really did matter. It looks at what should be served for dinner, the hot topics of conversation and gossip, traditional breakfasts and shooting parties with the Prince of Wales. She explores how menus were, and still are now, put together with the chef, what were the de rigueur cocktails of the day (and why) - and how to make them at home wherever you are. Each chapter will explore some of the recipes and, where practical, have adaptations and photos of the recipes which can be cooked in today's kitchens. Many recipes are little-changed to this day and Lady Carnarvon shares her commentary on their context at Highclere.'Highclere works hard to steer a steady course in today's world, but the Castle was built for entertainment and pleasure, for convivial weekends. I hope this book gives a glimpse inside a great house, with mouth-watering recipes, eye-catching photographs and fascinating stories about some of the remarkable people who have stayed here.' - Lady Carnarvon

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A new exploration of the secular manuscripts and medieval medical texts associated with the York Guild and its members. Produced in 1486 and subsequently augmented, the Guild Book of the Barbers and Surgeons of York (British Library Egerton MS 2572) is a unique record of the knowledge, ambitions, activities and civic relationships maintained by the Barbers and Surgeons Guild over a period of 300 years. The manuscript's earliest folios contain images, astrological tracts, a plague treatise and a bloodletting poem. To these were added early modern ordinances and oaths, a series of royal portraits, and the names of the Guild's masters and apprentices. It is a rare survival of late medieval medical knowledge placed within a civic context. This new multi-disciplinary examination of the York Guild Book presents a comprehensive edition of its content and a detailed study of the creation and use of this fascinating manuscript. The York Guild Book was not owned by any one person but was intended to be representative of the types of manuscripts the Guild's members might have individually possessed. The Guild's commission elevated their manuscript's functional content into something which could be proudly owned and displayed, as is demonstrated by the stylishly executed pen and ink drawings, two of which are possibly unique. Through a contextualisation of the form and content of the manuscript, the book articulates ideas about material culture and the ceremonial role of secular manuscripts whilst shedding new light on the dissemination and status of medieval medical texts.

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Christmas at Battersea: True Stories of Miracles and Hope is full of heart-warming festive tales about the bond between man and animal, from Battersea Dogs and Cats Home.'Battersea Dogs & Cats Home never closes its doors, not even on Christmas Day' - Paul O'GradyOn Christmas Day this year, an army of dedicated volunteers will be making the day as special as possible for the four-legged residents of Battersea, with knitted jumpers for poorly puppies and turkey dinners for hungry kittens.Christmas at Battersea features tales of rescue from Battersea's staff, and of inspirational owners who find a place in their hearts and homes for abandoned pets.You'll meet:- Scrappie the mongrel puppy, left in a bin on the coldest day of the year- Shadow the Pug, whose loyalty helps a widow through her first Christmas alone- The litter of puppies named after Santa's reindeer, in urgent need of a home on Christmas Eve- Rosie the Staffie, rescued from a freezing lakeFeaturing tear-jerking but uplifting real life stories about the animals that have passed through Battersea's doors at Yule time, Christmas at Battersea is the perfect present for animal lovers.Battersea Dogs and Cats Home is the oldest and most-loved animal home in the country, caring for thousands of lost, abandoned or unwanted cats and dogs every year. Royalties from the sale of this book go towards supporting the work of Battersea Dogs and Cats Home (registered charity no. 206394).

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Since the last Ice Age, the only safe route into Canada's interior during the winter started at the Bay of Fundy and followed the main rivers north to the St. Lawrence River through what is now New Brunswick. Aboriginal people used this route as a major highway in all seasons and the great imperial powers followed their lead. The Grand Communications Route, as it was then called, was the only conduit for people, information and goods passing back and forth between the interior settlements and the wider world and became the backbone of empire for both England and France in their centuries of warfare over this territory. It was Joseph Robineau de Villebon, a commandant in Acadie, who first made strategic use of the route in time of war because he understood its importance in the struggle for North America. A strategic link between the Atlantic colonies and Quebec, the French made extensive use of the route to communicate and move troops between the northern settlements and Fort Beauséjour, Louisbourg, and Port-Royal. The British put great effort into maintaining and fortifying the route, building major coastal forts at Saint John to guard its entrance and erecting garrisons and blockhouses all along the way to the St Lawrence, first as a defence against the French and then to ward off the Americans. The route also played a key role in the American Revolution as well as the Aroostook War of 1839 that saw bodies of troops lining each side of the border extending from St. Andrews (NB) and Calais (ME) to Madawaska. In 1842, the Grand Communications Route and the Webster-Ashburton Treaty determined the location of the Canada—US border. It is still in use today: the Trans-Canada Highway and Route 7 follow its path. As well as telling the story of the Grand Communications Route from the earliest human habitation of the area, The Road to Canada describes the historic sites, forts, blockhouses and other historic remains that can still be visited today, including Martello Tower (Saint John), the Fort Hughes blockhouse (Oromocto), the Fort Fairfield blockhouse (Fort Fairfield, ME), Le Fortin du Petit-Sault (Edmundston), the Fort Kent blockhouse (Fort Kent, ME) and Fort Ingall (Cabano, QC). The Road to Canada is volume 5 in the New Brunswick Military Heritage Series.

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What role do objects play in crafting the religions of Southeast Asia and shaping the experiences of believers? The Spirit of Things explores religious materiality in a region marked by shifting boundaries, multiple beliefs, and trends toward religious exclusivism. While most studies of religion in Southeast Asia focus on doctrines or governmental policy, contributors to this volume recognize that religious "things"—statues, talismans, garments, even sacred automobiles—are crucial to worship, and that they have a broad impact on social cohesion. By engaging with religion in its tangible forms, faith communities reiterate their essential narratives, allegiances, and boundaries, and negotiate their coexistence with competing belief systems. These ethnographic and historical studies of Southeast Asia furnish us with intriguing perspectives on wider debates concerning the challenges of secularization, pluralism, and interfaith interactions around the world. In this volume, contributors offer rich ethnographic analyses of religious practices in the Philippines, Thailand, Malaysia, Vietnam, Indonesia, and Burma that examine the roles materiality plays in the religious lives of Southeast Asians. These essays demonstrate that religious materials are embedded in a host of practices that enable the faithful to negotiate the often tumultuous experience of living amid other believers. What we see is that the call for plurality, often initiated by government, increases the importance of religious objects, as they are the means by which the distinctiveness of a particular faith is "fenced" in a field of competing religious discourses. This project is called "the spirit of things" to evoke both the "aura" of religious objects and the power of material things to manifest "that which is fundamental" about faith and belief. Contributors: Julius Bautista, National University of Singapore; Sandra Cate, San Jose State University, California; Margaret Chan, Singapore Management University; Liana Chua, Brunel University, London; Cecilia S. de la Paz, University of the Philippines (Diliman); Alexandra de Mersan, Centre Asie du Sud-Est (Paris) and Institut National des Langues et Civilisations Orientales; Johan Fischer, Roskilde University, Denmark; Janet Hoskins, University of Southern California; Klemens Karlsson, KTH Royal Institute of Technology, Stockholm; Laurel Kendall, American Museum of Natural History and Columbia University, New York City; H. Leedom Lefferts, Drew University and Asian Civilisations Museum, Singapore; Nguyên Thi Thu Huong, Academic Council of the National Museum of History, Hanoi, and Vietnam Museum of Ethnology; Anthony Reid, Australian National University, University of California–Los Angeles, and National University of Singapore; Richard A. Ruth, United States Naval Academy; Kenneth Sillander, University of Helsinki; Vu Thi Thanh Tâm, Vietnam Museum of Ethnology; and Yeoh Seng Guan, Monash University, Malaysia

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'Powerful, vital and visionary' - Jimmy McGovern SOMETHING unusual happened in Britain during the spring of 2020. As the nation went into lockdown to fight a killer pandemic our view of what constituted a hero changed. Suddenly celebrity businessmen, actors, sports stars, singers, even royals seemed irrelevant. The people we were truly in awe of were the low-paid lifesavers, so much so that we stood outside our homes every Thursday to applaud them. As spring turned to summer and the Black Lives Matter movement gathered momentum, action was taken against those from past generations who had been feted, such as Bristol slave trader Edward Colston whose statue was hauled down. It felt as though the country was re-evaluating the notion of heroism. But how did we arrive at such a skewed version of it? 'Diamonds in the Mud' asks why the British have traditionally been taught to venerate kings and queens, generals and Eton-educated Prime Ministers, while, a few notable exceptions aside, those who changed history from below rarely got a look-in. It does so by telling the stories of a selection of working-class heroes the award-winning writer has met through life and journalism. Men and women who rose from humble backgrounds to change the world. Some in a huge way, others in a smaller way, but all made the people they came from immensely proud. From relentless matriarchs like Doreen Lawrence and the Hillsborough mothers to Omagh bomb victim Donna Marie McGillion whose stoicism told the men of terror they wouldn't win; from football men like Bill Shankly and Bob Paisley who brought their people joy to the Fans Supporting Foodbanks group and Marcus Rashford who fed the poor; from class warriors like Dennis Skinner to glass-ceiling breakers like Barbara Castle; from trade union leader Jack Jones who fought fascists in Spain to Muhammad Ali who inspired a generation of British black people to stand tall; from sacked dockers who opened a social justice hub for all-comers to NHS nurses who lost their lives on the Covid frontline as they battled to save others. The book argues that these are the type of heroes we should be teaching future generations about. That, perhaps, if children in state schools were taught about the achievements of those from the same class as them they would have a fraction of the confidence enjoyed by public school pupils and realise that they too have the capability to change the world. And maybe Britain would become less of a cap-doffing nation that teaches ordinary people the main thing they need to know is their place.

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Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department. In 1920 he moved to Johannesburg as acting Professor of Music at the then University College. He was soon appointed Professor of Music and stayed at the University of the Witwatersrand for 30 years. Kirby was a conductor, timpanist, flautist, composer, teacher, musicologist, scientist and an artist. As well as researching and writing on African music, he wrote the definitive book on the wreck of the Grosvenor. Kirby was concerned about the demise of traditional cultural practices of African people. Whilst at Wits, he was encouraged by his colleagues, people like Raymond Dart and Louis Maingard, to make a comprehensive study of the musical practices of the indigenous peoples of southern Africa. Between 1923 and 1933, supported by several study grants, he travelled thousands of miles, undertook more than nine special expeditions as well as many shorter excursions in his ancient Model T Ford to places like Pietersburg and Potgietersrus, to the area then known as Sekhukhuneland, Transvaal, and to Swaziland and Botswana. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of the instruments, and this collection is now known as the Kirby Collection and housed at the South African College of Music, University of Cape Town. The book Musical Instruments of the Native Races of South Africa, first published in 1934, was the culmination of these research trips. It has become the standard reference on indigenous South African musical instruments, but has been out of print for many years. This fourth edition, with a revised title, contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music programme at the South African College of Music, and new reproductions of the valuable historic photographs by Paff and others, but leaves Kirby’s original text unchanged.

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A comprehensive overview of preaching culture in eighteenth-century England. This book looks at the role of preaching culture in eighteenth-century England. Beyond the confines of churches, preaching was heard at political anniversaries and elections, thanksgiving and fast days, and society and charity meetings, all of which were major occasions on the English political and social calendars. Dozens of sermons were published each year, and the popularity of sermons, both from the pulpit and in print, make them crucial for understanding the role of religion in eighteenth-century society. To provide a broad perspective on preaching culture, this book focuses on print and manuscript evidence for preaching in London. London had a unique combination of preaching venues and audiences, including St. Paul's cathedral, parliament, the royal court, the corporation of London, London-based societies, and numerous parish churches and Dissenting meetinghouses. The capital had the greatest range of preaching anywhere in England. However, many of the developments in London reflected trends in preaching culture across the country. This was a period when English society experienced significant social, religious and political changes, and preachers' roles evolved in response to these changes. Early in the century, preachers were heavily engaged in partisan politics. However, as these party heats waned, they increasingly became involved with societies and charities that were part of the blossoming English urban culture. The book also explores the impact of sermons on society by looking at contemporary perceptions of preaching, trends in the publication of sermons, the process of the publication and the distribution of sermons, and the reception of sermons. It demonstrates how preachers of various denominations adapted to an increasingly literate and print-centred culture and the continuing vitality of oral preaching culture. The book will be of interest not only to scholars of religion and sermon literature, but also to those interested in eighteenth-century politics, urban society, oral and print cultures, and publishing. JENNIFER FAROOQ is an independent scholar.

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The first study to deal exclusively with the cult and the political theology underpinning it, taking the story up to 1859. The cult of King Charles the Martyr did not spring into life fully formed in January 1649. Its component parts were fashioned during Charles's captivity and were readily available to preachers and eulogists in the weeks and monthsafter the regicide. However, it was the publication of the Eikon Basilike in early February 1649 that established the image of Charles as a suffering, innocent king, walking in the footsteps of his Saviour to his own Calvary at Whitehall. The figure of the martyr and the shared set of images and beliefs surrounding him contributed to the survival of royalism and Anglicanism during the years of exile. With the Restoration the cult was given official status by the annexing of the Office for the 30th January in the Book of Common Prayer in 1662. The political theology underpinning the cult and a particular historiography of the Civil Wars were presented as the only orthodox reading of these events. Yet from the Exclusion Crisis onwards dissonant voices were heard challenging the orthodox interpretation. In these circumstances the cult began to fragment between those who retained the political theology of the 1650s and those who sought to adapt the cult to the changing political and dynastic circumstances of 1688 and 1714. This is the first study to deal exclusively with the cult and takes the story up until1859, the year in which the Office for the 30th January was removed from the Book of Common Prayer. Apart from discussing the origins of the cult in war, revolution and defeat it also reveals the extent to which politicaldebate in the late seventeenth and early eighteenth centuries was conducted in terms of the Civil Wars. It also goes some way to explaining the persistence of conservative assumptions and patterns of thought. ANDREW LACEY is currently Special Collections Librarian, University of Leicester, and College Librarian, Trinity Hall, Cambridge.

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The wager fragment in Blaise Pascal’s Penseés opens with the phrase "infini rien"—"infinite nothing"—which is meant to describe the human condition. Pascal was responding to what was, even in the seventeenth century, becoming a pressing human problem: we seem to be able to know much about the world but less about ourselves.The traditional European view of human beings as creatures made in the image of God and potentially capable of a mystical union with God was increasingly confounded by the difficulty of finding God in nature. Despite his own scientific work, however, Pascal argued that if one does not know whether or not God exists, one should bet that he does: if one is right the rewards are infinitely good and, if one is wrong, what one has lost is, by comparison, utterly trivial.The argument behind this wager is one of the most celebrated—and disputed—in the history of philosophy. It has been seen in terms of the calculus of probabilities, as a piece of religious apologetic, as an event in the religious and psychological life of Pascal himself, and as an event in the life of the Jansenist movement and its various expressions at Port-Royal.In this book, Leslie Armour explores the underlying logic of ideas brought to the surface by the intersection of two philosophical lines of thought. He shows that Pascal had come to philosophy by way of two particular strands of Platonism, one strongly mystical, associated with the founder of the French Oratorian order, Pierre de Bérulle, and the other the Augustinian Platonism associated with Duvergier de Hauranne and Cornelius Jansen. At the same time Pascal was engaged in an internal struggle with skepticism. While he agreed that it is difficult to find God in physical nature, he disagreed with the claim that we know nothing of nature. The problem is that the human being is both infinite and nothing.Thus, Armour locates Pascal’s wager within the confluence of a vital neo-Platonism and an intellectually powerful skepticism. He concludes that even today, "If we must act and cannot know enough, we must bet.

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Arising triumphantly from the ashes of its predecessor, the phoenix has been an enduring symbol of resilience and renewal for thousands of years. But how did this mythical bird become so famous that it has played a part in cultures around the world and throughout human history? How much of its story do we actually know? Here to offer a comprehensive biography and engaging (un)natural history of the phoenix is Joseph Nigg, esteemed expert on otherworldly creatures from dragons to gryphons to sea monsters. Beginning in ancient Egypt and traveling around the globe and through the centuries, Nigg's vast and sweeping narrative takes readers on a brilliant tour of the cross-cultural lore of this famous, yet little-known, immortal bird. Seeking both the similarities and the differences in the phoenix's many myths and representations, Nigg describes its countless permutations over millennia, including legends of the Chinese "phoenix," which was considered one of the sacred creatures that presided over China's destiny; classical Greece and Rome, where it can be found in the writings of Herodotus and Ovid; nascent and medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, the skepticism and speculation they've raised, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo, including for our own University of Chicago. Never beset by hardship or defeated by death, the phoenix is the ultimate icon of hope and rebirth. And in The Phoenix: An Unnatural Biography of a Mythical Beast, it finally has its due a complete chronicle worthy of such a fantastic and phantasmal creature. This entertaining and informative look at the life and transformation of the phoenix will be the authoritative source for anyone fascinated by folklore and mythology, re-igniting our curiosity about one of myth's greatest beasts.

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In this beautifully executed, concertina-fold book, Allen Jones RA explores the human form and how painting on a figure is a vastly different process, and has vastly different results, to painting from a figure. The first half of the book features detail photography of the artist’s sculpture series Waiting on Table. The second half concertinas out to reveal the front and back of one of Jones’s most prominent sculptures, A Muse, which can also be displayed as a wall hanging. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. “Painting on a figure is quite different from painting the figure” is an observation that Jones has grown to embrace, and one that has greatly informed his practice. Like the Romans, Jones has discovered that colour matters. Jones was elected a Royal Academician in 1986. He is one of Britain’s most distinguished artists from the pioneering Pop Movement, whose paintings and sculptures are held in many important international collections, including: Tate Gallery and the Victoria & Albert Museum in London, the Museum of Modern Art in New York, the Hirshhorn Museum and Sculpture Garden in Washington DC, the Museum of 20th-Century Art in Vienna, the Wallraf-Richartz Museum in Cologne, the Moderna Museet in Stockholm and the Stedelijk Museum in Amsterdam.Colour Matters is one of a collection of four artist’s books by Allen Jones that Black Dog Press is releasing in September 2022.

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Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

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The 11th edition of the market-leading atlas for primary school pupils, Philip's RGS Junior School Atlas has been fully revised and updated with all the latest facts and curriculum requirements.- The essential atlas for primary schools with clear and easy-to-follow maps and diagrams - updated for 2021/2022- Published in association with the Royal Geographical Society- Recommended for Key Stage 2 of the National Curriculum - and all 7-11 year olds - An excellent introduction to mapping concepts such as scale, direction, symbols, longitude and latitude- 22-page Britain and Ireland section with clear thematic charts, diagrams and large-scale regional maps- 22-page section on The World, with political maps - and thematic treatment of key themes, from volcanoes and earthquakes to transport and tourism- Continents section with physical and political maps- Easy-to-follow map references and 1,000-place indexThe market-leading atlas for pupils at primary schools, Philip's RGS Junior School Atlas is a stimulating and authoritative first introduction to the world of maps, and is recommended for Key Stage 2 of the National Curriculum.The introductory section describes the meaning of scale, how to measure distances using the maps, and explains the symbols on the maps.The following section is devoted to the United Kingdom and Ireland. Thematic maps cover topics such as mountains and rivers, climate and weather, population and cities, farming and fishing, industry and energy, transport, tourism and conservation. Regional maps of England and Wales, Scotland and Ireland complete this section.The rest of the atlas is made up of world thematic maps and world continental maps. Included are topics such as the world's climate, vegetation, agriculture, energy sources, and environmental concerns, such as global warming. A simple letter-figure index completes the atlas - a useful introduction to help the young reader find his/her way around the maps. Available in both Hardback and Paperback editions.

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In 1948, Hawker Aircraft, faced with new jet projects that could not use their existing airfield at Langley, began the process of searching for alternative accommodation for their flight-testing requirements. It would, however, take three hard years before Dunsfold Aerodrome would be made available by a reluctant Air Ministry and the company was able to launch its first jet aircraft design - the Sea Hawk - into series production for the Royal Navy, closely followed by the superlative Hunter. Hawker Aircraft would go on to produce nearly 2,000 Hunters before other projects came to the fore. As Hunter production continued in the late 1950s, the company looked to its successor - the Mach 2 capable air superiority fighter designated P.1121, though this would stall before flight in the wake of serious national financial short-falls. With the loss of its premier project, the company came upon a radical new engine proposal and schemed an aircraft around it capable of vertical take-off and landing. While many decried the proposal, claiming it would never amount to anything, the Harrier would go on to prove the nay-sayers wrong as it came into its own during the Falklands War. Following the Harrier, Hawker Siddeley stepped into the competitive trainer aircraft market with the Hawk for the RAF. After completion of the RAF requirement, Hawk was sold into air arms across the world, including the US Navy, an incredible achievement for a UK design. British Aerospace then brought forth the Harrier GR.5, the UK version of the US AV-8B, a completely upgraded and improved Harrier. One might expect that this prolific output was the result of some massive industrial plant in the Midlands rather than an isolated aerodrome tucked in the rural hinterland of south Surrey. Surrounded for most of its existence by secrecy, due to the nature of its work, Dunsfold has largely escaped the notice of the general public. This work shines a light on the remarkable work carried out there.

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'An outstanding page-turner . . . historical fiction at its absolute best' - Alison Weir'An engaging heroine . . . and Borman's depiction of Villiers, with all his ruthless charisma, is striking' - The Sunday Times_____________________________________________Frances Gorges seems destined to be happy at last. King James has apparently lost his appetite for hunting witches, so the medical skills and herbal knowledge that saw Frances accused of witchcraft no longer seem to hang over her like a death sentence. The King would rather be hunting stag and boar - and Frances's beloved husband Thomas is firmly established in the royal household as the Master of Buckhounds. Their family is growing and their estates are secure.But life at court is never without intrigue, jealousy and danger for long, and a new arrival turns the world upside down.George Villiers is a young man with the face of an angel - and as his many enemies are about to discover, the cunning heart of a devil.Soon James is totally in thrall to this charismatic new lover. All the King's former favourites are crushed by Villiers' lies and ruthless scheming. Thomas's life is made a misery and Frances is back under suspicion as Villiers - rapidly made the Earl of Buckingham - moves to secure the hand and fortune of her friend Katherine Manners.Appalled at the courtier's greed and ambition and the King's weakness and lust, Frances finds herself drawn back towards her old friend Sir Walter Raleigh and his last, desperate plot to see a Catholic monarch on the throne. And then her troubles really begin...The Fallen Angel is a standalone novel of thrilling power and emotional drama. It is also the concluding volume in the King's Witch trilogy, establishing Tracy Borman as one of our leading writers of historical fiction.'Unexpected twists and turns with every page . . . masterfully crafted' - Nicola Tallis'Lots of fascinating detail and insight into James's backstabbing court . . . enjoyable' - The Times'Lush, wholly convincing and utterly gripping. Fact and fiction have rarely been blent so seamlessly' - Sarah Gristwood

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This is the life story of one of the most interesting human beings who ever lived. A political genius who remade Europe and united Germany between 1862 and 1890 by the sheer power of his great personality. It takes the reader into close proximity with a human being of almost superhuman abilities. We see him through the eyes of his secretaries, his old friends, his neighbours, his enemies and the press. Otto von Bismarck 'made' Germany but never 'ruled' it. For twenty eight years he acted as a prime minister without a party. He made speeches, brilliant in content but hesitant in delivery, and rarely addressed a public meeting. He planned three wars and after a certain stage in his career always wore military uniform to which he had no claim. The 'Iron Chancellor', the image of Prussian militarism, suffered from hypochondria and hysteria. Contemporaries called him a 'dictator' and several observers credited him with 'demonic' powers'. They were not wrong. The sheer power of his remarkable 'sovereign sel' awed even his enemies. William I observed that it was hard to be emperor under a man like Bismarck. He towered physically and intellectually over his contemporaries. His spoken and written prose sparkled with wit, insight, grand visions and petty malice. He united Germany and transformed Europe like Napoleon before and Hitler after him but with neither their control of the state nor command of great armies. He was and remained a royal servant. This new biography explores the greatness and limits of a huge and ultimately destructive self. It uses the diaries and letters of his contemporaries to explore the most remarkable figure of the nineteenth century, a man who never said a dull thing or wrote a slack sentence. A political genius who combined creative and destructive traits, generosity and pettiness, tolerance and ferocious enmity, courtesy and rudeness - in short, not only the most important nineteenth-century statesman but by far the most entertaining.

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