Search results for ""ideals""

The veteran urban activist and author of the revolutionary Toxic Charity returns with a headline-making book that offers proven, results-oriented ideas for transforming our system of giving. In Toxic Charity, Robert D. Lupton revealed the truth about modern charity programs meant to help the poor and disenfranchised. While charity makes donors feel better, he argued, it often hurts those it seeks to help. At the forefront of this burgeoning yet ineffective compassion industry are American churches, which spend billions on dependency-producing programs, including food pantries. But what would charity look like if we, instead, measured it by its ability to alleviate poverty and needs? That is the question at the heart of Charity Detox. Drawing on his many decades of experience, Lupton outlines how to structure programs that actually improve the quality of life of the poor and disenfranchised. He introduces many strategies that are revolutionizing what we do with our charity dollars, and offers numerous examples of organizations that have successfully adopted these groundbreaking new models. Only by redirecting our strategies and becoming committed to results, he argues, can charity enterprises truly become as transformative as our ideals.

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This self-contained and comprehensive textbook of algebraic number theory is useful for advanced undergraduate and graduate students of mathematics. The book discusses proofs of almost all basic significant theorems of algebraic number theory including Dedekind’s theorem on splitting of primes, Dirichlet’s unit theorem, Minkowski’s convex body theorem, Dedekind’s discriminant theorem, Hermite’s theorem on discriminant, Dirichlet’s class number formula, and Dirichlet’s theorem on primes in arithmetic progressions. A few research problems arising out of these results are mentioned together with the progress made in the direction of each problem. Following the classical approach of Dedekind’s theory of ideals, the book aims at arousing the reader’s interest in the current research being held in the subject area. It not only proves basic results but pairs them with recent developments, making the book relevant and thought-provoking. Historical notes are given at various places. Featured with numerous related exercises and examples, this book is of significant value to students and researchers associated with the field. The book also is suitable for independent study. The only prerequisite is basic knowledge of abstract algebra and elementary number theory.

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From 'I Like Ike' to MAGA hats, branding and politics have gone hand in hand, selling ideas, ideals and candidates. Political Brands is a unique exploration of the legal framework for the use of commercial branding and advertising techniques in presidential political campaigns, as well as the impact of politics on commercial brands. As American federal courts have narrowed the definition of corruption and struck down laws that make lying illegal, branding techniques have been exploited for pernicious purposes. This interdisciplinary book also considers how Donald Trump won the election and used his branding talents to his advantage as both candidate and president. Examining how branding and the power of commercial boycotts can be used by citizens to change public policy, from Civil Rights activists in the 1960's to survivors of the 2018 Parkland massacre, this thought-provoking book navigates the branded American landscape. Containing unique coverage of campaign finance issues, this book will be of great interest to academics working in law, government and political science, with the exploration of the myriad of advertising techniques also making this a key resource for media law and business professors.

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In our digital world, data is power. Information hoarding businesses reign supreme, using intimidation, aggression, and force to maintain influence and control. Sarah Lamdan brings us into the unregulated underworld of these "data cartels", demonstrating how the entities mining, commodifying, and selling our data and informational resources perpetuate social inequalities and threaten the democratic sharing of knowledge. Just a few companies dominate most of our critical informational resources. Often self-identifying as "data analytics" or "business solutions" operations, they supply the digital lifeblood that flows through the circulatory system of the internet. With their control over data, they can prevent the free flow of information, masterfully exploiting outdated information and privacy laws and curating online information in a way that amplifies digital racism and targets marginalized communities. They can also distribute private information to predatory entities. Alarmingly, everything they're doing is perfectly legal. In this book, Lamdan contends that privatization and tech exceptionalism have prevented us from creating effective legal regulation. This in turn has allowed oversized information oligopolies to coalesce. In addition to specific legal and market-based solutions, Lamdan calls for treating information like a public good and creating digital infrastructure that supports our democratic ideals.

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Dutch artist Aernout Mik’s moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling, unsettling, peculiar and plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer’s physical relationship to his work a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist’s first US retrospective, this volume is a vivid exploration of Mik’s work and process. Laurence Kardish, MoMA’s Senior Curator in the Department of Film, discusses the unique, creative aspects of Mik’s installations that extend the traditional boundaries of media, while Michael Taussig, professor of anthropology at Columbia University, investigates how the artist’s work changes the way we see reality while reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist’s own drawings of works in the exhibition, Aernout Mik features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume about Mik and his work available in English.

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Producing Bollywood offers an unprecedented look inside the social and professional worlds of the Mumbai-based Hindi film industry and explains how it became "Bollywood," the global film phenomenon and potent symbol of India as a rising economic powerhouse. In this rich and entertaining ethnography Tejaswini Ganti examines the changes in Hindi film production from the 1990s until 2010, locating them in Hindi filmmakers' efforts to accrue symbolic capital, social respectability, and professional distinction, and to manage the commercial uncertainties of filmmaking. These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991. This restructuring has dramatically altered the country's media landscape, which quickly expanded to include satellite television and multiplex theaters. Ganti contends that the Hindi film industry's metamorphosis into Bollywood would not have been possible without the rise of neoliberal economic ideals in India. By describing dramatic transformations in the Hindi film industry's production culture, daily practices, and filmmaking ideologies during a decade of tremendous social and economic change in India, Ganti offers valuable new insights into the effects of neoliberalism on cultural production in a postcolonial setting.

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In her research on popular culture of the Vietnamese diaspora, Nhi T. Lieu explores how people displaced by war reconstruct cultural identity in the aftermath of migration. Embracing American democratic ideals and consumer capitalism prior to arriving in the United States, postwar Vietnamese refugees endeavored to assimilate and live the American Dream. In The American Dream in Vietnamese, she claims that nowhere are these fantasies played out more vividly than in the Vietnamese American entertainment industry.Lieu examines how live music variety shows and videos, beauty pageants, and Web sites created by and for Vietnamese Americans contributed to the shaping of their cultural identity. She shows how popular culture forms repositories for conflicting expectations of assimilation, cultural preservation, and invention, alongside gendered and classed dimensions of ethnic and diasporic identity.The American Dream in Vietnamese demonstrates how the circulation of images manufactured by both Americans and Vietnamese immigrants serves to produce these immigrants’ paradoxical desires. Within these desires and their representations, Lieu finds the dramatization of the community’s struggle to define itself against the legacy of the refugee label, a classification that continues to pathologize their experiences in American society.

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Winner of the 2010 Book Award from the New England Historical Association American constitutionalism represents this country’s greatest gift to human freedom, yet its story remains largely untold. For over two hundred years, its ideals, ideas, and institutions influenced different peoples in different lands at different times. American constitutionalism and the revolutionary republican documents on which it is based affected countless countries by helping them develop their own constitutional democracies. Western constitutionalism—of which America was a part along with Britain and France—reached a major turning point in global history in 1989, when the forces of democracy exceeded the forces of autocracy for the first time. Historian George Athan Billias traces the spread of American constitutionalism—from Europe, Latin America, and the Caribbean region, to Asia and Africa—beginning chronologically with the American Revolution and the fateful "shot heard round the world" and ending with the conclusion of the Cold War in 1989. The American model contributed significantly by spearheading the drive to greater democracy throughout the Western world, and Billias’s landmark study tells a story that will change the way readers view the important role American constitutionalism played during this era.

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Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.

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Migrating to reunite with family members is one of the most common forms of migration in the world today. This book focuses on the family reunion migration that takes place between mainland Chinese wives and their Hong Kong husbands in post-1997 Hong Kong. Despite sharing one formal citizenship status (that of the Peoples Republic of China) and strong similarities of culture, ethnicity, and history, mainland Chinese wives wait for periods of up to ten years to join their husbands and other family members in Hong Kong. Once there, they experience significant social and economic marginalization. Nicole Newendorp follows the paths these immigrant women take: from marriages to Hong Kong men and long periods of waiting, to the downward mobility and familial struggles they face in Hong Kong. When these immigrant women seek help from Hong Kong social workers and other government officials, they receive an education in the qualities of civility idealized in Hong Kong discourses of belonging. Throughout, the author focuses on the ways in which ideologies of membership are constructed in Hong Kong, and how these normative ideals influence mainland Chinese immigrants everyday experiences of inclusion and exclusion in Hong Kong.

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This book is the result of a long and fruitful conversation among practitioners of two very different fields: ancient history and political theory. The topic of the conversation is classical Greek democracy and its contemporary relevance. The nineteen contributors remain diverse in their political commitments and in their analytic approaches, but all have engaged deeply with Greek texts, with normative and historical concerns, and with each others' arguments. The issues and tensions examined here are basic to both history and political theory: revolution versus stability, freedom and equality, law and popular sovereignty, cultural ideals and social practice. While the authors are sharply critical of many aspects of Athenian society, culture, and government, they are united by a conviction that classical Athenian democracy has once again become a centrally important subject for political debate. The contributors are Benjamin R. Barber, Alan Boegehold, Paul Cartledge, Susan Guettel Cole, W. Robert Connor, Carol Dougherty, J. Peter Euben, Mogens H. Hansen, Victor D. Hanson, Carnes Lord, Philip Brook Manville, Ian Morris, Martin Ostwald, Kurt Raaflaub, Jennifer Tolbert Roberts, Barry S. Strauss, Robert W. Wallace, Sheldon S. Wolin, and Ellen Meiksins Wood.

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In Rousseau's Republican Romance, Elizabeth Wingrove combines political theory and narrative analysis to argue that Rousseau's stories of sex and sexuality offer important insights into the paradoxes of democratic consent. She suggests that despite Rousseau's own protestations, "man" and "citizen" are not rival or contradictory ideals. Instead, they are deeply interdependent. Her provocative reconfiguration of republicanism introduces the concept of consensual nonconsensuality--a condition in which one wills the circumstances of one's own domination. This apparently paradoxical possibility appears at the center of Rousseau's republican polity and his romantic dyad: in both instances, the expression and satisfaction of desire entail a twin experience of domination and submission. Drawing on a wide variety of Rousseau's political and literary writings, Wingrove shows how consensual nonconsensuality organizes his representations of desire and identity. She demonstrates the inseparability of republicanism and accounts of heterosexuality in an analysis that emphasizes the sentimental and somatic aspects of citizenship. In Rousseau's texts, a politics of consent coincides with a performative politics of desire and of emotion. Wingrove concludes that understanding his strategies of democratic governance requires attending to his strategies of symbolization. Further, she suggests that any understanding of political practice requires attending to bodily practices.

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This study of modern Japan engages the fields of art history, literature, and cultural studies, seeking to understand how the “beautiful woman” (bijin) emerged as a symbol of Japanese culture during the Meiji period (1868–1912). With origins in the formative period of modern Japanese art and aesthetics, the figure of the bijin appeared across a broad range of visual and textual media: photographs, illustrations, prints, and literary works, as well as fictional, critical, and journalistic writing. It eventually constituted a genre of painting called bijinga (paintings of beauties).Aesthetic Life examines the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the production of a national discourse on standards of Japanese beauty and art. As Japan worked to establish its place in the world, it actively presented itself as an artistic nation based on these ideals of feminine beauty. The book explores this exemplary figure for modern Japanese aesthetics and analyzes how the deceptively ordinary image of the beautiful Japanese woman—an iconic image that persists to this day—was cultivated as a “national treasure,” synonymous with Japanese culture.

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As direct descendants of the great courtier-poets Fujiwara no Shunzei (1114–1204) and his son Teika (1162–1244), the heirs of the noble Reizei house can claim an unbroken literary lineage that spans over eight hundred years. During all that time, their primary goal has been to sustain the poetic enterprise, or michi (way), of the house and to safeguard its literary assets.Steven D. Carter weaves together strands of family history, literary criticism, and historical research into a coherent narrative about the evolution of the Reizei Way. What emerges from this innovative approach is an elegant portrait of the Reizei poets as participants in a collective institution devoted more to the continuity of family poetic practices and ideals than to the concept of individual expression that is so central to more modern poetic culture.In addition to the narrative chapters, the book also features an extensive appendix of one hundred poems from over the centuries, by poets who were affiliated with the Reizei house. Carter’s annotations provide essential critical context for this selection of poems, and his deft translations underscore the rich contributions of the Reizei family and their many disciples to the Japanese poetic tradition.

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Winner of the American Historical Association’s 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press’s parallel fight for a multiracial democracy of equality, justice, and opportunity for all—a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii

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Laying waste to the notion that Abner Doubleday established the modern game of baseball, acclaimed biographer Jay Martin makes a bold case for A. J. Cartwright (1820-1892), an entrepreneur, philanthropist, and avid ballplayer whose keen perception and restless spirit codified the rules of the sport and engineered its rapid spread throughout the country. Consulting Cartwright's personal correspondence and papers, Martin shows how this American archetype synthesized a number of elements from popular ballgames into the program, bylaws, and positions we find on the field today. After formalizing his blueprint, Cartwright worked tirelessly to promote baseball nationwide, appealing to both upper- and lower-class spectators and ballplayers and weaving a trail of influence across nineteenth-century America. Addressing the controversy that has roiled for years around the claims for Doubleday and Cartwright, Martin revisits the original arguments behind each camp and throws into sharp relief the competing ambitions of these figures during a time of aggressive westward expansion and unparalleled opportunities for individual reinvention. Martin's story of modern baseball not only offers a fascinating window into a thoroughly American phenomenon but also accesses a rare history of American ideals.

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Fritz Block (1889-1955) was one of the most dedicated proponents of Germany's postwar New Building movement. From 1929, he also used the medium of photography to express the impulse of modernism along the ideals of New Objectivity and New Vision, travelling as a photojournalist to Paris, Marseille, and North Africa, as well as in 1931 to the United States. Being of Jewish origin, Block was banned from working as an architect and publishing his photographs in Germany by the Nazis in 1933. He subsequently turned entirely to photography on extensive trips abroad, and eventually emigrated to America in 1938. After his arrival in Los Angeles, he focused on colour slides for educational purposes that characterised his work from 1940 to 1955. He produced a particularly innovative series depicting California's architectural modernism, which was widely distributed throughout the United States. The first book on Block's work in photography features a vast range of images from his entire career. Vividly illustrated with some 450 photographs, including many in full colour and published here for the first time, Photo-Eye Fritz Block demonstrates Block's significance in modern photography.

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E.A. Judge's collection of Augustan and New Testament essays explores the intersection of the social practices of the first Christians in the eastern Mediterranean basin with the Roman world. In the first part of the collection, Judge examines the Augustan principate against the competitive culture of the republican noble houses. Because of the unparalleled ascendancy of the Julian house, Augustus progressively acquired an eschatological aura as a ruler. The imperial propaganda emphasized more his status than his official rank and presented him as the culmination of the famous republican houses, replenishing their leadership with new blood. These historical studies on Augustus and his times are invaluable not only for ancient historians but also for New Testament scholars wishing to situate Paul's letters in their Julio-Claudian context. The remainder of the collection is devoted to the collisions and social perceptions that emerged as the first Christians encountered their Jewish, Roman and Greek neighbours in various situations. Tensions and misunderstandings were inevitable because of the distinctive ethos of the first believers, the 'novelty' of their beliefs and practices, and the transformative impact of the house churches upon contemporary educational ideals and social relations.

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Written with droll wit and lyrical elegance, this visionary book challenges the chorus of resignation-the notion that there is no alternative, that profit is the best relationship between people, and that the market guarantees democracy. Daniel Singer insists that a more free and egalitarian society can be won, and he predicts that the new millennium will be an age of confrontation, not consensus, with Western Europe as a probable first battlefield. In social criticism of rare scope and insight, Singer probes the outcome of the Russian Revolution and Russia's post-1989 turmoil, the transformation of the Polish trade union movement Solidarity into a reactionary and clerical force, the failure of social democracy in Western Europe, the emergence of an unbalanced world after the collapse of one superpower, and the massive 1995 strikes and demonstrations in France-which, Singer argues, were the first revolt against the prevailing idea that there is no alternative to market stringency. As alternative, Singer calls for "realistic utopia": a politics engaged with present-day possibilities but daring to pursue a world beyond capitalism, one that would put into consistent practice the ideals of democracy and equality.

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Beyond Good and Evil is Nietzsche's first sustained philosophical treatment of issues important to him. Unlike the expository prose of the essayistic period (1872-76), the stylized forays and jabs of the aphoristic period (1878-82), and the lyrical-philosophical rhetoric of the Zarathustra-period (1882-85), Beyond Good and Evil inscribes itself boldly into the history of philosophy, challenging ancient and modern notions of philosophy's achievements and insisting on a new task for "new philosophers." This is a watershed book for Nietzsche and for philosophy in the modern era. On the Genealogy of Morality applies Nietzsche's celebrated genealogical method, honed in the earlier aphoristic writings, to the problem of morality's influence on the human species. In three treatises that strikingly anticipate insights appearing much later in Freud's Civilization and Its Discontents (1930), Nietzsche provides an anthropological psychograph of our species, revealing the origins of the concepts of good and evil, the roles played by guilt and bad conscience, and the persistence of ascetic ideals. Manifesting a hopeful yet unsentimental assessment of the human condition, these books resonated throughout the 20th century and continue to exert broad appeal.

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Exodus, Reckoning, Sacrifice offers a very different take on Brexit to those found in most news segments or opinion pieces. Kalypso Nicolaïdis, Professor of International Relations at Oxford University, examines Britain's relationship with the EU through the lens of Greek mythology, using three key archetypes to analyse the differing visions of the world that have clashed so dramatically over this issue.'Exodus' makes Brexit a story about British exceptionalism; both a British problem and a testimony to the EU’s incapacity to accommodate exceptions. 'Reckoning'brings the story back to the EU’s shores, with Brexit a harbinger of terrible truths which we lump together under the easy label of euroscepticism. And 'Sacrifice' contends with the ironic possibility that after and perhaps because of Brexit, the EU will live up to the pluralist ideals that define both the best of Britain and the best of Europe.Ultimately, the book contains a plea for acknowledging each other’s stories, with their many variants, ambiguities and contradictions. And in this spirit of recognition, it calls for a mutually respectful, do-no-harm Brexit – the smarter, kinder and gentler Brexit possible in our hard-edged epoch of resentment and frustration.

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This Very Short Introduction provides a concise, accurate, and lively portrait of Napoleon Bonaparte's character and career, situating him firmly in historical context. David Bell emphasizes the astonishing sense of human possibility--for both good and ill--that Napoleon represented. By his late twenties, Napoleon was already one of the greatest generals in European history. At thirty, he had become absolute master of Europe's most powerful country. In his early forties, he ruled a European empire more powerful than any since Rome, fighting wars that changed the shape of the continent and brought death to millions. Then everything collapsed, leading him to spend his last years in miserable exile in the South Atlantic. Bell emphasizes the importance of the French Revolution in understanding Napoleon's career. The revolution made possible the unprecedented concentration of political authority that Napoleon accrued, and his success in mobilizing human and material resources. Without the political changes brought about by the revolution, Napoleon could not have fought his wars. Without the wars, he could not have seized and held onto power. Though his virtual dictatorship betrayed the ideals of liberty and equality, his life and career were revolutionary.

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This is an essential resource for nursing classrooms, in-service training, workshops and conferences, self-study, and wherever nursing professionals use ANA’s Code of Ethics for Nurses with Interpretive Statements in their daily practice. Each chapter of this comprehensively revised text is devoted to a single Code provision, including: Key ethical concepts. Theories and models of ethical decision-making. Historical, professional and societal issues, trends and other influences. Each interpretive statement’s contribution to interpreting and applying the provision examples and illustrative cases, based on real situations, to facilitate study and discussion. Bibliographic Web links to key national and international documents. For convenience of reference, the text of ANA’s Code of Ethics for Nurses with Interpretive Statements is included as an appendix. This book will challenge each nurse to achieve deeper professional and personal understanding, and will provide a foundation for professional pride. From the classroom to professional practice, nurses in all roles or settings will find this book to be a powerful tool for learning how to examine and apply the values, duties, ideals and commitments of their living ethical tradition to their practice.

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In the mid-twentieth century, decolonization fundamentally changed foreign relations as it converged with Black and Brown freedom movements, the establishment of the United Nations and NATO, an exploding Cold War, and a burgeoning world human rights movement. Dramatic events swept through Africa at a furious pace, with fifty nations gaining independence in roughly fifty years, as the struggle against colonial rule fundamentally reshaped the world and the lives of the majority of the world's population. Meanwhile, the United States emerged as the most powerful and influential nation in the world, with the ability—politically, economically, militarily, and morally—to help or hinder the transformation of the African continent. Tears, Fire, and Blood offers a sweeping history of how the United States responded to decolonization in Africa. James H. Meriwether explores how Washington, grappling with national security interests and racial prejudices, veered between strengthening African nationalist movements seeking majority rule and independence and bolstering anticommunist European allies seeking to maintain white rule. Events in Africa helped propel the Black freedom struggle around the world and ultimately forced the United States to confront its support for national ideals abroad as it fought over how to achieve equality at home.

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After almost 50 years, Jainism is set to return to the Rietberg Museum in an exhibition that offers a new take on the religion. The catalogue will show works from the museum’s own collection and loans from India including lavishly illuminated manuscripts and imposing sculptures that reveal Jain ideas and ideals that evolved over many centuries. The catalogue also examines contemporary practices among this small, but economically influential religious community that is found around the world, yet is hardly known outside India. Furthermore, the catalogue will explore the contribution that the living tradition of Jainism with its long and varied history can make to resolve the fundamental challenges the world faces today: climate change, rampant consumerism, ethnic and religious intolerance, and social inequality. Combining masterpieces of Jain art and short films on Jain practices as well as discussions with Jains from all spheres of life – religious leaders and laypersons active in business, culture, and politics – this catalogue promises insights into the particular lifestyle fostered by Jainism. Visitors are encouraged to engage with new ideas, reflections, and discussions about what good, healthy, and sustainable living can look like.

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Detailed readings of four major medieval cycles. This is a study of four colossal medieval works - the Cycle de Guillaume d'Orange, the Vulgate Cycle, the Prose Tristan and the Roman de Renart - which are normally considered separately. By placing them side-by-side for analysis, Luke Sunderland is able to argue for an aesthetic of cyclicity that cuts across genre. He combines detailed readings of the narrative infrastructure of each cycle with attention to the shifts and transformations that come with successive acts of rewriting. Old French Narrative Cycles focuses in particular on revisions and controversies around heroic figures, arguing that competition between alternative heroes within these texts makes them a discourse on heroism. Using a theoretical framework deriving from Lacanian psychoanalysis, the study reveals anxieties surrounding the hero's relationship to the "good": the hero oscillates between support for moral ideals and subversive assertions of freedom that can lead to evil and death. Ultimately, it is contended that the instability of the hero as conduit for morality produces textual confusion and generates the myriad differing versions of these vast and perplexing works. LUKE SUNDERLAND is Lecturer in the School of Modern Languages and Cultures, University of Durham.

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This authoritative book explores copyright and trade in the Pacific Rim under the Trans-Pacific Partnership (TPP), a mega-regional trade deal. Offering a perceptive critique of the TPP, Matthew Rimmer highlights the dissonance between Barack Obama's ideals that the agreement would be progressive and comprehensive and the substance of the trade deal. Rimmer considers the intellectual property chapter of the TPP, focusing on the debate over copyright terms, copyright exceptions, intermediary liability, and technological protection measures. He analyses the negotiations over trademark law, cybersquatting, geographical indications, and the plain packaging of tobacco products. The book also considers the debate over patent law and access to essential medicines, data protection and biologics, access to genetic resources, and the treatment of Indigenous intellectual property. Examining globalization and its discontents, the book concludes with policy solutions and recommendations for a truly progressive approach to intellectual property and trade.This book will be a valuable resource for scholars and students of intellectual property law, international economic law, and trade law. Its practical recommendations will also be beneficial for practitioners and policy makers working in the fields of intellectual property, investment, and trade.

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The Dhufar Revolution was fought between 1965–1976, in an attempt to depose Oman's British-backed Sultan and advance social ideals of egalitarianism and gender equality. Dhufar, the southernmost governorate in today's Sultanate, captured global attention for its revolutionaries and their liberation movement's Marxist-inspired social change. But following counterinsurgency victory, Oman's government expunged the revolution from sanctioned historical narratives. Afterlives of Revolution offers a groundbreaking study of the legacies of officially silenced revolutionaries. How do their underlying convictions survive and inspire platforms for progressive politics in the wake of disappointment, defeat, and repression? Alice Wilson considers the "social afterlives" of revolutionary values and networks. Veteran militants have used kinship and daily socializing to reproduce networks of social egalitarianism and commemorate the revolution in unofficial ways. These afterlives revise conventional wartime and postwar histories. They highlight lasting engagement with revolutionary values, the agency of former militants in postwar modernization, and the limitations of government patronage for eliciting conformity. Recognizing that those typically depicted as coopted can still reproduce counterhegemonic values, this book considers a condition all too common across Southwest Asia and North Africa: the experience of defeated revolutionaries living under the authoritarian state they once contested.

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The Dhufar Revolution was fought between 1965–1976, in an attempt to depose Oman's British-backed Sultan and advance social ideals of egalitarianism and gender equality. Dhufar, the southernmost governorate in today's Sultanate, captured global attention for its revolutionaries and their liberation movement's Marxist-inspired social change. But following counterinsurgency victory, Oman's government expunged the revolution from sanctioned historical narratives. Afterlives of Revolution offers a groundbreaking study of the legacies of officially silenced revolutionaries. How do their underlying convictions survive and inspire platforms for progressive politics in the wake of disappointment, defeat, and repression? Alice Wilson considers the "social afterlives" of revolutionary values and networks. Veteran militants have used kinship and daily socializing to reproduce networks of social egalitarianism and commemorate the revolution in unofficial ways. These afterlives revise conventional wartime and postwar histories. They highlight lasting engagement with revolutionary values, the agency of former militants in postwar modernization, and the limitations of government patronage for eliciting conformity. Recognizing that those typically depicted as coopted can still reproduce counterhegemonic values, this book considers a condition all too common across Southwest Asia and North Africa: the experience of defeated revolutionaries living under the authoritarian state they once contested.

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Race, Ethnicity, and the Participation Gap begins with the argument that political institutions in settler and culturally diverse societies such as Australia, the United States, and Canada should mirror their culturally diverse populations. Compared to the United States and Canada, however, Australia has very low rates of immigrant and ethnic minority political representation in the Commonwealth Parliament, particularly in the House of Representatives. The overall existence of racial hierarchies within formal political institutions represents an inconsistency with the democratic ideals of representation and accountability in pluralist societies. Drawing on findings from the United States, Canada, and Australia, Juliet Pietsch reveals that the lack of political representation in Australia is significant when compared to the United States and Canada, revealing a serious democratic deficit. Her book is devoted to exploring this central puzzle: why is it that, despite having a similar history to other settler countries, Australia shows such comparatively low rates of political participation among its immigrant and ethnic minority populations from non-British and European backgrounds? In addressing this crucial question, Race, Ethnicity, and the Participation Gap examines the impact of Australia’s alternative path on the political representation of immigrants and ethnic minorities.

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Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.

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Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.

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Producing Bollywood offers an unprecedented look inside the social and professional worlds of the Mumbai-based Hindi film industry and explains how it became "Bollywood," the global film phenomenon and potent symbol of India as a rising economic powerhouse. In this rich and entertaining ethnography Tejaswini Ganti examines the changes in Hindi film production from the 1990s until 2010, locating them in Hindi filmmakers' efforts to accrue symbolic capital, social respectability, and professional distinction, and to manage the commercial uncertainties of filmmaking. These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991. This restructuring has dramatically altered the country's media landscape, which quickly expanded to include satellite television and multiplex theaters. Ganti contends that the Hindi film industry's metamorphosis into Bollywood would not have been possible without the rise of neoliberal economic ideals in India. By describing dramatic transformations in the Hindi film industry's production culture, daily practices, and filmmaking ideologies during a decade of tremendous social and economic change in India, Ganti offers valuable new insights into the effects of neoliberalism on cultural production in a postcolonial setting.

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Ordinary Genomes is an ethnography of genomics, a global scientific enterprise, as it is understood and practiced in the Netherlands. Karen-Sue Taussig’s analysis of the Dutch case illustrates how scientific knowledge and culture are entwined: Genetics may transform society, but society also transforms genetics. Taussig traces the experiences of Dutch people as they encounter genetics in research labs, clinics, the media, and everyday life. Through vivid descriptions of specific diagnostic processes, she illuminates the open and evolving nature of genetic categories, the ways that abnormal genetic diagnoses are normalized, and the ways that race, ethnicity, gender, and religion inform diagnoses. Taussig contends that in the Netherlands ideas about genetics are shaped by the desire for ordinariness and the commitment to tolerance, two highly-valued yet sometimes contradictory Dutch social ideals, as well as by Dutch history and concerns about immigration and European unification. She argues that the Dutch enable a social ideal of tolerance by demarcating and containing difference so as to minimize its social threat. It is within this particular construction of tolerance that the Dutch manage the meaning of genetic difference.

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Cowboys are an American legend, but despite ubiquity in history and popular culture, misperceptions abound. Technically, a cowboy worked with cattle, as a ranch hand, while his boss, the cattleman, owned the ranch. Jacqueline M. Moore casts aside romantic and one-dimensional images of cowboys by analyzing the class, gender, and labor histories of ranching in Texas during the second half of the nineteenth century. As working-class men, cowboys showed their masculinity through their skills at work as well as public displays in town. But what cowboys thought was manly behavior did not always match those ideas of the business-minded cattlemen, who largely absorbed middle-class masculine ideals of restraint. Real men, by these standards, had self-mastery over their impulses and didn’t fight, drink, gamble or consort with "unsavory" women. Moore explores how, in contrast to the mythic image, from the late 1870s on, as the Texas frontier became more settled and the open range disappeared, the real cowboys faced increasing demands from the people around them to rein in the very traits that Americans considered the most masculine. Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

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Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for "doing politics," and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears. Camp Sites considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

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Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for "doing politics," and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears. Camp Sites considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

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Since the very beginning, Confucianism has been troubled by a serious gap between its political ideals and the reality of societal circumstances. Contemporary Confucians must develop a viable method of governance that can retain the spirit of the Confucian ideal while tackling problems arising from nonideal modern situations. The best way to meet this challenge, Joseph Chan argues, is to adopt liberal democratic institutions that are shaped by the Confucian conception of the good rather than the liberal conception of the right. Confucian Perfectionism examines and reconstructs both Confucian political thought and liberal democratic institutions, blending them to form a new Confucian political philosophy. Chan decouples liberal democratic institutions from their popular liberal philosophical foundations in fundamental moral rights, such as popular sovereignty, political equality, and individual sovereignty. Instead, he grounds them on Confucian principles and redefines their roles and functions, thus mixing Confucianism with liberal democratic institutions in a way that strengthens both. Then he explores the implications of this new yet traditional political philosophy for fundamental issues in modern politics, including authority, democracy, human rights, civil liberties, and social justice. Confucian Perfectionism critically reconfigures the Confucian political philosophy of the classical period for the contemporary era.

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The global web and its digital ecosystem can be seen as tools of emancipation, communication, and spreading knowledge or as means of control, fueled by capitalism, surveillance, and geopolitics.The Digital Frontier interrogates the world wide web and the digital ecosystem it has spawned to reveal how their conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Sangeet Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation states. In analyzing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.

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The global web and its digital ecosystem can be seen as tools of emancipation, communication, and spreading knowledge or as means of control, fueled by capitalism, surveillance, and geopolitics.The Digital Frontier interrogates the world wide web and the digital ecosystem it has spawned to reveal how their conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Sangeet Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation states. In analyzing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.

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The Story of the Stone(also known as The Dream of the Red Chamber), completed in the mid-eighteenth century by Cao Xuegin, is considered China's greatest novel-but its length and narrative complexity have proven daunting to many modern readers. Now, esteemed scholar of Asian literature Dore J. Levy introduces this timeless work to first-time readers, while also presenting a new method of comparative interpretation for advanced students and scholars. Drawing from literary theory, sociology, religion, and medicine, Levy explores how the classic novel confronts the chasm between social, emotional, and spiritual ideals and their translation into day-to-day reality. This illuminating work unpacks The Story of the Stone based on the interpretation of four major themes: the inversion of traditional family dynamics, which constitutes the novel's social framework; the function of illness and medicine in a society where Buddhist notions of karma and retribution exist alongside pragmatic notions of the human body that make up traditional Chinese medicine; the role of poetry in the social structure of dynastic Chinese society; and the use of poetry as a vehicle for spiritual liberation

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From the bestselling author of My Dear, I Wanted to Tell You and The Heroes’ Welcome, Louisa Young's Devotion is a novel of family, love, race and politics set during the electric change of the 1930s. Tom loves Nenna. Nenna loves her father. Her father loves Mussolini. Ideals and convictions are not always so clear in the murky years between the end of the First World War and the beginning of the Second. For Tom and Kitty Locke, children of the damaged WW1 generation, visiting their cousin Nenna in Rome is a pure joy. For their adoptive parents Nadine and Riley, though, the ground is still shifting underfoot. Nobody knew in 1919 that the children they were bearing would be just ripe for the next war in 1939; nobody knew, in 1935, the implications of an Italian Jewish family supporting Mussolini. Meanwhile Peter Locke and Mabel Zachary have found each other again together in London, itself a city reborn but riddled with its own intolerances. As the heat rises across Europe, voices grow louder and everyone must brace once more to decide what should bring them together, and what must drive them apart.

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Black Cosmopolitans examines the lives and thought of three extraordinary black men—Jacobus Capitein, Jean-Baptiste Belley, and John Marrant—who traveled extensively throughout the eighteenth-century Atlantic world. Unlike millions of uprooted Africans and their descendants at the time, these men did not live lives of toil and sweat in the plantations of the New World. Marrant was born free, while Capitein and Belley became free when young, and this freedom gave them not only mobility but also the chance to make significant contributions to print culture. As public intellectuals, Capitein, Belley, and Marrant developed a cosmopolitan vision of the world anchored in the republican ideals of civic virtue and communal life, and so helped radicalize the calls for freedom that were emerging from the Enlightenment.Relying on sources in English, French, and Dutch, Christine Levecq shows that Calvinism, the French Revolution, and freemasonry were major inspirations for this republicanism. By exploring these cosmopolitan men's connections to their black communities, she argues that the eighteenth-century Atlantic world fostered an elite of black thinkers who took advantage of surrounding ideologies to spread a message of universal inclusion and egalitarianism.

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From the Silk Road to the Space Race and beyond, this illustrated book for kids captures key turning points in human history.Every page of this book brings history alive, exploring major moments of the past in an unforgettable way. You will find out how the Indus Valley civilization came up with the world's first sewage system, the ideals behind the ancient Olympics Games, and what led to the Cuban Missile Crisis. Pioneering activists are also featured, such as Dr Martin Luther King, Nelson Mandela, and Rosa Parks - incredible people who bravely fought for equality in the society. Adorned with iconic images and beautiful illustrations, the book details the deadliest wars, including Roman conquests and World War II. It also follows the story of human exploration and some of the greatest scientific discoveries, such as Newton's laws of motion. Also included are some of the terrible events of human history, such as the sinking of the Titanic, the partition of India, South African Apartheid, and 9/11. Packed with all the key social, political, economical, and technological events that have shaped our modern world, 100 Events That Made History is the book for young history buffs everywhere.

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A well written, interesting biography of a man, who fought for liberal ideals and for progress in Central Europe but was forced to spend the latter half of his life in America. Oscar Jaszi was a historian, political theorist and sociologist, who dedicated his tremendous intellect to modern democracy in Hungary. Exiled from his homeland, Jaszi's moral courage stood strong against the political tyranny and totalitarianism of the interwar period that nearly destroyed Hungary's political and social foundations. From his early years in Budapest to his later life as professor at Oberlin College in Ohio, he worked tirelessly for what he described as "a new moral, social, and economic synthesis is needed." The life of Oscar Jaszi represents one of the great triumphs of reason over violence, regardless of the defeat of his vision for a 'Danubian Federation,' and his subsequent exile. His vow to not be buried in an undemocratic Hungary was kept, and as his country emerged from the ruins of the Soviet block, his remains were transferred to Budapest in 1991, a symbol of his lasting philosophy and the spirit of his will.

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Dirk Wynants (1964) is the founder and owner of Extremis, the innovative Belgian design label. He is also the company's head designer and devised the powerful branding concept 'Tools for Togetherness'. Extremis gained an international reputation as a trendsetter in outdoor furniture in just a few years, and this success story is closely linked to the inspired personality and ideals of its entrepreneur-designer. He considers contemporary design more than simply a matter of trendy and attractive objects; it is all about innovative solutions that can make the world a better place. Since 2007 Dirk Wynants Design Works or (dw)2 has been an independent entity and is open to design assignments from outside Extremis. Since Extremis was launched in 1994, Dirk Wynants has won countless international awards (e.g. the Henry Van de Velde Award, the iF and Red Dot Awards, Good Design, IDEA, DME and so on). The design critic Chris Meplon has been keeping a close eye on the Belgian and international design scene for years. Her purpose in this book is to discover the secrets behind the unique success story of the pioneering Extremis company.

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Caroline Bachmann is one of Switzerland’s foremost contemporary artists. Alongside her independent work in painting and drawing, she has also formed one half of the artist duo Bachmann Banz, together with Stefan Banz, since 2004. Together, the two founded the Kunsthalle Marcel Duchamp — The Forestay Museum of Art in Cully, Switzerland, in 2009. In 2013, Bachmann reinvented herself as an artist and turned to classical themes of painting. She engages deeply with the genres of portraiture, still life, and history painting and takes up existential questions of the metaphysical and the sacred, creating compositions that strive not for a materialistic grasp of reality, but for a depiction of the spiritual dimension of existence. This first comprehensive and richly illustrated monograph traces Caroline Bachmann’s extraordinary journey through the medium of painting. Essays by renowned experts on Bachmann's work and on contemporary Swiss art, as well as a conversation with the artist, reveal a creative self-discovery that is shaped by the ideals of artistic idols such as Marcel Duchamp, Louis Michel Eilshemius, and Arthur Dove, and set in motion by the courage to reinvent herself through subject, technique, and material. Text in English and French.

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Grounded in cutting-edge science but translated for people who speak emoji, Find Your Fuckyeah disrupts the warm and fuzzy "personal growth" fads made fashionable by mock gurus and self-proclaimed #selfcare experts. This bold guide combines humor, pop culture, and psychology to show us why the one-size-fits-all success formulas and trendy morning routines keep us caught in a cycle of boredom and stress, never fully sustaining our happiness. With hard science, guided experiments, and modern wisdom—from Beyoncé to Carl Jung—Alexis Rockley takes us step-by-step through the biological, cultural, and social factors that create our self-limiting beliefs. Debunking self-sabotaging ideals like "You Are a Living Brand" and "You Have One Calling," Rockley encourages us to discover our real, uncensored selves and find a sense of purpose, even when we don't have all the answers. For those of us tired of feeling the pressure to be better, do more, and work faster—to self-optimize and fall in line—Find Your Fuckyeah teaches us how to find joy where we are right now and to let our genuine self-expression guide us.

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