Search results for ""ideals""

Since the end of WWI, one party has held the momentum of political and social change in south Wales: the Labour Party. Its triumph was never fully guaranteed. It came quickly amidst a torrent of ideas, actions, and war. But the result was a vibrant, effective and long- lasting democracy. The result was Labour Country. In this bold, controversial book, Daryl Leeworthy takes a fresh and provocative look at the struggle through radical political action for social democracy in Wales. The reasons for Labour's triumph, he argues, lay in radical pragmatism and an ability to harness lofty ideals with meaningful practicality. This was a place of dreamers as well as doers. The world of Arthur Horner and Aneurin Bevan. And yet, as the author shows, this history is now over. Although a trajectory leads from the end of the Miners' Strike both to the advent of devolution and the circumstances that led to the Brexit vote in 2016, these are exits from Labour Country, not a continuation. Sustained by a powerful synthesis of scholarship and original research, passionate and committed, this book brings the cubist epic of south Wales and its politics to life.

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Winner of the Booker Prize, the beautiful, romantic and gorgeously philosophical Hotel du Lac by Anita Brookner is part of our Penguin Essential series which spotlights the very best of our modern classics'The Hotel du Lac was a dignified building, a house of repute, a traditional establishment, used to welcoming the prudent, the well-to-do, the retired, the self-effacing, the respected patrons of an earlier era'Into the rarefied atmosphere of the Hotel du Lac timidly walks Edith Hope, romantic novelist and holder of modest dreams. Edith has been exiled from home after embarrassing herself and her friends. She has refused to sacrifice her ideals and remains stubbornly single. But among the pampered women and minor nobility Edith finds Mr Neville, and her chance to escape from a life of humiliating loneliness is renewed . . .'A classic . . . a book which will be read with pleasure a hundred years from now' Spectator'Humorous, witty, touching and formidably clever' The Times'Hotel du Lac is written with a beautiful grave formality, and it catches at the heart' Observer'So sure and so quietly commanding' Hilary Mantel, Guardian

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Winner of the Booker Prize'The Hotel du Lac was a dignified building, a house of repute, a traditional establishment, used to welcoming the prudent, the well-to-do, the retired, the self-effacing, the respected patrons of an earlier era'Into the rarefied atmosphere of the Hotel du Lac timidly walks Edith Hope, romantic novelist and holder of modest dreams. Edith has been exiled from home after embarrassing herself and her friends. She has refused to sacrifice her ideals and remains stubbornly single. But among the pampered women and minor nobility Edith finds Mr Neville, and her chance to escape from a life of humiliating loneliness is renewed . . .'A classic . . . a book which will be read with pleasure a hundred years from now' Spectator'A smashing love story. It is very romantic. It is also humorous, witty, touching and formidably clever' The Times'Hotel du Lac is written with a beautiful grave formality, and it catches at the heart' Observer'Her technique as a novelist is so sure and so quietly commanding' Hilary Mantel, Guardian'She is one of the great writers of contemporary fiction' Literary Review

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What if your child committed murder?When tragedy strikes in a small Scottish village, everyone in the community is affected.Most people believe one child is to blame for what happened.But could a young boy really be responsible? And what lengths will his parents go to protect him?THE WRONG CHILD is the most thought-provoking novel of 2018, perfect for fans of WE NEED TO TALK ABOUT KEVIN by Lionel Shriver and MY ABSOLUTE DARLING by Gabriel Tallent.****************READERS ARE CALLING THE WRONG CHILD 'UNFORGETTABLE':'Amazing' - Amazon 5* review'A great page-turner!' Amazon 5* review'Hopefully it will receive the wider audience it so richly deserves' - Amazon 5* review'Challenges your notions and ideals of morality' - Amazon review'Will stick with you long after you finish it!' Amazon review****************What the critics are saying about THE WRONG CHILD:'A thought-provoking read' - THE SUN'Genuinely gripping' - THE HERALD'A study of guilt and grief' - DAILY MAIL'Brilliant, but dark as hell' - METRO'Astonishing' - PSYCHOLOGIES'So visceral it seeps into your pores' - DAILY RECORD'Stunning. Macabre, unsettling and beautifully poetic' - BRIAN CONAGHAN, Costa Award winning author

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** Shortlisted for the Military History Matters Book of the Year Award ** 'Magnificent. Narrative history at its vivid and compelling best' Fergal Keane The first major history of the International Brigades: a tale of blood, ideals and tragedy in the fight against fascism. The Spanish Civil War was the first armed battle in the fight against fascism, and a rallying cry for a generation. Over 35,000 volunteers from sixty-one countries around the world came to defend democracy against the troops of Franco, Hitler and Mussolini. Ill-equipped and disorderly, yet fuelled by a shared sense of purpose and potential glory, these disparate groups of idealistic young men and women formed a volunteer army of a size and type unseen since the Crusades, known as the International Brigades. Were they heroes or fools? Saints or bloodthirsty adventurers? And what exactly did they achieve? In this magisterial history, Giles Tremlett tells – for the first time – the story of the Spanish Civil War through the experiences of this remarkable group. Drawing on the Brigades’ archives in Moscow, as well as first-hand accounts, The International Brigades captures all the human drama of a historic mission to halt fascist expansion in Europe.

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This biography brings the song of "the" Joseph Pulitzer out from behind his colorful father's shadow and shows him to have been one of American's most important newspapermen, ranking with Adolph Ochs, William Allen White, and Robert R. McCormick.Based on hitherto untapped archival sources, including a wealth of personal correspondence, this first biography of Joseph Pulitzer II tells the story of his drive and dedication to make the St. Louis Post-Dispatch one of the most effective liberal newspapers in the United States. Daniel Pfaff covers the seventy-year lifetime of the bearer of a famous name who succeeded in advancing the highest ideals of mainstream liberal journalism in his forty-three-year career as editor-publisher of the Post-Dispatch and head of the Pulitzer Publishing Company. Unlike his colorful father (1847–1911), who is now chiefly remembered for establishing the Pulitzer Prizes at Columbia University and for creating a so-called new journalism that combined attention-getting sensationalism with public-service investigatory crusading at the turn of the century, the second Joseph Pulitzer (1885–1955) was a man of more even temperament and measured administrative style. Throughout his career he was unswervingly dedicated to his father's highest ideals. But he and his staff had new waters to navigate: two world wars, the Great Depression, the beginning of the civil rights movement, and involvement in what became the Vietnam War as well as the challenges of combating malfeasance in state and local political and business circles. Operated by one of the ablest staffs in the country, the Post-Dispatch under Joseph Pulitzer II achieved national and international distinction by the late 1920s and maintained that stature throughout his career. In contrast, the New York World, which the first Joseph Pulitzer had intended to be his lasting monument had left in the care of his other two sons, foundered and, in 1931, failed. Had it not been for the journalistic acumen of Pulitzer's namesake son, in whom he had the least confidence, the Pulitzer presence in American journalism would have ended then. Instead, it is still thriving today. While Joseph Pulitzer II's professional life and his newspaper's involvement in events of this era form the major part of this biography, Pfaff also chronicles his personal life—his sometimes stormy relationship with is father, his two marriages, and his social and recreational life. Thus the book succeeds in giving a well-rounded picture of the man and his times.

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In this debut work, Scott Eastman tackles the complex issue of nationalism in the eighteenth- and nineteenth-century Spanish Atlantic empire. Preaching Spanish Nationalism across the Hispanic Atlantic challenges the idea that nationalism arose from the ashes of confessional society. Rather, the tenets of Roman Catholicism and the ideals of Enlightenment worked together to lay the basis for a ""mixed modernity"" within the territories of the Spanish monarchy. Drawing on sermons, catechisms, political pamphlets, and newspapers, Eastman demonstrates how religion and tradition cohered within burgeoning nationalist discourses in both Spain and Mexico. And though the inclusive notion of Spanish nationalism faded as the revolutions in the Hispanic Atlantic world established new loyalty to postcolonial states, the religious imagery and rhetoric that had served to define Spanish identity survived and resurfaced throughout the course of the long nineteenth century. Preaching Spanish Nationalism across the Hispanic Atlantic skillfully debates the prevailing view that the monolithic Catholic Church -- as the symbol of the ancien régime -- subverted a secular progression toward nationalism and modernity. Eastman deftly contends that the common political and religious culture of the Spanish Atlantic empire ultimately transformed its subjects into citizens of the Hispanic Atlantic world.

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This concise, insightful study explores the sources and impact of one of the early republic's most influential minds. An Englishman by birth, an American by choice and necessity, Thomas Paine advocated ideas about rights, equality, democracy, and liberty that were far advanced beyond those of his American compatriots. His seminal works, Common Sense and the Rights of Man, were rallying cries for the American and French Revolutions. More than any other eighteenth-century political writer and activist, Paine defies easy categorization. A man of contrasts and contradictions, Paine was as much a believer in the power of reason as he was in a benevolent deity. He was at once liberal and conservative, a Quaker who was not a pacifist, and an inherently gifted writer who was convinced he was always right. Jack Fruchtman Jr. analyzes Paine's radical thought both in the context of his time and as a blueprint for the future development of republican government. His systematic approach identifies the themes of signal importance to Paine's political thought, demonstrating especially how crucial religion and God were to the development and expression of his political ideals.

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The current era in higher education is characterized by increased need for accountability and fiscal constraint coupled with demands for increased productivity. Higher education is expected to meet the demand of changing student demographics, as well as requests for research and service from government and industry. To preserve the academy's ability to meet these demands, the editors and contributors to this volume argue that, while change is inevitable and desirable, any radical alterations to the practices that have established and upheld the excellence of higher education in the United States must be carefully considered.The editors and contributors cherish the best ideals of higher education: academic freedom, commitment to both inquiry and teaching, and preservation of an independence of mind and spirit in the face of external pressures. At the same time, the authors of these essays also reflect upon the failings of higher education, including problematic historical legacies such as racism, sexism, and anti-semitism. In Defense of American Higher Education is a careful analysis of what we have inherited, undertaken with a critical eye for constructive reform. It will be of interest to anyone concerned about the future of American higher education.

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Exploring the myths and realities of the origins of the “modern artist” in Britain The artist has been a privileged figure in the modern age, embodying ideals of personal and political freedom and self-fulfillment. Does it matter who gets to be an artist? And do our deeply held beliefs stand up to scrutiny? Making the Modern Artist gets to the root of these questions by exploring the historical genesis of the figure of the artist. Based on an unprecedented biographical survey of almost 1,800 students at the Royal Academy of Arts in London between 1769 and 1830, the book reveals hidden stories about family origins, personal networks, and patterns of opportunity and social mobility. Locating the emergence of the “modern artist” in the crucible of Romantic Britain, rather than in 19th-century Paris or 20th-century New York, it reconnects the story of art with the advance of capitalism and demonstrates surprising continuities between liberal individualism and state formation, our dreams of personal freedom, and the social suffering characteristic of the modern era.Distributed for the Paul Mellon Centre for Studies in British Art

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'[The letters] cover war, fame and her first infatuation with another woman ... all related in a voice that is funny, gracious, intimate' The Observer "I find myself talking to you about all the great joys, all the agonies, all my thoughts..." Letter to Eva Konikova, 1946 Out of the thousands of letters Tove Jansson wrote a cache remains that she addressed to her family, her dearest confidantes, and her lovers, male and female. Into these she spilled her innermost thoughts, defended her ideals and revealed her heart. To read these letters is both an act of startling intimacy and a rare privilege. Penned with grace and humour, Letters from Tove offers an almost seamless commentary on Tove Jansson's life as it unfolds within Helsinki's bohemian circles and her island home. Spanning fifty years between her art studies and the height of Moomin fame, we share with her the bleakness of war; the hopes for love that were dashed and renewed, and her determined attempts to establish herself as an artist. Vivid, inspiring and shining with integrity, Letters from Tove shows precisely how an aspiring and courageous young artist can evolve into a very great one.

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The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show. St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings and spawned a rich array of visual,literary, musical and political artefacts. Celebrated throughout England, especially at the abbey of Bury St Edmunds, it also inspired separate cults in France, Iceland and Italy. The essays in this collection offer a range of readings from a variety of disciplines - literature, history, music, art history - and of sources - chronicles, poems, theological material - providing an overview of the multi-faceted nature of St Edmund's cult, from the ninthcentury to the early modern period. They demonstrate the openness and dynamism of a medieval saint's cult, showing how the saint's image could be used in many and changing contexts: Edmund's image was bent to various political andpropagandistic ends, often articulating conflicting messages and ideals, negotiating identity, politics and belief. CONTRIBUTORS: ANTHONY BALE, CARL PHELPSTEAD, ALISON FINLAY, PAUL ANTONY HAYWARD, LISA COLTON, REBECCA PINNER, A.S.G. EDWARDS, ALEXANDRA GILLESPIE

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― Human Rights ― Equality ― Free Speech ― Privacy ― The Rule of Law These five ideas are vitally important to the way of life we enjoy today. The battle to establish them in law was long and difficult, and Anthony Lester was at the heart of the thirty-year campaign that resulted in the Human Rights Act, as well as the struggle for race and gender equality that culminated in the Equality Act of 2010. Today, however, our society is at risk of becoming less equal. From Snowden’s revelations about the power and reach of our own intelligence agencies to the treatment of British Muslims, our civil liberties are under threat as never before. The internet leaves our privacy in jeopardy in myriad ways, our efforts to combat extremism curtail free speech, and cuts to legal aid and interference with access to justice endanger the rule of law. A fierce argument for why we must act now to ensure the survival of the ideals that enable us to live freely, Five Ideas to Fight For is a revealing account of what we need to protect our hard-won rights and freedoms.

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Louis Althusser's renowned short text "Ideology and Ideological State Apparatuses" radically transformed the concept of the subject, the understanding of the state and even the very frameworks of cultural, political and literary theory. The text has influenced thinkers such as Judith Butler, Ernesto Laclau and Slavoj Zizek.The piece is, in fact, an extract from a much longer book, On the Reproduction of Capitalism, until now unavailable in English. Its publication makes possible a reappraisal of seminal Althusserian texts already available in English, their place in Althusser's oeuvre and the relevance of his ideas for contemporary theory. On the Reproduction of Capitalism develops Althusser's conception of historical materialism, outlining the conditions of reproduction in capitalist society and the revolutionary struggle for its overthrow.Written in the afterglow of May 1968, the text addresses a question that continues to haunt us today: in a society that proclaims its attachment to the ideals of liberty and equality, why do we witness the ever-renewed reproduction of relations of domination? Both a conceptually innovative text and a key theoretical tool for activists, On the Reproduction of Capitalism is an essential addition to the corpus of the twentieth-century Left.

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ESCAPE FROM EARTH is the untold story of the engineers, dreamers and rebels who started the American space programme. In particular, it is the story of Frank Malina, founder of what became Nasa's Jet Propulsion Laboratory and the scientist who cracked the, as he called it, problem of escape from the Earth by rocket. It's a wild ride. Jack Parsons, Malina's chemistry-expert research partner, was a bed-hopping occultist with delusions of grandeur. We get all the horrible details: drug parties and sex magic, cameos by Aleister Crowley and L Ron Hubbard, and an ill-fated attempt to start a mail-order religion. Armed with hitherto unpublished letters, journals, and documents from the Malina family archives, Fraser MacDonald reveals what we didn't know. Jack Parsons betrayed Frank Malina to the FBI, cooperating fully in their investigation of Malina for un-American activities. The Jet Propulsion Lab's second director secretly denounced Frank as a Communist. Frank's research group had close ties to the spy network of the infamous Rosenbergs - the only Americans executed during the Red Scare. This is a story of soaring ideals entangled in the most human of complications: infidelity and divorce, betrayal and treason.

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We’ve let the meaning of America be reduced to guesswork. It might not be too late. Our democratic republic is failing, and it shouldn’t be a surprise. We can’t fly a plane without training; we can’t practice medicine without attending medical school. And yet we expect the American people to wield the full power of their citizenship, the product of the most revolutionary governmental thinking in human history, without any education. We no longer teach our children the Bill of Rights or Constitution. We don’t teach the Enlightenment values that underpin them. We don’t teach the critical thinking skills and mental agility necessary for our own sovereignty. We’ve stopped teaching civics, and now we can’t have a civil political discussion. The American experiment may fail if we don’t act. Richard Dreyfuss is a forceful advocate for civic education. His latest work, One Thought Scares Me…, explains how the lack of civics education in American education for the last fifty years has led to the deterioration of all aspects of the lives of us, the people. And it shows us the path to reclaiming our American ideals.

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National Matters investigates the role of material culture and materiality in defining and solidifying national identity in everyday practice. Examining a range of "things"—from art objects, clay fragments, and broken stones to clothing, food, and urban green space—the contributors to this volume explore the importance of matter in making the nation appear real, close, and important to its citizens. Symbols and material objects do not just reflect the national visions deployed by elites and consumed by the masses, but are themselves important factors in the production of national ideals. Through a series of theoretically grounded and empirically rich case studies, this volume analyzes three key aspects of materiality and nationalism: the relationship between objects and national institutions, the way commonplace objects can shape a national ethos, and the everyday practices that allow individuals to enact and embody the nation. In giving attention to the agency of things and the capacities they afford or foreclose, these cases also challenge the methodological orthodoxies of cultural sociology. Taken together, these essays highlight how the "material turn" in the social sciences pushes conventional understanding of state and nation-making processes in new directions.

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Much of the scholarly debate around the “Afropolitan”—the image of mobility, cultural production, and consumerism in Africa and the African diaspora—has focused on the elitism associated with the concept. Most critiques object to how the ideals of transnationalism and mobility inevitably refer to Western models of leisure and style, and Afropolitanism has rarely been contextualized in global African diaspora histories. This volume of written and photographic essays is one of the first sustained historical treatments of the Afropolitan. Contributors analyze the concept in a variety of contexts: itinerant artisans in fourteenth-century southern Africa, sixteenth-century African diaspora communities in Latin America, West African kingdoms and port cities in the waning decades of the Atlantic slave trade, a hair salon in twenty-first-century Paris, a road trip through Bangladesh. By engaging with the Afropolitan as a historical phenomenon, the authors highlight new methods and theories for analyzing global diasporas. Contributors. Paulina L. Alberto, Antonia Carcelén-Estrada, Rosa Carrasquillo, Elizabeth Fretwell, Dawn Fulton, Mathangi Krishnamurthy, Patrícia Martins Marcos, Ndubueze Mbah, Héctor Mediavilla, Emeka Okereke, Melina Pappademos, Aniova Prandy, David Schoenbrun, Lorelle Semley

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Proposes a framework of Muslim democracy that reconciles public claims made by Muslims with the normative and practical demands of democratic regimes Constructs a Muslim democracy framework, inspired by Muslim and Western multiculturalist political thought Provides an inclusive typology of Muslim political thought to discover essential norms for democratic thinking Provides an inclusive typology of multiculturalism elaborating upon its capacity to reconcile democracy with religion Synthesises these theoretical concepts and values to provide interpretative tools for a comparative political of Muslim democracy Provides a scholarly construction of the notion of a political theory of Muslim democracy Ravza Altunta?- ak?r examines the ideals, institutions and processes that shape the development of a concrete Muslim-based democratic system a form of democracy that recognises the centrality of religion in Muslim societies. Questioning the customary characterisations of Islam's compatibility with democracy, the book adopts a comparative political theory approach that initiates a dialogue between Muslim and Western political thought. It systematically studies debates concerning Muslim political thought, multiculturalism, secularism, the public sphere and constitutionalism, which enables an exploration of Muslim democracy through a political theory approach, rather than a theological one.

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Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.

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Throughout Latin America, the idea of "justice" serves as the ultimate goal and rationale for a wide variety of actions and causes. In the Chilean Atacama Desert, residents have undertaken a prolonged struggle for their right to groundwater. Family members of bombing victims in Buenos Aires demand that the state provide justice for the attack. In Colombia, some victims of political violence have turned to the courts for resolution, while others reject the state's ability to fairly adjudicate their grievances and have constructed a non-state tribunal. In each of these examples, the protagonists seek one main thing: justice. A Sense of Justice ethnographically explores the complex dynamics of justice production across Latin America. The chapters examine (in)justice as it is lived and imagined today and what it means for those who claim and regulate its parameters, including the Brazilian police force, the Permanent Peoples' Tribunal in Colombia, and the Argentine Supreme Court. Inextricable as "justice" is from inequality, violence, crime, and corruption, it emerges through memory, in space, and where ideals meet practical limitations. Ultimately, the authors show how understanding the dynamic processes of constructing justice is essential to creating cooperative rather than oppressive forms of law.

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Race on the Move takes readers on a journey from Brazil to the United States and back again to consider how migration between the two countries is changing Brazilians' understanding of race relations. Brazil once earned a global reputation as a racial paradise, and the United States is infamous for its overt social exclusion of nonwhites. Yet, given the growing Latino and multiracial populations in the United States, the use of quotas to address racial inequality in Brazil, and the flows of people between each country, contemporary race relations in each place are starting to resemble each other. Tiffany Joseph interviewed residents of Governador Valadares, Brazil's largest immigrant-sending city to the U.S., to ask how their immigrant experiences have transformed local racial understandings. Joseph identifies and examines a phenomenon—the transnational racial optic—through which migrants develop and ascribe social meaning to race in one country, incorporating conceptions of race from another. Analyzing the bi-directional exchange of racial ideals through the experiences of migrants, Race on the Move offers an innovative framework for understanding how race can be remade in immigrant-sending communities.

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In 1917, Fort Ord was established in the tiny subdivision of Seaside, California. Over the course of the 20th century, it held great national and military importance—a major launching point for World War II operations, the first base in the military to undergo complete integration, the West Coast's most important training base for draftees in the Vietnam War, a site of important civil rights movements—until its closure in the 1990s. Alongside it, the city of Seaside took form. Racial Beachhead offers the story of this city, shaped over the decades by military policies of racial integration in the context of the ideals of the American civil rights movement. Middle class blacks, together with other military families—black, white, Hispanic, and Asian—created a local politics of inclusion that continues to serve as a reminder that integration can work to change ideas about race. Though Seaside's relationship with the military makes it unique, at the same time the story of Seaside is part and parcel of the story of 20th century American town life. Its story contributes to the growing history of cities of color—those minority-majority places that are increasingly the face of urban America.

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Speaking to the ongoing debate over the development of urban space and culture, this book demonstrates the centrality of the physical and social being of cities to American literature and other arts in the twentieth century. The author’s reading of aesthetic texts alongside urban planning, economics, sociology, law, and historiography—discourses he treats as form-producing arts in their own right—shows as misleading the common dichotomy of models that focus on the structure of urban space and institutions, and those that describe cities as fluid constellations of social practices. The ideal of mobility was invoked early in this century by the urban pluralists of the Chicago School, who reasoned that the greater diversity and lighter attachments among urbanites would make the city a zone in which people might realize themselves by pursuit of “their particular vices or talents.” It also was hailed by the Progressives, who sought through techniques of social management to foster democracy, to reform the material conditions of urban life, and to make cities more efficient centers of production and cultural reproduction. Urban Verbs elucidates the different kinds of cities these ideals of mobility produce.

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Books have rarely been written about the history of any emotion except love and shame, and this volume is the very first on the meaning of anger in the Middle Ages. Well aware of modern theories about the nature of anger, the authors consider the role of anger in the social lives and conceptual universes of a varied and significant cross-section of medieval people: monks, saints, kings, lords, and peasants. They are careful to distinguish between texts (the sources on which historians must rely) and the reality behind the texts. They are sensitive, as well, to the differences between ideals and normative behavior. The first eight essays in the volume focus on anger in the Latin West, while the last two turn to the fringes of Europe (the Celtic and Islamic worlds) for purposes of comparison. Barbara H. Rosenwein concludes the volume with an essay on modern conceptions of anger and their implications for understanding its role in the Middle Ages. The essays reveal much that is new about medieval rituals of honor and status and illuminate the rationales behind such seemingly irrational practices as cursing, feuding, and the punishment of blinding.

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‘Yours Ever, Charlie’ is the fascinating account of Charles Crowther, one of many British men who volunteered to fight for king and country in the First World War. When Charles volunteered he was almost forty-three and devoted to his family; this book demonstrates how his and an entire generation’s sense of duty to the nation overpowered their fears of fighting abroad and, for many, the possibility of never coming home. Charles’ granddaughter explores his journey from the idyllic village of Wilden, Worcestershire, to the battlefields of France and then Gallipoli, where he was fatally wounded. Using the fluent, vivid and moving letters sent home to his family, together with the few replies that ever reached him, this book reflects upon Charles’ ideals, the people who inspired him, and those whom he loved and was fighting to protect.Illustrated by rare photographs and original letters, and with a Foreword by Al Murray which provides an overview of the ill-fated Gallipoli campaign, this book is a poignant reminder of how beneath the staggering statistics of the First World War lie innumerable personal and tragic stories.

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What does "Europe" mean as we enter the 21st century? A rapidly-expanding club of nation states? A large single market in which labour, goods and services can move freely? A centralizing superstate run by unelected bureaucrats? An economic giant but a political pygmy on the world stage? Romano Prodi, President of the European Commission, tackles these and other questions in this important new book. It offers both a political vision and a personal statement by one of the most important political figures in Europe today. Central to Prodi's vision of Europe - what it can and should be - are the ideals of the European Union's founding fathers: Adenauer, De Gasperi, Monnet, Schuman. Their goal was a peaceful democratic Europe in which all the peoples of our continent could live together in security, freedom, justice and equality. The path towards that goal, argues Prodi, is inextricably bound up with economics. As the EU's Member States voluntarily pool their national sovereignty, especially monetary sovereignty, that dream - that vision of Europe - is gradually coming true. This book will be of great interest to anyone concerned with Europe and its future.

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The Promise of American Life is part of the bedrock of American liberalism, a classic that had a spectacular impact on national politics when it was first published in 1909 and that has been recognized ever since as a defining text of liberal reform. The book helped inspire Theodore Roosevelt's New Nationalism and Franklin D. Roosevelt's New Deal, put Herbert Croly on a path to become the founding editor of the New Republic, and prompted Walter Lippmann to call him twentieth-century America's "first important political philosopher." The book is at once a history of America and its political ideals and an analysis of contemporary ills, from rampant economic inequality to unchecked corporate power. In response, Croly advocated combining the Hamiltonian and Jeffersonian traditions and creating a strong federal government to ensure that all Americans had a fair shot at individual success. The formula still defines American liberalism, and The Promise of American Life continues to resonate today, offering a vital source of renewal for liberals and progressives. For this new edition, Franklin Foer has written a substantial foreword that puts the book in historical context and explains its continuing importance.

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The rise of youth is among the most dramatic stories of modern China. Since the last years of the Qing dynasty, youth has been made a new agent of history in Chinese intellectuals’ visions of national rejuvenation through such tremendously popular notions as “young China” and “new youth.” The characterization of a young protagonist with a developmental story has also shaped the modern Chinese novel. Young China takes youth as a central literary motif that was profoundly related to the ideas of nationhood and modernity in twentieth-century China. A synthesis of narrative theory and cultural history, it combines historical investigations of the origin and development of the modern Chinese youth discourse with close analyses of the novelistic construction of the Chinese Bildungsroman, which depicts the psychological growth of youth with a symbolic allusion to national rejuvenation. Negotiating between self and society, ideal and action, and form and reality, such a narrative manifests as well as complicates the various political and cultural symbolisms invested in youth through different periods of modern Chinese history. In this story of young China, the restless, elusive, and protean image of youth both perpetuates and problematizes the ideals of national rejuvenation.

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Global Medieval: Mirrors for Princes Reconsidered begins with a question: Is a genuine history of political thought in the premodern period possible? The volume brings together mirrors for princes from a variety of historical contexts and lineages of political thought, each with its own international cast of characters and varied modes of advice, sanctified by claims of distant and often alien origins. Placed in a comparative structure, these texts become a powerful lens for exploring ideals and manners of good rule across political, religious, and cultural divides. The temporal frame, focused on the eras preceding the rise of Europe, the advent of modern technologies of communications, and the rule of nation-states, challenges the modern commonplace that insists on an increased velocity of exchange as well as a linear dissemination of ideas as normative of global thought. The global reach, which points to similarities in political thought amid incongruous historical contexts, questions the modern practice of reading the history of political thought as a genealogy of modern political concepts, confined in multivalent demarcations of context, which ultimately and collectively reduce political thought to a prescriptive norm and a universal gospel of liberal values.

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This book examines town and country planning policy in twentieth-century Britain as an important aspect of state activity. Tracing the origins of planning ideals and practice, Gordon Cherry charts the adoption by state, both at the central and local level, of measures to control and regulate features of Britain's urban and rural environments. The author examines how town planning first took root as a professional activity and an academic discipline around the turn of the last century, largely as a reaction to the apparent problems of the late Victorian city. He shows, too, that this impetus for change coincided with a new perception amongst political thinkers of state planning as a legitimate and necessary function of Government's intervention in social and economic affairs. Town planning, as a state activity in land use regulation, housing, industrial location, roads and transport, became an important beneficiary of these developments. The book highlights developments in planning policy over subsequent decades. The final part of the book focuses on the breakdown of consensus from the mid-1970s and how the new market orthodoxy has affected planning policy in the 1980s and 1990s.

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In 1666, King Charles II felt it necessary to reform Englishmen's dress by introducing a fashion that developed into the three-piece suit. We learn what inspired this royal revolution in masculine attire - and the reasons for its remarkable longevity - in David Kuchta's engaging and handsomely illustrated account. Between 1550 and 1850, Kuchta says, English upper- and middle-class men understood their authority to be based in part upon the display of masculine character: how they presented themselves in public and demonstrated their masculinity helped define their political legitimacy, moral authority, and economic utility. Much has been written about the ways political culture, religion, and economic theory helped shape ideals and practices of masculinity. Kuchta allows us to see the process working in reverse, in that masculine manners and habits of consumption in a patriarchal society contributed actively to people's understanding of what held England together. Kuchta shows not only how the ideology of modern English masculinity was a self-consciously political and public creation but also how such explicitly political decisions and values became internalized, personalized, and naturalized into everyday manners and habits.

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The first publication in book form of the historic postrevolution conversations between activist playwright and Czech president Vaclav Havel and Polish journalist Adam Michnik Czech playwright and dissident Vaclav Havel first encountered Polish historian and dissident Adam Michnik in 1978 at a clandestine meeting on a mountaintop along the Polish-Czechoslovak border. This initial meeting of two extraordinary thinkers who “plotted” democracy, and designed an effective peaceful strategy for dismantling authoritarian regimes in Central and Eastern Europe, resulted in a lifelong friendship and an extraordinary set of bold conversations conducted over the next two postrevolutionary decades. Havel, president of Czechoslovakia and later the Czech Republic, and Michnik, editor-in-chief of the largest daily newspaper in the region, provide rare insights into the post-1989 challenges to building new democratic institutions and new habits in the context of an increasingly unsettling political culture. With both dismay and humor, their fascinating exchanges wrestle with the essential question of postrevolutionary life: How does one preserve the revolution’s ideals in the real world? At once historically immediate and politically universal, the Havel-Michnik conversations have never before been collected in a single volume in any language.

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Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. He made innovative and challenging comedies while achieving international box office success and attaining a devoted following. In Play Time, Malcolm Turvey examines Tati’s unique comedic style and evaluates its significance for the history of film and modernism.Turvey argues that Tati captured elite and general audiences alike by combining a modernist aesthetic with slapstick routines, gag structures, and other established traditions of mainstream film comedy. Considering films such as Monsieur Hulot’s Holiday (1953), Mon Oncle (1958), Play Time (1967), and Trafic (1971), Turvey shows how Tati drew on the rich legacy of comic silent film while modernizing its conventions in order to encourage his viewers to adopt a playful attitude toward the modern world. Turvey also analyzes Tati’s sardonic view of the bourgeoisie and his complex and multifaceted satire of modern life. Tati's singular and enduring achievement, Turvey concludes, was to translate the democratic ideals of the postwar avant-garde into mainstream film comedy, crafting a genuinely popular modernism. Richly illustrated with images from the director’s films, Play Time offers an illuminating and original understanding of Tati’s work.

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Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. He made innovative and challenging comedies while achieving international box office success and attaining a devoted following. In Play Time, Malcolm Turvey examines Tati’s unique comedic style and evaluates its significance for the history of film and modernism.Turvey argues that Tati captured elite and general audiences alike by combining a modernist aesthetic with slapstick routines, gag structures, and other established traditions of mainstream film comedy. Considering films such as Monsieur Hulot’s Holiday (1953), Mon Oncle (1958), Play Time (1967), and Trafic (1971), Turvey shows how Tati drew on the rich legacy of comic silent film while modernizing its conventions in order to encourage his viewers to adopt a playful attitude toward the modern world. Turvey also analyzes Tati’s sardonic view of the bourgeoisie and his complex and multifaceted satire of modern life. Tati's singular and enduring achievement, Turvey concludes, was to translate the democratic ideals of the postwar avant-garde into mainstream film comedy, crafting a genuinely popular modernism. Richly illustrated with images from the director’s films, Play Time offers an illuminating and original understanding of Tati’s work.

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The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts. Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.

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We are not born hating our bodies. Make sure your kids never do.No parent wants their child to grow up with anything less than wholehearted confidence in themselves. Sadly research shows that children as young as five are saying they need to 'go on a diet' and over half of 11 to 16-year-olds regularly worry about the way they look. Campaigner and mum-of-two-girls Molly Forbes is here to help.In Body Happy Kids, Molly draws on her own experience and a range of experts to provide parents with a much-needed antidote to the confusing health advice that bombards us every day. This reassuring and practical guide covers everything you need to help your child to care for their body with kindness, including how to approach good nutrition (without falling for diet culture), how to see the reality behind beauty ideals and how social media can be used to support body confidence rather than destroy it. With Molly's help, you can arm yourself with the insight and tools to raise resilient children who love the skin they're in.

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The Middle East is the birthplace of the Neolithic revolution that came to humanise and domesticate the planet. It is also considered the cradle of civilisation as it saw some of the very first developments in human social and technological inventions, such as cities, class-based societies, monumental architecture, writing, the wheel, and irrigation. The 2016/17 research campaign of EPFL's Laboratory Basel (laba) took a critical look at the part of this region that today forms the state of Israel and the role agriculture there played in territorial appropriation and domestication, in structuring the development of urbanisation, in creating a national homeland narrative, and in changing the climate. The research explored the three major types of Israeli agricultural development: the vernacular Palestinian/Bedouin, the socialist utopian Kibbutz/Moshav, and the contemporary high-tech desert farming. 'Israel Lessons: Industrial Arcadia' presents the findings as text as well as visualised in striking images, graphics and maps. It also demonstrates how facts and narratives related to agriculture and the climate crisis are intertwined with geopolitics and sectarian ideals of earthly paradises. Proposals for architectural interventions designed by laba's students round out the book.

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Since the end of WWI, one party has held the momentum of political and social change in South Wales: the Labour Party. Its triumph was never fully guaranteed. It came quickly amidst a torrent of ideas, actions, and war. But the result was a vibrant, effective and long-lasting democracy. The result was Labour Country. In this bold, controversial book, Daryl Leeworthy takes a fresh and provocative look at the struggle through radical political action for social democracy in Wales. The reasons for Labour’s triumph, he argues, lay in radical pragmatism and an ability to harness lofty ideals with meaningful practicality. This was a place of dreamers as well as doers. The world of Arthur Horner and Aneurin Bevan. And yet, as the author shows, this history is now over. Although a trajectory leads from the end of the Miners’ Strike both to the advent of devolution and the circumstances that led to the Brexit vote in 2016, these are exits from Labour Country, not a continuation. Sustained by a powerful synthesis of scholarship and original research, passionate and committed, this book brings the cubist epic of South Wales and its politics to life.

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What was piety like before the commandments were revealed? How did Abraham live in a way that fulfilled the ideals of piety without the Torah? This question, raised in the ancient Jewish theology of Philo and central to the struggle of Paul with his own Judaism and his emerging Christian faith, was raised once again by the Hasidic masters of Eastern Europe in the eighteenth century. In a series of powerful and spiritually searching sermons, the Hasidic masters reinterpret spiritually the ancient rabbis' insistence that the patriarchs lived within the Law. In centering their spiritualization of Judaism around the figure of Abraham, these latter-day Jewish thinkers express a position that stands midway between the claims of the Talmud and those of the Christian apostle. Arthur Green uses this Hasidic debate on the patriarchs and the commandments as a point of departure for a wide-ranging consideration of the relationship between piety and commandment in Hasidic Judaism. The result of this effort is a series of rather remarkable mystical defenses of the commandments and an original contribution of Hasidic thought to the ongoing history of Judaism.

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This visually stunning love letter to the art of craft takes readers inside Europe’s most illustrious—and in many cases endangered—decorative arts workshops to profile how artisans continue to maintain the highest centuries-old standards of workmanship and creativity. Beginning in the Renaissance, ateliers were established as places for European artists to work and teach their crafts. Centuries later most of these spaces have disappeared, but a select few continue to produce some of the world’s most celebrated and sought-after objects in the areas of crystal, ceramics, wrought iron, fabric, bookbinding, mosaic, wood paneling, and more. John Whelan and Oskar Proctor traveled throughout Europe to document these important spaces, both to celebrate them and to preserve their disappearing ideals. Ranging from the well- known to the obscure, this volume takes readers inside dozens of ateliers from Austria, England, France, Germany, Italy, Spain, and Switzerland. Sumptuous double-page spreads feature alluring photography, and fascinating background texts tell their stories. By shining a light on their collective value as well as their individual expertise, this book offers both a historic evaluation of how ateliers have been shaped by modern forces—and also a clarion call for their preservation.

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Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It’s a film about desires repressed in favour of worthless and unsatisfying ideals. And it’s a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. ‘If he is unaware of his passions, ‘ she writes of Clive Candy, the film’s central figure, ‘this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.’. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.

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Among the significant projects of the last year of his life, Richard Avedon (1923–2004) completed a book of his photographs of women. Always transcending categorization—he was both a fashion photographer and known as a “poet of portraiture”—Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries?Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences.An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon’s images of women.

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Judi’s parents were on a mission to remake the world. These were the Cold War years of the 1950s and ‘60s, following a catastrophic world war and the breaking up of colonial empires. The couple had joined many others in giving up conventional careers and family life to work for Moral Re-Armament (MRA), an extensive global movement in its hey-day. Their life goal was to build a ‘hate-free, fear-free, greed-free world’. Between the ages of four and twelve Judi stayed in a series of shared homes and boarding schools while her parents travelled. Uncertain where she belonged, she dreaded being asked what her father did or where she lived, becoming anxious and guarded, almost to breaking point. The author interweaves her unusual childhood memoir with her parents’ parallel story, pieced together from contemporary archives and accounts. She offers a unique insight into the work of the controversial MRA movement, encouraging readers to draw their own conclusions. Judi Conner’s book propels readers back to the mid-20th century era when a war of ideas raged, a new world order was being fought over and high ideals came at a price.

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'Indelible and extraordinary, a powerful reckoning with just how far we've allowed reality to drift from our ideals.' Tara Westover, New York Times Book ReviewWe're told that universities are our greatest driver of social mobility. But it's a lie.The Inequality Machine is a damning exposé of how the university system ingrains injustice at every level of American society.Paul Tough, bestselling author of How Children Succeed, exposes a world where small-town colleges go bust, while the most prestigious raise billions every year; where overstretched admissions officers are forced to pick rich candidates over smart ones; where black and working-class students are left to sink or swim on uncaring campuses. Along the way, he uncovers cutting-edge research from the academics leading the way to a new kind of university - one where students succeed not because of their background, but because of the quality of their minds.The result is a call-to-arms for universities that work for everyone, and a manual for how we can make it happen.'Humanizes the process of higher education . . . Fascinating stories about efforts to remediate class disparities in higher education' New Yorker

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Throughout the 1980s and 1990s, conservatism possessed a vibrancy that resulted from spirited intellectual inquiry and open debate. However, in the years leading up to the 2008 elections, this energy seemed to fade. It was as if the conservative movement became less concerned with ideas and more concerned with the preservation of political power. In Conservatism Redefined, Patrick Garry examines how Conservatives dug themselves into this hole, and how they can climb out. However, unlike many conservative pundits, Garry does not propose a simple, -rediscover our roots- credo. Instead, Conservatism Redefined reexamines and renews conservative ideology, explaining how the classical ideals of conservatism can be employed in new ways to address the concerns of citizens across the ethnic, generational, and economic spectrum. Conservatism in America is currently mired in its worst crisis since the 1960s. To be sure, the crisis accompanied the declining public opinion of the Bush presidency and the resurgence of liberalism and large, aggressive government in a time of crisis. But, as Patrick Garry explains, this does not mean that conservatism has been defeated as an ideology, it means it must be redefined.

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The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. Modernist Magazines and the Social Ideal is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news weekly VU, taken as representative of the broad class of popular titles launched in the 1920s. The book is the first major study of UHU, and the first scholarly work on VU in English. Modernist Magazines explores, in particular, the striking use of regularity and repetition in photographs of modernity, reading these repetitious images as symbolic of modernist ideals of social order in the aftermath of the First World War. Introducing a novel methodology, pattern theory, the book argues for a critical return to the Gestalt tradition in visual studies. Alongside the UHU and VU case studies, Modernist Magazines offers an essential primer to interwar magazine culture in Europe. Accounts of rival titles are woven into the book’s thematic chapters, which trace the evolution of the two magazines’ photography and graphic design in the tumultuous years up to 1933.

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Given the fundamental changes that transformed American society in the years between Benjamin Franklin's apprenticeship in a printer's shop and mid-19th-century efforts to organize labouring men and women, no social group offers a more interesting spectacle than skilled tradesmen or artisans. They came from various ethnic backgrounds (some worked in slavery), took their religion and politics seriously, lived mostly in cities but also in the countryside, and in many cases became pillars of their communities. This book examines the role of artisans in the American economy and society in the 18th and 19th centuries. Going beyond the traditional story of the decline of journeyman status, it explores a variety of themes loosely centred around opportunities in the developing economy. Indeed, many of these essays explore entrepreneurial ideals among many artisans competing in the marketplace. This collection also examines the interaction of race and the artisan economy in southern cities. It traces the economic relationships from father to son or between merchant and artisan, and explores the culture and politics of artisans, including religion, third-party politics, and the interaction of gender and reform.

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