Search results for ""Author Roy"

A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canonPainting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities.Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.

Read more less

**Explore the fascinating history of the real Downton Abbey as the Crawley family saga makes its way on to the big screen with Downton Abbey, the major motion picture**'Bright, breezy and unpretentious' Guardian'A loving and faithful portrait of Almina and her world' Countryfile magazine* * * * * *The story of the real Downton Abbey, told by Lady Fiona Carnarvon, chatelaine of Highclere Castle where the phenomentally successful TV series was filmed.Lady Fiona Carnarvon became the chatelaine of Highclere Castle - the setting of the hit series Downton Abbey - eight years ago. In that time she's become fascinated by the rich history of Highclere, and by the extraordinary people who lived there over the centuries. One person particularly captured Fiona's imagination - Lady Almina, the 5th Countess of Carnarvon. Almina was the illegitimate daughter of banking tycoon Alfred de Rothschild. She was his only daughter and he doted on her. She married the 5th Earl of Carnarvon, at 19, with an enormous dowry. At first, life at Highclere was a dizzying mix of sumptuous banquets for 500 and even the occasional royal visitor. Almina oversaw 80 members of staff - many of whom came from families who had worked at Highclere for generations. But when the First World War broke out, life at Highclere changed forever. History intervened and Almina and the staff of Highclere were thrown into one of the most turbulent times of the last century. Almina was forced to draw on her deepest reserves of courage in order to ensure her family, the staff and the castle survived. This is the remarkable story of a lost time. But Highclere remains and in this book, Fiona weaves Almina's journey and those of her family into the heritage and history of one of England's most exquisite Victorian castles.

Read more less

On 2 April 1982, Argentina invaded the Falkland Islands. The British Prime Minister, Margaret Thatcher, was determined that Argentina’s seizure of British sovereign territory would not stand. A Task Force, led by the Royal Navy, was ordered to the South Atlantic to recover the Falklands. The campaign that followed became a remarkable chapter in British military history. This book gives a ‘warts and all’ description of Giles Orpen-Smellie’s experience, as a battalion intelligence officer, of how battlefield or tactical intelligence, relevant at battalion level during the battles ashore, was collected and assessed to develop a picture of the Argentine defenders. He explains what information was known at the time, the gaps in that information and how the information that was available influenced decisions. He goes on to compare what he believed he knew in 1982 with what he now believes to have been a rather different reality. The South Atlantic was the last place on earth that Britain had expected to mount a military operation. Consequently, almost no peacetime contingency planning had been done. The campaign that followed, widely regarded as an efficient and spectacular British success, was actually a much closer-run thing than had been realised when Argentine forces on the Falklands surrendered on 14 June 1982. The British victory was won by a bloody-minded determination to ‘muddle through’ and get the job done with boldness and risk-taking overcoming the previous lack of planning and preparation. It was this determination that gave the British their edge. However, the harsh school of conflict exposed some gaps in British military training and capabilities. Tactical intelligence was one of those gaps and this book describes how tactical intelligence almost became an Achilles heel in what was otherwise an impressive British military operation.

Read more less

Percival Kirby was one of the greatest South African musicologists and ethnomusicologists. Born in Scotland in 1887, after completing his studies at the Royal College of Music in London he came out to South Africa as the Music Organiser to the Natal Education Department. In 1920 he moved to Johannesburg as acting Professor of Music at the then University College. He was soon appointed Professor of Music and stayed at the University of the Witwatersrand for 30 years. Kirby was a conductor, timpanist, flautist, composer, teacher, musicologist, scientist and an artist. As well as researching and writing on African music, he wrote the definitive book on the wreck of the Grosvenor. Kirby was concerned about the demise of traditional cultural practices of African people. Whilst at Wits, he was encouraged by his colleagues, people like Raymond Dart and Louis Maingard, to make a comprehensive study of the musical practices of the indigenous peoples of southern Africa. Between 1923 and 1933, supported by several study grants, he travelled thousands of miles, undertook more than nine special expeditions as well as many shorter excursions in his ancient Model T Ford to places like Pietersburg and Potgietersrus, to the area then known as Sekhukhuneland, Transvaal, and to Swaziland and Botswana. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of the instruments, and this collection is now known as the Kirby Collection and housed at the South African College of Music, University of Cape Town. The book Musical Instruments of the Native Races of South Africa, first published in 1934, was the culmination of these research trips. It has become the standard reference on indigenous South African musical instruments, but has been out of print for many years. This fourth edition, with a revised title, contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music programme at the South African College of Music, and new reproductions of the valuable historic photographs by Paff and others, but leaves Kirby’s original text unchanged.

Read more less

A comprehensive overview of preaching culture in eighteenth-century England. This book looks at the role of preaching culture in eighteenth-century England. Beyond the confines of churches, preaching was heard at political anniversaries and elections, thanksgiving and fast days, and society and charity meetings, all of which were major occasions on the English political and social calendars. Dozens of sermons were published each year, and the popularity of sermons, both from the pulpit and in print, make them crucial for understanding the role of religion in eighteenth-century society. To provide a broad perspective on preaching culture, this book focuses on print and manuscript evidence for preaching in London. London had a unique combination of preaching venues and audiences, including St. Paul's cathedral, parliament, the royal court, the corporation of London, London-based societies, and numerous parish churches and Dissenting meetinghouses. The capital had the greatest range of preaching anywhere in England. However, many of the developments in London reflected trends in preaching culture across the country. This was a period when English society experienced significant social, religious and political changes, and preachers' roles evolved in response to these changes. Early in the century, preachers were heavily engaged in partisan politics. However, as these party heats waned, they increasingly became involved with societies and charities that were part of the blossoming English urban culture. The book also explores the impact of sermons on society by looking at contemporary perceptions of preaching, trends in the publication of sermons, the process of the publication and the distribution of sermons, and the reception of sermons. It demonstrates how preachers of various denominations adapted to an increasingly literate and print-centred culture and the continuing vitality of oral preaching culture. The book will be of interest not only to scholars of religion and sermon literature, but also to those interested in eighteenth-century politics, urban society, oral and print cultures, and publishing. JENNIFER FAROOQ is an independent scholar.

Read more less

The first study to deal exclusively with the cult and the political theology underpinning it, taking the story up to 1859. The cult of King Charles the Martyr did not spring into life fully formed in January 1649. Its component parts were fashioned during Charles's captivity and were readily available to preachers and eulogists in the weeks and monthsafter the regicide. However, it was the publication of the Eikon Basilike in early February 1649 that established the image of Charles as a suffering, innocent king, walking in the footsteps of his Saviour to his own Calvary at Whitehall. The figure of the martyr and the shared set of images and beliefs surrounding him contributed to the survival of royalism and Anglicanism during the years of exile. With the Restoration the cult was given official status by the annexing of the Office for the 30th January in the Book of Common Prayer in 1662. The political theology underpinning the cult and a particular historiography of the Civil Wars were presented as the only orthodox reading of these events. Yet from the Exclusion Crisis onwards dissonant voices were heard challenging the orthodox interpretation. In these circumstances the cult began to fragment between those who retained the political theology of the 1650s and those who sought to adapt the cult to the changing political and dynastic circumstances of 1688 and 1714. This is the first study to deal exclusively with the cult and takes the story up until1859, the year in which the Office for the 30th January was removed from the Book of Common Prayer. Apart from discussing the origins of the cult in war, revolution and defeat it also reveals the extent to which politicaldebate in the late seventeenth and early eighteenth centuries was conducted in terms of the Civil Wars. It also goes some way to explaining the persistence of conservative assumptions and patterns of thought. ANDREW LACEY is currently Special Collections Librarian, University of Leicester, and College Librarian, Trinity Hall, Cambridge.

Read more less

The wager fragment in Blaise Pascal’s Penseés opens with the phrase "infini rien"—"infinite nothing"—which is meant to describe the human condition. Pascal was responding to what was, even in the seventeenth century, becoming a pressing human problem: we seem to be able to know much about the world but less about ourselves.The traditional European view of human beings as creatures made in the image of God and potentially capable of a mystical union with God was increasingly confounded by the difficulty of finding God in nature. Despite his own scientific work, however, Pascal argued that if one does not know whether or not God exists, one should bet that he does: if one is right the rewards are infinitely good and, if one is wrong, what one has lost is, by comparison, utterly trivial.The argument behind this wager is one of the most celebrated—and disputed—in the history of philosophy. It has been seen in terms of the calculus of probabilities, as a piece of religious apologetic, as an event in the religious and psychological life of Pascal himself, and as an event in the life of the Jansenist movement and its various expressions at Port-Royal.In this book, Leslie Armour explores the underlying logic of ideas brought to the surface by the intersection of two philosophical lines of thought. He shows that Pascal had come to philosophy by way of two particular strands of Platonism, one strongly mystical, associated with the founder of the French Oratorian order, Pierre de Bérulle, and the other the Augustinian Platonism associated with Duvergier de Hauranne and Cornelius Jansen. At the same time Pascal was engaged in an internal struggle with skepticism. While he agreed that it is difficult to find God in physical nature, he disagreed with the claim that we know nothing of nature. The problem is that the human being is both infinite and nothing.Thus, Armour locates Pascal’s wager within the confluence of a vital neo-Platonism and an intellectually powerful skepticism. He concludes that even today, "If we must act and cannot know enough, we must bet.

Read more less

Arising triumphantly from the ashes of its predecessor, the phoenix has been an enduring symbol of resilience and renewal for thousands of years. But how did this mythical bird become so famous that it has played a part in cultures around the world and throughout human history? How much of its story do we actually know? Here to offer a comprehensive biography and engaging (un)natural history of the phoenix is Joseph Nigg, esteemed expert on otherworldly creatures from dragons to gryphons to sea monsters. Beginning in ancient Egypt and traveling around the globe and through the centuries, Nigg's vast and sweeping narrative takes readers on a brilliant tour of the cross-cultural lore of this famous, yet little-known, immortal bird. Seeking both the similarities and the differences in the phoenix's many myths and representations, Nigg describes its countless permutations over millennia, including legends of the Chinese "phoenix," which was considered one of the sacred creatures that presided over China's destiny; classical Greece and Rome, where it can be found in the writings of Herodotus and Ovid; nascent and medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, the skepticism and speculation they've raised, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo, including for our own University of Chicago. Never beset by hardship or defeated by death, the phoenix is the ultimate icon of hope and rebirth. And in The Phoenix: An Unnatural Biography of a Mythical Beast, it finally has its due a complete chronicle worthy of such a fantastic and phantasmal creature. This entertaining and informative look at the life and transformation of the phoenix will be the authoritative source for anyone fascinated by folklore and mythology, re-igniting our curiosity about one of myth's greatest beasts.

Read more less

In this beautifully executed, concertina-fold book, Allen Jones RA explores the human form and how painting on a figure is a vastly different process, and has vastly different results, to painting from a figure. The first half of the book features detail photography of the artist’s sculpture series Waiting on Table. The second half concertinas out to reveal the front and back of one of Jones’s most prominent sculptures, A Muse, which can also be displayed as a wall hanging. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. For many years as a student, Jones had to draw from casts of Greek and Roman sculptures. Over time he developed a reverence for their idealised bodies, heightened by the tactile purity of the white marble. It seemed sacrilegious to him, therefore, to discover later that the marble was often painted over with colour. “Painting on a figure is quite different from painting the figure” is an observation that Jones has grown to embrace, and one that has greatly informed his practice. Like the Romans, Jones has discovered that colour matters. Jones was elected a Royal Academician in 1986. He is one of Britain’s most distinguished artists from the pioneering Pop Movement, whose paintings and sculptures are held in many important international collections, including: Tate Gallery and the Victoria & Albert Museum in London, the Museum of Modern Art in New York, the Hirshhorn Museum and Sculpture Garden in Washington DC, the Museum of 20th-Century Art in Vienna, the Wallraf-Richartz Museum in Cologne, the Moderna Museet in Stockholm and the Stedelijk Museum in Amsterdam.Colour Matters is one of a collection of four artist’s books by Allen Jones that Black Dog Press is releasing in September 2022.

Read more less

Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

Read more less

The 11th edition of the market-leading atlas for primary school pupils, Philip's RGS Junior School Atlas has been fully revised and updated with all the latest facts and curriculum requirements.- The essential atlas for primary schools with clear and easy-to-follow maps and diagrams - updated for 2021/2022- Published in association with the Royal Geographical Society- Recommended for Key Stage 2 of the National Curriculum - and all 7-11 year olds - An excellent introduction to mapping concepts such as scale, direction, symbols, longitude and latitude- 22-page Britain and Ireland section with clear thematic charts, diagrams and large-scale regional maps- 22-page section on The World, with political maps - and thematic treatment of key themes, from volcanoes and earthquakes to transport and tourism- Continents section with physical and political maps- Easy-to-follow map references and 1,000-place indexThe market-leading atlas for pupils at primary schools, Philip's RGS Junior School Atlas is a stimulating and authoritative first introduction to the world of maps, and is recommended for Key Stage 2 of the National Curriculum.The introductory section describes the meaning of scale, how to measure distances using the maps, and explains the symbols on the maps.The following section is devoted to the United Kingdom and Ireland. Thematic maps cover topics such as mountains and rivers, climate and weather, population and cities, farming and fishing, industry and energy, transport, tourism and conservation. Regional maps of England and Wales, Scotland and Ireland complete this section.The rest of the atlas is made up of world thematic maps and world continental maps. Included are topics such as the world's climate, vegetation, agriculture, energy sources, and environmental concerns, such as global warming. A simple letter-figure index completes the atlas - a useful introduction to help the young reader find his/her way around the maps. Available in both Hardback and Paperback editions.

Read more less

In 1948, Hawker Aircraft, faced with new jet projects that could not use their existing airfield at Langley, began the process of searching for alternative accommodation for their flight-testing requirements. It would, however, take three hard years before Dunsfold Aerodrome would be made available by a reluctant Air Ministry and the company was able to launch its first jet aircraft design - the Sea Hawk - into series production for the Royal Navy, closely followed by the superlative Hunter. Hawker Aircraft would go on to produce nearly 2,000 Hunters before other projects came to the fore. As Hunter production continued in the late 1950s, the company looked to its successor - the Mach 2 capable air superiority fighter designated P.1121, though this would stall before flight in the wake of serious national financial short-falls. With the loss of its premier project, the company came upon a radical new engine proposal and schemed an aircraft around it capable of vertical take-off and landing. While many decried the proposal, claiming it would never amount to anything, the Harrier would go on to prove the nay-sayers wrong as it came into its own during the Falklands War. Following the Harrier, Hawker Siddeley stepped into the competitive trainer aircraft market with the Hawk for the RAF. After completion of the RAF requirement, Hawk was sold into air arms across the world, including the US Navy, an incredible achievement for a UK design. British Aerospace then brought forth the Harrier GR.5, the UK version of the US AV-8B, a completely upgraded and improved Harrier. One might expect that this prolific output was the result of some massive industrial plant in the Midlands rather than an isolated aerodrome tucked in the rural hinterland of south Surrey. Surrounded for most of its existence by secrecy, due to the nature of its work, Dunsfold has largely escaped the notice of the general public. This work shines a light on the remarkable work carried out there.

Read more less

'An outstanding page-turner . . . historical fiction at its absolute best' - Alison Weir'An engaging heroine . . . and Borman's depiction of Villiers, with all his ruthless charisma, is striking' - The Sunday Times_____________________________________________Frances Gorges seems destined to be happy at last. King James has apparently lost his appetite for hunting witches, so the medical skills and herbal knowledge that saw Frances accused of witchcraft no longer seem to hang over her like a death sentence. The King would rather be hunting stag and boar - and Frances's beloved husband Thomas is firmly established in the royal household as the Master of Buckhounds. Their family is growing and their estates are secure.But life at court is never without intrigue, jealousy and danger for long, and a new arrival turns the world upside down.George Villiers is a young man with the face of an angel - and as his many enemies are about to discover, the cunning heart of a devil.Soon James is totally in thrall to this charismatic new lover. All the King's former favourites are crushed by Villiers' lies and ruthless scheming. Thomas's life is made a misery and Frances is back under suspicion as Villiers - rapidly made the Earl of Buckingham - moves to secure the hand and fortune of her friend Katherine Manners.Appalled at the courtier's greed and ambition and the King's weakness and lust, Frances finds herself drawn back towards her old friend Sir Walter Raleigh and his last, desperate plot to see a Catholic monarch on the throne. And then her troubles really begin...The Fallen Angel is a standalone novel of thrilling power and emotional drama. It is also the concluding volume in the King's Witch trilogy, establishing Tracy Borman as one of our leading writers of historical fiction.'Unexpected twists and turns with every page . . . masterfully crafted' - Nicola Tallis'Lots of fascinating detail and insight into James's backstabbing court . . . enjoyable' - The Times'Lush, wholly convincing and utterly gripping. Fact and fiction have rarely been blent so seamlessly' - Sarah Gristwood

Read more less

This is the life story of one of the most interesting human beings who ever lived. A political genius who remade Europe and united Germany between 1862 and 1890 by the sheer power of his great personality. It takes the reader into close proximity with a human being of almost superhuman abilities. We see him through the eyes of his secretaries, his old friends, his neighbours, his enemies and the press. Otto von Bismarck 'made' Germany but never 'ruled' it. For twenty eight years he acted as a prime minister without a party. He made speeches, brilliant in content but hesitant in delivery, and rarely addressed a public meeting. He planned three wars and after a certain stage in his career always wore military uniform to which he had no claim. The 'Iron Chancellor', the image of Prussian militarism, suffered from hypochondria and hysteria. Contemporaries called him a 'dictator' and several observers credited him with 'demonic' powers'. They were not wrong. The sheer power of his remarkable 'sovereign sel' awed even his enemies. William I observed that it was hard to be emperor under a man like Bismarck. He towered physically and intellectually over his contemporaries. His spoken and written prose sparkled with wit, insight, grand visions and petty malice. He united Germany and transformed Europe like Napoleon before and Hitler after him but with neither their control of the state nor command of great armies. He was and remained a royal servant. This new biography explores the greatness and limits of a huge and ultimately destructive self. It uses the diaries and letters of his contemporaries to explore the most remarkable figure of the nineteenth century, a man who never said a dull thing or wrote a slack sentence. A political genius who combined creative and destructive traits, generosity and pettiness, tolerance and ferocious enmity, courtesy and rudeness - in short, not only the most important nineteenth-century statesman but by far the most entertaining.

Read more less

One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.

Read more less

'Borman approaches her topic with huge enthusiasm and a keen eye for entertaining...this is a very human story of a remarkable family, full of vignettes that sit long in the mind.' Dan Jones, The Sunday Times'Tracy Borman's eye for detail is impressive; the book is packed with fascinating courtly minutiae... this is a wonderful book.' The Times'Borman is an authoritative and engaging writer, good at prising out those humanising details that make the past alive to us.' The Observer'Fascinating, detailed account of the everyday reality of the royals... This is a book of rich scholarship.' Daily Mail'Tracy Borman's passion for the Tudor period shines forth from the pages of this fascinatingly detailed book, which vividly illuminates what went on behind the scenes at the Tudor court.' Alison Weir'I do not live in a corner. A thousand eyes see all I do.' Elizabeth IThe Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well.

Read more less

This book comprises twenty-two articles devoted to First Millennium Egypt, all intended to honour Antony Leahy, whose interest in this period is well known to scholars of this period. Both archaeology and philology are represented in this volume as well as studies on history and material culture. The interlocking interpretation of texts and objects is also noteworthy. The paper by Karl Jansen-Winkeln re-examines the question of the Libyan or Egyptian nature/origin/ethnic identity of the Third Intermediate Period, whilst others are more specific in their scope. Chronological discussions concerning the order of the kings of the 25th Dynasty in Egypt and Nubia are presented by Gerard Broekman and Roberto Gozzoli. Several objects belonging to a king Djehutyemhat are described by Troy Sagrillo. Statues belonging to the Memphite governor, chancellor and scribe to the king Horsematuyemhat; the Theban governor Nesptah A; the admiral Hor, who presumably lived in Tell el Yahudiya; and the royal tutor Ankhefensenmut from Permanu are discussed by Mélanie Cressent, Frédéric Payraudeau, Campbell Price and Oliver Perdu respectively, with the latter arguing for an identification of Permanu with Kom Firin. The Theban choachytes of the Third Intermediate Period are studied by Cynthia Sheikoleslami, whilst Maria Cannata reports on the remains of an embalmer’s cache from the Saite Period. The minor arts of the First Millenium BC are addressed by Claus Jurman, who writes on a number of seals, Julia Budka, who deals with Twenty-fifth Dynasty votive pottery from Abydos, Benjamin Hinson, who reports on the presence of bells in First Millennium private tombs, and John Taylor, who discusses two lost Twenty-second Dynasty Theban cartonnages. Other studies examine the possibility of a third large Twenty-first dynasty cache at Thebes (David Aston); the possible location of the tomb of Osorkon III at Thebes (Michinori Ohshiro); the use of Pyramid texts in Twenty-fifth and Twenty-sixth Dynasty tombs (Antonio Morales); Saite warfare (Alan Lloyd) and Thirtieth Dynasty Apis burials (Didier Devauchelle). The volume also comprises philologically orientated contributions on Glorification Texts (Martin Bommas) and the Horus Throne in djet and neheh (Stephen Gregory). The collection of articles is rounded off by Günter Vittmann’s account of a previously unpublished letter written in abnormal hieratic from Amheida in the Dakhleh Oasis.

Read more less

In a cultural area where geography conspires against ease of exchange, Mesoamerican societies discovered technical answers adapted to their needs. At a time when the exchange of merchandise and goods relied mainly on human transport, some civilizations turned to a mystical aquatic environment: lakes. This research focuses on the practice of lake navigation and specific facilities that are associated with it. Due to the need for a wholistic approach, this research is situated in a multidisciplinary framework that combines archaeology, ethnology and ethnohistory. Its primary objective is to elaborate the framework of a new research field from the analytical and systematic study of a corpus of eclectic data, about the exploitation of water as a means of transport. In Mesoamerica, the greatest concentration of lake systems lies in the Mexican highlands. However, only the Mexico and Pátzcuaro Basin were converted into real political economic and cultural centres, with the emergence of the Mexica Empire and Tarascan State in the Late Postclassic period (1350-1521). Why then do archaeologists, ethnologists and historians persist in ignoring the true importance of navigation in their study of the formation and organization of these two civilizations? To what extent can we extract, from the study of boats and lake installations, data that can open new research perspectives? | Dans une aire culturelle où la géographie conspire contre la fluidité des échanges, les sociétés mésoaméricaines ont su trouver des réponses techniques adaptées à leurs besoins. À une époque où l’acheminement de marchandises et de biens s’effectue principalement à dos d’homme, certaines civilisations vont se tourner vers un milieu aquatique mythique : les lacs. Ce travail de recherche s’intéresse donc à la pratique de la navigation lacustre et aux installations spécifiques qui lui sont associées. De par la nécessité d’une approche transversale, ce sujet se positionne dans un cadre pluridisciplinaire, entremêlant archéologie, ethnohistoire et ethnologie. Son objectif premier est de délimiter le cadre d’un nouveau champ de recherche à partir d’une étude analytique et systématique d’un corpus de données éclectiques, autour de l’exploitation d’un mode de transport aquatique. En Mésoamérique, c’est dans les hautes terres mexicaines que seuls les lacs des Bassins de Mexico et de Pátzcuaro ont été convertis en de véritables centres politiques, économiques et culturels à l’origine de l’émergence de l’Empire mexica et du Royaume tarasque à la période Postclassique (1350-1521). Pourquoi archéologues, historiens et ethnologues continuent donc d’ignorer la véritable importance de la navigation dans l’étude de la formation et de l’organisation de ces deux civilisations ? Dans quelle mesure les données que nous pourrons extraire de l’étude des embarcations et des installations lacustres peuvent-elles ouvrir de nouvelles perspectives de recherches ?

Read more less

As a Royal Marine Commando, H. Collins served in Afghanistan in 2001 on combat operations. He took part in the invasion of Iraq in 2003, and returned for a second tour the following year. In 2005, now a private security contractor, he spent five years in Ramadi and Fallujah, Iraq’s so-called ‘triangle of death’. In 2014, H was back in Afghanistan, providing security for the Japanese Embassy in Kabul. In 2021, when the chaotic evacuation of the Afghan capital began, it was a tough call for the Japanese government to leave behind their significant investment in Afghanistan’s future. When H finally got the go-ahead to extract the embassy’s diplomats and staff, he was leading the only security team remaining in a city rapidly filling with Taliban fighters. This is an eyewitness account of the final, fraught six days that H and his team spent in Kabul. Their first attempt to reach the airport ran into a firefight between Afghan government forces and the Taliban and had to be aborted to ensure the safety of their Japanese clients. H decided on a late-night extraction under cover of darkness, following which his small team of twelve men were forced to speed through Taliban-controlled checkpoints in order to get back to their HQ compound, where the remaining ops staff and seventy-two unarmed Ghurka waited. A live feed from a special forces drone revealed that they had been tailed back from the airport and Taliban fighters were now surrounding the compound. Special forces had also let them know that three of the Taliban who had demanded a meeting in the compound had been wearing suicide vests. Surrounded by the Taliban, for six days, H and his men manned their defensive positions day and night. H knew that no help would come and the Taliban’s intentions were far from clear. If they could not make it through the increasingly chaotic city to the now completely surrounded airport, they would inevitably be overrun, and could expect the same fate as so many before them. Or they could try to punch their way out of the encircled capital and head to the border, or a Northern Alliance stronghold. H’s ability to keep his team calm and focused would be key to their survival. If they made it, they would be the last team out of Kabul.

Read more less

THE FINAL COMPELLING TUDOR NOVEL FROM SUNDAY TIMES BESTSELLER PHILIPPA GREGORY ‘How long do I have?’ I force a laugh.‘Not long,’ he says very quietly. ‘They have confirmed your sentence of death. You are to be beheaded tomorrow. We don’t have long at all.’ Jane Grey was Queen of England for nine days. Using her position as cousin to the deceased king, her father and his conspirators put her on the throne ahead of the king’s half-sister Mary, who quickly mustered an army, claimed her crown and locked Jane in the Tower. When Jane refused to betray her Protestant faith, Mary sent her to the executioner’s block. There Jane turned her father’s greedy, failed grab for power into her own brave and tragic martyrdom. ‘Learn you to die’ is the advice that Jane gives in a letter to her younger sister Katherine, who has no intention of dying. She intends to enjoy her beauty and her youth and find love. But her lineage makes her a threat to the insecure and infertile Queen Mary and, when Mary dies, to her sister Queen Elizabeth, who will never allow Katherine to marry and produce a potential royal heir before she does. So when Katherine’s secret marriage is revealed by her pregnancy, she too must go to the Tower. ‘Farewell, my sister,’ writes Katherine to the youngest Grey sister, Mary. A beautiful dwarf, disregarded by the court, Mary finds it easy to keep secrets, especially her own, while avoiding Elizabeth’s suspicious glare. After watching her sisters defy the queen, Mary is aware of her own perilous position as a possible heir to the throne. But she is determined to command her own destiny and be the last Tudor to risk her life in matching wits with her ruthless and unforgiving cousin Elizabeth. Praise for Philippa Gregory: ‘Meticulously researched and deeply entertaining, this story of betrayal and divided loyalties is Gregory on top form’ Good Housekeeping ‘Gregory has popularised Tudor history perhaps more than any other living fiction writer…all of her books feature strong, complex women, doing their best to improve their lives in worlds dominated by men’ Sunday Times ‘Engrossing’ Sunday Express ‘Popular historical fiction at its finest, immaculately researched and superbly told’ The Times

Read more less

** THE SUNDAY TIMES BESTSELLER **THE DEBUT POETRY COLLECTION FROM THE ORIGINAL MUMMY'S BOY, HUSSAIN MANAWER.'I remember the day I wrote my first ever poem, I was sitting on my bed in the attic and started jotting down lines on this little notepad, little did I know where it would lead me professionally, personally and also psychologically. This is my life's work to this date, all my notes, my favourite pieces that have served me through my darkest nights and carried me through every moment of pain, suffering, anxiety, panic and hardship.'Hussain's debut poetry collection will invite readers on his journey through depression and grief, and out the other side to a better place - there will be joy, hope, tears and laughter - the emotions that make up the fabric of human experience. His words will remind readers, that even in your lowest moments you can find the gold dust, Life is Sad and Beautiful will shift outlooks and stand as a powerful vehicle for growth and change.ABOUT HUSSAIN:Hussain Manawer is a globally acclaimed Poet, Mental Health Advocate and Producer - who was born in Newham and shortly after grew up in Ilford, Essex. Tagged 'The Original Mummy's Boy', Hussain derives much of his inspiration from his own experiences and intense grief at the sudden loss of his mother. Dignitaries, major brands and broadcasters seek him out to articulate the mental health struggles our world is facing. Amongst the credits to his name, commissions and collaborations include The Royal Family, The BAFTAs, The FA, Global Citizen, One Young World, Burberry, Anthony Joshua, Marcus Rashford, Tyson Fury, England FC, Peaky Blinders, Soccer Aid For UNICEF, Apple TV+ and many more.He most recently appeared alongside Prince Harry and Oprah Winfrey in the mental health docu-series, 'The Me You Can't See', alongside Lady Gaga, Glen Close and others. Hussain's poetry can also be heard on the Archewell Audio Podcast Christmas Special with Prince Harry and Meghan Markle. Manawer was called upon earlier this year by The Duke and Duchess of Cambridge to create the 'Mental Health Minute' which was broadcast on all radio stations with an all-star line-up including David Beckham, Joanna Lumley, Shirley Bassey, Jessie Lingard, Jamie Oliver, Anne Marie and Charles Dance.

Read more less

The Armistice of November 1918 ended four years of slaughter that left armies exhausted and populations weary of war - but the fighting was not over. In Russia, civil war and revolution had divided the nation and the Allies sought to intervene on behalf of the White' Russians against the Bolsheviks and this conflict continued long after the war had finished elsewhere in Europe. A vital source of information from inside the Bolshevik-held territory came from British secret agents in Petrograd, the main one being Paul Dukes. Known as the Man of a Hundred Faces', Dukes had managed to infiltrate both the Communist Party and the political police. The problem which faced the head of the British Secret Intelligence Service, Maurice Smith-Cummings, was getting Dukes' information back to London. Carrying information overland was proving far too problematical, so Smith-Cummings hit upon the idea of using one of the Royal Navy's new fast Coastal Motor Boat which was revealed just before the end of the war. He recruited Lieutenant Augustus Agar and through him he found five men, all unmarried, who could handle the two CMBs. Using an inlet on the Finnish coast as a base, Agar slipped past a series of forts, submerged breakwaters and the Russian Baltic Fleet to reach Petrograd and made contact with Dukes. A frequent courier service was soon established, with Agar carrying couriers in and out of Petrograd under the very noses of the Russians. So confident did Agar become, he even torpedoed the Russian cruiser Oleg. He followed this with support from Admiral Sir Walter Cowan in an all-out raid upon the Russian ships with eight larger CMBs and a bombing raid by the RAF. The raid resulted in the sinking of two battleships and the submarine depot ship Pamiet Azova. Agar was quietly given the Victoria Cross but told not to publish his memoirs until 1963. As for Paul Dukes, his cover was eventually blown, and he had to escape via Latvia in a number of hair-raising escapades. In 1920 he was knighted by King George V, who called Dukes the greatest of all soldiers'. To this day, Dukes is the only person knighted based entirely on his exploits in espionage. This is their remarkable story.

Read more less

A major contribution to the history of Parliament, to medieval English history, and to the study of the English constitution. ENGLISH HISTORICAL REVIEW The rolls of parliament were the official records of the meetings of the English parliament from the reign of Edward I (1272-1307) until the reign of Henry VII (1485-1509), after which they were superseded by the journals of thelords, and, somewhat later, the commons. The nine parliaments held during the reign of Henry IV (1399-1413) witnessed some of the most dramatic encounters between king and commons of the middle ages, especially those of the first seven years of the reign. Principles which were to become staples of parliamentary debate, such as the demand for redress of grievances before grant of supply, insistence on the accountability to parliament of royal ministers, and the right of those who granted taxes to determine how they should be used (appropriation of supply) were openly demanded and to some extent conceded by the king. These demands reached a climax in the Long Parliament of 1406,which lasted for nine months, twice as long as any previous English parliament, and witnessed a prolonged stand-off between king and commons. The second half of the reign saw more docile parliaments, although the struggle betweenthe king and his son, the future Henry V, for control of the executive produced some dramatic parliamentary moments such as an attempt to force the king to abdicate. These early fifteenth-century parliaments also witnessed the passing of some extremely interesting social and religious legislation on matters such as heresy, law and order and the regulation of labour. The rolls from the period are reproduced in their entirely, complented by a full translation of all the texts from the three languages used by the medieval clerks (Latin, Anglo-Norman and Middle English). Chris Given-Wilson is Professor of Late Medieval History, University of St Andrews.

Read more less

Since the last Ice Age, the only safe route into Canada's interior during the winter started at the Bay of Fundy and followed the main rivers north to the St. Lawrence River through what is now New Brunswick. Aboriginal people used this route as a major highway in all seasons and the great imperial powers followed their lead. The Grand Communications Route, as it was then called, was the only conduit for people, information and goods passing back and forth between the interior settlements and the wider world and became the backbone of empire for both England and France in their centuries of warfare over this territory. It was Joseph Robineau de Villebon, a commandant in Acadie, who first made strategic use of the route in time of war because he understood its importance in the struggle for North America. A strategic link between the Atlantic colonies and Quebec, the French made extensive use of the route to communicate and move troops between the northern settlements and Fort Beauséjour, Louisbourg, and Port-Royal. The British put great effort into maintaining and fortifying the route, building major coastal forts at Saint John to guard its entrance and erecting garrisons and blockhouses all along the way to the St Lawrence, first as a defence against the French and then to ward off the Americans. The route also played a key role in the American Revolution as well as the Aroostook War of 1839 that saw bodies of troops lining each side of the border extending from St. Andrews (NB) and Calais (ME) to Madawaska. In 1842, the Grand Communications Route and the Webster-Ashburton Treaty determined the location of the Canada—US border. It is still in use today: the Trans-Canada Highway and Route 7 follow its path. As well as telling the story of the Grand Communications Route from the earliest human habitation of the area, The Road to Canada describes the historic sites, forts, blockhouses and other historic remains that can still be visited today, including Martello Tower (Saint John), the Fort Hughes blockhouse (Oromocto), the Fort Fairfield blockhouse (Fort Fairfield, ME), Le Fortin du Petit-Sault (Edmundston), the Fort Kent blockhouse (Fort Kent, ME) and Fort Ingall (Cabano, QC). The Road to Canada is volume 5 in the New Brunswick Military Heritage Series.

Read more less

As the nearest RAF station to Occupied Europe, the airfield at Hawkinge in Kent found itself quite literally on the frontline during the Second World War. However, Hawkinge's association with British military aviation began more than two decades earlier, during the First World War. Already a pre-war airfield, it was in 1915 that the land was requisitioned for use by the Royal Fling Corps. The first personnel arrived a few months later to serve at was initially named Folkestone Field. Mainly used as a base for transporting aircraft across to France and the Western Front, a name change to Hawkinge Aeroplane Dispatch Station soon followed, at which point its remit also included the transportation of supplies to troops in France and Belgium. It was following the re-organisation of the RAF in 1923 that Hawkinge underwent the next stage in its development. New hangars and operations buildings were erected, with water and communications systems installed. The airfield's role changed to that of training for both RAF and the Army; 25 Squadron was the first full squadron to be based at Hawkinge. In the first months of the Second World War, airfield was re-designated as a Fighter Station in No.11 Group, following which the first Hurricanes from 3 Squadron arrived on 19 December 1939. Throughout the Battle of France and into the Dunkirk evacuation Hawkinge played a vital role providing around the clock air-cover for Allied forces. But it was in the summer of 1940 that Hawkinge endured its finest hour'. The first Luftwaffe attack on Hawkinge occurred on 12 August. Despite widespread damage, the grass runways were quickly repaired, ensuring that the Spitfires and Hurricanes which used it as a forward base were soon operating again. Despite the Luftwaffe's best efforts, Hawkinge remained operational throughout the war. As the RAF went on the offensive in 1941, Hawkinge had a vital part to play in maintaining these missions against Goering's forces - both as a location to refuel on the way out, or a place of refuge on the return, both for fighters and bombers alike, including those of the USAAF following America's entry into the war. Following the war, the fighter base was officially closed on 3 September 1945. In 1964 the Ministry of Defence sold the land, although for a short while in 1968, memories of the war were invoked with the airfield's use in the making of the classic film Battle of Britain. Only a small corner of the original site has survived and is today home to the renowned Kent Battle of Britain Museum.

Read more less

Entertainment Weekly's BIG FALL BOOKS PREVIEW SelectionBest Book of 2019 -- Publisher's WeeklyBased on new and revelatory material from Brando’s own private archives, an award-winning film biographer presents a deeply-textured, ambitious, and definitive portrait of the greatest movie actor of the twentieth century, the elusive Marlon Brando, bringing his extraordinarily complex life into view as never before.The most influential movie actor of his era, Marlon Brando changed the way other actors perceived their craft. His approach was natural, honest, and deeply personal, resulting in performances—most notably in A Streetcar Named Desire and On the Waterfront—that are without parallel. Brando was heralded as the American Hamlet—the Yank who surpassed British stage royalty Laurence Olivier, John Gielgud, and Ralph Richardson as the standard of greatness in the mid-twentieth century. Brando’s impact on American culture matches his professional significance; he both challenged and codified our ideas of masculinity and sexuality. Brando was also one of the first stars to use his fame as a platform to address social, political, and moral issues, courageously calling out America’s deeply rooted racism.William Mann’s brilliant biography of the Hollywood legend illuminates this culture icon for a new age. Mann astutely argues that Brando was not only a great actor but also a cultural soothsayer, a Cassandra warning us about the challenges to come. Brando’s admonitions against the monetization of nearly every aspect of the culture were prescient. His public protests against racial segregation and discrimination at the height of the Civil Rights movement—getting himself arrested at least once—were criticized as being needlessly provocative. Yet those actions of fifty years ago have become a model many actors follow today.Psychologically astute and masterfully researched, based on new and revelatory material, The Contender explores the star and the man in full, including the childhood traumas that reverberated through his professional and personal life. It is a dazzling biography of our nation’s greatest actor that is sure to become an instant classic.The Contender includes sixteen pages of photographs.

Read more less

This volume completes Becontree hundred by providing histories of East Ham, West Ham, Little Ilford, Leyton, Walthamstow, Wanstead, and Woodford. The region, rural until the 19th century, is now part of Greater London. Though mainly residen-tial it includes, at Silvertown, Canning Town, and Stratford, one of the largest manufacturing centres in southern England, as well as the Royal Docks. Until 1965 the region remained outside London for admin-istrative purposes. This strongly influenced urban development, especially in East Ham and West Ham, which, as county boroughs, had sole responsibility for local government services and planning in a period of remark-able growth. West Ham, in 1898, was one of the first English towns to come under socialist control. Throughout the region the expanding population demanded the pro-vision of many new schools and churches, each of which is briefly treated in the vol-ume.In dealing with churches an attempt is made to assess the relative strength of the various denominations. Urbanization has swept away most of the visible remains of earlier history. Until the 19th century the region was fashionable with the gentry, and this is reflected in the size of some of the older parish churches, notably at Walthamstow and West Ham. At Little Ilford, by contrast, is one of the smallest churches in Essex. Wanstead House, the palladian mansion designed by Colen Campbell, was demolished in 1823, though much of its park has survived. The northern part of the region, bordering on Epping Forest, retains some attractive wood-land, especially at Walthamstow, Wanstead, and Woodford, where several 18th-century houses also survive. Notable modern build-ings include Wanstead hospital, built as an orphanage (1861), Sir Joseph Bazalgette's metropolitan sewage pumping station at Stratford (1868),and the town halls at East Ham (1903) and Walthamstow (1941). During the Second World War the south part of the region was heavily bombed, and since 1945 there has been large-scale redevelopment, especially at Canning Town, wherethe sky-line is increasingly dominated by tower blocks of council flats.

Read more less

Entertainment Weekly's BIG FALL BOOKS PREVIEW SelectionBest Book of 2019 -- Publisher's WeeklyBased on new and revelatory material from Brando’s own private archives, an award-winning film biographer presents a deeply-textured, ambitious, and definitive portrait of the greatest movie actor of the twentieth century, the elusive Marlon Brando, bringing his extraordinarily complex life into view as never before.The most influential movie actor of his era, Marlon Brando changed the way other actors perceived their craft. His approach was natural, honest, and deeply personal, resulting in performances—most notably in A Streetcar Named Desire and On the Waterfront—that are without parallel. Brando was heralded as the American Hamlet—the Yank who surpassed British stage royalty Laurence Olivier, John Gielgud, and Ralph Richardson as the standard of greatness in the mid-twentieth century. Brando’s impact on American culture matches his professional significance; he both challenged and codified our ideas of masculinity and sexuality. Brando was also one of the first stars to use his fame as a platform to address social, political, and moral issues, courageously calling out America’s deeply rooted racism.William Mann’s brilliant biography of the Hollywood legend illuminates this culture icon for a new age. Mann astutely argues that Brando was not only a great actor but also a cultural soothsayer, a Cassandra warning us about the challenges to come. Brando’s admonitions against the monetization of nearly every aspect of the culture were prescient. His public protests against racial segregation and discrimination at the height of the Civil Rights movement—getting himself arrested at least once—were criticized as being needlessly provocative. Yet those actions of fifty years ago have become a model many actors follow today.Psychologically astute and masterfully researched, based on new and revelatory material, The Contender explores the star and the man in full, including the childhood traumas that reverberated through his professional and personal life. It is a dazzling biography of our nation’s greatest actor that is sure to become an instant classic.The Contender includes sixteen pages of photographs.

Read more less

Through an extraordinary selection from the Beken Marine Photography Archive of the work of four generations of famous photographers (the Beken family), this book retraces the fundamental stages of the evolution of the unsurpassable 'Beken style', bringing together some of the most artistic images of sailboats ever shot. These wonderful and legendary pictures, accompanied by detailed texts and plentiful information, will lead the reader through time, to discover the wonderful world of yachting photography. The Bekens began their love affair with marine photography in 1888, when Alfred Edward (1855–1915) moved from Canterbury (Kent) to the Isle of Wight with his son Frank (1880–1970). He purchased a pharmacy in Birmingham Road in the seaport of Cowes, a town that was already famous for international yacht racing and for the world's oldest regular regatta, the renowned Cowes Week. Alfred and young Frank started shooting photographs to capture sailing yachts at their best, and racing yachts in action, a real challenge at that time as it still is today. These beautiful photographs started being sold in the pharmacy as souvenirs, and in the space of a few years they would have caught the attention of the world of yacht racing and sailing aficionados, earning the Beken family a large number of followers all over the world for the extraordinary quality of their images. Queen Victoria, King George V, and most recently the Duke of Edinburgh awarded the company a Royal Warrant for excellence. Frank's artistic inheritance was carried on by his son Keith (1914– 2007), who succeeded him in the creation of fantastic sailboats photographs. Today, Kenneth Beken (b. 1951, the fourth in the line of family photographers), together with yacht master Peter Mumford, is leading the way in the latest digital photography, and creating wonderful colour images: "Now that digital cameras and printers are as good as the traditional darkroom methods," he says, "the company has gone totally digital." Today the Beken Marine Photography Archive features more than 200,000 different photographs of incalculable value, from historical monochrome masterpieces to contemporary digital images of the highest quality and technical perfection.

Read more less

As the columns of French infantry marched up the slopes of the Mont St Jean at Waterloo, the British heavy cavalry, the Royal Scots Greys to the fore, crashed into the packed ranks of the enemy. This was not the first time the Greys had drawn their swords during the Napoleonic Wars - but it was their first against Napoleon's troops. Three years earlier they had attacked workers in Halifax protesting at the introduction of machinery in the wool trade. Taking their name from Ned Ludd, who had smashed up knitting frames in Nottingham, the Luddites saw the emergence of mechanisation as a threat to their livelihood, with men replacing machines. In response they took matters into their own hands by wrecking the new equipment. Industrial unrest had gathered pace throughout the 18th century and exploded in an unpresented wave of violence in 1799\. Outbreaks of machine-breaking developed rapidly into strikes in a battle of capital against labour. A court battle ensued, culminating in new legislation in 1806 that backed the capitalists. This act, coupled with the impact of the Continental system introduced by Napoleon, which closed European and American ports to British merchants, heralded the largest economic depression of the era. Famine, pestilence and rising employment all fuelled the fires of Luddism. Months of violence swept across the West Midlands, Lancashire and Yorkshire which saw one factory boss murdered; other factory owners began shooting protesting workers. The disturbances resulted in the mobilising of thousands of regular soldiers - at one time there were as many British soldiers fighting the Luddites than there were fighting Napoleon on the Iberian Peninsula. As well as exploring these events, Paul L. Dawson also uncovers the origins of Luddism and their allies in the middle classes. The Napoleonic Wars marked the end of centuries old way of life in agriculture, textile production and the wider economy. The dramatic changes in Britain between 1790 and 1815 created a unique set of social grievances by those left behind by the unprecedented changes that were surging through the Britain which exploded into bitter fighting across large swathes of the country. With present day concerns over computerisation replacing labour, this is a story that echoes down the centuries.

Read more less

The latest edition of the gold standard in construction project management references The newly revised sixth edition of the Code of Practice for Project Management for the Built Environment, prepared by the Chartered Institute of Building, is an up-to-date and comprehensive reference covering the principles and practice of project management in construction and development. This latest edition covers the new technologies, internationalisation, changing legislation, and productivity and profitability challenges faced by contractors which all combine to drive significant change in the industry. The book demonstrates the application of systematic documentation and quality control to complex construction projects and offers guidance and tools that link key principles to practical project management. It is worldwide in scope and widely recognised as the industry standard on the subject. With fresh discussions of quality assurance, global codes and standards, time management, joint ventures, contract compliance, supply chain integration, design digitisation, and much more, the Code of Practice for Project Management for the Built Environment also includes: A thorough introduction to project inception, feasibility analysis, strategy, and the pre-construction process Comprehensive explorations of the construction stage of projects, as well as testing and commissioning, and project completion, handover, and operation Practical discussions of post-completion review A glossary and index of essential terms in construction project management Perfect for project management professionals in construction contracting and client organisations, Code of Practice for Project Management for the Built Environment will also earn a place in the libraries of undergraduate and postgraduate students of project management and construction-related subjects. The Chartered Institute of Building is the world’s largest professional body for construction management and leadership. It has a Royal Charter to promote the science and practice of building and construction for the benefit of society. Members across the world work in the development, conservation, and improvement of the built environment.

Read more less

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother's coffin as the world watched in sorrow-and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling-and how their lives would play out from that point on.For Harry, this is that story at last.Before losing his mother, twelve-year-old Prince Harry was known as the carefree one, the happy-go-lucky Spare to the more serious Heir. Grief changed everything. He struggled at school, struggled with anger, with loneliness-and, because he blamed the press for his mother's death, he struggled to accept life in the spotlight.At twenty-one, he joined the British Army. The discipline gave him structure, and two combat tours made him a hero at home. But he soon felt more lost than ever, suffering from post-traumatic stress and prone to crippling panic attacks. Above all, he couldn't find true love.Then he met Meghan. The world was swept away by the couple's cinematic romance and rejoiced in their fairy-tale wedding. But from the beginning, Harry and Meghan were preyed upon by the press, subjected to waves of abuse, racism, and lies. Watching his wife suffer, their safety and mental health at risk, Harry saw no other way to prevent the tragedy of history repeating itself but to flee his mother country. Over the centuries, leaving the Royal Family was an act few had dared. The last to try, in fact, had been his mother. . . .For the first time, Prince Harry tells his own story, chronicling his journey with raw, unflinching honesty. A landmark publication, Spare is full of insight, revelation, self-examination, and hard-won wisdom about the eternal power of love over grief.

Read more less

The volume is the first to cover parts of Middlesex which lay from 1889 until 1965 within the administrative county of London, with histories of the parishes of Islington and Stoke Newington. Before their inclusion in Greater London the parishes embraced the metropolitan boroughs of Islington and Stoke Newington, with a total population of over 250,000. Detached parts of Hornsey parish are included in the account of Stoke Newington. Islington, stretchingnorth from where two routes from the City met at the Angel, was built up early with roadside settlements along Upper Street and High Street, forming Islington town, and farther north at bower and Upper Holloway. Canonbury, Highbury, and Barnsbury, which had been medieval manors, were built up as middle-class suburbs in the 19th century. The south-west corner of the parish, near King's Cross, was given over to industry, working-class housing, and institutions, which included the royal Caledonian asylum, the Metropolitan cattle market, and Holloway and Pentonville prisons. Islington was noted in the 19th century for its evangelical churchmanship and in the 20th for local political issues. Stoke Newington lay on the north-east side of Islington and was a much smaller parish. Settlement grew up along High Street, which was a stretch of Ermine Street forming the eastern boundary with Hackney, and along Church Street, which joined it at right angles. Stoke Newington was favoured by wealthy City men, many of whom from the late 17th century had marked nonconformist leanings. From the 19th century successive waves of immi-grants from Londonand its east end gradually changed the character of the parish, although they did not reach the north-western part until the building of the large Woodberry Down estate after the Second World War. The area today contains littleopen space, apart from Highbury Fields in Islington and Clissold Park and Abney Park Cemetery in Stoke Newington. Most of the housing consists of 19th-century terraces and villas. Large-scale refurbishment from the 1960s has helped to promote conservation but, by leading to the 'gentrification' of parts of Islington, to produce controversy and social divisions.

Read more less

“The poster made you cool, You didn’t make the poster cool.” –Charles Barkley, Basketball Hall of Famer From Poster Boys: How the Costacos Brothers Built a Wall Art Empire Rediscover your childhood sense of awe with the Costacos Brothers’ official collection of the iconic sports posters that adorned the bedrooms of a generation.John and Tock Costacos share stories of the hard work, luck, giant prop baseball bats, wild animals, explosives, Ferraris, and semi-automatic weapons that forged an indelible bond between fans and their NFL, NBA, MLB, and NHL idols. With more than 100 posters and never-before-seen outtakes and concept art, Walls of Fame: The Unforgettable Sports Posters of the Costacos Brothers is an extraordinary look back at the golden age of sports heroes. More than 100 posters are featured, including: * Brian Bosworth: The Land of Boz (Seattle Seahawks) * Michael Jordan: Space (Chicago Bulls) * Jose Canseco & Mark McGwire: The Bash Brothers (Oakland A’s) * Bo Jackson: Black & Blue (Los Angeles Raiders & Kansas City Royals) * Aaron Judge: Judgement Time (New York Yankees) * Magic Johnson & Wayne Gretzky: L.A. Story (L.A. Lakers & L.A. Kings) * Roger Clemons: The Rocket (Boston Red Sox) * Lawrence Taylor: The Terminator (New York Giants) * Sergei Fedorov: From Russia with Love (Detroit Red Wings) * Charles Barkley: Get Off My Backboard (Philadelphia 76ers) * Jim McMahon & Walter Payton: Chicago Vice (Chicago Bears) * Dave Winfield: Class (New York Yankees) * Larry Bird: Legend (Boston Celtics) * Troy Aikman: Strong Arm of the Law (Dallas Cowboys) * Kirby Puckett: Wrecking Ball (Minnesota Twins) * Dominique Wilkins: The Highlight Zone (Atlanta Hawks) * Jerry Rice: Goldfingers (San Francisco 49ers) * Ken Griffey Jr. & Ken Griffey Sr.: The Next Generation (Seattle Mariners & Cincinnati Reds) * Shawn Kemp & Jeff Ament: Slam & Jam (Seattle SuperSonics & Pearl Jam) * John Elway: The Rifleman (Denver Broncos) * Kevin Mitchell: Batman (San Francisco Giants) * Luc Robitaille: Cool Hand Luc (L.A. Kings) * Shaquille O’Neal: Rim Shaker (Orlando Magic) * Christian Okoye: Nigerian Nightmare (Kansas City Chiefs) * Don Majkowski: Majik Man (Green Bay Packers) * Kirk Gibson: Big Game Hunter (L.A. Dodgers) * Patrick Ewing: Madison Square Guardian (New York Knicks) * Reggie White: Minister of Defense (Philadelphia Eagles) * Andre Dawson: The Hawk (Chicago Cubs) . . . and more!

Read more less

From the colonial history in the streets of the Rocks neighborhood, to Aboriginal art in the Art Gallery of New South Wales, a visit to the iconic Sydney Opera House, to climbing the Sydney Harbour Bridge—this easy-to-use guide provides all the information you need. Just beyond Sydney, discover landscapes of outstanding beauty, such as the Royal National Park, the Blue Mountains, and the vineyards of the Hunter Valley. Plus there are suggestions for scenic walking and driving tours and for the best shops, markets, bars, and restaurants in Sydney.Discover DK Eyewitness Travel Guide: Sydney. • Hotel and restaurant listings and recommendations. • Detailed itineraries and "don't-miss" destination highlights at a glance. • Illustrated cutaway 3-D drawings of important sights. • Floor plans and guided visitor information for major museums. • Free, color pull-out map (print edition) marked with sights, a selected site and street index, public transit map, practical information on getting around, and a distance chart for measuring walking distances. • Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. • Area maps marked with sights and restaurants. • Detailed city maps include street finder index for easy navigation. • Insights into history and culture to help you understand the stories behind the sights. • Suggested day-trips and itineraries to explore beyond the city. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sydney truly shows you this city as no one else can.Series Overview: For more than two decades, DK Eyewitness Travel Guides have helped travelers experience the world through the history, art, architecture, and culture of their destinations. Expert travel writers and researchers provide independent editorial advice, recommendations, and reviews. With guidebooks to hundreds of places around the globe available in print and digital formats, DK Eyewitness Travel Guides show travelers how they can discover more.

Read more less

Casts new and valuable light on English musical history and on Enlightenment culture more generally. This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens'College, Cambridge.

Read more less

Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet's Madrid City Map is your conveniently sized passport to travelling with ease. Get more from your map and your trip with images and information about top city attractions, walking tour routes, transport maps, itinerary suggestions, an extensive street and site index, and practical travel tips and directory. With this easy-to-use, full-colour navigation tool in your back pocket, you can truly get to the heart of Madrid, so begin your journey now!Durable and waterproofEasy-fold format and convenient sizeHandy slipcaseFull colour and easy to useExtensive street and site indexImages and information about top city attractionsHandy transport mapsWalking tour routesPractical travel tips and directoryItinerary suggestionsCovers Plaza Mayor, Royal Madrid, La Latina, Lavapias, Sol, Santa Ana, Huertas, El Retiro, Salamanca, Malasaña, Chueca, Parque del Oeste, Northern MadridLooking for more extensive coverage? Check out Lonely Planet's Madrid, our most comprehensive guidebook to the city, covering the top sights and most authentic offbeat experiences. Or check out Lonely Planet's Pocket Madrid, a handy-sized guide focused on the can't-miss experiences for a quick trip.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

Read more less

As Marie Antoinette took her last breath as Queen of France in Paris, another formidable monarch-Antoinette's dearly beloved sister, Charlotte-was hundreds of miles away, in Naples, fighting desperately to secure her release from the revolutionaries who would take her life. Little did Charlotte know, however, that her sister's execution would change the course of history-and bring about the end of her own empire."You are the queen. You are the queen that Antoinette wanted to be."Austria 1767: Maria Carolina Charlotte-tenth daughter and one of sixteen children of Empress Maria Theresa of Austria-knows her position as a Habsburg archduchess will inevitably force her to leave her home, her family, and her cherished sister, Antoinette, whose companionship she values over all else. But not yet. The Habsburg family is celebrating a great triumph: Charlotte's older sister, Josepha, has been promised to King Ferdinand IV of Naples and will soon take her place as queen. Before she can journey to her new home, however, tragedy strikes. After visiting the family crypt, Josepha contracts smallpox and dies. Shocked, Charlotte is forced to face an unthinkable new reality: she must now marry Ferdinand in her sister's stead.Bereft and alone, Charlotte finds that her life in Naples is more complicated than she could ever have imagined. Ferdinand is weak and feckless, and a disastrous wedding night plunges her into despair. Her husband's regent, Tanucci, a controlling and power-hungry man, has pushed the country to the brink of ruin. Overwhelmed, she asks her brother Leopold, now the Holy Roman Emperor, to send help-which he does in the form of John Acton, a handsome military man twenty years Charlotte's senior who is tasked with overseeing the Navy. Now, Charlotte must gather the strength to do what her mother did before her: take control of a country.In a time of political uprisings and royal executions and with the increasingly desperate crisis her favorite sister, Queen Marie Antoinette, is facing in France, how is a young monarch to keep hold of everything-and everyone-she loves? Find out in this sweeping, luxurious tale of family, court intrigue, and power.Includes a Reading Group Guide.

Read more less

The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

Read more less

Situated in a dress circle position on the slopes of the village of Les Avants, overlooking Lake Geneva in Switzerland, Chalet Monet is the magnificent home of Dame Joan Sutherland OM AC DBE and her husband, Maestro Richard Bonynge AC CBE. In his charming, eloquent, conversational style, Richard Bonynge takes us inside the home he has shared with Dame Joan, and in so doing provides rare insight into the lives of two of the greatest international cultural icons in opera of all time. The Chalet was introduced to Dame Joan and Richard by their close friend Noël Coward who resided in the neighbouring property. The opulence of each of the distinctive rooms over the four floors and vistas from the Chalet is artfully captured in stunning photography. Paintings and objets dart line the walls and fill the cabinets, each with their own provenance; presented by royalty or celebrities, embroided by Dame Joan or collected by Richard. Through the stories of these artefacts, told by Richard in eloquent conversational style, we learn about the life and times of two of the most formidable figures associated with opera in the 20th century. "For those fortunate enough to have discovered and experienced the thrill of opera and all the larger than life characters associated with it, to enter Chalet Monet is somewhat of a fairy tale experience that could be taken right out of a Cinderella story ... Chalet Monet is a house with a thousand stories. It is living history, theatrical, a beautiful home with enormous spirit like its owners. It radiates grandeur yet intimacy with places to sit and contemplate, views to linger over, books to be read, paintings to admire and music to listen to. It is a treasure trove for the senses where many a story has been told orbegun. Only its walls and its owners remember the decades of music making here and possibly the oddneighbour and the cows on the grassy slopes ... Thank you, Richard for allowing us to enter your private and colourful world." From the Preface by Fiona Janes, Artistic Director/General Manager Joan Sutherland & Richard Bonynge Foundation. This sumptuously produced coffee table book captures the essence of the fairy tale that is Chalet Monet.

Read more less

The unvarnished history of America’s most notorious palace and its American queenMoments before the Roaring Twenties sunk into the Great Depression, socialite heiress Marjorie Merriweather Post and financier E.F. Hutton constructed an estate to outdo all estates. To the tune of $4 million (about $68 million today) and four years of labor they called forth a 118-room mansion in a conflated Spanish, Portuguese, and Venetian design over a coral reef in hurricane-prone Palm Beach County. They named it Mar-a-Lago—a winter haven where corporate titans, the glitterati, and nobility gathered. But the honeymoon didn’t last long. In American Castle, Pulitzer Prize finalist Mary C. Shanklin reveals a century of controversy, politics, and lifestyles of the super-rich and powerful after Mar-a-Lago became a part-time residence and party place upon Post’s divorce from Hutton over mutual adultery. It’s a story of an American royal who, at the age of 27, inherited a cereal company that would later become the General Foods Corporation and spent a lifetime in business, art collection, philanthropy, and the management of multiple estates—including her white elephant, Mar-a-Lago. Though she tried time again, as Shanklin covers in riveting detail, Post could not offload the behemoth due to its extraordinary maintenance costs and the uppity Palm Beach neighbors.Drawing from previously untapped interviews, documents, and recordings, Shanklin follows Mar-a-Lago’s evolution as it collides with the Kennedys, the state of Florida, a potential make-over as The Mar-a-Lago Center for Advanced Scholars, Lady Bird Johnson, Richard Nixon, the National Park Service, and—of course—Donald Trump, who pursued subdivision, threatened to sell to Reverend Sun Myung Moon and the Unification Church, hosted Michael Jackson and Lisa Marie Presley, made it a for-profit club, received scandalous dinner guests, turned it into his Winter White House, and watched the FBI raid before holding a home-court presser as the first former president to face criminal charges.How did the Palm Beach hamlet so lacquered in grace and elegance come to find itself rooted in American Castle: One Hundred Years of Mar-a-Lago.

Read more less

'A daily love letter from a brave young woman to her adored father . . . immensely evocative of wartime Britain, extremely well edited, and occasionally powerfully moving' ANDREW ROBERTS, TLS'It wasn't easy being a Churchill child - and only Mary managed it with serenity and aplomb, as her diary of wartime ATS service shows' ANNE DE COURCY, SUNDAY TELEGRAPH'Mary's affectionately intimate and emotionally volatile diaries [...] are an informal record that perfectly complements Churchill's own six authoritative volumes of memoirs of the second world war ... This is a happy book' SPECTATOR'Gives a new and valuable perspective on Churchill in wartime' THE OLDIE 'A fascinating and intimate insight into the iconic Prime Minister's family life' DAILY TELEGRAPH 'I am not a great or important personage, but this will be the diary of an ordinary person's life in war time. Though I may never live to read it again, perhaps it may not prove altogether uninteresting as a record of my life'In 1939 seventeen-year-old Mary found herself in an extraordinary position at an extraordinary time: it was the outbreak of the Second World War and her father, Winston Churchill, had been appointed First Lord of the Admiralty; within months he would be Prime Minister.The young Mary Churchill was uniquely placed to observe this remarkable historical moment, and her diaries -- most of which have never been published -- provide a front-row view of the great events of war, as well as exchanges and intimate moments with her father. But they also capture what it was like to be a young woman during wartime. An impulsive and spirited writer, full of coming-of-age self-consciousness and joie de vivre, Mary's diaries are untrammelled by hindsight or self-censorship or nostalgia.From aid raid sirens at 10 Downing Street to seeing action with the ATS, from cocktail parties with presidents and royals to accompanying her father on key diplomatic trips, Mary's wartime diaries are full of colour, rich in historical insight, and a charming and intimate portrait of life alongside Winston Churchill.Compiled and edited by Mary's daughter, Emma Soames, in collaboration with The Churchill Archives Centre.

Read more less

This engaging poem depicts Winston Churchill as a hero, in traditional epic style and echoes the works of Homer and Virgil. The metre adds an emotional intensity to the events of 20th century history more usually found within Classical literature. The narrative covers the period from 1940, when Great Britain faced perhaps the greatest threat to its very existence as an independent nation: invasion and defeat by the rampant forces of Nazi Germany, to 1941 when the United States entered the war after the bombing of Pearl Harbor. In this acute crisis King George VI appointed a man whose reputation and earlier political success were questioned by many influential figures. Yet public opinion and some wiser men and women of substance, such as Lord Halifax, the alternative choice as Prime Minister at the time, determined the outcome. Their choice was thoroughly vindicated by the events that followed. His courage, boldness, rhetoric and inspiration united the country in its solitary stand against the might of the Luftwaffe and the potential landing of the dreaded Wehrmacht on British soil. Under his leadership the Royal Air Force defeated the Luftwaffe's attack, foiling Hitler's plans to invade England to the extent that he began to think instead of attacking his apparent ally, the Soviet Union, and to leave Britain to wither alone. Churchill knew that that he had only won a respite, but he set about to strengthen the country and to turn it from defence to aggression. The bomber force was developed, the army enlarged and re-equipped, the navy set to the task of eliminating German surface marauders and submarines. The population at large were motivated to make a supreme effort to resist the still extant threat to their whole way of life. Until Hitler attacked Russia, Britain stood alone, confronting a Europe largely controlled by the Nazis and their allies. To Stalin he offered full support: Hitler was the immediate threat to a civilised world. Only when the Japanese attack on Pearl Harbor brought the USA into the war, did he realise that Germany - and Japan - were sure to be defeated. He had led the British people from the brink of utter disaster to the expectation of victory.

Read more less

This pocket-sized travel guide to Nice, Cannes & Monte Carlo is a convenient, quick-reference companion to discovering what to do, what to see and how to get around the destination. It covers top attractions like Promenade des Anglais, La Croisette, the Musee Matisse, Zplage, The Vieux Port, as well as hidden gems, including Cap d'Ail and Royal Fort. Our Nice, Cannes & Monte Carlo guide book will save you time and enhance your exploration of this fascinating region. This Nice, Cannes & Monte Carlo travel guide has been fully updated post-COVID-19. This Mini Rough Guide to NICE, CANNES & MONTE CARLO covers: Nice; Cannes; Monaco; Excursions.In this guide book to Nice, Cannes & Monte Carlo you will find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Nice, Cannes & Monte Carlo, from cultural explorations in Vieux Nice to family activities in child-friendly places, like Colline du Chateau or chilled-out breaks in popular tourist areas, like Mougins.TOP TEN ATTRACTIONSThis Nice, Cannes & Monte Carlo travel guide covers the destination's top ten attractions not to miss, including Chapelle Bellini, Villefranche-sur-Mer, Promenade des Anglais, La Croisette and a Perfect Day itinerary suggestions.COMPACT FORMATCompact, concise, and packed with essential information, with a sharp design and colour-coded sections, this guide book to Nice, Cannes & Monte Carlo is the perfect on-the-move companion when you're exploring Monaco.HISTORICAL AND CULTURAL INSIGHTSIncludes an insightful overview of landscape, history and culture of Nice, Cannes & Monte Carlo.WHAT TO DODetailed description of entertainment, shopping, nightlife, festivals and events, and children's activities.PRACTICAL MAPSHandy colour maps on the inside cover flaps of this travel guide to Nice, Cannes & Monte Carlo will help you find your way around.PRACTICAL TRAVEL INFORMATIONPractical information on eating out, including a handy glossary and detailed restaurant listings, as well as a comprehensive A-Z of travel tips on everything from getting around to health and tourist information.STRIKING PICTURESInspirational colour photography throughout.FREE EBOOK Free eBook download with every purchase of this Nice, Cannes & Monte Carlo guide book to access all content from your phone or tablet for on-the-road exploration.

Read more less

Donald Osborne Finlay, a sporting name familiar to households in the 1930s, was Britain’s greatest athlete of the time; a hurdler whose triumphant exploits graced the sports pages and newsreels week after week. From a humble family background, he became a double Olympic medallist, European Champion, and Empire (Commonwealth) Champion; he also won the AAA 120 yards hurdles an unprecedented seven times in succession. Reporters ran out of superlatives to describe him. At the three Olympic Games in which he ran, he captained the British team twice, including the Berlin Games of 1936 in front of Adolf Hitler. An all-round sportsman, both track and field events came naturally to him as did football. He played for the country’s top amateur sides and turned out for Tottenham Hotspur in wartime matches.All the more remarkable is that Finlay competed at the very highest levels of international athletics at the same time as pursuing his demanding career as a Royal Air Force fighter pilot. Joining up as a boy apprentice in the mid-1920s, he qualified as a pilot before the start of the Second World War and found himself in the cockpit of a Supermarine Spitfire, commanding a squadron, during the Battle of Britain. Shot down and wounded in the Battle, he was soon back in the air and rose through the ranks to command a fighter wing in Burma, ending the war with several ‘kills’ to his name, as well as a Distinguished Flying Cross and an Air Force Cross to add to the medals won under less lethal circumstances on the running track. As a commander, his insistence on strict discipline often led to conflict with his subordinates, but there is no doubt that his methods got results.After the war, still serving in the RAF, Don returned to competitive athletics and was as fast and successful, if not more so, than ever. By then he was in his 40s, but age was no barrier and several of his greatest hurdling victories came when others would have been long retired from the track, against athletes often twenty years his junior. Don Finlay’s life was to end prematurely, and under tragic circumstances, but his legacy lives on as one of the finest athletes ever to wear the vest of Great Britain, as well as one of ‘The Few’.

Read more less

Naming a boat is as personal as naming a baby (even if few male skippers would risk telling the wife that). The culmination of many years of dreaming and penny pinching, the purchase of a boat of any size is a huge event for any sailor, and with that comes serious naming pressure. Many boatowners have a secret fear that someone else got their brilliantly original name first – or ruined it for ever by reducing its reputation to snigger-worthy opprobrium. Sometimes it’s so difficult to name a boat that skippers are desperate enough to ask the sorts of people who think Boaty McBoatface would be a good choice… The perfect gift for any skipper or would-be skipper, and featuring hundreds of common and uncommon names, this entertaining little book will answer perhaps the most important question new owners should ask themselves: what will this name say about me? And as everyone knows, once you’ve named a boat, you never ever change it, so it also answers the question: what is my boat name saying about me? Names will be categorised and listed alphabetically within these chapters: - Pun Intended (some reveal a classic wit, others reveal just how many desperate unfunny dullards there are sailing around in yachts called Seas the Day) - Common as Muck (bad names – Moondancer, Wave Catcher and others that sound like names from a bad children’s novel: where they come from, why they’re bad, and how to avoid inventing another) - A Bit of Pedigree (good names – but probably too classy for you to get away with copying them) - Don’t Even Go There (they might be uncommon these days, but sometimes there’s a good reason for that) - Word Piracy (expressions borrowed from other languages - with varying degrees of wisdom) - Myths, Legends and Gods (inspired by heroes and deities of cultures now lost to the past) - The Devil’s Own (don’t tempt fate by calling your boat Invincible, as the Royal Navy did each time the last one sank/exploded – plus other superstition-violating names) With fascinating history, a fair bit of psychology and a lot of humour, this is the essential guide for all would-be boat owners, and anyone buying a gift for Dad for Father’s Day or Christmas.

Read more less

Dr. BARRY ROSE, OBE Born in 1934, Barry Rose originally set out on a career in insurance, but at the age of 24 he suddenly quit the world of commerce, and became a mature student at the Royal Academy of Music. Whilst there, and still without any musical qualifications, he was appointed as the first Organist and Master of the Choristers of the new Guildford Cathedral, founding and directing a choir which made several award-winning recordings for EMI (including Platinum, Gold and Silver discs). In 1974 he was invited to move to St. Paul’s Cathedral, where he took over the training the world-famous choir, directing them at many great State Occasions, including The Queen’s Silver Jubilee and the 1981 wedding of The Prince of Wales. His recordings with the Cathedral choir range from Mozart and Handel with Dame Kiri te Kanawa to a gold-disc recording of the pop-song My Way and the original soundtrack of The Snowman. From St. Paul’s Barry moved on to run the choral music at The King’s School, Canterbury, but was lured back into Cathedral music at St. Albans Abbey and Cathedral in 1988 – where he stayed until Christmas 1997. With the St. Albans choir he toured the USA no less than five times, as well as making recordings and broadcasts. Barry was also the BBC’s Music Adviser to the Head of Religious Broadcasting – a post he was to hold from 1971-1990, broadcasting regularly as conductor, organist, pianist, and even writing and presenting a series of church music programmes on BBC2. With his brother-in-law he also founded and produced recordings for GUILD RECORDS, as well as acting as recording producer for other choirs on different record labels. A regular visitor to the USA since 1974, he has been visiting director of several high-profile choirs on the East Coast, as well as in Australia, New Zealand, South Africa, and many European countries. Married, with three grown-up children, he and his wife Elizabeth (to whom the book is dedicated) now live in rural Somerset, where he still makes music and enjoys his hobby of collecting and restoring vintage fountain pens.

Read more less

On 18 April 1947, British forces set off the largest non-nuclear explosion in history. The target was a small island in the North Sea, fifty miles off the German coast, which for generations had stood as a symbol of Anglo-German conflict: Heligoland. A long tradition of rivalry was to come to an end here, in the ruins of Hitler's island fortress. Pressed as to why it was not prepared to give Heligoland back, the British government declared that the island represented everything that was wrong with the Germans: 'If any tradition was worth breaking, and if any sentiment was worth changing, then the German sentiment about Heligoland was such a one'. Drawing on a wide range of archival material, Jan Rüger explores how Britain and Germany have collided and collaborated in this North Sea enclave. For much of the nineteenth century, this was Britain's smallest colony, an inconvenient and notoriously discontented outpost at the edge of Europe. Situated at the fault line between imperial and national histories, the island became a metaphor for Anglo-German rivalry once Germany had acquired it in 1890. Turned into a naval stronghold under the Kaiser and again under Hitler, it was fought over in both world wars. Heavy bombardment by the Allies reduced it to ruins, until the Royal Navy re-took it in May 1945. Returned to West Germany in 1952, it became a showpiece of reconciliation, but one that continues to wear the scars of the twentieth century. Tracing this rich history of contact and conflict from the Napoleonic Wars to the Cold War, Heligoland brings to life a fascinating microcosm of the Anglo-German relationship. For generations this cliff-bound island expressed a German will to bully and battle Britain; and it mirrored a British determination to prevent Germany from establishing hegemony on the Continent. Caught in between were the Heligolanders and those involved with them: spies and smugglers, poets and painters, sailors and soldiers. Far more than just the history of a small island in the North Sea, this is the compelling story of a relationship which has defined modern Europe.

Read more less