Search results for ""Author Roy"

The first comprehensive biography of an extraordinary English poet and composer whose life was haunted by fighting in the First World War and, later, confinement in a mental asylumIvor Gurney (1890–1937) wrote some of the most anthologized poems of the First World War and composed some of the greatest works in the English song repertoire, such as “Sleep.” Yet his life was shadowed by the trauma of the war and mental illness, and he spent his last fifteen years confined to a mental asylum. In Dweller in Shadows, Kate Kennedy presents the first comprehensive biography of this extraordinary and misunderstood artist.A promising student at the Royal College of Music, Gurney enlisted as a private with the Gloucestershire regiment in 1915 and spent two years in the trenches of the Western Front. Wounded in the arm and subsequently gassed during the Battle of Passchendaele, Gurney was recovering in hospital when his first collection of poems, Severn and Somme, was published. Despite episodes of depression, he resumed his music studies after the war until he was committed to an asylum in 1922. At times believing he was Shakespeare and that the “machines under the floor” were torturing him, he nevertheless continued to write and compose, leaving behind a vast body of unpublished work when he died of tuberculosis. Drawing on extensive archival research and spanning literary criticism, history, psychiatry and musicology, this compelling narrative sets Gurney’s life and work against the backdrop of the war and his institutionalisation, probing the links between madness, suffering and creativity.Facing death in the trenches, Gurney hoped that history might not “forget me quite.” This definitive account of his life and work helps ensure that he will indeed be remembered.

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The definitive catalogue of an unparalleled collection of Indian jewelry and luxury objects made at the height of the Mughal empire and the Deccan sultanates. This is the definitive catalogue of an unparalleled collection of Indian jewelry and jewelled luxury objects made at the height of the Mughal empire and Deccan sultanates in the 16th and 17th centuries. The collection, widely regarded as one of the finest in the world, was assembled by Sheikh Nasser and Sheikha Hussa al-Sabah for The al-Sabah Collection, Kuwait, and reveals the beauty, sophistication and diversity of Indian jewelled arts. The Indian subcontinent is naturally rich in gems. From ancient times master jewellers developed a wide array of unique techniques and made it home to the most sophisticated jewels on earth. Exotic birds and animals, flowers, trees and mythological scenes rendered in precious gemstones, gold and enamel demonstrate these artists’ prodigious imagination and skill. They produced not only an unmatched range of jewelry to adorn the body but also ritual and household items of astonishing refinement and luxury, as well as extravagantly large engraved gemstones to serve as symbols of their princely patrons’ royal power – including a spinel of nearly 250 carats believed to be the legendary Timur Ruby. This volume includes not only the finest and most valuable pieces in the collection – some familiar to connoisseurs, others published here for the first time – but also many previously unknown types that extend our understanding of artistic output in the region. With specially commissioned photography giving unprecedented new views of more than 300 jewelled objects, this is a publication of historic importance and beauty, for all lovers of jewelry, the arts of India and of the Islamic world.

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At a time when women were finding their voices comes Hell Cat of the Hague: The Nel Slis Story, the remarkable tale of a female journalist who became the Associated Press’ first correspondent in The Hague after WWII. This story delves into the origins and follows the adventures of a larger-than-life character, fighting her way to make her mark in the world as a lone woman journalist and forming enduring friendships across the world. From a lonely childhood on an island at the bottom of Holland, a love of languages launches Nel on her travels in the 1930s. From the Sorbonne and White Russians in Paris to a top-class nursing diploma in Switzerland, from the U.K. and Germany to Mussolini-watching in Rome as World War II breaks out, Nel sees it all. With her experience in nursing and the BBC wartime intelligence monitoring service, Nel falls ‘like a hair in the soup’ into journalism when the mighty Associated Press (AP) sets up shop in the UK. Postwar, Nel becomes the AP’s first correspondent in The Hague – and meets the love of her life, young American journalist Daniel Schorr. Together with Schorr, her direct and challenging American style of reporting transforms a profession suffering from the legacy of wartime occupation. The book also follows her reporting on the Dutch Royal Family, Nel and the Queen of Libya, her travels and work in the U.S. and much more. She becomes a legend in her own time, the exciting woman journalist every other journalist wants to interview and emulate. Also famed for her warmth, her wide circle of friends including cultural icons like Isaac Stern and Leo Bernstein, and her support for new journalists, especially women, this is a figure history should celebrate as this book surely does.

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Embrace the seductive call of the latest novel in Christine Feehan's No. 1 New York Times bestselling Carpathian series. . . Vasilisa Sidkorolyavolkva is a Lycan of royal blood. She knows what's expected of her, but all she wants is to be out from under her family's watchful eyes. There is a fire inside her that is building. A restlessness coupled with a sense of growing dread. Every day she feels the weight of the legacy passed down through generations. The prophecy that says a man will come to claim her as his mate and that she will guard his soul. She knows nothing about him, except that he is hers. But nothing seems real until the night she meets him in the flesh....Afanasiv Belan is a Carpathian, and an ancient one. In all the centuries of his existence, no one has ever affected him like Vasilisa. He can see into her mind and feel what's in her heart. They are so alike, warriors bound by honour and plagued by secrets. They both know they must reveal the darkest parts of their souls if they hope to survive and protect the ones they love. But if they claim each other as lifemates it will change them down to the bone. They will become something more-something both of their kinds fear....Praise for Christine Feehan:'After Bram Stoker, Anne Rice and Joss Whedon, Christine Feehan is the person most credited with popularizing the neck gripper' Time'Feehan has a knack for bringing vampiric Carpathians to vivid, virile life in her Dark Carpathian novels' Publishers Weekly'The erotic, gripping series that's defined an entire genre! Must reading that always satisfies!' J.R. Ward'The queen of paranormal romance' USA Today

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First published in 1925, this facsimile edition contains hundreds of entertaining tips for golfers of all ages and abilities. 'Don't over-indulge yourself in eating and drinking during the non-golfing days, and then expect to work off excess by "a good game of Golf." You may play Golf of sorts, but it will not be a good game.' This pocket-sized facsimile edition contains hundreds of tips for golfers of all abilities. The advice, ranging from technique and fashion to etiquette on the course and in the Club House, provides an entertaining snapshot of life in 1920s Britain. Don'ts for Husbands and Don'ts for Wives were republished by A&C Black in 2007 and have sold over 2.5 million copies and been translated into 15 languages. Don'ts for Golfers was republished in 2008 and has sold more than 180,000 copies to date. Handy tips include: 'Don't over-indulge yourself in eating and drinking during the non-golfing days, and then expect to work off excess by "a good game of Golf." You may play Golf of sorts, but it will not be a good game.' 'Don't make Golf your sole topic of conversation. There are a few otherwise quite intelligent persons who are non-golfers. You will never make converts if you bore non-players to distraction by for ever talking of the Royal and Ancient Game.' 'Don't blame your clubs for faults of your own that may be easily corrected if you analyze your methods of using the implements.' 'Don't keep up a running fire of conversation during the round. Golf is a game in which thought is necessary and silence is preferable to chatter.' 'Don't irritate your opponent by wearing jazzy colours. To dazzle his eyes with a multi-coloured pull-over or peace-disturbing golf stockings is to take a mean advantage.'

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The second book in the Air Raid Girls series - a wonderful new Christmas story of friendship, love and duty in wartime, perfect for fans of Elaine Everest and Rosie Hendry.Don't miss part 3 in the series - The Air Raid Girls: Wartime Brides is available now!---------------------------------------------November, 1941.Christmas is coming... and despite the blackout, shortages and a constant threat of air raids, the inhabitants of Kelthorpe on the Yorkshire coast are determined that war won't stop them celebrating.The run-up to Christmas sees sisters Connie and Lizzie, and their good friend Pamela, busier than ever. Between their jobs, carol-singing rehearsals with the church choir and night shifts doing their bit as Air Raid Wardens and ambulance drivers, it's all go.But when Connie and Lizzie's dear dad falls ill, their sweethearts Tom and Bill are called up by the Royal Navy for dangerous mine-sweeping duties, and Pamela's sweetheart Fred is targeted by vicious locals, the girls have to believe in miracles to keep soldiering on.Can their dearest wishes come true this Christmas?'A festive tonic!' Peterborough Telegraph'An ideal stocking filler for those who enjoy a well-written novel depicting wartime life' Holderness Gazette'An evocative and nostalgic book about love, family, friendship and fortitude' Culturefly, 6 Uplifting Books to Read over the Festive Season---------------------------------------------Readers LOVE the Air Raid Girls series:'There wasn't anything I didn't like about this book' 5 star review'In all the women at war series of book I have read so far, I think this is the best' 5 star review'I couldn't put this book down' 5 star review'Loved the whole story. Hated it coming to an end' 5 star review'Just the kind of book I like' 5 star review

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The period from the end of the Second World War to the late 1960s marked a golden era for the traditional port-to-port class-divided passenger ship business. It was an age of re-awakening, with the wealthy and adventurous seeking new experiences abroad and countless migrants wanting to leave war-shattered Europe for new lives and opportunities overseas. On the liners, everyone was catered for: from passengers such as the Duke and Duchess of Windsor, who required suites of luxurious rooms with space to unpack over a hundred pieces of luggage, to penniless migrants carrying nothing more than an overnight bag, for whom a berth in a fifty-bed dormitory was all that was needed. Atlantic crossings were popular throughout the period, but there were also three- and four-class ships to South America, combination passenger-cargo services carrying only 100 or so travelers, fast mail ships to South Africa, colonial passenger vessels to East Africa, crowded migrant sailings to Sydney and Auckland, and trans-Suez and trans-Pacific passages. This was an era when long-distance travel was entirely dependent on the ocean liners. Post-War on the Liners examines, through fascinating anecdotes and detailed research, the many passenger ship services of this bygone era, recapturing the charm, practicality, and importance of post-war sea travel. From the magnificent-Cunarders Queen Mary and Queen Elizabeth, Italian Line's Augustus, Union-Castle's Bloemfontein Castle, P&O's Oronsay, and Shaw Savill's Southern Cross-to the lesser known-Fyffes Line's Golfito, Royal Mail's Amazon, Sitmar Line's Fairsea, and NYK Line's Hikawa Maru-this book reveals the unique qualities of individual ships and why they were so often regarded with affection by the men and women who travelled and served on them.

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WINNER OF THE BRITISH ARMY BOOK OF THE YEAR 2021 'A riveting account of T. E. Lawrence’s battles on and off the battlefield… Using scrupulous research and succinct prose, Johnson provides a gold mine of stratagems… a must-read for military leaders to come!' Arnel P. David, Lt Col, US Army Special Advisor to the Chief of the General Staff (UK) 'An innovative study of Lawrence that carefully and intelligently examines his campaigns and thinking on irregular warfare, and in doing so produces an accessible and intellectually stimulating work of military history.' James Kitchen, Royal Military Academy Sandhurst 'This is a major contribution to the literature on the Middle East in the Great War, and the history of military ideas - and it is highly relevant to contemporary armed force.' Professor Gary Sheffield, University of Wolverhampton Lawrence of Arabia is one of the most iconic figures of the First World War, seen by many as a heroic and romantic guerrilla leader in a period of savage and deeply impersonal industrial warfare. While Lawrence himself has been the subject of many biographies, and an award-winning film, the context of his war in the desert, and his ideas on war itself, are less well known. Lawrence of Arabia on War is a study of those ideas and of his campaign of irregular warfare which has informed tactical theory and decision-making down to the present day, juxtaposed alongside the operations conducted by the Ottoman Empire and those of the Allied army in Palestine. It explores the challenges he faced in a complex environment against a more numerous and better armed adversary, and the manner in which he assessed what was changing, what was distinctive, and what was unique to guerrilla warfare in the desert. Setting Lawrence in his historical context, it examines the peace settlement process he participated in during 1919–20, analyses how other military writers made use of his ideas, and describes the ways in which his legacy has informed and inspired those partnering and mentoring local forces today.

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Satan’s Playground chronicles the rise and fall of the tumultuous and lucrative gambling industry that developed just south of the U.S.-Mexico border in the early twentieth century. As prohibitions against liquor, horse racing, gambling, and prostitution swept the United States, the vice industry flourished in and around Tijuana, to the extent that reformers came to call the town “Satan’s Playground,” unintentionally increasing its licentious allure. The area was dominated by Agua Caliente, a large, elegant gaming resort opened by four entrepreneurial Border Barons (three Americans and one Mexican) in 1928. Diplomats, royalty, film stars, sports celebrities, politicians, patricians, and nouveau-riche capitalists flocked to Agua Caliente’s luxurious complex of casinos, hotels, cabarets, and sports extravaganzas, and to its world-renowned thoroughbred racetrack. Clark Gable, Jean Harlow, Louis B. Mayer, the Marx Brothers, Bing Crosby, Charlie Chaplin, Gloria Swanson, and the boxer Jack Dempsey were among the regular visitors. So were mobsters such as Bugsy Siegel, who later cited Agua Caliente as his inspiration for building the first such resort on what became the Las Vegas Strip. Less than a year after Agua Caliente opened, gangsters held up its money-car in transit to a bank in San Diego, killing the courier and a guard and stealing the company money pouch. Paul J. Vanderwood weaves the story of this heist gone wrong, the search for the killers, and their sensational trial into the overall history of the often-chaotic development of Agua Caliente, Tijuana, and Southern California. Drawing on newspaper accounts, police files, court records, personal memoirs, oral histories, and “true detective” magazines, he presents a fascinating portrait of vice and society in the Jazz Age, and he makes a significant contribution to the history of the U.S.-Mexico border.

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A ground-breaking account of the potential and failures of Christianity since the colonialist period—winner of the 2015 Louisville Grawemeyer Award in Religion and of an American Academy of Religion Award for Excellence "Detailing the nooks and crannies of white supremacist Christianity, The Christian Imagination allows not only for greater sophistication when considering race and theology. It also points to possible cures to the disease so elegantly diagnosed."—Edward J. Blum, Journal of Religion"[A] theological masterpiece."--Chris Smith, Englewood Review of Books Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

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Garcilaso de la Vega, the great chronicler of the Incas and the conquistadors, was born in Cuzco in 1539. At the age of twenty, he sailed to Spain to acquire an education, and he remained there until his death at Córdoba in 1616. As the natural son of a noble conquistador and an Indian woman of royal blood, he took immense pride in both his Spanish and Inca heritage, and, living as he did during a bewildering but stimulating epoch, he personally witnessed the last gasp of the dying Inca empire, the fratricidal conflicts that accompanied the Conquest, and the literary growth as well as the political decline of the Spain of Philip II and Philip III. Garcilaso left for posterity one of the earliest accounts of the ancient Incas, a reliable though admittedly biased chronicle of Spanish conquests in Andean America and a glowing story of Hernando de Soto’s exploration of North America. Though he never lost pride in his Spanish heritage, continued rebuffs in caste-conscious Spain strengthened his pride in his Indian heritage and his sympathy for his mother’s people. Thus his histories, while ennobling Spaniards, also ennobled the Incas, and eventually were to have some influence in the struggle of South Americans for political independence from Spain. In both blood and character El Inca Garcilaso was a true mestizo. He is generally considered to have been the first native-born American to attain the honor of publication. This was the life, and these were the times, that Varner has evoked so richly in his narrative. It rings and glitters with the sounds and colors of festivals, pageantry, and battle; it listens to the murmur of prayers, the defeated mutter of the Incas, the scratch of the scholar’s quill; it pictures both highlights and shadows. For the reader already acquainted with Garcilaso’s chronicles, this book will be a welcome complement; for those who are meeting El Inca here for the first time, it will be a rewarding and satisfying introduction.

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Louis IX, king of France from 1226 to 1270 and twice crusader, was canonized in 1297. He was the last king canonized during the medieval period, and was both one of the most important saints and one of the most important kings of the later Middle Ages. In Blessed Louis, the Most Glorious of Kings: Texts Relating to the Cult of Saint Louis of France, M. Cecilia Gaposchkin presents six previously untranslated texts that informed medieval views of St. Louis IX: two little-known but early and important vitae of Saint Louis; two unedited sermons by the Parisian preacher Jacob of Lausanne (d. 1322); and a liturgical office and proper mass in his honor—the most commonly used liturgical texts composed for Louis’ feast day—which were widely copied, read, and disseminated in the Middle Ages. Gaposchkin’s aim is to present to a diverse readership the Louis as he was known and experienced in the Middle Ages: a saint celebrated by the faithful for his virtue and his deeds. She offers for the first time to English readers a typical hagiographical view of Saint Louis, one in counterbalance to that set forth in Jean of Joinville’s Life of Saint Louis. Although Joinville’s Life has dominated our views of Louis, Joinville’s famous account was virtually unknown beyond the French royal court in the Middle Ages and was not printed until the sixteenth century. His portrayal of Louis as an individual and deeply charismatic personality is remarkable, but it is fundamentally unrepresentative of the medieval understanding of Louis. The texts that Gaposchkin translates give immediate access to the reasons why medieval Christians took Louis to be a saint; the texts, and the image of Saint Louis presented in them, she argues, must be understood within the context of the developing history of sanctity and sainthood at the end of the Middle Ages.

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This 4th edition has been produced by a team from the Royal Cruising Club and contains substantial changes. Apart from the routine updating of the text and plans – many newly drawn for this edition – and the addition of new photos, there are also some major changes. In particular coverage of Finland has been reorganized, and reflecting the fast pace of change since the last edition, the Baltic States and Poland sections have been improved significantly. The nine countries bordering the Baltic Sea offer an immense variety of cruising grounds, people and cultures. There are thousands of harbours and innumerable anchorages, and it would take an entire bookshelf, to cover them all in detail. The information contained in this book is therefore selective. It has been chosen for its value both at the planning stages - preparing the yacht, choosing the most suitable route, timing and communications etc - and again on arrival, when a general overview of each individual country is followed by specific harbour information. Where detailed cruising information is readily available - effectively Germany, Denmark, Sweden and Finland - only selected harbours are covered, chosen, with a few exceptions, as fulfilling certain key needs. Where cruising information is more limited - Poland, Kaliningrad, Lithuania, Latvia, Estonia and Russia - many smaller harbours are also featured in detail. In addition to comprehensive suggestions for further reading (and sources in each country from which they may be ordered) more than 200 websites are listed, again chosen for their relevance both at the planning stages and en route. In order to facilitate the latter, as well as for general communication, details of internet access points are included for most major harbours. Beautiful, secluded anchorages, picturesque canals, bustling marinas, dramatic cities - all await those considering a Baltic cruise.

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Ce livre porte sur la culture alimentaire byzantine, sa constitution et la manière dont elle se différencie des cultures alimentaires juive, musulmane et chrétienne occidentale. Il se penche sur ses sources d'inspiration puisqu'elle opère une synthèse entre les exigences religieuses du christianisme et les recommandations diététiques de la médecine grecque. Le choix des aliments, la préparation de la nourriture, comme sa consommation lors de repas, obéissent à des règles qui changent à travers le temps; or, durant les onze siècles de son existence, le monde byzantin a connu de profonds changements religieux, culturels et politiques. Il est entré en contact avec des populations ayant leurs propres traditions culinaires ou leurs interdits alimentaires et il a donc été soumis à des influences diverses. La culture alimentaire byzantine naît d'une rencontre entre les traditions culinaires du monde romain, les habitudes alimentaires des différentes populations du monde méditerranéen et les nouvelles règles de l'éthique alimentaire chrétienne, favorisant la frugalité, voire l'ascèse en matière d'alimentation. Le christianisme byzantin modifie les habitudes alimentaires, non pas à la manière de l'islam ou du judaïsme en établissant une liste d'aliments et de boissons interdits, conduisant à une modification des productions agricoles, mais en créant une éthique alimentaire chrétienne dans laquelle le jeûne tient une place prépondérante. Le livre étudie la mise en place d'un calendrier du jeûne, faisant alterner des périodes festives et des périodes de restrictions alimentaires. Le milieu monastique fait naître un régime ascétique rigoureux qui doit faciliter la maîtrise du corps, dans la recherche d'une proximité spirituelle avec Dieu, égale à celle des anges. La création d'un régime alimentaire ascétique par les moines a une forte influence sur le reste de la société byzantine, parce que la vie monastique y est perçue comme la voie royale pour entrer au Paradis. La société byzantine médiévale suit une version adoucie, plus modérée de cette ascèse alimentaire, qui est toutefois devenue une norme du comportement chrétien, rejetant le gourmand et, encore plus, le glouton parmi les pécheurs. Ce livre analyse la manière dont la religion s'est insérée dans l'alimentation en bénissant ou en sacralisant certains aliments, par exemple dans le rituel eucharistique. Histoire religieuse et histoire sociale se combinent donc dans ce travail pour essayer de comprendre comment s'est élaborée cette culture alimentaire byzantine que les étrangers de passage perçoivent comme différents de la leur au Moyen ge et dont les Byzantins eux-mêmes ont conscience quand ils critiquent leurs voisins, en particulier les Latins.

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Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. Such multi-chambered stone tombs were very popular among the Han people, but they were entirely new, and were a result of outside stimuli rather than an independent development within China. The stone carved tombs were a result of imitating royal rock-cut tombs, while the rock-cut tombs were stimulated by foreign examples. Moreover, many details of stone carved tombs also had Western features. These exotic elements reflected the desire to assimilate exotica within Chinese traditions. Some details within stone carved tombs showed high level of stone working technologies with Western influences. But in general the level of stone construction of the Han period was relatively low. The methods of construction showed how unfamiliar the Western system was to the Han artisans. Han Dynasty stone carved tombs were hybrids of different techniques, including timber, brick and stone works. From these variations, Han people could choose certain types of tombs to satisfy their specific ritual and economic needs. Not only structures, but also pictorial decorations of stone carved tombs were innovations. The range of image motifs was quite limited. Similar motifs can be found in almost every tomb. Such similarities were partly due to the artisans, who worked in workshops and used repertoires for the carving of images. But these also suggest that the tombs were decorated for certain purposes with a given functional template. Together with different patterns of burial objects and their settings, such images formed a way through which the Han people gave meaning to the afterworld. As the Han Empire collapsed, stone carved tombs ceased being constructed in the Central Plains. However, they set a model for later tombs. The idea of building horizontal stone chamber tombs spread to Han borderlands, and gradually went further east to the Korean Peninsula. In this book, the origins, meanings and influences of Han Dynasty stone carved tombs are presented as a part of the history of interactions between different parts of Eurasia.

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From master storyteller and New York Times-bestseller Tad Williams comes the first book in the landmark epic fantasy saga of Memory, Sorrow, and Thorn.With The Dragonbone Chair, Tad Williams introduced readers to the incredible fantasy world of Osten Ard. His beloved, internationally bestselling series Memory, Sorrow, and Thorn inspired a generation of modern fantasy writers, including George R.R. Martin, Patrick Rothfuss, and Christopher Paolini, and defined Tad Williams as one of the most important fantasy writers of our time. This edition features a brand-new introduction from Tad Williams' editor as well as the original introduction from Williams himself! “One of my favorite fantasy series.” —George R. R. Martin “Groundbreaking.” —Patrick Rothfuss “One of the great fantasy epics of all time.” —Christopher Paolini BOOK ONE: THE DRAGONBONE CHAIR A war fueled by the powers of dark sorcery is about to engulf the peaceful land of Osten Ard—for Prester John, the High King, lies dying. And with his death, the Storm King, the undead ruler of the elf-like Sithi, seizes the chance to regain his lost realm through a pact with the newly ascended king. Knowing the consequences of this bargain, the king’s younger brother joins with a small, scattered group of scholars, the League of the Scroll, to confront the true danger threatening Osten Ard. Simon, a kitchen boy from the royal castle unknowingly apprenticed to a member of this League, will be sent on a quest that offers the only hope of salvation, a deadly riddle concerning long-lost swords of power. Compelled by fate and perilous magics, he must leave the only home he’s ever known and face enemies more terrifying than Osten Ard has ever seen, even as the land itself begins to die. After the landmark Memory, Sorrow, and Thorn trilogy, the epic saga of Osten Ard continues with The Heart of What Was Lost. Then don’t miss the sequel trilogy, The Last King of Osten Ard, beginning with The Witchwood Crown!

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The definitive book on an iconic aircraft. Illustrated throughout with a varied and interesting selection of images, many previously unpublished. An early jet aircraft that collected many notable firsts including the first jet fighter to cross the Atlantic and the first jet to land on an aircraft carrier. Comprehensive appendices covering serial allocations, production, export details and preserved airframes. The de Havilland Vampire was the second of the RAF's first-generation, post-Second World War jet fighters to enter service. It began life as an interceptor but was soon re-tasked in the day fighter/ground attack roles with the 2nd Tactical Air Force in Germany from 1948 to 1954 and with the RAF's Middle and Far East Air Forces. Throughout its forty-six-year career, it collected many notable firsts: it was the first jet fighter to cross the Atlantic; the first jet to land on an aircraft carrier; and the first jet trainer on which student pilots qualified for their 'Wings'. In addition to playing a full part in the RAF's order of battle during the 1940s and 1950s, the Vampire also served with the Fleet Air Arm and became an export success story for the British aircraft industry with hundreds sold to air forces worldwide. For a brief period during the 1950s, the Vampire formed the backbone of the RAF's night-fighter force and between 1952 and 1967 the Vampire trainer was responsible for a steady flow of trained pilots for the RAF, Royal Navy and foreign air forces. This comprehensive history covers the Vampire's development and operational service. It has been written with the full co-operation of the manufacturer, MoD, RAF and other world air forces, mixing narrative and technical detail with vivid personal accounts from those involved with the aircraft. Comprehensive appendices include technical specifications, production details, serials and export details. It is also lavishly illustrated and includes more than one story of encounters with UFOs by RAF Vampire pilots.

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The story of how Elizabeth II became queen.'Rich with princess anecdotes... Williams's book weaves the Second World War, vast social change and the royal upheaval of abdication and celebration of coronation into energised, nostalgic storytelling' SUNDAY TELEGRAPH'Fascinating insights into Elizabeth's relationship with her sister also make this a worthwhile, enjoyable read' DAILY TELEGRAPHWe can hardly imagine a Britain without Elizabeth II on the throne. It seems to be the job she was born for. And yet for much of her early life the young princess did not know the role that her future would hold. She was our accidental Queen.As a young girl, Elizabeth was among the guests in Westminster Abbey watching her father being crowned, making her the only monarch to have attended a parent's coronation. Kate Williams explores the sheltered upbringing of the young princess with a gentle father and domineering mother, her complicated relationship with her sister, Princess Margaret, and her dependence on her nanny, Marion 'Crawfie' Crawford. She details the profound and devastating impact of the abdication crisis when, at the impressionable age of 11, Elizabeth found her position changed overnight: no longer a minor princess she was now heiress to the throne.Elizabeth's determination to share in the struggles of her people marked her out from a young age. Her father initially refused to let her volunteer as a nurse during the Blitz, but relented when she was 18 and allowed her to work as a mechanic and truck driver for the Women's Auxiliary Territorial Service. It was her forward-thinking approach that ensured that her coronation was televised, against the advice of politicians at the time.Kate Williams reveals how the 25-year-old young queen carved out a lasting role for herself amid the changes of the 20th century. Her monarchy would be a very different one to that of her parents and grandparents, and its continuing popularity in the 21st century owes much to the intelligence and elusive personality of this remarkable woman.

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A veteran Twin Cities journalist and raconteur summons the life of the city after reporting and recording its stories for more than thirty years Two or three times a week, as a columnist, hustling freelance writer, and genuinely curious reporter, Jim Walsh would hang out in a coffee shop or a bar, or wander in a club or on a side street, and invariably a story would unfold—one more chapter in the story of Minneapolis, the city that was his home and his beat for more than thirty years. Fear and Loving in South Minneapolis tells that story, collecting the encounters and adventures and lives that make a city hum—and make South Minneapolis what it is. Here is a man who drives around Minneapolis in a van that sports a neon sign and keeps a running tally of the soldiers killed in Iraq. Here is another, haunted by the woman he fell in love with, and lost, many years ago at the Minnesota Music Café on St. Paul’s East Side. Here are strangers on a cold night on the corner of Forty-sixth and Nicollet, finding comfort in each other’s company in the wake of the shootings in Paris. And here are Walsh’s own memories catching up with him: the woman who joined him in representing “junior royalty” for the Minneapolis Aquatennial when they were both seven years old; the lost friend, Soul Asylum’s Karl Mueller, recalled while sitting on his memorial bench at Walsh’s go-to refuge, the Rose Gardens near Lake Harriet. These everyday interactions, ordinary people, and quiet moments in Jim Walsh’s writing create an extraordinary picture of a city’s life. James Joyce famously bragged that if Dublin were ever destroyed, it could be rebuilt in its entirety from his written works. The Minneapolis that Jim Walsh maps is more a matter of heart, of urban life built on human connections, than of streets intersecting and literal landmarks: it is that lived city, documented in measures large and small, that his book brings so vividly to mind, drafting a blueprint of a community’s soul and inviting a reader into the boundless, enduring experience of Fear and Loving in South Minneapolis.

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A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain’s most popular artists. Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers – most notably his design for The Beatles’ Sgt. Pepper album in 1967. Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake’s art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959–62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop. This fully updated edition includes a new chapter on what the artist has jokingly styled his ‘Late Period’, in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake’s production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

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Afrofuturism, a movement that began in the Black community during the early 20th Century as an escape from racial hostility, economic turmoil, and aggressive policing, is enjoying a renaissance witnessed by the record-breaking success of creative projects, including the Oscar-winning Marvel Studios film, Black Panther; Regina King’s Emmy-winning HBO superhero tale, Watchmen; Janelle Monae’s hit album, Dirty Computer; Jordan Peele’s provocative feature Get Out; Octavia Butler’s famed science fiction novel, Kindred; and Beyonce’s visual album Black Is King. Now comes Afrofuturist Tim Fielder’s beautifully written and rendered INFINITUM. In INFINITUM, King Aja Ọba and Queen Lewa are revered across the African continent for their impressive political and military skills. Yet the future of their kingdom is in jeopardy, for the royal couple do not have an heir of their own. When the King kidnaps his son born to a concubine, Obinrin, she curses Ọba with the “gift” of immortality. After enjoying long, wonderful lives both, Queen Lewa and the crown prince die naturally, leaving the ageless bereaved King Ọba heartbroken and alone. Taking advantage of Ọba’s vulnerability, enemy nations rise to power and kill the king – or so they think. King Aja Ọba survives the fatal attack, finally realizing the bitter fruit of Obinrin’s curse. For millennia, the immortal Ọba wanders the earth, mourning his lost subjects and searching for a new kingdom. His journey leads him across time, allowing him to witness the trans-Atlantic slave trade, the New World, and the American Civil Rights Movement. The expansion of global technology brings about intergalactic travel, first contact with an alien species, and conflicts within and ultimately outside the known universe. Thrust into these seminal events, Ọba, now known by many as “John,” faces harrowing decisions that will determine mankind’s physical and spiritual trajectory. In 280 plus stunningly emotional and evocative full-color images, INFINITUM presents a unique cosmic experience, addressing issues of racism, classism, gender inequity, the encroachment of technology and the spiritual cost of war, while exposing the history behind ancient mysteries.

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From 1923 until 1980, Mien Ruys created over 3,000 gardens and landscapes. While most of these are in her native Netherlands, the influence of her designs and approaches spread far wider: many of us will have a little bit of Mien in our gardens, be it a railway sleeper, a diagonal line, a Phlomis russeliana or a water ball. Her work was extraordinary in combining two exceptional elements. Firstly, Mien was one of the leading proponents of modernist design: having trained and collaborated with architects such as Ben Merkelbach, Charles Karsten, Aldo van Eyck, Jan Piet Kloos, Hein Salomonson and Gerrit Rietveld, she introduced clean lines, geometric shapes and innovative materials into garden and landscape design. One of the few women members of CIAM, she was also one of the first to call for architects and landscape architects to collaborate fully from initial design onwards. She did so regularly, often on much needed social housing schemes, but also on schools, hospitals and nursing homes. All her projects shared a desire to offer users a better quality of life. One of her most well-known collaborations was with Gerrit Rietveld in Bergeijk on the Ploeg factory and Park, which has since been listed as a historic monument. Uniquely, she combined this modernist design approach with an extensive knowledge of plants and planting, which she learnt from a very early age in her father’s Royal Moerheim Nursery in Dedemsvaart. Her father had close links with international gardeners, such as Gertrude Jekyll, who greatly influenced Mien as she developed her own loose, natural style of planting. Her book on perennials, published in 1950, was internationally influential and, in seeking deeper understanding about plants and planting, Mien created more than 20 experimental gardens at Dedemsvaart, many of which are now also historic monuments. The book includes a foreword which sets Mien’s work within the wider context, as well as interviews with gardening experts and landscape architects who knew Mien or were deeply influenced by her work, which offer rich insight into Mien’s character and the timeless lessons which can still be learnt from her work.

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"I love the Foale and Tuffin book. The layout and graphics are terrific and it's a joy to read. The whole book is so well put together." Mary Quant "I wish all fashion books could be as much fun as this one. But they can't all be about Foale & Tuffin and the spirit of the 1960's ....truly a living book of fashion history." Margaret Howell Marion Foale and Sally Tuffin were two bolshy girls who just did it. After meeting at Walthamstow Art School in 1955 and then studying together at the Royal College of Art, they embarked on a trailblazing career in fashion lasting throughout the 1960s, until their partnership came to an end in 1972. Quirky, youthful creativity, acute sensitivity to the latest moods and trends, expert craftsmanship, and a little Swinging Sixties good fortune placed them at the hub of the cultural explosion in London that defined the era. Their boutique off Carnaby Street was at the epicentre of the new fashion scene. Suddenly, David Bailey was photographing their outfits for VOGUE, Cathy MacGowan was wearing them on Ready, Steady, Go!, and they were jetting around America as part of the ground-breaking Youthquake tour. Through detailed interviews with Foale and Tuffin themselves, exclusive access to their personal archives, and contributions from an extraordinary array of figures from the fashion, art and cultural scenes of the 1960s, 70s and beyond, Iain R. Webb builds a fascinating picture of the time, throwing new light on how fashion and business underwent a period of unprecedented change. It was a period of cross-pollination in art, music and fashion, of entrepreneurial and cultural innovation. Contributors include Manolo Blahnik, Sir Terence Conran, Felicity Green, Barbara Hulanicki, Caterine Milinaire, Janet Street Porter, Mary Quant and Jean Shrimpton. The narrative of the Foale and Tuffin story perfectly traces the decade from its groovy, optimistic beginnings, when the two embryonic fashion designers blithely set up shop in 1961, to its crash-and-burn finale, as Sixties sanguinity melted away into a hangover of Seventies cynicism, masked as it was with the distraction of fancy-dress escapism.

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In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.

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"Polari," from the Italian "polare" ("to talk") is a coded language, originating in the UK and dating as far back as the 16th century. Overheard in outdoor markets, the theatre, fairgrounds, and circuses, it was appropriated by gay men to provide them with cover as well as with a way to assert personal and shared identities. It spread around the English-speaking world via the Royal Navy, the merchant marine, and cruise ships, adding and subverting many foreign-language words — like polari — along the way. While Polari does not employ this jargon or probe its success as a mode of connection between gay men, the language of Barton's poems may be viewed as an effective tool for communicating a sense of history, politics, and aesthetics. Think of Polari as a cross-sectional scan of a living tree that reveals ring after ring of Barton's experience of language, with the new buds at the tips of its branches adding colour, movement, and ornament. Most of these poems were written using set forms drawn from Robin Skelton's The Shapes of our Singing: A Comprehensive Guide of Verse Forms and Metres from Around the World (Spokane: Eastern Washington University Press, 2002). While the forms Barton has appropriated are not by themselves the vehicles of a particular sociolect or an anti-language, except, say, of poetry itself, he have nevertheless twisted them to follow the turns of his point of view and aesthetics. When it comes to time, geography, and subject, Polari covers a lot of ground: from child memories to the frailties and deaths of ageing parents; from Queen Victoria's coronation to the first ascent of Everest; from the October Crisis to the trial of Omar Khadr. The titles of nine poems are borrowed from the Diagram Prize, an award given out by the UK magazine, The Bookseller, for the oddest book title of the year. The titles chosen — an example is "Highlights in the History of Concrete" — may sound frivolous, even absurd, but the poems are less or more so. The serious nature of their themes being at odds with their titles gives them an engaging tension, and will be read as signature of his particular brand of polari.

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Blast off into outer space and explore the mysteries of the red planet with Discovering Mars.Did you know that Mars is twice the size of Earth's moon? Or that it is home to the Valles Marineris--the largest canyon in our solar system? Blast off and explore the surface of the fourth planet from the Sun with Discovering Mars. This book is a complete scientific guide to Mars, including information on geography, atmosphere, unique landscape features, and more. Discover Mars's moons Phobos and Deimos, learn all about unique polar spiders, and investigate past, present, and future life on Mars. Incredible illustrations and NASA imagery of Mars's surface, craters, and volcanoes bring outer space right to your fingertips and let you explore the red planet like never before. Learn all about past missions to Mars, and take a sneak peek into future projects from NASA and beyond.An avid traveler, Alexandra Lefort has lived in France, Scotland, Switzerland, and the U.S., and has now made her home in Vancouver, B.C. Passionate about exploration, she completed a PhD in planetary sciences at the University of Bern, Switzerland, focusing her academic research on the investigations of Martian water, with a particular interest for the question of habitability and extraterrestrial life. This interest in the origin and development of life also translates into artistic representation of terrestrial lifeforms and environments. A self-taught artist, her favorite media are photography, with a portfolio which includes wildlife portraits, macro photography, landscapes, and traditional drawing and painting, including graphite, pastels, acrylics, and digital art. She has designed several coins for the Royal Canadian Mint and has collaborated with paleoartist Julius Csotonyi on realistic depictions of prehistoric wildlife, including a mural for the 2015-2018 exhibit Ice Age Bison Discovery: Our Frozen Past and Thawing Future at the Prince of Wales Northern Heritage Centre, Yellowknife, Northwest Territories, Canada, and collaborative paintings in The paleoart of Julius Csotonyi, Why Did T. rex Have Short Arms?: And Other Questions about Dinosaurs, and Discovering Sharks.

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The magnificent Vickers Supermarine Spitfire, together with its able partner the Hawker Hurricane, saved Britain from Nazi invasion in the summer of 1940 and irrevocably changed the course of the Second World War. This new book from Philip Kaplan celebrates one of history's most important weapons in a glorious new light. A British national icon, the Spitfire is the best-known symbol of the war years for generations of Britons. From the deep, haunting growl of its Rolls-Royce engine, to the elegant style of its elliptical wing, it is perhaps the most famous and revered combat aeroplane ever built. Kaplan investigates just what it is that fuels the Spitfire's compelling mystique. During wartime, it held an unrivalled reputation amongst Allied and Axis airmen. Today, it continues to hold aviation enthusiasts in thrall. Kaplan highlights the immeasurable contributions of Spitfire designers Reginald J. Mitchell and Joseph Smith, test pilots Jeffrey Quill, Mutt Summers and Alex Henshaw, and ace Spitfire pilots including Al Deere, Sailor Malan and Pierre Clostermann. All added to the legend of this lovely, but deadly, little fighter. The origin and evolution of the plane are tracked, and the story of the marvellous Merlin engine that powered so many Spitfires through those challenging war years and beyond is brought to life. Kaplan considers the phenomenon of the burgeoning warbird movement, a worldwide effort to restore, preserve and display scores of Spitfires and many other military aircraft types for hundreds of thousands of air show visitors the world over. There are only a few airworthy Mark I Spitfires today and this book centres round the Mk Ia AR213, whose total restoration to flying status was completed in 2008\. Much of its colourful background is described, as is the experience of flying it, in the words of both Tony Bianchi and Jonathan Whaley, who have flown it for many years and, arguably, know it better than anyone. In this, the eighth decade of Mitchell's brilliant fighter, Spitfire: An Icon of the Skies is dedicated to the craftsmen and women who built it.

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Reese Witherspoon, Oprah and Roxane Gay LOVE her! Readers love her!Have you discovered New York Times bestseller and Reese's Book Club pick Jasmine Guillory yet?'The queen of contemporary romance' OprahMag.com'She writes the sexiest and smartest romances' Red Magazine'Just as essential to a good summer holiday as SPF' GraziaA feel-good romance to warm your heart! A groomsman and his last-minute guest are about to discover if a fake date can go the distance.'A sweet, funny, realistic, grown up . . . romantic tale' ⭐ ⭐ ⭐ ⭐ ⭐'Love love loved this book!!! The tension and build made had me turning the pages not wanting it to end' ⭐ ⭐ ⭐ ⭐ ⭐'A perfect romantic comedy!' ⭐ ⭐ ⭐ ⭐ ⭐'The Wedding Date has everything one would look for in a romance novel - and more' ⭐ ⭐ ⭐ ⭐ ⭐...........................................................Love wasn't part of the deal . . .On the eve of his ex's wedding festivities, Drew Nichols is minus a plus one. Until a power outage strands him with the perfect candidate for a fake girlfriend . . . Agreeing to go to a wedding with a guy she gets stuck with in an elevator is not something Alexa Monroe would normally do. But Drew's proposal proves hard to resist. After their wedding date turns into a whole weekend of fun in San Francisco, Drew and Alexa return to their all-consuming careers - his in LA and hers in Berkeley. Too bad they can't stop thinking about each other . . . It could be the long-distance dating disaster of the century - or Drew and Alexa could be just a flight away from what each of them truly wants............................................................PERFECT FOR FANS OF EMILY HENRY, CHRISTINA LAUREN AND TESSA BAILEY!'A charming, warm, sexy gem' ROXANE GAY'The undisputed queen of the modern-day romance' Vogue'Juicy yet meaningful, like every Guillory classic' Elle'Steamy and swoonworthy' PopSugar'When Jasmine Guillory comes out with a book, buy it' Refinery29If you love this, be sure to check out all of Jasmine's smart and sexy rom-coms:The Wedding DateThe ProposalThe Wedding PartyRoyal HolidayParty of TwoWhile We Were DatingDrunk on Love

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Pathfinder(R) Norfolk covering Castle Rising, Oxburgh Hall and Overstrand. This selection offers interest, regional variety and balance of routes in Norfolk providing the best walks in the area. From an easy stroll in Tyrrel's Wood to the much more challenging walk in Fordham this volume contains something for everyone. Covering walks through the whole of Norfolk both popular and little know scenic routes including Wells-next-the-Sea, Peddars Way and Binham. -See walk locations by Looking Inside Inside: -28 great walks in Norfolk from 2 to 10 miles -Clear, large scale Ordnance Survey route maps -GPS reference for all Norfolk waypoints -Where to park, good pubs and places of interest en route -All routes have been fully researched and written by expert outdoor writers -Beautiful photography of scenes from the walks Pathfinder(R) Guides are Britain's best loved walking guides. Made with durable covers, they are the perfect companion for countryside walks throughout Britain. Each title features circular walks with easy-to-follow route descriptions, large-scale Ordnance Survey route maps and GPS waypoints.With over 70 titles in the series, they offer essential information for walkers throughout the country. Contents* Horsey* Binham Priory* Oxborough and Gooderstone* Hales Green from Loddon* Marham Fen and the Nar Valley Way* Tyrrel's Wood and Shelton* Felbrigg Park and Metton* Langmere and the Devil's Punchbowl* River Bure and Upton Marshes* How Hill and Ludham* The Buckenhams* Hardley Cross* Blickling and the River Bure* Peddars Way - Fring and Sedgeford* Castle Acre and West Acre* Boudica's Way - Shotesham and Saxlingham Nethergate* Thompson Common and the Pingos* Westwick Woods and the Weavers Way* West Runton and Beacon Hill* Wiveton Downs and Cley next the Sea* The Burnhams* Denver Sluice - a three rivers walk* Wells-next-the-Sea, Warham and Wighton* Weavers Way to the Berney Arms* Reepham, Marriott's Way and Salle* Weeting Castle and Grime's Graves* Castle Rising and Roydon Common* Ringstead Downs and the Norfolk Coast

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Words sting. Songs kill.'Everything about Burton's debut is razor-sharp' NATASHA NGANThe Cruel Prince meets To Kill a Kingdom in this seductive YA fantasy debut, in which a siren must choose between protecting her family and following her heart in a prejudiced kingdom where her existence is illegal. Saoirse Sorkova survives on secrets. As the last siren in her kingdom, she can sing any man to an early grave - but her very existence is illegal, and if her true identity were ever discovered, it would be her life on the line.By day, Saoirse disguises herself as a fae, pretending to be the perfect soldier-in-training. By night, she satisfies her darker urges working as an assassin for dangerous mercenaries. And all the while, she keeps the biggest secret of all: that she is not always in control of her Siren powers, or her desire to kill.Then a blackmailer threatens her sister, and Saoirse's investigation takes her to the royal palace, and her most dangerous job yet: personal bodyguard to the Crown Prince.Saoirse expects to despise Prince Hayes. But he is kind, thoughtful, and charming, and she finds herself increasingly drawn to him . . . until he tasks her with investigating a killer plaguing the kingdom. The problem: the killer is Saoirse.Trapped by her deadly double life, Saoirse can't leave the palace until she saves her sister . . . but who will save her from herself?*** READERS LOVE SING ME TO SLEEP ***'OH MY GOD THIS BOOK IS ABSOLUTELY INCREDIBLE!' Netgalley - 5 star review'I would recommend it to fans of sirens and readers who enjoyed The Cruel Prince and To Kill A Kingdom' Netgalley - 5 star review'Mesmerizing faes, sirens, enchanting siren song - you will feel pulled into this story right from the beginning! Sing Me to Sleep was beautiful, terrific, magical and extremely unique!' Netgalley - 5 star review'Oh my freaking god I loved this book! I read it in under 24 hours it was so damn good. A captivating story of hidden identities, secrets, betrayals and a slow burn romance to die for' Netgalley - 5 star review'I looooved this book! I never knew who was trustworthy' Netgalley - 5 star review'WOW WOW WOW!' Netgalley - 5 star review

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Tentsmuir has been a scene of human activity for over 10,000 years. It witnessed one of the earliest known occurrences in Scotland of Mesolithic hunter-gatherers and has supported human activities throughout the Neolithic and Iron Age. In medieval times it was a home for the Norman nobility, and then a royal hunting forest with highly-valued fishing rights for Scottish Kings. Tentsmuir is prone to flooding in winter due to the front line of dunes blocking drainage to the sea. It provides a natural refuge for a wide range of plants, as well as resident and migrating birds, and other animals, including outstanding populations of butterflies and moths. Consequently, this led to the creation in 1954 of a National Nature Reserve at the north-eastern end of the Tentsmuir Peninsula. Initially, an active period of coastal accretion more than trebled the size of the reserve. Now, however, Tentsmuir is eroding in places. The probability of rising sea levels and increasing exposure to storms may cause a level of destruction such that the physical existence and biological future of Tentsmuir cannot be guaranteed. This book is an attempt to record how even within a limited geographical area, such as this peninsula on the east coast of Scotland, plant and animal communities are constantly reacting to environmental change. Frequently, it is difficult to decide whether or not these changes should be resisted, encouraged, or ignored. Examples are provided of instances where human intervention to counteract change has resulted in negative as well as positive consequences for biodiversity.

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This book is the first major study of Lydian material culture at Gordion and also the first published monograph on Lydian painted pottery from any site excavation. Richly illustrated, it provides a comprehensive definition and analysis of Lydian ceramics based on stylistic, archaeological, and textual evidence, while thoroughly documenting the material’s stratigraphic contexts. The book situates the ceramic corpus within its broader Anatolian cultural context and offers insights into the impact of Lydian cultural interfaces at Gordion. The Lydian pottery found at Gordion was largely produced at centers other than Sardis, the Lydian royal capital, although Sardian imports are also well attested and began to influence Gordion’s material culture as early as the 7th century BCE, if not before. Following the demise of the Lydian kingdom, a more limited repertoire of Lydian ceramics demonstrably continued in use at Gordion into the Achaemenid Persian period in the late 6th and 5th centuries BCE. The material was excavated by Professor Rodney Young’s team between 1950 and 1973 and is fully presented here for the first time. Ongoing research in the decades following Young’s excavations has led to a more refined understanding of Gordion’s archaeological contexts and chronology, and, consequently, we are now able to view the Lydian ceramic corpus within a more secure stratigraphic framework than would have been the case if the material had been published shortly after the excavations.

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Insight Guides Explore BarcelonaTravel made easy. Ask local experts.Focused travel guide featuring the very best routes and itineraries, now with free eBook.Discover the best of Barcelona with this unique travel guide, packed full of insider information and stunning images. From making sure you don't miss out on must-see, top attractions like la Rambla, La Ribera and Sagrada Familia, to discovering cultural gems, including the unmissable Museo Picasso, the beautiful Parc de la Ciutadella and wonderful music museum, the Museu de la Musica, the easy-to-follow, ready-made walking routes will save you time, and help you plan and enhance your visit to Barcelona.Features of this travel guide to Barcelona:- 19 walks and tours: detailed itineraries feature all the best places to visit, including where to eat and drink along the way- Local highlights: discover the area's top attractions and unique sights, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Barcelona's rich history and culture, and learn all about its people, art and traditions- Insider recommendations: discover the best hotels, restaurants and nightlife using our comprehensive listings- Practical full-colour map: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- Key tips and essential information: packed full of important travel information, from transport and tipping to etiquette and hours of operation- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: La Rambla; Royal Barri Gotic ; Official Barri Gotic; Sant Pere; La Ribera and El Born; El Raval; The waterfront; Ciutadella; Along the beach; The Eixample; Sagrada Familia and Park Guell; Montjuic; Barca; Pedralbes; Gracia; Tibidabo; Sitges; Wine tour; Dali tourLooking for a comprehensive guide to Spain? Check out Insight Guides Spain for a detailed and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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The Tudors are England's most notorious royal family. But, as Leanda de Lisle's gripping new history reveals, they are a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family's obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen's lap--and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past--those parts they wished to remember and those they wished to forget. By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary's reign, Elizabeth's fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family's determined and flamboyant ambition.

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El Monte Everest, con toda su relevancia para la realeza, los exploradores, los imperialistas. Y dos sherpas, posados en un acantilado, esperando que el hombre de la cornisa de abajo se mueva.Un inglés cae de un acantilado en Nepal, y yace inerte en la cornisa. Dos sherpas se arrodillan en el borde del abismo, permanecen allí, intercambian algunas palabras a la espera de que el hombre tome la decisión de moverse, de descender. En esos minutos, el mundo se abre para Kathmandu: un pueblo soleado en otro continente, las páginas de Julio César. Montañismo, colonialismo, compromisos y obligaciones; en la fluida prosa de Sebastián Martínez Daniell, cada respiro es cristalino, y brinda una perspectiva desde la que se puede ver la inmensidad del mundo. An Englishman has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martinez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.Mount Everest, and all it means to royalty, explorers, imperialists, and two sherpas, perched on a cliffside, waiting for a man on the ledge below to move.A British climber has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martínez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.

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This book investigates a puzzling and neglected phenomenon - the rise of English Arminianism during the decade of puritan rule. Throughout the 1650s, numerous publications, from scholarly folios to popular pamphlets, attacked the doctrinal commitments of Reformed Orthodoxy. This anti-Calvinist onslaught came from different directions: episcopalian royalists (Henry Hammond, Herbert Thorndike, Peter Heylyn), radical puritan defenders of the regicide (John Goodwin and John Milton), and sectarian Quakers and General Baptists. Unprecedented rejection of Calvinist soteriology was often coupled with increased engagement with Catholic, Lutheran and Remonstrant alternatives. As a result, sophisticated Arminian publications emerged on a scale that far exceeded the Laudian era. Cromwellian England therefore witnessed an episode of religious debate that significantly altered the doctrinal consensus of the Church of England for the remainder of the seventeenth century. The book will appeal to historians interested in the contested nature of 'Anglicanism' and theologians interested in Protestant debates regarding sovereignty and free will. Part One is a work of religious history, which charts the rise of English Arminianism across different ecclesial camps - episcopal, puritan and sectarian. These chapters not only introduce the main protagonists but also highlight a surprising range of distinctly English Arminian formulations. Part Two is a work of historical theology, which traces the detailed doctrinal formulations of two prominent divines - the puritan John Goodwin and the episcopalian Henry Hammond. Their Arminian theologies are set in the context of the Western theological tradition and the soteriological debates, that followed the Synod of Dort. The book therefore integrates historical and theological enquiry to offer a new perspective on the crisis of 'Calvinism' in post-Reformation England.

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World War I witnessed unprecedented growth and innovation in aircraft design, construction, and as the war progressed - mass production. Each country generated its own innovations sometimes in surprising ways - Albatros Fokker, Pfalz, and Junkers in Germany and Nieuport, Spad, Sopwith and Bristol in France and Britain.This book focuses on the British approach to fighter design, construction, and mass production. Initially the French led the way in Allied fighter development with their Bleriot trainers then nimble Nieuport Scouts - culminating with the powerful, fast gun platforms as exemplified by the Spads. The Spads had a major drawback however, in that they were difficult and counter-intuitive to fix in the field. The British developed fighters in a very different way; Tommy Sopwith had a distinctive approach to fighter design that relied on lightly loaded wings and simple functional box-girder fuselages. His Camel was revolutionary as it combined all the weight well forward; enabling the Camel to turn very quickly - but also making it an unforgiving fighter for the inexperienced. The Royal Aircraft Factory's SE5a represented another leap forward with its comfortable cockpit, modern instrumentation, and inline engine - clearly influenced by both Spads and German aircraft.Each manufacturer and design team vied for the upper hand and deftly and quickly appropriated good ideas from other companies – be they friend or foe. Developments in tactics and deployment also influenced design - from the early reconnaissance planes, to turn fighters, finally planes that relied upon formation tactics, speed, and firepower. Advances were so great that the postwar industry seemed bland by comparison.

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This is the first known biography of Sir Charles Bullen Hugh Mitchell G C M G, former Governor of the Straits Settlements and District Grand Master of the freemasons in the Eastern Archipelago.The book traces his early life as an officer in the Royal Marines, where he served for 15 years, ending up with the rank of Lieutenant Colonel, as well as his long, distinguished career in the Colonial Service, serving Queen Victoria in many countries including Natal in Southern Africa during and after the Zulu Wars, British Honduras, British Guiana, Fiji and Singapore.It is his time in Singapore that is given extensive treatment in the book. Having been sworn in as Governor and Commander-in-Chief of The Straits Settlements and their Dependencies (the 'Colony') on 1 February 1894, Mitchell inherited a colony, which was in very serious financial difficulty. With his prudent financial management, the governor brought the Colony back to a strong financial position and completed many projects. He was also instrumental in the implementation of the Federation of Malay States and was its first High Commissioner.His governorship was cut short when he died suddenly at the Colony's Government House (the current Istana) on 7 December 1899 and was buried in Singapore.However, his legacy was written out by his successor Sir Frank Swettenham who would take credit for the Colony's achievements. To this end, this book will go towards correcting the history of Singapore and Malaya at that time.The book also contains one of the very few public accounts of freemasonry in Singapore during the 19th Century and those of prominent freemasons participating in the colonial administration and commercial sector in the Colony.

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This is the first known biography of Sir Charles Bullen Hugh Mitchell G C M G, former Governor of the Straits Settlements and District Grand Master of the freemasons in the Eastern Archipelago.The book traces his early life as an officer in the Royal Marines, where he served for 15 years, ending up with the rank of Lieutenant Colonel, as well as his long, distinguished career in the Colonial Service, serving Queen Victoria in many countries including Natal in Southern Africa during and after the Zulu Wars, British Honduras, British Guiana, Fiji and Singapore.It is his time in Singapore that is given extensive treatment in the book. Having been sworn in as Governor and Commander-in-Chief of The Straits Settlements and their Dependencies (the 'Colony') on 1 February 1894, Mitchell inherited a colony, which was in very serious financial difficulty. With his prudent financial management, the governor brought the Colony back to a strong financial position and completed many projects. He was also instrumental in the implementation of the Federation of Malay States and was its first High Commissioner.His governorship was cut short when he died suddenly at the Colony's Government House (the current Istana) on 7 December 1899 and was buried in Singapore.However, his legacy was written out by his successor Sir Frank Swettenham who would take credit for the Colony's achievements. To this end, this book will go towards correcting the history of Singapore and Malaya at that time.The book also contains one of the very few public accounts of freemasonry in Singapore during the 19th Century and those of prominent freemasons participating in the colonial administration and commercial sector in the Colony.

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An investigation into the connections between military and literary culture in the late medieval period, and how warfare shaped such texts as Malory's Morte. Offers an impressive vision of a militaristic culture and its thinking, reading and writing. This is war as political and economic practice - the continuation of politics by other means. The book develops that feeling of war as avery real practical and intellectual problem and shows how a discourse community comes to share its thinking: in the processes of translating, annotating, rewriting, and so on. A major contribution to the literary history of thefifteenth century. Professor Daniel Wakelin, University of Oxford. Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of Knyghthode and Bataile. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period. Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London.

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The epic finale to The Bone Witch series! As Tea's dark magic eats away at her, she must save the one she loves most, even while her life—and the kingdoms—are on the brink of destruction. Perfect for readers of Leigh Bardugo's Ninth House and Holly Black's The Cruel Prince!In the Eight Kingdoms, none have greater strength or influence than the asha, who hold elemental magic. But only a bone witch has the power to raise the dead. Tea has used this dark magic to breathe life into those she has loved and lost…and those who would join her army against the deceitful royals. But Tea's quest to conjure a shadowglass, to achieve immortality for the one person she loves most in the world, threatens to consume her. Tea's heartsglass only grows darker with each new betrayal. Her work with the monstrous azi, her thirst for retribution, her desire to unmask the Faceless—they all feed the darkrot that is gradually consuming her heartsglass. She is haunted by blackouts and strange visions, and when she wakes with blood on her hands, Tea must answer to a power greater than the elder asha or even her conscience. Tea's life—and the fate of the kingdoms—hangs in the balance.Thrilling and atmospheric, this bestselling series is perfect for readers looking for Memoirs of a Geisha meets dark fantasy stories with diverse representation and multicultural influences original worldbuilding and captivating writing witch and wizard series for teens and adultsThe Bone Witch Series:The Bone Witch (Book 1)The Heart Forger (Book 2)The Shadowglass (Book 3)Praise for The Shadowglass:"Satisfying." —Foreword "A must-purchase." —School Library Journal"A worthy conclusion to a story that is, at its core, about love and letting go." —Kirkus Reviews

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Tells the history of the precious balsam of Matarea: a substance traded for its weight in gold Uses archaeological and textual sources to trace the cultivation of balsam trees from the 4th century BCE to the 17th century CE Surveys the evidence for the symbolic value and practical applications of balsam in the Middle East, North Africa and Europe Establishes the many uses of balsam in pre-modern medicine, religious ritual and royal ceremonies Correlates modern botanical studies with historical sources in the identification of the trees that once grew in the plantation of Matarea in Egypt Explores the complex socio-cultural factors that contributed to the sense of value accorded to rare commodities Richly illustrated with over 50 line drawings, engravings, watercolours and photographs, drawn from sources ranging across time from medieval manuscripts to 20th-century photographs, depicting balsam trees, balsam resin receptacles, the compound of Matarea, maps and more Using written sources, visual data and archaeological material, Marcus Milwright reconstructs the fascinating cultural history of the balsam tree from Jericho and En-Gedi to Egypt, and from ancient times to the 17th century. Miwright addresses the symbolic associations of balsam and the site of Matarea (where the last balsam tree died in 1615), the distribution of products from the tree through trade and diplomacy, and the applications of these products in medicine, ritual and the domestic environment. He also establishes links with resin-producing trees from the Arabian Peninsula and the Horn of Africa. The balsam of Matarea was a substance famous as a panacea among physicians in the Middle East and Europe during the Antique and Medieval periods. It was used in many aspects of medieval life and is associated with figures such as the Virgin Mary, Jesus Christ, King Solomon, the Queen of Sheba and Cleopatra.

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Ronnie Wood is one of the foremost rock guitarists in the world, but his artistic talents extend beyond music. Throughout his stellar musical career from The Birds to the Faces and the Rolling Stones, Ronnie has never lost his passion for painting, drawing and sculpture. Exuding the same irrepressible energy as Ronnie himself, Ronnie Wood: Artist is the first ever comprehensive collection of his paintings and other artworks, created to mark the occasion of his seventieth birthday. The bright, bold volume brings together the fruits of a lifetime in the arts, brimming with six decades of memorable and diverse work, from his art college portfolio (he studied alongside Pete Townshend) to the intimate work of his personal life today. Inside, a generous selection of his Stones work, including rare watercolours of Mick, Keith and Charlie backstage, meets acrylics of contemporaries Rod Stewart, Jeff Beck and Keith Moon. Portraits of formative jazz innovators Count Basie, Miles Davis and Billie Holiday sit alongside blues heroes Howlin’ Wolf, Muddy Waters and Big Bill Broonzy. Paintings of Hollywood’s elite – Paul Newman, James Dean and Marilyn Monroe – juxtapose real-time fashion sketches of Kate Moss and Naomi Campbell and deft pastel compositions from his residency at the Royal Ballet. The artist himself provides the captions and insights into the thought and motivation behind each piece. With an introduction by Emmanuel Guigon (director of the Museu Picasso, Barcelona, where Ronnie will be beginning a residency in 2018) and an afterword by none other than Keith Richards, Ronnie Wood: Artist exists where fine art and rock ’n’ roll collide. This extensive and eclectic collection offers unique insights into the entire world of Ronnie Wood, and, with close to 400 works, is a fitting testament to the artistic range and ambition of rock ’n’ roll’s most successful artist

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Potter, writer, teacher, editor, curator and gay rights activist, Emmanuel Cooper was a unique figure in the cultural landscape of this country for almost half a century. When he died in 2012 he left behind not only an extraordinary body of work, but also an archive that illuminated both his own life and career and that of the many other makers, artists and activists who had been his friends, colleagues or the subject of his writing. This book is based almost exclusively on that archive. Using his unpublished memoirs, diaries, and correspondence, Making Emmanuel Cooper illuminates the journey of an intelligent, if unconfident, working class boy growing up in a small north Derbyshire mining village whose life was transformed, firstly at school, by the magic of clay, and then in adult life by the liberation politics of the late 1960s. The book includes a fascinating account of Emmanuel's career as a potter as well as his thoughts on a range of issues from the art versus craft debate through to gay marriage and monogamy, as well his passion for folk art, insights into his work at the Royal College of Art and his editorship of the internationally acclaimed Ceramic Review magazine. Making Emmanuel Cooper also charts his involvement in the gay liberation movement, his journalism for the Morning Star and his part in the creation of the hugely influential Gay Left collective. He was the art critic for the original Gay News and his groundbreaking books on aspects of queer art and culture - including the pioneering The Sexual Perspective - examined issues around sexuality and the visual arts that pre-date the Tate Gallery's recent Queer Art in Britain show by some thirty years. Richly illustrated, Making Emmanuel Cooper is both a personal and a social history that celebrates the life and times of an important artist and remarkable man.

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Fitness and well-being expert Paula Kerr used exercise and nutrition to navigate the toughest physical and emotional battles of her life and move forward. In Fitter Stronger - Resilience - If You're Going Through Hell, Keep Going, she explains her story in full. With nutrition hacks and work outs for all abilities, there are contributions from clinical experts and those who have used fitness to turn their lives around, including chef Michel Roux Jr and former Royal Marine and triple amputee Mark Ormrod OBE - called 'Britain's answer to Superman' by Prince Harry. This book identifies the vital coping mechanisms we all need when a grenade is thrown into our world and we need to adapt to survive. Carefully researched and beautifully presented, this is a practical guide to managing adversity, by creating a strong, healthy, mind and body. Paula Kerr was a successful journalist when she was diagnosed with breast cancer, after a routine operation. To help her navigate two gruelling years of treatment and maintain family life, she relied on a nutrient dense diet, regular exercise and a positive mindset, to aid her return to full health, climbing Ben Nevis between trips to the chemotherapy ward. Wishing to share her experience with others, Paula qualified as a personal trainer and created Fitter Stronger, offering health holidays and classes for those experiencing illness, injury or trauma. Fitter Stronger has grown into a hugely successful brand, including personal training, wellness breaks in the UK and South Africa, NHS and private medicine rehab clinics, and a youth fitness and motivation programme for primary, secondary and further education. In all areas of her work, she promotes exercise and nutrition as vital tools for a peaceful, healthy and energetic life. 'If you keep your mind and body strong, you are unstoppable.' - Paula Kerr

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It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother's coffin as the world watched in sorrow-and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling-and how their lives would play out from that point on.For Harry, this is that story at last.Before losing his mother, twelve-year-old Prince Harry was known as the carefree one, the happy-go-lucky Spare to the more serious Heir. Grief changed everything. He struggled at school, struggled with anger, with loneliness-and, because he blamed the press for his mother's death, he struggled to accept life in the spotlight.At twenty-one, he joined the British Army. The discipline gave him structure, and two combat tours made him a hero at home. But he soon felt more lost than ever, suffering from post-traumatic stress and prone to crippling panic attacks. Above all, he couldn't find true love.Then he met Meghan. The world was swept away by the couple's cinematic romance and rejoiced in their fairy-tale wedding. But from the beginning, Harry and Meghan were preyed upon by the press, subjected to waves of abuse, racism, and lies. Watching his wife suffer, their safety and mental health at risk, Harry saw no other way to prevent the tragedy of history repeating itself but to flee his mother country. Over the centuries, leaving the Royal Family was an act few had dared. The last to try, in fact, had been his mother. . . .For the first time, Prince Harry tells his own story, chronicling his journey with raw, unflinching honesty. A landmark publication, Spare is full of insight, revelation, self-examination, and hard-won wisdom about the eternal power of love over grief.

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'Delightful' A HISTORY BOOK OF THE YEAR / BOOK OF THE WEEK, Daily Mail'Goodwood curator James Peill writes with a wonderfully light touch . . . The Goodwood story is extraordinary and rightly celebrated' Country LifeThe history of Goodwood, England's greatest sporting estateGoodwood has been the home of English sport for centuries. The story of how a small hunting lodge became the iconic location for the globally-renowned Festival of Speed, Glorious Goodwood and Goodwood Revival events is inextricably intertwined with the tale of the Dukes of Richmond. The Dukes were, variously, patrons of the arts, political influencers, royal confidantes, architectural innovators, horticultural enthusiasts and stewards of the community. Above all, they were passionate about the sports for which Goodwood is best known: horseracing, motor sports, foxhunting, cricket, shooting and golf. Drawing upon the wealth of the Goodwood archives, James Peill vividly captures the character of each Duke, some radical and others staunchly traditional, and the wide-ranging impact they had on the Goodwood of today.The broader context is a sweeping history of England, and one family's part in it. Beginning with Charles II and his mistress Louise de Keroualle, the parents of the first Duke, Glorious Goodwood takes the reader on a journey through time, from the seventeenth century to present day, via the Jacobite Rising, the Battle of Waterloo and the First and Second World Wars. There are cameo appearances from George Stubbs, Canaletto, Alexander, Emperor of Russia, Queen Victoria, Jackie Stewart and Edward VII, who famously hosted Privy Council meetings in the Tapestry Drawing Room during race week.Glorious Goodwood is a vivid and intimate portrait of a house and its inhabitants set against a dazzling, panoramic backdrop of English history. At the heart of this colourful and compelling story is a rich sense of the British heritage Goodwood embodies.

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Captain John Alexander served in the Royal Engineers and was posted to the 17th Indian Division, known as the Black Cats, which was sent into Burma against the Japanese as part of the 14th Army. John’s unit was 60 Indian Field Company. After the capture of Hong Kong and the fall of Singapore in February 1942 the Japanese army advanced into Burma, catching the Allies ill-equipped and unprepared. Rangoon fellin March, thus beginning a long fighting retreat by the Allies through thick jungle to the northwest frontier with India. But the Allies regrouped and fought back, and in 1944 fierce fighting, culminating in the battles of the Admin Box, Kohima and Imphal, caused the Japanese forces to begin to withdraw. At the beginning of 1945 the 14th Army launched a successful offensive pushing the Japanese southwards before them. Mandalay was retaken and then Rangoon in May 1945. The Japanese Army finally surrendered on 15 August 1945. Many histories of the Burma Campaign have been written, and the terrible conditions of jungle warfare against a brutal enemy are well known. John Alexander returned home on leave before the end of the conflict with his body weakened by fever, jungle sores and dysentery, and his mind affected by what we now call PTSD. But he also brought back with him a collection of ‘souvenirs’ from the campaign – artefacts that range from Japanese currency and cigarettes to letters, swords, a bayonet, sketches, and his own diaries, letters and decorations. This book will be a reflection on the personal stories behind this terrible and often forgotten war, looking at the conflict both from a British and a Japanese perspective. Through an examination of these artefacts, the horror and humanity of the combatants who took part in this far-away conflict will be vividly brought to life.

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