Search results for ""BLOOMSBURY""

The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.Which is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.What had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

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London is a vast metropolis with a population of over 8.5 million people and a history stretching back two millennia. However, unlike more modern cities, London was never planned as a major city but has grown over the centuries to absorb numerous historic towns and villages. Many of these are now bustling cosmopolitan areas such as Bloomsbury and Notting Hill, while others, such as Barnes and Dulwich, are more rural and retain their original charm and character. It’s hard to imagine nowadays, but in the 18th and 19th centuries, people were farming in Islington and fishing in Chiswick! Nevertheless, if you’re seeking a village vibe – a village green, small local shops, an ancient church and graveyard, even a pond beside a pub – you can still find them in London if you know where to look. Modern London is made up of a rich tapestry of ancient villages, just waiting to be discovered. London’s Village Walks takes you around 20 of the city’s most interesting and best preserved villages, where – with a little imagination – it’s possible to imagine you’re still living in a bygone age.

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A Room of One's Own is Virginia Woolf's most powerful feminist essay, justifying the need for women to possess intellectual freedom and financial independence. Based on a lecture given at Girton College, Cambridge, the essay is one of the great feminist polemics, ranging in its themes from Jane Austen and Carlotte Brontë to the silent fate of Shakespeare's gifted (imaginary) sister and the effects of poverty and sexual constraint on female creativity.Virginia Woolf (1882-1941) is regarded as a major twentieth-century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. Between 1925 and 1931 Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929).If you enjoyed A Room of One's Own, you might like Woolf's Orlando, also available in Penguin Modern Classics.'Probably the most influential piece of non-fictional writing by a woman in this century'Hermione Lee, Financial Times

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“A monumental contribution to international literature.” —BLOOMSBURY REVIEW Vietnam—the very word raises many associations for Westerners. Yet while the country has been ravaged by a modern history of colonialism and war, its ancient culture is rich and multilayered, and within it poetry has long had a special place. In this groundbreaking anthology, coeditors and translators Nguyen Do and Paul Hoover present a revelatory portrait of contemporary Vietnamese poetry. What emerges from this conversation of outsiders and insiders, Vietnamese and American voices, is a worldly sensibility descended from the geographical and historical crossroads of Vietnam in the modern era. Reflecting influences as diverse as traditional folk stories and American Modernism, the twenty-one poets included in Black Dog, Black Night, many of whom have never before been published in English, introduce readers to a fresh, uncensored, and utterly unique poetic vision.

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Young Maisie Halliday has escaped the grinding poverty of the northern town where she was born and now lives in the glittering world of professional dancing. At the outbreak of the Second World War, she volunteers as an ambulance driver, finding joy both in helping the wounded during the Blitz and also in her friends among the other drivers in the Bloomsbury Auxiliary Ambulance Depot. Maisie is at the Cafe de Paris nightclub when it is bombed. In the chaos, she attempts to help an injured man, and by this charitable act she becomes mixed up in what may well be a murder. A series of incidents, all connected to a handsome, arrogant American, throw Maisie's life into a dangerous spin. Is anything what it seems in wartime? With one serious misjudgement, Maisie risks losing everything she holds dear...

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Ben Crystal is an actor, producer, and writer. He played Hamlet in the first Original Pronunciation production of the play for 400 years with the Nevada Repertory Company, and curated the British Library's CD, Shakespeare's Original Pronunciation. He co-wrote Shakespeare's Words and The Shakespeare Miscellany with his father, David Crystal, and his first solo book, Shakespeare on Toast: Getting a Taste for the Bard was shortlisted for the 2010 Educational Writer of the Year Award. His new series of introductions to the Bard's plays - Springboard Shakespeare - was published by Bloomsbury / Arden in June 2013. He and his Shakespeare ensemble perform and give Shakespeare workshops around the world.David Crystal works from his home in Holyhead, North Wales, as a writer, editor, lecturer and broadcaster. He has published extensively on the history and development of English, including The Stories of English, Evolving English and Spell It Out:

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Pari Thomson works as the Editorial Director for picture books at Bloomsbury Children's Books. Half Persian, half English, she lived in many places while she was growing up, including India, Pakistan, the USA, the UK and Belgium. She studied at Oxford University and now lives near the river in London, not far from Kew Gardens. Greenwild: The World Behind the Door is her debut novel in the Greenwild series.Elisa Paganelli was born in Italy and since childhood, hasn't been able to resist the smell of paper and pencils. She graduated from the European Institute of Design in Turn and worked in advertising, as well as running an award-winning design shop and studio. She now collaborates as a freelance designer with publishers and advertising agencies all over the world, including designing and illustrating The House With Chicken Legs, Greenwild: The World Behind the Door and the Travels of Ermine series.

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An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice. Quiet Spaces places the work of architect William Smalley alongside spaces that have inspired him. Places of private contemplation – calm spaces to read a book or listen to music in, to walk through or simply be in – they are spaces that achieve a rare sense of repose and peace. From his own Bloomsbury Apartment and projects in the UK, France and New York, the book expands to include the work of other architects: a sixteenth-century villa by Palladio, houses in Mexico and Sri Lanka and the Secular Retreat in Devon by Swiss master architect Peter Zumthor. There are also places of making and displaying art: simplicity in Barbara Hepworth’s garden and studio in Cornwall, and intimacy in Kettle’s Yard gallery in Cambridge. Specially commissioned photography by Harry Crowder conveys the atmosphere of the spaces. A foreword by acclaimed potter and writer Edmund de Waal records the small, unspoken ways in which we relate to buildings and how they come to have meaning for us.

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'Vita and Harold have become part of our literature' OBSERVERThe marriage of Vita Sackville-West and Harold Nicolson was one of the most controversial relationships of the 20th century. This selection of letters, many of which have never been published, skilfully woven together by their son, Nigel Nicolson, gives dramatic new insight into their fascinating lives.Set within a framework of their son's highly personal memories, the story of this most extraordinary of marriages comes full circle - from the announcement of their engagement in 1912, through the storm days of Vita's well-known affairs with Violet Trefusis and Virginia Woolf, during the years of long separation as Harold's profession as a diplomat took him abroad, and culminating in the days leading up to Vita's death in 1962.

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The boy who wouldn’t grow up, Peter Pan has the power of flight and lives on a magical island. But he is fascinated by Mary Darling’s bedtime stories for her children and makes covert night-time visits to their Bloomsbury home. One evening he loses his shadow, and after Mary’s daughter Wendy helps him reattach it, he invites her to fly away with him on an extraordinary adventure. In addition to the famous 1911 novel Peter and Wendy, which tells the familiar adventures of Peter Pan in Neverland and popularized the characters of Tinkerbell and Captain Hook, this volume contains the celebrated stage version on which Peter and Wendy is based, as well as Peter Pan in Kensington Gardens, in which Peter Pan is a seven-day-old infant who consorts with birds and fairies and travels down the Serpentine in a thrush’s nest.

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Richard Charkin es una leyenda por tres motivos: lleva medio siglo editando, lo ha hecho absolutamente todo en el mundo editorial anglosajón y sabe contarlo como nadie. Ha trabajado en Oxford University Press y en la revista Nature; ha vendido los derechos de publicación de la Biblia y comprado los de Sex, el superventas de Madonna; ha sobrevivido a fracasos como The Anatomy of the Dromedary ?la única guía anatómica sobre el camello de una sola joroba? y al éxito de la saga de Harry Potter en Bloomsbury.Pero, sobre todo, Charkin ha viajado por el mundo, ha conocido a todo tipo de gente y disfrutado de mil experiencias únicas. Estas páginas recogen sus encuentros y colaboración con magnates mediáticos como Robert Maxwell y con traficantes de armas libaneses (que descubrieron que se podía hacer más dinero vendiendo diccionarios de idiomas), celebran las historias de mujeres que por fin pasaron de ocupar cargos subalternos dentro de la industria editorial a puestos clave y nos ilustra

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With an introduction by Virginia Nicholson Saturday 2 February 1918. The first walk we've had for ever so long. Damp, mild vaporous day. Funeral bells tolling as we went out, & marriage as we came in. The streets lined with people waiting their meat. Aeroplanes droning invisible. Our usual evening, alone happily, knee deep in papers. This diary begins in January 1915. Virginia Woolf was about to publish her first novel, The Voyage Out. By the end of 1919 she had published many essays and reviews, as well as a second novel, Night and Day. Her diary was the counterpoint to that public writing: here she could record details of daily life, think about friends and reading, writing and her state of mind. This diary offers a unique insight into the life and mind of one of Britain's most influential writers, and the circle she was part of which came to be known as Bloomsbury. This new Granta edition includes Woolf's 'Asheham Diary' for the first time.

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London is the only city in the world where you could ever find Gilbert and George sharing space with the Gherkin and the Globe while the Great Fire burns and a gin drinker glugs her favorite tipple, and where members of the Bloomsbury Group hail a black cab while barrage balloons hover over Broadcasting House during the Blitz. In A London Alphabet, Christopher Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge, and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all London life is here. A born-and-bred Londoner, Brown recounts his own memories of growing up in the capital, and also describes how he creates his distinctive prints. His unique, often humorous take on London will delight anyone who lives in or visits the city.

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.

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Los mejores ensayos sobre arte y literatura de una maestra del periodismoUno de los libros del 2013 para el Publisher Weekly y finalista del premio de la crítica de EEUULa obra de Janet Malcolm figura destacada en cualquier canon de la no ficción contemporánea, con piezas tan brillantes como la que da título a esta antología, con sus cuarenta y un intentos fallidos de comenzar un perfil del pintor David Salle, que acaban componiendo un retrato excepcional del artista. Malcolm está entre los autores más estimulantes intelectualmente, capaz de convertir epifanías de la percepción en estallidos de conocimiento como escribió David Lehman en The Boston Globe.Esta antología reúne piezas publicadas a lo largo de varias décadas, sobre todo en The New Yorker y The New York Review of Books, que recogen su interés por los artistas y su trabajo, pintores, fotógrafos, escritores y críticos. Explora la obsesión del grupo de Bloomsbury por la creación tanto plástica como literaria; las apas

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Solitary Mathilda has long harbored a conflicted enchantment bordering on rapture with the "Bright Young Things," the Bloomsbury Group, and their contemporaries of the '20s and '30s, and throughout her life her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town in which Hermia was known to have lived during the '30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination. From champagne theft and Black Modernisms to art sabotage, alchemy, and a lotus-eating proto-luxury communist cult, Mathilda’s “Escapes” through modes of aesthetic expression lead her to question the convoluted ways truth is made and obscured.

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Each of E. M. Forster's five novels-The Longest journey, Where Angels Fear to Tread, Room with a View. Howards End, and A Passage to India-is here analyzed within the framework of Forster's cultural heritage nineteenth-century liberalism and humanism. In tracing Forster's family and educational background, his religious and political heritage, and his relation to the "Bloomsbury Group," Mr. Crews reveals the growing melancholy in Forster's acceptance of "the perils of humanism." Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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John Maynard Keynes died in 1946 but his ideas and his example remain relevant today. In this distinctive new account, Peter Clarke shows how Keynes's own career was not simply that of an academic economist, nor that of a modern policy advisor. Though rightly credited for reshaping economic theory, Keynes's influence was more broadly based and is assessed here in a rounded historical, political and cultural context. Peter Clarke re-examines the full trajectory of Keynes's public career from his role in Paris over the Versailles Treaty to Bretton Woods. He reveals how Keynes's insights as an economic theorist were rooted in his wider intellectual and cultural milieu including Bloomsbury and his friendship with Virginia Woolf as well as his involvement in government business. Keynes in Action uncovers a much more pragmatic Keynes whose concept of 'truth' needs to be interpreted in tension with an acknowledgement of 'expediency' in implementing public policy.

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'What is this life if, full of care, We have no time to stand and stare.' - W.H. DaviesWalking around London is one of life's great pleasures. There is a huge amount that you can only see on foot – but sometimes it is hard to know where to look. Luckily, Christopher Winn, bestselling author of I Never Knew That About London, knows where all the hidden treasures are. This book takes the reader on a series of stimulating original walks through different areas of central London, focusing on one particular period of history, the Victorian, so ubiquitous that we take it for granted, and yet so astonishing and so far reaching in its variety, imagination, ambition and detail.Discover.....the remarkable 300-foot bell tower at the Houses of Parliament you never knew was there.... ..the extraordinary fairytale house in Kensington where the Mikado was inspired.....the best Victorian loos in the world near Old Street... ..a hidden chapel in Bloomsbury described by Oscar Wilde as 'the most delightful private chapel in London'... ..London's best preserved high class Victorian shop near Tottenham Court Road… ...an almost complete Victorian townscape boasting the world's oldest surviving mansion block... Walk through history and discover the hidden gems of Victorian London!

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Sometimes you need to go deep into the past, to make sense of the present. Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.​

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, IndependentInnovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, Innovation is Peter Ackroyd writing at his considerable best.

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Awakening the sleeping dragon...Smooth expat Michael Nicholson is a fixer, getting on by doing favours for the rich and powerful in booming China. When he makes the mistake of getting too close to one of his clients, the wife of a leading Communist Party official, the ageing Lothario fears for his life as a vengeful husband decides to put his house in order. So when a domestic dispute from the other side of the world leads to a shoot-out in a luxury penthouse apartment in Chelsea, an ex-cop called Marvin Taylor is one of the casualties. Inspector John Carlyle is little more than a casual onlooker until Taylor's widow turns up, looking for answers. The inspector is drawn into the morass of dealing and double-dealing, much to the dismay of his boss, Carole Simpson, who wants him to focus on Barbara Hutton, a Bloomsbury housewife who may - or may not - be a former German terrorist wanted for a forty-year-old murder...'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

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When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer, whose sanguineous exploits have spawned the creation of a small library of books. But Jack the Ripper was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ for its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. This book is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'A brilliantly structured account of the dramas, infidelities and deep emotional attachments' GUARDIAN'An intimate and controversial account of his bisexual parents' open relationship' NEW YORK TIMES'One of the most absorbing stories, built around two very remarkable people, ever to stray from Gothic fiction into real life' TLSThe marriage was that between the two writers, Vita Sackville-West and Harold Nicolson and the portrait is drawn partly by Vita herself in an autobiography which she left behind at her death in 1962 and partly by her son, Nigel. It was one of the happiest and strangest marriages there has ever been. Both Vita and Harold were always in love with other people and each gave the other full liberty 'without enquiry or reproach', knowing that their love for each other would be unaffected and even strengthened by the crises which it survived. This account of their love story is now a modern classic.

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Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "the figment of the author." This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality. DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all. Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.

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A gem of a book.' Graham Tomlin, Bishop of Kensington Many of our everyday encounters in the world are touched by the divine, if we were only aware of it. We may find it impossible to miss God in the great interruptions of human existence, but God often finds a humbler dwelling-place . . . Donna Lazenby was in a packed underground carriage when it was taken siege by a group of musicians ripe to start a ceilidh. The eruption into dull passivity of joy seemed a herald of the Kingdom of God. And so she began to write a series of reflections, some prosaic, others more poetic in tone, that open up ways of seeing light in darkness; love in places of desolation; in-breaking life when all seems tired and old. But the coming of this Kingdom is also revealed in protest, in the world’s cry against a pervasive sense of alienation, while an allegedly ‘secular’ culture steals and presents the claims of the Gospel as its own. And so, Divine Sparks calls us to be prophets: visionaries able to discern and proclaim God’s incoming Kingdom, as it arrives by day – and night. Praise for the author’s A Mystical Theology (Bloomsbury, 2014): ‘[Written] with elegance and originality’ Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge

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Fleur, hija de Soames Forsyte, y Michael Mont han tenido un hijo. La onsesión de ella por el glamour de los encuentros sociales acaba por originar una serie de pleitos que rompen la tranquilidad de la familia. Mientra, su marido decide abandonar la editorial londinsense en la que trabajaba para optar a un escaño en la Cámara de los Comunes. Elegido parlamentario, Michael se considera feliz, pese a que no es ajeno a los cambios sociales ni a las consecuencias de las heridas nunca cerradas tras la I Guerra Mundial, contienda en la que él combatió. La cuchara de plata continúa la saga iniciada en El mono blanco y vuelve a evidenciar la enorme calidad y la apasionante capacidad narrativa del premio Nobel de Literatura John Glasworthy. Su inteligencia y fino sentido del humor han superado con creces a los autores del Círculo de Bloomsbury que, en su día, tomaron el relevo de su popularidad. Esta edición incorpora a manera de prólogo la novela corta de transición Un cortejo silencioso.

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, Independent Innovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, it is Peter Ackroyd writing at his considerable best.

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Wonderful for browsing, and invaluable for finding specific information, Literature Lovers Book of Lists is a compendium of useful and sometimes whimsical information for anyone who loves books and loves to read, at any age or reading level. It is organized into nine sections and provides nearly 200 lists relating to genres, authors, characters and settings, awards, literary terms with their definitions and much more. There are even lists of books of prose and poetry available on audiocassettes. If it has to do with literature, this book has the answers. What book has had the longest run on The New York Times best-seller list? Who is the only four-time winner of the Pulitizer Prize for drama? What is the complete list of Shakespeare's plays and poems? Who are some of the most notable African American authors? What are the three main variations of the sonnet? What famous writers belonged to The Bloomsbury Group? Literature Lovers Book of Lists is both exciting and informative at the same time.

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Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and watched by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel.In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of Mrs Dalloway'.And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.Michael Cunningham's exquisite and deeply moving novel is a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and

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Chances are you weren't invited to the wedding of Grace Kelly and Prince Ranier, or to Truman Capote's famous "Black and White" ball at the Plaza Hotel. But now you can experience those and other legendary celebrations in your own home, as well as learn about the historic and cultural moments they embodied. This beautifully designed book brings together twenty menus--both authentic and imagined--along with instructions for preparing each dish and recreating the dinners in your home. Each event is represented in multi-page spreads that feature contemporary photographs to help you recreate the meals in your kitchen, while archival images and entertaining essays provide important historical context. You may not live on the Cote d'Azur like Coco Chanel, but why not pretend with the perfect salade niçoise? Join the con artist Henry Gerguson and serve up some fabulous mid-century Noodles Romanoff. Feeling artistic? Serve your guests some roast chicken and borscht, the way Jackson Pollock and Lee Krasner did, with vegetables fresh from their Long Island garden. From JFK's triumphant visit to Berlin to the White House reception for the Apollo 11 crew; from a Bloomsbury high tea to dinner with the famously private Audrey Hepburn, this fun and sophisticated mixture of culture and food will reside as happily on your coffee table as it will on your cookbook shelf.

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Rigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 28 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will experience two blockbuster multi-author special features that explore both the deep traditions and the new frontiers of early modern studies: one that views adaptation and digitization through the lens of “Sterneana,” the vast literary and cultural legacy following on the writings of Laurence Sterne, a legacy that sweeps from Hungarian renditions of the puckish novelist through the Bloomsbury circle and on into cybernetics, and one that pays tribute to legendary scholar Irwin Primer by probing the always popular but also always challenging writings of that enigmatic poet-philosopher, Bernard Mandeville. All that, plus the usual cavalcade of full-length book reviews. ISSN: 1065-3112 Published by Bucknell University Press, distributed worldwide by Rutgers University Press.

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Award-winning writer Caryl Phillips presents a beautiful, heart-breaking novel of the life of Jean Rhys, author of Wide Sargasso Sea.‘[A] remarkable novel… The story of a troubled young woman trying to make her way in England during the early years of the twentieth century’ WILLIAM BOYDIn the heart of London’s Bloomsbury, Gwendolen – not yet truly famous as the writer ‘Jean Rhys’ – is presented with the opportunity she has been waiting for. Her husband has received an unexpected inheritance; she can, at last, return to the island of her childhood. For Gwendolen, Dominica is a place of freedom and beauty, far away from the lonely nights and failed dreams of England. But this visit home compels her to reflect on the events of her past, and on what they may mean for her future.‘Phillips’ novel of being and becoming, of memory, and the mythology of writers and writing is a wonder. This is a gift of a book’ Niven Govinden, author of All the Days and Nights‘This dark, glimmering beauty of a novel penetrates the English mist, illuminates the past and present and offers us the life of a great writer, in the heart and mind of this great writer, Caryl Phillips’ Amy Bloom, author of White Houses ‘Subtle and piercing… Phillips keeps on taking risks and telling powerful stories’ Times Literary Supplement

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"The essays are provocative and enhance knowledge of Third World women's issues. Highly recommended . . . " —Choice" . . . the book challenges assumptions and pushes historic and geographical boundaries that must be altered if women of all colors are to win the struggles thrust upon us by the 'new world order' of the 1990s." —New Directions for Women"This surely is a book for anyone trying to comprehend the ways sexism fuels racism in a post-colonial, post-Cold War world that remains dangerous for most women." —Cynthia H. Enloe" . . . provocative analyses of the simultaneous oppressions of race, class, gender and sexuality . . . a powerful collection." —Gloria Anzaldúa" . . . propels third world feminist perspectives from the periphery to the cutting edge of feminist theory in the 1990s." —Aihwa Ong" . . . a carefully presented wealth of much-needed information." —Audre Lorde" . . . it is a significant book." —The Bloomsbury Review" . . . excellent . . . The nondoctrinaire approach to the Third World and to feminism in general is refreshing and compelling." —World Literature Today". . . an excellent collection of essays examining 'Third World' feminism." —The Year's Work in Critical and Cultural TheoryThese essays document the debates, conflicts, and contradictions among those engaged in developing third world feminist theory and politics. Contributors: Evelyne Accad, M. Jacqui Alexander, Carmen Barroso, Cristina Bruschini, Rey Chow, Juanita Diaz-Cotto, Angela Gilliam, Faye V. Harrison, Cheryl Johnson-Odim, Chandra Talpade Mohanty, Ann Russo, Barbara Smith, Nayereh Tohidi, Lourdes Torres, Cheryl L. West, & Nellie Wong.

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This book explores Chinese artistic and stylistic influences on Modernist practice in early twentieth century Britain. This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes. At the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. The 10 original chapters from leading international figures in the field, including Elizabeth Chang, David Porter and Patricia Laurence. It includes 28 figures (10 in colour) to illustrate the text. It offers a coverage of literature, painting and poetry, as well as performance and visual media, theatre, fashion, film and dance, interior and garden design, Ideal Home and international exhibitions.

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Acclaimed as "one of the most fascinating female poets of our time" (BOMB), Kimiko Hahn is a shape-shifter, a poet who seeks novel forms for her utterly original subject matter and "stands as a welcome voice of experimentation and passion" (Bloomsbury Review). In Brain Fever, Hahn integrates the recent findings of science, ancient Japanese aesthetics and observations from her life as a woman, wife, mother, daughter and artist. Rooted in meditations on contemporary neuroscience, Brain Fever takes as its subject the mysteries of the human mind—the nature of dreams and memories, the possibly illusory nature of linear time and the complexity of conveying love to a child. In one poem, "A Bowl of Spaghetti", she cites a comparison that researchers draw between unravelling "the millions of miles of wires in the [human] brain" and "untangling a bowl of spaghetti", and thus she untangles a memory of her own: "I have an old photo: Rei in her high chair intently / picking out each strand to mash in her mouth. // Was she two? Was that sailor dress from mother? / Did I cook that sauce from scratch? If so, there was a carrot in the pot." Equally inspired by Sei Shonagon's tenth-century Pillow Book and the latest findings of cognitive research, Brain Fever is a thrilling blend of the timely and the timeless.

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April 1971. When DI Webb and DS Raymond respond to a 999 call at Harpur Mews in Bloomsbury, a horrific scene awaits them. Susan Lang is lying on the ground, bleeding to death. Her husband Henry is sitting nearby, holding a large, blood-stained knife. In shock, Henry claims to have no memory of the events that led to his wife's death, leaving his barrister, Ben Schroeder, little with which to defend a potential murder charge. Unbeknownst to his strict Baptist wife, Deborah, Justice Rainer has a secret life as a gambler. In his desperation for money to fund his habit, he has already raided his own and Deborah's resources, and now he has crossed another line - one from which there is no return. To his horror, as the trial of Henry Lang starts, Rainer discovers a sinister connection between the trial and his gambling debts which could cause his world to unravel. In a rare case in which the judge is in greater peril than the defendant on trial, both Lang and Rainer have called down the storm on their own heads. Their lives are on the line, and time is running out.

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The Collins New Naturalist series is the longest-running and arguably the most influential natural history series in the world with over 120 volumes published in nearly 70 years. Being a numbered series, with a very low print run for some volumes, New Naturalist publications have been and continue to be highly collectable. Second-hand copies of the rarer volumes, in very good condition, can command high prices. As such, there is considerable interest in a detailed bibliography and history of the series. Collecting the New Naturalists offers a detailed insight into the fascinating phenomenon that has gripped Britain since just after World War II and which reflects the country’s continued enthusiasm for wildlife and nature publishing generally. With previously unpublished in-depth insight into the workings of the series and its collectors, the book will comprehensively cover every aspect of the New Naturalists, from rare editions produced for Bloomsbury and the Reader’s Union to foreign editions, interviews with the iconic cover artists and well-known naturalists such as Nick Baker and Alan Titchmarsh telling the story of their own fascination with the series.

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A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Selected Poetry and Prose of Stéphane Mallarmé presents what can be considered the essential work of the renowned “father of the Symbolists.” Mallarmé’s major elegies, sonnets, and other verse, including excerpts from the dialogue “Hériodiade,” are all assembled here with the French and English texts en face. Also included (not bilingually) are the visual poem “Dice Thrown Never Will Annul Chance” and the drama “Igitur,” as well as letters, essays, and reviews. Although his primary concern was with poetry, the aesthetics of Stéphane Mallarmé (1842-98) has touched all the arts. During the last twenty years of his life, his Paris apartment was a major literary gathering place. Every Tuesday evening, standing beneath the portrait of himself by his friend Edouard Manet, the poet addressed reverent gatherings which included at various times Paul Valery and André Gide, among many others. The American painter James Whistler was influenced by these “Mardis,” and one of the best-known poems in the present collection, “The Afternoon of a Faun,” inspired Claude Debussy’s famous musical composition. In translation, the subtle and varied shades of Mallarmé’s oeuvre may best be rendered by diverse hands. Editor Mary Ann Caws, the author of books on René Char, Robert Desnos, and various aspects of modern French writing, has brought together the work of fourteen translators, spanning a century, from the Symbolists and the Bloomsbury group (George Moore and Roger Fry) to Cid Corman, Brian Coffey, and other contemporary poets and writers.

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In 1932 the young writer and political activist CLR James arrived in London from his native Trinidad. During his first weeks in the city he wrote a series of essays about his impressions and experiences for publication back home in the Port of Spain Gazette. Seventy years later, these pieces, newly transcribed from archives in the Caribbean, are published for the first time as a collection, with an extensive introduction and notes. Letters from London reveals CLR James' first encounter with the colonial metropolis and the values that had already shaped his intellectual development in Trinidad. Drawn to London's literary and political avant-garde, he describes life in Bloomsbury, arguments with Edith Sitwell, visits to theatres, museums and concert halls, and his seminal friendship with the great West Indies cricketer, Learie Constantine. Initially in awe of London, James soon develops a critical stance towards the city and its once mysterious people, analysing their drab architecture, shallow newspapers and repressed social relations. 'Londoners have had sixty years of compulsory education and all the advantages of a great modern city,' he writes. 'When you look at the intellectual quality of the people, you are astonished.' A resurrected 'classic' of considerable importance, Letters from London provides a hitherto inaccessible picture of the young CLR James and his formative period. This collection will appeal not just to Jamesites, but to scholars of colonial and post-colonial history and those interested in London.

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This fascinating book brings together and examines all aspects of the life and work of one of the most influential thinkers of the last century, John Maynard Keynes, whose theses are still hotly debated. It combines, in an accessible, unique and cohesive manner, analytical, biographical and contextual elements from a variety of perspectives.Gilles Dostaler studies in detail the battles that Keynes led on various fronts - politics, philosophy, art, and of course economics - in the pursuit of a single and lifelong goal: to radically transform society to create a better world, a world pacified and freed from the neurotic pursuit of financial wealth and economic rentability, with art at its pinnacle. Containing detailed presentations of the Bloomsbury group and the political history of Great Britain, Keynes and his Battles is an essential reference to this most important of 20th century figures whose central message remains as topical today as it ever was. The study also contains a unique chronology of Keynes's life and historical events, portraits of Keynes by his friends and contemporaries, as well as a full bibliography of all his books, chapters contributed to books, journal articles and reviews.Scholars, students and researchers of economics, history of economic thought, political science, sociology, history, philosophy and the history of arts will find this an absorbing and revealing work. The book should also interest journalists, decision makers in society and all those who are preoccupied by the problems of our time.

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If objectivity was the great discovery of the nineteenth century, uncertainty was the great discovery of the twentieth century. This book explores the tangled relationships between knowledge and politics during the first fifty years of the twentieth century. Changes within universities, particularly in Oxford, Cambridge, and the London School of Economics,made them, more than before, research institutions. Additionally, renovations within the grand empires of learning, represented by the Royal Society of London and the British Academy, lead to the recognition and acceptance of different forms of learning. The less formal coteries such as the Bloomsbury Group, the Society for the Protection of Knowledge, and the Scholarship and Theoretical Biology Club, are not neglected in this exploration of learned life.Indeed, members of all these societies transported knowledge from North America and the Continent, especially from the Warburg Institute, shifting the demographic and conceptual bases of British intellectual life. Thus, certain important twentieth-century themes transpire throughout this study: specialization, professionalization, objectivity, the emergence of the expert, and the rise of the social sciences. The twentieth century, with its hotand cold wars, distorted intellectual life by demands for application and for useful research. Learned people in Britain seduced themselves by patriotism and became complicit by developing defensive clichés seeking to explain howBritish knowledge was somehow different from German, and later, Soviet knowledge. If objectivity was the great discovery of the nineteenth century, as Lubenow demonstrated in "Only Connect": Learned Societies in Nineteenth Century Britain (2015), this book shows that uncertainty was the great discovery of the twentieth century.

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This bilingual collection of Neruda's most essential poems is indispensable.Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes.An impressive group of translators that includes Alistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well.This selection sets the standard for a general, high-quality introduction to Neruda's complete oeuvre."...The Essential Neruda will prove to be, for most readers, the best introduction to Neruda available in English. In fact, I can think of few other books that have given me so much delight so easily. "--The Austin Chronicle"This book is a must-have for any reader interested in a definitive sampling of the most essential poems by one whom many consider one of the best poets of the 20th century."--Mike Nobles,Tulsa World"A splendid way to begin a love affair with our Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again."--Ariel Dorfman, author of Death and the Maiden"The editors and translators know how to extract gold from a lifetime of prolific writing. If you want a handy Neruda companion and don't know where to begin, this is it."--The Bloomsbury Review

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With an introduction by Siri Hustvedt Friday 30 October 1936. I do not wish, for reasons I cannot now develop, to analyse that extraordinary summer. It will be more helpful & healthy for me to write scenes; to take up my pen & describe actual events: good practice too for my stumbling & doubting pen. Can I still 'write'? That is the question, you see. And now I will try to prove if the gift is dead, or dormant. The concluding volume of Virginia Woolf's diary covers the last five years of her life, ending four days before she committed suicide at the age of 59. These final years were overshadowed by the untimely death of her nephew Julian Bell in the Spanish Civil War, and her own intermittent mental fragility. As another World War began to seem inevitable, writing itself often felt like a battle. Nevertheless, this period saw the publication of her novel The Years, the polemical essay Three Guineas, the biography of her friend Roger Fry, and the writing of Between the Acts. This volume stands as a monument to Woolf's life and the enduring friendships of the Bloomsbury group. This Granta edition of Volume 5 contains the unexpurgated text for the first time.

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This first complete history of Dr Williams's Trust and Library, deriving from the will of the nonconformist minister Daniel Williams (c.1643-1716) reveals rare examples of private philanthropy and dissenting enterprise. The library contains the fullest collection of material relating to English Protestant Dissent. Opening in the City of London in 1730, it moved to Bloomsbury in the 1860s. Williams and his first trustees had a vision for Protestant Dissent which included maintaining connections with Protestants overseas. The charities espoused by the trust extended that vision by funding an Irish preacher, founding schools in Wales, sending missionaries to native Americans, and giving support to Harvard College. By the mid-eighteenth century, the trustees had embraced unitarian beliefs and had established several charities and enlarged the unique collection of books, manuscripts and portraits known as Dr Williams's Library. The manuscript and rare book collection offers material from the sixteenth to the twentieth centuries, with strengths in the early modern period, including the papers of Richard Baxter, Roger Morrice, and Owen Stockton. The eighteenth-century archive includes the correspondence of the scientist and theologian Joseph Priestley. The library also holds several collections of importance for women's history and English literature. The story of the trust and library reveals a rare example of private philanthropy over more than three centuries, and a case study in dissenting enterprise. Alan Argent illuminates key themes in the history of nonconformity; the changing status of non-established religions; the voluntary principle; philanthropy; and a lively concern for society as a whole.

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The deceptively simple lemon takes center stage in the second volume of TASCHEN’s collaboration with The Gourmand, masters of the rich intersection of food and art. The star of Renaissance gardens, that shaped the Medici dynasty, have the power to ward off scurvy, had a hand in forming the mob, and whose juice has been used as an invisible ink since 600 CE to pen covert messages, these joyful yellow orbs are ripe with intrigue. The Gourmand charts the fruit’s astonishingly intricate genealogy, explores its role as a literary device for the likes of Joan Didion, F. Scott Fitzgerald, Tom Wolfe, and James Joyce, and examines its unique representation of the American dream through lemonade stands. A favorite subject of art history’s giants, the lemon captivates in the still lifes of Old Masters and inspired the breakthroughs of modern visionaries like Picasso, Matisse, and Warhol. Lemons also find themselves at the cutting edge of design in Philippe Starck’s iconic Juicy Salif and the unassuming yet revolutionary Jif Lemon. Their presence extends to the decorative arts, gracing everything from Arts and Crafts wallpapers to mythological ceramics. Even the famed Bloomsbury Group found lemons entangled in their literary love affairs. Accompanying these citrus-centric anecdotes are a foreword by chef and acclaimed food writer Simon Hopkinson and an introduction by art critic and author Jennifer Higgie alongside more than 60 lemon-infused recipes across global cuisines and for every occasion—including perfect poultry, decadent sauces, classic cocktails, and indulgent desserts, with custom photography by Bobby Doherty.

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The National Portrait Gallery’s collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and transcendent. The stories cover a variety of topics, including: the role of the muse, featuring stories such as George Romney, Lady Emma Hamilton and Nelson, and the Bloomsbury group; scandal and tragedy, exploring the relationships of Oscar Wilde and Lord Alfred Douglas, Edward VIII and Wallis Simpson, and John Lennon and Yoko Ono; literary love, highlighting the tales of Mary and Percy Shelley, and Sylvia Plath and Ted Hughes; a shared studio, featuring the stories of artists Lee Miller and Man Ray, and Barbara Hepworth and Ben Nicholson; and love and the lens, which explores the stories of Laurence Olivier and Vivien Leigh, and Mick and Bianca Jagger.Love Stories will be brought to life through the perspective of various authors, using material from the sitter’s own letters, diaries and poetry, while highlighting their connection and influence on some of the greatest masterpieces of art.

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