Search results for ""BLOOMSBURY""

An action-packed overview of the Age of Dinosaurs arranged chronologically from the rise of reptiles in the early Triassic to the catastrophic event that ended dinosaur life at the end of the Cretaceous. The 3D illustrations are so realistic it's like stepping back in time! AUTHOR: Lisa Regan is a children's writer and editor specialising in STEM subjects, including dinosaurs, inventions, space, weather, natural history and more. After many years as in-house editor and managing editor at several UK trade publishers, Lisa turned freelance. She has written and edited a range of children's titles published by Scholastic, Parragon, DK, Ticktock, Carlton, Bloomsbury and many others.

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This classic novel of colonial Ceylon (Sri Lanka), was first published in 1913 and is written by a prominent member of the Bloomsbury group, husband of Virginia Woolf. It reads as if Thomas Hardy had been born among the heat, scent, sensuality and pungent mystery of the tropics. Translated into both Tamil and Sinhalese, it is one of the best-loved and best-known stories in Sri Lanka. It includes a new biographical afterword by Sir Christopher Ondaatje, author of "Woolf in Ceylon", and a short story, "Pearls before Swine", which vividly draws on Woolf's experience as a young District Commissioner. This book reeks of first-hand knowledge of the colonial experience, and of its profound, malign disregard for the psychology and culture of its subject peoples.

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Virginia Woolf (1882 ?1941) participó del insigne grupo de Bloomsbury y fundó con su marido una editorial en la que publicó, entre otros escritores importantes, a sus amigos T.S. Elliot y Katherine Mansfield. Además del celebérrimo ensayo Una habitación propia o de la novela La señora Dalloway, Woolf es también la autora de una valiosa obra de cuentos de la que recogemos aquí una muestra representativa. La obra de la autora está unánimemente considerada como una de las cotas más altas de la prosa inglesa y a menudo sus cuentos constituían experimentos o probaturas y ejercicios que desarrollaría en sus novelas y que la más tarde la encumbrarían, junto con Joyce, Proust y Faulkner, al exclusivo panteón de los mejores escritores del siglo XX.

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London at the dawn of 1918 and Ireland's most famous literary figure, WB Yeats, is immersed in supernatural investigations at his Bloomsbury rooms. Haunted by the restless spirit of an Irish girl whose body is mysteriously washed ashore in a coffin, Yeats undertakes a perilous journey back to Ireland with his apprentice ghost-catcher Charles Adams to piece together the killer's identity. Surrounded by spies, occultists and Irish rebels, the two are led on a gripping journey along Ireland's wild Atlantic coast, through the ruins of its abandoned estates, and into its darkest, most haunted corners. Falling under the spell of dark forces, Yeats and his novice ghost-catcher come dangerously close to crossing the invisible line that divides the living from the dead.

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Bloomsbury no era sólo un grupúsculo de señeras figuras como Virginia Wolf, E.M Forster o John Maynard Keynes, también giraban a su alrededor un gran número de carreteras secundarias estrechas, sinérgicas y entrelazadas entre sí. Este fue el caso del cuarteto formado por Gerald Brenan, Dora Carrington, Ralph Partridge y Lytton Strachey que, a su vez, pertenecía también al núcleo influyente. Sus relaciones fueron una representación teatral, un inmenso despliegue epistolar ? Gerald Brenan escribió cerca de cuatro millones de palabras en cartas ? repleto de episodios de todo tipo. Gerald, al igual que Ralph, estaba enamorado de Dora, que acabaría casándose con Ralph, pero ella profesaba un amor imposible por Lytton, homosexual reconocido que, a su vez, sentía una tremenda atracción por Ralph. Este culebrón, digno de la mejor sobremesa, acabó en trágicas circunstancias.

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From the river Nile to the teeming streets of Cairo, from the indigenous, pre-Islamic Egyptian Coptic civilization to an America struggling with its fear of the Arab world, Shenoda’s poems recall the sacred traditions of an ancient, enduring culture as they widen the political conversation surrounding ethnicity, pan-Africanism and pan-Arabism. This notable collection spans generational, political and cultural divides, providing a nuanced perspective virtually unknown in the West. Matthew Shenoda is a Coptic poet influenced by jazz musicians and the writers of the Black Arts Movement. He teaches at San Francisco State University and works as a community and racial justice activist in the Bay Area. Widely anthologized, his articles, essays and poems have appeared in the San Francisco Chronicle, The Bloomsbury Review and Newsday.

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A surprise phone call from her late fiance''s family sends Vivien Lowry of Bloomsbury Girls off on her next adventure. Struggling as a playwright, she moves to Italy both to reckon with her past and create a new future as a script-writer at the Cinecittà Studios in Rome. Here she encounters the greatest male bastion of them all, the Vatican. Vivien ends up entangled between the church and the censors, while romantically caught between two men: an enigmatic American film financier who is not who he says he is, and a socialist Italian prince and independent filmmaker who ends up under house arrest over a censored screenplay. Each of them has a wartime experience from their past that they must revisit in order to move on - Vivien most of all.

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As the nephew of Virginia Woolf, Quentin Bell enjoyed an initimacy with his subject granted to few biographers. Originally published in two volumes in 1972, his acclaimed biography describes Virginia Woolf's family and childhood; her earliest writings; the formation of the Bloomsbury Group; her marriage to Leonard Woolf; the mental breakdown of the years 1912-15; the origins and growth of the Hogarth Press; her friendships with T. S. Eliot, Katherine Mansfield and Vita Sackvill-West; her struggles to write The Waves and The Years; and the political and personal distresses of her last decade. Compelling, moving and entertaining, Quentin Bell's biography was awarded the James Tait Black Memorial Prize and the Duff Cooper Memorial Prize. It is a fitting tribute to a remarkable and complex woman, one of the greatest writers of the century.

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Escritor inglés, nacido en Nueva York y que vivió en California en su adolescencia, dedicado a contemplar paisajes lunares desde su casa de San Francisco. Ha escrito para Melody Maker, Face, Sunday Times y el Observer, especializado en entrevistas biográficas. Actualmente vive en Norfolk. El último libro de Smith, calificado de poderoso ejercicio biográfico, conmovedor e inquietante, aborda las vidas de todos los hombres vivos que han pisado la Luna, ha sido todo un éxito de ventas desde que lo publicó Bloomsbury en Reino Unido, y conoce ya ediciones en una decena de idiomas.

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Peruse the latest releases in indie favourites Pages of Hackney and Kirkdale Books, get wanderlust among the vast shelves of Stanfords and bag well-thumbed second-hand treasures in Bloomsbury''s Skoob. London is a world-leading literary mecca and bookshops here are more than just places to pick up paperbacks - from community favourite (and the city''s first Black bookshop) Beacon Books to queer Soho institution Gay''s the Word, these 50 shops are the capital''s finest places to seek out new stories. Time to clear some space on your to-be-read shelf. This is part of a growing series of opinionated guides which offer straight-talking insider''s advice on what to do and see in London.

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This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review

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A comprehensive introduction to the work of one of the outstanding intellectuals of the twentieth century.Raymond Williams is a towering presence in cultural studies, most importantly as the founder of the apporach that has come to be known as "cultural materialism." Yet Williams's method was always open-ended and fluid, and this volume collects together his most significant work from over a twenty-year peiod in which he wrestled with the concepts of materialism and culture and their interrelationship. Aside from his more directly theoretical texts, however, case-studies of theatrical naturalism, the Bloomsbury group, advertising, science fiction, and the Welsh novel are also included as illustrations of the method at work. Finally, Williams's identity as an active socialist, rather than simply an academic, is captured by two unambiguously political pieces on the past, present and future of Marxism.

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A humorous fantasy story of greed set in a small Indian village, stunningly illustrated and retold by award-winning artist Jane Ray. Jasmine's garden has the most delicious fruit in the village - but someone is eating all her beautiful apples and apricots, kiwis and kumquats, papayas and peaches. Determined to discover the thief's identity, Jasmine waits... and waits. Little does she imagine that when he arrives, he'll lead her on a magical journey through the skies. Using vibrant collage artwork with jewel-like colours, Jane Ray has outdone herself by creating a beautiful new style. AGES: 3 to 6 AUTHOR: Jane Ray was born and raised in London, where she still lives. She has been illustrating and writing children's books for 25 years and has a special interest in folk and fairy tales. She enjoys writing her own stories (Can You Catch a Mermaid? and The Dolls House Fairy, both published by Orchard Books) and illustrating stories by other people, including The Lost Happy Endings by Carol Ann Duffy (Bloomsbury UK) and The King of Capri by Jeanette Winterson (Bloomsbury USA). For Boxer Books, Jane created an extraordinary quartet of story collections, all retold and illustrated by her. Jane also frequently works in primary schools, encouraging children to create their own books and pictures. She is married to the conductor David Temple and has three children. Jane has won numerous awards including the most prestigious Kate Greenaway award.

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• 2016 marks the 400th anniversary of the deaths of two of the world's most famous authors, William Shakespeare and Miguel de Cervantes. • Pioneering writer and director, Asa Palomera (“a powerhouse on Melbourne's independent theatre scene”): “I've tried to bring forth the sheer humanity of theirs, to present them as it were in their under wears, to show that the emotions we feel from their work are as human as the emotions they, in turn, experienced when they were alive.” • Productions of The Curious Lives of Shakespeare & Cervantes: Adam House Theatre (Edinburgh, 2010), Bloomsbury Theatre (London, 2010), Thai premiere (Bangkok Theatre Festival, 2014). Staged reading at Tara Theatre (London, November 2016).

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It is 1941 and bombs have turned London into the front line of a world war. In the shadows of the Blitz, Hitler’s agents are running a blackmail operation to obtain documents that could bring the nation to instant defeat. Arthur Rowe, a man once convicted of a notorious mercy killing, stumbles onto a German spy operation in Bloomsbury and must be silenced. But even with his memory taken from him, he is still a very dangerous witness. A taut thriller and a haunting exploration of pity, love, and guilt, The Ministry of Fear by Graham Greene is universally acknowledged as one of the greatest of all spy novels. With an introduction by the biographer and editor Professor Richard Greene. Designed to appeal to the booklover, the Macmillan Collector’s Library is a series of beautifully bound gift editions of much loved classic titles.

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The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms. Illustrated with 16 colour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public. Key Features * An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies * Provides a new intellectual framework for the exciting discoveries of the past decades *Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu *Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture *Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts

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Unique visual exploration of this beautiful and historic county of Sussex. Let this new collection of 460 stunning, full colour photographs of Sussex guide you around this beautiful county.Marvel at the opulence of the Pavilion in Brighton and enjoy the atmosphere of local festivals, both ancient and modern. Glimpse the artistic lives of the Bloomsbury Set at Charleston and take a trip on the Bluebell Railway.In this unique visual exploration you will discover the stories behind this historic county through the photography of its coastline, landmarks and countryside a book to remind you of past outings and to inspire future adventures.An ideal gift book for locals proud of their home countyA perfect souvenir of your tripAn inspirational guide for planning your next visitA fascinating portrait of this beautiful and historic part of BritainSussex is a glorious visual f

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This volume presents a revision of gay criticism and focuses on E.M. Forster's place in the emerging field of queer studies. Many previous critics of Forster downplayed his homosexuality or read Forster in terms of gay liberation. This collection situates Forster within the Bloomsbury Group and examines his relations to major figures such as Henry James, Edward Carpenter, and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later.

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Hermione Lee sees Virginia Woolf afresh, in her historical setting and as a vital figure for our times. Her book moves freely between a richly detailed life-story and new attempts to understand crucial questions - the impact of her childhood, the cause and nature of her madness and suicide, the truth about her marriage, her feelings for women, her prejudies and obsessions. This is a vivid, close-up portrait, returning to primary sources, and showing Woolf as occupying a distinct, even uneasy position with 'Bloomsbury'. It is a writer's life, illustrating how the concerns of her work arise and develop, and a political life, which establishes Woolf as a radically sceptical, subversive, courageous feminist. Incorporating newly discovered sources and illustrated with photos and drawings never used before, this biography is a revelation -informed, intelligent and moving.

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Archaeological investigations, undertaken as part of a programme to restore St George's Church, Bloomsbury, to its original Hawksmoor splendour, involved the removal of 871 triple lead-lined coffins from within the crypt and monitoring works within the churchyard. The elaborate named coffins of upper middle class parishioners provided a valuable opportunity to greatly develop the new field of post-medieval coffin analysis, and to integrate historical, archaeological and osteological data in order to build a vivid picture of this population. Over 90% of coffins were named, which allowed a rare opportunity to blind test osteological methods on 72 skeletons, whilst analysis of documentary and osteological evidence has challenged some long-held beliefs in post-medieval burial archaeology. Disease patterns in the St George's assemblage were influenced by the longevity and affluence of this population, factors that also underlay the necessity for elaborate and expensive dental treatment, including very early examples of fillings, filing and dentures.

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A prolific writer, photographer, portraitist, and documentarian, Lucia Moholy defies categorization. She was as active in avant-garde circles as she was in the field of information science, advancing an expansive understanding of visual reproduction. While previous publications on Moholy have limited her accomplishments to the five years she spent at the Bauhaus, Lucia Moholy: Exposures presents the full breadth of her writings and photographs for the first time. Extensive essays drawing on new archival discoveries offer insights into her early life in turn-of-the-century Prague, her involvement in the radical social movements of the 1920s in Weimar Germany, her emigration to London, where colleagues and friends included members of the Bloomsbury Group as well as her wartime involvement with microfilm and scientific documentation and her work in the Middle East on behalf of UNESCO. Acknowledging her reception by contemporary artists such as Jan Tichy, the publication demonstrates how M

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''He makes us see a subject we thought we knew so well from a completely different angle; in writing that is deeply researched, but inviting, warm, and full of personality'' Katy Hessel''Charlie Porter is a magician'' Olivia Laing Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born.In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster''s top buttons to the creativity of Vanessa Bell''s wayward hems; from the sheer pleasure of Ottoline Morrell''s lavish dresses to the clashing self-consciousness of Virginia Woolf''s orange stockin

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E. McKnight Kauffer (American, 1890-1954) was a pioneering figure who transformed the field of graphic design between the wars. He drew upon the emerging visual languages of Cubism, Vorticism, and Surrealism to create a modern graphic style that shaped the development of commercial art. Through collaborations with his avant-garde peers in art, literature, and design, including the Bloomsbury Group, Marion Dorn, T.S. Eliot, Langston Hughes, Aldous Huxley, and Man Ray, Kauffer expanded the scope and impact of his field. This groundbreaking publication is the first to address the full range of Kauffer s career, from sophisticated designs for major clients including the London transport system, Random House, American Airlines, and Shell, as well as Allied propaganda posters during World War II to book covers, rugs, costumes, and stage sets. An interdisciplinary group of authors offer critical perspectives on the cultural context of Kauffer s work, bringing new attention to the designer s depictions of race, gender, and global politics.

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This multi-authored volume, newly available in paperback, focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a 'rich, dialogic' forum or network. The book brings together a wide range of thematic material in three sections - 'Class and Culture', 'Global Bloomsbury' and 'Marketing Other Modernisms'.

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In the 1920s, many in the British establishment became convinced that their way of life was being threatened by the new Soviet state. The British government launched vast spying operations in response, carrying out surveillance on not only suspect Russians, but British aristocrats, Bloomsbury artists, ordinary workers and even MPs. What they discovered had profound ramifications for the whole of British society, dividing the nation and laying the foundations for the later Cold War. Drawing on a wealth of recently declassified archives, The Secret Twenties tells the story of the first Soviet spies and the double agents in their midst, all of it set against the sparkling backdrop of cocktail-era London.

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Tras la publicación de su libro sobre las consecuencias que la Gran Guerra traería para Europa, John Maynard Keynes se convirtió de la noche al día en un hombre célebre. Nadie como él analizó con mayor claridad y perspicacia el Tratado de Versalles. Precisamente de esa época, de cuando llegó a Versalles en 1919 con la delegación británica, datan los dos textos aquí reunidos. En el primero, amén de a las condiciones propias de una negociación política, asistimos al despliegue de hombres e ideas particulares, a todo cuanto no figura en los manuales de historia, a saber, a la aventura personal, casi íntima, de unos hombres condenados a entenderse y que saben que sólo desde el acuerdo puede llegar a solucionarse cualquier conflicto. El segundo texto, que Keynes dedica a revisar sus primeros años en Cambridge, constituye el fiel retablo de un lugar y una época irrepetibles: la del grupo de Bloomsbury. Habiendo asistido a la lectura en privado de los dos textos que hoy presentamos, Virginia

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Cambridge University is famed for the resourcefulness and innovation of its students. However, not all the undergraduates have devoted their talents to academia; instead they spent their time devising ingenious and hilarious pranks to play on the unsuspecting dons. This fascinating volume recalls some of the greatest stunts and practical jokes in the University’s history, including: the story of how a group of students fooled the art world with their Post-Impressionist exhibition; the Zanzibar hoax, in which members of the famous Bloomsbury set conned the Mayor of Cambridge (a hoax which sowed the seeds for their later ‘VIP inspection' of HMS Dreadnought which duped the Royal Navy); and of course the most famous prank of all – the Austin Seven on the roof of Senate House. This enthralling work will amaze and entertain in equal measure — and may well prove a source of inspiration for current students wishing to enliven their undergraduate days.

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NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

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This volume presents a radical revision of gay criticism and focuses on E.M. Forster's place in the emerging field of queer studies. This collection situates Forster within the Bloomsbury Group, and examines his relations with major figures such as Henry James, Edward Carpenter and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later. A study of gender in literature, this book brings the terms "queer" and "gay" into conversation, opening up a dialogue on wider dimensions of theory and allowing a revaluation of modernist inventions of sexual identity.

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Virginia Woolf es una biografía que conserva intacta la voz de una de las escritoras más emblemáticas de nuestro tiempo.Quien de verdad quiera saber algo fiable y profundo sobre el grupo de Bloomsbury y todos sus componentes, debe acudir a este libro. Aprenderá, comprenderá y se llevará la sorpresa de una lectura apasionante.Alicia Giménez BartlettVirginia Woolf era la hermana de mi madre. En 1964, unos veinte años después de la muerte de Virginia, mi tío Leonard me escribió comentándome que había gente dispuesta a escribir su biografía. Él se veía en la obligación de invitarlos a almorzar para convencerles de que no lo hicieran, lo cual no dejaba de ser un fastidio... Acto seguido, me sugirió que fuera yo quien se ocupara del tema.Con estas sencillas palabras Quentin Bell inaugura uno de los mejores trabajos biográficos del siglo XX, y con la misma soltura cuenta con todo detalle la vida de una mujer que hoy es un mito de la literatura c

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Expanding the themes in The Presence of Things Past, his debut collection of stories, John Taylor reveals himself to be a master of the intimate in Mysteries of the Body and the Mind. Set in Iowa, Idaho, and France (where the author has lived since 1977), these twenty-four stories “act as a sort of reverse coming of age,” as Brian McCombie put it in his review of the first edition in The Bloomsbury Review, “with the memory evoked only now beginning to truly resonate in the main character’s life.” Lost love, unrequited love, or found love often function as compelling narrative impetuses. In subtle, allusive prose enriched by his long dialogue with European literature, this sensitive writer meditates on the passing of time and the quest for selfhood. Funny, sad stories with a final ironic twist are blended with short, dreamlike ruminations. Composed in a variety of styles, Taylor’s engaging prose goes straight to the reader’s heart.

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Dying well is an art . . . the rest is just murderInspector John Carlyle is waiting for his father to die of a terminal illness. Meanwhile, others are dropping like flies.An elderly professor is found dead in his Bloomsbury flat. The verdict is that of heart attack. But who then stuffed the deceased academic in a closet? And who emptied the man's bank account? Across town, Sergeant Alison Roche is back from maternity leave. Struggling to juggle The Job and a new baby, she needs Carlyle's help after a controversial financier is controversially murdered at a charity dinner. Similarities with a previous, unsolved killing, which left a black mark against Carlyle's record, only raise the stakes higher.With problems at work and problems at home, Carlyle just wants to keep his head down but there's little chance of that. Can he do his job, nail a couple of murder cases - and be there for his father at the end?

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In London's Bloomsbury, Inspector Julian Rivers of Scotland Yard looks down at a dismal scene. Here is the victim, burnt to a crisp. Here are the clues - clues which point to a good climber and expert skier, and which lead Rivers to the piercing sunshine and sparkling snow of the Austrian Alps. Yet there is something sinister beneath the heady joys of the slopes, and Rivers is soon confronted by a merry group of suspects, and a long list of reasons not to trust each of them. For the mountains can be a dangerous, changeable place, and it can be lonely out between the pines of the slopes... As with each of the novels published under E C R Lorac in the Crime Classics series, the author's sense of place is beautifully realised in all its breathtaking freshness, and she does not miss opportunities; there may be at least one high-stakes ski-chase before this chilling mystery can be put to rest.

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Reissued for the 200th anniversary of the Battle of Waterloo The first Duke of Wellington's victory at Waterloo in 1815 is remembered as one of our nation's greatest triumphs and, two hundred years on, the 'Iron Duke' is still very much a public figure. But here, Jane Wellesley's family memoir paints an altogether more intimate and compelling portrait.Jane journeys through the past, unearthing memories and secrets to illuminate her family tree. It is a saga peppered with fascinating characters: the 2nd Duke was a full-time eccentric and had his lawnmower pulled by an elephant; the 7th Duke, Jane's grandfather, worked for MI6; and Jane's grandmother's involvement with writer Vita Sackville-West created ripples in the Bloomsbury set as well as her marriage.The Wellesley story shows how Wellington's descendants have lived on in the light of their ancestor's fame, and how a family is so much more than the history of one man.

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FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020 'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of cultural imperialism, Nervous Conditions charts Tambu's journey to personhood in a nation that is also emerging. 'With its searing observations, devastating exploration of the state of "not being", wicked humour and astonishing immersion into the mind of a young woman growing up and growing old before her time, the novel is a masterpiece.' Madelein Thien

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"This is a fascinating and unusual collection that deserves attention." —Bloomsbury Review" . . . this anthology of poetry is a breath of fresh air. It provides the reader with the means of gaining a deeper insight into Somali life through what is to the Somalis their most important cultural form, namely, poetry." —Bulletin of the School of Irental & African Studies"This affordable and beautifully produced book is a small jewel in the field of Somali studies, as it is the fruit of over forty years of dedicated linguistic and literary scholarship by one of the most thorough and accurate translators and analysts of Somali poetry, B. W. Andrzejewski." —International Journal of African Historical StudiesSomalia has been called "a nation of poets." This volume makes available in beautiful English translation the very best, and most universal, of Somali poetry, from the 19th century to the present. With appendixes covering the oral and written medium, the pronunciation of Somali words, alliteration and scansion, selected bibliography, and sources.

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Now in B-format paperback, this book describes ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson’s daughter Elizabeth Carter – who desired nothing more than to be taken for a vagabond in the wilds of southern England – to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury. Offering a beguiling view of the history of walking, Wanderers guides us through the different ways of seeing – of being – articulated by these ten pathfinding women.

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Greville Texidor - one-time Bloomsbury insider, globetrotting chorus-line dancer, former heroin addict, anarchist militia-woman and recent inmate of Holloway Prison – became a writer only after arriving in New Zealand as a refugee in 1940. First in remote Paparoa, and then on Auckland's North Shore as a central member of Frank Sargeson's circle of writers and intellectuals, she recalled many of the events of her life in the novella These Dark Glasses and a dazzling series of stories.After Texidor left New Zealand for Australia and Spain in 1948 she continued to write but finished little. She died by her own hand in 1964. Her published and some unpublished fiction was collected in 1987 in In Fifteen Minutes You Can Say a Lot.All the Juicy Pastures tells the story of Greville Texidor's extraordinary life in full for the first time, and puts her small but essential body of work in vivid context. Illustrated with many never-before-seen photographs, it restores an essential New Zealand writer to new generations of readers.

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Nancy Durrell was a woman famous for her silences. Anaïs Nin said 'I think often of Nancy's most eloquent silences, Nancy talking with her fingers, her hair, her cheeks, a wonderful gift. Music again.' As the first wife Lawrence Durrell, author of The Alexandria Quartet, it is perhaps surprising that she is an unknown entity, a constant presence in the biographies of Durrell and others in the Bloomsbury set, yet always a shadowy figure, beautiful and enigmatic. But who was the woman who was with Durrell during the most important years of his development as a writer? Joanna Hodgkin decides to retrace her mother's fascinating story: the escape from her toxic and mysterious family; the years in bohemian literary London and Paris in the 1930s; marriage to Durrell and their discovery of the 'Eden' of pre-war Corfu and her desperate struggle to survive in Palestine alone with a small child as the British Mandate collapsed. Amateurs in Eden is a fascinating biography of a literary marriage and of an unusual woman struggling to live an independent life.

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One hundred years after the Berlin Psychoanalytic Institute was established, this book recovers the cultural and intellectual history connected to this vibrant organization and places it alongside the London Bloomsbury group, the Paris Surrealist circle, and the Viennese fin-de-siecle as a crucial chapter in the history of modernism. Taking us from World War I Berlin to the Third Reich and beyond to 1940s Palestine and 1950s New York - and to the influential work of the Frankfurt School - Veronika Fuechtner traces the network of artists and psychoanalysts that began in Germany and continued in exile. Connecting movements, forms, and themes such as Dada, multi-perspectivity, and the urban experience with the theory and practice of psychoanalysis, she illuminates themes distinctive to the Berlin psychoanalytic context such as war trauma, masculinity and femininity, race and anti-Semitism, and the cultural avant-garde. In particular, she explores the lives and works of Alfred Doblin, Max Eitingon, Georg Groddeck, Karen Horney, Richard Huelsenbeck, Count Hermann von Keyserling, Ernst Simmel, and Arnold Zweig.

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Applying practical tools to the volatile process of negotiating Prognosticators apply Monte Carlo Analysis (MCA) to determine the likelihood and significance of a complete range of future outcomes; Real Options Analysis (ROA) can then be employed to develop pricing structures, or options, for such outcomes. Richard Razgaitis' Dealmaking shows readers how to apply these powerful valuation tools to a variety of business processes, such as pricing, negotiating, or living with a "deal," be it a technology license, and R&D partnership, or an outright sales agreement. Dealmaking distinguishes itself from other negotiating guides not only by treating negotiations as an increasingly common situation, but also by presenting a tool-based approach that creates flexible, practical valuation models. This forward-thinking guide includes a variety of checklists, case studies, and a CD-ROM with the appropriate software. Richard Razgaitis (Bloomsbury, NJ) is a Managing Director at InteCap, Inc. He has over twenty-five years of experience working with the development, commercialization, and strategic management of technology, seventeen of which have been spent in the commercialization of intellectual property.

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When Edith Wharton became friends with Henry James, she joined a group of men who became her "inner circle." This group included both well-known figures, such as James, Percy Lubbock, and Bernard Berenson, and several now forgotten, including John Hugh Smith, Walter Berry, Gaillard Lapsley, Robert Norton, and Howard Sturgis.Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents an intimate view of this American expatriate community, as well as the larger transatlantic culture it mirrored. She explores how the group, which began forming around 1904 and lasted until Wharton's death in 1937, defined itself against the society its founders had left in the United States, while simultaneously criticizing and accommodating the one it found in Europe. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics. She also relates the group to other literary circles, such as the Bloomsbury group and Gertrude Stein's salon.

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A surprise phone call from her late fiance''s family sends Vivien Lowry of Bloomsbury Girls off on her next adventure. Struggling as a playwright, she moves to Italy both to reckon with her past and create a new future as a script-writer at the Cinecittà Studios in Rome. Here she encounters the greatest male bastion of them all, the Vatican. Vivien ends up entangled between the church and the censors, while romantically caught between two men: an enigmatic American film financier who is not who he says he is, and a socialist Italian prince and independent filmmaker who ends up under house arrest over a censored screenplay. Each of them has a wartime experience from their past that they must revisit in order to move on - Vivien most of all.

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An Edifice of Ideas Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburg’s remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the library’s present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.

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A P.G. Wodehouse novelChâteau Blissac, on its hill above St Roque, is in a setting where every prospect pleases. But it doesn't please its current occupier, J. Wellington Gedge. Mr Gedge wants none of it - and particularly none of the domineering Mrs Gedge's imperious wish that he should become American Ambassador to Paris. Instead he pines for the simpler life of California, where men are men and filling stations stand tall.Mrs Gedge has powerful allies - including the prohibitionist Senator Opal. But will she get her way? And will the Senator's delightful daughter Jane get her man?In a plot which involves safe-blowers, con men, jewel-thieves and even a Bloomsbury novelist, few are quite as they seem. But the heady atmosphere of France in the 1930s makes for one of Wodehouse's most delightful comedies.

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Ambientada en 1937, "Dos amigas" es una comedia romántica sobre bohemios más allá de Bloomsbury. Ingenua, sobreprotegida y con apenas dieciocho años, Elsie huye del asfixiante entorno de la casa de sus padres en Cornualles en busca de su hermana, Leo, que se fue de casa nueve años antes. Cuando la encuentra, Leo comparte su vida y su cama en una casa flotante con Helen, una belleza rubia. Aunque la llegada de Elsie parece muy inocente, es el primero de una serie de detonantes que transformarán la vida satisfecha de Leo. En poco tiempo, un médico ligón empieza a perseguir a las tres mujeres a la vez, un vecino y amigo da muestras de atracción erótica, y fantasmas dormidos del pasado de Leo empiezan a despertar. Pronto, nadie está demasiado seguro de lo que siente por los demás.Mary Renault escribió esta deliciosa y provocadora novela a principios de los cuarenta, creando personajes que son ligeros, atractivos y de espíritu libre, en parte como respuesta a la desesperación que se tras

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The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry''s last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome's Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the libera

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When I cross the river, the sword that divides me from pleasure and money, I go North. That is, I take the Northern Line ''up West'', as we say: that is, to the West End. My London consists of all the stations on the Northern Line, but don''t think I scare easily: I have known the free and easy slap-and-tickle of Soho since toddlerhood ... nothing between Morden and Camden Town holds terror for me - Angela CarterThe clue is in the name: the London Review of Books has never been anything other than Bloomsbury-based, and though its outlook remains as international as ever, after 46 years you come to know a few things about your own patch. Next year''s LRB Diary duly takes an alphabetical tour, week by week, through 52 subjects indelibly inked into the capital''s literary (and not so literary) past, present and future, via the magazine''s archive. From Ackroyd to Zadie, carnival to cottaging, gentrification to the Great Stink, Keats to the Krays, Wren to Windrush.

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