Search results for ""indiana university press""

Recent discussions in the philosophy of religion, ethics, and personal political philosophy have been deeply marked by the influence of two philosophers who are often thought to be in opposition to each other, Søren Kierkegaard and Emmanuel Levinas. Devoted expressly to the relationship between Levinas and Kierkegaard, this volume sets forth a more rigorous comparison and sustained engagement between them. Established and newer scholars representing varied philosophical traditions bring these two thinkers into dialogue in 12 sparkling essays. They consider similarities and differences in how each elaborated a unique philosophy of religion, and they present themes such as time, obligation, love, politics, God, transcendence, and subjectivity. This conversation between neighbors is certain to inspire further inquiry and ignite philosophical debate.

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John Zorn is one of the most prolific and active American composers/performers working today. He has been a fixture of New York's "Downtown Scene" since the mid-70s as a tireless proponent of avant-garde and experimental music. Despite the acclaim and respect he has achieved in America and abroad, very little attention has been paid to Zorn by musicologists or music theorists. Author John Brackett suggests that the reason for the relative paucity of writing on Zorn's music and musical thought has to do with the difficulties and challenges they present both for listeners and scholars. Zorn's musical language—an amalgam of seemingly incongruous techniques, sounds, styles, and genres—creates complex and sometimes confusing listening experiences that are difficult to categorize in terms of overarching thematic or narrative design. Brackett offers a number of perspectives for understanding Zorn's music and musical practices, while challenging certain assumptions that limit the ways in which contemporary music is typically addressed.

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What is it like to be a young person in the Arab world today? This lively collection of eight short stories about Arab teenagers living in Iraq, Tunisia, Egypt, the West Bank, Lebanon, Syria, Jordan, and a Palestinian refugee camp engagingly depicts young people's experiences growing up in the Middle East. The characters, drawn from urban and rural settings and from different classes as well as a mix of countries, confront situations involving friends, family, teachers, and society at large. Along with some specifically Middle Eastern issues, such as strife in Iraq, the hardships of life in a Palestinian refugee camp, and honor crimes, the young people deal with more familiar concerns such as loyalty to friends, overcoming personal insecurities, dreams of a future career, and coping with divorcing parents. Coming of age in a complicated world, they meet life with courage, determination, and, not least of all, humor. With accompanying notes that provide contextual information, Santa Claus in Baghdad brings a fresh perspective to youth literature about the Arab world.

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In his comprehensive examination of the Lódz Ghetto, originally published in Yiddish in 1962, historian Isaiah Trunk sought to describe and explain the tragedy that befell the Jews imprisoned in the first major ghetto imposed by the Germans after they invaded Poland in 1939. Lódz had been home to nearly a quarter million Jews. When the Soviet military arrived in January 1945, they found 877 living Jews and the remains of a vast industrial enterprise that had employed masses of enslaved Jewish laborers. Based on an exhaustive study of primary sources in Yiddish, Hebrew, Polish, German, and Russian, Isaiah Trunk, a former resident of Lódz, reconstructs the organization of the ghetto and discusses its provisioning; forced labor; diseases and mortality; crime and deportations; living conditions; political, social, and cultural life; and resistance. Included are translations of the 141 documents that Trunk reproduced in his volume.

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For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia's westward-oriented capital and as a visually stunning showcase of Russia's imperial ambitions, has been the country's most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the "Petersburg text" created by canonized writers and artists, the contributors to this engrossing volume trace the ways in which St. Petersburg has become a "museum piece," embodying history, nostalgia, and recourse to memories of the past. The essays in this attractively illustrated volume trace a process of preservation that stretches back nearly three centuries, as manifest in the works of noted historians, poets, novelists, artists, architects, filmmakers, and dramatists.

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The innovative, multi-site Youth and the City Project examined the effects of globalization and neoliberalism on the everyday experiences and future prospects of urban youth in the developing world. The economic and demographic trends that are transforming cities and widening the gap between North and South are also making it increasingly difficult, if not impossible, for young people to establish themselves as independent, self-sufficient adults in many parts of the world. Based on ethnographic fieldwork in Brazil, Vietnam, and Zambia, this volume integrates youth studies with urban studies, and argues that youth is an experience in its own right, not merely a transition from childhood to adulthood. In-depth case studies in three cities—Recife, Hanoi, and Lusaka—offer compelling insights into the situation of urban youth, exploring how they use their city, spend their time, and prepare themselves for the future. Cross-cutting essays examine how education shapes future citizens, young people's use of urban domestic space, and the media's role in expanding the life worlds of youth.

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Anke Pinkert explores films produced in the Soviet Occupation Zone and East Germany from the end of World War II through the early 1960s, offering new insights into how Germans dealt with the aftermath of the war. In her cultural analysis of the relationship between modern historical violence, cultural memory, and cinematic representation, Pinkert argues that the cinematic productions of East Germany offer a corrective to misperceptions about German responses to the legacy of the war.Film and Memory in East Germany considers antifascist films of the immediate postwar period, which depict the reintegration of former soldiers into society and the crisis of masculinity that accompanied the aftermath of the war; the socialist films of the late 1940s and 1950s, which attempt to shape a new national imaginary through stories of exemplary socialist womanhood; and, finally, the cinematic return to 1945 in socialist modernist films of the 1960s.

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While some religious texts may remain static over time, the Ramayana epic has been retold in a variety of ways over the centuries and across South Asia. Some of the narrative's most probing and innovative retellings have appeared in print in the last 100 years in the region of South India. This collection brings together, for the first time, modern retellings translated from the four major South Indian languages and from genres as diverse as drama, short stories, poetry, and folk song. The selections focus on characters generally seen as stigmatized or marginalized, and on themes largely overlooked in previous scholarship. Editor Paula Richman demonstrates that twentieth-century authors have used retellings of the Ramayana to question caste and gender inequality in provocative ways. This engaging anthology includes translations of 22 primary texts along with interpretive essays that provide background and frameworks for understanding the stories.

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Drawing upon the latest research in gender studies, history of religion, feminism, ritual theory, performance, anthropology, archaeology, and art history, Finding Persephone investigates the ways in which the religious lives and ritual practices of women in Greek and Roman antiquity helped shape their social and civic identity. Barred from participating in many public arenas, women asserted their presence by performing rituals at festivals and presiding over rites associated with life passages and healing. The essays in this lively and timely volume reveal the central place of women in the religious and ritual practices of the societies of the ancient Mediterranean. Readers interested in religion, women's studies, and classical antiquity will find a unique exploration of the nature and character of women's autonomy within the religious sphere and a full account of women's agency in the public domain.

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In Performance and Politics in Tanzania, Laura Edmondson examines how politics, social values, and gender are expressed on stage. Now a disappearing tradition, Tanzanian popular theatre integrates comic sketches, acrobatics, melodrama, song, and dance to produce lively commentaries on what it means to be Tanzanian. These dynamic shows invite improvisation and spontaneous and raucous audience participation as they explore popular sentiments. Edmondson asserts that these performances overturn the boundary between official and popular art and offer a new way of thinking about African popular culture. She discusses how the blurring of state agendas and local desires presents a charged environment for the exploration of Tanzanian political and social realities: What is the meaning of democracy and who gets to define it? Who is in power, and how is power exposed or concealed? What is the role of tradition in a postsocialist state? How will the future of the nation be negotiated? This engaging book provides important insight into the complexity of popular forms of expression during a time of political and social change in East Africa.

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Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere.Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.

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Gender is one of the most productive, dynamic, and vibrant areas of Africanist research today. But what is the meaning of gender in an African context? Why does gender usually connote women? Why has gender taken hold in Africa when feminism hasn't? Is gender yet another Western construct that has been applied to Africa however ill-suited and riddled with assumptions? Africa After Gender? looks at Africa now that gender has come into play to consider how the continent, its people, and the term itself have changed. Leading Africanist historians, anthropologists, literary critics, and political scientists move past simple dichotomies, entrenched debates, and polarizing identity politics to present an evolving discourse of gender. They show gender as an applied rather than theoretical tool and discuss themes such as the performance of sexuality, lesbianism, women's political mobilization, the work of gendered NGOs, and the role of masculinity in a gendered world. For activists, students, and scholars, this book reveals a rich and cross-disciplinary view of the status of gender in Africa today.Contributors are Hussaina J. Abdullah, Nwando Achebe, Susan Andrade, Eileen Boris, Catherine M. Cole, Paulla A. Ebron, Eileen Julien, Lisa A. Lindsay, Adrienne MacIain, Takyiwaa Manuh, Stephan F. Miescher, Helen Mugambi, Gay Seidman, Sylvia Tamale, Bridget Teboh, Lynn M. Thomas, and Nana Wilson-Tagoe.

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Martin Heidegger's sustained reflection on Greek thought has been increasingly recognized as a decisive feature of his own philosophical development. At the same time, this important philosophical meeting has generated considerable controversy and disagreement concerning the radical originality of Heidegger's view of the Greeks and their place in his groundbreaking thinking. In Heidegger and the Greeks, an international group of distinguished philosophers sheds light on the issues raised by Heidegger's encounter and engagement with the Greeks. The careful and nuanced essays brought together here shed light on how core philosophical concepts such as phenomenology, existentialism, hermeneutics, and ethics are understood today. For readers at all levels, this volume is an invitation to continue the important dialogue with Greek thinking that was started and stimulated by Heidegger.Contributors are Claudia Baracchi, Walter A. Brogan, Günter Figal, Gregory Fried, Francisco J. Gonzalez, Drew A. Hyland, John Panteleimon Manoussakis, William J. Richardson, John Sallis, Dennis J. Schmidt, and Peter Warnek.

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"[W]ill be welcomed by students of comparative slavery. . . . [It] makes us reconsider the significance of slavery in the subcontinent." —Edward A. Alpers, UCLADespite its pervasive presence in the South Asian past, slavery is largely overlooked in the region's historiography, in part because the forms of bondage in question did not always fit models based on plantation slavery in the Atlantic world. This important volume will contribute to a rethinking of slavery in world history, and even the category of slavery itself. Most slaves in South Asia were not agricultural laborers, but military or domestic workers, and the latter were overwhelmingly women and children. Individuals might become slaves at birth or through capture, sale by relatives, indenture, or as a result of accusations of criminality or inappropriate sexual behavior. For centuries, trade in slaves linked South Asia with Africa, the Middle East, and Central Asia. The contributors to this collection of original essays describe a wide range of sites and contexts covering more than a thousand years, foregrounding the life stories of individual slaves wherever possible.Contributors are Daud Ali, Indrani Chatterjee, Richard M. Eaton, Michael H. Fisher, Sumit Guha, Peter Jackson, Sunil Kumar, Avril A. Powell, Ramya Sreenivasan, Sylvia Vatuk, and Timothy Walker.

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"This volume illuminates how families and the communities in which they are enmeshed negotiate everyday lives with the social, cultural, economic, and political resources available to them. It provides an excellent example of how anthropology matters to our understanding of the contemporary world and its global restructuring." —Karen Tranberg Hansen, Northwestern UniversityGlobalization is not only a large-scale phenomenon: it is also inextricably bound up with intimate aspects of personhood, care, and the daily decisions through which we make our lives. Looking at sub-Saharan Africa, Madagascar, Mexico, the U.S., Europe, India, and China, Generations and Globalization investigates the impact of globalization in the context of families, age groups, and intergenerational relations. The contributors offer an innovative approach that focuses on the changing dynamics between generations, rather than treating changes in childhood, youth, or old age as discrete categories. They argue that new economies and global flows do not just transform contemporary family life, but are in important ways shaped and constituted by it.Contributors are Jennifer Cole, Deborah Durham, Jessica Greenberg, Sarah Lamb, Julie Livingston, Roger Magazine, Andrea Muehlebach, Martha Areli Ramírez Sánchez, and T. E. Woronov.

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Pentecostalism has experienced explosive growth over the past century. This reader examines the ideas that launched the movement and fueled its expansion around the world. A general introduction to the book describes the history and theology of the early Pentecostal movement and its significance to the contemporary Christian world. A brief biography introduces each of the 16 influential leaders whose voices are recorded here.Vivid and lively contributions are included from Fred Francis Bosworth, William Howard Durham, Garfield Thomas Haywood, Esek William Kenyon, Joseph Hillary King, Robert Clarence Lawson, Aimee Semple McPherson, Charles Harrison Mason, David Wesley Myland, Charles Fox Parham, William J. Seymour, Richard G. Spurling, George Floyd Taylor, Ambrose Jessup Tomlinson, Andrew David Ursham, and Maria Beulah Woodworth-Etter. Their works represent the full spectrum of the early Pentecostalmovement.

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In Masterpieces of Modernist Cinema, prominent scholars consider well-known films that seem to stand alone in the history of cinema, without obvious precursors, and without progeny: The Cabinet of Dr. Caligari, L'âge d'or, and Last Year in Marienbad, to name a few. Such films appear to be sui generis and in some ways incomprehensible; but as these essays demonstrate, they are best understood within contexts beyond the world of cinema. Most were heavily influenced by some aspect of Modernism—Symbolism, Dada, Expressionism, Surrealism, Constructivism, Abstract Expressionism, Minimalism, etc.—but the social and political events of the period have left their mark on these films as well. The essays in this collection address individual films, exploring the place of each in the history of cinema and the history of ideas, ultimately rendering each comprehensible.Contributors are Dudley Andrew, Tom Gunning, Bruce Jenkins, Brandon W. Joseph, Anton Kaes, T. Jefferson Kline, Carrie Lambert-Beatty, Gilberto Perez, Ted Perry, Tony Pipolo, John Pruitt, P. Adams Sitney, and Yuri Tsivian.

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Through the lens of expressive culture, Performing Folklore tracks Portugal's transition from fascism to democracy, and from imperial metropole to EEC member state. Kimberly DaCosta Holton examines the evolution and significance of ranchos folclóricos, groups of amateur musicians and dancers who perform turn-of-the-century popular tradition and have acted as cultural barometers of change throughout 20th-century Portugal. She investigates the role that these folklore groups played in the mid-twentieth-century dictatorship, how they fell out of official favor with the advent of democracy, and why they remain so popular in Portugal's post-authoritarian state, especially in emigrant and diasporic communities. Holton looks at music, dance, costume, repertoire, venue, and social interplay in both local and global contexts. She considers the importance of revivalist folklore in the construction and preservation of national identity in the face of globalization. This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but also of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification.

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If the 21st century is the digital age, the 20th century can be characterized as the visual age—the era in which visual activity achieved unprecedented prominence. As this volume richly demonstrates, the visual mode was nowhere more dynamic and powerful during the 1900s than in Germany.Visual Culture in Twentieth-Century Germany explores a wide spectrum of visual media in 20th-century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performance, advertising, architecture, painting, dance, television, and cartography, investigating the ways in which these visual media were inflected by aesthetic innovation, changing attitudes toward gender and sexuality, and the political upheavals of the day. This volume sheds new light on German cultural history during the 1900s and represents a major contribution to the field of visual culture studies.

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"The book . . . includes . . . valuable essays and interviews, which move beyond the scholarly controversy to sketch a nuanced picture of Shostakovich's life under a totalitarian regime. . . . The 'Casebook' contributors compellingly warn of replacing one mask with another, one black-and-white myth with its simple inversion." —New York Times ". . . an important and readable collection. . . . It presents a devastating critique of Volkov's claims and scholarly practices in Testimony." —New York Review of BooksA Shostakovich Casebook brings together 25 essays, interviews, newspaper articles, and reviews—many newly available since the collapse of the Soviet Union—to create a volume of essential reading and cutting-edge scholarship in Russian music studies. The contributors include Malcolm H. Brown, Laurel Fay, Irina Antonovna Shostakovich, and Richard Taruskin.

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"Devaki Jain opens the doors of the United Nations and shows how it has changed the female half of the world—and vice versa. Women, Development, and the UN is a book that every global citizen, government leader, journalist, academic, and self-respecting woman should read." —Gloria Steinem"Devaki Jain's book nurtures your optimism in this terrible war-torn decade by describing how women succeeded in empowering both themselves and the United Nations to work toward a global leadership inspired by human dignity." —Fatema MernissiIn Women, Development, and the UN, internationally noted development economist and activist Devaki Jain traces the ways in which women have enriched the work of the United Nations from the time of its founding in 1945. Synthesizing insights from the extensive literature on women and development and from her own broad experience, Jain reviews the evolution of the UN's programs aimed at benefiting the women of developing nations and the impact of women's ideas about rights, equality, and social justice on UN thinking and practice regarding development. Jain presents this history from the perspective of the southern hemisphere, which recognizes that development issues often look different when viewed from the standpoint of countries in Africa, Asia, and Latin America. The book highlights the contributions of the four global women's conferences in Mexico City, Copenhagen, Nairobi, and Beijing in raising awareness, building confidence, spreading ideas, and creating alliances. The history that Jain chronicles reveals both the achievements of committed networks of women in partnership with the UN and the urgent work remaining to bring equality and justice to the world and its women.

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Thinking as You Play focuses on how to teach, not what to teach. Sylvia Coats gives piano teachers tools to help students develop creativity and critical thinking, and guidelines for organizing the music taught into a comprehensive curriculum. She suggests effective strategies for questioning and listening to students to help them think independently and improve their practice and performance. She also discusses practical means to develop an awareness of learning modalities and personality types. A unique top-down approach assists with presentations of musical concepts and principles, rather than a bottom-up approach of identifying facts before the reasons are known.Thinking as You Play is one of the few available resources for the teacher of group piano lessons. Ranging from children's small groups to larger university piano classes, Coats discusses auditioning and grouping students, strategies for maximizing student productivity, and suggestions for involving each student in the learning process.

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What did it mean to live as a subject of early Soviet modernity? In the 1920s and 1930s, in an environment where every element of daily life was supposed to be transformed by Soviet ideology, routine activities became ideologically significant, subject to debate and change. Drawing on original archival materials and theoretically informed, the essays in this volume examine ways in which Soviet citizens sought to align their private lives with the public nature of Soviet experience by taking the Revolution "inside." Topics discussed include the new sexuality, family loyalty during the Terror, the advertisement of Soviet commodities, the employment of domestic servants, children's toys and Pioneer camps, and narratives of self, ranging from diaries to secret police statements to monologues on the Soviet screen and stage. Bringing into dialogue essays by scholars in history, literature, sociology, art history, and film studies, this interdisciplinary volume contributes to the growing understanding of the Soviet Union as part of the history of modernity, rather than its totalitarian "other."

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"This is vintage Krell—he is as always, a reader in the best sense of the word...." —Dennis J. Schmidt"Krell is a strong and often eloquent writer... I regard this to be one of his most important works...." —Jason M. WirthIn The Tragic Absolute, David Farrell Krell shows that German Idealist and Romantic theories of literature and aesthetic judgment, especially when it comes to tragedy, are closer to the heart of metaphysics and ethics than previously thought. Krell not only explores the contributions of Schelling, Hölderlin, Novalis, Hegel, and Nietzsche to the aesthetics of tragedy, he also charts the fate of the absolute and speculative philosophy in terms of the tragic. Krell explodes the usual conception that aesthetic judgments about literary genres are relatively marginal subjects for philosophy. Indeed, in Krell’s view, even God himself, the very absolute of traditional metaphysics, is seen as languishing and condemned to tragic downfall. Questions concerning the death of God, the role of trauma and forgetting in narrative, the overcoming of barriers between humans and other living beings, and the role of music and rhythm as sources of ecstasy are highlighted in this keen, precise, and lively book.

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An important work in the field of diaspora studies for the past decade, this collection has inspired scholars and others to explore a trail blazed originally by Melville J. Herskovits, the father of New World African studies. Since its original publication, the field has changed considerably. Africanism has been explored in its broader dimensions, particularly in the area of white Africanisms. Thus, the new edition has been revised and expanded. Joseph E. Holloway has written three essays for the new volume. The first uses a transnational framework to examine how African cultural survivals have changed over time and readapted to diasporic conditions while experiencing slavery, forced labor, and racial discrimination. The second essay is "Africanisms in African American Names in the United States." The third reconstructs Gullah history, citing numerous Africanisms not previously identified by others. In addition, "The African Heritage of White America" by John Phillips has been revised to take note of many more instances of African cultural survivals in white America and to present a new synthesis of approaches.

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"The best sort of introductory study . . . packed with enlightening information." —The Times Literary SupplementPoor whites have been isolated from mainstream white Southern culture and have been in turn stereotyped as rednecks and Holy Rollers, discriminated against, and misunderstood. In their isolation, they have developed a unique subculture and defended it with a tenacity and pride that puzzles and confuses the larger society. Written 25 years ago, this book was one scholar's attempt to understand these people and their culture. For this new edition, Wayne Flynt has provided a new retrospective introduction and an up-to-date bibliography.

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Pierre Bourdieu (1930–2002) had an enormous influence on social and cultural thought in the second half of the 20th century, leaving a mark on fields as diverse as sociology, anthropology, critical theory, education, literary criticism, art history, and media studies. From his childhood in a rural French village, to his fieldwork in Algeria, to his ascension to the Chair of Sociology at the Collège de France, Bourdieu's life followed a trajectory both complex and contradictory. In this original and eloquent study, Deborah Reed-Danahay offers fresh insights on Bourdieu's work by drawing on the perspectives of ethnography and autobiography. Using Bourdieu's own reflections upon his life and career and considering the totality of his research and writing, this book locates Bourdieu within his French milieu and within the current state of discussion of Europe and its colonial legacy. Locating Bourdieu revisits major themes and concepts such as structure and practice, taste and distinction, habitus, social field, symbolic capital, and symbolic violence, adding new perspectives and discovering implications of Bourdieu's work for understanding emotion, social space, and personal narrative. The result is a work of impressive scholarship and intellectual creativity that will appeal to scholars, students, and non-specialists alike.New Anthropologies of Europe—Daphne Berdahl, Matti Bunzl, and Michael Herzfeld, editors

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"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." —Sarah LambLife histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one’s own or someone else’s, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned.Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk.

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"These essays are extremely well written, with the clarity and accessibility that one has come to expect from Berel Lang, one of the most respected and significant philosophers writing about the Holocaust and its impact." —Michael L. MorganIn these trenchant essays, philosopher Berel Lang examines post-Holocaust intepretations—and misinterpretations—showing the ways in which rhetoric and ideology have affected historical discourse about the Holocaust and how these accounts can be deconstructed. Why didn’t the Jews resist? How could the Germans have done what they did? Why didn’t more bystanders join in the rescue? In Lang’s view, these questions become mischievous when the circumstances in which victims, perpetrators, and bystanders played their roles are omitted or obscured. To confront such issues adequately requires comparative and contextual evidence. Post-Holocaust addresses such questions as the place of the Holocaust in the Nazi project as a whole, the roles of revenge and forgiveness in post-Holocaust Jewish thinking, Holocaust commemoration as artifice or "business," and the relationship of the Holocaust to traditional antisemitism. Lang’s analysis provides an incisive and fruitful basis for confronting these critical subjects.Jewish Literature and Culture—Alvin H. Rosenfeld, editor

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This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siècle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

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Praise for the first edition:"An impressive collection of more than 50 pieces—essays, poems, folktales, short stories, memoirs, film scripts, lectures/speeches—by Arab women challenging the widely accepted view of Middle Eastern women as submissive non-thinkers to whom feminism is a foreign concept." —Booklist"Anyone interested in good writing should read [Opening the Gates]. Here are first-class stories with the energy and freshness we expect from a beginning." —Doris Lessing, The Independent"This collection of stories, speeches, essays, poems and memoirs bears fierce testimony to a tradition of brave Arab feminist writing in the face of subjugation by a Muslim patriarchy."—Publishers Weekly"This impressive collection of writings by Arab women . . . represent[s] a powerful series of vignettes by women who were both insightful and gifted, into the lives of women who have lived 'behind the veil' over the last 100 years."—Arab Book World"An expression of indigenous, intrepid feminism in the Arab world."—Ms."Opening the Gates succeeds not because of its methodology, but because of the stories the women tell."—Voice Literary Supplement

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Although previously considered a way-station on the road to Hegel, F. W. J. von Schelling is today enjoying a renaissance among Continental philosophers and others. The 14 essays in this engaging volume bring Schelling in tune with such luminaries as Heidegger, Derrida, Bataille, Foucault, Deleuze, Levinas, and Irigaray and situate him squarely in the center of current themes and discussions in such topics as ethical alterity (the other), deep ecology and the question of nature, the relation of aesthetics to nature, the crisis of truth, the possibility of non-dialectical philosophy, and the possibility of a philosophical religion. Established scholars and newer voices cast light on Schelling and German Idealism.Contributors are Patrick Burke, Theodore D. George, Eiko Hanaoka, David Farrell Krell, Joseph P. Lawrence, Benjamin S. Pryor, Stephen David Ross, Marcia Sá Cavalcante Schuback, F. Scott Scribner, Fiona Steinkamp, Martin Wallen, Peter Warnek, Jason M. Wirth, and Slavoj Zizek.

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What does American pragmatism contribute to contemporary debates about human-animal relationships? Does it acknowledge our connections to all living things? Does it bring us closer to an ethical treatment of all animals? What about hunting, vegetarianism, animal experimentation, and the welfare of farm animals? While questions about human relations with animals have been with us for millennia, there has been a marked rise in public awareness about animal issues—even McDonald's advertises that they use humanely treated animals as food sources. In Animal Pragmatism, 12 lively and provocative essays address concerns at the intersection of pragmatist philosophy and animal welfare. Topics cover a broad range of issues, including moral consideration of animals, the ethics of animal experimentation, institutional animal care, environmental protection of animal habitat, farm animal welfare, animal communication, and animal morals. Readers who interact with animals, whether as pets or on a plate, will find a robust and fascinating exploration of human-nonhuman relationships.Contributors are James M. Albrecht, Douglas R. Anderson, Steven Fesmire, Glenn Kuehn, Todd Lekan, Andrew Light, John J. McDermott, Erin McKenna, Phillip McReynolds, Ben Minteer, Matthew Pamental, Paul Thompson, and Jennifer Welchman.

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Praise for the first edition:"[This] ambitious and courageous book [is a] benchmark of theology by which questions about the meaningful history of the Peoples Temple may be measured." —Journal of the American Academy of ReligionRe-issued in recognition of the 25th anniversary of the mass suicides at Jonestown, this revised edition of David Chidester's pathbreaking book features a new prologue that considers the meaning of the tragedy for a post-Waco, post-9/11 world. For Chidester, Jonestown recalls the American religious commitment to redemptive sacrifice, which for Jim Jones meant saving his followers from the evils of capitalist society. "Jonestown is ancient history," writes Chidester, but it does provide us with an opportunity "to reflect upon the strangeness of familiar . . . promises of redemption through sacrifice."

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Throughout the Middle East, Islamist charities and social welfare organizations play a major role in addressing the socioeconomic needs of Muslim societies, independently of the state. Through case studies of Islamic medical clinics in Egypt, the Islamic Center Charity Society in Jordan, and the Islah Women's Charitable Society in Yemen, Janine A. Clark examines the structure and dynamics of moderate Islamic institutions and their social and political impact. Questioning the widespread assumption that such organizations primarily serve the poorer classes, Clark argues that these organizations in fact are run by and for the middle class. Rather than the vertical recruitment or mobilization of the poor that they are often presumed to promote, Islamic social institutions play an important role in strengthening social networks that bind middle-class professionals, volunteers, and clients. Ties of solidarity that develop along these horizontal lines foster the development of new social networks and the diffusion of new ideas.

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The 15 original essays in Race and Racism in Continental Philosophy explore the resources that continental philosophy brings to debates about contemporary race theory and investigate the racism of some of Europe's most important thinkers. Attention is devoted to the influence of the work of W. E. B. Du Bois, Jean-Paul Sartre, Richard Wright, and Frantz Fanon. Questions about race in European philosophy—especially in the work of Nietzsche, Heidegger, Lévi-Strauss, and Arendt—are also considered. This volume provides an indispensable critical introduction to new perspectives on thinking about race and racism.

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This quintet of essays examines the reasons why music education should be transformed, investigates the nature of education and musical transformation, and suggests alternative educational models and strategies. Estelle Jorgensen frames her argument for new approaches against the backdrop of historical musical and educational practice and draws on literature from various fields. Transforming Music Education is addressed to current and future music teachers, those who train them, and all who are interested in revolutionizing music education.

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What characterizes the relationship between literature and the state? Should literature serve the needs of the state by constructing national consciousness, espousing state propaganda, and molding good citizens? Or should it be dedicated to a different kind of creative social endeavor? In this important book about literature and the politics of nation-building, Dominic Thomas assesses the contributions of Francophone African writers whose works have played a key role in the recent transition to democracy in the Congo. Exploring the works of Sony Labou Tansi, Henri Lopes, and Emmanuel Dongala, among others, Thomas highlights writers intimately involved with government and politics—whether in support of the state's vision or with the intention of articulating a more open view of citizens and society. Focusing on themes such as collaboration, reconciliation, identity, history, and memory, Nation-Building, Propaganda, and Literature in Francophone Africa elaborates a broader understanding of the circumstances of African colonization, modern African nation-state formation, and the complex cultural dynamics at work in Africa since independence.

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"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." —Drew A. HylandIn his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability; through a scene of translation staged by Shakespeare, in which the entire range of senses of translation is played out; through the question of the force of words; and from the representation of untranslatability in painting and music. Drawing on Jakobson, Gadamer, Benjamin, and Derrida, Sallis shows how the classical concept of translation has undergone mutation and deconstruction.

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"This collection offers a treasure trove of primary sources of interest to students of women's history. Carefully introduced and annotated, these documents illustrate the diversity of Russian women's lives." —Barbara Alpern Engel"There is no other work that offers such a wide variety of documents and such a successful combination of literary and historical materials." —Ann Hibner KoblitzThis rich anthology of source materials makes available for the first time in any language a multitude of primary sources on the lives of Russian women from the reign of Peter the Great to the Bolshevik revolution. The selections are drawn from a wide variety of documents, published and unpublished, including memoirs, diaries, legal codes, correspondence, short fiction, poetry, ethnographic observations, and folklore. Primacy is given to sources produced by women and previously unavailable in English translation. Organized thematically, the documents focus on women's family life, work and schooling, public activism, creative self-expression, and sexuality and spirituality, as well as on the cultural ideals and legal framework which constrained women of all social classes.

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"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists. Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa. This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre.—Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion UniversityConsidered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,"MASTER HAROLD" . . . and the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.

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"Baracchi has identified pivotal points around which the Republic operates; this allows a reading of the entire text to unfold.... a very beautifully written book." —Walter Brogan"... a work that opens new and timely vistas within the Republic.... Her approach... is thorough and rigorous." —John SallisAlthough Plato’s Republic is perhaps the most influential text in the history of Western philosophy, Claudia Baracchi finds that the work remains obscure and enigmatic. To fully understand and appreciate its meaning, she argues, we must attend to what its original language discloses. Through a close reading of the Greek text, attentive to the pervasiveness of story and myth, Baracchi investigates the dialogue’s major themes. The first part of the book addresses issues of generation, reproduction, and decay as they apply to the founding of Socrates’ just city. The second part takes up the connection between war and the cycle of life, employing a thorough analysis of Plato’s rendition of the myth of Er. Baracchi shows that the Republic is concerned throughout with the complex but intertwined issues of life and war, locating the site of this tangled web of growth and destruction in the mythical dimension of the Platonic city.

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A Question of Manhood: A Reader in Black Men's History and Masculinity, is the first anthology of historical studies focused on themes and issues central to the construction of Black masculinities. The editors identified these essays from among several hundred articles published in recent years in leading American history journals and academic periodicals. Volume II picks up where volume I left off, continuing to focus on gender by examining the lives of African American men in the tumultuous period following the Civil War through the end of the nineteenth century. The writings included in volume two cover themes in the lives of black men that touch on leadership, work and the professions, family and community, sports and the military, and the image of black men in the larger society.

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"Once Intrepid Warriors advances a brilliantly persuasive critique of development among the Maasai. . . . This historical ethnography is a tour de force, counter-balancing the analysis of cultural, political, and socio-economic transformation over the longue duree with intimate and memorable portraits of representative individuals." —Richard Werbner"In a series of chapters on the interrelationships of ethnicity, gender, and 'modernity,' Hodgson concludes that it is not the Maasai who have remained static, but rather the external images of them." —Choice". . . meticulous and well-documented . . . a valuable resource. . . ." —Africa

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Trains Across the ContinentNorth American Railroad History Second EditionRudolph Daniels A wonderfully readable, illustrated guide to the history of railroads in America."Trains Across the Continent is everything you need to know about railroad history—both educational and enjoyable reading." —Dean Bruce, President, Railroad Education Training Association"Trains Across the Continent should be in every public school library in the country. Quickly and concisely Dr. Daniels leads you through the maze of building, merging, and a myriad of other details necessary to understand modern railroading. Steam, diesel, passenger, and freight are all carefully explained on a national scale rather than railroad specific, making this book even more of a useful tool for the student." —Donald D. Snoddy, Historian, Union Pacific Railroad"Trains Across the Continent" is a truly comprehensive account of how railroads helped shape, and are continuing to shape, the history of North America." —Jonathan B. Hanna, Historian, Canadian Pacific Railway"Nothing but positive comments about it from faculty and students alike. . . . The industry bible in this area." —Phillip B. Cypret, Sacramento City College"Professor Daniels displays both passion and scholarship in this nicely arranged buffet of subjects both large and minute, important and interesting, serious and fun, to present a delicious overview of railroad history." —James D. Porterfield, author of Dining by Rail"Daniels manages to make brief mention of all major points of North American railroad history . . . from the workings of a steam locomotive to the dawn of the railroad mega-merger, nearly every conceivable aspect of railroading receives attention. . . . This volume is a must for those wishing to broaden or hone their knowledge of the birth and evolution of the railroad industry in North America." —Rail NewsUpdated maps, new appendices, a greatly expanded bibliography, detailed discussions of the recent attempted mergers of the CN and BNSF, of the diesel locomotive, and of railroad electrification further round out the usefulness of Trains Across the Continent as the complete and concise introduction to North American railroads.Rudolph Daniels is Chair of the Behavioral Sciences Department at Western Iowa Tech Community College, where he teaches history and Railroad Operations Technology.

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Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency." After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze.

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"White writes with considerable flair, and her arguments are always interesting . . ." —Choice"Uncovering a massive trove of what she calls 'lesbian representability'—images of lesbian desire, love and life—in mainstream movies, White provides an insightful look at classic American films. . . . her myriad examples and finely wrought arguments prove both convincing and engaging." —Publishers Weekly"Conspiratorial and witty, Uninvited is a mischievous invitation to dissect classical cinema by someone who wields the razor with glee." —OUT MagazineLesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s, together with all forms of "sex perversion." Looking at the lure of some of the great female stars and at the visual coding of supporting actresses, the book identifies lesbian spectatorial strategies.

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". . . an important contribution to environmental philosophy. . . . includes provocative discussions of institutional and systemic violence, indigenous resistance to 'development,' the land ethic, deep ecology, ecofeminism, women's ecological knowledge, Jeffersonian agrarian republicanism, Berry's ideas about 'principled engagement in community,' wilderness advocacy, and the need for an attachment to place." —Choice"[T]his is a very important book, raising serious questions for development theorists and environmentalists alike." —Boston Book ReviewWhen Indian centenarian Chinnagounder asked Deane Curtin about his interest in traditional medicine, especially since he wasn't working for a drug company looking to patent a new discovery, Curtin wondered whether it was possible for the industrialized world to interact with native cultures for reasons other than to exploit them, develop them, and eradicate their traditional practices. The answer, according to Curtin, defines the ethical character of what we typically call 'progress.' Despite the familiar assertion that we live in a global village, cross-cultural environmental and social conflicts are often marked by failures of communication due to deeply divergent assumptions. Curtin articulates a response to Chinnagounder's challenge in terms of a new, distinctly postcolonial, environmental ethic.

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