Search results for ""author william"

The master of the Victorian crime, New York Times bestselling author Anne Perry returns with the 23rd novel in the William Monk series, AN ECHO OF MURDER.London, 1870: The body of a Hungarian immigrant is found dead in what appears to be a ritualistic killing, with a bayonet through his heart, his fingers broken and his body surrounded by seventeen blood-dipped candles. At first, Commander William Monk of the Thames River Police suspects the killer is from within the community, but when another murder takes place, Monk fears the immigrants are being targeted by an outsider...Meanwhile, Hester is reunited with a doctor who had been left for dead on a Crimean battlefield. Traumatised by his experiences, Fitz has made his way home via Hungary and is now living in the community. Hester is determined to help him and, when he is accused of the killings, she sets out to prove his innocence...

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FLEXIBILITY AND WEIGHTFrom Richard Williams' The Animator's Survival Kit comes key chapters in mini form.The Animator's Survival Kit is the essential tool for animators. However, sometimes you don't want to carry the hefty expanded edition around with you to your college or studio if you're working on just one aspect of it that day.The Animation Minis take some of the most essential chapters and make them available in smaller, lightweight, hand-bag/backpack size versions. Easy to carry. Easy to study.This Mini focuses on Flexibility and Weight.How do we loosen things up and get snap and vitality into our performance at the same time as keeping the figure stable and solid?The answer: successive breaking of joints to give flexibility.In this mini, Williams stresses the importance of knowing where the weight is on every drawing. He demonstrates that the best way to show weight is to be aware of it, conscious of it, and think about it all the time - knowing where the weight is coming from, where it's traveling over and where it's transferring to.

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As Nicolas Picard rides home from Exeter he is attacked by a snarling wildcat. Yet, when his body is discovered, there are lacerations on his neck that could only have come from human hands. When royal commissioners of William the Conqueror, Ralph Delchard and Gervase Bret, arrive in the city to preside over local land disputes, their proceedings are immediately hampered by the death of a key participant: Picard. With Picard's wife and mistress, as well as the wife of the former owner of the estate, staking their claim to the land, Delchard and Bret wonder whose greed has driven them to kill. But the root of the mystery lies far deeper than mere avarice.

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A new approach to the work of self-taught artist James Castle that focuses on how his drawings and practice resonate with earlier masters Drawing on the collections of the William Louis-Dreyfus Foundation and the James Castle Collection and Archive, this volume features more than 90 of James Castle’s (1899–1977) landscapes and architectural-interior views, including works that have never been published before. Broadening the discussion of Castle’s work beyond the common emphasis on the role of the artist’s deafness and isolation in rural Idaho, Larry J. Feinberg places the self-taught artist in a larger artistic and cultural context and foregrounds Castle’s prowess as a draftsman. He shows how the artist’s evocative and unconventional images use techniques such as a “bending,” intuitive perspective and subtle shifts of focus. Comparing the descriptive and expressive effects that Castle achieves in his soot drawings with studies by Rembrandt and showing how Castle’s manipulation of space has much in common with Piranesi and M. C. Escher, this study expands our understanding of the artist’s evocative and unconventional images in new and exciting ways.Distributed for the Santa Barbara Museum of ArtExhibition Schedule:Santa Barbara Museum of Art (June 25–September 17, 2023)

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The recovery of the ideas and experiences of William Manning is a major event in the history of the American Revolutionary era. A farmer, foot soldier, and political philosopher, Manning was a powerful democratic voice of the common American in a turbulent age. The public crises of the infant republic—beginning with the Battle of Concord—shaped his thinking, and his writings reveal a sinewy mind grappling with some of the weightiest issues of the nation’s founding. His most notable contribution was the first known plan for a national political association of laboring men. That plan, and Manning’s broader conclusions, open up a new vista on the popular origins of American democracy and the invention of American politics.Until now, only a few specialists have referred to any of Manning’s writings—though always with some wonderment at his sophistication—and his place as a pioneering and exemplary American democrat has been largely unacknowledged. In this new and complete presentation of his works, the often arid debates over “republicanism” and “liberalism” in early America come to life in vivid human detail. The early growth of democratic impulses among quite ordinary people—impulses that defy orthodox categories, yet come closer to describing the ferment that led to the repeated political conflicts of the late eighteenth century—is here visible and felt. The Key of Liberty allows us a fuller understanding of the popular responses to the major political battles of the early republic, from Shays’ Rebellion through the election of Thomas Jefferson. It offers, better than any book yet published, a grassroots view of the rise of democratic opposition in the new nation. It sheds considerable light on the popular culture—literary, religious, and profane—of the epoch, with more exactness than previous histories, presenting a new interpretation of early American democracy that is bound to be controversial and much discussed.The editors have written a lengthy and detailed introduction placing Manning and his writings in broad context. They have also modernized the text for easy use and have included full annotation, making this volume an authoritative contribution to the American Revolution and its aftermath.

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The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes.Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

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For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

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For most of the last century, William F. Buckley Jr. was the leading figure in the conservative movement in America. The magazine he founded in 1955, National Review, brought together writers representing every strand of conservative thought, and refined those ideas over the decades that followed. Buckley's own writings were a significant part of this development. He was not a theoretician but a popularizer, someone who could bring conservative ideas to a vast audience through dazzling writing and lively wit. Culled from millions of published words spanning nearly sixty years, Athwart History: Half a Century of Polemics, Animadversions, and Illuminations offers Buckley's commentary on the American and international scenes, in areas ranging from Kremlinology to rock music. The subjects are widely varied, but there are common threads linking them all: a love for the Western tradition and its American manifestation; the belief that human beings thrive best in a free society; the conviction that such a society is worth defending at all costs; and an appreciation for the quirky individuality that free people inevitably develop.

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King Lear splits his kingdom between his daughters but when his favourite, Cordelia, is too honest with him she is banished. Her two sisters gain the kingdom and their greed leads to their destruction. Meanwhile the Earl of Gloucester’s youngest son, Edmund, tricks his father into thinking his eldest son, Edgar, is trying to kill him, which leads ultimately to destruction. Part of the Bug Club reading series used in over 3500 schools Helps your child develop reading fluency and confidence Suitable for children age 10-11 (Year 6) Book band: Red B Phonics phase: n/a

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It's 1859 and throughout Europe tremendous upheavals have taken place. Hester Latterly is nurse to the sick son of a German Baron and his family, who have moved to London from one of the many small principalities between Prussia and Bavaria - and the Baroness tells Hester about her kingdom's famous royal family...Handsome Prince Friedrich was one of just two heirs to the crown, considered the perfect match by every woman of the land. But during an affair with Countess Zorah Rostova, he meets the alluring and sophisticated Gisela - with whom he falls deeply in love. He can have Gisela or the crown, but not both. He chooses Gisela, marries her in Venice and, after many years, tragically dies in England. Now, Countess Zorah, having accused the widowed Princess of murdering Friedrich, is being sued in the biggest slander trial of the century - and the only way that she can defend herself is to prove that Gisela is indeed guilty. But in doing so she must sully the greatest love story that the country has ever known, and that is enough to put her lawyer's career in jeopardy, too. That lawyer is Oliver Rathbone, who calls on Investigator William Monk to help...

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What does it mean to be human when you're part of the machine?Synners are synthesizers - not machines, but people. They take images from the brains of performers, and turn them into a form which can be packaged, sold and consumed. This book is set in a world where new technology spawns new crime before it hits the streets. In SYNNERS the line between technology and humanity is hopelessly slim; the human mind and the external landscape have fused to the point where any encounter with reality is incidental.A classic novel from one of the founders and mainstays of the cyberpunk movement.Readers are astounded by SYNNERS:'A masterpiece that deserves its place in the "SF Masterworks" series'- Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Stone-home great! Cadigan is yet another example that puts pay to the lie of sci-fi being a somehow inherently shallow genre' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This novel has really everything I want when reading SF: mind-blowing technology, non-utopia setting, and 'real' personal characters' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A masterpiece of Cyberpunk . . . Synners is science fiction at its best: innovative, stirring, and not always easy to figure out but always poignantly thought provoking' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'It's genius, and a mess and incredibly ground-breaking and seriously, should be considered a science fiction classic . . . Question any list of "great/classic SF" that doesn't include this book' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Loved this book so much I wrote my master's dissertation on it' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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The Rationale Divinorum Officiorum is arguably the most important medieval treatise on the symbolism of church architecture and rituals of worship. Written by the French bishop William Durand of Mende (1230-1296), the treatise is ranked with the Bible as one of the most frequently copied and disseminated texts in all of medieval Christianity. It served as an encyclopedic compendium and textbook for liturgists and remains an indispensable guide for understanding the significance of medieval ecclesiastical art and worship ceremonies. This book marks the first English translation of the prologue and book one of the Rationale in almost two centuries. Timothy M. Thibodeau begins with a brief biography of William Durand and a discussion of the importance of the work during its time. Thibodeau compares previous translations of the Rationale in the medieval period and afterward. Then he presents his translation of the prologue and book one. The prologue discusses the principles of allegorical interpretation of the liturgy, while book one features detailed descriptions of the various parts of the church and its ecclesiastical ornaments. It also features extensive commentary on cemeteries, various rites of consecration and dedication, and a discussion of the sacraments. Thibodeau is a well-respected historian who has published extensively on the history of Christianity and the liturgy of the medieval Church. He is also coeditor of the critical edition of the Rationale in Latin. His translation is an indispensable guide for both scholars and general readers who hope to gain a richer understanding of medieval art, architecture, and culture.

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Fannie Barrier Williams made history as a controversial African American reformer in an era fraught with racial discrimination and injustice. She first came to prominence during the 1893 Columbian Exposition, where her powerful arguments for African American women's rights launched her career as a nationally renowned writer and orator. In her speeches, essays, and articles, Williams incorporated the ideas of Booker T. Washington and W.E.B. DuBois to create an interracial worldview dedicated to social equality and cultural harmony. Williams's writings illuminate the difficulties of African American women in the Progressive Era. She frankly denounced white men's sexual and economic victimization of black women and condemned the complicity of religious and political leaders in the immorality of segregation. Citing the discrimination that crushed the spirits of African American women, Williams called for educational and professional progress for African Americans through the transformation of white society. Committed to aiding and educating Chicago's urban poor, Williams played a central and continuous role in the development of the Frederick Douglass Center, which she called "the black Hull House." An active member of the NAACP and the National Urban League, she fought a long and successful battle to become the first African American admitted to the influential Chicago Women's Club. Her efforts to promote the well-being of African American women brought her into close contact with such influential women as Celia Parker Woolley, Jane Addams, Susan B. Anthony, and Ida B. Wells-Barnett. Accompanied by Deegan's introduction and detailed annotations, Williams's perceptive writings on race relations, women's rights, economic justice, and the role of African American women are as fresh and fascinating today as when they were written.

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First time in paperback and e-book! The jazz musician-composer-arranger Mary Lou Williams spent her sixty-year career working in—and stretching beyond—a dizzying range of musical styles. Her integration of classical music into her works helped expand jazz's compositional language. Her generosity made her a valued friend and mentor to the likes of Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Her late-in-life flowering of faith saw her embrace a spiritual jazz oriented toward advancing the civil rights struggle and helping wounded souls.Tammy L. Kernodle details Williams's life in music against the backdrop of controversies over women's place in jazz and bitter arguments over the music's evolution. Williams repeatedly asserted her artistic and personal independence to carve out a place despite widespread bafflement that a woman exhibited such genius. Embracing Williams's contradictions and complexities, Kernodle also explores a personal life troubled by lukewarm professional acceptance, loneliness, relentless poverty, bad business deals, and difficult marriages. In-depth and epic in scope, Soul on Soul restores a pioneering African American woman to her rightful place in jazz history.

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The great religious poetry of R. S. Thomas and the poetry of the former Archbishop of Canterbury Rowan Williams is rooted in a remarkable late-twentieth-century tradition of spiritual poetry in Wales that includes figures as different as Saunders Lewis and Vernon Watkins, Waldo Williams and Bobi Jones. Examining this body of work in detail, the present study demonstrates how the different theological outlooks of the poets was reflected in their choice of form, style and vocabulary, highlighting a literary culture that was highly unusual in its rejection of a prevailing secularisation in the UK, Western Europe and the USA.

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William Lloyd Garrison (1805-1879), outstanding among the dedicated fighters for the abolition of slavery, was also an activist in other movements such as women's and civil rights and religious reform. Never tiring in battle, he was "irrepressible, uncompromising, and inflammatory." He antagonized many, including some of his fellow reformers. There were also many who loved and respected him. But he was never overlooked.His letters, a source of the first magnitude, begin in 1822, when Garrison was seventeen, and end in 1879, the year of his death. They offer an insight into the mind and life of an outstanding figure in American history, a reformer-revolutionary who sought radical changes in the institutions of his day--in the relationship of the races, the rights of women, the nature and role of religion and religious institutions, and the relations between the state and its citizens; and who, perhaps more than any other single individual, was ultimately responsible for the emancipation of the slaves.Garrison's letters are also, sui generis, important as the expression of a vigorous writer, whose letters reflect his strength of character and warm humanity, and who appears here not only as the journalist, the reformer, and the leader of men, but also as the loving husband and father, the devoted son and son-in-law, the staunch friend, and the formidable opponent.During the five years covered in this volume Garrison's three sons were born and he entered the arena of social reform with full force. In 1836 he began his public criticism of the orthodox observance of the Sabbath. The year 1837 witnessed the severe attack from orthodox clergyman on The Liberator. In 1838 Garrison attended the Peace Convention in Boston. The simmering conflict within the antislavery movement over the issues of political action and the participation of women broke out in 1839, and at the annual meeting of the American Anti-Slavery Society in 1840, the anti-Garrisonian minority seceded and formed the American and Foreign Anti-Slavery Society. Meanwhile the World's Anti-Slavery Convention was called in London in June. Garrison attended, arriving several days after the opening. The female delegates from Massachusetts and Pennsylvania were excluded from the convention, and Garrison protested by sitting in the balcony with them and refusing to participate.

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One night, in a corridor of the Royal Naval Hospital, Greenwich, nurse Hester Monk is approached by a terrified girl. She's from a hidden ward of children, all subject to frequent blood-letting, and her brother is dying. While William Monk's River Police fight to keep London safe from gun-runners, Hester takes on a new role at the hospital, helping to administer a secretive new treatment. But she slowly realises that this experimental cure is putting the lives of the children at risk. Attempting to protect the young victims, she comes under threat from one rich, powerful, and very ill man who is desperate to survive...

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In the decade before the onset of the Civil War, groups of Americans engaged in a series of longshot—and illegal—forays into Mexico, Cuba, and other Central American countries in hopes of taking them over. These efforts became known as filibustering, and their goal was to seize territory to create new independent fiefdoms, which would ultimately be annexed by the still-growing United States. Most failed miserably. William Walker was the outlier. Short, slender, and soft-spoken with no military background—he trained as a doctor before becoming a lawyer and then a newspaper editor—Walker was an unlikely leader of rough-hewn men and adventurers. But in 1856 he managed to install himself as president of Nicaragua. Neighboring governments saw Walker as a risk to the region and worked together to drive him out—efforts aided, incongruously, by the United States’ original tycoon, Cornelius Vanderbilt.William Walker’s Wars is a story of greedy dreams and ambitions, the fate of nations and personal fortunes, and the dark side of Manifest Destiny, for among Walker’s many goals was to build his own empire based on slavery. This little-remembered story from US history is a cautionary tale for all who dream of empire.

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"Roy Williams is awesome, baby, with a capital 'A.' "--Dick Vitale As he traveled across the state of North Carolina in the summer of 2003, Roy Williams delivered a repetitive refrain to the thousands of University of North Carolina basketball fans who packed his public appearances: "Ol' Roy ain't that good." Carolina fans didn't care to hear it, because they firmly believed that ol' Roy was, indeed, more than good--he was great. He was the prodigal son who served as Dean Smith's assistant coach, turned down the Carolina job in 2000, and finally accepted it in April of 2003. Williams became the Tar Heels's head coach after fifteen spectacular years at Kansas, and the immediate expectation was that he would find similar success in Chapel Hill, a once-proud program that had stumbled under former head coach Matt Doherty. But Williams knew something that it would take casual fans months to realize: Teaching the team of moody basketball players to play winning basketball would be about much more than simply what happened on the court. Williams had established a successful program at Kansas by connecting with the players he had recruited over their four-year careers. At Carolina, he had less than twelve months to turn a group of talented individuals into a basketball team that could function at the highest level of NCAA competition--the Atlantic Coast Conference. Going Home Again is the story of Roy Williams's first season as North Carolina's head basketball coach. Author Adam Lucas takes you inside the locker room and behind the scenes with the nation's most revered basketball program, providing a rare glimpse into the inner workings of one of the country's most secretive college sports dynasties.

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This study of the literary relationship between Charles Williams and C. S. Lewis during the years 1936-1945 focuses on the theme of 'co-inherence' at the centre of their friendship. The idea of 'co-inherence' has long been recognized as an important contribution of Williams to theology, and had significant influence on the thought of Lewis. This account of the two writers' conviction that human persons 'inhere' or 'dwell' both in each other and in the triune God reveals many inter-relationships between their writings that would otherwise be missed. It also shows up profound differences between their world-views, and a gradual, though incomplete, convergence onto common ground. Exploring the idea of co-inherence throws light on the fictional worlds they created, as well as on their treatment (whether together or separately) of a wide range of theological and literary subjects: the Arthurian tradition, the poetry of William Blake and Thomas Traherne, the theology of Karl Barth, the nature of human and divine love, and the doctrine of the Trinity. This study draws for the first time on transcriptions of Williams' lectures from 1932 to 1939, tracing more clearly the development and use of the idea of co-inherence in his thought than has been possible before. Finally, an account of the use of the word 'co-inherence' in English-speaking theology suggests that the differences that existed between Lewis and Williams, especially on the place of analogy and participation in human experience of God, might be resolved by a theology of co-inherence in the Trinity.

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A Stanford University Press classic.

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RUNS, JUMPS AND SKIPSFrom Richard Williams' The Animator's Survival Kit comes key chapters in mini form.The Animator's Survival Kit is the essential tool for animators. However, sometimes you don't want to carry the hefty expanded edition around with you to your college or studio if you're working on just one aspect of it that day.The Animation Minis take some of the most essential chapters and make them available in smaller, lightweight, hand-bag/backpack size versions. Easy to carry. Easy to study.This Mini focuses on Runs, Jumps and Skips.As with Walks, the way we run shows our character and personality. A lazy, heavy person is going to run very differently to an athletic ten-year-old girl.Richard Williams demonstrates how - when you're doing a walk and you take both legs off the ground, at the same time and for just one frame - a walk becomes a run. So, all the things we do with walks, we can do with runs.This Mini presents a collection of Williams' runs, jumps and skips inspired by some of the cleverest artists from the Golden Age of Animation

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Once again, Inspector William Monk, now of the Thames River Police, must face a dangerous foe. It's 1864, and after a game of cat and mouse, Monk has captured Jericho Phillips, the man he suspects of brutally killing a young mudlark and running an evil child prostitution ring. In bringing Phillips to justice, Monk hopes to close down the ring and avenge the memory of Durban, his old commander, who was determined to capture Philips. However at trial justice does not prevail. Oliver Rathbone, Monk's friend, is hired anonymously to represent the accused and when he proves that vital evidence is missing, Phillips is freed. As Monk begins the investigation again, venturing deeper into London's murky underworld, he realises that Durban may have had his own reasons for pursuing Phillips, and shockingly, that secret support for Phillips may reach further into civilised society than anyone could ever have imagined...

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