Search results for ""author william"

Sir Isaac Newton once declared that his momentous discoveries were only made thanks to having 'stood on the shoulders of giants'. The same might also be said of the scientists James Watson and Francis Crick. Their discovery of the structure of DNA was, without doubt, one of the biggest scientific landmarks in history and, thanks largely to the success of Watson's best-selling memoir 'The Double Helix', there might seem to be little new to say about this story. But much remains to be said about the particular 'giants' on whose shoulders Watson and Crick stood. Of these, the crystallographer Rosalind Franklin, whose famous X-ray diffraction photograph known as 'Photo 51' provided Watson and Crick with a vital clue, is now well recognised. Far less well known is the physicist William T. Astbury who, working at Leeds in the 1930s on the structure of wool for the local textile industry, pioneered the use of X-ray crystallography to study biological fibres. In so doing, he not only made the very first studies of the structure of DNA culminating in a photo almost identical to Franklin's 'Photo 51', but also founded the new science of 'molecular biology'. Yet whilst Watson and Crick won the Nobel Prize, Astbury has largely been forgotten. The Man in the Monkeynut Coat tells the story of this neglected pioneer, showing not only how it was thanks to him that Watson and Crick were not left empty-handed, but also how his ideas transformed biology leaving a legacy which is still felt today.

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With Drawing: Landscapes, learn to render a variety of beautiful landscape subjects in graphite pencil. William F. Powell invites you into his artistic world to explore a number of basic drawing techniques and shows how to develop a drawing to its fullest through a series of step-by-step demonstrations. In this 10.25 × 13.75–inch book, Powell explains a number of drawing techniques and special effects and gives tips on how to design a well-balanced composition.Landscapes provides you with the necessary knowledge to create your own landscape drawings from preliminary sketch to the completed work. Discover different methods of shading, ways of manipulating drawing tools to produce specific textures, and a wealth of beautiful landscapes to both copy and admire, includes scenes from American national parks. Also included are simple techniques for developing common landscape elements—such as trees, clouds, rocks, and water—and how to apply a variety of methods to convey a sense of realism. Then, with a little practice, you will be able to apply your newfound skills and draw your own beautiful landscape masterpieces! Designed for beginners, the How to Draw & Paint series offers easy-to-follow guides that introduce artists to basic tools and materials and include simple step-by-step lessons for a variety of projects suitable for the aspiring artist. Drawing: Landscapes allows artists to develop drawing skills by demonstrating how to start with basic shapes and use pencil and shading techniques to create varied textures, values, and details for a realistic, completed landscape drawing.

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Con una amplia trayectoria profesional en management, el autor nos propone un conjunto de Principios Activos, destilados de su propia experiencia y de los cientos (o miles) de casos que ha conocido directa e indirectamente, con los que abordar el reto más relevante al que se enfrenta todo directivo a lo largo de su carrera: cómo conseguir que las personas que le rodean aporten lo mejor de sí mismasa la organización y, al mismo tiempo, se sientan a gusto, implicadas y reconocidas. Aspectos prácticos tan habituales como la gestión del poder, la comunicación, la confianza, el liderazgo, el conflicto, los recursos, entre muchos otros, se analizan y comentan desde una óptica práctica pero amplia y con toda la objetividad que permite una inevitable visión propia, fruto de un dilatado recorrido personal y profesional al frente de numerosos equipos humanos, en ámbitos muy distintos, de culturas diferentes y con objetivos dispares. Y para que no quepa duda de que lo humano es fundamental pa

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When the British monarchy was restored in 1660, King Charles II was faced with the conundrum of what to with those who had been involved in the execution of his father eleven years earlier. Facing a grisly fate at the gallows, some of the men who had signed Charles I's death warrant fled to America. Charles I's Killers in America traces the gripping story of two of these men-Edward Whalley and William Goffe-and their lives in America, from their welcome in New England until their deaths there. With fascinating insights into the governance of the American colonies in the seventeenth century, and how a network of colonists protected the regicides, Matthew Jenkinson overturns the enduring theory that Charles II unrelentingly sought revenge for the murder of his father. Charles I's Killers in America also illuminates the regicides' afterlives, with conclusions that have far-reaching implications for our understanding of Anglo-American political and cultural relations. Novels, histories, poems, plays, paintings, and illustrations featuring the fugitives were created against the backdrop of America's revolutionary strides towards independence and its forging of a distinctive national identity. The history of the 'king-killers' was distorted and embellished as they were presented as folk heroes and early champions of liberty, protected by proto-revolutionaries fighting against English tyranny. Jenkinson rewrites this once-ubiquitous and misleading historical orthodoxy, to reveal a far more subtle and compelling picture of the regicides on the run.

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WINNER OF THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD 2023A NEW YORK TIMES BESTSELLERA FINANCIAL TIMES BEST BOOK OF THE YEAR 2023'Women's sports have needed a manifesto for a long time. With Good for a Girl we finally have one' Malcolm GladwellLauren Fleshman was of the most decorated collegiate athletes of all time and a national champion as a pro, before becoming a coach for elite young female runners. Every step of the way, she has seen how our sports systems fail young women and girls as much as empower them. Part memoir, part manifesto, Good for a Girl is Fleshman's story of falling in love with running as a girl, battling devastating injuries and self-doubt, and daring to fight for a better way for female athletes.'Fleshman manages to deliver a sporting manifesto while also being a fine and engaging writer... There is a raw honesty at the heart of Good for a Girl' THE TIMES'Needs to be read by anyone involved in women's sport' Adharanand Finn, author of The Rise of the Ultra Runners'This is the book we've been waiting for' Kate Fagan, author of What Made Maddy Run'A call to action in how we think about girls and women in elite sports' Emily Oster, bestselling author of Crib Sheet'The invitation to have a long overdue conversation for a long overdue cultural shift' Alysia Montaño, Olympian, co-founder of &Mother, and author of Feel-Good Fitness

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William Morris (1834 1896) was one of the most celebrated practitioners of the Arts and Crafts movement in the late 19th century. In creating woven and printed textile designs Morris worked with the ancient technique of hand woodblock printing, finding inspiration in the natural world around him. His evocations of antique florals and plants have become classics in the world of decorative arts.

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America in the early twentieth century was rife with threats. Organized crime groups like The Mafia, German spies embedded behind enemy lines ahead of World War I, package bombs sent throughout the country, and the 1920 Wall Street bombing dominated headlines. Yet the story of the one man tasked with combatting these threats has yet to be told. The Life and Times of William J. Flynn is the first book to tell the story of William J. Flynn, the first government official to bring down the powerful Mafia, uncover a sophisticated German spy ring in the United States, and launch a formal war on terrorism. As the Director of the Bureau of Investigation (the forerunner to the FBI), Flynn would become one of the most respected and effective law enforcement officials in American history.Long before Eliot Ness and the Untouchables went after Al Capone and the Italian mob in Chicago, Flynn dismantled the first Mafia family to exist in America. The success against the Mafia made Flynn famous, with front-page stories about him in newspapers across the country. His rise through the ranks was swift. As Chief of the Secret Service (then an organization devoted to intelligence rather than protecting the president), Flynn, nicknamed “the Bulldog” for his tenacity in pursuing leads, again won national acclaim when he uncovered a sophisticated German sabotage campaign in the United States on the eve of American entry into World War I. As the Director of the Bureau of Investigation, Flynn would devise the first counterterrorist strategy in U.S. history in his investigation of the anarchist terrorists leaving bombs across the country. He would also appoint an ambitious library clerk named J. Edgar Hoover to the Bureau’s newly created Radical Division. Flynn’s distinguished career came to an inglorious end, however, when he was unable to find the perpetrators of the infamous Wall Street bombing in September 1920. He never again returned to government service, instead turning to editing a detective fiction magazine called Flynn’s that became one of the most popular magazine publications of its time. In this riveting and well-researched biography, the first devoted to the man who became one of this country’s greatest detectives, author and terrorism expert Jeffrey D. Simon reveals the fascinating, exciting, and at times tragic story of William J. Flynn.

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Sir William Davenant (1606-1668) was in his time widely known as 'Davenant the Poet'. The son of an Oxford vintner (or quite possibly the natural son of his godfather, William Shakespeare), he wrote poems for and about the Court of Charles I, and, despite losing his nose to mercury treatment for the clap, which other people thought funny, went on to replace Ben Jonson as Poet Laureate and collaborate with Inigo Jones in composing spectacular Court masques, as well as writing many successful plays -- a few fashionably blood-thirsty, most showing a real comic gift, humanity and sympathy with 'ordinary life'. In the Civil War, he earned a knighthood as an especially successful gun-runner for the Royalists, before escaping to Paris, where he worked on an epic poem. Then sent off by Charles II to colonize Virginia but captured by the Parliamentarians, he escaped execution but was imprisoned for five years. With the Restoration, he practically re-invented English theatre, with the first English opera, women actors, movable scenery and the proscenium arch, as well as reviving interest in Shakespeare with inventive adaptations. Energetic, affable and resilient, he was an appealing and well-liked character. Celebrated and important in his day, Davenant is now surprisingly little known. This enterprising study introduces modern readers to his wit, poetry, and growing scepticism as to Court and aristocratic values, and his developing feminist sympathies. Here, select excerpts and summaries bring this entertaining writer to a new, wider audience.

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Showcasing a unique and extensive private collection that is soon to be acquired by the Yale Center for British Art, The Poet of Them All illustrates almost one hundred of Neale and Margaret Albert’s miniature books, each one intricately constructed and rendered in precise detail at less than three inches in height. Imaginatively hand-bound by some of today’s most accomplished bookbinders, the selection features custom miniature editions of publications by William Shakespeare and related to his works, preceded by an in-depth essay from leading book historian, conservator, and artist James Reid-Cunningham. Revealing an underexplored facet of contemporary book arts, this publication illustrates the remarkable singularity of the Alberts’ collection, providing both comprehensive views and the scholarly context necessary to fully appreciate the significance of these distinctive objects.Distributed for the Yale Center for British ArtExhibition Schedule:The Grolier Club, New York (03/24/16-05/28/16)Yale Center for British Art, New Haven (06/16/16-08/21/16)

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Volume I of The Selected Letters of Tennessee Williams ends with the unexpected triumph of The Glass Menagerie. Volume II extends the correspondence from 1946 to 1957, a time of intense creativity which saw the production of A Streetcar Named Desire, The Rose Tattoo, Camino Real, and Cat on a Hot Tin Roof. Following the immense success of Streetcar, Williams struggles to retain his prominence with a prodigious outpouring of stories, poetry, and novels as well as plays. Several major film projects, including the notorious Baby Doll, bring Williams and his collaborator Elia Kazan into conflict with powerful agencies of censorship, exposing both the conservative landscape of the 1950s and Williams' own studied resistance to the forces of conformity. Letters written to Kazan, Carson McCullers, Gore Vidal, publisher James Laughlin, and Audrey Wood, Williams' resourceful agent, continue earlier lines of correspondence and introduce new celebrity figures. The Broadway and Hollywood successes in the evolving career of America's premier dramatist vie with a string of personal losses and a deepening depression to make this period an emotional and artistic rollercoaster for Tennessee. Compiled by leading Williams scholars Albert J. Devlin, Professor of English at the University of Missouri, and Nancy M. Tischler, Professor Emerita of English at the Pennsylvania State University, Volume II maintains the exacting standard of Volume I, called by Choice: "a volume that will prove indispensable to all serious students of this author...meticulous annotations greatly increase the value of this gathering."

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H. P. Lovecraft’s aliens are extra-terrestrial, terrestrial & trans-dimensional entities, totally unlike any other aliens in science fiction literature. In contrast, Isaac Asimov's and William Gibson’s aliens are human created positronic robots and virtual reality constructs, or 'idols'. Lovecraft’s great theme is alien indifferentism, tinged with a malevolence that escalates into an existential, apocalyptic threat against humankind, while for Asimov and Gibson, alien inclusionism is the norm. The robots and the VR idols integrate into society and their influence appears to be beneficial. But this is only on the surface. In this book, John L. Steadman demonstrates that there is ultimately little difference between alien indifferentism and alien inclusionism in the fictional works of these three great writers. For in fact, the robots and the VR idols evolve into monsters whose actions bring about outcomes which are every bit as terrifying as anything in Lovecraft’s work. Humans tend to be isolates ('alien'-ated). The reader is invited to question this, and to consider the possibility that an alien perspective, or platform, might, perhaps, be crucial if we intend on seeing ourselves clearly and understanding exactly what it means to be human.

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The powerful life story and photography of an esteemed Black photojournalist from Orangeburg, South CarolinaCecil Williams is one of the few Southern Black photojournalists of the civil rights movement. Born and raised in Orangeburg, South Carolina, Williams worked at the center of emerging twentieth-century civil rights activism in the state, and his assignments often exposed him to White violence perpetrated by law officials and ordinary citizens. Williams's story is the story of the civil rights era.Williams and award-winning journalist Claudia Smith Brinson combine forces in Injustice in Focus: The Civil Rights Photography of Cecil Williams. Together they document civil rights activism in the 1940s through the 1960s in South Carolina. Williams was there, in South Carolina, to witness and document pivotal movements such as then-NAACP legal counsel Thurgood Marshall's arrival in Charleston to argue the landmark case Briggs v. Elliott and the aftermath of the infamous Orangeburg Massacre. Featuring eighty stunning photographs accompanied by Brinson's rich research, interviews, and prose, Injustice in Focus offers a firsthand account of South Carolina's fight for civil rights and describes Williams's life behind the camera as a documentarian of the civil rights movement.

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Scholars in disciplines from architecture and the fine arts, to the various branches of history and social studies, will find this study timely given contemporary European controversies over what constitutes national identity and what parts are played by race, philosophy and religion, economics, immigration, and invasion. Many major European national identities barely predate the nineteenth century and were shaped not just by wars, philosophies, industrial change, and governmental policies, but also by artistic manipulation of how people perceived public spaces: landscapes, cityscapes, religious and cultural structures, museums, and monuments commemorating conflict. Among the most masterful manipulators of the day were popular nineteenth-century French and British novelists, who gave famous buildings a special prominence in their writing. Some, like Victor Hugo are still read and respected by scholars. Others, like Alexandre Dumas, though still widely read, are undervalued by contemporary critics. Still others, like William Harrison Ainsworth, a prolific English writer, are all but forgotten. These three writers authored architectural novels which gave major ancient Gothic buildings a new and portable cultural presence well beyond their physical location. During these revolutionary times, when national symbolism was being questioned and challenged, the threatened rupture with the past was admirably addressed through their art.

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When nurse Hestor Latterly accompanies the elderly Mrs Mary Farraline on a short trip to London, her only medical duty is to ensure her charming patient takes her heart medicine. But Mrs Farraline dies during the night. When her missing brooch 'turns up' in Hester's possession she is arrested for theft, until a post-mortem reveals a lethal dose of medicine in Mrs Farraline's body, and the charge becomes murder. Inspector William Monk must find a killer amongst the aloof Farraline clan, and in a Scottish courtroom the family's secrets will be exposed - or buried for ever.

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After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams—a frail, flawed man who had become country music’s first real star–instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow. Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend—from the dirt roads of Alabama to the immortal stage of the Grand Ole Opry and to a lonely end on New Year’s Day, 1953. This original work uncovers the real Hank beneath the myths that have long enshrouded his legacy.

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As this dynamic biography reveals, the writer Ernest William Hornung (1866 - 1921) became a household name in the 1890s. Scion of a wealthy Yorkshire family, he was short-sighted and slight and suffered from severe asthma. Returning home in high spirits from medical treatment in Australia in 1886, he was devastated to find that the family fortunes had collapsed. Already aware that he had a brilliant knack with words, Hornung managed to support himself by his pen alone, contributing short stories to children’s magazines, newspapers, and monthly periodicals. His first published novel proved a sensational best-seller.Peter Rowland’s superb literary biography traces Hornung’s rise to fame and fortune, as the writer deftly turned his hand to comedy, romance, and drama. In the process, the book untangles the intricate literary network of Victorian London and Hornung’s relationships with some of its leading figures, including his brother-in-law Sir Arthur Conan Doyle’s, and their collaborative ventures.

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The American West of the nineteenth century was a world of freedom and adventure for men of every stripe—not least also those who admired and desired other men. Among these sojourners was William Drummond Stewart, a flamboyant Scottish nobleman who found in American culture of the 1830s and 1840s a cultural milieu of openness in which men could pursue same-sex relationships. This book traces Stewart’s travels from his arrival in America in 1832 to his return to Murthly Castle in Perthshire, Scotland, with his French Canadian–Cree Indian companion, Antoine Clement, one of the most skilled hunters in the Rockies. Benemann chronicles Stewart’s friendships with such notables as Kit Carson, William Sublette, Marcus Whitman, and Jim Bridger. He describes the wild Renaissance-costume party held by Stewart and Clement upon their return to America—a journey that ended in scandal. Through Stewart’s letters and novels, Benemann shows that Stewart was one of many men drawn to the sexual freedom offered by the West. His book provides a tantalizing new perspective on the Rocky Mountain fur trade and the role of homosexuality in shaping the American West.

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A FLAME TREE SKETCH BOOK. Beautiful and luxurious, the sketch books combine high-quality production with magnificent art. Perfect as a gift, the thick paper stock makes them ideal for sketching and drawing. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and bookmark ribbons. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. THE ARTIST. Lucy Innes Williams is a painter and illustrator with an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century. She uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Based in Falmouth, Cornwall, Lucy Innes Williams is a painter and illustrator with a passion for bright colours, cold shapes and joyous mark-making. With an artistic interest in highly ornate textiles, patterns, and the decorative arts of the early-mid twentieth century, she uses a combination of gouache, watercolour and printmaking. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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This groundbreaking series brings together a critical selection of key papers by the Nobel Memorial Laureates in Economics that have helped shape the development and present state of economics. The editors have organised this comprehensive series by theme and each volume focuses on those Laureates working in the same broad area of study. The careful selection of papers within each volume is set in context by an insightful introduction to the Laureates? careers and main published works. This landmark series will be an essential reference for scholars throughout the world.

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William Tyndale famously declared, 'The boy that driveth the plough shall know more of the scripture than [an educated man].' Though forbidden by the Church to translate the New Testament into English, Tyndale's determination resulted in its finally being printed in Germany in 1526. Smuggled into English ports in bales of cloth, the book was a monumental success. The direct, common language of many of its verses has resonated down the centuries and, in time, contributed significantly to the text of the King James Version. This complete, carefully reproduced facsimile edition, created from one of only two complete copies of the 1526 edition held in the British Library, presents one of the most important books in English history in full colour and to the exact original specifications. Professor David Daniel, former Chairman of the Tyndale Society and Tyndale biographer, has provided a detailed introduction.

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Available for the first time in trade paperback, the third of five volumes collecting the complete fiction of William Hope Hodgson, an influential early twentieth-century author of science fiction, horror, and the fantastic. William Hope Hodgson was, like his contemporaries Algernon Blackwood and Arthur Machen, one of the most important, prolific, and influential fantasists of the early twentieth century. His dark and unsettling short stories and novels were shaped in large part by personal experience (a professional merchant mariner for much of his life, many of Hodgson’s tales are set at sea), and his work evokes a disturbing sense of the amorphous and horrific unknown. While his nautical adventure fiction was very popular during his lifetime, the supernatural and cosmic horror he is most remembered for only became well known after his death, mainly due to the efforts of writers like H. P. Lovecraft and Clark Ashton Smith, who often praised his work and cited it as an influence on their own. By the latter half of the twentieth century, it was only his weird fiction that remained in print, and his vast catalog of non-supernatural stories was extremely hard to find. Night Shade Books’s five-volume series presents all of Hodgson’s unique and timeless fiction. Each volume contains one of Hodgson's novels, along with a selection of thematically-linked short fiction, including a number of works reprinted for the first time since their original publication. The third book of the five-volume set, The Ghost Pirates and Other Revenants of the Sea, collects more of Hodgson’s nautical fiction, including his 1909 novel The Ghost Pirates. The Complete Fiction of William Hope Hodgson is published by Night Shade Books in the following volumes:The Boats of the “Glen Carrig” and Other Nautical AdventuresThe House on the Borderland and Other Mysterious PlacesThe Ghost Pirates and Other Revenants of the SeaThe Night Land and Other RomancesThe Dream of X and Other Fantastic Visions

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As Nicolas Picard rides home from Exeter he is attacked by a snarling wildcat. Yet, when his body is discovered, there are lacerations on his neck that could only have come from human hands. When royal commissioners of William the Conqueror, Ralph Delchard and Gervase Bret, arrive in the city to preside over local land disputes, their proceedings are immediately hampered by the death of a key participant: Picard. With Picard's wife and mistress, as well as the wife of the former owner of the estate, staking their claim to the land, Delchard and Bret wonder whose greed has driven them to kill. But the root of the mystery lies far deeper than mere avarice.

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From their acclaimed biographer, a final, powerful book about how Emerson, Thoreau, and William James forged resilience from devastating loss, changing the course of American thoughtIn Three Roads Back, Robert Richardson, the author of magisterial biographies of Ralph Waldo Emerson, Henry David Thoreau, and William James, tells the connected stories of how these foundational American writers and thinkers dealt with personal tragedies early in their careers. For Emerson, it was the death of his young wife and, eleven years later, his five-year-old son; for Thoreau, it was the death of his brother; and for James, it was the death of his beloved cousin Minnie Temple. Filled with rich biographical detail and unforgettable passages from the journals and letters of Emerson, Thoreau, and James, these vivid and moving stories of loss and hard-fought resilience show how the writers’ responses to these deaths helped spur them on to their greatest work, influencing the birth and course of American literature and philosophy.In reaction to his traumatic loss, Emerson lost his Unitarian faith and found solace in nature. Thoreau, too, leaned on nature and its regenerative power, discovering that “death is the law of new life,” an insight that would find expression in Walden. And James, following a period of panic and despair, experienced a redemptive conversion and new ideas that would drive his work as a psychologist and philosopher. As Richardson shows, all three emerged from their grief with a new way of seeing, one shaped by a belief in what Emerson called “the deep remedial force that underlies all facts.”An inspiring book about resilience and the new growth and creativity that can stem from devastating loss, Three Roads Back is also an extraordinary account of the hidden wellsprings of American thought.

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Through a study of horses, the book reveals how an important and growing aristocratic estate was managed, where the aristocrat at the centre of it - William Cavendish - travelled and how he spent his time, and how horses were oneof the means by which he asserted his social status. This book, by a leading authority on early modern social and cultural history, examines in detail how an important English aristocrat managed his horses. At the same time, it discusses how horses and the uses to which they were put were a very significant social statement and a forceful assertion of status and the right to political power. Based on detailed original research in the archives of Chatsworth House, the book explores the breeding and rearing, the buying and selling, and the care and maintenance of horses, showing how these activities fitted in to the overall management of the earl's large estates. It outlines the uses of horses as the earl and his retinue travelled to and from family, the county assizes and quarter sessions, social visits and London for "the season" and to attend Court and Parliament. It also considers the use of horses in sport: hawking, hunting, racing and the other ways in which visitors were entertained. Overall, the book provides a great deal of detail on the management of horses in the period and also on the yearly cycle of activities of a typical aristocrat engaged in service, pleasure and power. PETER EDWARDS is an Emeritus Professor of Early Modern British Social History at the University of Roehampton. He has published numerous books including The Horse Trade of Tudor and Stuart England and Horse and Man in Early Modern England.

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Treacle Street is a new lift-the-flap board book series that's perfect for fans of Acorn Wood and Pip and Posy! William Tripehound is hanging out his washing when – whoosh! – a gust of wind blows his clothes all over Treacle Street! Can you help William find all of his missing washing? Lift the flaps and find out in this delightful, interactive board book from much-loved children's book illustrator Kate Hindley.

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Thaddeus William Harris first made his living as a physician and for many years thereafter as Harvard librarian. He also taught natural history in Harvard College—Henry David Thoreau was one of his students—but his desire for a full-time professorship was never realized. He is chiefly remembered as a naturalist and is generally considered the 'founder of applied entomology' in the United States. His historical reputation is linked to his Treatise on Some of the Insects Injurious to Vegetation. Going beyond the Treatise and examining Harris's life through his correspondence, reveals a picture that is more complex than his traditional reputation would suggest. In addition to a review of his familial and scientific origins, the author explores how Harris tried to build a scientific career, and looks at his work as an academic librarian. His research and writing per se is examined. While his work on insects as agricultural pests is well-known, in the 1830s Harris prepared the earliest systematic listing and classification of American insects. Most importantly, in his more specialized studies, he became interested in nocturnal Lepidoptera (moths), a group not much studied in America at the time. Here, Harris brought to bear his great knowledge of life histories of insects that was so germane to his agricultural effort, as well as some innovative uses of wing vein patterns, as aids to taxonomy. The book discusses his publishing strategies for scientific and popular work and his relations to individuals and organizations in the scientific community. Harris's well-formulated views on correct personal and communal conduct in natural history presents the context for a consideration of scientific practice in his era. The study also delves into his political and religious beliefs and his attitudes to the natural world and how these related to his scientific program.

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Iconic celebrity photographer Greg Williams presents the release of his first book, illuminating the memorable stories and methodology behind the phenomenal photographs of 100 Hollywood stars.Have you ever wondered about the stories behind memorable photographs of some of the most famous people in the world? Why does Joaquin Phoenix look so relaxed eating a sandwich right after winning an Academy Award? Why was Cate Blanchett’s daughter running through her legs in a hotel at Cannes? Greg Williams Photo Breakdowns brings you behind the scenes of over 100 intimate and revealing images shot by one of today’s most in-demand photographers: Greg Williams.Learn the techniques of the master and draw on key tactics and skills Williams has accumulated throughout his extensive career. Whether describing how to frame a shot, leverage the lighting, or understand exposure, Williams emphasizes the importance of using photography as a means to tell stories, especially the stories that you want to tell. With a focus on authenticity, believability, and imperfection, Williams illuminates how he achieves these staggering shots.As the official photographer for the Oscars and a regular contributor to magazines such as Vanity Fair, Williams has unprecedented access to international celebrities, ranging from Brad Pitt and Daniel Craig to Beyoncé, Charlize Theron, and Adam Driver. And, more importantly, his rapport with his subjects results in singular photographs. See some of his favorite moments in Greg Williams Photo Breakdowns, and learn how he captured these incredible moments.

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THE SUNDAY TIMES BESTSELLER AND WINNER OF THE 2019 WILLIAM HILL SPORTS BOOK OF THE YEARDuncan Hamilton is already a multiple award-winning sports writer, but it is hard to imagine he will write a better book than this superb, elegiac portrait of the sociable, feted, but ultimately unknowable, man who virtually invented modern sports writing...This is writing every bit the equal of Cardus himself. - Daily Mail 'Hamilton is a worthy biographer... as much sublime writing comes from his keyboard as from Cardus's pen.' The Times'With its verve, insight and generosity of sympathy, this is by some way the best full-length life of a cricket writer, perhaps even of any sports writer.' Guardian Neville Cardus described how one majestic stroke-maker 'made music' and 'spread beauty' with his bat. Between two world wars, he became the laureate of cricket by doing the same with words.In The Great Romantic, award-winning author Duncan Hamilton demonstrates how Cardus changed sports journalism for ever. While popularising cricket - while appealing, in Cardus' words to people who 'didn't know a leg-break from the pavilion cat at Lord's'- he became a star in his own right with exquisite phrase-making, disdain for statistics and a penchant for literary and musical allusions. Among those who venerated Cardus were PG Wodehouse, John Arlott, Harold Pinter, JB Priestley and Don Bradman. However, behind the rhapsody in blue skies, green grass and colourful characters, this richly evocative biography finds that Cardus' mother was a prostitute, he never knew his father and he received negligible education. Infatuations with younger women ran parallel to a decidedly unromantic marriage. And, astonishingly, the supreme stylist's aversion to factual accuracy led to his reporting on matches he never attended. Yet Cardus also belied his impoverished origins to prosper in a second class-conscious profession, becoming a music critic of international renown. The Great Romantic uncovers the dark enigma within a golden age.

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This guidebook describes the Cape Wrath Trail, a long-distance trek from Fort William to Cape Wrath crossing the wild northwest of the Scottish Highlands. The route is described from south to north in 14 stages, with 6 alternative stages along the way, allowing for a flexible itinerary of between two and three weeks. A long tough trek with no waymarking, this is for the tried and tested backpacker. The guidebook includes OS mapping, route profiles and detailed route descriptions and gives you all the information you need about accommodation (including hotels, bothies, B&Bs and bunkhouses), campsites and amenities en route, to help you plan and prepare for this epic challenge. The Cape Wrath Trail is regarded as the toughest long-distance route in Britain and offers unparalleled freedom and adventure to the experienced and self-sufficient backpacker prepared to walk for many days in remote wilderness. Travelling through the wild and rugged landscapes of Morar, Knoydart, Torridon and Assynt, it will test the limits of your endurance.

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Kath Williams was a trade unionist, and a communist, before taking on the mantle of feminist after World War II. With a trade unionist ex-husband who was elected to Federal Politics opposing her left wing campaigns, Kath emerged as a feisty and quietly determined woman. Her campaign of conviction was the major force behind the achievement of equal pay for women.

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