Search results for ""verso""

The widespread adoption of the IHRA definition of anti-semitism and the internalisation of its norms has set in motion a simplistic definitional logic for dealing with social problems that has impoverished discussions of racism and prejudice more generally, across Britain and beyond. It has encouraged a focus on words over substance.Erasing Palestine tells the story of how this has happened, with a focus on internal politics within Britain over the course of the past several years. In order to do so, it tells a much longer story, about the history of antisemitism since the beginning of the twentieth century. This is also a story about Palestine, a chronicle of the erasure of the violence against the Palestinian people, and a story about free speech, and why it matters to Palestinian freedom.

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A relatively young woman, aged thirty. She married in her early twenties, had two children. It is winter. January and minus 14°C, white, frosty mist around the parked car, around the spruces, the mailbox on its post, but higher up the sky is blue, clear, the sun has come back. She has written in her diary that she is waiting for the heartbreak that will turn her into her true self. She has an impending sense of doom or possibly her own death.Can passion be mistaken for love? When Ida meets Arnold, also married, at a conference, she impulsively invites him to share her bed. She returns home, already half-obsessed, and the dissolution of her marriage and break-up of her family pass almost without her noticing. Arnold has a more relaxed attitude toward the affair. But neither his coolness nor the alarming talk she hears about him can dampen her desire. When she finally has Arnold for herself, all the surface niceties and indulgences they enjoy - travel, sex, beers for

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In recent years, the promises of the populist moment have faltered, as seen in the defeats of Jeremy Corbyn, Bernie Sanders, Jean-Luc Melenchon. In addition, the pandemic has brought about a strong need for protection, creating a favorable terrain for authoritarian forms of politics. This new situation represents a challenge for the left, whose rationalism and modernist idea of progress is rightly suspicious of such demands. How, therefore, can the left deal with the economic, social and ecological crisis that the pandemic has brought to the fore? Chantal Mouffe argues that the left should not underestimate the importance of affects when developing a strategy for political change. In fact, after years of 'post-politics', we are witnessing a 'return of the political'. And in response Mouffe proposes the creation of a broad coalition of movements under the banner of a 'Green Democratic Revolution'. This entails the protection of society and its material conditions in a way that empowers people instead of making them retreat in a defensive nationalism or in a passive acceptance of technological solutions. It is protection for the many, not the few, providing social justice and fostering solidarity.Towards a Green Democratic Revolution is a bold rallying cry for political organisation in the post-pandemic era.

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Capitalism, by the twenty-first century, has brought us an era of escalating, overlapping crisis - ecological, political, social - which we may not survive. In this brilliant, wide-ranging conversation, political philosophers Nancy Fraser and Rahel Jaeggi identify capitalism as the source of the devastation and examine its in-built tendency to crisis. In an exchange that ranges across history, critical theory, ecology, feminism and political theory, Fraser and Jaeggi find that capitalism's tendency to separate what is connected - human from non-human nature, commodity production and social reproduction - is at the heart of its crisis tendency. These "boundary struggles," Fraser and Jaeggi conclude, constitute capitalism's most destructive power but are also the sites where a fighting left movement might be able to halt the destruction and build the non-capitalist future we so desperately need.A crucial text for students of political theory, economic theory, and social change, Capitalism offers an invigorated critique of twenty-first century capitalism and an incisive study of our current conjuncture.

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Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and/or dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those 'bad gays' whose un-exemplary lives reveals more than we might expect?Part-revisionist history, part-historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes fascist thugs, famous artists, austere puritans and debauched bon viveurs, Imperialists, G-men and architects. Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America.Amusing, disturbing and fascinating, Bad Gays puts centre stage the queers villains and evil twinks in history.

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The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the 'Great Replacement' to campaigns against critical race theory and 'gender ideology', today's global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.Drawing especially on Black radical and anti-colonial theories of fascism, Toscano makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini's Italy and Hitler's Germany. It is a threat that continues to evolve in the present day.

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Systems Ultra explores how we experience complex systems: the mesh of things, people, and ideas interacting to produce their own patterns and behaviours.What does it mean when a car which runs on code drives dangerously? What does massmarket graphics software tell us about the workplace politics of architects? And, in these human-made systems, which phenomena are designed, and which are emergent? In a world of networked technologies, global supply chains, and supranational regulations, there are growing calls for a new kind of literacy around systems and their ramifications. At the same time, we are often told these systems are impossible to fully comprehend and are far beyond our control.Drawing on field research and artistic practice around the industrial settings of ports, air traffic control, architectural software, payment platforms in adult entertainment, and car crash testing, Georgina Voss argues that complex systems can be approached as sites of revelation around scale, time, materiality, deviance, and breakages. With humour and guile, she tells the story of what 'systems' have come to mean, how they have been sold to us, and the real-world consequences of the power that flows through them.Systems Ultra goes beyond narratives of technological exceptionalism to explore how we experience the complex systems which influence our lives, how to understand them more clearly, and, perhaps, how to change them.

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The Russian Revolution was a literary as well as political upheaval. With a focus on the revolutionary works of Andrei Platonov and the futurist collective Oberiu, leading Russian literary thinker Valery Podoroga shows how profoundly the Soviet experiment overturned the traditional expectations of fiction and poetry. The production of this groundbreaking new work was inextricably interwoven with the political and historical debates of the time.This volume expands on Podoroga’s critical exploration of the analytic anthropology of literature. Here he delves into the ways literature can be used in ‘world-building’, both in terms of what happens inside the narrative and how it reflects the external world. He explores the function of the work outside of its time: both as a means to project itself into the future and as a document of a former age. How are we to read the past through these works of the imagination?With an introductory essay from the author

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The world is on the cusp of one and a half degrees of warming - just the rise it has committed itself to avoiding. Heat at such levels would be intolerable. Even before one and a half, seasons of climate disaster have struck with ever more devastating force, and yet a notion has taken hold that the cause is now lost: the intolerable has become unavoidable. The limit will be overshot - perhaps two degrees as well - and the best we can do is cool down the Earth at some later point, towards the end of the century, by means of technologies not yet proven.How did this happen? How could the idea of overshoot gain such traction? What forces are driving us into a climate that people - particularly poor people in the global South - won’t be able to cope with? In Overshoot: How the World Surrendered to Climate Breakdown, Andreas Malm and Wim Carton present a history of the present phase of the crisis, likely to extend decades into the future, as the fossil fuel indust

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When the tech platforms promised a future of 'connection,' they were lying. They said their 'walled gardens' would keep us safe, but those were prison walls.The platforms locked us into their systems and made us easy pickings, ripe for extraction. Twitter, Facebook and other Big Tech platforms are hard to leave by design. They hold hostage the people we love, the communities that matter to us, the audiences and customers we rely on. The impossibility of staying connected to these people after you delete your account has nothing to do with technological limitations: it's a business strategy in service to commodifying your personal life and relationships.We can - we must - dismantle the tech platforms. In The Internet Con, Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users to leave platforms, remix thei

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"We came to Britain in search of better opportunities or to get some of the wealth which had been misappropriated from the Caribbean, but what in reality did we find?"Speak Out brings together the writings of Brixton Black Women's Group for the first time, in a landmark collection. Established in response to the lack of interest in women's issues experienced in male-dominated Black organisations, the Brixton Black Women's Group's aim was to create a distinct space where women of African and Asian descent could meet to focus on political, social and cultural issues as they affected black women. BBWG published its own newsletter, Speak Out, which kept alive the debate about the relevance of feminism to black politics and provided a black women's perspective on immigration, housing, health and culture.

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Paul Foot was one of the most influential investigative reporters of his generation. For nearly fifty years, he was the scourge of corrupt politicians and dodgy businessmen, a champion of the underdog.In this, the first biography of Paul Foot, journalist Margaret Renn traces Foot’s personal, political and professional trajectories, placing his life and works within the long arc of postwar Britain. Drawing on extensive interviews with those close to him, and utilizing her unparalleled knowledge of his prodigious output, the book brings the many different faces of Paul Foot together into a single portrait.A prolific writer for the Daily Mirror, Private Eye, the Guardian and Socialist Worker, Foot’s investigations broke numerous major stories. He wrote about ordinary people caught up in extraordinary events, and the issues in some of his campaigns maintained their prominence long after his death in 2004: police corruption in the Step

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Leading Middle East correspondent surveys the life and work of his father, the groundbreaking radical journalist, Claud Cockburn, and meditates whether journalist can still change the world. Claud started on Fleet Street in the 1930s - where he reported from Berlin and New York, and even interview Al Capone. A communist, he was sent to cover the Spanish Civil War for the Daily Worker, also clashing with George Orwell who depicted him as the Stalinist Frank Pitcairn. Returning to London, he set up The Week, a radical newsletter that set the template for radical journalism, from Punch to Private Eye. Here he argued against appeasement and gained the attention of the secret service. He also lambasted the British establishment, in particular the Cliveden Set. he later became a novelist, one of which became the John Houston film, Beat the Devil.This is the first biography of Cockburn, by his youngest son.

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Friends of Israel provides a forensically researched account of the activities of Israel's advocates in Britain, showing how they contribute to maintaining Israeli apartheid. The book traces the history and changing fortunes of key actors within the British Zionist movement in the context of the Israeli government's contemporary efforts to repress a rising tide of solidarity with Palestinians expressed through the Boycott Divestment and Sanctions (BDS) movement. Offering a nuanced and politically relevant account of pro-Israel actors' strategies, tactics, and varying levels of success in key arenas of society, it draws parallels with the similar anti-boycott campaign waged by supporters of the erstwhile apartheid regime in South Africa.By demystifying the actors involved in the Zionist movement, the book provides an anti-racist analysis of the pro-Israel lobby which robustly rebuffs anti-Semitic conspiracies. Sensitively and accessibly written, it emphasises the complicity of British actors - both those in government and in civil society. Drawing on a range of sources including interviews with leading pro-Israel activists and Palestinian rights activists, documents obtained through Freedom of Information requests and archival material, Friends of Israel is a much-needed contribution to Israel/Palestine-related scholarship and a useful resource for the Palestine solidarity movement.

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Everyone needs and deserves housing. But today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Communities are faced with the violence of displacement and gentrification. And the benefits of decent housing are only available for those who can afford it.In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. They look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots-and therefore requires a radical response.

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This volume is the first to contain all of Rosa Luxemburg’s eloquent writings on the 1917 Russian and 1918-19 German revolutions. Also contained here are articles, essays, and manuscripts on the European socialist movement prior to World War I and on her efforts to rebuild the socialist movement on revolutionary foundations in its aftermath. Much of this material appears in English for the first time.Luxemburg’s contributions on revolutionary strategy and the transition to socialism reveal a profound commitment to radical democracy, which becomes evident as she elaborates on her lived experience with razor-sharp conceptualizations of the mass strike. Her democratic commitment is also highlighted in her deepening conflict with the bureaucratic conservatism afflicting the German Social Democratic Party. She is horrified yet, at the same time, grimly analytical while surveying the unfolding violence and brutality of World War I. Deeply inspired by Russia’s 1917 u

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The rise of the IT industry in the nineties promised a new era of freedom and prosperity. It didn’t deliver. Certainly, algorithms are everywhere, but capitalism is no more civilised than ever. In fact, in the hands of private corporations, the digitalisation of the world drives us towards a darker future. The return of monopolies, the dominance of a few platforms, the blurred distinction between the economic and the political all epitomise a systemic mutation. Information and data networks push the digital economy in the direction of the feudal logic of rent, dispossession, and personal domination.How Silicon Valley Unleashed Techno-feudalism offers a fresh genealogy of the Silicon Valley consensus and its contradictions. It disentangles the principles of an emerging systemwide rationale. Large firms compete in cyberspace to gain control over data, and ordinary people are increasingly at the mercy of tech giants. In this new economic order, capital is movi

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Our marriage was, from any conventional point of view, wildly implausible; and you, my dear son, are the miraculous product of this beautiful, rather crazy, and all too brief love affair. When Dylan Riley received the devastating news that his wife, Emanuela, had cancer, he turned to writing to express the anguish and disarray brought by her worsening symptoms and then her passing. Perdita, composed for their teenage son, Eamon, is the result of this attempt to represent loss. It is at once a portrait of youth, a lyrical memoir of a marriage, and a raw and moving account of bereavement.Riley describes cancer, Perdita’s central antagonist, as a pitiless opponent, draining hope of its power and reducing it to self-delusion. Its course forces a progressive foreshortening of time. Next year might be terrible, but there can be a few good months now; tomorrow will likely be bad, but let’s focus on today.In this memoir, the disease provokes a broader

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After a successful career, a twenty-year marriage, and two kids, McKenzie Wark has an acute midlife crisis: coming out as a trans woman. Changing both social role and bodily form recasts her relation to the world. Transition changes what, and how, she remembers. She makes fresh sense of her past and of history by writing to key figures in her life about the big themes that haunt us all-love and money, sex and death.In letters to her childhood self, her mother, sister, and past lovers, she writes a backstory that enables her to live in the present. The letters expand to address trans sisters lost and found, as well as Cybele, ancient goddess of trans women. She engages with the political, the aesthetic, and the numinous dimensions of trans life and how they refract her sense of who she is, who she has been, who she can still become. She confronts difficult memories that connect her mother's early death to her compulsion to write, her communist convictions, her coming to New York, the bittersweet reality of her late transition, and the joy to be found in Brooklyn's trans and raver communities.

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In this brilliant collection of diverse works-essays, short stories, poems, translations-which spans a lifetime's engagement with art, John Berger reveals how he came to his own unique way of seeing. He challenges readers to rethink their every assumption about the role of creativity in our lives. Paying homage to the writers and thinkers who influenced him, he pushes at the limits of art writing, demonstrating beautifully how his artist's eye makes him a storyteller, rather than a critic. His expansive perspective takes in artistic movements and individual artists-from the Renaissance to the present-while never neglecting the social and political context of their creation. Landscapes-alongside Portraits-completes a tour through the history of art that will be an intellectual benchmark for many years to come.

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In the two decades following the fall of the Berlin Wall, global capitalism became entrenched in its modern, neoliberal form. Its triumph was so complete that the word "capitalism" itself fell out of use in the absence of credible political alternatives. But with the outbreak of financial crisis and global recession in the twenty-first century, capitalism is once again up for discussion. The status quo can no longer be taken for granted.As Eric Hobsbawm argues in his acute and elegant introduction to this modern edition, in such times The Communist Manifesto emerges as a work of great prescience and power despite being written over a century and a half ago. He highlights Marx and Engels's enduring insights into the capitalist system: its devastating impact on all aspects of human existence; its susceptibility to enormous convulsions and crises; and its fundamental weakness.

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From authors including National Book Award winner Pete Hautman, Deadly Ink 2007 winner Darrell James, and renowned social commentator turned short-story writer Mike Davis, Politics Noir is a chilling and subversive collection of new crime stories featuring greed, corruption, insatiable ambition-and murder in the very highest places.

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The texts in this volume represent Kristin Ross's attempt to think the question of the everyday across a range of discourses, practices and knowledges, from philosophy to history, from the visual arts to popular fiction, all the way to the forms taken by collective political action in the territorial struggles of today. If everyday life is, as many have come to believe, the ideal vantage point for an analysis of the social, it is also the crucial first step in its transformation.The volume opens with a return to Henri Lefebvre's powerful attempt to think the everyday as both residue and resource, as the site of profound alienation and-by the same token-the site where all emancipatory initiatives and desires begin. The second section focuses on our attempts to represent our lived reality to ourselves in cultural forms, from painting and literature and film to an analysis of the contemporary transformations of the sub-genre most embedded in the deep superficiality of everyday life: detective fiction. The final section turns to present-day ecological occupations in the wake of the zad at Notre-Dame-des-Landes, and locates the everyday as a site for rich oppositional resources and immanent social creativity.

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Think today's anti-abortion ideas are rooted in religious prohibitions or arguments about where life begins? Wrong: today's anti-abortion movements is largely financed and planned by far-right extremists. Many of them are avowedly fascist and white supremacist, afraid of a "great replacement" of the world's white population by other races, who are working hard to reshape governments and policies across Europe, North America and around the world. Much of this far-right organizing and funding network, however, has been overlooked by today's feminist and left movements. As investigative journalist Sian Norris uncovers here, it is through attacking abortion rights that fascist ideas from the dark web, incel chat boards, and fringe organizations comes to enter mainstream debate -- and to then shape governmental policy across Europe, from authoritarian regimes like Hungary's to liberal democracies like Britain. As Norris goes undercover at anti-abortion activist meetings, and pieces together the money trail linking American think tanks to far-right fascist groups, she maps out the pipeline by which fascism has become respectable across the Global North by taking away women's reproductive rights and autonomy.

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When first published in 1970, The Uses of Disorder, was a call to arms against the deadening hand of modernist urban planning upon the thriving chaotic city. Written in the aftermath of the 1968 student uprising in the US and Europe, it demands a reimagination of the city and how class, city life and identity combine. Too often, this leads to divisions, such as the middle class flight to the suburbs, leaving the inner cities in desperate straits. In response, Sennett offers an alternative image of a "dense, disorderly, overwhelming cities" that allow for change and the development of community. Fifty years later this book is as essential as it was when it first came out, and remains an inspiration to architects, planners and urban thinkers everywhere.

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The massive uprising following the police killing of George Floyd in the summer of 2020--by some estimates the largest protests in US history--thrust the argument to defund the police to the forefront of international politics. It also made The End of Policing a bestseller and Alex Vitale, its author, a leading figure in the urgent public discussion over police and racial justice.As the writer Rachel Kushner put it in an article called "Things I Can't Live Without", this book explains that "unfortunately, no increased diversity on police forces, nor body cameras, nor better training, has made any seeming difference" in reducing police killings and abuse. "We need to restructure our society and put resources into communities themselves, an argument Alex Vitale makes very persuasively."The problem, Vitale demonstrates, is policing itself-the dramatic expansion of the police role over the last forty years. Drawing on first-hand research from across the globe, The End of Policing describes how the implementation of alternatives to policing, like drug legalization, regulation, and harm reduction instead of the policing of drugs, has led to reductions in crime, spending, and injustice. This edition includes a new introduction that takes stock of the renewed movement to challenge police impunity and shows how we move forward, evaluating protest, policy, and the political situation.

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In this provocative and now-classic work, Friedrich Engels explores the interrelated development of the family and the state from ancient society to the Victorian era. Drawing on new anthropological theories of his time, Engels argued that matriarchal communal societies had been overthrown by class society and its emphasis on private, not communal, property and monogamous, rather than polygamous, sexual organization. This historical development, Engels argued, constituted "the world-historic defeat of the female sex." A masterclass in the application of materialist thought to history and anthropology, and touching on love, monogamy, property, and the development of the human, this landmark work is still foundational in Marxist and socialist feminist theory.

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No longer does it suffice to judge a building solely by its appearance; it must be measured and certified. When architects talk about ‘Excellence’, ‘Sustainability’, ‘Well-being’, ‘Liveability’, ‘Placemaking’, ‘Creativity’, ‘Beauty’ and ‘Innovation’, what do they actually mean? And what does this jargon tell us about the future of our homes, cities and planet?‘With dry wit, humor, and honesty, sets out to debunk the myths of contemporary architecture.’ Jaxson Stone, Metropolis‘feels like a stealth mission - an effort to slip something explosive into the carry-on luggage of the TED Talks class.’ Will Wiles, Literary Review‘Reflects on the current state of his field, arguing that constraints on creative autonomy, overcommercialization and a poor understanding of good design have transformed 'spaces of sponta

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The Storyteller gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.

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A pivotal work in the history of feminism and a groundbreaking intervention into film theory, Sexuality in the Field of Vision is a brilliantly original exploration of the interface between feminism, psychoanalysis, semiotics and film theory

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No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.

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In this incisive account, leading scholar of Islamophobia Deepa Kumar traces the history of anti-Muslim racism from the early modern era to the "War on Terror." Importantly, Kumar contends that Islamophobia is best understood as racism rather than as religious intolerance. An innovative analysis of anti-Muslim racism and empire, Islamophobia argues that empire creates the conditions for anti-Muslim racism, which in turn sustains empire.This book, now updated to include the end of the Trump's presidency, offers a clear and succinct explanation of how Islamophobia functions in the United States both as a set of coercive policies and as a body of ideas that take various forms: liberal, conservative, and rightwing. The matrix of anti-Muslim racism charts how various institutions-the media, think tanks, the foreign policy establishment, the university, the national security apparatus, and the legal sphere-produce and circulate this particular form of bigotry. Anti-Muslim racism not only has horrific consequences for people in Muslim-majority countries who become the targets of an endless War on Terror, but for Muslims and those who "look Muslim" in the West as well.

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This biography, first published half a century ago, remains the most detailed and comprehensive study of Rosa Luxemburg. Nettl's extensive knowledge of the social and political context of the European socialist movements in which she was active, and his engagement with her voluminous writings in German, Polish, and Russian (many of which are only now being translated into English), brings to light the multidimensional nature of her life and work.This new edition will enable a new generation to explore Luxemburg's effort to develop an emancipatory version of Marxism liberated from the constraints of both reformism and authoritarianism, as well as grasp the unique personality of this remarkable women theoretician and revolutionary.

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The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.

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We live in an age of impotence. Stuck between global war and global finance, between identity and capital, we seem to be incapable of producing that radical change that is so desperately needed. Is there still a way to disentangle ourselves from a global order that shapes our politics as well as our imagination?In his most systematic book to date, renowned Italian theorist Franco Berardi Bifo tackles this question through a solid yet visionary analysis of the three fundamental concepts of Possibility, Potency, and Power. Overcoming any temptation of giving in to despair or nostalgia, Berardi proposes the notion of Futurability as a way to remind us that even within the darkness of our current crisis, still lies dormant the horizon of possibility.

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In 1923, a group of young radical German thinkers and intellectuals came together to at Victoria Alle 7, Frankfurt, determined to explain the workings of the modern world. Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. By taking popular culture seriously as an object of study-whether it was film, music, ideas, or consumerism-the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

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In March 1987 a radical coalition of queer activists converged on Wall Street ... their target, 'Business, Big Business, Business as Usual!!!' It was ACT UP's first demonstration. In November 1999 a radical coalition of environmental, labor, anarchist, queer, and human rights activists converged in Seattle-their target was similar, a system of global capitalism. Between 1987 and 1999 a new project in activism had emerged unshackled from past ghosts. Through innovative use of civil rights' era non-violent disobedience, guerrilla theatre, and sophisticated media work, ACT UP has helped transform the world of activism.This anthology offers a history of ACT UP for a new generation of activists and students. It is divided into five sections which address the new social movements, the use of street theater to reclaim public space, queer and sexual politics, new media/electronic civil disobedience, and race and community building. Contributions range across a diverse spectrum: The Northwest Bronx Community and Clergy Coalition, Jubilee 2000, Students for an Undemocratic Society, Fed Up Queers, Gender Identity Center of Colorado, Triangle Foundation, Jacks of Color, National Coalition for Sexual Freedom, Lower East Side Collective, Community Labor Coalition, Church of Stop-Shopping, Indy Media Collective, Black Radical Congress, The Theater of the Oppressed Laboratory, Adelante Street Theater; HealthGAP, Housing Works, SexPanic! and, of course, ACT UP itself.

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The death of Diana, Princess of Wales, was met by the deepest mourning of the twentieth century. Two and a half billion people worldwide watched the funeral on television, floral tributes flooded London's royal parks and sprung up, too, in small towns in Texas, conspiracy theories ricocheted around the Internet, commemorative stamps were issued in newly communist Hong Kong.Press coverage of the death was also unprecedented in both its scale and uniformity. Yet, in an enormous welter of schmaltz, very little was said about the meaning of what had occurred-whether Tony Blair's public emoting heralded a new kind of politics; what, if anything, the anguish of so many who never knew Diana in person revealed about modern society; how the intertwining of the ideas of celebrity and victim, physical beauty and moral worth, affected people's responses; what was implied for the future of the royal family.For those perplexed by the events surrounding Diana's death, this book provides some answers. Insisting that all aspects of the affair are open to investigation, that nothing (and especially not royalty) is sacred, it brings together a group of distinguished writers whose primary interest is to analyze the death rather than lament it.Contributors: Mark Augé, Jean Baudrillard, Sarah Benton, Homi K. Bhabha, Mark Cousins, Alexander Cockburn, Richard Coles, Régis Debray, Françoise Gaillard, Peter Ghosh, Christopher Hird, Christopher Hitchens, Linda Holt, Sara Maitland, Ross McKibbin, Mandy Merck, Tom Nairn, Glen Newey, Naomi Segal, Dorothy Thompson, Francis Wheen, Judith Williamson, and Elizabeth Wilson.

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The train derailment at Hatfield in October 2000, which cost four lives, prompted a national rethink about the state of Britain's railways. The crash has been followed by months of near-paralysis on the system, and has put privatization under the spotlight as never before.Off the Rails looks at the disastrous consequences of private ownership for Britain's railway network and makes the case for the restoration of the system to public control. It traces the history of the privatization process from think-tanks to legislation, and how British Rail came to be sold off in a hurry in one hundred different pieces by the Major government, despite public hostility. It looks at the complex structure of the privately-owned rail industry and identifies the main players, showing how they have failed to work in the public interest. It explains the conflicting roles of the various regulators, and adds up money made for shareholders at the taxpayers' expense in an industry which combines public subsidy with private profit.Written by an author deeply involved in the industry, Off the Rails draws extensively on the testimony of those who work on the railways-the train drivers, maintenance workers, signalers, station staff and passengers' representatives. The Hatfield crash was the final straw for the public reputation of the fragmented railway. The run-up to the disaster and the chaos afterward are examined in detail, as are the limitations of the political response from New Labour. Off the Rails is also a call for change. The book looks at how public ownership could be reintroduced and considers other alternatives for renewing the railways. It also draws on experience in other parts of the world to make the case that only the restoration of the railways as a public service can guarantee the safe and reliable service which passengers expect.

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This book presents a full decade of Sartre's work, from the publication of the Critique of Dialectical Reason in 1960, the basic philosophical turning-point in his postwar development, to the inception of his major study on Flaubert, the first volumes of which appeared in 1971. The essays and interviews collected here form a vivid panorama of the range and unity of Sartre's interests, since his deliberate attempt to wed his original existentialism to a rethought Marxism.A long and brilliant autobiographical interview, given to New Left Review in 1969, constitutes the best single overview of Sartre's whole intellectual evolution. Three analytic texts on the US war in Vietnam, the Soviet invasion of Czechoslovakia, and the lessons of the May Revolt in France, define his political positions as a revolutionary socialist. Questions of philosophy and aesthetics are explored in essays on Kierkegaard, Mallarme and Tintoretto. Another section of the collection explores Sartre's critical attitude to orthodox psychoanalysis as a therapy, and is accompanied by rejoinders from colleagues on his journal Les Temps Modernes. The volume concludes with a prolonged reflection on the nature and role of intellectuals and writers in advanced capitalism, and their relationship to the struggles of the exploited and oppressed classes. Between Existentialism and Marxism is an impressive demonstration of the breadth and vitality of Sartre's thought, and its capacity to respond to political and cultural changes in the contemporary world.

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In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture.As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy--she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence.In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.

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In 2021, the Chinese Communist Party celebrated a century of existence. Since the Party's humble beginnings in the Marxist groups of the Republican era to its current global ambitions, one thing has not changed for China's leaders: their claim to represent the vanguard of the Chinese working class. Spanning from the night classes for workers organised by student activists in Beijing in the 1910s to the labour struggles during the 1920s and 1930s; from the turmoil of the Cultural Revolution to the social convulsions of the reform era to China's global push today, this book reconstructs the contentious history of labour in China from the early twentieth century to this day (and beyond). This will be achieved through a series of essays penned by scholars in the field of Chinese society, politics, and culture, each one of which will revolve around a specific historical event, in a mosaic of different voices, perspectives, and interpretations of what constituted the experience of being a worker in China in the past century.Contributors: Corey Byrnes, Craig A. Smith, Xu Guoqi, Zhou Ruixue, Lin Chun, Elizabeth J. Perry, Tony Saich, Wang Kan, Gail Hershatter, Apo Leong, S.A. Smith, Alexander F. Day, Yige Dong, Seung-Joon Lee, Lu Yan, Joshua Howard, Bo Ærenlund Sørensen, Brian DeMare, Emily Honig, Po-chien Chen, Yi-hung Liu, Jake Werner, Malcolm Thompson, Robert Cliver, Mark W. Frazier, John Williams, Christian Sorace, Zhu Ruiyi, Ivan Franceschini, Chen Feng, Ben Kindler, Jane Hayward, Tim Wright, Koji Hirata, Jacob Eyferth, Aminda Smith, Fabio Lanza, Ralph Litzinger, Jonathan Unger, Covell F. Meyskens, Maggie Clinton, Patricia M. Thornton, Ray Yep, Andrea Piazzaroli Longobardi, Joel Andreas, Matt Galway, Michel Bonnin, A.C. Baecker, Mary Ann O'Donnell, Tiantian Zheng, Jeanne L. Wilson, Ming-sho Ho, Yueran Zhang, Anita Chan, Sarah Biddulph, Jude Howell, William Hurst, Dorothy J. Solinger, Ching Kwan Lee, Chloé Froissart, Mary Gallagher, Eric Florence, Junxi Qian, Chris King-chi Chan, Elaine Sio-Ieng Hui, Jenny Chan, Eli Friedman, Aaron Halegua, Wanning Sun, Marc Blecher, Huang Yu, Manfred Elfstrom, Darren Byler, Carlos Rojas, Chen Qiufan.

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This is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism.The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation.His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment.The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina."One of the century's greatest lyric poets." - Elaine Feinstein, Sunday Times"Mandelstam's poems are both bold and delicate. His imagery can seem both profoundly startling yet entirely natural". - Robert Chandler"Mandelstam was a tragic figure. Even while in exile in Voronej, he wrote works of untold beauty and power. And he had no poetic forerunners. In all of world poetry, I know of no other such case. We know the sources of Pushkin and Blok, but who will tell us from where that new, divine harmony, Mandelstam's poetry, came from?" - Anna Akhmatova"Russia's greatest poet in the twentieth century." - Joseph Brodsky

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In the last decades, America has gone to war as supposed defenders of democracy. The War on Terror was waged to protect the west from the dangers of Islamists. US Solders are stationed in over 800 locations across the world to act as the righteous arbiters of the rule of law. In What America Really Wants? Andrew Cockburn brilliantly dissects the intentions behind Washington's martial appetites. The American war machine can only be understood in terms of the "private passions" and "interests" of those who control it - principally a passionate interest in money. Thus, as he witheringly reports, Washington expanded NATO to satisfy an arms manufacturer's urgent financial requirements; the U.S. Navy's Pacific fleet deployments were for years dictated by a corrupt contractor who bribed high-ranking officers with cash and prostitutes; senior marine commanders agreed to a troop surge in Afghanistan in 2017 "because it will do us good at budget time." Based on years of wide-ranging research, Cockburn lays bare the ugly reality of the largest military machine in history: squalid, and at the same time terrifyingly dangerous.

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Sanjay Subrahmanyam is becoming well known for the same sort of reasons that attach to Fernand Braudel and Carlo Ginzburg, as the proponent of a new kind of history - in his case, not longue durée or micro-history, but 'connected history': connected cross-culturally, and spanning regions, subjects and archives that are conventionally treated alone. Not a research paradigm, he insists, it is more of an oppositionswissenschaft, a way of trying to constantly break the moulds of historical objects. The essays collected here, some quite polemical - as in the lead text on the notion of India-as-civilization, or another, assessing such a literary totem as V. S. Naipaul - illustrate the breadth of Subrahmanyam's concerns, as well as the quality of his writing. Connected History considers what, exactly, is an empire, the rise of 'the West' (less of a place than an idea or ideology, he insists), Churchill and the Great Man theory of history, the reception of world literature and the itinerary of subaltern studies, in addition to personal recollections of life and work in Delhi, Paris and Lisbon, and concluding remarks on the practice of early-modern history and the framing of historical enquiry.

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After a decade away from her ancestral family village, during which she became a writer and literary scholar in Beijing, Liang Hong started visiting her rural hometown in landlocked Hebei province. What she found was an extended family torn apart by the seismic changes in Chinese society, and a village hollowed-out by emigration, neglect, and environmental despoliation. Combining family memoir, literary observation, and social commentary, Liang's by turns moving and shocking account became a bestselling book in China and brought her fame. Across China, many saw in Liang's remarkable and vivid interviews with family members and childhood acquaintances a mirror of their own families, and her observations about the way the greatest rural-to-urban migration of modern times has twisted the country resonated deeply. China in One Village tells the story of contemporary China through one clear-eyed observer, one family, and one village.

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Since 2016, the UK has been in a crisis of its own making: but this is not the fault of Brexit but of a larger problem of our politics. The status of political parties, the mainstream media, public experts and officials have all been disrupted. Along the way, there have been shocking and exhilarating events: the unforeseen 2017 election result, the horrific details of Grenfell Tower and the Windrush scandal, the sudden rise and fall of the Brexit Party.As the 'mainstream' of politics and media has come under attack, the basic norms of public life have been thrown into question.This Is Not Normal takes stock of a historical moment that no longer recognises itself. Davies tells a story of the apparently chaotic and irrational events, and extracts their underlying logic and long-term causes. What we are seeing is the effects of the 2008 financial crash, the failure of the British neoliberal project, the dying of Empire, and the impact of the changes that technology and communications have had on the idea of the public sphere as well as the power of information. This is an essential book for anyone who wants to make sense of this current moment. .

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Into the Mèlée probes the mercurial relationship between culture and politics through versatile critical writing on Conrad, Orwell, Sartre, Raymond Williams and Roberto Schwarz, among others. The ‘mèlée’ that Romain Rolland wrote to deplore was the Great War of 1914. The phrase gained general currency as a call to cultural service beyond the pressures of everyday political and social strife, a vocation ‘above the fray’. Francis Mulhern writes in the contrary belief that there is no social location corresponding to this desire, strong and appealing though it may be. Into the Mèlée opens with questions of nationality, from F. R. Leavis’s efforts to assert an English literary subject to Tom Nairn’s political vision of England and Scotland ‘after Britain’. Other essays concern intellectuals and, in one way or another, the politics of revolution and counterrevolution, from Burke to the present. The

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