Search results for ""verso""

Las armas blancas en escena son una constante significativa del teatro a través de los tiempos. El arte de la lucha escénica forma parte del hecho teatral contemporáneo (que de forma particular da contenido y carácter a la comedia del Siglo de Oro ?verso y espada?).Un lance de armas es un detonante activo, núcleo de energía que crea un intenso momento que requiere de las habilidades del intérprete y que participa activamente de la cadencia general de la obra y su puesta en escena. En él, el actor presta cuerpo, voz y aliento para que el personaje se muestre: el portar armas le confiere fisicidad, particularidad y rango que lo harán único e irrepetible.La escena de armas es vértice en el que confluyen los elementos escénicos: texto, personajes, coreografía, vestuario.; está profundamente relacionada con la propuesta escénica y signa con ella la unidad de estilo, subrayando que se combate porque hay un conflicto que resolver, en el que lenguas que hacen (los aceros) y lenguas que

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Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).

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Resources running low, the population exploding, the planet is in danger: are we masters of our own destruction, or have we been invaded by aliens bent on mass extinction? Is this a pattern across the entire universe, or just our small sector of cosmic life? This new title in our successful Gothic Fantasy Short Stories series explores the theme of a dying planet, written by a fabulous mix of classic, ancient and brand new writing, with contemporary authors from all over the world. For the first time we’ve made a conscious effort to reach beyond our usual submissions seeking broader voices. This book offers a glorious mix of American, British, Canadian, Italian, Indian, Spanish and Chinese writers with contributions from Barton Aikman, V.K. Blackwell, Steve Carr, Brandon Crilly, AnaMaria Curtis, Kate Dollarhyde, Megan Dorei, Stephanie Ellis, Anita Ensal, E.E. King, Michael Kortes, Raymond Little, Ken Liu, Thana Niveau, John B. Rosenman, Sydney Rossman-Reich, Elizabeth Rubio, Zach Shephard, Shikhandin, Alex Shvartsman, Kristal Stittle, Rebecca E. Treasure, Francesco Verso, and Marian Womack. These sit alongside classic stories by authors such as Clark Ashton Smith, Stanley G. Weinbaum, H.G. Wells and more, as well as stretching back much further, to the Norse Eddas and Sagas, and an Ancient Egyptian Myth on the death of humankind.

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Mimi Lok's Last of Her Name is an eye-opening story collection about the intimate, interconnected lives of diasporic women and the histories they are born into. Set in a wide range of time periods and locales, including '80s UK suburbia, WWII Hong Kong and contemporary urban California, the book features an eclectic cast of outsiders: among them, an elderly housebreaker, wounded lovers and kung-fu fighting teenage girls. Last of Her Name offers a meditation on female desire and resilience, family and the nature of memory.Mimi Lok is a Chinese writer and editor. Born and raised in the UK, she holds an MFA in Creative Writing from San Francisco State University. Her writing has been published or is forthcoming in McSweeney's, Lucky Peach, Nimrod and Hyphen, among other publications. She is the cofounder, Executive Director and Editor of Voice of Witness, an award-winning nonprofit that illuminates human rights issues through an oral-history book series (published by Haymarket and Verso) and a national education program.A mesmerizing and deeply felt debut that affirms all that is great about short fiction. 'The Woman In the Closet' has to be considered a new classic. Lok's collection brings startling intimacy to her characters, all of them struggling with dislocation and belonging within the Chinese diaspora. I can't think of a collection that better speaks to this moment of global movement and collective rupture from homes and history, and the struggle to find meaning despite it all. Dave Eggers

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In Remixology: Tracing the Dub Diaspora Paul Sullivan explores the evolution of Dub; the avant-garde verso of Reggae. Dub as a set of studio strategies and techniques was among the first forms of popular music to turn the idea of song inside out, and is still far from being fully explored. With a unique grip on dance, electronic, and popular music, dub-born notions of remix and re-interpretation set the stage for the music of the twenty-first century. This book explores the origins of dub in '70s Kingston, Jamaica and traces its evolution as a genre, approach and attitude to music to the present day. Stopping off in the cities where it has made most impact - London, Berlin, Toronto, Kingston, Bristol, New York, Sullivan's study spans a range of genres, from post-punk to dub-techno, jungle to the now ubiquitous dubstep. Along the way he speaks to a host of international musicians, DJs and luminaries of the dub world including Scientist, Adrian Sherwood, Channel, U Roy, Clive Chin, Dennis Bovell, Shut Up And Dance, DJ Spooky, Francois Kevorkian, Mala and Roots Manuva. This wide-ranging and lucid book follows several parallel threads, including the evolution of the MC, the birth of sound system culture and the broader story of the post-war Jamaican diaspora itself. One of the few books to be written specifically on dub and its global influence, Remixology is also one of the first to look at the specific relationship between dub and the concept that cuts across all postmodern creative disciplines today: the Remix.

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Tales from writers with Latinx, Caribbean, Asian, African, Arabic, North American, East European origins, and more, challenge the reader with stories that spill out into space, parallel realms or just hidden in plain sight. The stories explore the world from the perspective of the incoming, whether necessitated through war or oppression, financial or familial need, or with hope for a better future, examining visions of displacement and relocation in future and speculative settings. New stories selected from open submissions are set alongside classic sci-fi by the likes of Otto (Eando) Binder and Zenna Henderson, modern stories by such authors as Celu Amberstone and Ken Liu, and older, realist immigrant narratives by Abraham Cahan, Sui Sin Far, Lee Yan Phou, Constantine Panunzio and more. Complemented by a foreword by author E.C. Osondu and an insightful introduction by Betsy Huang, Ph.D., this is an intriguing view of the conflict and anxiety between the settled and the unsettled. The new, contemporary and notable writers featured are: Ali Abbas, Celu Amberstone, Bebe Bayliss, Christine Bennett, Ben Blattberg, Judi Calhoun, V. Castro, P.A. Cornell, Yelena Crane, Indra Das, Deborah L. Davitt, Greg van Eekhout, Louis Evans, Illimani Ferreira, Beáta Fülöp, Elana Gomel, Eileen Gonzalez, Roy Gray, Alex Gurevich, Jennifer Hudak, Jordan Ifueko, Frances Lu-Pai Ippolito, Jas Kainth, Ken Liu, Samara Lo, Kwame M.A. McPherson, E.C. Osondu, Simon Pan, C.R. Serajeddini, Bogi Takács, Kanishk Tantia, Tehnuka, Francesco Verso (translated by Michael Colbert), M. Darusha Wehm, Kevin Martens Wong, and Eris Young. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on breast imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to look at a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of breast imaging available--one that's ideal for certification or recertification, or as clinical refresher.Distinguished by an effective 2-page design, each volume in this series is filled with cases, annotatedimages, questions & answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know breast imaging topics--from gynecomastia to primary breast lymphoma.Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page design for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll find only in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on musculoskeletal imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to lookat a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of musculoskeletal imaging available--one that's ideal for certification or recertification, or as an incomparable clinical refresher. Distinguished by a cohesive two-page design, each volume in this series is filled with cases, annotated images, questions and answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know musculoskeletal imaging topics.Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page format for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll only find in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website--accessible via scratch-off code for each volume in the series--enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Access interactive cases on breast imaging for the best board review possible!Part of McGraw-Hill's Radiology Case Review Series, this unique resource challenges you to look at a group of images, determine the diagnosis, answer related questions, and gauge your knowledge by reviewing the answer. It all adds up to the best interactive review of interventional radiology available--one that's ideal for certification or recertification, or as an incomparable clinical refresher. Distinguished by a cohesive 2-page design, each volume in this series is filled with cases, annotated images, questions & answers, pearls, and relevant literature references that will efficiently prepare you for virtually any exam topic. The book's cases are crosslinked to an online component that includes full-resolution images, interactive image stacks, discussions and extra teaching points that reinforce your grasp of must-know interventional radiology topics. Radiology Case Review Series Features 200 cases for each volume, which consist of: Precise, state-of-the-art images accompanied by questions and answers, descriptions of the entities, insightful clinical pearls, and reference lists Intensive coverage of fundamental radiology principles, the latest diagnostic imaging techniques, radiology equipment, new technologies, and more Unique 2-page format for each case, which features: Images with 5 questions on the right-hand page Magnifications, annotations, and detailed answers on the verso page--a benefit that you'll only find in this exceptional series! Informative, bulleted comments box that provides important additional context for each case Cases organized and coded by difficulty level allowing you to evaluate your proficiency before progressing to the next level Radiology-relevant scrolling and stacking function A dedicated interactive website--accessible via scratch-off code for each volume in the series--enables you to: Scroll the images from each case in the text as well as stack images (display multiple views of an image) Zoom in and out, or scroll up and down, to highlight specific details of a subject Access additional images for each case using the case ID number from the text

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Il volume ha l’intento di presentare le informazioni di gromatica militare dell’unico autore antico che ne ha trattato con sistematicità, lo ps. Igino (sec. III), nel suo opuscolo sulla metatio, ovvero distribuzione di un terreno fra i reparti di un esercito romano. L’interesse che diversi studiosi hanno mostrato per l’opuscolo anche in tempi assai recenti, fraintendendone purtroppo, come già in passato, qua e là i messaggi, ha spinto Grillone ad offrire questa nuova edizione con traduzione italiana a fronte, corredata di osservazioni linguistiche e di chiarimenti, per consentire un’immediata comprensione di quanto era stato travisato: posizione della groma nel rispetto della simmetria; individuazione di destra e sinistra nella pianta del campo; metodo di distribuzione dello spazio ai reparti; disposizione delle coorti legionarie nella zona anteriore e di alcuni reparti nella zona centrale; infine fortificazioni a quarto di cilindro (claviculae), erette verso l’esterno in corrispondenza delle quattro porte e ognuna accompagnata da una fossa (titulum). Con la costituzione del testo e l’apparato, la traduzione, l’ampia prefazione con chiarimenti su lingua, testo e messaggi, il commento, il capitolo sulla storia del testo dalla prima edizione a questa attuale, e la Tabula discrepantium con la sinossi delle proposte testuali dei vari editori, il volume di Grillone restituisce al de metatione castrorum il suo testo genuino, interpretato nel modo più aderente possibile alle intenzioni del suo autore. This book aims at presenting military gromatic information from the only extent ancient author writing on those questions, ps. Hyginus (IIIth A.C.) who wrote a work about metatio (land distribution to the troops of the Roman army). Several scholars studied this book until very recently, but generally misunderstood vital points. The present edition an Italian translation mainly studies linguistic questions in order to reassess the debated points: the groma’s dispositioning according to the symmetry; the right and left side of a camp’s map; the distribution of troops within the camp; the disposition of cohortes legionariae in front and of some troops in the central part of the camp; finally the fortifications in the form of a quarter of a cylinder (claviculae), built out of the wall starting from the jamb of the four doors, and a small excavation next each of them (titulum). The present book studies the original text and meaning of the de metatione castrorum by proposing a new restitution and a critical apparatus, a translation, an exhaustive preface with explanations about linguistic and textual problems, a commentary, a chapter about the historical evolution of the text from the first edition to the present one and by a Tabula discrepantium.

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A reimagining of an instructional text on tumbling supports poems about the amateurishness of being human.Tumbling for Amateurs is a reimagining of James Tayloe Gwathmey’s 1910 book of the same name, published as part of Spalding’s Athletic Library. Bookended with “Propositions” on why tumbling is a skill that everyone should learn and “Extracts from Letters of Support,” each verso poem in this collection pairs with a recto illustration based on drawings from the source text. In the spirit of William Blake’s Songs of Innocence and of Experience, word and image work for each other, creating something more than just an instructional manual.Tumbling is, well, a metaphor for everything. And we all are, well, amateurs. Experimentation abounds in these poems and manipulated pictures. There are anaphoras, list sonnets, erasures, palimpsests and concrete poems, all working from tumbling’s limited vocabulary and central focus of acrobatics and gymnastics. In this experimentation of form and text is a search for the lyric, for an emotional connection when one isn’t always possible, in bodies, in movement, in desire. “We measure our lives by what our bodies can do.”"Matthew Gwathmey’s poems, springboarding from a genre of fitness manual popular in the early twentieth century, tumble us into the present through tests gamily set for body and mind. As ripped as his gymnast protagonists – evoked so fetchingly in the book’s illustrations – Gwathmey writes a poetry eschewing the lyrical in favour of a stripped-down, athletic language that gives shape to 'what must remain / nameless.' There’re so many ways to read ourselves into Tumbling for Amateurs. Go toe to toe with these poems and they’ll tone up your grip on what poetry is." – John Barton, author of Lost Family “We have no other way to touch each other. / Really no other way to touch each other. / We seek this particular exercise because / we have no other way to touch each other." Like the tumbling acts from which they spring, Gwathmey's poems are delightfully performative. They leap, loop, and reconfigure familiar forms into fresh and acrobatic new intimacies. Slyly queering his source text — an early 20th century tumbling manual for young men salvaged from the dusty closet of family history — Gwathmey transforms instruction into seduction as he conducts a tender and playful archeology of desire." – Suzanne Buffam, author of A Pillow Book"Gwathmey's poems go together like a troupe, somersaulting through the vocabulary of the way a body moves. They turn the still past into this moving present." – Paul Legault, author of The Tower

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Finalist at the 2011 and 2014 International Latino Book Awards. Cocorina has a big heart, but she’s a bit clumsy and forgetful… A delightful tale told in rhyme, ideal for learning to accept the faults of those around us and to ignore gossip.Cocorina had a big heart, but she was clumsy and forgetful too. She always had a thousand things in mind, so imagine when she gave birth to three chicks!Sometimes, her children ended up finding themselves in complicated situations due to the occasional distractions from their mother. In the farmyard, the other hens gossiped and insinuated Cocorina wasn’t a good mother to her children, and the rumor started to spread… Suddenly the rumor had already arrived to the city and soon to the most remote part of the world. Everyone said that Cocorina did not treat her children well.Although not everything was going as Cocorina would have liked, she did not stop striving for the welfare of her three beloved children. But being a good mother was not an easy task: more than once did Cocorina mess up, but she never gave up and, right after apologizing to her three little ones, she hugged them and showed them that she loved them very much.And the rumors didn’t matter, because the three chicks were clear that their mother was unique and that they would not change her for anything in the world.Finalista en los International Latino Book Awards 2011 y 2014. La gallina Cocorina tiene un gran corazón, pero es un poco torpe y olvidadiza... Un cuento lleno de emoción escrito en verso que nos enseña que nadie es perfecto.Cocorina era una gallina muy simpática y cariñosa, pero también algo despistada y torpe. El hecho de ser mamá de tres pollitos no ayudaba demasiado: ¡Cocorina andaba de aquí para allá con mil cosas a la cabeza!Sus pollitos en más de una ocasión acababan encontrándose en situaciones complicadas debido a algún que otro despiste de su mamá. Las gallinas empezaron a criticar a Cocorina por no ser una buena madre, y, de pronto, el rumor ya había circulado por la ciudad hasta llegar al lugar más remoto del mundo: todos decían que Cocorina no trataba bien a sus hijos.Si bien no todo iba como a Cocorina le hubiese gustado, ella no dejaba de esforzarse por el bienestar de sus tres queridos hijos. Pero ser una buena mamá no era tarea fácil: más de una vez Cocorina metió la pata, pero ella no se rendía nunca y, pidiendo perdón a sus tres pequeños, los abrazaba y les demostraba que los quería muchísimo.Y nada importaron los rumores, porque los tres pollitos tenían claro que su mamá era única y que no la cambiarían por nada en el mundo.

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Twenty-six new short stories representing the state of the art in international science fiction. 'Rare and wonderful' The Times 'The most important anthology of SF short fiction since Dangerous Visions' Adam Roberts 'Fizzes with great ideas and wonderful writing... Now this book exists, it feels absurd it didn't exist sooner' SFX The future is coming. It knows no bounds, and neither should science fiction. They say the more things change the more they stay the same. But over the last hundred years, science fiction has changed. Vibrant new generations of writers have sprung up across the globe, proving the old adage false. From Ghana to India, from Mexico to France, from Singapore to Cuba, they draw on their unique backgrounds and culture, changing the face of the genre one story at a time. Prepare yourself for a journey through the wildest reaches of the imagination, to visions of Earth as it might be and the far corners of the universe. Along the way, you will meet robots and monsters, adventurers and time travellers, rogues and royalty. In The Best of World SF, award-winning author Lavie Tidhar acts as guide and companion to a world of stories, from never-before-seen originals to award winners, from twenty-three countries and seven languages. Because the future is coming and it belongs to us all. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Maciá (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho

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Twenty-six new short stories representing the state of the art in international science fiction. 'Rare and wonderful' The Times 'The most important anthology of SF short fiction since Dangerous Visions' Adam Roberts 'Fizzes with great ideas and wonderful writing... Now this book exists, it feels absurd it didn't exist sooner' SFX The future is coming. It knows no bounds, and neither should science fiction. They say the more things change the more they stay the same. But over the last hundred years, science fiction has changed. Vibrant new generations of writers have sprung up across the globe, proving the old adage false. From Ghana to India, from Mexico to France, from Singapore to Cuba, they draw on their unique backgrounds and culture, changing the face of the genre one story at a time. Prepare yourself for a journey through the wildest reaches of the imagination, to visions of Earth as it might be and the far corners of the universe. Along the way, you will meet robots and monsters, adventurers and time travellers, rogues and royalty. In The Best of World SF, award-winning author Lavie Tidhar acts as guide and companion to a world of stories, from never-before-seen originals to award winners, from twenty-three countries and seven languages. Because the future is coming and it belongs to us all. Stories: 'Immersion' by Aliette de Bodard; 'Debtless' by Chen Qiufan (trans. from Chinese by Blake Stone-Banks); 'Fandom for Robots' by Vina Jie-Min Prasad; 'Virtual Snapshots' by Tlotlo Tsamaase; 'What The Dead Man Said' by Chinelo Onwualu; 'Delhi' by Vandana Singh; 'The Wheel of Samsara' by Han Song (trans. from Chinese by the author); 'Xingzhou' by Yi-Sheng Ng; 'Prayer' by Taiyo Fujii (trans. from Japanese by Kamil Spychalski); 'The Green Ship' by Francesco Verso (trans. from Italian by Michael Colbert); 'Eyes of the Crocodile' by Malena Salazar Maciá (trans. from Spanish by Toshiya Kamei); 'Bootblack' by Tade Thompson; 'The Emptiness in the Heart of all Things' by Fabio Fernandes; 'The Sun From Both Sides' by R.S.A. Garcia; 'Dump' by Cristina Jurado (trans. from Spanish by Steve Redwood); 'Rue Chair' by Gerardo Horacio Porcayo (trans. from Spanish by the author); 'His Master's Voice' by Hannu Rajaniemi; 'Benjamin Schneider's Little Greys' by Nir Yaniv (trans. from Hebrew by Lavie Tidhar); 'The Cryptid' by Emil H. Petersen (trans. from Icelandic by the author); 'The Bank of Burkina Faso' by Ekaterina Sedia; 'An Incomplete Guide...' by Kuzhali Manickavel; 'The Old Man with The Third Hand' by Kofi Nyameye; 'The Green' by Lauren Beukes; 'The Last Voyage of Skidbladnir' by Karin Tidbeck; 'Prime Meridian' by Silvia Moreno-Garcia; 'If At First You Don't Succeed' by Zen Cho

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