Search results for ""equinox publishing""

Language is both a socially distributed system, unknowable to any one individual, and an individually embodied biological system. As such it is subject to recursive biological and societal pressures which enable it to function and change. The Language Dynamic identifies a number of mechanisms that enable the meaning potential of language from the phoneme through grammar and discourse and onto ideological systems. These core mechanisms are: (i) articulation and stratality, by which meaningful units combine in context to form higher-order meanings which are greater than the sum of their parts; (ii) redundancy, as the mutually re-enforcing yet unstable relation between strata which allows for creativity and change; (iii) prospection, as the means by which speakers effectively and automatically recycle the syntagmatic patterns that emerge from language as a contextualised system. In providing an integrated account of the interconnections between these core mechanisms, the book allow us to conceptualise the dynamics of language change and growth as at once a motivated and agentless process. The book, which underpins functional theories of language with concepts from biological and cultural evolution, social semiotics and systems theory, will be relevant to all who are interested in how and why we can mean and what it means for us as humans to be semiotic agents.

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The Shepherd of Hermas (70-150 CE) is one of the oldest Christian works from a major urban center. While the majority of manuscript evidence of the Shepherd is concentrated in North Africa, the work has long-standing association with the city of Rome. It consists of three major sections: the Book of Visions, the Mandates, and the Similitudes. The Shepherd was enormously popular during the early centuries as a catechetical text used for moral formation. Its manuscript evidence during the early centuries far exceeded that of the Gospels. This book uses cognitive literary theory, specifically the approach known as enactive reading, to investigate why a work that was exceedingly popular among readers in antiquity has failed to receive the same reception by modern scholars. The study focuses on the first section of the Shepherd known as the Book of Visions, which narrates Hermas's visionary experiences in first-person voice. The book argues that enactive reading can help to generate immersive experiences of Hermas's visions and explain the success and appeal of the Book of Visions among ancient readers. Cognitive approaches also highlight how modern scholars trained to read apocalypses 'against the grain' to search for historical or theological information fail to notice and appreciate the very things that made apocalypses engaging and entertaining to a broad range of ancient readers and hearers.

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The brand of jazz that developed in the Kansas City area in the period from the late 1920s to the late 1930s is recognised as both a distinct stylistic variation within the larger genre and a transitional stage between earlier forms of African-American music, such as ragtime and blues, and later, more modern forms, up to and including bebop. Kansas City’s brand of jazz has been described as “the most straightforward and direct style which has been developed outside New Orleans,” by Hughues Panassié and Madeleine Gautier in their Dictionary of Jazz. Kansas City jazz has inspired the creation of a museum and has been the subject of a feature-length film, Robert Altman’s 1996 “Kansas City,” and even a sentimental rock song, “Eternal Kansas City” by Van Morrison. The first comprehensive work on the subject in over 15 years, this book draws on new research to delve deeper into music of the American Midwest that evolved into Kansas City jazz, and includes profiles of individual musicians who developed very different styles within or beyond the framework of the sub-genre. Kansas City Jazz focuses on the broader themes and the stories of the major personalities whose individual talents came together to create the larger whole of Kansas City’s distinctive brand of jazz.

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This introductory text points to some of the diverse tapestries of Hindu worldviews where scriptural revelation, logical argumentation, embodied affectivity, moral reasoning, and aesthetic cultivation constitute densely interwoven conceptual threads. It begins with an exploration of some classical iterations of the quest for a fundamental ontology amidst the diversities of the everyday world. This quest is often embedded in both a diagnosis of the human condition as structured by suffering and a therapy for recovery from worldly fragmentation. A crucial aspect of this therapeutic structure is the analysis of the means of knowledge and the categories of reality, since in order to know the nature of the world one must proceed along truth-tracking routes. Such dynamic mind-world encounters are mediated through language, and Hindu philosophical texts extensively discuss the motif of whether or not deep reality can be comprehended through linguistic structures. These philosophical exercises also shape reflections on themes such as aesthetics, social organization, the meaning of life, and so on. As Hinduism increasingly migrates to western locations through practices of yoga, meditation, and mindfulness, and along with sensibilities relating to vegetarianism, ecology, and pacifism, we encounter multiple translations of these classical motifs relating to the self, language, and consciousness.

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This introductory text points to some of the diverse tapestries of Hindu worldviews where scriptural revelation, logical argumentation, embodied affectivity, moral reasoning, and aesthetic cultivation constitute densely interwoven conceptual threads. It begins with an exploration of some classical iterations of the quest for a fundamental ontology amidst the diversities of the everyday world. This quest is often embedded in both a diagnosis of the human condition as structured by suffering and a therapy for recovery from worldly fragmentation. A crucial aspect of this therapeutic structure is the analysis of the means of knowledge and the categories of reality, since in order to know the nature of the world one must proceed along truth-tracking routes. Such dynamic mind-world encounters are mediated through language, and Hindu philosophical texts extensively discuss the motif of whether or not deep reality can be comprehended through linguistic structures. These philosophical exercises also shape reflections on themes such as aesthetics, social organization, the meaning of life, and so on. As Hinduism increasingly migrates to western locations through practices of yoga, meditation, and mindfulness, and along with sensibilities relating to vegetarianism, ecology, and pacifism, we encounter multiple translations of these classical motifs relating to the self, language, and consciousness.

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How does a polar bear pooping on a rug turn into a lesson on Alzheimer’s behaviors of paranoia and hallucinations? Or a pregnant aunt turn into a lesson about long-term care decisions? The innocent dialogue and anecdotes the author has recorded for years between her and her grandchildren serve as introductions – and lessons learned – to managing the daily responsibilities in Alzheimer’s care. These poignant stories and insightful perspectives offer a fresh approach in understanding the disease. Thought-provoking, humorous, and endearing, this book will have you experiencing the journey of Alzheimer’s disease in a most light-hearted and non-threatening way, so much so that you will hardly realize how much knowledge and how many skills you are acquiring along the way. From understanding the components of the disease, to discovering various ways to communicate, to coping with difficult behavioral expressions; from weaving through all the emotions experienced by the caregiver, to understanding person-centered care, to the importance of social engagement, and much more, this book is a vital and handy resource for anybody affected by Alzheimer’s disease.

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Muslim Identities: An Introduction to Islam (Second Edition) presents a fully updated introduction to the religion of Islam and the various social groups who define themselves as Muslim. Unlike other such works, it presents both insider and outsider accounts with the aim of striking a unique balance between overly apologetical and overly Orientalist perspectives. With the first edition described as a “truly outstanding book”, and “the very best introduction currently available in English for non-Muslims seeking a sound approach to Islam” (Journal of Islamic Studies), this new edition offers both students and general readers a comprehensive and balanced introduction to the world’s second-largest religion.

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Krishnamacharya on Kundalini explores a distinctive teaching of 'the father of modern yoga', T. Krishnamacharya. Whereas most yoga traditions teach that kundalini is a serpentine energy that rises, Krishnamacharya defined it differently. To him, kundalini is a serpentine blockage which prevents prana (breath or life-force) from rising and which represents avidya (spiritual ignorance). Simon Atkinson draws from over 20 years of study and practice under teachers following Krishnamacharya. He combines analysis of quotations from yoga workshops with a detailed study of traditional Sanskrit texts. He traces the textual origins of Krishnamacharya's position to two sects of Visnu-worshiping temple priests, and shows how it is compatible with a stream of South Asian thought where snakes represent something to be overcome. Atkinson challenges claims that Krishnamacharya's position can be found in his religious tradition of Srivaisnavism. He questions the tradition's reliance on textual sources, showing how the coherence of Krishnamacharya's position can only be maintained by employing elaborate arguments and rejecting texts that teach otherwise. Atkinson also explores how Krishnamacharya's teaching on kundalini influences how yoga is practised. He argues that Krishnamacharya's position is best viewed as a model for experience that guides practice.

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Healing, Disease and Placebo in Graeco-Roman Asclepius Temples narrates a story of religious healing that took place at sanctuaries dedicated to the ancient Greek god Asclepius, the so called asclepieia. The Asclepius cult, which attracted supplicants afflicted by various illnesses, appeared in Greece in the sixth century BCE, thrived in the Hellenistic period and spread throughout the Graeco-Roman world only declining during the final dominance of Christianity in the fifth century CE. This study analyses inscriptions from the asclepieia which were supposed to record personal stories of healing. Using the archaeological and historical evidence it looks at the placebo effect and the role it may have played in healing at the Asclepius sanctuaries in light of contemporary theories and neurocognitive research on placebo effects. It explores the specific biological, cognitive, and psychological processes as well as the external cultural and social influences that would have shaped personal healing experiences. It is the first historical study of the Asclepius cult which integrates theoretical insights into the human mind provided by neurocognitive sciences. It can be considered a cognitive historiography of patients who visited the asclepieia as supplicants which aims to deepen our understanding of past minds and, more generally, of human cognition.

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For centuries, the priest John Ball was one of the most infamous or famous figures in the history of English rebels, best known for his saying 'When Adam delved and Eve Span, Who was then the gentleman'. But over the past hundred years his memory has faded dramatically. Along with Wat Tyler, Ball was one of the leaders of the Peasants' Revolt of 1381, a historically remarkable event in that leading figures of the realm were beheaded by the rebels. For a few days in June 1381, the rebels dominated London but soon met their demise, with Ball executed. Ball provided the theological justification for the uprising which he saw in apocalyptic terms. After the revolt, he was soon vilified and received an overwhelmingly hostile press for 400 years as an archetypal enemy of the state and a religious zealot. His reputation was rescued from the end of the eighteenth century onward and for over one hundred years he rivalled Robin Hood and Wat Tyler as a great English folk (and even abolitionist) hero. But his 640-year reception involves much more, of course, and is tied up with the story of what England is or could be. Overall, the book explains how we get from an apocalyptic priest who promoted a theocracy favouring the lower orders and the decapitation of the leading church and secular authorities to someone who promoted democracy and vague notions about love and tolerance. The book also explains why he has gone out of fashion and whether he can make another comeback.

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In late modernity theology has to perform an aesthetic turn, if it wants to break out of its current isolation. Theologians cannot limit themselves to biblical texts and Christian tradition as a frame of reference but also have to search for traces of God's presence in cultures and religions. God/Terror addresses the quest for God in the context of oppression, violence and terror from an aesthetic perspective. It looks at how artists and writers approach the relationship between God and Terror. Statements such as that from composer Karl Heinz Stockhausen: "9/11 was the greatest work of art ever" or from South African writer Adam Small: "Only literature can perform the miracle of reconciliation" - are occasions to reflect again about the relationship between ethics and aesthetics, theology and the arts. As in a medieval diptych, the theme is mirroring god talk in memory of 9/11 and in the context of political conflicts in Germany, South Korea and South Africa. First published in German as Gott - Terror: ein Diptychon by Kohlhammer.

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In late modernity theology has to perform an aesthetic turn, if it wants to break out of its current isolation. Theologians cannot limit themselves to biblical texts and Christian tradition as a frame of reference but also have to search for traces of God's presence in cultures and religions. God/Terror addresses the quest for God in the context of oppression, violence and terror from an aesthetic perspective. It looks at how artists and writers approach the relationship between God and Terror. Statements such as that from composer Karl Heinz Stockhausen: "9/11 was the greatest work of art ever" or from South African writer Adam Small: "Only literature can perform the miracle of reconciliation" - are occasions to reflect again about the relationship between ethics and aesthetics, theology and the arts. As in a medieval diptych, the theme is mirroring god talk in memory of 9/11 and in the context of political conflicts in Germany, South Korea and South Africa. First published in German as Gott - Terror: ein Diptychon by Kohlhammer.

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Simone de Beauvoir, one of the most famous existential philosophers of the 20th century, is a confirmed atheist. Despite this, she also engages and reassigns faith, that faith that is usually associated with 'religion, ' and iterates it in the service of her existential ethics. Beauvoir's ethic is founded in the axiom that 'I concern others, and they concern me. There we have an irreducible truth.' From this assumption, she articulates the principles for living an ethical life which honours above all the freedom of the other in a world fraught with contingency and ambiguity. In so doing, she enjoins us to undertake our efforts in generosity and risk, in faith toward each other, because only by doing so can we achieve the transcendence given in the existential condition. In this movement, Beauvoir confirms and performs a different reading of religion: religion as the scene of the self and other, of the appeal and response, of the holy and the faithful, which constitutes the history of European civilization. Following a certain thread in the discourse on religion given in Jacques Derrida and Michel de Certeau, this study proposes a theoretical apparatus for 'religion' which offers a different appreciation of Beauvoir's ethics. This study has two agendas: to interrogate popular notions of religion by reading it, out of Derrida and Certeau, as a signifier for a situated historical scene; and to show the existential philosophy of Beauvoir as a performance of that scene. In particular, it will show how the structure of relationships she presents in her ethics clearly reproduces the rhythms of the scene of religion. One of the implications of this reproduction is that existential philosophy can only emerge in the context of religion, and is necessarily an iteration of religion. The other implication is that we might reassess how we code the category 'religion' in our public and private discourse, with all the disruption that such a different coding might entail.

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This volume celebrates the contribution of Diana V. Edelman to the field and celebrates her personally as researcher, teacher, mentor, colleague, and mastermind of new research paths and groups. It salutes her unconventional, constantly thinking and rethinking outside the box and her challenging of established consensuses. It includes essays addressing biblical themes and texts, archaeological fieldwork, historical method, social memory and reception history. Contributors include Yairah Amit, James Anderson, Bob Becking, Ehud Ben Zvi, Kare Berge, Anne Fitzpatrick-McKinley, Susanne Gillmayr-Bucher, Lester L. Grabbe, Philippe Guillaume, David Hamidovic, Lowell K. Handy, Maria Hausl, Kristin Joachimsen, Christoph Levin, Aren M. Maeir, Lynette Mitchell, Reinhard Muller, Jorunn Okland, Daniel Pioske, Thomas Romer, Benedetta Rossi, Cynthia Shafer-Elliott, Jason Silverman, Steinar Skarpnes, Pauline A. Viviano, Anne-Mareike Wetter.

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Jung's Red Book, finally published only in 2009, is a highly ambiguous text describing a succession of extraordinary visions, together with Jung's interpretation of them. Red Book, Middle Way offers a new interpretation of Jung's Red Book, in terms of the Middle Way, as a universal principle and embodied ethic, paralleled both in the Buddha's teachings and elsewhere. Jung explicitly discusses the Middle Way in the Red Book (although this has been largely ignored by scholars so far) as well as offering lots of material that can be understood in its terms. This book interprets the Red Book in relation to the archetypes met in its visions - the hero, the feminine, the Shadow, God and Christ, and follows Jung's process of integrating these different internal figures. To do this Jung needs to find the Middle Way between absolutes at every point, in a way similar to the Buddha.

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This transdisciplinary and theoretically innovative edited volume contains seven original, research-led chapters that explore complex intersections of ritual and democracy in a wide range of contemporary, cultural and geographic contexts. The volume emerged out of a workshop held at the Open University in London, organized as part of the international research project, 'Reassembling Democracy: Ritual as Cultural Resource' (REDO) funded by the Norwegian Research Council and led by Jone Salomonsen. The chapters document entanglements of the religious and the secular in political assembly and iconoclastic protest, of affect and belonging in pilgrimage and church ritual and politics and identity in performances of self and culture. Across the essays emerges a conception of ritual less as scripts for generating stability than as improvisational spaces and as catalysts for change.

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In 2004 there were estimated to be 2.5 million yoga practitioners in Britain alone, and numbers are still rising today. Previous published research has considered the history and science of yoga, but rarely the ways in which it has been shared. This book aims to change that. From the very advent of group classes, yoga teachers have dictated the movement, and experience, of their students. But threaded through yoga's history is a more democratic, more individualised way of sharing practice with others. With the recent #MeTooinYoga movement, and the growing popularity of accessible yoga, yoga teachers are increasingly turning to this hidden history for answers. In a diverse profession strongly resistant to official regulation, it is vital for scholars and policy makers alike to understand the risks and rewards of this development. This book presents a ground-breaking model for scholars to understand the contemporary teaching and practice of yoga. As more and more people enjoy the practice, this book asks: in communities based more on peer-networks than hierarchal leadership structures, how are the highest ethical standards negotiated? How does practice relate to life off the mat? What does best practice look like, in 'post-lineage' yoga?

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Two Bold Singermen and the English Folk Revival explores the lives and song traditions of two of the most influential English traditional singers: Sam Larner and Harry Cox. Using extensive primary evidence, including recorded interviews with both men, the book provides the first detailed biographies of these great singers, placing their singing and repertoires within the social and cultural contexts in which they lived. Larner and Cox were born within six years and 15 miles of each other, in late-nineteenth century Norfolk. Both men grew up in large, working-class, families, started work before their teens, spent their working lives in hard manual labour - Sam as a trawlerman, Harry as a farm labourer - married late and lived into their 80s. Crucially, both men were singers from an early age, amassed large repertoires of songs that are now established in the traditional canon and became key figures in the 'folk revival' of the 1950s and 60s. They directly influenced performers such as Martin Carthy, Shirley Collins, Peggy Seeger, Young Tradition and Steeleye Span, and indirectly influenced Paul Simon and Bob Dylan. Their impact extends to the current generation of performers and composers in the folk, Americana and singer/songwriter fields and even to Hollywood.

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Carl W. Ernst devoted his academic life to translating Islam, linguistically and culturally, typically within the intellectual context of religious studies. His work has focussed on how Islamic concepts have travelled across time and space and his influence on Islamic studies and religious studies is far-reaching. This volume features contributions from long-standing colleagues, scholars whose own work has built on Ernst’s contributions, and former students. It looks at themes in Islamic studies which Ernst has addressed and expands on his major contributions. Essays in this volume touch nearly every major element in Islamic studies – from the Qur’an to Sufism, Islamophobia to South Asian Islam, historical and contemporary praxis, music and more. This collection demonstrates one core tenant of Ernst’s work, specifically the argument that Islam is not rooted in one place, time or language, but is a vast network, routed though myriad places, times and languages.

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This collection brings together scholarly contributions relating to the research of Lance Cousins (1942-2015), an influential and prolific scholar of early Buddhism. Cousins' interests spanned several related fields from the study of Abhidhamma and early Buddhist schools to Pali literature and meditation traditions. As well as being a scholar, Cousins was a noted meditation teacher and founder of the Samantha Trust. The influence of Cousin's scholarship and teaching is felt strongly not only in the UK but in the worldwide Buddhist Studies community. The volume is introduced by Peter Harvey and the following chapters all speak to the core questions in the field such as the nature of the path, the role of meditation, the formation of early Buddhist schools, scriptures and teachings and the characteristics and contributions of P?li texts. The volume is of interest to students and scholars in Buddhist Studies, Religious Studies and Asian Studies as well as Buddhist practitioners.

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The main purpose of this Pocket Guide is to ensure that a clear and accurate definition of key terms and aspects of language learning and teaching is provided to the reader. Curriculum and language teaching materials must be genuinely informed by what we know about the nature and role of language and language acquisition. This Pocket Guide peels back the complexity of some of the key terms and aspects in language learning and teaching to reveal some basic notions that readers should know about. Key features of this guide are: easy, reader friendly style with no citations jargon avoided where possible and technical terms explained in context summaries of main points provided suggestions for additional readings Eighteen main entries are chosen for the Pocket Guide. Each entry is easily readable and accessible to specialist and non-specialist readers. It is written avoiding a scholarly style and tone using a reader-friendly approach. Key readings are provided at the end of each entry. Each entry contains the following features: Can we take a minute to think about this? What is the nature and role of....? What are the main points? What else can we read?

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The contributions in this book all concern the Building Block Approach to the study of religions as proposed and explored by Professor Ann Taves (University of California, Santa Barbara) during the last 30 years. This approach suggests that analysis of and explanations for complex cultural phenomena such as religion should entail dividing these phenomena into “the constituent parts that interact to produce them”, in terms of basic cognitive, psychological and biological proc-esses. In this way, the approach opens up a path to achieving consil-ience between the humanistic, behavioural and natural sciences. The book provides a short and user-friendly introduction to the Building Block Approach suitable for use in the undergraduate classroom as well as by graduate and more advanced scholars. The book opens with a lengthy introduction by Ann Taves and Egil Asprem (Stockholm University, Sweden) outlining the Building Block Approach and its rele-vance for the study of religions. The introduction is followed by seven responses, comments and critiques that identify pros and cons of the approach from different perspectives and areas of study within the larger field of the study of religions. In the concluding chapter, Taves and Asprem provide their responses to the comments and critiques raised.

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Myth Theorized provides a survey of some key figures and topics in the modern study of myth. The first part of the book discusses the psychoanalysis of myth including a chapter on the extraordinary changes that psychoanalytic theory has undergone, and one on Otto Rank and his break with Freud which helped transform the focus of psychoanalysis, including myth, from the Oedipal stage to the pre-Oedipal one. This section finishes with a chapter which argues that Freud and Jung are more akin than opposed. The next section looks at hero myths including a detailed history of the study of hero myths, and surveys approaches to hero myths by Otto Rank, Joseph Campbell and Lord Raglan. The author then applies Rank and Raglan to the life of the first king of Israel, Saul, showing how their theories transform the figure to whom they are applied. The following part of the book considers the relationship of myth to natural science including a discussion of the range of views that have arisen over the past 150 years - those of EB Tylor, JG Frazer, Claude Levi-Strauss and Karl Popper. The next section covers myth and politics with an assessment of Bruce Lincoln's Theorizing Myth and Robert Ellwood's The Politics of Myth. The final chapter in this section argues that the theories of Frazer, Rene Girard and Walter Burkert all make violence in religion natural rather than unnatural. The final part of the book discusses the Jungian concept of synchronicity, uses DW Winnicott's idea of make-believe to support the argument that Hollywood stars and their treatment as gods can be said to being divinity back to the world, and asks whether James Lovelock has brought myth back to the world through the Gaia theory.

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This book offers the first ethnographically informed, in-depth historical study of the Cameroonian popular music genre bikutsi. The thriving dance music in Cameroon’s day-to-day life has its foundation in the specific historical processes of the 1970s and 1980s, which led to the recognition of bikutsi as a distinct genre of Cameroonian dance music. Examining these processes in detail, this book analyses the various factors involved in the rise of a popular music genre within a national music scene. The book begins by tracing the roots of bikutsi in the musical traditions of the ethnic groups of the Beti who live in and around Cameroon’s capital Yaoundé, as well as in the manifold popular dance music practices fashionable in mid-twentieth-century Cameroon. The volume then considers the musical work of successful groups and musicians, framing their musical practices and success within the socio-political circumstances, musical environment, and ambitions of individuals. Offering an explanation for the changes in Cameroon’s musical life, these analyses illustrate the interplay between the innovative ambitions of individual musicians, a specific political situation within the power structure of the post-colonial state, dedicated individuals in media and the music market, and technological changes in recording and disseminating music.

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In recognition of the significant contribution that Suzanne Richard has made to the archaeology of the Early Bronze Age in the southern Levant, this Festschrift represents the best of scholarship in her areas of interest and publication in the field. Professor Richard is known for her work on the Early Bronze Age, especially the EB III-IV. Her first major articles (BASOR 1980; BA 1987) are still standard references in the field. More recently, she is concerned with interconnectivity, social organization in rural periods, and urban-rural transitions in the Levant in the fourth and third millennia BCE in particular. With an international cadre of leading scholars, the volume reflects recent scholarship on the nature of Bronze Age urbanism and cultural transitions at key junctures. The volume is an important contribution to the field of late 4th through the 2nd millennia BCE.

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Provincial Headz: British Hip Hop and Critical Regionalism draws upon spatial practice, material culture, human geography, ethnomusicology and cultural theory in order to present an interdisciplinary counter-narrative to that of hip hop as a strictly urban phenomenon; providing an insight into the relocation of hip hop culture from its inception in New York ghettos to its practices in provincial and rural Britain. Hip hop culture truly arrived in Britain in 1983, a decade after its origin in New York City, and although many important events, artists and recordings that evidence hip hop’s existence in 1980s Britain are well documented, these are almost exclusively urban. Additionally, the narratives embedded in these representations remain too convenient and unchallenged. This book reveals parallel and dialectical experiences of British hip hop pioneers and practitioners dwelling outside the metropolis, discussed under the recurring themes of relocation, territory, consumption, production and identity. These narratives are framed within a rich contextual discourse drawing upon Bhabha, Bourdieu, Foucault, DeLanda and contemporary hip hop scholarship. Shifting hip hop research from urbanism to rurality, the book serves as an introduction to the complexities of its historical narratives in Britain and reveals another hip hop history and how we understand it.

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All the human senses become engaged in ritualizing sacred texts. These essays focus especially on ritualizing the iconic dimension of texts through the senses of sight, touch, kiss, and taste, both directly and in the imagination. Ritualized display of books engages the sense of sight very differently than does reading. Touching gets associated with reading scriptures, but touching also enables using the scripture as an amulet. Eating and consuming texts is a ubiquitous analogy for internalizing the contents of texts by reading and memorization. The idea of textual consumption reflects a widespread tendency to equate humans and written texts by their interiority and exteriority: books and people both have material bodies, yet both seem to contain immaterial ideas. Books thus physically incarnate cultural and religious values, doctrines, beliefs, and ideas. These essays bring theories of comparative scriptures and affect theory to bear on the topic as well as rich ethnographic descriptions of scriptural practices with Jewish, Sikh, Muslim, Christian, Buddhist and modern art and historical accounts of changing practices with sacred texts in ancient and medieval China and Korea, and in ancient Middle Eastern and Mediterranean cultures..

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Evil: A Critical Primer begins with the claim that evil is a concept that is contextually bound. This means that we should not expect to find shared or similar notions of evil across cultures. Addressing evil in a way that is at once contextually specific and applicable to cross-cultural settings, this primer breaks with moral conceptions of evil by redescribing it within a new framework of dangers and aversions (i.e., things that cause harm and things to avoid). Doing so provides an empirical and heuristic framework as a new starting point for the study of religion, deemphasizing things associated with evil (like the devil, wickedness, or a diabolic will) and focusing instead on attitudes and practices (like rituals of purity and impurity, notions of clean and dirty, or expressions of disgust). Introducing and reflecting on cultural and cognitive aspects of classification, myth, ritual, emotions, and morality, Evil: A Critical Primer argues that our colloquial conception of evil, as related exclusively to the moral domain, is usefully illuminated by attending to historical and cultural context and cross-cultural comparison.

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Thirty or forty years ago, the phrase "method and theory" in Religious Studies scholarship referred to more social scientific approaches to the study of religion, as opposed to the more traditional theological hermeneutics common to the field. Today, however, it seems that everyone claims to do "theory and method," including those people who shun social scientific approaches the academic study of religion. Method Today brings together the contributions of scholars from a recent North American Association for the Study of Religion conference to explore the question of what it means to do "theory and method" in an era where the phrase has no distinct meaning. Contributors specifically address the categories of description, interpretation, comparison, and explanation in Religious Studies scholarship.

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This volume presents a cultural history of Alex Haley’s Roots, examining the strategy and tactics Haley employed in developing a family origin story into an acclaimed national history. More than an investigation into Alex Haley’s legacy, Identifying Roots unearths the politics of beginnings and belongings. While we all come from somewhere, this book examines the terms on which our roots can work as a tradition to embrace rather than a past to leave behind. And it investigates why some of the texts we read also seem to read us back. Identifying Roots invites readers to reimagine the way we tell stories. A provocative study that draws upon Black studies, the history of religions, and anthropology, the book underscores the social drama and dynamics that define our scriptures. Nimbly moving between the stories of Alex Haley, his characters, and the world that received them, Newton reminds us that our roots are stories of consequence.

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The first volume presents new archaeological and ecological data and analyses on the relation between human subsistence and survival, and the natural history of North-Western Europe throughout the period 10000 - 6000 BC. The volume contains contributions from ecological oriented archaeologists and from the natural sciences, throwing new light on the physical and biotic/ecological conditions of relevance to the earliest settlement. Main themes are human subsistence, subsistence technology, ecology and food availability pertaining to the first humans, and demographic patterns among humans linked to the accessibility of different landscapes.

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Islamic religious education (IRE) in Europe has become a subject of intense debate during the past decade. There is concern that states are doing too little or too much to shape the spiritual beliefs of private citizens. State response to the concern ranges from sponsoring religious education in public schools to forgoing it entirely and policies vary according to national political culture. In some countries public schools teach Islam to Muslims as a subject within a broader religious curriculum that gives parents the right to choose their children's religious education. In the other countries public schools teach Islam to all pupils as a subject with a close relation to the academic study of religions. There are also countries where public schools do not teach religion at all, although there is an opportunity to teach about Islam in school subjects such as art, history, or literature. IRE taught outside publicly funded institutions, is of course also taught as a confessional subject in private Muslim schools, mosques and by Muslim organisations. Often students who attend these classes also attend a publicly funded "main stream school". This volume brings together a number of researchers for the first time to explore the interconnections between Islamic educations and public schooling in Europe. The relation between Islamic education and public schooling is analysed within the publicly and privately funded sectors. How is publicly funded education organised, why is it organised in this way, what is the history and what are the controversial issues? What are the similarities and differences between privately run Islamic education and "main stream" schooling? What are the experiences of teachers, parents and pupils? The volume will be of interest to scholars of Islam in Europe, policy makers of education and integration and teachers of religious education.

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Nonviolence is emerging as a topic of great interest in activist, academic and community settings. In particular, nonviolence is being recognized as a necessary component of constructive and sustainable social change. This book considers nonviolence in relationship to specific social, political, ecological and spiritual issues. Through case studies and examinations of social resistance, gender, the arts, and education, it provides specialists and non-specialists with a solid introduction to the importance and relevance of nonviolence in various contexts.Advancing Nonviolence and Social Transformation is organized into five sections. The first section is a set of essays on various historical and contemporary perspectives on nonviolence. The second section consists of essays on philosophical and theoretical explorations of the topic. The third and fourth sections expand the scope of nonviolence into the areas of thought and action, including Indigenous resistance, student protests, human trafficking, intimate partner violence and ecological issues. The final section takes nonviolence into the study of wonder, music, education and hope.The book will be useful to anyone working in the theories and practices of social change.

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This book describes and analyses the writings and records compiled by the notable linguist, T.G.H. Strehlow (1908-1978), on Australian Aboriginal religions, particularly as practised by the Arrernte of the central desert region. During numerous research trips between 1932 and 1966, the local Indigenous Arrernte Elders entrusted him with sacred objects, allowed him to film their secret rituals and record their songs, partly because he was regarded as one of them, an `insider’, who they believed would help preserve their ancient traditions in the face of threats posed by outside forces. Strehlow characterised Arrernte society as `personal monototemism in a polytotemic community’. This concept provides an important insight into understanding how Arrernte society was traditionally organised and how the societal structure was re-enforced by carefully organised rituals. Strehlow’s research into this complex societal system is here examined both in terms of its meaning and current application and with reference to how the societal structure traditionally was interwoven into religious understandings of the world. It exemplifies precisely how the `insider-outsider’ problem is embodied in one individual: he was accepted by the Arrernte people as an insider who used this knowledge to interpret Arrernte culture for non-Indigenous audiences (outsiders). The volume documents how Strehlow’s works are contributing to the current repatriation by Australian Aboriginal leaders of rituals, ancient songs, meanings associated with sacred objects and genealogies, much of which by the 1950s had been lost through the processes of colonisation, missionary influences and Australian governmental interference in the lives of Indigenous societies.

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In contrast to most introductory texts on Sufism, this work begins not with the historical past, but with the contemporary present. Beginning with Sufism as it is lived today, each chapter further unveils the complexities of Sufism, journeying through a variety of historical, political, and cultural contexts, moving deeper into the past, and closer to the origin and heart of Sufism. This geneological framework will enable the reader to understand the patterns of connection between contemporary manifestations of Sufism and past realities. To ensure that the full range of Sufism's varied expressions is taken into account, each chapter is divided into four sections: Politics and Power, Philosophy and Metaphysics, Arts and Culture, and Overview of Historical Developments. Dividing chapters into these four broad categories enables the book to highlight some of the ways in which Sufism has influenced Muslim politics, philosophy, art, and culture in each historical period. In each category the relevant issues are illustrated through detailed case studies, whether of a particular Sufi figure, place, artistic expression, or philosophical view. This allows the reader to develop a genuinely three-dimensional appreciation of Sufism, neither reducing it to a private mystical experience divorced from social expression, nor limiting the tradition to historical names and dates.

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The last half-decade has seen the rapid and expansive development of video game music studies. As with any new area of study, this significant sub-discipline is still tackling fundamental questions concerning how video game music should be approached. In this volume, experts in game music provide their responses to these issues. This book suggests a variety of new approaches to the study of game music. In the course of developing ways of conceptualizing and analyzing game music it explicitly considers other critical issues including the distinction between game play and music play, how notions of diegesis are complicated by video game interactivity, the importance of cinema aesthetics in game music, the technicalities of game music production and the relationships between game music and art music traditions. This collection is accessible, yet theoretically substantial and complex. It draws upon a diverse array of perspectives and presents new research which will have a significant impact upon the way that game music is studied. The volume represents a major development in game musicology and will be indispensable for both academic researchers and students of game music.

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Ancient clay cooking pots in the southern Levant are unappealing, rough pots that are not easily connected to meals known from ancient writings or iconographic representations. To narrow the gap between excavated sherds and ancient meals, the approach adopted in this study starts by learning how food traditionally was processed, preserved, cooked, stored, and transported in clay containers. This research is based on the cookware and culinary practices in traditional societies in Cyprus and the Levant, where people still make pots by hand.Clay pots were not only to cook or hold foods. Their absorbent and permeable walls stored memories of food residue. Clay jars were automatic yogurt makers and fermentation vats for wine and beer, while jugs were the traditional water coolers and purifiers. Dairy foods, grains, and water lasted longer and/or tasted better when stored or prepared in clay pots. Biblical texts provide numerous terms for cookware without details of how they looked, how they were used, or why there are so many different words.Recent studies of potters for over a century in the southern Levant provide a wealth of names whose diversity helps to delineate the various categories of ancient cookware and names in the text. Ancient Cookware from the Levant begins with a description of five data sources: excavations, ancient and medieval texts, 20th century government reports, early accounts of potters, and ethnoarchaeological studies. The final section focuses on the shape, style, and manufacture of cookware for the past 12,000 years. For archaeologists, changes in cooking pot morphology offer important chronological information for dating entire assemblages, from Neolithic to recent times. The survey of pot shapes in Israel, Palestine, and Jordan presents how different shapes were made and used.

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The body is a site bearing multiple signs of cultural inscriptions. People's postures, use of space, dress codes, speech particularities, facial expressions, tone qualities, gaze, and gestures are codes that send messages to observers. These messages differ across cultures and times. Some of these non-verbal messages are taken to be conscious or subconscious projection of a sense of personal or collective identity. The various forms of "body talk" may flag personal distinction, style, uniqueness or politics, in which case, the body and its presentations become stances of the self. Different from this, body talk may exhibit a society's or culture's standardized norms of valuation with respect to what conforms or deviates from expectations.The subject of this anthology is non-verbal communication signals with contributing studies from societies and cultures of Africa and African Diapora. The goals are to document popular gestures, explore their meanings, and understand how they frame interactions and colour perception.The anthology is also aimed at offering interdisciplinary perspectives on the problematics of non-verbal communication by making sense of the various ways that different cultures speak without "voice", and to examine how people and groups make their presence felt as social, cultural and political actors. Some of the contributions include case studies, descriptive codification, theoretical analyses and performative studies. The issues highlighted range from film and literature studies, gender studies, history, religion, popular cultural, and extends to the virtual space. Other studies provide a linguistic treatment of non-verbal communication and use it as means of explicating perception and stereotyping.

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Divine Covenant explores the Qur’anic concept of divine knowledge through scientific, theoretical paradigms – in particular natural law theory – and their relationship with seven Islamic scholarly disciplines: linguistics, hadith, politics, history, exegesis, jurisprudence, theology. By comparing scholarship within these disciplines with current state-of-the-art, the study shows how the Qur’anic concept of divine Covenant reflects natural law theory, relates to a range of other legal, political, and linguistic Qur’anic concepts, informs the canon’s entire literary structure, and has implications for a new, legal theory of ‘Islamic origins’. The book makes the case that the Islamic disciplines share political economy, institutional framework, and decisive theoretical topics with the Qur’an. The latter include the natural law-related issues of human rights, constitutional separation of powers, and social contract. The book surveys the scholarly deliberations of these topics within the parameters of each discipline and in changing contexts. In addition, consequences of the modern nation-state institutional order for early modern and contemporary Qur’anic studies are mapped. It is argued that the early and medieval Islamic disciplines offer scientifically valuable knowledge because they refer to the same institutional framework as the Qur’an. The disciplines are also important parts of European political history, where they have inspired social contract theory inclusive of diverse religious identities.

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This book takes a comprehensive look at the ways in which Muslims interpret the Qur'an today and at the themes and structural conditions that shape their engagement with their sacred scripture. Muslim Qur'anic interpretation Today includes boldly innovative approaches as well as staunchly traditional ones. They are represented and performed in all types of media and target a wide variety of audiences. The book aims at making sense of these diverse phenomena by combining an analytical overview of the field with detailed case studies of exegetical texts and media from the 2000s and 2010s. The first part offers a comprehensive introductory survey of the field of contemporary Muslim Qur'anic interpretation. It provides a fresh perspective on present-day discourses by emphasising the historical, social, and political dimensions in which they take place. The second part presents samples from recent exegetical works that exemplify larger themes such as media, interpretive methods, and the diversity of the global Muslim community. Commentaries on the texts and their authors help to contextualise the samples and highlight core themes and features of contemporary exegetical debates. Taken together, the two parts of the book can be read as a spotlight on Muslim Qur'anic interpretation in a specific period of time, a time of great challenges and tremendous social transformations, some of them obvious and some of them rarely noted.

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Barely a century has passed since anime (Japanese animation) was first screened to a Western audience. Over time the number of anime genres and generic hybrids have significantly grown. These have been influenced and inspired by various historical and cultural phenomena, one of which -Japanese native religion and spirituality - this book argues is an important and dominant. There have always been anime lovers in the West, but today that number is growing exponentially. This is intriguing as many Japanese anime directors and studios initially created works that were not aimed at a Western audience at all. The mutual imbrication of the profane and sacred worlds in anime, along with the profound reciprocal relationship between 'Eastern' (Japanese) and 'Western' (chiefly American) culture in the development of the anime artistic form, form the twin narrative arcs of the book. One of the most significant contributions of this book is the analysis of the employment of spiritual and religious motifs by directors. The reception of this content by fans is also examined.The appeal of anime to aficionados is, broadly speaking, the appeal of the spiritual in a post-religious world, in which personal identity and meaning in life may be crafted from popular cultural texts which offer an immersive and enchanting experience that, for many in the modern world, is more thrilling and authentic than 'real life'. In the past, religions posited that after human existence on earth had ceased, the individual soul would be reincarnated again, or perhaps reside in heaven. In the early twenty-first century, spiritual seekers still desire a life beyond that of everyday reality, and just as passionately believe in the existence of other worlds and the afterlife. However, the other worlds are the fantasy landscapes and outer space settings of anime (and other popular cultural forms), and the afterlife the digital circuitry and electronic impulses of the Internet. These important new understandings of religion and the spiritual underpin anime's status as a major site of new religious and spiritual inspiration in the West, and indeed, the world.

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A major, perhaps the major, focus of early research on New Religious Movements (NRMs) was on the people who joined. Most of the field's pioneer researchers were sociologists. However, the profile of NRM members had changed substantially by the twenty-first century - changes largely missed because the great majority of current NRM specialists are not quantitatively oriented. Sects & Stats aims to overturn the conventional wisdom by drawing on current quantitative data from two sources: questionnaire research on select NRMs and relevant national census data collected by Anglophone countries. Sects & Stats also makes a strong argument for the use of longitudinal methods in studying alternative religions. Additionally, through case studies drawn from the author's own research projects over the years, readers will be brought into a conversation about some of the issues involved in how to conduct such research.

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Extensively based on fieldwork material, From Tapas to Modern Yoga primarily analyses embodied practices of ascetics belonging to four religious orders historically associated with the practice of yoga and hatha yoga.

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In late August 2015, international media outlets and cultural institutions reported that the Islamic State beheaded the Syrian scholar Khaled al Asaad and destroyed the 1st-century CE Temple of Bel in Palmyra, Syria. The world was horrorstruck. Apart from the human tragedy, archaeologists and the international communities were shocked by the wanton destruction of ancient remains that had survived for millennia. However, warfare and ideological destruction contribute just a fraction of the ongoing devastation of our forebears' traces. This book brings attention to the magnitude of the silent loss of cultural heritage occurring worldwide and the even more insidious loss of knowledge due to the lack of publication and preservation of original data, notes, plans, and photographs of excavated archaeological sites. Highlighting a growing sense of urgency to intervene in whatever way possible, this book provides readers with a non-technical overview of how archaeologists and other stakeholders are increasingly turning to digital methods to mitigate some of the threats to at-risk cultural heritage. This volume is a gateway to enhancing the scale and reach of capturing, analyzing, managing, curating, and disseminating cultural heritage knowledge in sustainable ways and promoting collaboration among scholars and stakeholder communities.

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Religion is, at its very root, a sensual and often tactile affair. From genuflections, prayer, dance, and eating, to tattooing, wearing certain garments or objects, lighting candles and performing other rituals, religions of all descriptions involve regular bodily commitments which are mediated by acts of touch. Contributors to this volume have isolated the ‘sense of touch’ from the general sensorium as a particular ‘sense tool’ from which to creatively innovate and operationalize fresh concepts, theories, and methods in relation to a diverse range of case studies in Africa, South America, Polynesia, Europe, and South and Southeast Asia. Common and overlapping themes include how touch mediates direct physical (often deliberate) contact between physical bodies (human and other than human) and the things that are crafted, blessed, related with, engaged with, or worn. Understanding touch as the vehicle to alternative forms of knowledge-making in specific religious contexts is the driving force behind the contributions to this collection. The volume argues that touch is not only an intrinsic part of religion but the principal facilitating medium through which religion, religious encounters and performances take place. The diverse contexts presented here signal how investigations that centralise the body and the senses can produce nuanced, culturally specific knowledges and allow for the development of new definitions for lived religion. By placing both ‘body’ and the sense of touch at the centre of investigations, the volume asserts that material practice and bodily sensation are lived religion.

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Comedy has been a feature of cinema since its inception. From mickey-moused accompaniments to slapstick scenes, ironic musical statements, clever musical allusions and jokes, well-worn sound effects, and even laugh tracks, sound has been integral to the development of the comedy on screen. This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film. The volume looks at various subsets of the 'comedy film' from the post-War period, including black comedy, romantic comedy, slapstick, dialogue comedy, parody and spoofs. This volume aims to explore the way in which music and sound articulate humour, create comedic situations and direct comedic identifications for viewer/listeners.

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The Ultimate Guide To Great Reggae celebrates (and helps you find) the greatest songs of reggae. It focuses on every style of reggae, from mento to Jamaican R&B, ska, rock steady, dub, DJ roots, dancehall and more. It opens with an exceptionally comprehensive brief history of reggae. This is followed by 52 chapters, each devoted to in-depth descriptions of the greatest songs for a particular artist or style. Over 750 great songs are detailed, and many more are discussed. More than 200 of reggae's stars, cult artists, one-hit wonders and forgotten greats are profiled, encompassing the music's full six decade span. Many of the songs and artists receive their overdue first coverage in print. The seven chapters on Bob Marley describe every one of his more than 600 recordings, his 200 best songs receiving detailed profiles. Well written, insightful and engaging, The Ultimate Guide To Great Reggae is more than an invaluable buyer's guide and more than a comprehensive history. It's a love letter to reggae that's joy to read. It's the one essential book for any reggae fan, and is interesting and accessible for anyone who enjoys reading about music.

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She’s at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry. At the heart of the book are interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are followed by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette. A range of supporting material from academic works to technical publications and popular music journalism is used to expand and critique the discourse. She’s at the Controls will appeal to everyone interested in new developments in the music industry, as it recalibrates itself in response to current challenges to its traditional gender stereotypes.

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