Search results for ""author ivan"

Pictures made by a lens are inextricably linked to the real world—the world the photographer not only sees but lives in and thinks about. The most ambitious photographs (in an earlier time one might confidently have said the greatest photographs) recognize that an understanding of the identities of things, and of their relationships, is as important as the harmonious combination of the shapes these things make when projected by a lens onto a flat surface. Starting from this premise, and in elegant and incisive prose, Jerry Thompson in Truth and Photography explores the many-leveled relationship between seeing and thinking. The book reproduces (in duotone) and the essays discuss some twenty photographs—some as well known as any the medium has produced, some more obscure, and some never before published. Mr. Thompson's discussions of pictures and picture-taking occasions are not strictly historical, nor are they concerned only with theoretical considerations. They do not rely exclusively on the author's thirty-year experience as a working photographer, nor are they confined to the medium of photography. Rather, Mr. Thompson employs multiple perspectives, usually in the same essay and often on a single picture. His examinations are penetrating, sustained, allusive, and frequently thrilling. They represent not settled explanations but living thought.

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The long history of the Federal Bureau of Investigation under J. Edgar Hoover is studded with serious questions about the Bureau’s professionalism and accountability. Revelations in the recent cases of Wen Ho Lee, Robert Hannsen, and Timothy McVeigh illustrate these misgivings. In Chasing Spies, Athan Theoharis, historian and perhaps the foremost authority on the FBI’s record, raises urgent new uncertainties about the Bureau’s behavior—and about the prospects for giving the FBI expanded powers of surveillance during the current national emergency. Mr. Theoharis here redefines the politics of the World War II and cold war eras, moving the debate beyond the narrow perspective triggered by the release of KGB records and intercepted Soviet consular reports (the Venona messages). The intriguing issue, he argues, is not the effectiveness of Soviet espionage activities as supported by the new evidence. Nor is it the long-standing charges of “softness toward communism” in the Roosevelt and Truman administrations. The real issue, he says, is the failure of the FBI to apprehend and convict Soviet agents. Based on meticulous research in FBI files, Chasing Spies uncovers the FBI’s role in the most important espionage cases of the cold war years. The book shows how secrecy immunized FBI operations from critical scrutiny and enabled FBI officials to mask their counterintelligence failures while promoting a politics of McCarthyism.

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More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction, including its risky sexual and racial themes, to explore the violent origins and limits of English nationality. This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historians and cultural critics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Here, back in print, is Jimmy Breslin's marvelous account of the improbable saga of the New York Mets' first year, as Bill Veeck notes in his Introduction, "preserving for all time a remarkable tale of ineptitude, mediocrity, and abject failure." Indeed the 1962 Mets were the worst major league baseball team ever to take the field. (The title of the book is a quote from Casey Stengel, their manager at the time.) Breslin casts the Mets, who lost 120 games out of a possible 162 that year, as a lovable bunch of losers. And, he argues, they were good for baseball, coming as a welcome antidote to "the era of the businessman in sports...as dry and agonizing a time as you would want to see." Although they were written forty years ago, many of Breslin's comments will strike a chord with today's sports fan, fed up with the growing commercialism of the games. Against this trend Breslin sets the exploits of "Marvelous" Marv Throneberry, Stengel, and the rest of the hapless Mets. "Wonderful."—Charles Salzberg, New York Times. "A touching, enjoyable, and interesting addition to anybody's sports reading list."—Patrick Conway

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Most of the really invigorating action in the art world today is a quiet affair, Mr. Kimball observes. It usually involves not the latest thing but permaneZnt things—they can be new or old, but their relevance is measured not by the buzz they create but by the silences they inspire. With reviews and essays composed over the last twenty years and revised for this book, Art's Prospect illuminates some of the chief spiritual itineraries of modern art. There is much to be learned and enjoyed in these stimulating, provocative, and elegant essays. —Paul Johnson

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Anthony Badger’s notably successful history is not simply another narrative of the New Deal, nor does the figure of Franklin Roosevelt loom as large in his account as in some others. What Mr. Badger does so well is to consider important aspects of New Deal activity agriculture, welfare, and politics, interpreting the history of each.

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Children are the largely neglected players in the great drama of American immigration. In one of history's most remarkable movements of people across national borders, almost twenty-five million immigrants came to the United States in the late nineteenth and early twentieth centuries—from Mexico, Japan, and Canada as well as the more common embarkation points of southern and eastern Europe. Many of them were children. Together with the American-born children of immigrants, they made up a significant part of turn-of-the-century U.S. society. Small Strangers recounts and interprets their varied experiences to illustrate how immigration, urbanization, and industrialization—all related processes—molded modern America. Growing up in crowded tenements, insular mill towns, rural ethnic enclaves, or middle-class homes, as they came of age they found themselves increasingly caught between Old World expectations and New World demands. The encounters of these children with ethnic heritage, American values, and mass culture helped shape the twentieth century in a United States still known symbolically around the world as a nation of immigrants.

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Following on his successful Guides to the plots and themes of Shakespeare's plays, Robert Fallon now explores the world of characters created by the Bard. Like Mr. Fallon's earlier books, A Theatergoer's Guide to Shakespeare's Characters is designed to enhance the playgoer's enjoyment of a performance, but it also makes for enlightening reading after the show. Intended for the general reader, it is written in plain but not inelegant English and avoids the specialized language of the theater and the academy. More than eight hundred characters appear in Shakespeare's thirty-eight plays—an astonishing variety of kings and queens, mothers and fathers, clowns and fairies, peasants and dukes, villains and heroes, the young and the old, the sinning and the sinned against. How could he have known so many in his diverse culture and portrayed them so convincingly? Mr. Fallon has chosen some sixty of these figures to examine. With few exceptions, they are the ones that modern theatergoers are most likely to encounter in performance, those that have captured the imagination of audiences over the centuries: Lear, Hamlet, Cleopatra, Rosalind, Portia, and the like. But some lesser-known characters are offered for their inherent interest and their example of Shakespeare's "infinite variety." Mr. Fallon locates each of them in the story of their play, relates them to other characters, shows how they change (or don't), and sums up their character and nature. Readers of his other Guides know they will find in Characters an entertaining and useful appraisal. "This book is as handy as they come...distilled without being dunderheaded—reader-friendly in the extreme."—American Theatre (on A Theatergoer's Guide to Shakespeare)

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Working in the children's cancer unit of a New York hospital for fifteen years, Norman Fried has been psychotherapist and counselor to both physically ill children and their worried families and friends. He has been part of scenes of bitterness and pain–and has observed how these sad moments have taught all concerned about life's important lessons. Sitting at the bedsides of children with life–threatening cancer, he has been sadly fortunate to hear their messages of hope and love, which have taught him how to help those they were leaving behind. The Angel Letters is his extraordinary book based on his experiences. It is intended for the living but is composed in the form of letters addressed to a dozen different children whose last days and months he shared intimately. From each experience he draws a lesson—in love, family, courage, belonging, etc.—that can help parents and family learn to suffer through the tragedy of their sick or lost child, drawing strength from their understanding of what has happened and from an appreciation for their child's perspective. "No story ends in death," Dr. Fried writes, "not in this book, and not in life. What happens after death is ours to ponder and struggle with. Some questions remain unanswered. But how a family lives after a death, how we as mourners can carry on–these are the questions I wrestle with here." In The Angel Letters he proves to be an inspiring companion for this difficult journey.

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The intimacy of the one-ring circus produced the classic clown routines that flourished until the mid-twentieth century and then disappeared with the rise of the grand circus. They have been lost until now. By seeking out the little band of surviving clowns who worked in the old tradition and setting down their scenes, Tristan Rémy, the eminent circus historian, has rescued a theatrical treasure. Thanks to Rémy’s persistence, the forty-eight scenes presented here contain not only the spoken words but the manner of line delivery and the physical turns. So they remain superbly suitable for performance. Most of them are written for just three actors—the white-faced clown, August the stooge, and the supercilious ringmaster. Sets are unnecessary. And their combination of the verbal with the physical has timeless appeal. Bernard Sahlins’s translation is masterfully attuned to present-day audiences. In his foreword, Mr. Sahlins notes that these scenes have been continually remounted in Europe, attesting to their fundamental vitality and universality. “Clearly there is a debt, witting and unwitting, owed to the clown of the ring by the great comedians of our century. With this book these scenes and the clowns who invented and played them now take their honored place in our theatrical legacy.”

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In absorbing essays on books about film, the distinguished critic Richard Schickel offers more insights into moviemaking on every page than a reader will find in an entire shelf of film encyclopedias. His trenchant observations about films, actors, directors, producers, and the machinations of an always fascinating industry are consistently authoritative and entertaining. Here are charming but clear-eyed appraisals of Hollywood's major players, its low comedy and high self-regard, its bedrock of bourgeois values, its strange and convoluted affair with sex, and its relentless drive to give the customers what they want, regardless of critical failings. Film on Paper promises to be one of the most enjoyable movie books of the year.

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Manhattanites have always had a disdain for the rearview mirror. That's where trends begin, and the citizens of Gotham are concerned with the here and now rather than the then and there. Yet Manhattan's history is rich, filled with personalities who helped create the modern theater and made Broadway the center of show business-a distinction it still holds. The Voodoo That They Did So Well takes an endearing look at some of these giants. Stefan Kanfer writes about Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers, and Stephen Sondheim, and considers the shining stars of New York's vibrant Yiddish theater, the colorful personalities who starred in two-a-day vaudeville, and the astonishing life of Lorenzo Da Ponte, a Renaissance man if ever there was one (Mozart's most brilliant collaborator landed in Manhattan after dazzling Europe, and wound up selling groceries and teaching Italian at Columbia University). Richard Rodgers's first song hit was "Manhattan," with lyrics by Lorenz Hart. The chorus read: "The great big city's a wondrous toy / Just made for a girl and boy / We'll turn Manhattan / Into an isle of joy." Manhattan remains an isle of joy in large part because of the men and women who led the way, and whose lives and art animate every page of this delightful gavotte.

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The contributors to this important new collection offer a vision of contemporary feminism that runs counter to and goes beyond the dominant attitudes of the feminist orthodoxy. Basing their arguments on individual rights and personal responsibility, the contributors offer surprising views on a wide range of issues that confront modern woman. Published in association with The Independent Institute.

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In this narrative analysis, Mr. Andrew examines the underlying ideas and principal objectives of the most ambitious and controversial American reform effort since the New Deal. An acute examination. —Jonathan Yardley, Washington Post. American Ways Series.

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These first two volumes of a projected five, in preparation for several years, begin a major publishing venture, collecting the complete essays of one of the giants of modern English prose and of social commentary in our time. The first two volumes span the most productive period of Huxley's career. Volume I begins with his essays for Gilbert Murray's Athenaeum and his music essays for the New Westminster Gazette. Volume II continues through the 1920s and includes his controversial essays on India and the empire in "Jesting Pilate." The essays of both volumes range from nuanced assessments of art and architecture to political analyses, history, science, religion, and art, and a newly discovered series on music. Wide-ranging, allusive, and witty, they are informed by the probing skepticism of a highly educated and ironically incisive member of the English upper middle class. Huxley's fascination with the codes and conventions of European culture, his growing apprehensions about the menacing collapse of the European political order, and his awareness of the impact of science and technology on the post-Versailles world of England, France, Germany, and the United States form the basis for his critique. His subjects overlap with the satirical novels he wrote during the period between the wars, culminating in Point Counter Point and Brave New World. At their best, these essays stand among the finest examples of the genre in modern literature.

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After an initial honeymoon with historians, in recent years John F. Kennedy has been more carefully scrutinized, resulting in a wide variety of assessments of his presidency and his life. Michael O'Brien, who knows as much about Kennedy as any historian now writing, has distilled the findings of his heavily detailed biography of a few years ago into a compact life that touches on all the important issues and incorporates the findings and judgments of major works since the president's death. He offers nuanced interpretations of the influence of Kennedy's parents, his early life, his struggles with health problems, his intellectual development, his heroism in World War II, his House and Senate career, and the paramount moments of his presidency, including the Bay of Pigs invasion of Cuba, the Cuban Missile Crisis, and his stand on civil rights, tax policy, and other domestic matters.

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On October 12, 1994, Steven Spielberg, Jeffrey Katzenberg, and David Geffen—three of Hollywood's biggest players—announced they would form a new studio to produce feature films, television series, and pop music recordings. It didn't have a name, though Katzenberg's reference to his partners as the "Dream Team" eventually led to the company being dubbed DreamWorks. What the three men were attempting hadn't been done in more than sixty years: create a movie studio that could compete with the already existing major players. In The Dream Team, Daniel Kimmel tells the behind-the-scenes story of DreamWorks' rise—and the end of the dream eleven years later, when most of the company was sold off or shut down. Its plan for 1,087 acres of studio facilities that would include residences and retail operations came to naught. Its animation division was split off and went public. Its principals had already begun to go their own ways. Mr. Kimmel explores DreamWorks' successes: best-picture Oscars for American Beauty and Gladiator; a near miss (but box office success) for Saving Private Ryan; a smash animated hit Shrek winning the first Oscar ever for best animated feature and pointing the industry toward computer animation. But he also investigates why an enterprise with such promise failed to reach the heights. Was it the company's diffuse management style, or had the industry changed and consolidated so greatly that it was now impossible for new players to break into the ranks? Mr. Kimmel offers intriguing answers, showing how, more often than not, the guys tilting at windmills usually end up on the ground.

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While film genres go in and out of style, the romantic comedy endures—from year to year and generation to generation. Endlessly adaptable, the romantic comedy form has thrived since the invention of film as a medium of entertainment, touching on universal predicaments: meeting for the first time, the battle of the sexes, and the bumpy course of true love. These films celebrate lovers who play and improvise together, no matter how nutty or at what great odds they may appear. As Eugene Pallette mutters in My Man Godfrey (1936), "All you need to start an asylum is an empty room and the right kind of people." Daniel Kimmel's book about romantic comedy is like watching a truly funny movie with a knowledgeable friend.

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Why do so many different people with widely dissimilar ideas and customs get along as Americans? In American Beliefs, John McElroy identifies and explains those essential ideas that keep a big country and a diverse people united, tracing them historically from their origins in the earliest experiences of the American colonists. A powerful antidote to decades of concentration on the differences among Americans. A magnificent and timely book. John McElroy picks up where de Tocqueville left off. —Charles Moskos.

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This volume contains English translations of: Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard, with a new Introduction by Ronald Hingley. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The Lisbon Route tells of the extraordinary World War II transformation of Portugal's tranquil port city into the great escape hatch of Nazi Europe. Royalty, celebrities, diplomats, fleeing troops, and ordinary citizens desperately slogged their way across France and Spain to reach the neutral nation. Here the exiles found peace and plenty, though they often faced excruciating delays and uncertainties before they could book passage on ships or planes to their final destinations. As well as offering freedom from war, Lisbon provided spies, smugglers, relief workers, military figures, and adventurers with an avenue into the conflict and its opportunities. Ronald Weber traces the engaging stories of many of these colorful transients as they took pleasure in the city's charm and benign climate, its ample food and drink, its gambling casino and Atlantic beaches. Yet an ever-present shadow behind the gaiety was the fragile nature of Portuguese neutrality, which at any moment the Axis or Allies might choose to end.

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At age twenty-eight, Charlie Chaplin was a millionaire and one of the world's most famous personalities. He had grown rich playing the poorest of men. He was to go on playing unforgettable characters in timeless films, but now the psychology of celebrity began both to drive and to damage his creativity. Richard Schickel, the distinguished film critic, has called Chaplin the first victim of modern celebrity culture, “driven by his relentless ego, by his helpless need for an audience to dominate, to lead. All the tragedies of his life stemmed from those drives and needs.” Mr. Schickel is the rarest of Chaplin enthusiasts, an unabashed fan who can celebrate the object of his affection without looking away when his subject deserves a poking. In this indispensable collection of some thirty essays, he has selected the most provocative and insightful criticisms of Chaplin's life and work, from the great comedian's beginnings through his early features, his mid-life crisis, and his late films. The contributors include Andrew Sarris, David Thomson, Andre Bazin, Gilbert Seldes, Alistair Cooke, Frances Hackett, Robert E. Sherwood, Stark Young, Penelope Gilliatt, Edmund Wilson, Stanley Kauffmann, Alexander Woollcott, George Jean Nathan, Winston Churchill, Max Eastman, Graham Greene, Otis Ferguson, James Agee, Dwight Macdonald, Robert Warshow, Walter Kerr, J. Hoberman, and others. Mr. Schickel, the last critic to study Chaplin intensively (for his award-winning documentary of a year ago), offers a long Introduction.

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Following on the success of his Theatergoer’s Guide to Shakespeare, Robert Fallon now examines the themes in Shakespeare’s plays, the revelations about human nature that give them substance and weight and such an enduring quality. Again Mr. Fallon sets aside academic jargon and the machinery of scholarship; he writes for intelligent playgoers, seeking to enhance their enjoyment of a performance. (Of course, casual readers too will find his interpretations absorbing.) The book surveys the most pervasive of Shakespeare’s themes, among them love, war, illusion, statecraft, heroism, the supernatural, and the comic. In chapters devoted to each of eleven such themes, Mr. Fallon explains how these patterns of meaning were viewed in Shakespeare’s time, what history the poet draws upon in presenting them on the stage, and how he suggests them through his pageant of men and women engaged in the business of living. Mr. Fallon offers a wealth of illustrative examples from all thirty-eight plays attributed to the Bard. His lively narrative provides ample detail, ensuring that the examples are accessible to readers who may not be familiar with some of the less frequently staged works. As in A Theatergoer’s Guide to Shakespeare, Mr. Fallon succeeds in capturing Shakespeare’s endless appeal: his ability to place before us figures with whom we are familiar—the ardent lover, the swaggering soldier, the tyrant, villain, and clown, as well as mothers, fathers, and children, both treacherous and devoted—all of whom confront the experiences that define the eternal themes of the human condition.

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Here is a searing account-probably the best yet published-of life in the underclass and why it persists as it does. Theodore Dalrymple, a British psychiatrist who treats the poor in a slum hospital and a prison in England, has seemingly seen it all. Yet in listening to and observing his patients, he is continually astonished by the latest twist of depravity that exceeds even his own considerable experience. Dalrymple's key insight in Life at the Bottom is that long-term poverty is caused not by economics but by a dysfunctional set of values, one that is continually reinforced by an elite culture searching for victims. This culture persuades those at the bottom that they have no responsibility for their actions and are not the molders of their own lives. Drawn from the pages of the cutting-edge political and cultural quarterly City Journal, Dalrymple's book draws upon scores of eye-opening, true-life vignettes that are by turns hilariously funny, chillingly horrifying, and all too revealing-sometimes all at once. And Dalrymple writes in prose that transcends journalism and achieves the quality of literature.

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Drama Classics: The World's Great Plays at a Great Little Price Set in a country weighed down by political, ideological and spiritual stagnation, Chekhov's compelling early play is rooted in the revolutionary atmosphere of Russia at the turn of the 20th century. Anton Chekhov's play Ivanov was first performed in 1887 at the Korsh Theatre in Moscow. This English version, in the Nick Hern Books Drama Classics series, is translated and introduced by Stephen Mulrine, with notes on Further Reading, a Chronology and a Pronunciation Guide.

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Scarcely anyone understands the psychology of men's relationship with women—in all its complexity, ambivalence, and frequent perversity—better than the turn-of-the-century Viennese writer and dramatist Arthur Schnitzler. Like Vienna itself, birthplace of much of twentieth-century thought in art, philosophy, and psychology, Schnitzler's sensibility is profoundly modern, even postmodern. He probes and records the illusions and delusions, the dreams and desires, the split between the social self and the inner self that are characteristic of the self-alienated man of his time—and ours. In Margret Schaefer's third collection of newly translated fiction from Schnitzler, we find him focusing a clear and unforgiving eye on the minds of men who desire, fantasize about, and try to relate to women. Young or old, they are all bachelors—a young officer (Lieutenant Gustl), a socially desirable lawyer (The Murderer), a middle-aged physician (Doctor Graesler), an aging roué (Casanova's Homecoming). All are looking for women. Yet these are not love stories. Although Schnitzler's topic is relationships, his theme here as elsewhere is isolation—and the losses, fears, self-doubts, and self-absorption that make it inescapable. For no matter how much social and erotic contact the men in these tales have with women, in the end they cannot escape their own terrifying aloneness.

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Fast-moving and brisk, and filled with wit, humor, and gaiety, the Barber is assured of immortality because of its sheer fun. Plays for Performance Series.

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“Each of these little books is witty and dramatic and creates a sense of time, place, and character....I cannot think of a better way to introduce oneself and one’s friends to Western civilization.”—Katherine A. Powers, Boston Globe. “Well-written, clear and informed, they have a breezy wit about them....I find them hard to stop reading.”—Richard Bernstein, New York Times. “Witty, illuminating, and blessedly concise.”—Jim Holt, Wall Street Journal. These brief and enlightening explorations of our greatest thinkers bring their ideas to life in entertaining and accessible fashion. Philosophical thought is deciphered and made comprehensive and interesting to almost everyone. Far from being a novelty, each book is a highly refined appraisal of the philosopher and his work, authoritative and clearly presented.

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"We used to canonize our heroes," Oscar Wilde wrote. "The modern method is to vulgarize them. Cheap editions of great books may be delightful, but cheap editions of great men are absolutely detestable." Since Wilde's condemnation of modern biography, the genre would appear to have accelerated its descent into bad taste. As Carl Rollyson points out, writers as various as Rebecca West, Ted Hughes, and Joyce Carol Oates have deplored biographers' tendency to cut up lives and render the bloody data so as to make their subjects seem unhealthy, unwholesome, and unsound. Janet Malcolm has compared biographers to burglars; modern novels feature the biographer as grave robber and victimizer. Exactly when did biography take this turn for the worse? Inquiring into the history of the art, and examining his own practices as well as those of biographers from Samuel Johnson to Richard Ellmann, Jeffrey Meyers, and many others, Mr. Rollyson casts considerable doubt on the indictments handed down by Oates, Malcolm and Co. By its very nature, Mr. Rollyson argues, biography is a problematic and controversial genre. That contemporary critics believe it has gone astray only reveals their ignorance of history and their hostility to the biographical enterprise itself—an animosity born of a misguided modernism and a rejection of Enlightenment values. A Higher Form of Cannibalism? explores the nexus between scholarship and biography, and demonstrates how the similarities of method between Leon Edel and Kitty Kelley outweigh the differences. Viewed through the prism of biography, the scholarly and the popular may not be as clearly separated as people suppose.

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Since hardly anyone is happy with American schools, it's always open season for school reform—with inevitable calls for better teaching, better curriculums, better organization, etc., etc. In these continuing exhortations, little attention is paid to the role of the students themselves, the object of the "learning process." In this explosive book, Paul Zoch argues that what America most needs to improve its schools is not necessarily better teachers but a wholesale shift in the way it thinks about who or what creates academic success. The tendency to look to teachers for students' achievement, he maintains, is the cause of low performance. Tracing the development of educational ideas in the United States from the time of William James to the present day, Mr. Zoch shows how they have given the schools an obsessive focus on teachers and their teaching methods while neglecting the disciplined effort and hard work that students must expend in order to achieve. Because most students, in accordance with society's prevailing views, see their success as a product of what their teachers do, they devote little effort to their studies and, predictably enough, learn little. Their dedication to schoolwork, as Mr. Zoch demonstrates, falls far short of that routinely displayed by students in other, less prosperous countries. Doomed to Fail is one of the freshest and most compelling investigations of the plight of our schools to appear in many years. It is sure to create a beehive of controversy.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. Wilfred of Ivanhoe is a Saxon loyal to the Norman king Richard I. Because of this loyalty, and his love for Lady Rowena, Ivanhoe is cast out by his father, a Saxon loyalist determined to liberate the Saxon people from Norman rule. He plans to marry Rowena, his ward and a descendant of the Saxon king Alfred, to Lord Aethelstane, pretender to the throne of England. In so doing, Ivanhoe would unite two rival Saxon houses in their claim for the crown. Ivanhoe returns from the Crusades in secret and is joined in his plans to re-establish Richard on the thrown by the moneylender Isaac of York, his daughter Rebecca, the mysterious Black Knight, Lady Rowena, and Robin Hood and his merry men.

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One of the BBC's '100 Novels That Shaped Our World''Fight on, brave knights! Man dies, but glory lives!'Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge.'One of the most exciting stories in the language' A. N. WilsonEdited with an introduction and notes by Graham Tulloch

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The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.Set in twelfth-century England during the reign of Richard I, Ivanhoe is Sir Walter Scott’s best known novel. Its depictions of witch trials, violent tournaments, sieges and ambushes make it a gripping read. The tense divisions between the Normans and the Saxons, the rich, the poor and the controversial figure of Robin Hood, and between King Richard and his untrustworthy brother are all explored in this brilliant account of the medieval era.

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One of the BBC's '100 Novels That Shaped Our World'The Penguin English Library Edition of Ivanhoe by Walter Scott'Fight on, brave knights! Man dies, but glory lives!'Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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**One of the BBC’s 100 Novels That Shaped Our World**Read this timeless tale of medieval romance and adventure.It is the dark days of King Richard the Lion Heart’'s reign, when the beloved king is fighting in far-off lands, leaving his corrupt brother John in charge of his kingdom. Tensions between Saxon and Norman lords erupt in bouts of bloodshed or foul play; good men are banished, forced to turn outlaw and serve the true king in secrecy and disguise. In this dangerous world, the brave Wilfred of Ivanhoe must grapple with the claims of family, crown, truth and justice if he is ever to win the hand of his true love, the beautiful Lady Rowena.

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The first of Scott's Waverley novels burst upon an astonished world in 1814. Its publication marked the emergence of the modern novel in the western world, influencing all the great nineteenth-century writers. This handsome new edition of Sir Walter Scott's novels captures the original power and freshness of his best-loved novels.

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Ivanhoe Swift left home when he was six. He had heard many songs about the world, and it was time to see it for himself. 'We won't know where you are!' cried his father. 'I'll know where you are,' said Ivanhoe. 'And you can look out for my kite in the sky. Goodbye, parents!' A delightful story about setting off to see the world... and the joy in coming home again.

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'Chess Secrets' is a series of books which uncover the mysteries of the most important aspects of chess, such as strategy, attack, defence, opening play, endgames, off-board preparation and mental attitude. In each book the author chooses and deeply studies a number of great players who have excelled in such aspects of the game, greatly influenced their peers and inspired all of us. In 'Giants of Innovation', Craig Pritchett selects five chess legends whose play exemplifies outstandingly innovative attributes. Wilhelm Steinitz established the essential ground-rules for modern positional chess. Emanuel Lasker pioneered a new kind of totalA", all-out battling chess. Mikhail Botvinnik taught us how to prepare and successfully play an entire range of complex modern opening systems. Viktor Korchnoi set particularly high standards in the art of defence and counter-attack. Vassily Ivanchuk, a modern byword for ingenuity and surprise, excels by constant creation. Read this book and enhance your own skills. Understand how to inject more innovation into your own games. *An entertaining and instructive guide to innovative chess *Learn from the greats of the game *Discover how famous chess minds work

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Vassily Ivanchuk has been one of the World's leading chess players for over two decades. He announced his arrival as a 21-year-old when he defeated Garry Kasparov on the way to winning the Linares Super-Grandmaster event. In a distinguished career he has won countless elite tournaments and was a FIDE World Championship finalist. Ivanchuk is considered by many contemporaries to be a chess genius, and he has acquired a huge fan base that delights in his enterprising and creative play. His original style has helped to create games full of brilliant attacking chess and masterful strategy. In this book, Junior Tay invites you to join him in a study of his favourite Ivanchuk games, and shows us how we can all improve by learning from Ivanchuk's masterpieces. Move by Move provides an ideal platform to study chess. By continually challenging the reader to answer probing questions throughout the book, the Move by Move format greatly encourages the learning and practicing of vital skills just as much as the traditional assimilation of knowledge. Carefully selected questions and answers are designed to keep you actively involved and allow you to monitor your progress as you learn. This is an excellent way to improve your chess skills and knowledge.

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The Art of Eliza Ivanova is an evocative, edgy, and beautiful book filled with the work of this exciting artist. A graduate of the California Institute of Arts, Bulgarian-born Eliza now lives in San Francisco where she created much of the art on these pages. She produces effortless movement with her sketched lines and animation-influenced dynamic touches. Well known for her portraits and figures of women and children, Eliza’s style is distinctive and rich in detail. In addition to a gallery filled with a mix of old favorites, new creations and bespoke commissions for this book, you will be invited into Eliza’s world. Enter her studio to discover her workspace and favorite tools. Eliza also shares techniques with us in step-by-step workshops to help us capture some of that dynamic movement that infuses her work. Both aspiring and established artists will benefit from Eliza’s technical tips and words of wisdom about life, work, and more.

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