Search results for ""author ivan"

A story of hope, love and purpose for anyone who has ever loved a rescue dog. With wry wit, deep insight, and vivid anecdotes, Tim McHugh gives voice to the family pet and delves into the place where the canine and human hearts become one. Ivan, a mixed-breed dog-philosopher with an extreme underbite and various other deformities, chronicles his life story with keen observations about his adopted family and the people he loves, covering the life events that touch us all. Throughout his life Ivan keeps plugging forward with optimism and faith, always striving to learn from his mistakes, believing that even as he is ultimately facing old age, disease, and death, life is all the more wonderful. To Ivan, love and relationships with people are what matters most, and that if a deformed pound dog like him can find love and acceptance, anyone can. His is a lively, humorous story of hope and perseverance.

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In this ambitious book, Kevin M. F. Platt focuses on a cruel paradox central to Russian history: that the price of progress has so often been the traumatic suffering of society at the hands of the state. The reigns of Ivan IV (the Terrible) and Peter the Great are the most vivid exemplars of this phenomenon in the pre-Soviet period. Both rulers have been alternately lionized for great achievements and despised for the extraordinary violence of their reigns. In many accounts, the balance of praise and condemnation remains unresolved; often the violence is simply repressed. Platt explores historical and cultural representations of the two rulers from the early nineteenth century to the present, as they shaped and served the changing dictates of Russian political life. Throughout, he shows how past representations exerted pressure on subsequent attempts to evaluate these liminal figures. In ever-changing and often counterposed treatments of the two, Russians have debated the relationship between greatness and terror in Russian political practice, while wrestling with the fact that the nation’s collective selfhood has seemingly been forged only through shared, often self-inflicted trauma. Platt investigates the work of all the major historians, from Karamzin to the present, who wrote on Ivan and Peter. Yet he casts his net widely, and "historians" of the two tsars include poets, novelists, composers, and painters, giants of the opera stage, Party hacks, filmmakers, and Stalin himself. To this day the contradictory legacies of Ivan and Peter burden any attempt to come to terms with the nature of political power—past, present, future—in Russia.

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Ivan Sergeevich Gagarin analyzes questions of nationality and religious identity in nineteenth-century Russian history as reflected in the life of Jesuit priest Ivan Gagarin. A descendent of one of Russia’s most ancient and politically powerful families, Father Ivan Gagarin, S.J. (1814–1882) dedicated his life to creating a union between the Orthodox and Catholic churches that would preserve the dogmatic and traditional beliefs of both. Traditional understandings of Russian identity have emanated from the perspective of the dominant Orthodox religion; this captivating study uses the unionist work of Gagarin to illumine Russia's national identity from the perspective of Roman Catholicism. Seeing his unionist proposals as necessary for the preservation of Russian stability, Gagarin found himself in frequent opposition to the Orthodox Church. While Gagarin believed that Church union would preserve Russia from the threats of communism and revolution, the Russian Orthodox Church believed that union would mean the sacrifice of religious truth, ecclesial independence and religious orthodoxy. Jeffrey Beshoner’s even-handed analysis reveals that the Roman Catholic Church presented its own share of barriers to attempts at church union. Ivan Sergeevich Gagarin examines Roman Catholic attitudes of superiority vis-à-vis the Orthodox Church and argues that the nineteenth-century Roman Catholic Church simply did not possess the humility or respect for Eastern beliefs that church union required. Despite the failure of his unionist activity, Gagarin exerted important influence on such contemporary and later Roman Catholic and Russian thinkers as Pope Pius IX, Alexei Khomiakov and Vladimir Solovev. As the collapse of communism has permitted Russia to again seek its national identity in Russian Orthodoxy, Gagarin's ideas and perspectives on the relationship between national and religious identity continue to prove relevant.

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Iván Ilich es un funcionario de la administración zarista cuya principal aspiración, como la de sus colegas, es escalar peldaños en su carrera para mantener su bienestar y así seguir formando parte del mundo burgués en el que ha vivido siempre. Casado por conveniencia, al poco tiempo descubre el hastío que le produce la familia y centra su vida en el trabajo. Una monótona existencia que cambia repentinamente con la llegada de un importante personaje a su vida... Publicada en 1886, La muerte de Iván Ilich es una de las obras maestras del escritor ruso Lev Tolstói. Aclamada porVladimir Nabokov y por Mahatma Gandhi como la mejor de toda la literatura rusa, es una de sus últimas novelas, fruto de la crisis que el autor vivió al cumplir los 50 años y que superaría con un radical cambio

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This Thing of Darkness, Joan Neuberger's engrossing production history of Sergei Eisenstein's Ivan the Terrible, is a major contribution to the study of Eisenstein and thus informs the history and theory of cinema and the study of Soviet culture and politics. Neuberger's ability to mine, interpret, and connect Eisenstein's voluminous, intriguingly digressive writings makes this book exceptional.— Karla Oeler, Stanford University Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.

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This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE) Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child''s reading ability, encouraging reading for pleasure. Perfect for 5-7 year olds or those reading book band white.

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In Hunting Nature, Thomas P. Hodge explores Ivan Turgenev's relationship to nature through his conception, description, and practice of hunting—the most unquenchable passion of his life. Informed by an ecocritical perspective, Hodge takes an approach that is equal parts interpretive and documentarian, grounding his observations thoroughly in Russian cultural and linguistic context and a wide range of Turgenev's fiction, poetry, correspondence, and other writings. Included within the book are some of Turgenev's important writings on nature—never previously translated into English. Turgenev, who is traditionally identified as a chronicler of Russia's ideological struggles, is presented in Hunting Nature as an expert naturalist whose intimate knowledge of flora and fauna deeply informed his view of philosophy, politics, and the role of literature in society. Ultimately, Hodge argues that we stand to learn a great deal about Turgenev's thought and complex literary technique when we read him in both cultural and environmental contexts. Hodge details how Turgenev remains mindful of the way textual detail is wedded to the organic world—the priroda that he observed, and ached for, more keenly than perhaps any other Russian writer.

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The judge Ivan Ilyich Golovin has spent his life in the pursuit of wealth and status, devoting himself obsessively to work and often neglecting his family in the process. When, after a small accident, he fails to make the expected recovery, it gradually becomes clear that he is soon to die. Ivan Ilyich then starts to question the futility and barrenness of his previous existence, realizing to his horror, as he grapples with the meaning of life and death, that he is totally alone.Included in this volume is another celebrated novella by Tolstoy, The Devil, which addresses the conflicts between desire, social norms and personal conscience, providing at the same time a further exploration of human fear and obsession.

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'It is only a bruise'A carefree Russian official has what seems to be a trivial accident...One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

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FROM THE PUBLISHER OF THE GULAG ARCHIPELAGO - THE OFFICIALLY APPROVED TRANSLATION OF SOLZHENITSYN'S SEARING DEBUT NOVELThe Gulag, the Stalinist labour camps to which millions of Russians were condemned for political deviation, has become a household word in the West. This is due to the accounts of many witnesses, but most of all to the publication, in 1962, of One Day in the Life of Ivan Denisovich, the novel that first brought Aleksandr Solzhenitsyn to public attention. His story of one typical day in a labour camp as experienced by prisoner Ivan Denisovich Shukhov is sufficient to describe the entire world of the Soviet camps.Translated from the Russian by H. T. Willetts

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Bringing into harsh focus the daily struggle for existence in a Soviet gulag, Aleksandr Solzhenitsyn's One Day in the Life of Ivan Denisovich is translated by Ralph Parker in Penguin Modern Classics. This brutal, shattering glimpse of the fate of millions of Russians under Stalin shook Russia and shocked the world when it first appeared. Discover the importance of a piece of bread or an extra bowl of soup, the incredible luxury of a book, the ingenious possibilities of a nail, a piece of string or a single match in a world where survival is all. Here safety, warmth and food are the first objectives. Reading it, you enter a world of incarceration, brutality, hard manual labour and freezing cold - and participate in the struggle of men to survive both the terrible rigours of nature and the inhumanity of the system that defines their conditions of life.Though twice-decorated for his service at the front during the Second World War, Aleksandr Isayevich Solzhenitsyn (1918-2008) was arrested in 1945 for making derogatory remarks about Stalin, and sent to a series of brutal Soviet labour camps in the Arctic Circle, where he remained for eight years. Released after Stalin's death, he worked as a teacher, publishing his novel One Day in the Life of Ivan Denisovich with the approval of Nikita Khrushchev in 1962, to huge success. His 1967 novel Cancer Ward, as well as his magnum opus The Gulag Archipelago, were not as well-received by Soviet authorities, and not long after being awarded the Nobel Prize for literature in 1970, Solzhenitsyn was deported from the USSR. In 1994, after twenty years in exile, Solzhenitsyn made his long-awaited return to Russia.If you enjoyed One Day in the Life of Ivan Denisovich, you might also like Yevgeny Zamyatin's We, available in Penguin Classics.'It is a blow struck for human freedom all over the world ... and it is gloriously readable'Sunday Times

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With an Introduction and Notes by Dr T.C.B.Cook. Count Leo Tolstoy (1828-1910) is best known for War and Peace and Anna Karenina, commonly regarded as amongst the greatest novels ever written. He also, however, wrote many masterly short stories, and this volume contains four of the longest and best in distinguished translations that have stood the test of time. In the early story Family Happiness, Tolstoy explores courtship and marriage from the point of view of a young wife. In The Kreutzer Sonata he gives us a terrifying study of marital breakdown, in The Devil a powerful depiction of the power of sexual temptation, and, in perhaps the finest of all, The Death of Ivan Ilyich, he portrays the long agony of a man gradually coming to terms with his own mortality. This volume also includes an Introduction and Notes written specially for this Wordsworth edition by Dr Tim Cook, formely lecturer in literature at the Universities of Kingston and Ulster. Previous work contributed by Dr Cook for Wordsworth includes an introduction and notes to Charles Dickens' Nicholas Nickleby.

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This collection of essays explores the history of Russian imperialism, an especially pertinent topic in light of the newly democratic country's entrance into the geopolitical forum-the country's tenuous relationship with Europe was anticipated by Russian historian Nicholas Danilevskii. Some may argue conflicts such as Chechnya are remnants of the imperial thirst for dominance, and that the ever-evolving nation is still fighting old wars over her image as an empire. The works contained in this book trace some of these encounters, and in turn, provide a backdrop for those of today.

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In this book, Daniel P. Todes provides concise introduction to the life and science of the great Russian physiologist Ivan Pavlov (1849-1936). Todes weaves together Pavlov's life, values, context, and science by focusing upon his quest to understand the psyche and the "torments of our consciousness". This introduction follows the origins and maturation of Pavlov's quest from his early life in a priestly family in provincial Riazan, to his struggles and late professional success in the glittering capital of St. Petersburg, through the cataclysmic destruction of his world during the Bolshevik seizure of power and civil war of 1917-1921, to the rebuilding of his life in his 70s as a "prosperous dissident" during the Leninist 1920s, and his success and personal torments in 1929-1936 during the industrialization, cultural revolution, and terror of Stalin times. Beyond a basic biography, Todes devotes particular attention to Pavlov's Nobel Prize-winning research on digestion (1891-1903) and his iconic studies of conditional reflexes and higher nervous activity (1903-1936), as well as his experiments with dogs. Fundamentally reinterpreting Pavlov's famous research on conditional reflexes, Todes shows that Pavlov was not a behaviorist, did not use a bell, and was uninterested in training dogs. The Russian scientist sought to explain not merely external behaviors, but the emotional and intellectual life of animals and humans. Furthermore, this iconic "objectivist" was a profoundly anthropomorphic thinker whose science was suffused with his own experiences and values. Exploring the two unpublished manuscripts upon which Pavlov was working when he died, Todes shows the importance of his little-known experiments on chimps and explores his final thoughts about the relationship of science, Christianity, and Bolshevism.

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The Death of Ivan Ilyich and Other Stories is a collection of stories that emerged from a profound spiritual crisis, during which Leo Tolstoy believed that he had encountered death itself. This Penguin Classics edition is translated with an introduction by Anthony Briggs, David McDuff and Ronald Wilks.These seven compelling stories explore, in very different ways, Tolstoy's preoccupation with mortality. 'The Death of Ivan Ilyich' is a devastating account of a man fighting his inevitable end, and asks the existential question: why must a good person be taken before his time? In 'Polikushka', a light-fingered drunk's chance to prove himself has tragic repercussions, while 'Three Deaths' depicts the last moments of an aristocrat, a peasant and a tree, and 'The Forged Coupon' shows a seemingly minor offence that leads inexorably to ever more horrific crimes. And in three tales about soldiers, 'After the Ball', 'The Wood-felling' and 'The Raid', Tolstoy portrays the brutality that all too often accompanies military life.The translations by Anthony Briggs, David McDuff and Ronald Wilks capture Tolstoy's powerful, vivid prose. This edition also includes a new introduction by Anthony Briggs discussing Tolstoy's breakdown and the effect this had on his writing, as well as a chronology, further reading and notes.Leo Tolstoy (1828-1910) was born at Yasnaya Polyana, in central Russia. He led a life of wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying Sofya Behrs in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). In 1884 Tolstoy experienced a spiritual crisis, becoming an extreme moralist, rejecting the state, the church and private property. His last novel, Resurrection (1900), was written to raise money for the Doukhobor sect of Christian spiritualists.If you enjoyed The Death of Ivan Ilyich, you might like Fyodor Dostoyevsky's Crime and Punishment, also available in Penguin Classics.

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The Russian nobleman Ivan Ivanovich Pouschine is most recognized for two achievements: his leadership role in the 1825 Decembrist uprising agains Russia’s tsarist government and his set of poignant memoirs about his dear friend Alexander Pushkin. Pouschine’s historical and cultural significance, although often subtle, extends much further, however. After graduating from Tsar Alexander I’s new Lyceum in 1817, Pouschine spent several years in the military and government service, serving as an officer and judge. All the while, he was an active leader of various secret societies in both St. Petersburg and Moscow that discussed the viability of a democratic government for Russia. He went on to become a key organizer of the resulting 1825 Decembrist uprising, for which he was sentenced to thirty years of harsh exile in Siberia. In exile, Pouschine involved himself in a variety of self-motivated pursuits: leading efforts to improve intellectual discourse in remote Siberia; managing the Decembrists’ cooperative, and serving as the center of the exiles’ social circle. In this book, Princeton scholar Anna Pouschine will explore her ancestor’s correspondence by examining how his letters created personal fulfillment in a desolate environment at a difficult moment in his country’s storied past.

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Goncharov's novels have been popular in Russia since their publication, and Oblomov, the central character of his most famous novel, has become the prototype of a fat and lazy man. Milton Ehre offers new interpretations of the complex personality of Goncharov and shows how in many ways Oblomov was a self-portrait of his creator. The introductory chapter neither idealizes Goncharov nor glosses over his weaknesses but shows a sensitive understanding of this major nineteenth-century Russian writer. The author goes beyond the standard critical cliches about Goncharov to a contemporary reading of his entire artistic production. Proceeding from the assumption that meanings in art are intimately related to forms, he discusses Goncharov's works with close attention to style, structure, and distinctions of genre, to arrive at an understanding of Goncharov's themes and his view of experience. Milton Ehre's extensive knowledge of the Russian literature on Goncharov and his own literary sensitivity combine to provide a new understanding of Goncharov and his novels. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Goncharov's novels have been popular in Russia since their publication, and Oblomov, the central character of his most famous novel, has become the prototype of a fat and lazy man. Milton Ehre offers new interpretations of the complex personality of Goncharov and shows how in many ways Oblomov was a self-portrait of his creator. The introductory chapter neither idealizes Goncharov nor glosses over his weaknesses but shows a sensitive understanding of this major nineteenth-century Russian writer. The author goes beyond the standard critical cliches about Goncharov to a contemporary reading of his entire artistic production. Proceeding from the assumption that meanings in art are intimately related to forms, he discusses Goncharov's works with close attention to style, structure, and distinctions of genre, to arrive at an understanding of Goncharov's themes and his view of experience. Milton Ehre's extensive knowledge of the Russian literature on Goncharov and his own literary sensitivity combine to provide a new understanding of Goncharov and his novels. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'How truth thickens and deepens when it migrates from didactic fable to the raw experience of a visceral awakening is one of the thrills of Tolstoy's stories'Sharon Cameron in her preface to The Death of Ivan Ilych and Other StoriesTolstoy wrote in many genres for different audiences. In this, the first of three volumes of his shorter fiction chosen and introduced by the critic Sharon Cameron, we see works originally written for children, like 'God Sees the Truth But Waits', and 'A Prisoner in the Caucasus'. They stand alongside others which show his range and accomplishment, including an early story based on his experiences in the Crimean war, 'Sevastopol in May', and the visceral intensity of one of his greatest works, 'The Death of Ivan Ilych'.This riverrun edition reissues the translation of Louise and Aylmer Maude, whose influential versions of Tolstoy first brought his work to a wide readership in English.

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The Slovenian dramatist, poet, literary critic and essayist Ivan Cankar (1876-1918) was one of the greatest Slovenian writers and stylists, as well as the pioneer of modern Slovenian literature. This book, a follow-up to the author’s study Mirror of Reality and Dreams: Stories and Confessions of Ivan Cankar, is the second English-language monograph on Cankar’s literary œuvre. Whereas the first study focused on Cankar’s social and moral criticism, this monograph sheds light on the mother and woman as portrayed in his works. Through the figure of the mother, Cankar reveals his delicate and subtle relation to weaker individuals in general; the figure of woman in his works illustrates his complicated, often two-fold, internally contradictory relation to love and sexuality.

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This edition brings together Tolstoy’s 1886 masterpiece and several shorter works that connect with it in thought-provoking ways. The stories are accompanied by a fascinating selection of contextual materials, including nineteenth-century reviews, excerpts from Tolstoy’s letters concerning death, excerpts from a pamphlet he wrote after witnessing the slaughtering of livestock, and a portfolio of relevant photographs. As well as crafting fresh translations both of the stories themselves and of the background materials, Kirsten Lodge has provided an illuminating introduction and helpful annotations.

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In the first book, Winter in the Country, Azarov imagines the enormous presence of the great poet, Pushkin, and his influence on the development of the modern Russian psyche. In On “The Death of Ivan Ilyich” he imagines himself exchanging personalities with Tolstoy’s great character, Ivan Ilyich, who suffered and died from a terminal illness. In doing so, he enlarges his own personal experience by giving the death of a close friend a mythic dimension. In the third book, An Atomic Cake, he explores a Moscow world of wild contradictions, surreal social hysteria, and periods of massive malaise, all occurring under the cloud of atomic bomb testing. This is when he met a passionate computer specialist whose father had witnessed the American atomic testing at Bikini Atoll. Together, trying to make sense of such a world, they talked, imagining into existence the spirit of Rita Hayworth as she rode on the side of the bomb in her negligée.

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A classic Russian tale retold for our time by an eminent folklorist “Many years ago in the great empire of Russia where wicked winds and cruel storms tormented the lives of poor peasants . . .” So begins the magical story of a simple peasant boy who defeats a cruel tsar with the help of his loyal pony. Written by the Russian poet Pyotr Yershov and first published in 1834, the tale became such a favorite and was so often repeated that it soon joined the oral tradition of Russian folklore that had been Yershov’s inspiration.In Fearless Ivan and His Faithful Horse Double-Hump, Jack Zipes, doyen of folklorists, adapts this classic tale, capturing the full charm and exoticism of the original. Rendered in the style and idiom of traditional Russian folk tales, the story speaks with the voice of the underdog, slyly satirizing the hypocrisy of the Russian bureaucracy and ruling classes—a taunt to tyranny that transcends time. With pertinent historical and biographical commentary from Zipes, along with thirty striking illustrations by Russian artists that were originally featured on postcards, this timeless tale—written for adults and celebrated as a children’s classic—is now a visual and literary delight for all generations of readers.

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