Search results for ""McPherson""

'The ever-witty McPherson has outdone herself' Scottish Field'All the wit and clever plotting fans of Christie could want' My Weekly Special*Winner of Left Coast Crime's Lefty Award for Best Historical Mystery Novel*Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.

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?? '' . . . an absolute delight . . . these are the perfect reads for a night by the fire'' ?? Scotsman?? ''Made all the more enjoyable through Dandy, McPherson''s witty and hysterical narrator . . . If you''re one for twists, turns, and glimpses of social history, this is for you'' ?? Scottish FieldWar is hovering on the horizon, and Dandy Gilver wants nothing more than to keep her friends and family close. But then a call in the night places her oldest friend Daisy at the centre of a murder investigation. With her friend''s future on the line, Dandy and her fellow sleuth Alec Osbourne must race to prove her innocence. But when they reach the idyllic Scottish village of Dirleton, residents confirm a woman was seen at the crime scene - an ancient stone called the louping stane, still spattered with the victim''s blood. And the longer the detectives spend in the village the more they question Daisy''s involvement. They''re not g

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The chilling new psychological thriller by Ben McPherson, author of A LINE OF BLOOD. A horrifying nightmare…A summer camp for teens, on a beautiful island. It should have been a haven. But it soon becomes hell on earth when two men start shooting. A country in shock…The families gather, desperately hoping their children have survived. Some have their prayers answered. Some must confront their worst nightmare. A family that will never be the same again…Cal and Elsa’s daughter Licia was on the island, but no one can find any trace of her. Delving into their daughter’s life, they uncover some shocking secrets. What really happened to Licia that day? Did she survive the shooting, or is she gone forever? ‘Emotional, painful and utterly memorable’ Alex Marwood, bestselling author of The Wicked Girls

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For over a dozen years, the Vectors Lab has experimented with digital scholarship through its online publication, Vectors, and through Scalar, a multimedia authoring platform. The history of this software lab intersects a much longer tale about computation in the humanities, as well as tensions about the role of theory in related projects.Tara McPherson considers debates around the role of cultural theory within the digital humanities and addresses Gary Hall’s claim that the goals of critical theory and of quantitative or computational analysis may be irreconcilable (or at the very least require “far more time and care”). She then asks what it might mean to design—from conception—digital tools and applications that emerge from contextual concerns of cultural theory and, in particular, from a feminist concern for difference. This path leads back to the Vectors Lab and its ongoing efforts at the intersection of theory and praxis.

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Poland, 1949. Zula is bold and brilliant, a singer who ignites the stage. Wiktor is withdrawn and damaged, a composer longing to write. Irresistibly drawn to each other, they dream of escape. But in Communist-controlled Poland, the desire for freedom can be a dangerous thing. Based on the film by Academy Award winner Paweł Pawlikowski, Cold War is an epic love story spanning the decades and breadth of Europe at its most divided, and a compelling story of passion, redemption, and the journey to be free. This stage adaptation by Conor McPherson was first performed at the Almeida Theatre, London, in November 2023, directed by Rupert Goold, and featuring traditional Polish songs alongside music by Elvis Costello.

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From the first shots fired at Fort Sumter in 1861 to the final clashes on the Road to Appomattox in 1864, The Atlas of the Civil War reconstructs the battles of America's bloodiest war with unparalleled clarity and precision. Edited by Pulitzer Prize recipient James M. McPherson and written by America's leading military historians, this peerless reference charts the major campaigns and skirmishes of the Civil War. Each battle is meticulously plotted on one of 200 specially commissioned full-color maps. Timelines provide detailed, play-by-play maneuvers, and the accompanying text highlights the strategic aims and tactical considerations of the men in charge. Each of the battle, communications, and locator maps are cross-referenced to provide a comprehensive overview of the fighting as it swept across the country. With more than two hundred photographs and countless personal accounts that vividly describe the experiences of soldiers in the fields, The Atlas of the Civil War brings to life the human drama that pitted state against state and brother against brother.

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The ideology that underlies the concept of race has a long history. For centuries that ideology has spun supernaturalist and scientistic stories about ostensibly natural differences between different groups. The concept of race is in scientific decline, but the intertwined ideology and rhetoric behind it live on, and indeed prosper.In this groundbreaking fusion of philosophy and color-conscious politics, philosopher Lionel K. McPherson enlists sweeping historical and empirical evidence to challenge fascination with the race concept. His lively, incisive analysis illuminates why social lineage matters far more than any race thing ever could, and why race ideology-rhetoric is more a distraction from gross injustice than a primary source. The Western label black was merely a figurative description for African peoples and African ancestry. The idea of continental races came later--with philosophers, theologians, and eventually scientists adding some important but elusive racial factor to v

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Whether you're moving from Microsoft Office to Google Docs or simply want to learn how to automate Docs with Google Apps Script, this practical guide shows you by example how to work with each of the major Apps Script services. Office still supports VBA, but it's not likely to do so for much longer. If you're a VBA or .NET developer, you'll learn how to port existing VBA code and structure to their JavaScript-based Apps Script equivalents with minimal effort. Author Bruce Mcpherson introduces JavaScript basics for experienced developers unfamiliar with the language, and demonstrates ways to build real-world apps using all of the Apps Script services previously covered. Use App Script's equivalent of Excel's object model Target the most commonly used parts of Microsoft Word Automate processes in Gmail, Calendar, and Contacts Access the local client filesystem with Google Drive Build and run applications in a browser Store persistent data conveniently Render HTML content in response to HTTP requests Automate the maintenance and creation of pages and content Interact with a REST service or NoSQL database Access Apps Script capabilities from other platforms

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A cosy Dandy Gilver mystery set in 1930s Scotland. For fans of PG Wodehouse, Alexander McCall Smith and Agatha Christie.'McPherson is an exemplary crime writer' Scotsman BAD LUCK? BAD TIMING? OR GOOD OLD-FASHIONED MURDER? When a circus comes to spend the winter at the neighbouring estate to Gilverton, Dandy Gilver's two sons are cock-a-hoop and they are not alone in their excitement. The allure of Tumbling Topsy Turvy, Tiny Truman and the Troupe Prebezhensky also draw the attention of the fast set, who would never normally be seen dead with the nouveau riche Mr & Mrs Albert Wilson. 'The name, darling, tells you everything you need to know.'But when Dandy Gilver is asked to investigate a series of nasty tricks taking place in the circus she discovers, under the colourful charms on the surface of circus life, a hotbed of passion and resentment she cannot begin to understand. But, when one of the artistes suddenly dies, Dandy must somehow get behind the smoke and mirrors to find answers in a world where nothing is as it seems. 'Dry wit . . . sparkling dialogue and meticulous description.' Herald 'The most engaging and ingenious crime-cracker I've met in ages' Scotland on Sunday Dan Brown meets Barbara Pym . . . Dandy is brisk, baffled, heroic, kindly, scandalised and - above all - very funny - GuardianCatriona McPherson's latest novel in the series, Dandy Gilver and a Spot of Toil and Trouble is now available for pre-order.

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Who did you talk to about sex when you were a kid? If you’re a Millennial, chances are your answer is “nobody.” In this all-inclusive look into a man’s world, author Michael McPherson shines a light on what it was like for the men of his generation to mature sexually, and why so many still haven’t. He explores what’s currently in the way of men experiencing an empowered relationship with sex and what they can do to take back their power. Along the way, Michael brings to light some of the less understood nuances of sex including sex energy, sexual desire, and the purpose of sex. Captivating, rich, and heart-wrenchingly vulnerable, Everything You Never Learned About Sex is a revolutionary blueprint for men to deconstruct their inherited relationship to sex, step outside the cultural norm, say ‘no’ to the further manipulation of their sex energy, and rebuild a relationship with sex on the basis of love instead of fear. Michael, through his self-reflective insights, on-the-court shares, and ‘how-to’ embodiment practices, empowers his audience to reclaim their stolen innocence, restore their heart, honor sex as sacred, and use their sex energy to create more love in the world.

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This is the story of three days last September when eight old friends gathered in a beautiful house by the sea. There was food, wine and laughter, and then the friends went their separate ways. That's the truth and nothing but the truth.Or is it? Donna Weaver has put everything into The Breakers. Now it waits - freshly painted, richly furnished, filled with flowers - for the first guests to arrive.But as they roll up, each one discovers they've been here before. Twenty-five years ago. When a party that started with peach schnapps and Postman's Knock ended with a girl walking into the sea and the rest of them making a vow of silence: lock it in a box, stitch my lips and go to my grave. But one of them has broken the pact.And before the weekend is over, someone will have gone to their grave.Praise for Catriona McPherson'An unnerving and suspenseful novel' Karin Slaughter'Just the right mixture of spookiness and mystery' James Oswald'A gripping thriller' Ian Rankin'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny'Agatha Award-winning McPherson's deliciously gothic country house mystery with a contemporary twist is devious and suspenseful and keeps readers guessing to the shocking end. Highly recommended.' Library Journal

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In this book, philosopher Harry Brighouse and Spencer Foundation president Michael McPherson bring together leading philosophers to think about some of the most fundamental questions that higher education faces. Looking beyond the din of arguments over how universities should be financed, how they should be run, and what their contributions to the economy are, the contributors to this volume set their sights on higher issues: ones of moral and political value. The result is an accessible clarification of the crucial concepts and goals we so often skip over-even as they underlie our educational policies and practices. The contributors tackle the biggest questions in higher education: What are the proper aims of the university? What role do the liberal arts play in fulfilling those aims? What is the justification for the humanities? How should we conceive of critical reflection, and how should we teach it to our students? How should professors approach their intellectual relationship with students, both in social interaction and through curriculum? What obligations do elite institutions have to correct for their historical role in racial and social inequality? And, perhaps most important of all: How can the university serve as a model of justice? The result is a refreshingly thoughtful approach to higher education and what it can, and should, be doing.

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'Authentic social history at the birth of the NHS, an intriguing murder, a strong and convincing central character, and McPherson's wonderful story-telling skills make this a very classy mystery' ANN CLEEVES'A hauntingly atmospheric weaving of social history and layered mystery, with a gutsy heroine determined to deliver justice. McPherson's writing is compelling, moving and memorable' SARAH YARWOOD-LOVETTHelen leaned close enough to fog the mirror with her breath and whispered, 'You, my girl, are a qualified medical almoner and at eight o'clock tomorrow morning you will be on the front line of the National Health Service of Scotland.' Her eyes looked huge and scared. 'So take a shake to yourself!'' Edinburgh, 1948. Helen Crowther leaves a crowded tenement home for her very own office in a doctor's surgery. Upstart, ungrateful, out of your depth - the words of disapproval come at her from everywhere but she's determined to take her chance and play her part. She's barely begun when she stumbles over a murder and learns that, in this most respectable of cities, no one will fight for justice at the risk of scandal. As Helen resolves to find a killer, she's propelled into a darker world than she knew existed, hardscrabble as her own can be. Disapproval is the least of her worries now. IN PLACE OF FEAR is a gripping new historical crime novel that is both enthralling and entertaining, and perfect for fans of AJ Pearce and Nicola Upson.Readers love IN PLACE OF FEAR:'What a wonderful book this is!''I loved [it] ... Helen is another cracker of a heroine from McPherson and I hope to read much more of her story in future' 'Historical crime from a talented pen. Intriguing and compelling in equal measure''An excellent read'

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This is the story of three days last September when eight old friends gathered in a beautiful house by the sea. There was food, wine and laughter, and then the friends went their separate ways. That's the truth and nothing but the truth.Or is it? Donna Weaver has put everything into The Breakers. Now it waits - freshly painted, richly furnished, filled with flowers - for the first guests to arrive.But as they roll up, each one discovers they've been here before. Twenty-five years ago. When a party that started with peach schnapps and Postman's Knock ended with a girl walking into the sea and the rest of them making a vow of silence: lock it in a box, stitch my lips and go to my grave. But one of them has broken the pact.And before the weekend is over, someone will have gone to their grave.Praise for Catriona McPherson'An unnerving and suspenseful novel' Karin Slaughter'Just the right mixture of spookiness and mystery' James Oswald'A gripping thriller' Ian Rankin'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny'Agatha Award-winning McPherson's deliciously gothic country house mystery with a contemporary twist is devious and suspenseful and keeps readers guessing to the shocking end. Highly recommended.' Library Journal

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In this book, philosopher Harry Brighouse and Spencer Foundation president Michael McPherson bring together leading philosophers to think about some of the most fundamental questions that higher education faces. Looking beyond the din of arguments over how universities should be financed, how they should be run, and what their contributions to the economy are, the contributors to this volume set their sights on higher issues: ones of moral and political value. The result is an accessible clarification of the crucial concepts and goals we so often skip over - even as they underlie our educational policies and practices. The contributors tackle the biggest questions in higher education: What are the proper aims of the university? What role do the liberal arts play in fulfilling those aims? What is the justification for the humanities? How should we conceive of critical reflection, and how should we teach it to our students? How should professors approach their intellectual relationship with students, both in social interaction and through curriculum? What obligations do elite institutions have to correct for their historical role in racial and social inequality? And, perhaps most important of all: How can the university serve as a model of justice? The result is a refreshingly thoughtful approach to higher education and what it can, and should, be doing.

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A cosy Dandy Gilver mystery set in 1930s Scotland. For fans of PG Wodehouse, Dorothy L Sayers and Agatha Christie.'A delightfully uplifting mystery with a distinctly P.G. Wodehouse-ian feel. Navigating ancient castles, and family feuds, Dandy Gilver must also contend with a ribald staging of Shakespeare's Macbeth. I loved the sense of fun, the wonderful use of language . . . satisfying on many levels.' Vaseem Khan, author of the Unexpected Inheritance of Inspector ChopraScotland, 1934. Aristocratic private detective Dandy Gilver arrives at Castle Bewer, at midsummer, to solve the tangled mystery of a missing man, a lost ruby and a family curse. The Bewer family's latest wheeze to keep the wolf from the door is turning the castle keep into a theatre. While a motley band of players rehearse Macbeth, the Bewers themselves prepare lectures, their faithful servants set up a tearoom, and the guest wings fill with rich American ladies seeking. Meanwhile, Dandy and her sidekick Alec Osborne begin to unravel the many secrets of the Bewers and find that, despite the witches, murders and ghosts onstage, it's behind the scenes where the darkest deeds are done.'The perfect read for those who enjoy the bygoneworld charm of Nancy Mitford, Evelyn Waugh and Agatha Christie.' - The Lady on Dandy Gilver and a Most Misleading Habit'Catriona McPherson is a writer as talented as she is versatile. Dandy Gilver tackles a Golden Age era puzzle with her usual aplomb when the Scottish play offers a Shakespearean twist to a mystery with plenty of classic ingredients.' Martin Edwards'Dandy Gilver is a fabulous character. a cross between Nancy Drew and the Australian crime cracker Miss Fisher. She is both relentless and brilliant.' Amazon Reviewer

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'I love McPherson's books - the clear and effortless prose, the entirely credible characters, and the wonderfully twisty plots - and Strangers at the Gate is one of her best' Ann Cleeves Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see?Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck.But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start won't survive a scandal. Together, for the best of reasons, they make the worst decision of their lives.And that's only the beginning. The deep, deep valley where Simmerton sits is unlike anywhere Finn and Paddy have been before. They are not the only ones hiding in its shadow and very soon they've lost control of the game they decided to play...Praise for Catriona McPherson:'An unnerving and suspenseful novel' Karin Slaughter'Just the right mixture of spookiness and mystery' James Oswald'A gripping thriller' Ian Rankin'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny' . . . drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book' Charlaine Harris, #1 New York Times bestselling author'A tale that shivers with suspense' The New York Times

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The spellbinding, beautifully observed hit from the master of suspenseful realism. A bar in a remote part of Ireland. The local lads are swapping spooky stories to impress a young woman recently moved to the area from Dublin. As the drink flows and the stories become increasingly frightening, it's clear that Valerie has something on her mind. She has a tale to tell that'll stop them all dead in their tracks. Conor McPherson's play The Weir combines superbly chilling tales of the supernatural with the hilarious banter of a small community in the heart of rural Ireland. The Weir was first performed at the Royal Court Theatre Upstairs at the Ambassadors Theatre on West Street, London, in July 1997. It transferred to the Duke of York's Theatre in the West End in February 1998, where it played for two years. The play went on to win the Olivier Award for Best New Play in 1999. McPherson also won the Evening Standard and Critics' Circle Awards for Most Promising Playwright. The Weir has since been performed very widely, including on Broadway in 1999. It received a major West End revival at the Donmar Warehouse in 2013, and transferred to the West End once again. It was voted one of the hundred most significant plays of the twentieth century in a poll conducted by the National Theatre in 2000. 'The play of the decade... a modern masterpiece' - Express 'I am convinced that this is the best new play I've seen in years' - Sunday Telegraph 'There is a depth in the characterisation... that puts one in mind of an Irish Chekhov. I have rarely been so convinced that I have just seen a modern classic' - Daily Telegraph 'A beautifully crafted and compassionate piece, dealing with love, loss and loneliness. It works because one believes so intensely in the characters that one shares the experiences they talk of, because it contains at its heart a shattering event and because it demonstrates the healing potential of storytelling... a fine piece of writing' - Financial Times Best New Play, Olivier Awards

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'Authentic social history at the birth of the NHS, an intriguing murder, a strong and convincing central character, and McPherson's wonderful story-telling skills make this a very classy mystery' ANN CLEEVES'A hauntingly atmospheric weaving of social history and layered mystery, with a gutsy heroine determined to deliver justice. McPherson's writing is compelling, moving and memorable' SARAH YARWOOD-LOVETTHelen leaned close enough to fog the mirror with her breath and whispered, 'You, my girl, are a qualified medical almoner and at eight o'clock tomorrow morning you will be on the front line of the National Health Service of Scotland.' Her eyes looked huge and scared. 'So take a shake to yourself!''Edinburgh, 1948. Helen Crowther leaves a crowded tenement home for her very own office in a doctor's surgery. Upstart, ungrateful, out of your depth - the words of disapproval come at her from everywhere but she's determined to take her chance and play her part.She's barely begun when she stumbles over a murder and learns that, in this most respectable of cities, no one will fight for justice at the risk of scandal. As Helen resolves to find a killer, she's propelled into a darker world than she knew existed, hardscrabble as her own can be. Disapproval is the least of her worries now.IN PLACE OF FEAR is a gripping new historical crime novel that is both enthralling and entertaining, and perfect for fans of AJ Pearce and Nicola Upson.Readers love IN PLACE OF FEAR:'What a wonderful book this is!''I loved [it] ... Helen is another cracker of a heroine from McPherson and I hope to read much more of her story in future''Historical crime from a talented pen. Intriguing and compelling in equal measure''An excellent read'

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Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see?Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck.But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start won't survive a scandal. Together, for the best of reasons, they make the worst decision of their lives.And that's only the beginning. The deep, deep valley where Simmerton sits is unlike anywhere Finn and Paddy have been before. They are not the only ones hiding in its shadow and very soon they've lost control of the game they decided to play...Praise for Catriona McPherson:'An unnerving and suspenseful novel' Karin Slaughter'Just the right mixture of spookiness and mystery' James Oswald'A gripping thriller' Ian Rankin'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny' . . . drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book' Charlaine Harris, #1 New York Times bestselling author'A tale that shivers with suspense' The New York Times

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Uncover a new way to network and build relationships that last!Networking is often considered a necessary evil for all working professionals. With social media platforms like Linkedin, Twitter, Instagram, and Facebook at our disposal, reaching potential investors or employers is much easier. Yet, these connections often feel transactional, agenda-driven, and dehumanizing, leaving professionals feeling burnt out and stressed out. Instead, we should connect on a human level and build authentic relationships beyond securing a new job or a new investor for your next big idea. To build real and meaningful networking contacts, we need to go back to basics, remembering that technology is a tool and not a means and end. We need to tap into our humanity and learn to be more intentional and authentic. As a “serial connector” and communications expert, Susan McPherson has a lifetime of experience building genuine connections in and out of work. Her methodology is broken down into three simple steps 1. Gather: Instead of waiting for the perfect networking opportunity to come to you, think outside the box and create your own opportunity. Host your own dinner party, join a local meet-up group, or volunteer at your neighborhood food pantry. Anyone from your local barista to a fellow parent at your daughter’s elementary school can lead to another connection that you just might need. 2. Ask: Instead of leading with our own rehearsed elevator pitches asking for help, ask to help, opening the door to share resources, experience, contacts, and perspectives that add diversity to your own vision. 3. Do: Turn new connections into meaningful relationships by taking these newly formed relationships deeper. Follow through on the promises you made, keep in touch, and learn to move past small talk by embracing your vulnerability and having conversations that matter. Woven together with helpful tips and useful advice on making the most out of every step, the book draws on the real-life success stories of friends, and clients, as well as McPherson’s own experience as a renowned “serial connector.” Filled with humor, humility, and wisdom, The Lost Art of Connecting is the handbook we all need to foster personal and professional relationships that blur the lines between work and play—and enrich our lives in every way.

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In 1875, a team of cartographers, geologists, and scientists under the direction of Ferdinand V. Hayden entered the Four Corners area for what they thought would be a calm summer’s work completing a previous survey. Their accomplishments would go down in history as one of the great American surveying expeditions of the nineteenth century. By skillfully weaving the surveyors’ diary entries, field notes, and correspondence with newspaper accounts, historians Robert S. McPherson and Susan Rhoades Neel bring the Hayden Survey to life. Mapping the Four Corners provides an entertaining, engaging narrative of the team’s experiences, contextualized with a thoughtful introduction and conclusion. Accompanied by the great photographer William Henry Jackson, Hayden’s team quickly found their trip to be more challenging than expected. The travelers describe wrangling half-wild pack mules, trying to sleep in rain-soaked blankets, and making tea from muddy, alkaline water. Along the way, they encountered diverse peoples, evidence of prehistoric civilizations, and spectacular scenery-Hispanic villages in Colorado and New Mexico; Mesa Verde, Hovenweep, and other Anasazi sites; and the Hopi mesas. Not everyone they met was glad to see them: in southeastern Utah surveyors fought and escaped a band of Utes and Paiutes who recognized that the survey meant dispossession from their homeland. Hayden saw his expedition as a scientific endeavor focused on geology, geographic description, cartographic accuracy, and even ethnography, but the search for economic potential was a significant underlying motive. As this book shows, these pragmatic scientists were on the lookout for gold beneath every rock, grazing lands in every valley, and economic opportunity around each bend in the trail. The Hayden Survey ultimately shaped the American imagination in contradictory ways, solidifying the idea of “progress”-and government funding of its pursuit-while also revealing, via Jackson’s photographs, a landscape with a beauty hitherto unknown and unimagined.

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American higher education faces some serious problems--but they are not the ones most people think. In this brief and accessible book, two leading experts show that many so-called crises--from the idea that typical students are drowning in debt to the belief that tuition increases are being driven by administrative bloat--are exaggerated or simply false. At the same time, many real problems--from the high dropout rate to inefficient faculty staffing--have received far too little attention. In response, William G. Bowen and Michael S. McPherson provide a frank assessment of the biggest challenges confronting higher education and propose a bold agenda for reengineering essential elements of the system to meet them. The result promises to help shape the debate about higher education for years to come. Lesson Plan shows that, for all of its accomplishments, higher education today is falling short when it comes to vital national needs. Too many undergraduates are dropping out or taking too long to graduate; minorities and the poor fare worse than their peers, reinforcing inequality; and college is unaffordable for too many. But these problems could be greatly reduced by making significant changes, including targeting federal and state funding more efficiently; allocating less money for "merit aid" and more to match financial need; creating a respected "teaching corps" that would include nontenure faculty; improving basic courses in fields such as math by combining adaptive learning and face-to-face teaching; strengthening leadership; and encouraging more risk taking. It won't be easy for faculty, administrators, trustees, and legislators to make such sweeping changes, but only by doing so will they make it possible for our colleges and universities to meet the nation's demands tomorrow and into the future.

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American higher education faces some serious problems--but they are not the ones most people think. In this brief and accessible book, two leading experts show that many so-called crises--from the idea that typical students are drowning in debt to the belief that tuition increases are being driven by administrative bloat--are exaggerated or simply false. At the same time, many real problems--from the high dropout rate to inefficient faculty staffing--have received far too little attention. In response, William G. Bowen and Michael S. McPherson provide a frank assessment of the biggest challenges confronting higher education and propose a bold agenda for reengineering essential elements of the system to meet them. The result promises to help shape the debate about higher education for years to come. Lesson Plan shows that, for all of its accomplishments, higher education today is falling short when it comes to vital national needs. Too many undergraduates are dropping out or taking too long to graduate; minorities and the poor fare worse than their peers, reinforcing inequality; and college is unaffordable for too many. But these problems could be greatly reduced by making significant changes, including targeting federal and state funding more efficiently; allocating less money for "merit aid" and more to match financial need; creating a respected "teaching corps" that would include nontenure faculty; improving basic courses in fields such as math by combining adaptive learning and face-to-face teaching; strengthening leadership; and encouraging more risk taking. It won't be easy for faculty, administrators, trustees, and legislators to make such sweeping changes, but only by doing so will they make it possible for our colleges and universities to meet the nation's demands tomorrow and into the future.

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Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term transmedia" with transnational," they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media. In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gomez-Pena examine interactive bodies transformed by shock, gender, and color. An invaluable reference work in the field of visual media studies, Transmedia Frictions provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term “transmedia” with “transnational,” they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media. In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gómez-Peña examine interactive bodies transformed by shock, gender, and color. An invaluable reference work in the field of visual media studies, Transmedia Frictions provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.

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In the heat of summer, Sonya and her Uncle Vanya while away their days on a crumbling estate deep in the countryside, visited occasionally by the only local doctor Astrov. However, when Sonya's father, Professor Serebryakov, suddenly returns with his restless, alluring, new wife, declaring his intention to sell the house, the polite façades crumble and long-repressed feelings start to emerge with devastating consequences. Olivier Award-winner Conor McPherson's stunning adaptation of Anton Chekhov's masterpiece, Uncle Vanya, is a portrayal of life at the turn of the twentieth century, full of tumultuous frustration, dark humour and hidden passions. It premiered at the Harold Pinter Theatre in London's West End in January 2020, directed by Ian Rickson. A film of the production, made by Sonia Friedman Productions/Angelica Films and shot on the stage of the Harold Pinter Theatre after the West End run was cut short due to the Covid-19 pandemic, was screened on BBC Four and went on to win the Theatre Award in the South Bank Sky Arts Awards 2021.

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Over the last sixty years, the relationship between the United States and Latin America has been marred by ideological conflict, imbalances of power, and economic disparity. The U.S.

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It''s all aboard for a Campbell Clan Christmas! Lexy swaps cinnamon lattes for boiled sprouts when the Last Ditch crew travel from California to an idyllic Scottish village for the holidays, but something very unmerry is lurking below the surface . . .Lexy Campbell is long overdue a trip to Scotland to see her parents, and an unexpected death in the extended Last Ditch Motel family makes Christmas in a bungalow in Dundee with nine others seem almost irresistible.But when Lexy and the Last Ditch crew hop across the Atlantic, there''s been a change of plan and they''re whisked off to Mistletoe Hall in the pretty village of Yule, where the surprises continue. The news that a man disappeared from the crumbling pile sixty years ago, along with an unsettling discovery in the bricked-up basement, means that Todd, Kathi and Lexy - Trinity for Trouble - must solve another murder.Deadly secrets, berry rustlers, skeletons and a snowy Christmas Eve in the b

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'McPherson's wit has been compared to that of PG Wodehouse or Nancy Mitford, and her finely researched and choreographed narratives to the work of Agatha Christie . . . an absolute delight . . . these are the perfect reads for a night by the fire.' ScotsmanWedding bells are set to ring as Dandy Gilver, family in tow, arrives in windswept Wester Ross on Valentine's Day. They've come to celebrate Lady Lavinia's fiftieth birthday and to meet her daughter Mallory, a less-than-suitable bride-to-be for Dandy's son Donald.But soon love is the last thing on Dandy's mind when the news breaks that Lady Lavinia has been found dead, brutally murdered in the middle of her famous knot garden. Strange superstitions and folklore abound among the Gaelic-speaking locals. But , Dandy suspects that the tangled boughs and branches around Applecross House hide something much more earthly at work . . .

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A Short History of U.S. Interventions in Latin America and the Caribbean presents a concise account of the full sweep of U.S. military invasions and interventions in Central America, South America, and the Caribbean from 1800 up to the present day. Engages in debates about the economic, military, political, and cultural motives that shaped U.S. interventions in Cuba, Nicaragua, Puerto Rico, Haiti, the Dominican Republic, Panama, Guatemala, Mexico, and elsewhere Deals with incidents that range from the taking of Florida to the Mexican War, the War of 1898, the Veracruz incident of 1914, the Bay of Pigs, and the 1989 invasion of Panama Features also the responses of Latin American countries to U.S. involvement Features unique coverage of 19th century interventions as well as 20th century incidents, and includes a series of helpful maps and illustrations

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The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in the Handbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, and Innovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology, gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on each topic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.

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A brilliant, haunting play from the multi-award winning author of The Weir. Ian has left the priesthood to become a therapist. John is one of his first clients. John's wife has been killed in a car accident, and he keeps receiving visits from her ghost. John, with Ian's help, starts to recover. But what begins as an unusual encounter becomes a desperate struggle between the living and the dead – a struggle which will shape and define both of them for the rest of their lives. Conor McPherson's play Shining City was first performed at the Royal Court Theatre, London, in June 2004.

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A magical, compelling play from the author of The Weir. Present day Dublin. Christmas Eve. Undertaker John Plunkett is sharing memories of funerals over the years and dispensing advice to his young assistant. But the arrival of his daughter Mary – estranged, grown-up – shows him the time has come to face up to his own disastrous past. Otherwise, he will never be able to create some kind of truce with his fear of the future. Conor McPherson's play Dublin Carol was first performed at the Royal Court Theatre Downstairs, London, in January 2000.

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A cosy Dandy Gilver mystery set in 1920s Scotland. For fans of PG Wodehouse, Dorothy L Sayers and Agatha Christie.Perthshire 1929 and the menfolk of the Gilver family have come down, between them, with influenza, bronchitis, pneumonia and pleurisy. Dandy the devoted wife and mother decides it is time to decamp; Dandy the intrepid detective, however, decides to decamp to the scene of a murder she would dearly love to solve. The family repairs to the Borders town of Moffat, there to drink the sulphurous waters straight from the well and to submit to the galvanic wraps and cold salt rubs of the splendid Laidlaw Hydropathic Hotel.But all is not well at the Hydro. The Laidlaw family is at war, the guests are an uneasy mix of old faithfuls and giddy upstarts, and the secret of the lady who arrived but never left cannot be kept for long. And what of those drifting shapes in the Turkish bath? Just steam shifting in the air? Probably. But the Hydro was built in the lee of a Gallow Hill, and in this town the dead can be as much trouble as the living...Catriona McPherson's latest novel in the series, Dandy Gilver and a Spot of Toil and Trouble is now available for pre-order.

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In this 500th anniversary year of the Reformation, this volume collects the writing of well-known reformers Martin Luther, John Calvin, John Knox, Thomas Cranmer, Lancelot Andrewes, as well as lesser-known leaders of their time. Rather than look at the theological arguments and apologetics of these religious thinkers, we instead look to their hopes and concerns by reading their prayers. This year, many are asking, "How is the Reformation relevant for today?" These prayers, arranged by author and subject, will open a window into the personal faith and spirituality of those on the front lines of that great upheaval in the church and culture. Their wisdom speaks across the centuries to our world today, torn by competing religious and political factions and challenges to the institutions of faith.

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It''s all aboard for a Campbell Clan Christmas! Lexy swaps cinnamon lattes for boiled sprouts when the Last Ditch crew travel from California to an idyllic Scottish village for the holidays, but something very unmerry is lurking below the surface . . .Lexy Campbell is long overdue a trip to Scotland to see her parents, and an unexpected death in the extended Last Ditch Motel family makes Christmas in a bungalow in Dundee with nine others seem almost irresistible.But when Lexy and the Last Ditch crew hop across the Atlantic, there''s been a change of plan and they''re whisked off to Mistletoe Hall in the pretty village of Yule, where the surprises continue. The news that a man disappeared from the crumbling pile sixty years ago, along with an unsettling discovery in the bricked-up basement, means that Todd, Kathi and Lexy - Trinity for Trouble - must solve another murder.Deadly secrets, berry rustlers, skeletons and a snowy Christmas Eve in the b

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Proficiency in volumetric analysis is a key skill for chemists in research and industry. This work seeks to ‘modernise’ approaches to volumetric analysis, by relating practical work to vocationally-relevant topics, whilst maintaining the rigor required for satisfactory performance in practical examinations. Written by someone who has experienced both teaching and working as a research chemist, this up to date textbook on practical volumetric analysis will provide the theoretical chemistry associated with volumetric analysis supported by a selection of practicals. There will also be suggestions for a number of investigations which could form the basis of project-based learning or coursework, particularly for those pursing vocational science courses. Section 1 will consist of three theory chapters, covering preliminary concepts (fundamentals of chemistry, essential quantitative chemistry and concepts of statistics). Section 2 will be divided into four chapters, based on the four main divisions of volumetric analysis (acid-base titrimetry, redox titrimetry, precipitation titrimetry and complexometric titrimetry). Each chapter in this section will start with a review of essential theory, with worked examples and illustrations where appropriate, and end with a selection of laboratory practicals. Each chapter will also contain a number of open-ended investigations, for use in project-based learning or coursework. Section 3 will address more advanced topics and be divided into four chapters (volumetric analysis in industry, further statistical concepts, mathematics of titrimetry and advanced titrimetry). Practical work and suggestions for further reading will be included where appropriate. Practical Volumetric Analysis is suitable for students taking modules in introductory chemistry and analytical chemistry on undergraduate degree courses as well as providing guidance to non-specialists teaching chemistry.

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