Search results for ""McPherson""

A decade after his release from Federal prison, the 67-year-old Jefferson Davis,ex-President of the Confederacy, the "Southern Lincoln," popularly regarded as a martyr to the Confederate cause,began work on his monumental Rise and Fall of the Confederate Government. Motivated partially by his deep-rooted antagonism toward his enemies (both the Northern victors and his Southern detractors), partially by his continuing obsession with the "cause," and partially by his desperate pecuniary and physical condition, Davis devoted three years and extensive research to the writing of what he termed "an historical sketch of the events which preceded and attended the struggle of the Southern states to maintain their existence and their rights as sovereign communities." The result was a perceptive two-volume chronicle, covering the birth, life, and death of the Confederacy, from the Missouri Compromise in 1820, through the tumultuous events of the Civil War, to the readmission of the Southern States to the Congress in the late 1860s. Supplemented with a new historical foreword by the Pulitzer Prize-winning James M. McPherson, The Rise and Fall of the Confederate Government, Volume I, belongs in the library of anyone interested in the root causes, the personalities, and the events of America's greatest war.

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When the body of a transport minister is discovered in the grounds on the Honeychurch Hall estate, suspicion as to his unusual demise naturally falls on the residents. After all, who could possibly want a high-speed train line and rolling stock depot built in their front yard?News of the murder soon reaches local resident Kat Stanford's nemesis Trudy Wynne. A ruthless tabloid journalist and the ex-wife of Kat's discarded lover, Trudy is out for revenge. She is also interested in exposing -and humiliating-Kat's mother Iris, who is secretly the international bestselling romance writer Krystalle Storm. As the body count begins to build, Kat becomes inextricably embroiled in the ensuing scandal. Is the minister's death the result of a local vendetta, or could it be connected to her mother's unusual past?Praise for Hannah Dennison:The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch. (Rhys Bowen)Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory. (Catriona McPherson)A fun read (Carola Dunn)Sparkles like a glass of Devon cider on a summer afternoon. (Elizabeth Duncan)

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A “powerful” (The Wall Street Journal) biography of one of the 19th century’s greatest statesmen, encompassing his decades-long fight against slavery and his postwar struggle to bring racial justice to America.Thaddeus Stevens was among the first to see the Civil War as an opportunity for a second American revolution—a chance to remake the country as a genuine multiracial democracy. As one of the foremost abolitionists in Congress in the years leading up to the war, he was a leader of the young Republican Party’s radical wing, fighting for anti-slavery and anti-racist policies long before party colleagues like Abraham Lincoln endorsed them. These policies—including welcoming black men into the Union’s armies—would prove crucial to the Union war effort. During the Reconstruction era that followed, Stevens demanded equal civil and political rights for Black Americans—rights eventually embodied in the 14th and 15th amendments. But while Stevens in many ways pushed his party—and America—towards equality, he also championed ideas too radical for his fellow Congressmen ever to support, such as confiscating large slaveholders’ estates and dividing the land among those who had been enslaved. In Thaddeus Stevens, acclaimed historian Bruce Levine has written a “vital” (The Guardian), “compelling” (James McPherson) biography of one of the most visionary statesmen of the 19th century and a forgotten champion for racial justice in America.

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Batty Ballads is a crazy collection of funny story-poems with many full colour illustrations by Colin West himself. The characters you can meet include Freda, a flat-footed fairy, a dirty cowboy called Bert, King Neptunes’s naughty nephew and young Gordon Glass, the boy who ignored notices. There are a host of animal characters too, such as a sea-faring cat who tells of fantastic adventures, a pig called Sam who isn’t very good at going to market, and a collection of creatures who help to make a truly incredible (and rather inedible) cake. You’ll also meet some colourful dinosaurs as you’ve never seen before, a pair of turnips who visit London, a ginger wig which undergoes various uses, and (if you are more observant than Fergus McPherson) you may even catch sight of the Loch Ness Monster. All the poems are strong in rhyme and rhythm and are complemented by the author’s hilarious illustrations. Colin West’s verses have been anthologised by the likes of Julia Donaldson and Roger Mcgough, and all lovers of nonsense will relish the clever wordplay and humour in every line. The book’s ninety plus pages are full to brimming with wit and charm. So sit back and enjoy the fun!

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'Just the thing to chase the blues away' M. C. BeatonAll's fair in love . . . and antiques wars!Things are going well for Kat Stanford; not only is her antiques business thriving, she's also got a new date: Piers Carew, Viscount Chawley, who owns the estate next to Honeychurch Hall. Unfortunately, Kate has a rival. Impossibly beautiful Cassandra Bowden-Forbes is also in town, conducting valuations at the same fairs as Kat - and she makes no secret of the fact she's got her eye on Piers . . .And then things start to go wrong: Kat finds herself at the scene of not one but two mysterious deaths, and local tongues are wagging - is it coincidence, or murder? As Kat's fortunes nosedive it becomes clear that unless she can solve these unexplained deaths then she may just be the victim of the next accident . . .Praise for Hannah Dennison'Will delight fans and new readers alike' People's Friend'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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A remarkable collection of accounts of intrepid American aircrew shot down over enemy lines during World War II and how they got away. To be an airman in the Eighth Air Force flying over the war-torn skies of Europe required skill, tenacity, and luck. Those who were shot down and evaded capture needed all of that and more if they were to make it back to friendly lines. These are their stories. Each is compiled from the original intelligence debrief written by the pilots or aircrew themselves. Bill Yenne details how a spider web of escape routes sprang up, created by the local Résistance. Downed airmen were clothed, given false papers, and hidden so they could be smuggled back to England. These efforts were then supplemented by Allied intelligence agents. But the risks remained the same. Capture could mean death. Their accounts are sometimes funny, often heartbreaking. P-47 pilot Joel McPherson feigned appendicitis and was able to escape from the local German military hospital – after he had his appendix removed. He spent weeks operating as a getaway driver for a Maquis bank robber gang before making it into neutral Spain. Bomber crewmen Fred Hartung and Norman Therrien found refuge at a French château, but later nearly froze to death crossing the icy Pyrenees with the Gestapo on their trail. The accounts of these men and others from the Mighty Eighth make this a story of defiance, foolhardiness, and bravery against the odds.

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A “powerful” (The Wall Street Journal) biography of one of the 19th century’s greatest statesmen, encompassing his decades-long fight against slavery and his postwar struggle to bring racial justice to America.Thaddeus Stevens was among the first to see the Civil War as an opportunity for a second American revolution—a chance to remake the country as a genuine multiracial democracy. As one of the foremost abolitionists in Congress in the years leading up to the war, he was a leader of the young Republican Party’s radical wing, fighting for anti-slavery and anti-racist policies long before party colleagues like Abraham Lincoln endorsed them. These policies—including welcoming black men into the Union’s armies—would prove crucial to the Union war effort. During the Reconstruction era that followed, Stevens demanded equal civil and political rights for Black Americans—rights eventually embodied in the 14th and 15th amendments. But while Stevens in many ways pushed his party—and America—towards equality, he also championed ideas too radical for his fellow Congressmen ever to support, such as confiscating large slaveholders’ estates and dividing the land among those who had been enslaved. In Thaddeus Stevens, acclaimed historian Bruce Levine has written a “vital” (The Guardian), “compelling” (James McPherson) biography of one of the most visionary statesmen of the 19th century and a forgotten champion for racial justice in America.

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Master the art and science of using shameless propaganda for personal and social good. Influencers have always deployed the power of hype to get what they want. But never in history have people been so susceptible to propaganda and persuasion as they are now. Hype truly runs our world.Imagine if you could generate and leverage hype for positive purposes—like legitimate business success, helping people, or effecting positive change in your community. Michael F. Schein teaches you how. In The Hype Handbook, the notorious marketing guru provides 12 fundamental strategies for creating and leveraging hype for good, including ways to: Attract attention from people that matter Create a community of acolytes to further your cause Create an atmosphere of curiosity and intrigue Sell your message with the skill of master Create a step-by-step “manifesto” Citing the latest research in psychology, sociology and neuroscience, Schein breaks the concept of hype down into a simple set of strategies, skills, and techniques—and illustrates his methods through stories of the world’s most effective hype artists, including American propagandist Edward Bernays, Alice Cooper manager Shep Gordon, celebrity preacher Aimee Semple McPherson, Spartan Race founder Joe De Sena, and digital guru Gary Vaynerchuk.Whatever your temperament, education, budget, background, or natural ability, The Hype Handbook delivers everything you need to apply the most powerful tools of persuasion for personal and business success.

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What if the course of history had been changed by a different decision, a different victor, a different invention? Utopian stories and alternative history stories by H.G. Wells, Nathaniel Hawthorne, Castello Holford and others are combined here with new stories by new writers from open submissions, exploring the variety and delight of alternative history to reimagine the world around us: What if the Ancient Egyptians had conquered Rome? What if World War II had been won by the loser, not the victors? What if women had ruled the world for 4000 years not men? New, contemporary and notable writers featured are: Essa Bah, Rebecca Buchanan, Monica Butler, Jay Caselberg, Jonathan Davidson, Evan A. Davis, C.R. Hobson, Vylar Kaftan, Richard Kigel, Andrea Kriz, Adam Lawson, Kwame M.A. McPherson, Eve Morton, Chiamaka Muoneke, Maureen O'Leary, Jennifer R. Povey, Guy Prevost, Matias F. Travieso-Diaz, Rebecca E. Treasure, DJ Tyrer, Iris Whelan, Cameron Wise-Maas, Alex Woodroe, James Young, and Elizabeth Zuckerman. These appear alongside classic stories by authors such as Nathaniel Hawthorne, Castello Holford, H.G. Wells, and John Wyndham. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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I got completely sucked in by this . . . If Rebecca had written Rebecca what you'd get is Where She Went. An irresistible voice, a unique predicament and a cast of characters that plays acid jazz on your heartstrings. Hard to take and impossible to look away - Catriona McPhersonWelcome to the strange new world of Melanie Black. She used to report on murder cases - but now she finds herself the victim of oneTV journalist Melanie Black wakes up one morning next to a man she doesn't remember. It's not the first time - but he ignores her even though she's in his bed. Yet when his wife walks in with a cup of tea he greets her with a smile and to her horror, Melanie comes to realise that no one can see or hear her - because she is dead.But has she woken up next to her murderer? And where is her body? Why is she an invisible and uninvited guest in a house she can't leave; is she tied to this man forever? Is Melanie being punished in some way, or being given a chance to make amends?As she begins to piece together the last days of her life and circumstances leading up to her own death it becomes clear she has to make a choice: bring her killer to justice, or wreak her own punishment on the man who murdered her.

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'Just the thing to chase the blues away' M. C. BeatonSpring is in the air ... and so, too, is the sound of music as the residents of Honeychurch Hall are stunned to learn that the Dowager Countess Lady Edith Honeychurch has agreed to the staging of a production of The Merry Widow in the dilapidated grand ballroom.Fears that the fiercely private octogenarian must be going senile are soon dismissed when our heroine, Kat Stanford, learns that the favour is a result of a desperate request from Countess Olga Golodkin. As one of Edith's oldest friends Olga is the director of the amateur Devon Operatic Dramatic Organization. Just a week before, D.O.D.O's original venue was destroyed in a mysterious fire but since tickets have been sold, costumes made and lucrative local sponsorships secured, Olga is determined that the show must go on. After decades at the helm of D.O.D.O., The Merry Widow will be Olga's swansong and she wants to go out with a bang . . .Praise for Hannah Dennison:'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'Will delight fans and new readers alike' People's Friend'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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First in a delightfully charming crime series set in 1930s Singapore, introducing amateur sleuth Su Lin, a local girl stepping in as governess for the Acting Governor of Singapore.1936 in the Crown Colony of Singapore, and the British abdication crisis and rising Japanese threat seem very far away. When the Irish nanny looking after Acting Governor Palin's daughter dies suddenly - and in mysterious circumstances - mission school-educated local girl Su Lin - an aspiring journalist trying to escape an arranged marriage - is invited to take her place. But then another murder at the residence occurs and it seems very likely that a killer is stalking the corridors of Government House. It now takes all Su Lin's traditional skills and intelligence to help British-born Chief Inspector Thomas LeFroy solve the murders - and escape with her own life.'Simply glorious. Every nook and cranny of 1930s Singapore is brought richly to life, without ever getting in the way of a classic puzzle plot. But what's a setting without a jewel? Chen Su Lin is a true gem. Her slyly witty voice and her admirable, sometimes heartbreaking, practicality make her the most beguiling narrator heroine I've met in a long while.' Catriona McPherson'Charming and fascinating with great authentic feel. Ovidia Yu's teenage Chinese sleuth gives us an insight into a very different culture and time. This book is exactly why I love historical novels.' Rhys Bowen

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'Just the thing to chase the blues away' M. C. BeatonWhen a body found on the Honeychurch Hall estate proves to be that of a villager who had supposedly moved to Ireland years earlier, tongues start wagging and theories abound. Charlie Green had always been a rogue.Although Charlie's demise happened well before Kat's arrival, Kat is drawn into the mystery when she finds two rare miniature portraits hidden inside a custom-made dollhouse of Honeychurch Hall. And then Charlie's aunt suffers a mysterious fatal fall and suspicion lands on a stranger who is holidaying in the newly installed shepherd's hut in the walled garden -- one of Lady Lavinia's latest hare-brained moneymaking schemes. Although there is something off about the tourist, Kat believes the culprit is fellow antique dealer.With tales of blackmail, infidelity and greed gripping the small community, past and present collide and Kat realises that the miniatures harbour a vital secret that one particular person is willing to kill for.Praise for Hannah Dennison:'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'Will delight fans and new readers alike' People's Friend'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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'Just the thing to chase the blues away' M. C. BeatonMistletoe and murder at Honeychurch Hall...It's ten days before Christmas at Honeychurch Hall and Kat Stanford has persuaded the Earl of Grenville to open the Museum Room to the villagers in an effort to raise money for rooftop repairs. For the price of a ticket visitors will be able to view an unusual display of antiques - including the legendary Bleeding Hawk of Honeychurch Hall.When an obnoxious young couple drive 200 miles from London to view the treasures it's not just Kate who is suspicious of their intentions; Mr Chips, the estate's feisty Jack Russell makes his feelings plain by taking a bite out of the man's trousers.But then a suit of armour inexplicably falls on the ancient butler, killing him, and when a second body is found near a quarry nearby Kat becomes entangled in a world of feuds and jealousies, finally encountering a cold-blooded killer who will stop at nothing to keep the past at bay.Praise for Hannah Dennison'Will delight fans and new readers alike' People's Friend'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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'Just the thing to chase the blues away' M. C. BeatonFollowing the butler's death and the cook's retirement, the ever-gullible Lady Lavinia replaces them with a power couple who are determined to thrust the crumbling estate into the 21st century. The Dowager Countess reluctantly agrees to hold a big-ticket Christmas gala and silent auction with a mystery celebrity flying in from Monaco as the guest of honour.Needless to say the newcomers' make a few enemies in their quest to change the status quo and when one body is discovered in the Victorian stumpery and a second, in the ha-ha, it seems that their high-flying past is catching up with them. Meanwhile, Kat is dealing with the theft of a valuable doll that had been earmarked for the auction. When it turns out that all the ticket money has vanished and there never was a celebrity guest, it's up to Kat to save the day and bring the cold-blooded killer to justice.Praise for Hannah Dennison:'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'Will delight fans and new readers alike' People's Friend'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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It began with Magic, Bird, and Dr. J. Then came Michael. The Dream Team. The WNBA. And, most recently, "Spree" Latrell Sprewell--American Dream or American Nightmare?--the embodiment of everything many believe is wrong--and others believe is exciting--about the game. Today, despite the NBA strike, despite home run derbies, despite football's headlock on network television ratings, despite the much-heralded return of baseball, basketball has assumed a role in American culture and consciousness impossible to imagine 20 years ago, when arenas were empty and the NBA finals were broadcast via tape delay in the wee hours. So what happened? How did a "black sport," plagued by drug scandal and decimated by white flight, come to achieve such prominence? What are the subtle and not-so-subtle racial codes that define how the game is played and perceived, and the reception of its high-profile stars? What does the shift in popularity from the predominantly white, working-class ethos of baseball to the black, urban ethos of basketball suggest about contemporary life in America? What linkages exist between basketball and hip-hop culture and how did these develop? How has the arrival of women on the scene changed the equation? Bringing together journalists, cultural critics, and academics, this wide-ranging anthology has something for everyone, from hard-core fan to casual observer. Contributors: Todd Boyd, Kenneth L. Shropshire, Gerald Early, James Peterson, Susan J. Rayl, Davis W. Houck, Mark Conrad, Charles J. Ogletree, Jr., Earl Smith, Sohail Daulatzi, Larry Platt, Tina Sloan Green, Alpha Alexander, Tara McPherson, Aaron Baker.

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'Just the thing to chase the blues away' M. C. BeatonIs it a question of turn the other cheek... or an eye for an eye?At last St Mary's church is going to have its own vicar! Not only that, the gorgeous Reverend Pritchard is sixty, single... and in need of a wife.But when he spearheads a campaign to restore a derelict chapel - rumoured to be haunted by a German Luftwaffe pilot- in a far-flung corner of the Honeychurch estate, the Dowager Countess puts her foot down. But nobody quite understands why... Meanwhile, a fierce bidding war at an auction of military memorabilia ends in Kat's female adversary being murdered and Kat being held as the prime suspect. And then it turns out that several of the auctioned items are connected to Operation Tiger, a doomed rehearsal for the D-Day landings that took place in nearby Slapton Sands all those years ago. And Kat begins to realise that the vicar, the Luftwaffe ghost and all the World War II weaponry may all somehow be related...Praise for Hannah Dennison:'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson'Will delight fans and new readers alike' People's Friend'A fun read' Carola Dunn'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan

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In these original essays, America's leading historians and legal scholars reassess the ratification of the Thirteenth Amendment and its relevance to issues of liberty, justice, and equality. The Thirteenth Amendment abolished slavery in the United States, reasserting the radical, egalitarian dimensions of the Constitution. It also laid the foundations for future civil rights and social justice legislation. Yet subsequent reinterpretation and misappropriation have curbed more substantive change. With constitutional jurisprudence undergoing a revival, The Promises of Liberty provides a full portrait of the Thirteenth Amendment and its potential for ensuring liberty. The collection begins with Pulitzer Prize-winning historian David Brion Davis, who discusses the failure of the Thirteenth Amendment to achieve its framers' objectives. The next piece, by Alexander Tsesis, provides a detailed account of the Amendment's revolutionary character. James M. McPherson, another Pulitzer recipient, recounts the influence of abolitionists on the ratification process, and Paul Finkelman focuses on who freed the slaves and President Lincoln's commitment to ending slavery. Michael Vorenberg revisits the nineteenth century's understanding of freedom and citizenship and the Amendment's surprisingly small role in the Reconstruction and post-Reconstruction periods. William M. Wiecek shows how the Supreme Court's narrow interpretation once rendered the guarantee of freedom nearly illusory, and the collection's third Pulitzer Prize winner, David M. Oshinsky, explains how peonage undermined the prohibition against compulsory service. Subsequent essays relate the Thirteenth Amendment to congressional authority, hate crimes legislation, the labor movement, and immigrant rights. These chapters analyze unique features of the amendment along with its elusive meanings and affirm its power to reform criminal and immigration law, affirmative action policies, and the protection of civil liberties.

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In her “keenly observed” (Star Tribune, Minneapolis) debut, Rachel Louise Snyder, author of the memoir Women We Buried, Women We Burned and the award-winning No Visible Bruises, chronicles the twenty-four hours following a mass burglary in a Chicago suburb and the suspicions, secrets, and prejudices that surface in its wake.Nestled on the edge of Chicago’s gritty west side, Oak Park is a suburb in flux. To the west, theaters and shops frame posh houses designed by Frank Lloyd Wright. To the east lies a neighborhood still recovering from urban decline. In the center of the community sits Ilios Lane, a pristine cul-de-sac dotted with quiet homes that bridge the surrounding extremes of wealth and poverty. On the first warm day in April, Mary Elizabeth McPherson, a lifelong resident of Ilios Lane, skips school with her friend Sofia. As the two experiment with a heavy dose of ecstasy in Mary Elizabeth’s dining room, a series of home invasions rocks their neighborhood. At first the community is determined to band together, but rising suspicions soon threaten to destroy the world they were attempting to create. Filtered through a vibrant pinwheel of characters, Snyder’s tour de force evokes the heightened tension of a community on edge as it builds towards an explosive conclusion. Incisive and panoramic, What We’ve Lost Is Nothing illuminates the evolving relationship between American cities and their suburbs, the hidden prejudices that can threaten a way of life, and the redemptive power of tolerance in a community torn asunder. “Ideas abound in this thoughtful story, a demonstration of the author’s years of experience as a community organizer. What We’ve Lost Is Nothing has the stamp of authenticity” (The Washington Post).

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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Standardized tests have become the gateway to higher education . . . but should they be?For more than seventy-five years, standardized tests have been considered a vital tool for gauging students’ readiness for college. However, few people—including students, parents, teachers, and policy makers—understand how tests like the SAT or ACT are used in admissions decisions. Once touted as the best way to compare students from diverse backgrounds, these tests are now increasingly criticized as being biased in favor of traditionally privileged groups. A small but growing number of colleges have made such testing optional for applicants.Is this the right way to go? Measuring Success investigates the research and policy implications of test-optional practices, considering both sides of the debate. Does a test-optional policy result in a more diverse student body or improve attainment and retention rates? Drawing upon the expertise of higher education researchers, admissions officers, enrollment managers, and policy professionals, this volume is among the first to investigate the research and policy implications of test-optional practices. Although the test-optional movement has received ample attention, its claims have rarely been subjected to empirical scrutiny. This volume provides a much-needed evaluation of the use and value of standardized admissions tests in an era of widespread grade inflation. It will be of great value to those seeking to strike the proper balance between uniformity and fairness in higher education. Contributors: Andrew S. Belasco, A. Emiko Blalock, William G. Bowen, Jim Brooks, Matthew M. Chingos, James C. Hearn, Michael Hurwitz, Jonathan Jacobs, Nathan R. Kuncel, Jason Lee, Jerome A. Lucido, Eric Maguire, Krista Mattern, Michael S. McPherson, Kelly O. Rosinger, Paul R. Sackett, Edgar Sanchez, Dhruv B. Sharma, Emily J. Shaw, Kyle Sweitzer, Roger J. Thompson, Meredith Welch, Rebecca Zwick

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Tales from writers with Latinx, Caribbean, Asian, African, Arabic, North American, East European origins, and more, challenge the reader with stories that spill out into space, parallel realms or just hidden in plain sight. The stories explore the world from the perspective of the incoming, whether necessitated through war or oppression, financial or familial need, or with hope for a better future, examining visions of displacement and relocation in future and speculative settings. New stories selected from open submissions are set alongside classic sci-fi by the likes of Otto (Eando) Binder and Zenna Henderson, modern stories by such authors as Celu Amberstone and Ken Liu, and older, realist immigrant narratives by Abraham Cahan, Sui Sin Far, Lee Yan Phou, Constantine Panunzio and more. Complemented by a foreword by author E.C. Osondu and an insightful introduction by Betsy Huang, Ph.D., this is an intriguing view of the conflict and anxiety between the settled and the unsettled. The new, contemporary and notable writers featured are: Ali Abbas, Celu Amberstone, Bebe Bayliss, Christine Bennett, Ben Blattberg, Judi Calhoun, V. Castro, P.A. Cornell, Yelena Crane, Indra Das, Deborah L. Davitt, Greg van Eekhout, Louis Evans, Illimani Ferreira, Beáta Fülöp, Elana Gomel, Eileen Gonzalez, Roy Gray, Alex Gurevich, Jennifer Hudak, Jordan Ifueko, Frances Lu-Pai Ippolito, Jas Kainth, Ken Liu, Samara Lo, Kwame M.A. McPherson, E.C. Osondu, Simon Pan, C.R. Serajeddini, Bogi Takács, Kanishk Tantia, Tehnuka, Francesco Verso (translated by Michael Colbert), M. Darusha Wehm, Kevin Martens Wong, and Eris Young. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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There is something morbidly fascinating about the dark and grotesque. Although it is human nature to tiptoe around the uncomfortable (or avoid it altogether), some artists are inspired by the unsettling to create intriguing works of art that push the boundaries of normality and provoke viewers into exploring their fears and taboos. There are also others who use them as springboards of the imagination to express their innermost feelings and question the often-grim realities of existence.In conjunction with Victionary’s 20th anniversary, the new edition of ‘DARK INSPIRATION’ combines most of the projects from the first two best-selling titles of the same name along with new work into one meaty celebration of the macabre. Featuring chilling depictions of childhood reveries, folklore, mysteries, and death in a variety of styles and interpretations, each project serves unconventionally as a celebration of life in all its gruesome glory. With contributions from: Aitch, Akino Kondoh, Aleksandra Waliszewska, Alessandro Sicioldr Bianchi, Alex Garant, Alice Lin, Amandine Urruty, Audrey Kawasaki, Bene Rohlmann, Dadu Shin, Dan Hillier, Daniel Martin Diaz, Danny Van Ryswyk, David Ho, dromsjel, Eero Lampinen, Eika, Elisa Ancori, Erik Mark Sandberg, Evelyn Bencicova, Fabian Mérelle, Fiona Roberts, Francesco Brunotti, Francois Robert, Fuco Ueda, Gabriel Isak, Giacomo Carmagnola, Guim Tió Zarraluki, Hannes Hummel, Heiko Müller, James Jean, Januz Miralles, Jeff Mcmillan, Jesse Auersalo, Jim Johnson Tsang, Jon Beinart, Jules Julien, Justin Nelson, Kate Macdowell, Katy Horan, Kayan Kwok, Kim Simonsson, Kotaro Chiba, Lala Gallardo, Lola Dupre, Lostfish, Mariana Magdaleno, merve morkoç (Lakormis), Mia Mäkilo, Michael Reedy, Miranda Meeks, Nadja Jovanovic, Nicoletta Ceccoli, Oleg Dou, Olivia Knapp, Paola Rojas H & David Perez, Paul Hollingworth, Raffaello De Vito, Raul Oprea aka Saddo, Richard Colman, Ryan Oliver, Sergio Mora / Agency Rush, Tara McPherson, Till Rabus, Tim Lee, Yido, Yoshitoshi Kanemaki, Yuka Yamaguchi, Yury Ustsinau, and Zhou Fan

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The overlooked African American religious history of the phonograph industry Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey. These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America. In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide

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The history of blacks at Harvard mirrors, for better or for worse, the history of blacks in the United States. Harvard, too, has been indelibly scarred by slavery, exclusion, segregation, and other forms of racist oppression. At the same time, the nation's oldest university has also, at various times, stimulated, supported, or allowed itself to be influenced by the various reform movements that have dramatically changed the nature of race relations across the nation. The story of blacks at Harvard is thus inspiring but painful, instructive but ambiguous—a paradoxical episode in the most vexing controversy of American life: the "race question." The first and only book on its subject, Blacks at Harvard is distinguished by the rich variety of its sources. Included in this documentary history are scholarly overviews, poems, short stories, speeches, well-known memoirs by the famous, previously unpublished memoirs by the lesser known, newspaper accounts, letters, official papers of the university, and transcripts of debates. Among Harvard's black alumni and alumnae are such illustrious figures as W.E.B. Du Bois, Monroe Trotter, and Alain Locke; Countee Cullen and Sterling Brown both received graduate degrees. The editors have collected here writings as diverse as those of Booker T. Washington, William Hastie, Malcolm X, and Muriel Snowden to convey the complex ways in which Harvard has affected the thinking of African Americans and the ways, in turn, in which African Americans have influenced the traditions of Harvard and Radcliffe. Notable among the contributors are significant figures in African American letters: Phyllis Wheatley, William Melvin Kelley, Marita Bonner, James Alan McPherson and Andrea Lee. Equally prominent in the book are some of the nation's leading historians: Carter Woodson, Rayford Logan, John Hope Franklin, and Nathan I. Huggins. A vital sourcebook, Blacks at Harvard is certain to nourish scholarly inquiry into the social and intellectual history of African Americans at elite national institutions and serves as a telling metaphor of this nation's past.

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Winner of the PEN Oakland–Josephine Miles Award“A stunning portrayal of a tragedy endured and survived by women.”—David W. Blight, author of Frederick Douglass“Readers expecting hoop-skirted ladies soothing fevered soldiers’ brows will not find them here…Explodes the fiction that men fight wars while women idle on the sidelines.”—Washington PostThe idea that women are outside of war is a powerful myth, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the war, Stephanie McCurry invites us to see America’s bloodiest conflict for what it was: not just a brothers’ war but a women’s war.When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber’s Code, leading to lasting changes in the laws of war. Black women’s fight for freedom had no place in the Union military’s emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers reclassified black women as “soldiers’ wives”—placing new obstacles on their path to freedom. Finally, McCurry offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, whose losses went well beyond the material to intimate matters of family, love, and belonging, mixing grief with rage and recasting white supremacy in new, still relevant terms.“As McCurry points out in this gem of a book, many historians who view the American Civil War as a ‘people’s war’ nevertheless neglect the actions of half the people.”—James M. McPherson, author of Battle Cry of Freedom“In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war’s elemental impact.”—Drew Gilpin Faust, author of This Republic of Suffering

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An exceptional addition to the stunning, richly-rewarding short story collections of Flame Tree’s Gothic Fantasy series, with intriguing and thrilling tales from both new submissions and ancient sources. Plato’s Lost Atlantis thought-experiment began in Timaeus with the idea of a perfect society lost to the world, but it has haunted the speculative mind for over 2000 years, bearing powerful narratives of Francis Bacon’s New Atlantis and the Utopian tales of Thomas More, Samuel Butler, William Morris, Charlotte Perkins Gilman and in modern times, TV series and short stories galore. An imaginative tour-de-force that examines the nature and desires of humanity, from Antiquity to the present day. New, contemporary and notable writers featured are: Ash Arya, Rose Beardmore, Leah Cypess, Niya M.K. Davis, Deborah L. Davitt, Tracy Fahey, Isobel Granby, John Linwood Grant, David Hankins, M.K. Hutchins, Karl Sade, Silas Leavitt, Kwame M.A. McPherson, Damien Mckeating, John Moralee, Barry Neenan, Spencer Orey, Erica Ruppert, C.R. Serajeddini, Zach Shephard, Calie Voorhis, and Lucy Zhang. These appear alongside classic work by Francis Bacon, Lord Dunsany, Clark Ashton Smith, Jules Verne and more. The gorgeous editions of Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure. Jennifer Fuller (foreword) is a Communications and Training Lead at Sierra 7 where she works to provide high-quality trainings and communications support for Veterans Affairs. Previously, she was a college professor serving at Jackson State University, Idaho State University, and Warner University. Her previous book Dark Paradise was a work of literary criticism that explored the Pacific islands through the lens of nineteenth-century literature. Her love of islands (and science fiction) is a theme that carries through much of her work, including her current co-authored project Beyond Atlantis: Islands of Imagination.

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Modern megachurches that dot the nation’s landscape may seem unorthodox with their stadium seating and showbiz flourishes, but they are deeply rooted in America’s history of mass evangelical movements that blend business principles and media savvy. In this even-handed and meticulously researched book, award-winning journalist and author David Clary traces the longstanding entrepreneurial roots of evangelicalism, and how America provided a perfect backdrop for the creation and proliferation of a movement and its enterprising preachers. In the beginning of the 19th century, George Whitefield transcended sectarianism and took his message to the people. Successors like Dwight L. Moody and ballplayer-turned-fundamentalist-preacher Billy Sunday united big business and revivalism. The flamboyant Los Angeles preacher Aimee Semple McPherson knew that radio’s intimacy was ideal for listeners seeking a personal relationship with Jesus and became the first American woman to hold a radio broadcasting license in 1924. Early to proponents the benefits of television, Billy Graham and Oral Roberts built multimedia empires with Graham embarking on worldwide crusades and counseling U.S. presidents. Protestant minister Norman Vincent Peale’s potent cocktail of psychology, self-help, and business tips framed by biblical guideposts sowed the seeds of today’s popular “prosperity gospel”. In the 1970s, Pat Robertson and Jerry Falwell took up the torch of televangelism while still engaging in the business of winning souls and advancing their political ideas (political ideas that run much deeper than any one president or politician). Today’s prosperity megachurches – most notably Joel Osteen’s Lakewood Church in Houston – may seem crass, but their message that believers can improve their material fortunes through faith is a powerful and pervasive one in America.This legacy even informs today’s evangelical pastors, who are trained to impose a corporate structure upon their churches. Soul Winners is a thoughtful and informative history that reveals the longstanding connections between business, politics, and religion in America, and the profound effect that evangelism has had on the country.

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WINNER OF THE WHITING AWARDPEN AMERICA LITERARY AWARD FINALISTRecommended by Héctor Tobar as an essential Los Angeles book in the New York Times.Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond."Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and CorinaCarribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree.Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border."Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean"Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries"Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review". . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine"Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions"This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews, *Starred Review"Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly"The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World

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Encompassing new technologies, research methods, and opportunities for collaborative scholarship and open-source peer review, as well as innovative ways of sharing knowledge and teaching, the digital humanities promises to transform the liberal arts—and perhaps the university itself. Indeed, at a time when many academic institutions are facing austerity budgets, digital humanities programs have been able to hire new faculty, establish new centers and initiatives, and attract multimillion-dollar grants. Clearly the digital humanities has reached a significant moment in its brief history. But what sort of moment is it? Debates in the Digital Humanities brings together leading figures in the field to explore its theories, methods, and practices and to clarify its multiple possibilities and tensions. From defining what a digital humanist is and determining whether the field has (or needs) theoretical grounding, to discussions of coding as scholarship and trends in data-driven research, this cutting-edge volume delineates the current state of the digital humanities and envisions potential futures and challenges. At the same time, several essays aim pointed critiques at the field for its lack of attention to race, gender, class, and sexuality; the inadequate level of diversity among its practitioners; its absence of political commitment; and its preference for research over teaching.Together, the essays in Debates in the Digital Humanities—which will be published both as a printed book and later as an ongoing, open-access website—suggest that the digital humanities is uniquely positioned to contribute to the revival of the humanities and academic life.Contributors: Bryan Alexander, National Institute for Technology in Liberal Education; Rafael Alvarado, U of Virginia; Jamie “Skye” Bianco, U of Pittsburgh; Ian Bogost, Georgia Institute of Technology; Stephen Brier, CUNY Graduate Center; Daniel J. Cohen, George Mason U; Cathy N. Davidson, Duke U; Rebecca Frost Davis, National Institute for Technology in Liberal Education; Johanna Drucker, U of California, Los Angeles; Amy E. Earhart, Texas A&M U; Charlie Edwards; Kathleen Fitzpatrick, Pomona College; Julia Flanders, Brown U; Neil Fraistat, U of Maryland; Paul Fyfe, Florida State U; Michael Gavin, Rice U; David Greetham, CUNY Graduate Center; Jim Groom, U of Mary Washington; Gary Hall, Coventry U, UK; Mills Kelly, George Mason U; Matthew Kirschenbaum, U of Maryland; Alan Liu, U of California, Santa Barbara; Elizabeth Losh, U of California, San Diego; Lev Manovich, U of California, San Diego; Willard McCarty, King’s College London; Tara McPherson, U of Southern California; Bethany Nowviskie, U of Virginia; Trevor Owens, Library of Congress; William Pannapacker, Hope College; Dave Parry, U of Texas at Dallas; Stephen Ramsay, U of Nebraska, Lincoln; Alexander Reid, SUNY at Buffalo; Geoffrey Rockwell, Canadian Institute for Research Computing in the Arts; Mark L. Sample, George Mason U; Tom Scheinfeldt, George Mason U; Kathleen Marie Smith; Lisa Spiro, National Institute for Technology in Liberal Education; Patrik Svensson, Umeå U; Luke Waltzer, Baruch College; Matthew Wilkens, U of Notre Dame; George H. Williams, U of South Carolina Upstate; Michael Witmore, Folger Shakespeare Library.

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When new bride Kaveri Murthy reluctantly agrees to investigate a minor crime during the blood moon eclipse to please her domineering mother-in-law, she doesn't expect to stumble upon a murder - again.With anti-British sentiments on the rise, a charismatic religious leader growing in influence, and the fight for women's suffrage gaining steam, Bangalore is turning out to be a far more dangerous place than Kaveri ever imagined, and everyone's motives are suspect.Together with the Bangalore Detectives Club - a mixed bag of people including street urchins, nosy neighbours, an ex-prostitute and a policeman's wife - Kaveri once again sleuths in her sari and hunts for clues in her beloved 1920s Ford. But when Kaveri's life is suddenly put in danger, she realizes that she might be getting uncomfortably close to the truth. So she must now draw on her wits and find the killer -- before they find her...Praise for Harini Nagendra 'A gorgeous debut mystery with a charming and fearless sleuth . . . spellbinding' SUJATA MASSEY'Told with real warmth and wit. . . A perfect read for fans of Alexander McCall Smith and Vaseem Khan' - ABIR MUKHERJEE'A cosy mystery that warmly illuminates a time and place not often examined in fiction' VASEEM KHAN'A beautifully painted picture of a woman's life in 1920s India' M W CRAVEN'A delight' CATRIONA MCPHERSON'The classic whodunnit with the added appeal of a female sleuth in Colonial India. . . fascinating' RHYS BOWEN'Told with real warmth and wit. . . Harini Nagendra has created an intricate and fiendish mystery with a wonderful duo of amateur sleuths Kaveri and Ramu at its heart, and capturing the atmosphere and intensity of Bangalore in the roaring twenties. I can't wait for the next instalment. A perfect read for fans of Alexander McCall Smith and Vaseem Khan' - ABIR MUKHERJEE'Riveting. [Nagendra's] use of colonial history is thoroughly fascinating, with devastating depictions of the airy condescension of the British. A fine start to a promising series' BOOKLIST Starred Review'Harini Nagendra takes us to a wonderfully unfamiliar world in this delightful debut mystery. . .I couldn't put it down' VICTORIA THOMPSON, USA Today bestselling author of Murder on Madison Square'Absolutely charming . . . this one is a winner!' CONNIE BERRY, USA Today best-selling and Agatha-nominated author of The Kate Hamilton Mysteries.'An enjoyable trip back in time with a spunky young woman for company.' R V RAMAN, author of Fraudster and A Will to Kill'This lush mystery will transport you to heady 1920s Bangalore, where new bride Kaveri stumbles into sleuthing-while dragging her doctor-husband into the fray. Mouth-watering fashion and food set against simmering colonial intrigue in this delicious whodunit can be devoured in one sitting.' SUMI HAHN, author of The Mermaid from Jeju'I loved The Bangalore Detectives Club . . . Kaveri especially is charming.' OVIDIA YU, author of The Cannonball Tree Mystery'Nagendra makes her fiction debut with an exceptional series launch. . . rich, edifying, and authentic' Publishers Weekly, Starred Review'Deliciously exotic' Sunday Post

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'The Dictionary of Crime is now the first book I reach for when beginning a new novel. An essential resource, it's packed with explanations, insider information, contemporary and historical slang, as well as some downright bizarre laws and practices. It's funny, fascinating and a damn good read'M. W CRAVEN, winner of the 2019 Crime Writers Association Gold Dagger for best crime novel of the year for The Puppet Show'A really good idea . . . executed neatly to come up with the perfect gift for crime lovers' MAT COWARD, Morning Star'I found myself rolling around in it for hours, like a gangster's moll on a bed full of money. Sheer delight!' CATRIONA McPHERSON'Where was this book when I started writing? From Aconite to the Zodiac Killer is the essential companion for any serious reader or writer of crime'LEYE ADENLE, author of When Trouble Sleeps'A fascinating compendium of crime facts which should be on the shelves of every crime writer ­­- and every crime reader'SIMON BRETT'This is a dangerous book in so many ways, chock full of ways of killing people, from undetectable poisons to various types of guns. It contains riveting accounts of notorious murderers, is crammed with fascinating details of slang, and precise particulars of police procedures. The perfect gift for any true crime enthusiast and an indispensable guide for all crime fiction writers.'S. W. WILLIAMS, author of Small Deaths and How to Write Crime Fiction'A remarkable achievement. At once elucidating and compelling, indispensable and unputdownable. It reads like a page-turning thriller. Whether a crime writer who needs to distinguish a blood agent from a bum beef or a reader with an interest in queer coal makers, this lexicon will keep you hooked, and leave you sublimely informed.'GARY DONNELLY, author of Killing in Your Name and Blood Will Be Born'Fascinating, insightful and taking up permanent residency on my desk. Amanda Lees' Dictionary of Crime is my new bible!' CHRIS WHITTAKER, award-winning author of Tall Oaks, All The Wicked Girls and We Begin at the End'What a little gem this is ­- such a great idea and a valuable resource for writers. I found myself dipping into it at intervals and marvelling at the extent of the research that's gone into it, as well as chuckling over some of the more unusual entries. My personal favourites? BINGO seat, nicker, moll buzzer and lully-prigger. Wouldn't have had a clue what they meant . . . but I'm determined to work them in somewhere in a future novel!'G. J. MINETTT, author of The Syndicate 'A fascinating journey through the dark side of the human psyche. Highly recommended for anyone interested in criminals and crime'PATRICK REDMOND, bestselling author of The Wishing GameAn essential popular A-Z reference guide for fans of crime fiction and true crime, in books, TV and film, helping to make sense of everything from asphyxiation to VX nerve agent.This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues. To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice. If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries. From Aconite to the Zodiac Killer is an essential, go-to resource for readers and even for writers of crime fiction. More than simply a glossary, this is a guide that provides a doorway into a supergenre, and one that is not just for readers, but also for the many fans of film and TV dramas, of podcasts, and crime blogs. It is also an indispensable resource for writers or would-be writers of crime fiction.

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Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions. He also explores why these mechanisms respond to music. Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions. Advance praise Musical Emotions Explained is a magnificent publication that has been painstakingly researched to illuminate the many, varied ways music can express and arouse emotions. It provides the most authoritative single authored text on the topic so far. As a highly readable and informative publication, it superbly unlocks the secrets of musical affect for experienced researchers through to lay readers alike. Gary E. McPherson, Ormond Chair of Music and Director, Melbourne Conservatorium of Music, Australia Anyone who wants to understand more about the most essential quality of music - its ability to move us - needs to read this book. Juslin's writing is gripping and thoughtful as he takes us on a journey through the latest research on this most interesting intersection between science and art. Daniel J. Levitin, Author of This Is Your Brain on Music and The World in Six Songs. Music Emotions Explained is a tour de force. In this extraordinary book, written with passion and humor, Patrik Juslin shares insights gleaned from decades of ground-breaking research. Breadth and depth are nicely balanced as grand, over-arching themes are richly supported by systematic and detailed research findings. This book will serve as an inviting introduction to students or interested laypersons but also as a touchstone to which professionals will return frequently for guidance and inspiration. Donald A. Hodges, Professor Emeritus, University of North Carolina at Greensboro, USA Patrik Juslin here deftly synthesizes several decades of psychological research, much of it his own, on how music both expresses emotion and moves us emotionally, in the course of developing an empirically grounded, evolutionarily based, philosophically informed theory of the phenomenon in question, doing so with style and wit. Musical Emotion Explained is wide ranging, engagingly written, full of arresting claims, and studded with telling anecdotes. It is a book that everyone who has ever marveled at the affective power of music should read. Jerrold Levinson, Distinguished University Professor, Department of Philosophy, University of Maryland, USA Musical Emotions Explained is essential reading that sets the new gold standard resource for understanding the delicious pleasures of music experience. Using lucid, witty and compelling arguments, Patrik Juslin illustrates a set of core mechanisms that collectively account for music-evoked emotions. Scholars, general readers and musicians will be inspired by this landmark work, which will stimulate research for decades to come. Bill Thompson, Distinguished Professor, Macquarie University, Sydney, Australia It goes without saying that Patrik Juslin is one of the world's top experts on the science of musical emotion. What this book reveals is that he is a hugely persuasive and accessible interlocutor. It really feels as though one is in conversation with a friend who is thinking issues and arguments through with the reader, step by step. Of course all the important literature is covered, but this is far from a dry literature review. Juslin's book should excite and stimulate layreaders and professional colleagues alike to deepen their understanding of what makes music emotional. John Sloboda, Research Professor, Guildhall School of Music & Drama, London, UK The best comprehensive and critically explanatory tome to-date on one of the most fascinating and still poorly understood topics in music research, written by the foremost international expert on music and emotion. A treasure for decades to come. Michael Thaut, Professor of Music, Neuroscience and Rehabilitation Science, University of Toronto, Canada In Musical Emotions Explained, Patrik Juslin probes and proffers many psychological and philosophical concepts of musical emotions toward unpacking numerous mysteries surrounding the arousal and expression of musical affect. The results of his meticulous research have profound implications for experiencing, creating, valuing, and teaching music. Written with great care and passion, this brilliant book is a must-read for anyone who takes a serious interest in the nature and values of music in people's lives. David Elliott, Professor of Music and Music Education, New York University, USA Patrik Juslin has been at the forefront of research into music and emotion for more than 20 years. Adding to what is already an astonishing body of work, this hugely impressive monograph is the culmination of that remarkable programme of research. Witten in an accessible and engaging style, and covering a huge range of perspectives, this is a book that will undoubtedly become a classic in the psychology of music, an indispensable resource for researchers in the field, and a fascinating read for those who may be new to the topic. Eric Clarke FBA, Heather Professor of Music, University of Oxford, UK

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