Search results for ""David R. Godine, Publisher""

“A deft combination of adventure, history, reportage and elegy.”—Washington Post A journey to the coast of North Sentinel Island, home to a tribe believed to be the most isolated human community on earth. The Sentinelese people want to be left alone and will shoot deadly arrows at anyone who tries to come ashore. As the web of modernity draws ever closer, the island represents the last chapter in the Age of Discovery—the final holdout in a completely connected world.In November 2018, a zealous American missionary was killed while attempting to visit an island he called “Satan’s last stronghold,” a small patch of land known as North Sentinel in the Andaman Islands, a remote archipelago in the Indian Ocean. News of the tragedy fascinated people around the world. Most were unaware such a place still existed in our time: an island unmolested by the advances of modern technology.Twenty years before the American missionary’s ill-fated visit, a young American historian and journalist named Adam Goodheart also traveled to the waters off North Sentinel. During his time in the Andaman Islands he witnessed another isolated tribe emerge into modernity for the first time.Now, Goodheart—a bestselling historian—has returned to the Andamans. The Last Island is a work of history as well as travel, a journey in time as well as place. It tells the stories of others drawn to North Sentinel’s mystery through the centuries, from imperial adventurers to an eccentric Victorian photographer to modern-day anthropologists. It narrates the tragic stories of other Andaman tribes’ encounters with the outside world. And it shows how the web of modernity is drawing ever closer to the island’s shores.The Last Island is a beautifully written meditation on the end of the Age of Discovery at the start of a new millennium. It is a book that will fascinate any reader interested in the limits—and dangers—of our modern, global society and its emphasis on ceaseless, unbroken connection.

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The liberating power of anger has rarely felt so good and healing as in this complete collection of a landmark in feminist poetry.“She digs her teeth into the slaveries of woman, she cries them aloud with such fulminating energy that the chains begin to melt of themselves. Reaching into the hive of her angers, she plucks out images of fear and delight that are transparent yet loaded with the darknesses of life. Diane Wakoski is an important and moving poet.”—The New York TimesIn 1971, Diane Wakoski published The Motorcycle Betrayal Poems to tremendous acclaim. In the decades that followed, she wrote additional “betrayal” poems, which are now collected here in one volume for the first time. Relevant, moving—at times shocking—it is Wakoski’s honesty and bravery as an artist that continues to astonish, delight, inspire, and liberate readers.Wakoski responds to betrayal in a variety of ways including fantasies such as drilling bullet holes into the bodies of unfaithful lovers. But even her anger can be winking, as in the book’s sly dedication to “all those men who betrayed me at one time or another, in hopes they will fall off their motorcycles and break their necks.” There is joy here because it is self-knowledge that the writer seeks, as in the collection’s title poem: So some white wolves and I will sing on your grave, old man and dance for the joy of your death. “Is this an angry statement?” “No, it is a statement of joy.” “Will the sun shine again?” “Yes, yes, yes,” because I’m going to dance dance danceDiane Wakoski’s art as a confessional, storytelling poet has rarely been equaled. Her revelations become shared emotional truth with readers. The collection’s new introduction by poet and Green Mountains Review editor Elizabeth A. I. Powell gives context to the long wake of Wakoski’s inspiring influence on generations of readers. Dancing on the Grave of a Son of a Bitch is for anyone who ever lost a love and wishes to embrace the freedom, rather than the pain, it can bring.

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A journey through both family history and the fascinating and quintessentially American history of New England’s Merrimack Valley, its farmers, and the immigrant workers caught up in the industrial textile age. After years of living away, Jane Brox made the decision to return to the family farm of her birth, where her aging father still tended the crops. Brox twines two narratives, personal and historic, as she captures the cadences of farm life and those who sustain it, at a time when the viability of both are waning. Amid the turmoil after her father’s death, Brox begins a search for her family’s story. As Brox explores, she also reflects on the place of the family farm as it evolved from the Pilgrims’ brutal progress at Plymouth to the modern world, where much of our food is produced by industrial agriculture while the family farm is both marginalized and romanticized. In the Merrimack Valley brings togeth

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In the desegregation era of the 1970s, a first grader copes with being bused to a white school in this story for young children about racism and an essential time of change. “One of the Ten Best Books of the Year,” The New York Times.Brewster is excited about starting first grade . . . until Mama announces that he'll be attending Central, a school in the white part of town. Mama says they have art and music and a library bursting with books, but Brewster isn’t so sure he’ll fit in.And he’s right. Being black at a white school isn't easy. Brewster winds up spending his first day in detention at the library. But there he meets a very special person: Miss O’Grady. The librarian sees into Brewster’s heart and gives him not only the gift of books but also encourages Brewster to believe in himself.This is an invaluable, unique, view into a tumultous time and the good that came into the lives of school children.

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A personal look at the buildings that define Yale University through the eyes of alumni. “The Stones of Yale is a delight—fresh and highly observant. I will be turning to its pages again and again, I have no doubt.”—David McCullough Artist Adam Van Doren wanted to know how Yale University’s buildings made people feel to live and to study in them. He spoke to alumni as diverse as actor Sam Waterston, the writer Christopher Buckley, Yale librarian Judith Schiff, former NFL great Calvin Hill, architect Cesar Pelli, among others, about their experiences and illustrates this book in gorgeous watercolor paintings of the buildings of Yale that interest him most. Rather than an architectural analysis of buildings, Van Doren explores the visceral experience of seeing them and being inside them. This is one-of-a-kind approach that will interest anyone who’s felt the intangible power of a building and a place.

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A board book especially for farm and country toddlers.In sweet pictures and rhyme, we are taken through the daily tasks of running the farm: milking, egg collecting, laundry, woodcutting, and more. The little old man, the little old lady, their cat, their dog, and other familiar farm animals are depicted in Andrea Wisnewski’s charming paper-cut style.Each quaint vignette contains artistic details that will enthrall children, while the text begs to be read aloud, time and again. An original in the time-honored tradition of children’s books on farm life, Little Old Farm Folk is an endearing little celebration of the rustic way of living. Or as Publishers Weekly called it, “A charmingly old-fashioned trip to the farm.”Andrea Wisnewski is also the author of Trio: The Tale of a Three-Legged Cat, Little Red Riding Hood, and Andrea Wisnewski Greeting Cards—all published by Godine. Trio was named one of the best picture books of the year by Kirkus Reviews and, of Little Red Riding Hood, School Library Journal said, “The rich colors and thick flowing lines are technically accomplished and lovely. The book’s design suits the content: it is simple and elegant.”

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In 1968 the photographer Richard Brown fulfilled a romantic childhood dream when he moved to the Northeast Kingdom, a remote corner of Vermont just barely entering the twentieth century. There he encountered a way of life that was fast disappearing, a land of sheep, cattle, work horses, wood-burning stoves, and small family-run farms far removed from the industrial Northeast. Determined to record it before it disappeared, he saw a pastoral vision where, “for the briefest interval, a window opened and the spirit of Vermont’s past—granite hills cleared and formed, hard lives lived and lost, struggle and endurance, a harsh land made starkly beautiful by nature and man—was made palpable.” He saw the land and also a people whose “endless hours of backbreaking, monotonous work were spent with a quiet ferocity” and who believed their “age-old labors were a struggle waged against time itself – labors that might just hold modernity at bay.” And Brown did record it, with an 8 x 10″ large plate view camera. Not only the hauntingly beautiful landscape but also the people who stayed and worked the stubborn hills and “did so with great but fierce attachment.” This is a great ode to an America that has passed before our eyes almost without comment or notice. It is a valiant, indeed a brilliant, effort to make the past tangible, to bring it back to life.

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“Writing with tenderness and understated humor, Wisnewski portrays disabilities as a simple fact of life—the obstacles that Trio surmounts are less about physical limitation than about learning how to use his body to get where he wants to be.”—Publishers WeeklyOne of the Best Children’s Picture Books of the Year—Kirkus ReviewsMeet Trio, the runt of the litter, born with only three legs, but very much the little cat that could. He lives his life as any other kitten would: pouncing, sneaking, and jumping like any other feline. Trio especially loves playing with the eleven chickens that share the garage and garden, and he is game to try all their activities: digging up bugs, rolling in the dust, and even caring for eggs. The latter requires real effort, especially making it up into the nesting box, but once he figures it out he returns to it faithfully every day. And his persistence pays off. One day, an egg starts hatching beneath him. Little does he know, the chick that pops out will be his best friend.This is a story about diversity, overcoming obstacles, and acceptance. It is a story children will love—and a natural conversation starter with your child about differences.

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A collection of quotations from pundits and poets, artists and authors for dog lovers There’s something new and memorable in here for everyone.James Charlton categorizes quotes into sections to easily locate a message to fit your mood or life circumstance. Lonely? Love and Loyalty. Aging? Old Dogs. Bad day at work? Barking and Biting. Cat scratched your furniture? Dogs Are Better. Despairing? Love a Dog. Witty and tender, with hundreds of quotes to choose from, this book doggedly compiles all the best words ever written or spoken about man’s best friend, all complemented by cartoonist Arnold Roth’s artwork. And remember what Mark Twain said: “Heaven goes by favor; if it went by merit, you would stay out and your dog would go in.”

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An alphabet book that celebrates the birth of the United States of America. Wendell Minor’s bright illustrations and expressive prose introduce young readers to the rich history behind the colonies and Revolutionary Era.A is for “Acts,” the British tax that incited unrest amongst American patriots. Z is for “Zane,” the daughter of Patriot Colonel Zane, Elizabeth, who saves the day by delivering more gunpowder for the deprived troops at Fort Henry. In between, Paul Revere, Mohawk Chief Joseph Brant, the Boston Tea Party, and the Liberty Bell, and many more people, places, and events of the young America grace these pages. A chronological timeline at the end puts all the events in order.

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A child’s art comes to life and takes him on an out-of-this-world adventure. In this bewitchingly wordless black-and-white picture book, one young child explores the boundless reaches of his imagination. Armed only with a pencil and a pad of paper, he transports himself to the moon, the deep sea, and remote jungles where he meets new friends, visits undiscovered words, and makes his way back home again to his own bed before dawn. Damon Lehrer's visual narrative, a penciled mix of line work and detailed graphite drawings, will appeal to readers of all ages who are invited to help tell the story.

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Drop friends a note with these Cape Cod notecards—featuring the photography of Don Krohn. The outside of each card features one of six different photographs (each duplicated once for a total of 12 cards with matching envelopes) that have captured the Cape during summer, its most cherished season. The inside of each card is blank—ready for your message.

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Catie Copley en voyage á Québec Catie Copley est un labrador retriever noir qui mène une vie exceptionnelle en tant qu’Ambassadrice canine au Fairmont Copley Plaza à Boston. Son travail consiste à accueillir les clients, les faire sentir comme à la maison et aider Jim dans son travail de Chef Concierge de l’hôtel. Santol, qui fût entraîné comme chien-guide, tout comme Catie, est son homologue au Fairmont Le Château Frontenac dans la ville de Québec, Canada. Catie est une chienne très distinguée et bien élevée. Elle est surprise le jour où une grosse bête noire et blanche poilue vient la saluer, lui vole son jouet en forme de homard et s’enfuit. Au début, elle est réticente, mais lorsqu’elle apprend à connaître l’exubérant Santol, ils deviennent vite de très bons amis. Elle est triste lorsque son nouvel ami doit repartir chez lui au Canada. Cependant, lorsque Jim lui oVre de l’amener en vacances – à Québec ! – elle est très excitée. Ce sont ses premières vacances et c’est aussi la première fois qu’elle est laissée seule avec des inconnus, dans une ville étrange où on parle une langue diVérente. Santol lui présente des chèvres et des chevaux et lui fait découvrir des odeurs et des aliments intéressants. Catie trouve qu’il y a plein d’occasions pour l’aventure . . . peut-être même un peu trop.

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This selection, chosen by Andrew Motion himself from three decades of work, is an outstanding representation of the British poet’s varied body of work—elegies, sonnets, poems of social and political observation, and unsentimental poems about childhood, post-war England, the natural world. About his poetry, Motion has observed: “I want my writing to be as clear as water. No ornate language; very few obvious tricks. I want readers to be able to see all the way down through its surfaces into the swamp. I want them to feel they’re in a world they thought they knew, but which turns out to be stranger, more charged, more disturbed than they realized. In truth, creating this world is a more theatrical operation than the writing admits, and it’s this discretion about strong feeling, and strong feeling itself, which keeps drawing me back to the writers I most admire: Wordsworth, Edward Thomas, Philip Larkin.” A significant and consistent feature of Motion’s work, throughout his shifts in style and changes in imaginative topographies, is his signature clarity of observation, his unwillingness to sacrifice intelligibility or embrace opacity. “The best poems,” Motion has said, “are those which speak to us about the important things in our lives in a way that we never forget.”

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An account of the arduous journey the Arctic caribou undertake to give birth to their young.

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Share an old-fashioned New England Christmas with your children—back to a time when making the presents was far more satisfying than buying them.Lucy Wells likes planning ahead. In her quaint New England town the leaves have just begun to change, but Lucy is already thinking of Christmas. She begins to make presents for her family: a pincushion for her mother, a doll for her sister, and a pen-wiper for her best friend. For the whole family, her parents have ordered a new modern range stove. The days grow colder and shorter, the snow grows deeper, and everyone grows more excited. Finally, the day arrives Lucy and her family travel to the South Danbury Church on Christmas to exchange gifts, sing carols with the whole town, and perform in the Christmas pageant.Poet laureate Donald Hall (author of The Ox-Cart Man and the companion to this book, Lucy’s Summer) grew up spending as much time as he could on his grandfather’s farm in rural New Hampshire. It was there he milked cows, raised sheep, and heard stories about Christmases past that are brought to life in this read-aloud picture book for young children.

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A stunning collection of photographs by the marine photographer, Norman Fortier. Sailing and sailors, harbors and fishermen—selected from more than 100,000 negatives. It is also a moving and unforgettable evocation of a time and way of life that has already passed into memory. Since 1947, the marine photographer Norman Fortier embraced the south coast of Massachusetts and Rhode Island as his studio and his inspiration. His cameras have captured images of every conceivable description on the waters from Block Island to outer Cape Cod and the offshore islands: yachts and small craft under sail and at anchor; draggers and trawlers bound to and from Georges Bank; runabouts and sportfishermen dockside and at speed; commercial vessels and tall ships. Always, his images capture the beauty and ever-changing moods of the region’s coastline, harbors, and islands Over the years his photographs have appeared in America’s best boating magazines. In 1967 he published his first collection of yachting images, The Bay and the Sound, which rapidly went through four printings. More recently, the New Bedford Whaling Museum celebrated Fortier’s six decades as a professional photographer with a major retrospective exhibition of his work displaying his deep roots in New Bedford, his intense love of Buzzards Bay, the Elizabeth Islands, and surrounding waters, and his uncanny ability to depict the complex interrelationship of humans, boats, and the sea. Beginning with early images of Padanaram Harbor, On the Wind carries the viewer west to Rhode Island Sound and Newport, east to Mattapoisett, Marion, and harbors at the head of Buzzards Bay. Succeeding chapters cover Martha’s Vineyard and the offshore islands, the port of New Bedford and working craft, the grand spectacle that is the New York Yacht Club’s annual summer cruise, and boats designed and built in South Dartmouth by the legendary Concordia Company.

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This story of the passionate, adulterous, tragic love of Lancelot and Guinevere is at once the perfect expression of 'courtly love' and its inversion. Lancelot, the heroic stranger in King Arthur's court, sacrifices all in service of his king, and yet also falls in love with Arthur's queen, the most beautiful woman in Britain.That this spotless knight, who repeatedly saves Arthur and his world from destruction, should be the fateful underminer of the king's self-confidence and, ultimately, a terrible weapon in the hands of Arthur's great adversary Galehaut, is a contradiction that has fascinated the Western mind for hundreds of years.The Arthurian legend that most of us know comes from Malory and "The Once and Future King". But there are also several books, including the thirteenth-century "Book of Galehaut", which gives a surprising and unfamiliar version. It is a double love story - the tale not only of Lancelot's love for Guinevere, but also the love of Galehaut, the Lord of the Distant Isles, for Lancelot.

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Story-poems of rural Maine, of neighbors, of seasons, and of life lived slowly and fully.Kate Barnes wrote wise and moving verse as Robert Creeley said, “of a deep and heartfelt clarity.” She lived and wrote on a farm in Appleton, Maine and was the state’s first Poet Laureate. Her poems contain wisdom gently imparted as life lessons. You’ll feel a sense of connection from her work – a connection with the past, with the earth, with her friends, and with the human condition superbly defined.

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With photos and text, Jonathan Williams (poet, publisher, and raconteur) pays tribute to heroes of the spirit from Paul Strand and Buckminster Fuller to Wendell Berry and James Laughlin.

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The eight stories in this collection explore the boundary conditions between self and others. Social realities—racial and ethnic tensions, sexual harassment and abuse—provide the backdrop for struggles that ultimately take place in the heart. While Naslund’s characters accept that their inner tides cannot be brought into obedience, sometimes, in the act of recognizing the force of their own hopes, needs, and fears, they learn to navigate those waters.

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Twelve iconoclastic and eye-opening essays on life and culture.

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A glorious, illustrated, celebration of a lifetime love affair with dining, by the author-illustrator of the classic Madeline series. Here is the best of Ludwig Bemelmans on the subject he loved most: the good table. The entrancing memories and charming pictures collected here transport the reader behind the scenes of the great hotels of Europe and America—including the immortal Hotel Splendide—and such restaurants as the Tour d’Argent in Paris and Le Pavillon in New York. Memorable dishes, the eccentric geniuses of the kitchens who created them, the opulent and often astonishing patrons who ordered them, the legendary wines and the occasions they toasted, are all evoked in rich and piquant flavor. The gifted and exuberant Ludwig Bemelmans was trained as a boy for a career as a restauranteur, and La Bonne Table is in effect his gastonomical autobiography. The high—and sometimes riotous low—points of his life with food, from Austrian cafes to the late, lamented Ritz of New York, are narrated with delight and zest as he celebrates beer and sausages, pressed duck and caviar, and the chefs who cooked for him. He remembers with decidedly mixed emotions the ways of the busboy and the waiter, and the qualities that make up the perfect maitre d’. He muses over great menus and great eaters—and soon makes the reader very hungry. Here, truly, is a feast of reading on the art of dining well.

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Screams from the Balcony is a collection of letters chronicling Charles Bukowski's life as he tries to get published and work at a postal office, all while drinking and gambling.

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Novelist Robert Olmstead journeys back to his youth on his grandfather’s New Hampshire dairy farm to confront the ghosts that continue to afflict him in this coming-of-age memoir. Robert Olmstead has peopled his fiction with the rough-hewn farmers, loggers, and hired hands of rural New England mountain towns where getting drunk, getting into fights, and getting thrown out of bars are the normal rites of passage. In Stay Here with Me, Olmstead lays bare the acute pain of his father’s alcoholism and the decline of his grandfather, the family patriarch. With delicate sensuality, he also traces the flowering of his first love for a woman who “walks like light would walk if it could.” Authentic, intimate, and intense, Stay Here with Me is about growing up and leaving home and about the acts of rebellion that free the body even as they bind the soul to a place forever. This Nonpa

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The complete guide to achieving classical type and book design with a keyboard and screen.How do we absorb the lessons of the printing tradition’s hot metal past and bring them to the digital era? Distinguished designer Mark Argetsinger guides the reader through every aspect of modern book design and production — from the choosing the proper typeface and leading of type to the choice of paper and specifications for binding. Chapters include “The Classical Tradition,“ “A Short History of Typographical Variations,“ “Desktop Publishing,“ “Composition,“ and “OpenType Fonts and Font Editing.“Illustrated with over 425 images and diagrams, many in color, Argetsinger discusses and delineates typography as a discipline, situating it among other art forms. Two appendices cover the history of cast-type ornaments and of Greek typography. Throughout there is special reference to the historical printers’ grammars—from Moxon to De Vinne—that serve as a present-day apprenticeship in the traditions of classical typography. Whether a novice or an expert, readers will gain a deeper appreciation for text, and all its rules of form, that can make words on a page a joy to the eye.

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BOSTON GLOBE BESTSELLER • LOS ANGELES TIMES BESTSELLER • BOSTON.COM BOOKCLUB SELECTION A celebration and meditation on the season for drinking hot chocolate, spotting a wreath on a neighbor’s door, experiencing the change in light of shorter days. All aspects of Winter, from the meteorological to the mythological, are captured in this masterful essay, told in wise and luminous prose that pushes back the dark. Winter begins with the shortest day of the year before nightfall. As in her companion volume, Summer Solstice, the author meditates on both the dark and the light and what this season means in our lives.“Winter tells us,” Nina MacLaughlin says, “more than petaled spring, or hot-grassed summer, or fall with its yellow leaves, that we are mortal. In the frankness of its cold, in the mystery of its deep-blue dark, the place in us that knows of death is tickled, focused, stoked. The angels sing on the doorknobs and others sing from the abyss. The sun has been in retreat since June, and the heat inside glows brighter in proportion to its absence. We make up for the lost light in the spark that burns inside us.” If Winter is a time you love for its memories and traditions, if you love writing that takes your breath away with lyrical leaps across time and space, Winter Solstice is an unforgettable book you’ll cherish.

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For nearly three decades, Richard Buckner has been traveling the byways of America, often alone and with little more than his guitars and notebooks. Now he’s sharing what he saw, felt, and found.Long admired for his impressionistic and elliptical lyrics, Buckner has more recently found himself pulling off the road to furiously write longer, fuller pieces. Here is a collection of his story-like poems gathered by haunting the public and private fringes of America: fifty studies wrung from thin motel walls and passing hallway echoes; from exchanges overheard between happy hour and closing time; from casually caustic conversations in junker parking lots and hash house booths; and from lost opportunities and vague chance meetings—but also from distant narrators caught staring off to recall what refuses to be forgotten. he’d swallowed her youth in sips so small she wouldn’t notice until it was eventually but-remembered on dark afternoonsWith titles such as “One More Last One,” “Everyone is driven unknowingly to their urges,” and simply “Work,” these are Buckner’s singular reports from a revelatory road. reappraising past decisions in renewable review, demanded by the weight of explanations that can still determine what drove you elsewhere then, now with no-where left to wait. Black Sparrow Press is proud to bring this remarkable debut work of prose-poetry to readers.“During a career spent crisscrossing the country, Buckner has seen plenty. In all those hotels between here and there, at those bars and truck stops and lounges, he would sit and listen . . . Buckner puts that power of observation to good use.”—NPR’s Morning Edition“Cuttings from the Tangle is not the work of a road-weary musician dabbling in another form. This book confirms a truth hinted at all these years in the language of his lyrics: Buckner is a writer.”—Literary Hub

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A stirring memoir of a young, single woman's laborious struggle to save her family’s New England apple farm from going under during the Great Depression. The Orchard is an exquisitely beautiful and poignant memoir of a young woman’s single-handed struggle to save her New England farm in the depths of the Great Depression. Discovered by the author’s daughter after the author’s death, it tells the story of Adele “Kitty” Robertson, young and energetic, but unprepared by her Radcliffe education for the rigors of apple farming in those bitter years of the early 1930s. Alone at the end of a country road, with only a Great Dane for company, plagued by debts, broken machinery, and killing frosts, Kitty revives the old orchard after years of neglect. Every day is a struggle, but every day she is also rewarded by the beauty of the world and the unexpected kindness of neighbors and hired workers. Animated by quiet courage and simple goodness, The Orchard is a deeply moving celebration of decency and beauty in the midst of grim prospects and crushing poverty. In addition to a foreword and epilogue by Betsy Robertson Cramer, the author's daughter, this Nonpareil edition includes a new afterword by award-winning author Jane Brox.

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“Beguiling and informative”—Wall Street JournalLearn to see art as an artist does. Discover how a painting’s composition or a sculpture’s spatial structure influence the experience of what you’re seeing. With an artist as your guide, viewing art becomes a powerfully enriching experience that will stay in your mind long after you’ve left a museum.A visit to view art can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In fifteen essays—each framed around a specific theme—he provides new ways of seeing and appreciating art. Drawing heavily on examples from the European traditions of art, Perry aims to overturn assumptions and asks readers to re-think artistic prejudices while rebuilding new preferences. Included are essays on how artists “read” paintings, how scale and format influence viewers, how to engage with sculptures and murals, as well as guides to some of the great museums and churches of Europe.Seeing Like an Artist is for any artist, art-lover, or museumgoer who wants to grow their appreciation for the art of others.

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The first biography of George Rickey, one of the greatest kinetic sculptors of the 20th century. His moving blades, squares, triangles, and circles can be found in museums and public spaces around the world, from bucolic landscapes to the streets of New York City. Now, here is the story of his life, his times, and his vision of balance that created something new―sculpture that is defined by movement.Before his death in 2002, George Rickey created more than 3,000 moving sculptures, including hundreds of major outdoor installations. His “useless machines,” as he called them, achieved complete rotation, used multiple variations of the pendulum, and delighted viewers with the joyride effects of conical movement. George Rickey: A Life in Balance follows the life of a renowned artist―first a painter, then a sculptor―who found inspiration all around him―as a child visiting the Singer Sewing Machine factory managed by his father, in his adventurous youth in the London and Paris art studios of the 1920s, as an engineer in the Army Air Corps during World War II, and later as a pioneer in academic art programs around the United States when he embarked on the sculpture he became famous for.But this is not only the story of a single artist’s creativity and achievement but of Rickey’s life in the larger context of the twentieth century: from Depression-era America to the upheaval of World War II, from the rise of New York as the world’s art capital at mid-century to the tumultuous 1960s, when Rickey emerged as an international figure rubbing elbows with Alexander Calder, David Smith, Christo, and many others. It is also the story of an exceptional marriage and of Rickey’s charismatic, devoted wife, Edith Leighton, who managed her husband’s career and reputation in the high-powered art circles of New York, Berlin, and Los Angeles.Belinda Rathbone (author of The Boston Raphael and Walker Evans: A Biography) has captured the spirit of an artist and his world in this deeply researched and engrossing biography. George Rickey: A Life in Balance is for any reader fascinated by the lives of artists, the creation of enduring art, or twentieth century modernism. Includes 30 photographs that document Rickey’s life and work.

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“Beautifully alive.”—Wall Street JournalWinner of the 2022 Distinguished Book Award from The Society of Colonial WarsA tour through the original thirteen colonies in search of historical sites and their stories in America’s founding. Obscure, well-known, off-the-beaten path, and on busy city streets, here are taverns, meeting houses, battlefields, forts, monuments, homes which all combine to define our country—the places where daring people forged a revolution. There is always something new to be found in America’s past that also brings greater clarity to our present and the future we choose to make as a nation. Author-artist Adam Van Doren traveled from Maine to Georgia in that spirit. There are thirty-seven landmarks included, with fifteen additional locations noted in brief. From the Bunker Hill monument in Massachusetts to the Camden Battlefield Site in South Carolina, this is a tour of an American cultural landscape with a curious, perceptive, and insightful guide. The reader steps inside cabins at Valley Forge where nearly two thousand soldiers perished during a cruel winter, meets the chef at Philadelphia’s City Tavern where the menu is based on 18th century fare, seeks out the Swamp Fox in Georgia, visits the homes of Alexander Hamilton, John and Abigail Adams, the Joseph Webb House on the Connecticut River where French general Rochambeau made plans with Washington, and much more. An unvarnished view, we also see Philipsburg Manor, in Sleepy Hollow, New York, where Blacks were once held as slaves to work in the Hudson River Valley. For armchair travelers and anyone fascinated by Americana, Van Doren (The House Tells the Story: Homes of the American Presidents) has created an unforgettable journey through history. We see the Founders—both their stunning achievements and chilling moral failures—where they lived, fought, and agreed on a common purpose, to create a nation whose future—and legacy—is continually evolving.

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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal.On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston’s coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting’s export from Italy, challenged the museum’s right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork’s very authenticity.While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how the

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Summer is fireflies and sparklers. Fat red tomatoes sliced thin and salted. Lemonade and long dreamy days. The treasures of the season are gone much too soon — but they’re captured here, in loving sensuous prose that’s both personal and universal, for you to find any time of year.Experience the most evocative tribute to the meaning of the season, a season whose magical feeling stays with us even in winter. Where does that feeling come from? What is summer made of? The smell of cut grass behind the gasoline of a lawnmower. A crown you’ve made of flowers. Blackberry bush prickers. First hot dog off the grill. Stargazing and sleeping with the windows open. This essay brims with a searching honesty and insight about what this season has meant in our pasts and what it might mean in our lives ahead.Release yourself into the sky and feel, Nina MacLaughlin writes, for a moment: there's time.If summer is the season of your life, if the months between Memorial Day and Labor Day hold your favorite memories, you’ll love Summer Solstice.

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A selection of the greatest sentences by the master, Ernest Hemingway. Sentences that can take a reader’s breath away and are not easily forgotten. Each sentence has been selected and examined by authors such as Elizabeth Strout, Sherman Alexie, Paula McLain, and Russell Banks; filmmakers Ken Burns and Lynn Novick; Seán Hemingway, A. Scott Berg, and many others in this celebration and conversation between Hemingway and some of his most perceptive and interesting readers.“All you have to do is write one true sentence,” Hemingway wrote in his memoir, A Moveable Feast. “Write the truest sentence that you know.” If that is the secret to Hemingway’s enduring power, what sentences continue to live in readers’ minds? And why do they resonant? The host and producer of the One True Podcast have gathered the best of their program (heard by thousands of listeners) and added entirely new material for this collection of conversations about Hemingway’s truest words.From the long, whole-story-in-a-sentence line, “I have seen the one-legged streetwalker who works the Boulevard Madeleine between the Rue Cambon and Bernheim Jeunes’ limping along the pavement through the crowd on a rainy night with a beefy red faced episcopal clergyman holding an umbrella over her.”, to the short, pithy line that closes The Sun Also Rises, “Isn't it pretty to think so?”, this is a collection full of delights, surprises, and insight.“All good books are alike in that they are truer than if they had really happened,” wrote Hemingway. “And after you're finished reading one, you will feel that all that happened to you and afterwards, it all belongs to you.” For readers of American literature, One True Sentence is full of remembrances—of words you read and the feelings they gave you. For writers, this is an inspiring view of an element of craft—a single sentence—that can make a good story come alive and become a great story.

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“Instructive and entertaining.”—Wall Street JournalLearn how to argue from the masters. This book is a complete course on the art of argument, taught by the greatest practitioners of it: Churchill, Lincoln, and hundreds of others from the golden age of debate in England and America. The book’s concise chapters provide lessons in all aspects of give and take—the syllogism and the slippery slope, the argumentum ad hominem and reductio ad absurdum, the fallacy and the insult. Ward Farnsworth shows how the full range of such techniques can be used or repelled, and illustrates them with examples that are fascinating, instructive, and fun to read. The result is a browsable reference in which every page is a pleasure. It will leave you better able to win arguments and to defend yourself under fire. It’s also an entertaining reminder that argument can be a source of beauty and delight. As Farnsworth says of t

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