Search results for ""David R. Godine, Publisher""

“Wesley McNair, an unassuming, avowedly regional pastoral poet from Western Maine, is writing the best poetry of his life—poetry uniquely capable of, and interested in, addressing our larger moment.”—Los Angeles Review of Books Wesley McNair’s story-like poems have long celebrated eccentrics and misfits, the hopeful and the lost, with a tenderness that transcends the everyday. This career-spanning collection brings together his very best poems from the past four decades alongside his newest poems. Since the publication of his first book in the early 1980s, Wesley McNair has earned a reputation as a poet of place, an intimate observer of the speech and character of New England. In fact, McNair’s “place” is unlimited, as he proves in the lucid, far-ranging poems of this volume. “Whole lives fill small lines,” wrote Donald Hall of McNair’s work. He is truly, as Philip Levine wrote, “One of the great storytellers of contemporary poetry.” Late Wonders: New & Selected Poems includes “The Long Dream of Home” the complete trilogy of McNair’s masterful, long narrative poems written over the last thirty years: “My Brother Running,” “Fire,” and “Dwellers in the House of the Lord.” This is a collection for anyone who believes mixing a little sorrow and little comedy makes for poetry that moves the heart.

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“We’re better off for having these men among us.”—Wall Street JournalBefore 9/11, the rugby team at West Point learned to bond on a sports field. This is what happened when those 15 young men became leaders in war. Filled with drama, tragedy, and personal transformations, this is the story of a unique brotherhood. It is a story of American rugby and a story of the U. S. Army created through intimate portraits of men shaped by West Point’s motto: “Duty, Honor, Country.” Some of the players deployed to Afganistan and Iraq, some to Europe. Some became infantry, others became fliers. Some saw action, some did not. One gave his life on a street in Baghdad when his convoy was hit with an IED. Two died away from the battlefield but no less tragically. Journalist Martin Pengelly, a former rugby player himself, was given extraordinary access to tell this story, a story of a brutal sport and even more brutal warfare.

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The fascinating, true, story of baseball’s amateur origins. “Explores the conditions and factors that begat the game in the 19th century and turned it into the national pastime....A delightful look at a young nation creating a pastime that was love from the first crack of the bat.”—Paul Dickson, The Wall Street JournalBaseball’s true founders don’t have plaques in Cooperstown. The founders were the hundreds of uncredited amateurs — ordinary people — who played without gloves, facemasks or performance incentives in the middle decades of the 19th century. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses and fought against the South in the Civil War.But that’s not the way the story has been told. The wrongness of baseball history can be staggering. You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. You have read that baseball’s color line was uncrossed and unchallenged until Jackie Robinson in 1947. Nope. You have been told that the clean, corporate 1869 Cincinnati Red Stockings were baseball’s first professional club. Not true. They weren’t the first professionals; they weren’t all that clean, either. You may have heard Cooperstown, Hoboken, or New York City called the birthplace of baseball, but not Brooklyn. Yet Brooklyn was the home of baseball’s first fans, the first ballpark, the first statistics—and modern pitching.Baseball was originally supposed to be played, not watched. This changed when crowds began to show up at games in Brooklyn in the late 1850s. We fans weren’t invited to the party; we crashed it. Professionalism wasn’t part of the plan either, but when an 1858 Brooklyn versus New York City series accidentally proved that people would pay to see a game, the writing was on the outfield wall.When the first professional league was formed in 1871, baseball was already a fully formed modern sport with championships, media coverage, and famous stars. Professional baseball invented an organization, but not the sport itself. Baseball’s amazing amateurs had already done that.Thomas W. Gilbert’s history is for baseball fans and anyone fascinating by history, American culture, and how great things began.

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“Insightful...empathetic...a thoughtful consideration of a topic that will have a substantial impact on our future.”—BooklistReadable Feast, Book Award Winner for Socially Conscious Writing * Civil Eats’ Food and Farming Book Pick Ever wonder if there’s a better way to live, work, and eat? You’re not alone. Here is the story of five back-to-the-land movements, from 1840 to present day, when large numbers of utopian-minded people in the United States took action to establish small-scale farming as an alternative to mainstream agriculture. Then and now, it’s the story of people striving to live freely and fight injustice, to make the food on their table a little healthier, and to leave the planet less scarred than they found it. Throughout America’s history as an industrial nation, sizable countercultural movements have chosen to forgo modern comforts in pursuit of a simpler life. In this illuminating alternative American history, Margot Anne Kelley details the evolution of food-centric utopian movements that were fueled by deep yearnings for unpolluted water and air, racial and gender equality, for peace, for a less consumerist lifestyle, for a sense of authenticity, for simplicity, for a healthy diet, and for a sustaining connection to the natural world.Millennials who jettisoned cities for rural life form the core of America’s current back-to-the-land movement. These young farmers helped meet surges in supplies for food when COVID-19 ravaged lives and economies, and laid bare limitations in America’s industrial food supply chain. Their forebears were the utopians of the 1840s, including Thoreau and his fellow Transcendental friends who created Brook Farm and Fruitlands; the single taxers and “little landers” who created self-sufficient communities at the turn of the last century; Scott and Helen Nearing and others who decamped to the countryside during the Great Depression; and, of course, the hippie back-to-the-landers of the 1970s. Today, food has become an important element of the social justice movement. Food is no longer just about what we eat, but about how our food is raised and who profits along the way. Kelley looks closely at the efforts of young farmers now growing heirloom pigs, culturally appropriate foods, and newly bred vegetables, along with others working in coalitions, advocacy groups, and educational programs to extend the reach of this era’s Good Food Movement. Foodtopia is for anyone interested in how we all might lead much better—and well-fed—lives.

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The 40th anniversary edition of an American classic: a “minority student” pays the cost of social assimilation and academic success with a painful alienation—from his past, his parents, his culture. Exquisitely written, poignant and powerful, unsettling and controversial, this both a profound study of the importance of language and a moving, intimate portrait of a boy struggling to become a man.Forty years ago, readers met the extraordinary writer Richard Rodriguez through the story of his own education. He would go on to win a loyal readership with Days of Obligation: An Argument with My Mexican Father (a finalist for the Pulitzer Prize), Brown: The Last Discovery of America, and Darling: A Spiritual Autobiography. But first came Hunger of Memory, originally published by Godine in 1982. Hunger of Memory is the story of a young Mexican-American, who began school in Sacramento, California knowing just fifty words of English, yet concluded his university studies in the reading room of the British Museum. In between, he fought a dramatic struggle between his public and private self. A longtime resident of San Francisco, and an ardent opponent of easy labels and limited self-conceptions, Rodriguez describes himself as a “queer Catholic Indian Spaniard at home in a temperate Chinese city in a fading blond state in a post-Protestant nation.” Resisting the easy way of following received dogmatic and conventional thought, Rodriguez has also encountered hostility for his provocative positions on issues such as affirmative action and bilingual education. But the extraordinary clarity of his iconoclastic writing—the surprising twists in his thinking, the view of public policy as it limits individual lives, and the story he tells of an American education—have made this book endure for forty years and counting. This edition includes a new afterword by the author as well as an introduction by Phillip Lopate. Whether you’re hearing about Richard Rodriguez for the first time, or have read him for years, whether his life is like your own or far from it, if you care about the power of language and original thinking, you owe yourself to read Hunger of Memory.

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“Ghost of the Hardy Boys is an elegant book, full of charm and pathos and whimsy. The writing is restrained, the characterizations deep and rich, the humor nuanced.”—Washington Post As millions of boys and girls devoured the early adventures of the Hardy Boys, little did the young readers and aspiring sleuths know: the series’ author was not Franklin W. Dixon, as the cover trumpeted. It was Leslie McFarlane, a nearly penniless scribbler, who hammered out the first adventures while living in a remote cabin without electricity or running water in Northern Ontario. McFarlane was among the first bestselling ghostwriters and this, at last, is his story—as much fun as the stories he wrote.In 1926, 23-year-old cub newspaper reporter Leslie McFarlane responded to an ad: “Experienced Fiction Writer Wanted to Work from Publisher’s Outlines.” The ad was signed by Edward Stratemeyer, whose syndicate effectively invented mass-market children’s book publishing in America. McFarlane, who had a few published adventure stories to his name, was hired and his first job was to write Dave Fearless Under the Ocean as Roy Rockwood—for a flat fee of $100, no royalties. His pay increased to $125 when Stratemeyer proposed a new series of detective stories for kids involving two high school aged brothers who would solve mysteries. The title of the series was The Hardy Boys. McFarlane’s pseudonym would be Franklin W. Dixon. McFarlane went on to write twenty-one Hardy Boys adventures. From The Tower Treasure in 1927 to The Phantom Freighter in 1947, into full-fledged classics filled with perilous scrapes, loyal chums, and breakneck races to solve the mystery. McFarlane kept his ghostwriting gig secret until late in life when his son urged him to share the story of being the real Franklin W. Dixon. By the time McFarlane died in 1977, unofficial sales estimates of The Hardy Boys series already topped 50 million copies. Ghost of the Hardy Boys is a fascinating, funny, and always charming look back at a vanished era of journalism, writing, and book publishing. It is for anyone who loves a great story and who’s curious about solving the mystery of the fascinating man behind one of the most widely read and enduring children’s book series in history.

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A milestone of modern poetry, American history comes to life in the actual words of victims and criminals in its courts.Taking as its raw material the voices of witnesses, victims, and perpetrators discovered by the author in criminal court transcripts, Charles Reznikoff’s book-length poem sets forth a stark panorama of late 19th and early 20th century America—the underside of the Gilded Age, beset by racism and casual violence, poverty and disease.In radically stripped-down language of tremendous intensity, Reznikoff’s poem is an unforgettable reading experience. This edition also includes Reznikoff’s prose studies for the poem, unavailable to readers since the 1930s, and a new introduction by critic and essayist Eliot Weinberger.

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The Holocaust memoir of a Dutch family who evaded arrest and deportation by the Nazis. Told through letters, diaries, and interviews, and illustrated with photographs throughout, this detailed account brings a new perspective to one of history’s most horrific chapters. During the Second World War, as the Nazis tightened their grip on the Netherlands, the Jewish population was slowly restricted from public life—everything from owning a bike to having a job was forbidden. Sensing the murderous consequences of deportation, Daphne Geismar’s family—her parents, grandparents, aunts, and uncles—decided to separate and go into hiding. Parents and children were torn apart, living for years in isolation behind a church organ, below floorboards, or even in plain sight. While timelines and notes provide context, we hear the voices of young Mirjam, sent by her parents to live with a family of strangers; Judith whose braids were cut to make her look less Jewish; Nathan, taken in and given false papers by a Dutch soldier. Ordinary people whose collective story is one of resilience and resistance, survival and compassion. “This is an important book because many people don’t know what took place in the Netherlands during the Nazi occupation....[The] fascinating story also highlights the courage of the rescuers involved in that dangerous undertaking. It is a story that must be told to inspire others never to give up even when it seems all is lost.”—Mordecai Paldiel, Former Director, Righteous Among Nations, Yad Vashem For readers of history and memoirs, this family’s story, Invisible Years, challenges readers to follow this example of resistance to inhumanity.

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Make your writing and speech shine like the sun! Here’s the most entertaining and instructive book about both enlivening and clarifying communication with the art of comparison. “Ward Farnsworth is a witty commentator…It’s a book to dip in and savor.”—The Boston Globe.The author of Farnsworth’s Classical English Style and Farnsworth’s Classical English Rhetoric now provides a wide-ranging, practical, tour of metaphors, arranged by theme. Chapters include Sources & Uses of Comparisons, The Use of Nature to Describe Abstractions, Extreme People & States, Circumstances, Personification, and The Construction of Similes.Using hundreds of examples, Farnsworth demonstrates all the different stylistic ways that points can be unforgettably made. There are quotations from novelists, poets, playwrights, philosophers, and orators—along with commentary on how and why they work to bring power to words both in person and on paper. Farnsworth shows how the best writers have put figurative comparisons to distinctive use—for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. Writers and speakers, this book will make you a star.

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“Like Elizabeth Strout, her fellow chronicler of small-town Maine life, Monica Wood imbues her characters with the complexity and humanity of real people. Ernie’s Ark is as true as life.”—Christina Baker Kline, author of Orphan TrainIn ten interlinking stories, the town of Abbot Falls reacts as Ernie Whitten, pipefitter, builds a giant ark in his backyard. Ernie was weeks away from a pension-secured retirement when the union went on strike. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds the ark as a work of art for his wife to see from the window; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water.As the ark takes shape, the rest of the town carries on. There’s Dan Little, a building-code enforcer who comes to fine Ernie for the ark and makes a significant discovery about himself; Francine Love, a precocious thirteen-year-old who longs to be a part of the family-like world of the union workers; and Atlantic Pulp & Paper CEO Henry John McCoy, an impatient man wearily determined to be a good father to his twenty-six-year-old daughter. The people of Abbott Falls will try their best to hold a community together, against the fiercest of odds. . . .Few writers can capture the extraordinary within seemingly ordinary lives as does Monica Wood. An unforgettable tapestry of love, loneliness—and neighbors.

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“Farnsworth beautifully integrates his own observations with scores of quotations from Epictetus, Seneca, Marcus Aurelius, Montaigne and others. This isn’t just a book to read—it’s a book to return to, a book that will provide perspective and consolation at times of heartbreak or calamity.”—The Washington PostSee more clearly, live more wisely, and bear the burdens of this life with greater ease—here are the greatest insights of the Stoics, in their own words. Presented in twelve lessons, Ward Farnsworth systematically presents the heart of Stoic philosophy accompanied by commentary that is clear and concise.A foundational idea to Stoicism is that we appear to go through life reacting directly to events. That appearance is an illusion. We react to our judgments and opinions—to our thoughts about things, not to things themselves. Stoics seek to become conscious of those judgments, to find the irrationality in them, and to choose them more carefully.In chapters including Emotion, Adversity, Virtue, and What Others Think, here is the most valuable wisdom about living a good life from ages past—now made available for our time.

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The bilingual, illustrated, and National Book Award-winning edition of Charles Baudelaire’s masterpiece. The complete French text is accompanied with an English translation by Richard Howard.Charles Baudelaire’s 1857 masterwork was scandalous in its day for its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city and lost innocence, Les Fleurs Du Mal (The Flowers of Evil) remains powerful and relevant for our time.In “Spleen et idéal,” Baudelaire dramatizes the erotic cycle of ecstacy and anguish—of sexual and romantic love. “Tableaux Parisiens” condemns the crushing effects of urban planning on a city’s soul and praises the city’s anti-heroes including the deranged and derelict. “Le Vin” centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of “Fleurs du Mal” while rebellion is at the heart of “Révolte.” The voice of Baudelaire lives in this award-winning edition that includes monotypes by artist, Michael Mazur. “Howard’s achievement is such that we can be confident that this Fleurs du Mal will long stand as definitive, a superb guide to France’s greatest poet.”—The Nation

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A truly seminal and original thesis, this is a book that should be read by anyone interested in science, myth, and the interactions between the two. In this classic work of scientific and philosophical inquiry, the authors track world myths to a common origin in early man's descriptions of cosmological activity, arguing that these remnants of ancient astronomy, suppressed by the Greeks and Romans and then forgotten, were really a form of pre-literate science. Myth became the synapse by which science was transmitted. Their truly original thesis challenges basic assumptions of Western science and theories about the transmission of knowledge.

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“The poems, plainspoken distillations of origins and loss, explore histories, teasing at what we know without knowing, and know without remembering we know. A book of quiet, watchful radiance.”—The Boston Globe “Must-read poetry.”—The MillionsNew from a poet whose astonishing images, emotional honesty, and storytelling power hold a singular clarity of vision. “American Wake navigates loss with such unparalleled sensitivity and inventiveness that language becomes its own jubilant force of survival.”—Major JacksonAn “American wake” is what the Irish call a farewell to those emigrating to the United States. A New England poet equally at home in Ireland, Kerrin McCadden explores family, death and grief, apologies, and all manner of departures. In the poem “In the Harbor,” McCadden writes: When we are out to sea, we look back to see faces ringing the shore like a fence, those we love in up to their hips in waves, waving goodbye like mad.Included in American Wake are the poems, “My Broken Family,” “Weeks After My Brother Overdoses,” “One Way to Apologize to a Daughter for Careless Words,” “Portrait of the Family as a Definition,” and “My Mother Talks to Her Son about Her Heart.”This collection by a writer of extraordinary gifts will appeal to readers who believe in the potential of carefully hewn words to unveil our world and our deepest feelings to ourselves. As the acclaimed memoirist Nick Flynn (Another Bullshit Night in Suck City) puts it: “Kerrin McCadden transforms tragedy into myth.”

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“Reads like a mystery”—PBS News Hour“You’ll find it hard to put down.”—NPR, “Books We Love” When reclusive, millionaire artist Robert Indiana died in 2018, he left behind dark rumors and scandal, as well as an estate embroiled in lawsuits and facing accusations of fraud. Here, for the first time, are all the pieces to the bizarre true story of the artist’s final days, the aftermath, the deceptive world that surrounded him, and the inner workings of art as very big business.“I’m not a business man, I'm an artist,” Robert Indiana said, refusing to copyright his iconic LOVE sculpture in 1965. An odd and tortured soul, an artist who wanted both fame and solitude, Indiana surrounded himself with people to manage his life and work. Yet, he frequently changed his mind and often fired or belittled those who worked with him. By 2008, when Indiana created the sculpture HOPE—or did he?—the artist had signed away his work for others to exploit, creating doubt about whether he had even seen artwork sold for very high prices under his name.At the time of his death, Indiana left an estate worth millions—and unsettling suspicions. There were allegations of fraudulent artwork, of elder abuse, of caregivers who subjected him to horrendous living conditions. There were questions about the inconclusive autopsy and rumors that his final will had been signed under coercion. There were strong suspicions about the freeloaders who’d attached themselves to the famous artist. “In the final hours of his life,” the author writes, “Robert Indiana was without the grace of a better angel, as the people closest to him covered their tracks and plotted their defenses.”With unparalleled access to the key players in Indiana’s life, author Bob Keyes tells a fast-paced and riveting story that provides a rare inside look into the life of an artist as well as the often, too often, unscrupulous world of high-end art. The reader is taken inside the world of art dealers, law firms, and an array of local characters in Maine whose lives intersected with the internationally revered artist living in an old Odd Fellows Hall on Vinalhaven Island.The Isolation Artist is for anyone interested in contemporary art, business, and the perilous intersection between them. It an extraordinary window into the life and death of a singular and contradictory American artist—one whose work touched countless millions through everything from postage stamps to political campaigns to museums—even as he lived and died in isolation, with a lack of love, the loss of hope, and lots and lots of money.

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A collection of great fishing stories by classic and contemporary authors—Zane Gray, Rudyard Kipling, Izaak Walton, James Prosek—broad in their reach and sweep.Ranging in location from the Sierras to Afghanistan, and there is as much meditative tranquility and resonance in these tales as stories of landing (or losing) “the big one.”To be sure, there are the great stories of big fish by angling legends, but there are also stories of human connections, of challenge and pathos, of the peace, even the spirituality, that comes with being a part of nature, and the companionship, or solitude, that comes with fishing. The collection includes examples of every type of angling experience, each a classic in its own right, writing that is by turns whimsical, instructional and sometimes heartbreaking. Most species are represented, and not always in the usual places: trout fishing in Africa, salmon fishing in Iceland, carp in California, spring walleyes in Minnesota, and even killer sharks on the screen.

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The history of a unique Boston institution: the men and women who serve as individual professional trustees, who control billions of dollars of assets, who have provided advice and counsel for generations of families, and who are universally known as “Boston Trustees.”This quiet and discrete legal service had its roots in the early nineteenth century, when Boston’s closely interconnected social and cultural élite faced the problem of how to pass on massive new wealth in a predictable, safe, and prudent way. Today, the practice remains alive and well, a major, and very profitable, component of almost every Boston law firm, bank and trust office.The book also answers questions about inheritances governed by trust law and by trustee participation. The authors guide the reader through the legal jargon to help understand trusts and the role of the trustee with actual examples of trusts and trust language. It is essential reading for anyone interested both in understanding trusts and in the evolution of Boston as a financial and regional hub, a city that not only knew how to make money but also how to preserve it.

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An enchanting story about an adventurous girl and her day at sea with Bonefish Joe, one of the best-known bonefish guides in the Bahamas. Young and fearless, Flossie, lives on Harbour Island, a small outpost in the Bahamas known for its exquisite three-mile pink sand beach and for bonefishing, a catch-and-release enterprise that pits a determined angler against an inedible, surprisingly powerful, and elusive quarry. Flossie's dream is to go fishing with the legendary guide Bonefish Joe, a beloved island institution who picks up clients at the dock and returns with them hours later, still fishless but satisfied. One Sunday, after church, Flossie's wish is surprisingly granted, and she and her friend discover the allure, the challenge, and the delights of hooking (and releasing) one of angling’s greatest prizes. Diana Wege's lush and vibrant illustrations of the island, its people, its customs, and its architecture, perfectly captures the character, culture, and charm of the Bahamas and Harbour Island.

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A read-aloud picture book for young children that celebrates the heartland of our great country.Every country has a heart and America’s is in those places where golden wheat waves in the breeze, where great rivers flow, and cornfields stretch across the plains in glorious patchwork quilts of greens and yellows and browns.In this heartland, cattle graze in lush green pastures, horses and sheep fill the barns, and a newborn calf stands damp and warm in the sun. This picture book reflects all the great qualities of rural life.

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A visual celebration that captures Maine's rockbound coastline, its precarious and isolated islands, its independent and hardworking people. From the fogs off Eastport to the lobster boats off Monhegan, from the grain elevators of Portland to the Shakers of Sabbathday Lake, photographer George Tice has created page after page of dauntingly beautiful images – 107 quadtone photographs in all.

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Here are speeches, essays, and articles from them man who turned Boston University into a major educational institution. John Silber speaks as an educator, parent, philosophical leader, and political observer and participant (Ahead in the polls, he probably would have been elected Governor of Massachusetts had he not run afoul of a beloved media personality. The famous incident is recounted in high style in Tom Wolfe’s foreword).He tackles issues including education at all levels, culture and the media, democracy and international affairs. Delivered from 1971 to 2012, the speeches offer his incisive reflections on the Vietnam War, Watergate, student activism of the seventies, the bombing of Hiroshima and Nagasaki, developments in science and technology, the increasing power of the media, global corporations, and many other issues. His style is lively, crisp, and pointed, spiked with his acerbic wit and guided by an ongoing search for wisdom.Mr. Silber was a model of probity and integrity in both his private and his public life, an intellectual pessimist and a congenital optimist. Even as he transformed Boston University from a sleepy and fast-declining “streetcar college,” he spoke out on topical issues and principles on which our human fulfillment and national identity depended. Inspiring many and infuriating some, his was a life that mattered and his voice was one worth listening to.

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A very funny view of the great, and nearly great, people throughout history by New Yorker humorist Will Cuppy. Hysterically funny (yet historically accurate), Cuppy transforms luminaries such as Nero, Cleopatra, Alexander the Great, Lucrezia Borgia, Attila the Hun, Lady Godiva and Miles Standish into human beings. These are not the usual portraits but as we would have known them Cuppy-wise: foolish, fallible, and very much our common ancestors.After leaving Chicago for New York City, for eight years, from 1921 to 1929, Will Cuppy lived as a hermit on Jones Island, off Long Island’s South Shore. From there, he gained a reputation for his factual but funny magazine articles and wrote the book, How to be a Hermit, his first bestseller.The Decline and Fall of Practically Everybody was left unfinished after Cuppy’s death in 1949. The manuscript was completed by a friend from some 15,000 note cards in Cuppy’s apartment. The book spent four months on the New York Times bestseller list and has endured as a classic of American humor.

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Like many good fables, this story opens with a child left in the woods. A large lizard picks up the infant and takes her home, where she soon grows into a pretty, pampered, and generally useless young woman named Isabella. Despite her adoptive mother's efforts (for the lizard is really a witch in disguise) to shape her up, the girl prefers the alluring life offered her by the charming Prince Rupert, a world of cooks and servants, palaces and jewels, luxury and indolence. Luckily, the witch is a canny, concerned parent. She does not suffer fools lightly and is not about to let her daughter's too-easy transition to palace life go unchallenged. And so she arranges a surprise transformation for her daughter one that puts the prince's marital plans on hold and gives the witch just enough time to hammer home a few lessons about the downside of idleness.

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Catie Copley is a black Labrador retriever who lives an unusual life as Canine Ambassador at the Fairmont Copley Plaza Hotel in Boston. Her job includes welcoming guests, taking them for walks, and helping Jim at his job as the hotel’s Chief Concierge. Santol, who trained as a guide dog, just like Catie, is her canine counterpart at the Fairmont Le Château Frontenac in Quebec City, Canada. Catie, a very lady-like dog, is surprised when, one day, a large, furry, black-and-white intruder snatches her toy lobster and runs away with it. She is taken aback, but once she gets to know the rambunctious Santol they become firm friends. When Jim drives Santol back to Canada, Catie is very excited to go too. This is Catie’s first vacation and her first time in a strange city where they speak a different language. Santol introduces her to a famous goat, a friendly horse, a clumsy juggler, and intriguing new foods and smells. Catie finds that there is a lot of opportunity for adventure… maybe a little too much adventure.

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Henrietta has big dreams for a little chicken: learning to sing, to swim, to fly, and, most important of all, to lay golden eggs. Even when her three thousand, three hundred thirty-three fellow inmates in the old henhouse laugh at her ambitions, Henrietta holds fast, practicing day and night. And while she's honing her talents, she's also getting ready to move on to the bigger, brighter world she can see through the tiny hole in the henhouse wall. Our heroine is no fool; she knows her limitations, but doesn't let them destroy her ambitions, any more than she lets the henhouse walls keep her a prisoner. And she's not above causing a little havoc along the way - once the other three thousand, three hundred thirty-three chickens find her escape route, chaos reigns in the barnyard, by the pond, and among the wheat fields. Whether Henrietta achieves her dreams is debatable, but through her persistence and her resolute belief in herself, she does manage to change the lives of everyone in the henhouse for the better. This delightful fable is the first book by Hanna Johansen to be published in English. The spirited pen-and-ink illustrations by Kathi Bhend, printed in two colours, capture the henhouse denizens and their frenetic escapades down to the last feather.

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Thirty short poems by Guillaume Apollinaire, with woodcuts by Raoul Dufy, of Dufy, that celebrate mammals, birds, fish, insects, and the mythical poet and prophet Orpheus—filled with surprising images, wit, formal mastery, and wry irony.First published in 1911, and embellished with the graphically sophisticated woodcuts, this collection presents a voice that ranges from the colloquial to the impassioned, a brisk combination of lyric imagery and bawdy humor.Apollinaire was an early and influential champion of Cubism, the friend of Braque, Picasso, Dufy, and Rousseau, and a seminal figure in the revolutionary art style known as “Surrealism,” a term that he coined. This a rare treat for lovers of French literature, art, and culture.

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These two puzzle-solving classics are sure to enthral junior detective everywhere. Full of hitmen, hoods, sneak-thieves, and kidnappers, the Crime & Punishment books offer mysteries as challenging as any novel. The clues are all here, just waiting for young Sam Spades and Jane Marples to piece together the solutions. Each two-page mystery features a short description of the crime and a detailed drawing of the crime scene, which provide all the facts. Guided by questions, young sleuths can narrow down the evidence and find the culprit.

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Cool logic shattered like a kaleidoscopic image into symmetrical and infinitely meaningless beauties. Published by Black Sparrow Press, 24 Tenth Street, Santa Rosa, CA 95401. Annotation copyright Book News, Inc. Portland, Or.

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West of Rome's two novellas, "My Dog Stupid" and "The Orgy," fulfill the promise of their rousing titles. The latter novella opens with virtuoso description: "His name was Frank Gagliano, and he did not believe in God. He was that most singular and startling craftsman of the building trade-a left-handed bricklayer. Like my father, Frank came from Torcella Peligna, a cliff-hugging town in the Abruzzi. Lean as a spider, he wore a leather cap and puttees the year around, and he was so bowlegged a dog could lope between his knees without touching them."

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“A delight”—BooklistA richly illustrated historical account of English-language dictionaries, and the people who made them, from the dawn of printing to the present day. Dictionaries are repositories of erudition, monuments to linguistic authority, and battlefields in cultural and political struggles. For centuries, they were also works of almost superhuman endurance, produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Dictionaries also are often beautiful objects: typographically innovative, designed to project learning and authority. Painstakingly collected and lovingly presented, here are the stories behind great works of scholarship and the people who produced them—their prodigious endurance, their nationalist fervor, their philological elucubrations haphazardly mixed with crackpot theories, their

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Far-ranging and thought-provoking essays on the relation of art and ethnic identity. This first collection by award-winning author John Yau, drawn from decades of work, includes essays about Black, Asian, Latinx, and Native American artists: sculptors Luis Jimenez and Ruth Asawa; “second generation Abstract Expressionists” such as the Black painter Ed Clark and the Japanese American painter Matsumi Kanemitsu; the performance artists James Luna and Patty Chang; the photographers Laurel Nakadate and Teju Cole; and a generation of Asian American artists that has emerged during the last decade. While identity is at the fore in this collection, Yau’s essays also propose the need for an expansive view of identity, as in the essay “On Reconsidering Identity,” which explores the writings of Lydia Cabrera and Edouard Glissant, and the possibilities of creolisation versus the reductiveness of Aime Cesaire’s Negritude.Please Wait by the Coat Room is for serious readers interested in the art and artists of color that many mainstream institutions and critics misrepresented or overlooked. It presents a view guided by the artists’ desire for autonomy and freedom in a culture that has deemed them undesirable or invisible.

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“Soaked in booze and sadness, psychotic eruptions and hilarity.”—Willy VlautinIn the freewheeling, debaucherous tradition of Charles Bukowski, a taxi driver’s stories from the streets of lowlife Los Angeles—with an introduction by Willy Vlautin. “Dan Fante is an authentic literary outlaw.”—New York Times. Dan Fante lived the stories he wrote. His voice has the immediacy of a stranger of the next barstool, of a friend who lives on the edge. As he writes in Short Dog (the title is street slang for a half-pint of alcohol): I had been back working a cabbie gig as a result of my need for money. And insanity. Hack driver is the only occupation I know about with no boss, and because I have always performed poorly at supervised employment, I returned to the taxi business. The up side, now that I was working again, was that my own boozing was under control and I was on beer only, except for my days off.Fante was the son of famed novelist and screenwriter John Fante, but as the Los Angeles Times wrote, the younger Fante “… allows us a glimpse of the Southern California demimonde that surely escaped his father’s attention.”These outsider stories are raw, vivid, and brutally honest. But even when the stories are fueled by anger and disgust, they are punctuated by unexpectedly funny and dark-humored vignettes. Short Dog is for readers ready for a cab ride on the wild side.

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“Seething Nation! Vast & Flowing! Day & Night & Dawn!” Bold, sweeping, investigative, rhapsodic, hilarious, heart-rendering, thought-provoking, Edward Sanders' three-volume, America: A History in Verse uniquely and brilliantly tells "the story of America...a million stranded fabric / woven by billions of hands & minds”. It is by turns angry, wistful, defiant and extremely funny re-inventions of historical and biographical worlds, a highly original mix of chronicle, anecdote, document, reportage, paean and polemic. Volume 1, 1900-1939 chronicles the birth of the American century through one world war and to the brink of a second. Not since Leaves of Grass has there been such an un-ironic attempt to give voice to “the rhapsody of a great nation / where so many sing without cease / work without halt / shoulder without shudder / to bring the Feather of Justice to every / bell tower, biome & blade of grass / in Graceful America.” Long may Sanders sing our common song, and long may his America “dwell in peace, freedom & equality / out on its spiraling arm / in the Milky Way.”

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“Flows with depth and power....wide-open wonder.”—Washington Post“Simon Van Booy electrifyingly combines story with parable....wise, witty and always breathtakingly beautiful.”—San Francisco Chronicle, Best Fiction of the Year As a writer lies dying, he has one last story to tell: a tale of faith and devotion, a meditation on what lies beyond this life, and a prayer of gratitude that may lead to rebirth. This is Simon Van Booy at his visionary best. “Language is a map leading to a place not on the map,” announces a young writer lying in a hospital bed at the beginning of The Presence of Absence. As he contemplates his impending physical disappearance and the impact on his beloved wife, he realizes, “Life doesn’t start when you’re born . . . it begins when you commit yourself to the eventual devastating loss that results from connecting to another person.” Infused with poetic clarity and graced with humor, Simon Van Booy’s innovative novella asks the reader to find beauty—even gratitude—in the cycle of birth and death. Stripped of artifice, The Presence of Absence is a meditation between the writer and the reader, an imaginative work that challenges the deceit of written words and explores our strongest emotions. Simon Van Booy is not only a master storyteller but a writer whose fiction is rich with philosophical insights into things both mapped and undiscovered. The Presence of Absence parts the darkness to reveal what has been just out of sight all along.

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The story of a man coming into his own by coming home. Since he was a boy, Bill Eville knew he wanted two things in life: to be a writer and a father. Being a minister’s husband had not been on this list, having left the church as a teenager as soon as his parents stopped making him go each Sunday. In Washed Ashore, Eville’s life changes when his wife Cathlin takes a job as the first female pastor of a 350-year-old church on Martha’s Vineyard, the island that was once home to generations of his ancestors. With their two small children in tow, the couple begins a new life eight miles out at sea. Readers follow Eville’s journey from stay-at-home-dad to newspaper editor as he discovers what it means to be a writer, a father, and—after his wife’s devasting breast cancer diagnosis—what it truly means to be a minister’s husband. Washed Ashore, told in a series of linked essays, is poignant and funny, filled with faith, struggle, and light.

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“One of the Year’s Best,” Times Literary Supplement When a writer tracks down his literary hero, Graham Greene, who is living quietly on the shores of the Mediterranean, the author finds his new friend is every bit as complex as the fiction he’s famous for. While living in southern France in 1972, Michael Mewshaw engineered a meeting with Graham Greene. Mewshaw was an ambitious young journalist and novelist, Greene was an internationally revered elder statesman of letters. The pair became fast friends and corresponded for the next twenty years. My Man in Antibes is an intimate portrait of what it was like to eat, drink, and gossip with one of the most revered—and complicated—authors of the twentieth century. Growing up Catholic with literary aspirations, Mewshaw believed Greene was the author to emulate. Not only did Greene demonstrate how religious belief and church dogma could be subjects for fiction, he also wrote murder mysteries and political thrillers where his characters’ inner conflicts played out dramatically in exotic settings. Under Greene’s sway, Mewshaw traveled through Mexico like the whiskey priest in Greene’s The Power and the Glory and honeymooned at the Hotel Oloffson in Haiti, the setting of The Comedians. When Mewshaw tracked down Greene in Antibes, he found the author was far from a reclusive, close-mouthed figure: Greene garrulously recounted tales about the many women in his life—and husbands of those women—as well as his extraordinary interviews with political figures such as Fidel Castro and Ho Chi Minh. Over the next two decades, Mewshaw and Greene ate meals together, discussed their travels, and talked about writers they knew in common, such as Anthony Burgess, Shirley Hazzard, and Gore Vidal. While young Mewshaw looked up to the world-weary Greene, their relationship was never simply that of mentor and mentee. My Man in Antibes bristles with misunderstandings, arguments, and one young writer’s desire to get to know a legendary older writer who, in many ways, actively sought to remain unknowable.

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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“Beautifully written and astutely observed. This is a marvelous book.”—Washington Post“For fans of The Perfect Storm, In the Heart of the Sea, and Bill Bryson on his sassiest days.”—Afar Travel Magazine and GuideAboard a sinking cruise ship, a journalist faces death and reconsiders life. “If you’re looking for a great read, look no further than The Passenger.”—San Francisco ExaminerIn March 2019, the Viking Sky cruise ship was struck by a bomb cyclone in the North Atlantic. Rocked by 50-foot swells and 40-knot gales, the ship lost power and began to drift straight toward the notoriously dangerous Hustadvika coast in Norway. This is the suspenseful, harrowing, funny, touching story by one passenger who contemplated death aboard that ship. Chaney Kwak is a travel writer used to all sorts of mishaps on the road, but this is a first even for him: trapped on the battered cruise ship, he stuffs his passport into his underwear just in case his body has to be identified. As the massive cruise ship sways in surging waves, Kwak holds on and watches news of the impending disaster unfold on Twitter, where the cruise ship’s nearly 1,400 passengers are showered with “thoughts and prayers.” Kwak uses his twenty-seven hours aboard the teetering ship to examine his family history, maritime tragedies, and the failing relationship back on shore with a man he’s loved for nearly two decades: the Viking Sky, he realizes, may not be the only sinking ship he needs to escape.The Passenger takes readers for an unforgettable journey from the Norwegian coast to the South China Sea, from post-WWII Korea to pandemic-struck San Francisco. Kwak weaves his personal experience into events spanning decades and continents to explore the serendipity and the relationships that move us—perfect for readers who love to discover world travel through the eyes of a perceptive and witty observer.

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A must-read for the craftsperson, artisan and artist. “In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.”—Matthew Crawford, author of Shop Class as SoulcraftWoodworking, handicrafts —the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution.How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly probes for answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.

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