Search results for ""Boydell Brewer Ltd""

Essays examining how punishment operated in England, from c.600 to the Norman Conquest. Anglo-Saxon authorities often punished lawbreakers with harsh corporal penalties, such as execution, mutilation and imprisonment. Despite their severity, however, these penalties were not arbitrary exercises of power. Rather, theywere informed by nuanced philosophies of punishment which sought to resolve conflict, keep the peace and enforce Christian morality. The ten essays in this volume engage legal, literary, historical, and archaeological evidence to investigate the role of punishment in Anglo-Saxon society. Three dominant themes emerge in the collection. First is the shift from a culture of retributive feud to a system of top-down punishment, in which penalties were imposed by an authority figure responsible for keeping the peace. Second is the use of spectacular punishment to enhance royal standing, as Anglo-Saxon kings sought to centralize and legitimize their power. Third is the intersectionof secular punishment and penitential practice, as Christian authorities tempered penalties for material crime with concern for the souls of the condemned. Together, these studies demonstrate that in Anglo-Saxon England, capital and corporal punishments were considered necessary, legitimate, and righteous methods of social control. Jay Paul Gates is Assistant Professor at John Jay College of Criminal Justice in The City University of New York; Nicole Marafioti is Assistant Professor of History and co-director of the Medieval and Renaissance Studies Program at Trinity University in San Antonio, Texas. Contributors: Valerie Allen, Jo Buckberry, Daniela Fruscione, Jay Paul Gates, Stefan Jurasinski, Nicole Marafioti, Daniel O'Gorman, Lisi Oliver, Andrew Rabin, Daniel Thomas.

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Casts new and valuable light on English musical history and on Enlightenment culture more generally. This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens'College, Cambridge.

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An indispensable biography for anyone interested in Constant Lambert, ballet and British musical life in the first part of the twentieth century. To the economist and ballet enthusiast John Maynard Keynes he was potentially the most brilliant man he'd ever met; to Dame Ninette de Valois he was the greatest ballet conductor and advisor this country has ever had; to the composer Denis ApIvor he was the greatest, most lovable, and most entertaining personality of the musical world; whilst to the dance critic Clement Crisp he was quite simply a musician of genius. Yet sixty years after his tragic earlydeath Constant Lambert is little known today. As a composer he is remembered for his jazz-inspired The Rio Grande but little more, and for a man who selflessly devoted the greater part of his life to the establishment of English ballet his work is largely unrecognized today. This book amply demonstrates why he deserves to be held in greater renown. With numerous music examples, extensive appendices and a unique iconography, every aspect of thecareer and life of this extraordinary, multi-talented man is examined. It looks not only at his music but at his journalism, his talks for the BBC, his championing of jazz (in particular Duke Ellington), and - more privately - his long-standing affair with Margot Fonteyn. This is an indispensable biography for anyone interested in Constant Lambert, ballet and British musical life in the first part of the twentieth century. STEPHEN LLOYD is a writer on British music and author of William Walton: Muse of Fire (Boydell, 2001).

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An authoritative and timely book shedding new light on the role of religion during World War II and its impact on post-war American society. America's armed forces played a critical part in the defeat of Hitler's Germany and made by far the biggest contribution to the Allied defeat of Japan. In the US, military veterans of World War II are widely revered as the foremost representatives of 'the greatest generation', a generation that vanquished fascism in Europe and the Far East, faced down the threat of communism during the Cold War, and achieved unprecedented levels of prosperity and social mobility in their own society. Elsewhere, America's service men and women are often remembered more ambivalently for their material abundance, their hedonism, and even their rapacity. God and Uncle Sam shows that bothperspectives are problematic: America's armed forces were the products of one of the most diverse and dynamic religious cultures in the western world and were the largest ever to be raised by a professedly religious society. Despite constitutional constraints, a pre-war 'religious depression', and the myriad pitfalls of war, religion played a crucial role in helping more than sixteen million uniformed Americans through the ordeal of World War II, a fact that had profound and far-reaching implications for the religious development of post-war America. This timely and authoritative book draws on meticulous research in US archives and is informed by contemporary films, photographs, posters, and sound recordings. MICHAEL SNAPE is Michael Ramsey Professor of Anglican Studies at Durham University.

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A comprehensive overview of preaching culture in eighteenth-century England. This book looks at the role of preaching culture in eighteenth-century England. Beyond the confines of churches, preaching was heard at political anniversaries and elections, thanksgiving and fast days, and society and charity meetings, all of which were major occasions on the English political and social calendars. Dozens of sermons were published each year, and the popularity of sermons, both from the pulpit and in print, make them crucial for understanding the role of religion in eighteenth-century society. To provide a broad perspective on preaching culture, this book focuses on print and manuscript evidence for preaching in London. London had a unique combination of preaching venues and audiences, including St. Paul's cathedral, parliament, the royal court, the corporation of London, London-based societies, and numerous parish churches and Dissenting meetinghouses. The capital had the greatest range of preaching anywhere in England. However, many of the developments in London reflected trends in preaching culture across the country. This was a period when English society experienced significant social, religious and political changes, and preachers' roles evolved in response to these changes. Early in the century, preachers were heavily engaged in partisan politics. However, as these party heats waned, they increasingly became involved with societies and charities that were part of the blossoming English urban culture. The book also explores the impact of sermons on society by looking at contemporary perceptions of preaching, trends in the publication of sermons, the process of the publication and the distribution of sermons, and the reception of sermons. It demonstrates how preachers of various denominations adapted to an increasingly literate and print-centred culture and the continuing vitality of oral preaching culture. The book will be of interest not only to scholars of religion and sermon literature, but also to those interested in eighteenth-century politics, urban society, oral and print cultures, and publishing. JENNIFER FAROOQ is an independent scholar.

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The first-ever biography of Richard Wagner's artistically gifted granddaughter who fought against Hitler's Germany but achieved no personal success for her troubles. She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother'sclose liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled toLondon and published articles pillorying the Nazi élite. All the same, her former proximity to Hitler & Co. made her suspicious in the eyes of the authorities, who promptly interned her. Even the British Parliament debated her fate. Only with the help of the world-famous conductor Arturo Toscanini was she able to gain an exit visa. Once she arrived in New York she broadcast, lectured and published against the Nazis, wrote an autobiography, and became friends with many other emigrants including singers who had themselves abandoned Bayreuth. After the war the Mayor of Bayreuth asked her to run the Festival, but she declined in favour of her brothers. They showed little gratitude, however, for after Friedelind returned to Germany in 1953 she found herself manoeuvred out of any role in the Festival management. She still made a remarkable effort to find a niche in post-war German society and culture, and did her best to cope with a family notorious for its intrigues past and present. Friedelind Wagner remained a staunch friend of artists such as Wilhelm Furtwängler, Frida Leider, Otto Klemperer, Erich Kleiber, Leonard Bernstein, WalterFelsenstein, Michael Tilson Thomas and many others. Drawing on archival research in many countries, Eva Rieger has here written the first-ever biography of Richard Wagner's talented, artistic granddaughter who fought againstHitler's Germany, but achieved no personal success for her troubles. Her book gives many new insights into wartime and postwar musical life in Germany, Europe and the United States. EVA RIEGER is a feminist musicologist and author of many books on music.

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A collection which highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 [2010] The comprehensive breadth and scope of the Journal are to the fore in this issue, which ranges widely both geographically and chronologically. The subjects of analysis are equally diverse, with three contributions dealing with theCrusades, four with matters related to the Hundred Years War, two with high-medieval Italy, one with the Alans in the Byzantine-Catalan conflict of the early fourteenth century, and one with the wars of the Duke of Cephalonia inWestern Greece and Albania at the turn of the fifteenth century. Topics include military careers, tactics and strategy, the organization of urban defenses, close analysis of chronicle sources, and cultural approaches to the acceptance of gunpowder artillery and the prevalence of military "games" in Italian cities. Contributors: T.S. Asbridge, A. Compton Reeves, Kelly DeVries, Michael Ehrlich, Scott Jessee, Donald Kagay, Savvas Kyriakidis, Randall Moffett, Aldo A. Settia, Charles D. Stanton, Georgios Theotokis, L.J. Andrew Villalon, Anatoly Isaenko.

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Essays dealing with the question of how the theory and practice of archaeology should engage with the recent past. Heritage, memory, community archaeology and the politics of the past form the main strands running through the papers in this volume.The authors tackle these subjects from a range of different philosophical perspectives, with manydrawing on the experience of recent community, commercial and other projects. Throughout, there is a strong emphasis on both the philosophy of engagement and with its enactment in specific contexts; the essays deal with an interest in the meaning, value and contested nature of the recent past and in the theory and practice of archaeological engagements with that past. Chris Dalglish is a lecturer in archaeology at the University of Glasgow. Contributors: Julia Beaumont, David Bowsher, Terry Brown, Jo Buckberry, Chris Dalglish, James Dixon, Audrey Horning, Robert Isherwood, Robert C Janaway, Melanie Johnson, Siân Jones, Catriona Mackie, Janet Montgomery, Harold Mytum, Michael Nevell, Natasha Powers, Biddy Simpson, Matt Town, Andrew Wilson

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Relates how the British, aided by Arab insurgents and the French, defeated the Turks, although not without difficulty, and captured northern Palestine and most of Syria. This book charts the continuing war between Britain and France on the one side and the Turkish Empire on the other following the British capture of Jerusalem in 1917. It outlines how the British prepared for their advance, bringing in Indian and Australian troops; how the Turks were defeated at the great Battle of Megiddo in September 1918; and how Damascus fell, the Australians and the Arab army, which had harassed the Turks in the desert, arriving almostsimultaneously. It goes on to relate how the French arrived, late, to take over territory allocated to them in the Sykes-Picot Agreement of 1915, territory which included both Syria and Lebanon; how influenza had a severely detrimental impact on the allied advance; and how the Turks regrouped, successfully, north of Aleppo, and prevented further allied advance. The book also discusses the peace negotiations which followed the armistice, examining how nationalist aspirations were thwarted, how the French imperial grip on Syria was gradually strengthened, and how the Arab leader, Faisal, ousted from Syria, was provided with a kingdom by the British in Iraq. At a time when new turmoil in Syria is again in the headlines, this study provides exceptionally timely information on how Syria was fought over and shaped as rule over the country by the Turkish Empire was ended. John D. Grainger is the authorof numerous books for a variety of publishers, including five previously published books for Boydell and Brewer, including The Battle for Palestine, 1917 and Dictionary of British Naval Battles.

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This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.

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A series which is a model of its kind. Edmund King, History The contributions collected in this volume demonstrate the full range and vitality of current work on the Anglo-Norman period in a variety of disciplines. Subjects include the fables on the Bayeux Tapestry, the piety of Earl Godwine, the feudal quota of the pre-1066 Archbishops of Canterbury, Geoffrey Malaterra's treatment of Roger the Great Count, mints and money in Anglo-Norman England, the church of Lastingham, and a reappraisal of Lanfranc as theologian. David Bates is Professorial Fellow, University of East Anglia. Contributors: Martin Allen, Henry Bainton, Nicholas Brooks, Jonathan Grove, Toivo Holopainen, Chris Lewis, Tom Licence, Marie-Agnès Lucas-Avenel, Christopher Norton and Stuart Harrison, Rebecca Slitt, Stephen D. White, Ann Williams.

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Accounts of specific communities and themes build to a comprehensive picture of Jews in England C11 - C13. Britain's medieval Jewish community arrived with the Normans in 1066 and was expelled from the country in 1290. This is the first time in many years that its life has been comprehensively examined for a student and general readership. Beginning with an introduction setting the medieval British experience into its European context, the book continues with three chapters outlining the history of the Jews' presence and a discussion of where they settled. Further chapters then explore themes such as their relationship with the Christian church, Jewish women's lives, the major types of evidence used by historians, the latest evidence emerging from archaeological exploration, and new approaches from literary studies. The book closes with a reappraisal of one of the best-known communities, that at York. Drawing together the work of experts in the field, and supported by an extensive bibliographical guide, this isa valuable and revealing account of medieval Jewish history in Britain. Patricia Skinner is a Wellcome Research Fellow in the College of Arts and Humanities, Swansea University. Contributors: ANTHONY BALE, SUZANNE BARTLETT, PAUL BRAND, BARRIE DOBSON, JOHN EDWARDS, JOSEPH HILLABY, D.A. HINTON, ROBIN MUNDILL, ROBERT C. STACEY.

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A full and richly illustrated history of windmills in Suffolk - a county particularly notable for them. Some of the earliest recorded windmills were built in Suffolk, and since the middle ages Suffolk has been a county where windmills predominated. In the 1830s there were over 430 windmills in the county, though the advent of steamand oil engines and roller mills meant there was a rapid decline in numbers later in the nineteenth century. This survey lists all the surviving mills and mill remains. It also explains the technicalities of how the differenttypes of mill worked, emphasising the particular local types and developments; and describes the life of the millers and the work of the millwrights. There is also an account of the restoration work which has been undertaken on them. Fully illustrated with photographs of what can still be seen today.

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No one composer is at the centre of this fascinating story, but a larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner, and of his antidote (as many saw him), Brahms. Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich. Music in 1853 shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms. HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published Beethoven's Century: Essays on Composers and Themes with Boydell/URP.

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Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber. Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. It starts in a low key, copying an earlier chronicle, but by the end of Edward II's reign he offers a much more vivid account. His description of Edward II's last days is partly based on the eyewitness account of his patron, Sir Thomas de la More, who was present at one critical interview. Baker's story of Edward's death, like many other details from his chronicle, was picked up by Tudor historians, particularly by Holinshed, who was the source for Shakespeare's history plays. The reign of Edward III is dominated, not by Edward III himself, but by Baker's real hero, Edward prince of Wales. His bravery aged 16 at Crécy is presented as a prelude to his victory at Poitiers, a battle which Baker is able to describe in great detail, apparently from what he was told by the prince's commanders. It is a rarity among medieval battles, because - in sharp contrast to the total anarchy at Crécy - the prince and his staff were able to see the enemy's manoeuvres. Throughout the chronicle there are sharply defined vignetteswhich stay in the mind - the killing of the Scottish champion on Halidon Hill, the drowning of Sir Edward Bohun, the earls of Salisbury and Suffolk as prisoners carried in a cart, the death of Sir Walter Selby and his two sons, the bravery of Sir Thomas Dagworth against a cobbler's son, the duel between Otho and the duke of Lancaster, John Dancaster and the lewd washerwoman. Baker writes in a complex Latin which even scholars find problematic, and David Preest's new translation will be widely welcomed by anyone interested in the fourteenth century. There are extensive notes and an introduction by Richard Barber.

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When François de la Rochefoucauld and his brother Alexandre visited Suffolk in 1784, the events which were to lead to the French Revolution in 1789 were already in train. François' father, the duc de Liancourt, Grand Master of theWardrobe at Louis XVI's court, was well placed to appreciate the dangers of the situation in France, and it must have been with anxious hopefulness that he sent his sons (François was then 18) to England for a year to appreciatethe ordering of these things in a country which had experienced a revolution over a century earlier. Such reflections are never far below the surface of this otherwise cheerful journal of a year abroad, which gives a vivid pictureof English provincial life; François' observations range over such diverse subjects as English customs and manners and methods of agriculture and stockbreeding, and include a lively account of a general election. Norman Scarfe, the well-known historian of Suffolk and beyond, provides a spirited translation of François' journal; it is complemented by numerous illustrations.

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Makes original contributions to late medieval and early modern historiography, including detailed, contextualized studies of the 'Lancastrian revolution', the Reformation and the English Revolution. Commune, Country and Commonwealth suggests that towns like Cirencester are a missing link connecting local and national history, in the immensely formative centuries from Magna Carta to the English Revolution. Focused on atown that made highly significant interventions in national constitutional development, it describes recurring struggles to achieve communal solidarity and independence in a society continuously and prescriptively divided by grossinequalities of class and status. The result is a social and political history of a great trans-generational epic in which local and national influences constantly interacted. From the generation of Magna Carta to the regicides of Edward II and Richard II, through the vernacular revolution of the 'long fifteenth century' and the chaos of state reformations to the great revival that ended in the constitutional wars of the 1640s, the epic was united by strategic location and by systemic, 'structural' inequalities that were sometimes mitigated but never resolved. Individual and group personalities emerge from every chapter, but the 'personality' that dominates them all, Rollison argues, is a commune with 'a mind of its own', continuously regenerated by enduring, strategic realities. An afterword describes the birth and development of a new, 'rural' myth and identity and suggests some archival pathways for the exploration of a legendary English town in the modern and postmodern, industrial and post-industrial epochs. DAVID ROLLISON is Honorary Research Associate in History, University of Sydney. DAVE ROLLISON isHonorary Research Associate in History, University of Sydney.

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Special edition of a volume which has become the leading forum for debate on aspects of medieval warfare, looking at warfare in the fifteenth century. The articles in this volume focus on the fifteenth century. Several draw on the substantial archives of the Burgundian polity, focusing particularly on the Flemish shooting guilds, spying, and the provision of troops by towns. Theurban emphasis continues with a study of the transition from "traditional" artillery to gunpowder weaponry in Southampton, and a comparison of descriptions of military engagements in the London Chronicles and in Swiss town chronicles. Welsh chronicling of the battle of Edgecote (1469) is also reviewed, and there is a re-assessment of Welsh involvement in the Agincourt campaign. English interests in France are pursued in two further papers, one consideringthe personnel of the ordnance companies in Lancastrian Normandy and the other examining the little-known French attacks on Gascony in the early years of the fifteenth century. Contributors: Frederik Buylaert, Jan Van Camp, Bert Verwerft, Adam Chapman, Laura Crombie, Andy King, Barry Lewis, Randall Moffett, Guilhem Pepin, Andreas Rémy, Bastian Walter

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Offers a new interpretation of Butler's theology and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the Church as well as religion and science. Joseph Butler [1692-1752] is perhaps Britain's most powerful and original moral philosopher. He exercised a profound influence over the contemporary Protestant Churches, the English moralists and the Scottish philosophical schoolbut his theory of the "affections", grounded in Newtonian metaphysics and presenting an account of human psychology, also set the terms of engagement with questions of education, slavery, missions and even labour relations. Inthe nineteenth-century English-speaking world he was an authority of first resort for Evangelicals, Tractarians, philosophers, scientists, psychologists, economists, sociologists, lawyers and educationalists alike. He remains a key reference point for modern American and British philosophers, from Broad to Rawls and beyond. Many analyses of Butler, however, have been distorted by aggressively secular readings. This book is based on a comprehensive reassessment of his published work and the surviving manuscripts and archival materials. These are set within an account of his spiritual and intellectual development and his ministerial vocation, from the protracted and painful process of conforming to the Church of England to his initial observations on a social philosophy. Demonstrating that even The Analogy originated in liturgical preaching, this book offers a refreshed and detailed account of Butler's key terms - conscience, consciousness, identity, affections, charity, analogy, probability, tendency - and suggests that exploration of his methods may contribute to modern thinking about ethics, language, the role of the Church, and the religion and science debates. BOB TENNANT taught English Literature at the University of Sussex, spent many years as a senior manager in adult education, and was a trade union and political activist serving leading organisations at local, regional and national levels. He has written on political, economic and trade union matters for many newspapers and periodicals and is a founder of The British Pulpit Online, seeking to create an online catalogue and database of all printed British sermons from 1660 to 1901.

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This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The essays here provide a series of unusual, varying and complex perspectives on late-medieval society, with a particular focus on the European context. They show how in the north of England the Cliffords and tenants of the honourof Pontefract were forced to weigh up the advantages and disadvantages of their conflicting loyalties to local lords and distant kings; how in East Anglia the growing cult of St Margaret was reinforced by dissemination of her life-story [published here from a manuscript in the British Library]; how at Westminster the court of Henry IV was enhanced by his purchase of luxury items, and how the inept rule of his grandson Henry VI led to the "de-skilling" ofhitherto competent bureaucracies in the exchequer and chancery; how in Normandy a fine line was drawn between brigandage and movements for independence; how in Burgundy the classic ideals of chivalry, as presented in the duchy's literature, contrasted with the grim reality of military and political confrontations; and how in Florence infants were nurtured. Contributors: Frederik Buylaert, Christine Carpenter, Vincent Challet, Juliana Dresvina, Jan Dumolyn, Andy King, Jessica Lutkin, Alessia Meneghin, Sarah Rose

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A book for those drawn back to Aldeburgh year after year for the music, writing and arts - and to all who care for the landscape, the sea and the ongoing life of the Suffolk Coast. The New Aldeburgh Anthology takes its inspiration from Ronald Blythe's classic Aldeburgh Anthology of 1972, which summoned the spirit of Aldeburgh and the Suffolk coast in words and images that resonate still, and has proved enduringly popular. This new volume brings the story up to date and distils the very essence of the place just at the point when its identity might seem diluted by the accelerating pace of change. It speaks for and to thepresent generation, combining young voices with old, those of writers and musicians with poets and artists, of historians with naturalists, architects and ecologists, and local people. Britten and Pears' Aldeburgh Festivallies at the heart of the enterprise. Much has changed, but the Festival still owes its unique appeal and character to the remarkable history and the inspiration of its founders, as well as their strong sense of place. Their legacy is re-examined by musicians such as Ian Bostridge, Steven Isserlis and Roger Vignoles, and music writers James Fenton, Paul Kildea, Peter Dickinson and Rupert Christiansen. Aldeburgh and the east coast of Suffolk is about so much more than music, however: the poets Andrew Motion, Blake Morrison, Kevin Crossley-Holland and Lavinia Greenlaw and other writers as diverse as Craig Brown and Wilkie Collins have all been inspired by its bright yet haunting atmosphere, Maggi Hambling and Alison Wilding are sculptors who have left their mark on the landscape, while artists as varied as Sidney Nolan and John Piper, Arthur Boyd and Louise Wilson have all derived rich inspiration from it. The very landscape and ecology of east Suffolk is on the move, too, the coastline responding to the vagaries of climate change, the traditional ways of life, of farming and of fishing giving way to new. George Ewart Evans, W.G. Sebald and Richard Mabey are among those who respond to the power of the landscape, others to the spell of the sea, and the life that has evolved around both is evoked in words and images, some of them startling in their intensity. Amongst the many contributions, the new Anthology contains some of the classic articles from the original, including writings by WH Auden, George Crabbe, Eric Crozier, Imogen Holst, Norman Scarfe and of courseRonald Blythe himself. Published in association with Aldeburgh Music.

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Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovative studies of Gluck, Mozart and Berlioz, among many others. Colleagues, associates and former students pay tribute to his work with essays highlighting the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness. British opera is represented bystudies of Grabu, Purcell, Dibdin, Holst, Stanford and Britten, but the collection sustains a truly European perspective rounded out with essays on French opera funding, Bizet, Mozart, Mendelssohn, Verdi, Puccini, Janácek, Nielsen, Rimsky-Korsakov and Schreker. Several works receive some of their first extended discussion in English. RACHEL COWGILL is Professor of Musicology at Liverpool Hope University. DAVID COOPER is Professor of Music and Technology at the University of Leeds. CLIVE BROWN is Professor of Applied Musicology at the University of Leeds. Contributors: MARY K. HUNTER, CLIVE BROWN, PETER FRANKLIN, RALPH LOCKE, DOMINGOS DE MASCARENHAS,DAVID CHARLTON, KATHARINE ELLIS, BRYAN WHITE, PETER HOLMAN, RACHEL COWGILL, ROBERTA MONTEMORRA MARVIN, DAVID COOPER, RICHARD GREENE, J.P.E. HARPER-SCOTT, DANIEL GRIMLEY, STEPHEN MUIR, JOHN TYRRELL.

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Provides for a selection of texts, together with scholarly introductions, from one of the world's great private libraries, covering a period from Elizabeth I to the Church's involvement in homosexual law reform. This volume of the Church of England Record Society, published in celebration of the 400th anniversary of the foundation of Lambeth Palace Library, is a tribute to the value of one of the world's great private libraries to the scholarly community and its importance for the history of the Church of England in particular. Thirteen historians, who have made considerable use of the Library in their research, have selected texts which together offer an illustration of the remarkable resources preserved by the Library for the period from the Reformation to the late twentieth century. A number of the contributions draw on the papers of the archbishops of Canterbury and bishops of London,which are among the most frequently used collections. Others come from the main manuscript sequence, including both materials originally deposited by Archbishop Sancroft and a manuscript published with the help of the Friends of Lambeth Palace Library in 2007. Another makes use of the riches to the papers of the Lambeth Conferences. Each text is accompanied by a substantial introduction, discussing its context and significance, and a full scholarly apparatus. The themes covered in the volume range from the famous dispute between Archbishop Grindal and Queen Elizabeth I, through the administration of the Church by Archbishop Laud and Archbishop Davidson's visit to the Western Frontduring World War I, to involvement of the Church in homosexual law reform.

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The most recent research into the Anglo-Saxon, Anglo-Norman, and Angevin worlds. Embracing disciplinary approaches ranging from the archaeological to the historical, the sociological to the literary, this collection offers new insights into key texts and interpretive problems in the history of England and thecontinent between the eighth and thirteenth centuries. Topics range from Bede's use and revision of the anonymous Life of St Cuthbert and the redeployment of patristic texts in later continental and Anglo-Saxon ascetic andhagiographical texts, to Robert Curthose's interaction with the Norman episcopate and the revival of Roman legal studies, to the dynamics of aristocratic friendship in the Anglo-Norman realm, and much more. The volume also includes two methodologically rich studies of vital aspects of the historical landscape of medieval England: rivers and forests. William North teaches in the Department of History, Carleton College. Contributors: Richard Allen, Uta-Renate Blumenthal, Ruth Harwood Cline, Thomas Cramer, Mark Gardiner, C. Stephen Jaeger, David A.E. Pelteret, Sally Shockro, Rebecca Slitt, Timothy Smit

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Catalogue of excavated household items from the middle ages provides an invaluable reference tool for experts and the general reader alike. This book brings together for the first time the astonishing diversity of excavated furnishings and artefacts from medieval London homes. These include roofing and other structural items, decorative fixtures and fittings, and assortment of culinary utensils, writing instruments, and toys and weights. Illustrating some 1,000 items, the catalogue provides a fascinating account of how metalwork and glassware manufacturing trends changed during the period covered, while close dating of many of the finds has resulted in many new insights into life at the time.

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Emslie's study of Wagner's creativity examines the centrality of love - and its obverse, hate - to the composer's world view. Richard Wagner and the Centrality of Love is a bold book which argues that Wagner's music dramas cannot be understood if treated separately from his essays, his life, the intellectual and artistic climate of his day, and the broader history of Germany. Wagner attempts a range of reconciliations that are radical in content and form and appear to succeed partly because he is in well-nigh complete command of the aesthetic product; not only text and music, but also production practice. Nonetheless, all the reconciliations ultimately break down, but in a manner that is illuminating. This is not a celebration of the seamless work of art, but a radical unpicking of the seemingly seamless. 'Love' is the central organising concept of the whole Wagnerian project. Love - sexual and spiritual, egotistical and charitable, love of the individual and of the race - is the key Wagnerian driving force. And therefore so is hate. Of course Wagner cannot employ love without its opposite, and it is critically significant that his anti-semitism is based upon his view that the Jews are 'loveless'. The book handles Wagner's anti-semitism (andthe ongoing row about it) in a unique way, in that it is shown to be aesthetically and intellectually productive (for him!). This leads to a radical reinterpretation of Wagner's music dramas. BARRY EMSLIE is an independent scholar who lives and teaches in Berlin.

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The most up-to-date research in the period from the Anglo-Saxons to Angevins. The latest volume of the Haskins Society Journal presents recent research on the Anglo-Saxon, Anglo-Norman, and Angevin worlds broadly conceived, and includes topics ranging from the origins of Welsh law and the evidence for the development of the chivalric tournament in the Norman chroniclers to the use of saints to cement regional power, the reception of Dudo of St Quentin, the regional divides in the Norman Kingdom of Sicily, and more. The volume is particularly noteworthy for several studies that bring together historical and archaeological evidence in new and challenging ways. Contributors: DOMINIQUE BARTHELEMY, ROBIN CHAPMAN STACEY, ROBIN FLEMING, BERNARD BACHRACH, AUSTIN MASON, ALECIA ARCEO, PETER BURKHOLDER, PAUL OLDFIELD, KATHERINE LACK, SAMANTHA HERRICK, NICOLE MARAFIOTI, DAVID BACHRACH

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Examines how and why the East India Company was transformed from a commercial trading company to an institution of government, and then abolished. This book examines the development of British commercial, financial and political relations with India and the Far East during the final period of the East India Company's reign as the sovereign power in India. This was a most turbulent period for British commerce with India. The period began with the renewal of the East India Company's Charter and its component monopolies of trade with India and China, but this was quickly followed by the outbreak of theNapoleonic Wars, which spread to the east and saw the completion of Britain's assertion of power over India and much of Southeast Asia. However, the war also strengthened those political forces in Britain campaigning against the Company's monopolies of trade with India and China, which were consequently abolished under the Charter Acts of 1813 and 1833. The spectacular growth of the British economy following industrialisation brought new forces to bear upon India, with the rise of manufactured exports to the east. But the course of commercial relations did not run smoothly, and economic crises in Britain and India in 1833 and 1848 swept away commercial firms in both countries, andcaused severe economic retrenchments. This instability severely hampered efforts to facilitate the export of capital to India during the first half of the century. Finally the rebellion of 1857 spelt the death knell for the Company, and ushered in a new phase of Anglo-Indian economic relations, in which British foreign investment grew substantially. Anthony Webster is Head of the History Department at Liverpool John Moores University.

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A series which is a model of its kind EDMUND KING, HISTORY The contemporary historians of Anglo-Norman England form a particular focus of this issue. There are contributions on Henry of Huntingdon's representation of civil war; on the political intent of the poems in the anonymous Life ofEdward the Confessor; on William of Malmesbury's depiction of Henry I; and on the influence upon historians of the late antique history attributed to Hegesippus. A paper on Gerald of Wales and Merlin brings valuable literary insights to bear. Other pieces tackle religious history (northern monasteries during the Anarchy, the abbey of Tiron) and politics (family history across the Conquest, the Norman brothers Urse de Abetot and Robert Dispenser, the friendship network of King Stephen's family). The volume begins with Judith Green's Allen Brown Memorial Lecture, which provides a wide-ranging account of kingship, lordsihp and community in eleventh-century England. CONTRIBUTORS: Judith Green, Janet Burton, Catherine A.M. Clarke, Sebastien Danielo, Emma Mason, Ad Putter, Kathleen Thompson, Jean A. Truax, Elizabeth M. Tyler, Björn Weiler, Neil Wright

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Reassesses the role of the British Naval Staff during the First World War, challenging many widely-held views, and casting much new light on controversial issues and individuals. Winner of the Society for Nautical Research's prestigious Anderson Medal, 2010. Nicholas Black examines the role of the Naval Staff of the Admiralty in the 1914-18 war, reassessing both the calibre of the Staff and the function and structure of the Staff. He challenges historians such as Arthur Marder and naval figures such as Captains Herbert Richmond and Kenneth Dewar who were influential in creating the largely bad press that the Staff has receivedsubsequently, showing that their influence has, at times, been both unhealthy and misinformed. The way in which the Staff developed during the war from a small, overstretched and often manipulated body, to a much more highly specialised and successful one is also examined, reassessing the roles of key individuals such as Jellicoe and Geddes, and suggesting that the structure of the Staff has been misunderstood and that it was a rather more sophisticated body than historians have traditionally appreciated. Black also looks at how the Staff performed in various major naval issues of the war: the role of the Grand Fleet, the war against the U-boat, the Dardanelles Operation and the implementation of the economic blockade against Germany. Overall, the book complements, and at times challenges, both operational histories of the war and biographies of the leading individuals involved. NICHOLAS BLACK is Head of History at Dulwich College.

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Detailed investigation of the key role played by Admiral Saumarez in the continuing naval warfare against Napoleon. The maritime war against Napoleon did not end with the Battle of Trafalgar, but continued right up to 1815, with even more British ships and sailors deployed after 1805 than before. One key theatre was the Baltic, where the British commander was Admiral Saumarez. He had had a highly successful career as a post-Captain, notably at the two battles of Algeciras as a newly-promoted Rear-Admiral. For five years from 1808 as Commander-in-Chief of a large Balticfleet, he played a very skilful diplomatic role, combining firmness and restraint, and working with Sweden contrary to the instincts of his superiors in London, even when she declared war. Despite the determined efforts of Denmark's gunboats and privateers, he successfully kept British trade flowing in and out of the Baltic, undermining Napoleon's 'Continental System' - the economic blockade of Britain - and leading to Napoleon's fateful decision to invadeRussia in 1812. This book, based on extensive original research in both British and Scandinavian archives and making considerable use of Saumarez' unpublished correspondence, charts the maritime and political history of thewar in the Baltic. It illustrates the highly successful, highly esteemed role the Admiral played and looks at the nature and motivation of the man himself revealed in his letters and in the private letters of Count von Rosen, Governor of Gothenburg and chief link between Saumarez and former French Marshal Bernadotte, Crown Prince of Sweden, later to be crowned King Karl XIV Johan. TIM VOELCKER gained his PhD in maritime history at the University of Exeter.

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Naval warfare is vividly brought to life, from first contact through how battles were won and lost to damage repair. Our understanding of warfare at sea in the eighteenth century has always been divorced from the practical realities of fighting at sea under sail; our knowledge of tactics is largely based upon the ideas of contemporary theorists[rather than practitioners] who knew little of the realities of sailing warfare, and our knowledge of command is similarly flawed. In this book the author presents new evidence from contemporary sources that overturns many old assumptions and introduces a host of new ideas. In a series of thematic chapters, following the rough chronology of a sea fight from initial contact to damage repair, the author offers a dramatic interpretation of fighting at sea inthe eighteenth century, and explains in greater depth than ever before how and why sea battles (including Trafalgar) were won and lost in the great Age of Sail. He explains in detail how two ships or fleets identified each other to be enemies; how and why they manoeuvred for battle; how a commander communicated his ideas, and how and why his subordinates acted in the way that they did.

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A pictorial history of Birmingham Town Hall, showing the many events, occasions and people to which it has played host. Birmingham's magnificent Town Hall has hosted events of every kind and variety during its long life. Now, after a 35m refurbishment and restored to the original 1834 design, it reopens in October 2007 - an occasion which this pictorial history commemorates. Lavishly illustrated with some 250 pictures, it recalls many of the astonishing events and occasions that the Hall has witnessed in its 173-year history. These range from royal visits by Queen Victoriaand subsequent monarchs, outsize banquets, usage in wartime, legendary speakers including Charles Dickens and the many famous personalities of each decade, even a riot. The Hall's amazingly rich musical history is also traced, from the days when Mendelssohn, Dvorak and Elgar conducted their new works in person, through appearances by every international musician of subsequent decades right through the phenomena of all night jazz and the coming of The Beatles and The Rolling Stones, to its temporary closure in 1996.

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Survey of the reign of Henry II, offering a range of new evaluations and interpretations. Henry II is the most imposing figure among the medieval kings of England. His fiefs and domains extended from the Atlantic to the Mediterranean, and his court was frequented by the greatest thinkers and men of letters of his time,besides ambassadors from all over Europe. Yet his is a reign of paradoxes: best known for his dramatic conflicts with his own wife and sons and with Thomas Becket, it was also a crucial period in the evolution of legal and governmental institutions. Here experts in the field provide significant reevaluations of its most important aspects. Topics include Henry's accession and his relations with the papacy, the French king, other rulers in the British Islesand the Norman baronage; the development of the common law and the coinage; the court and its literary milieu; the use of Arthurian legend for political purposes; and the career of the Young King Henry, while the introduction examines the historiography of the reign. CONTRIBUTORS: MARTIN ALLEN, MARTIN AURELL, NICK BARRATT, PAUL BRAND, SEAN DUFFY, ANNE DUGGAN, JEAN DUBABIN, JOHN GILLINGHAM, EDMUND KING, DANIEL POWER, IAN SHORT, MATTHEW STRICKLAND CHRISTOPHER HARPER-BILL and NICHOLAS VINCENT are Professors of Medieval History at the University of East Anglia.

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An archaeological investigation into the structure of the medieval chantry chapel, with many implications for religious practice at the time. The chantry -- a special, often private, chapel within a church dedicated to a particular benefactor or benefactor's family, where prayers for the benefactor's soul were said -- was probably the most common, and also one of the most distinctive, of all late medieval religious foundations. These structures, although much altered with time, are still a very noticeable feature of many late medieval parish churches. However, no systematic, thorough or comparative examination has been undertaken to discover what they may reveal about contemporary devotion, aspiration and planning. This is a void which this book seeks to fill. It shows how the use of archaeological approaches can illuminate aspects of medieval religious practice only hinted at in many historical documents; it also demonstrates how the structural and spatial analysis of former chantry chapels can shed light on the level of private and communal piety and reveal a wider, more universal, context to chantry foundation in the medieval parish church. In addition, it discusses how various personal strategies for intercession shaped both chapel space and fabric, and the ultimate effects of the Reformation on such structures. Includes a selected gazetteer of chantry chapels. Dr SIMON ROFFEY teaches in the Department of Archaeology at the University of Winchester.

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Relations between the laity and the religious in medieval Durham reveal much about lay religion of the time. Although religious life in medieval Durham was ruled by its prince bishop and priory, the laity flourished and played a major role in the affairs of the parish, as Margaret Harvey demonstrates. Using a variety of sources, she provides a complete account of its history from the Conquest to the Dissolution of the priory, with a particular emphasis on the fourteenth and fifteenth centuries. She shows how the laity interacted vigorously with both bishop and priory, and the relations between them, with the priory providing schools, hospitals, chantries and regular sermons, but also acting as a disciplinary force. On a wider level, she also looks at the whole question of lay religion andwhat can be discovered about it. She finishes by an examination of local reactions to the Reformation.

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`A major contribution to our understanding of the English Revolution.' Ann Hughes, Professor of Early Modern History, Keele University. John Goodwin [1594-1665] was one of the most prolific and controversial writers of the English Revolution; his career illustrates some of the most important intellectual developments of the seventeenth century. Educated at Queens'College, Cambridge, he became vicar of a flagship Puritan parish in the City of London. During the 1640s, he wrote in defence of the civil war, the army revolt, Pride's Purge, and the regicide, only to turn against Cromwell in 1657. Finally, repudiating religious uniformity, he became one of England's leading tolerationists. This richly contextualised study, the first modern intellectual biography of Goodwin, explores the whole range of writingsproduced by him and his critics. Amongst much else, it shows that far from being a maverick individualist, Goodwin enjoyed a wide readership, pastored one of the London's largest Independent congregations and was well connected tovarious networks. Hated and admired by Anglicans, Presbyterians and Levellers, he provides us with a new perspective on contemporaries like Richard Baxter and John Milton. It will be of special interest to students of Puritanism,the English Revolution, and early modern intellectual history. JOHN COFFEY is Reader in Early Modern History at the University of Leicester.

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Nineteenth-century diaries cast new light on politics of the time. The diaries of the fourth duke of Newcastle-under-Lyne [1785-1851] provide an unrivalled insight into the politics of the 'age of reform', during the late-1820s and 1830s, from the perspective of a prominent political critic. Newcastle was a well known defender of the constitutional status quo and used his position in the house of lords, his family's historic electoral influence and personal contacts with the leading royal and political figures of the dayto argue the case against change. He was also a leading participant in ultra-tory parliamentary groups such as the 'king's friends' and the 'country party'. His diaries offer not just invaluable detail on these activities, but also a vivid personal testimony of Newcastle's political creed, and cast important light on the hopes, fears and strategies of those who resisted 'the triumph of reform' during these years. This edition reproduces the politicalcontent of the diaries and Newcastle's published letters to the press for the period 1827-38; it is accompanied with an extensive introduction placing the diaries in their historical context, and other apparatus.

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Investigation of the growing regional power of the English aristocracy in the central middle ages. The period between the late tenth and late twelfth centuries saw many changes in the structure and composition of the European and English aristocracy. One of the most important is the growth in local power bases and patrimonies at the expense of wider property and kinship ties. In this volume, the author uses the organisation of aristocracy in East Anglia as a case-study to explore the issue as a whole, considering the extent to which local families adopted national and European values, and investigating the role of local circumstances in the formulation of regional patterns and frameworks. The book is interdisciplinary in approach, using anthropological, economic and prosopographical research to analyse themes such as marriage and kinship, social mobility, relations between secular and ecclesiastical lords, ethnic groups, and patterns of economic growth amongst social groupings; there is a particular focus too on how different landscapes - fenland, upland, coastal and urban - affected the pattern of aristocratic experience. Dr ANDREW WAREHAM is a Research Associate at the Centre for Computing in the Humanities at King'sCollege London.

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An accessible and authoritative account of the battle of Yorktown (1781), the last major battle in the American War of Independence, where an outnumbered British Army surrendered to American forces under George Washington and their French allies. Yorktown [1781], where a British Army, commanded by Lord Cornwallis, surrendered to the American forces under George Washington and their French allies, has generally been considered one of the decisive battles of the American Warof Independence. This accessible and authoritative account of the battle and the wider campaign goes back to original source material [diaries, letters, speeches, and newspapers], offering both a narrative of the events themselves, and an analysis of how the defeat came about and why it came to be seen as crucial. It shows that the battle was really a siege, that it involved relatively few numbers, and relatively little fighting, and was not immediately seen as decisive, with the war continuing for a further two years. It sets the battle and campaign in the wider context of a war which included action in the West Indies, Europe, Africa, Asia, and at sea; shows how movements of theFrench and British navies were a crucial factor; and, overall, reassesses the causes and significance of the battle. JOHN D. GRAINGER, a former school-teacher, is the author of numerous books on military history, rangingfrom the Roman period to the twentieth century.

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The medieval development of the distinct region of north-east England explored through close examination of landscape, religion and history. The recent surge of interest in the political, ecclesiastical, social and economic history of north-eastern England is reflected in the essays in this volume. The topics covered range widely, including the development of both rural and urban life and institutions. There are contributions on the well-known richness of Durham cathedral muniments, its priory and bishopric, and there is also a particular focus on the institutions and practices which evolved to deal with Scottish border problems. A number of papers broach lesser-known subjects which accordingly offer new territory for exploration, among them the distinctive characteristics of local jurisdiction in the northern counties, the formation of north-eastern landscapes, the course of agrarian development in the region and the emergence of a northern gentry class alongside the better known ecclesiastical and lay magnates. CHRISTIAN D. LIDDY is Lecturer in History at the University of Durham, where R.H. BRITNELL is Emeritus Professor.

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Christ Church cathedral is an Anglican cathedral in a catholic country. Musical and archival sources (the most extensive for any Irish cathedral) provide a unique perspective on the history of music in Ireland. Christ Church has had a complex and varied history as the cathedral church of Dublin, one of two Anglican cathedrals in the capital of a predominantly Catholic country and the church of the British administration in Ireland before1922. An Irish cathedral within the English tradition, yet through much of its history it was essentially an English cathedral in a foreign land. With close musical links to cathedrals in England, to St Patrick's cathedral in Dublin, and to the city's wider political and cultural life, Christ Church has the longest documented music history of any Irish institution, providing a unique perspective on the history of music in Ireland. Barra Boydell, a leading authority on Irish music history, has written a detailed study drawing on the most extensive musical and archival sources existing for any Irish cathedral. The choir, its composers and musicians, repertoire and organs are discussed within the wider context of city and state, and of the religious and political dynamics which have shaped Anglo-Irish relationships since medieval times. More than just a history of music at one cathedral, this book makesan important contribution to English cathedral music studies as well as to Irish musical and cultural history. BARRA BOYDELL is Senior Lecturer in Music, National University of Ireland, Maynooth.

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Discover more than 500 castles of Scotland, from early motte and bailey earthworks and impressive walled enclosures to the many tower houses that dot the landscape.

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Traces the history of a magnificent landmark in the history of late medieval art and architecture.

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A leading authority on the Bayeux Tapestry examines the work "frame by frame" in this profusely illustrated and annotated volume. The Bayeux Tapestry is one of the most extraordinary artefacts to survive from the eleventh century: a fragile web of woollen thread on linen, its brilliant colours undimmed after nearly a thousand years. The events of the years 1064 to 1066 surrounding the contested accession to the English throne of William, Duke of Normandy are so vividly portrayed that you can almost watch the artists' minds at work as they created it. This beautiful full-colour reproduction of the entire Tapestry includes a detailed commentary alongside each episode, so you can follow the story blow by blow.

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Naval warfare is vividly brought to life, from first contact through how battles were won and lost to damage repair. Our understanding of warfare at sea in the eighteenth century has always been divorced from the practical realities of fighting at sea under sail; our knowledge of tactics is largely based upon the ideas of contemporary theorists[rather than practitioners] who knew little of the realities of sailing warfare, and our knowledge of command is similarly flawed. In this book the author presents new evidence from contemporary sources that overturns many old assumptions and introduces a host of new ideas. In a series of thematic chapters, following the rough chronology of a sea fight from initial contact to damage repair, the author offers a dramatic interpretation of fighting at sea inthe eighteenth century, and explains in greater depth than ever before how and why sea battles (including Trafalgar) were won and lost in the great Age of Sail. He explains in detail how two ships or fleets identified each other to be enemies; how and why they manoeuvred for battle; how a commander communicated his ideas, and how and why his subordinates acted in the way that they did.

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