Search results for ""Boydell Brewer Ltd""

Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period.

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Peter Field's new edition of the Morte Darthur has been hailed as "our standard critical edition of Malory". This paperback of Vol 1 only makes the complete definitive original spelling text edition available, with the same pagination as in Vol 1 of the original two-volume hardback edition. This Paperback is volume 1 (text only) of the original two-volume edition. Selected as a CHOICE Outstanding Academic Title of 2014, the two-volume scholarly edition of the Morte Darthur examined the two surviving versions of the text: Caxton's edition of 1485 and the Winchester manuscript, known to have existed around 1480 but lost until 1934. All major modern scholarly editions have favoured one of these to the point of preserving corrigible error. This paperback includes the definitive original spelling text edition of Malory's classic text which has been described as a "major event in the long history of Malory scholarship". Anyone wishing to have this text along with the full critical apparatus assembled by Professor Field is referred to the two-volume hardcover edition, which remains in print. P.J.C. Field is Professor of English at Bangor University.

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Extensive study of the entire corpus of Anglo-Saxon button brooches, looking at their design, origins and development. The Anglo-Saxon button brooch is a small disc brooch, about 2cm in diameter and decorated with a single human face mask, found mainly in southern England and occasionally in France; although many examples survive, its origins anddevelopment are not fully understood. This book offers a comprehensive study of its typology, genealogy and chronology. It investigates formal and structural design features, proposes a prototype- and statistics-based typology, and examines the physical, conceptual and geographical dimensions of the classification. Through an in-depth description of class-internal distinctions and class-external similarities, the author also explores the development of button brooches and reconstructs their genealogy or derivational history. He then situates the evolutionary trajectory of button brooches in a temporal framework, by linking them to other brooch types such as Jutlandic relief brooches and Saxon cast saucer brooches, and by taking account of associated grave goods as appropriate. A catalogue of the entire corpus of 209 button brooches and that of related objects is provided in the appendices; there are also over 200 plates and other illustrations, enabling the details to be carefully studied. SEIICHI SUZUKI is Professor of Old Germanic Studies, Kansai Gaidai University, Japan.

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Illuminates how selected great works of literature arose, leading to deepened understanding of the works and harking back to what we still call the humanities. This monumental study seeks the roots of great literary works and the processes by which they arose. It first illuminates the process from idea and inspiration through intention, formulation, revision (and sometimes frustration) to publication and reception. The textual studies that follow range from single poems to epic and dramatic works, from the genesis of new genres to that of a whole career. T. J. Reed sets the scene by going back to Homer's epics and the Bible, refreshing familiar scholarly material with new insights. Two early modern chapters then treat Montaigne, the founder of a new self-confidence, and Shakespeare, the beginner shaped by and shaping history. In the book's second half Reed concentrates on his specialty, modern German literature: Goethe, Büchner, Thomas Mann, Kafka, Brecht, Celan, and Christa Wolf. A sense of the origins of literary meaning in each case is a firm foundation for understanding, staying close to the quick of human communication. Against the depersonalized, skeptical, theory-laden readings of literature that have been dominant in recent decades, this study harks back to what we still call the humanities.

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Focusing on state formation and the identity-geopolitics relationship, makes the case that the Balkans were at the forefront of European history in the century before World War I This collection of essays places the Balkans at the center of European developments, not as a conflict-ridden problem zone, but rather as a full-fledged European region. Contrary to the commonly held perception, contributors to the volume argue, the Balkans did not lag behind the rest of European history, but rather anticipated many (West) European developments in the decades before and after 1900. In the second half of the nineteenth century,the Balkan states became fully independent nation-states. As they worked to consolidate their sovereignty, these countries looked beyond traditional state formation strategies to alternative visions rooted in militarism or national political economy, and not only succeeded on their own terms but changed Europe and the world beginning in 1912-14. As the Ottoman Empire weakened and ever more kinds of informal diplomacy were practiced on its territory by morepowerful states, relationships between identity and geopolitics were also transformed. The result, as the contributors demonstrate, was a phenomenon that would come to pervade the whole of Europe by the 1920s and 1930s: the creeping substitution of ideas of religion and ethnicity for the idea of state belonging or subjecthood. CONTRIBUTORS: Ulf Brunnbauer, Holly Case, Dessislava Lilova, John Paul Newman, Roumiana Preshlenova, Dominique KirchnerReill, Timothy Snyder Timothy Snyder is Richard C. Levin Professor of History at Yale University. Katherine Younger is a research associate at the Institute for Human Sciences (IWM) in Vienna, Austria.

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The key theme of the Hall Book remains Borough Governance. The town's charters and rights were confirmed and extended in 1664 by the Charter of Charles II. The key theme of the Hall Book remains Borough Governance. The town's charters and rights were confirmed and extended in 1664 by the Charter of Charles II. James II's Charter of 1685 led to the Alderman becoming Mayor, the First Twelve becoming Aldermen and the Second Twelve becoming Councillors. James also sought to extend his powers with more rights to interfere, as with other cities and boroughs across the country. The Quo Warranto issued in April 1688 and the removal of six Aldermen resulted in an un-sought for Charter later in 1688 but this may not have even been physically received in Grantham as the events of the Glorious Revolution intervened and governance was restored under the terms of the 1631 Charter of Charles I. The borough of Grantham was then governed in these terms until the Municipal Corporations Act of 1835. Subsidiary themes include the precautions against plague in 1665; the issue and recall of the town's half-pennies in 1667-1674; references to non-conformity in 1668-69 and the lives of some of the Corporation members.

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A vivid picture of wartime Lincolnshire, and an engagingly readable account of the life of a busy parish priest. Arthur Hopkins arrived in the Lincolnshire town of Boston in November 1942 to take up the post of Vicar of St Thomas's Church in the working-class parish of Skirbeck Quarter. He was already writing almost daily instalments of a diary for the social research organisation, Mass Observation. Generously conceived, it is written almost as if it were a series of letters to a friend abroad, providing descriptions and comments on everyday life in wartime. Little was beneath his notice. This was a man who had attended university with the King after the Great War and had prominent relations, but was also egalitarian in his leanings and sympathetic to the "common people". His is the diary ofa thoughtful and perceptive individual who had a realistic sense of himself, his society, and the fragility of life; the engagingly readable entries reveal fascinating details of wartime Lincolnshire and the life of a busy parishpriest. The diary is edited here with introduction and notes. Patricia and Robert Malcolmson are social historians with a special interest in English diaries written between the 1930s and 1950s. They have edited for publication over a dozen of these diaries.

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Long overdue: Revised, updated, freshly-illustrated Edinburgh joins the Companion Guide series, informative on Edinburgh's - and Scotland's - past and present. Edinburgh is one of Europe's most elegant and cosmopolitan cities, the Old Town rebuilt on the medieval street plan after being burned down by the English in 1544, and the eighteenth-century classical New Town more extensive thananything else of its kind in Europe. Edinburgh was the capital of an independent kingdom for more than two hundred and fifty years, and it has the air of a capital, with buildings where kings were born or where some of their moreprominent subjects were assassinated, streets once trodden by Mary Queen of Scots and Bonnie Prince Charlie, and a rich artistic life that comes into exhilarating full flower in August with the Edinburgh Festival. Edinburgh is also the gateway to some of the most spectacularly beautiful country in Britain: lying southward is the romantic landscape of the Borders, where Alexander Youngson is an admirable guide to the ruined abbeys, the castles thathave withstood countless sieges, and the great houses still owned by families 'that the Flood could not wash away'. A.J. YOUNGSON is former chairman of the Fine Art Commission for Scotland.

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A phonological, grammatical, and lexical description of a German-American dialect, Michigan Frankenmuth. Professor Born's book provides a phonological, grammatical, and lexical description of a German-American dialect that has never before been studied. It compares the Michigan Frankenmuth dialect with its parent dialect in central Franconia. The town of Frankenmuth was established in 1845 by an unusually homogeneous group of orthodox Lutherans bent on remaining separate from the American mainstream. The settlement history was therefore a significantfactor in postponing the shift to American English in Frankenmuth until the middle of this century. This study will be of interest to scholars and students of dialectology, contrastive dialectology, and sociolinguistics.

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Volume III of the first complete English translation of the chronicles of Fernão Lopes chronicles the War of Succession (1383-1385), the rise of the House of Avis under João I, and his acclamation by the Cortes in Coimbra. Until now, the chronicles of Fernão Lopes (c.1380-c.1460) have only been available in critical editions or in partial translations. Comparable to the works of Froissart in France or López de Ayala in Spain, the chronicles provide a wealth of detail on late fourteenth-century politics, diplomacy, warfare and economic matters, courtly society, queenship and noble women, as well as more mundane concerns such as food, health and the purchasing power of a fluctuating currency. Lopes had a keen eye for detail and a perspective especially attuned to the common people, and his chronicles provide an invaluable source for the history of Western Europe in the later Middle Ages.

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An exploration of Spanish writer Carmen Martín Gaite's religious outlook through the inner journeys of five female characters. For Martín Gaite, a truly religious, or spiritual, perspective requires conscious attention to the products of the unconscious (dreams, images, memories, premonitions), followed by reflection and action, as well as a similar attentiveness and responsiveness to external events both large and small. This reconnection of the supernatural and day-to-day worlds also involves descent to the unconscious - the way to wholeness - as depicted in so many myths and fairy tales, including those which Martín Gaite used to retell or enhance the works analysed in this book: Sleeping Beauty, The Little Mermaid, Amor and Psyche, Demeter and Persephone, and the Descent of the Goddess Inanna. Looking at the extent to which these female characters attend to, reflect on, and respond to their dreams, images, memories and events, the analysis suggests that Martín Gaite uses her stories to try to communicate both the road to her own enlightenment and warnings about paths that lead away from this.

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A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.

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How did Spanish-American writers and veterans in the late sixteenth and early seventeenth century use epic poetry to search for ethical solutions to the violent conflicts of their age? Winner of the 2017-18 AHGBI-Spanish Embassy Publication Prize The Epic Mirror studies how Spanish-American writers and veterans in the late sixteenth and early seventeenth century used epic poetry to search for ethical solutions to the violent conflicts of their age. The wars about which they wrote took place at the frontiers of the Spanish empire, where new political communities were emerging: fiercely independent Amerindian republics, rebellious Spanish settlers, maroon kingdoms of fugitive African slaves. This colonial reality generated a distinctive vision of just warfare and political community. Working across the fields of Hispanic literature, the history of political thought, and studies of empire, colonialism and globalisation, Choi reinterprets three major works of colonial Latin American literature: Alonso de Ercilla's La Araucana (1569-90), Pedro de Oña's Arauco domado (1596), and Juan de Miramontes Zuázola's Armas antárticas (1608-9). She argues that these works provide a rare insight into the development of political thought in Viceregal Peru. Through the imaginative mirrors of epic, the reader is forced to ask the same questions of the unfinished conquests of the Americas as of those in Africa, Asia or Europe: when conflicting forces are divided by irreconcilable world views, even if the war is won, how is it possible to achieve peace?

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Why has Portugal's vibrant and creative cinema industry not been more commercially successful? This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

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A close examination of the representation of criminals in the understudied theatrical genres of the jácara and comedias de valentones. Early Modern Spanish theatre is viewed by many scholars as entertaining propaganda that channelled the emotions and beliefs of the masses into mechanisms for social control. This book questions such an interpretation by examining the portrayal of criminal heroes on stage and public spectacles of law enforcement outside of the playhouse. The book is structured in a way that moves between analyses of theatre, crime, and law enforcement while covering the intersections between these three phenomena. Through examples that range from dancing pimps to brawling kings, this study reveals that the propaganda power of early modern Spanish spectacle has been vastly overstated.

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A full exploration of Galdós's treatment of questions relating to the creation and distribution of wealth in the modern money-centred society of Restoration Spain. Winner of the 2017 Peter Bly Award of the Asociación Internacional de Galdosistas Rich and Poor follows Galdós's narrative of the ascent of the bourgeoisie in the speculative climate which resulted from the economic policies of the liberal State. The book also considers the way he portrays the consequences of these policies on the people left behind by the development of capitalism in Spain. Ridao Carlini brings recent scholarshipon nineteenth-century Spanish history together with a wealth of contemporary material--journalism, essays, pamphlets and costumbrista sketches of manner. In this way Galdós's novels are shown to participate in the varied currentsof critical thought - both conservative and socially radical--which questioned the theoretical basis of the Spanish liberal system from the mid-nineteenth century onwards. To this day no other critical work on Galdós has analysed the financial and economic aspects of Galdós's mature novels in the depth they deserve. Ridao Carlini shows that these aspects are central, both to the novels' narrative and to Galdós's understanding of Spanish society as the nineteenth century drew to a close. She also reveals Galdós's perception--one which he shares with other contemporary authors--that he was living through a time of unforeseeable social transformation. Galdós's work appears particularly relevant to us today, since we, like him, live in a time marked by a perception of social and economic uncertainty. Inma Ridao Carlini is a Teaching Fellow in Hispanic Studies, University of Leicester.

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A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities Winner of the 2016-17 AHGBI/Spanish Embassy Publication Prize This book focuses on the contemporary production and consumption of Latin American culture in the UK through the lens of the ¡Viva! Film Festival in Manchester. It offers a comprehensive analysis of how the British press has used the framework of magical realism to interpret Latin America for readers and applies these findings to the festival in order to explore deeper questions of identity formation and cultural appropriation. The book traces the growth of Latin American communities in Britain; the popularity of Latin American literature, music, and film in many of the country's largest cities, including London and Manchester; and shows how people in Britain who do not have Latin American origins consume Latin American culture to reconcile issues of self-identity and cosmopolitanism. Imagining Latin America presents a new and innovative approach to Latin American Studies and makes an important contribution to contemporary debates about the cultural integration of immigrant communities and transnational exchange.

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A collection of essays on Spanish poetry honouring a distinguished British Hispanist. Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson's original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue. Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields. Javier Letrán is Senior Lecturer in Spanish at the University of St Andrews. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University Belfast.

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An unforgettable introduction to the medieval world and its culture for the modern reader. Published in association with Editorial Barcino. Ramon Llull wrote the Doctrina pueril between 1274 and 1276 to provide minimum knowledge to those people---children, but also adults---who did not have the opportunity to acquire a sufficient doctrinal and intellectual education. In the late thirteenth century this meant stressing the basics of Christian doctrine and also accessing some aspects of general culture. The most important part of the Doctrina is dedicated to the catechism (articlesof faith, commandments, sacraments, vices and virtues, and so on.). Especially interesting, however, are the more general sections, encyclopedic in nature, on issues such as the three monotheistic religions of the Mediterranean,the lessons that could be studied in the medieval universities, and other medical and scientific subjects. Published in association with Editorial Barcino. Ramon Llull (1232-1316) was a mystic, missionary, philosopher, and author of narrative and poetry. He is credited with writing the first major work of Catalan literature. John Dagenais is a senior professor of Medieval literature and specialist in Hispano-Latin manuscript culture at the University of California, Los Angeles.

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An unprecedented close textual analysis of numerous films within their contemporary cultural context. This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class. Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy.

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Este libro trata de la atracción de los "Siglos de Oro" por cierta doble configuración de lo monstruoso. This is a book about the obsession of the Spanish Golden Age with the monstrous, and more specifically with the monstrous as structured into a dual image. Este libro explora la atracción de los "Siglos de oro" por lo monstruoso. Varios trabajos recientes ya han arrojado luz sobre la abundante representación de cuerpos excesivos que afloran en los siglos XVI y XVII y que parecen, acaso, reflejar el lenguaje inflado y deformado a través del cual son descritos en la literatura de la época. Sin obviar sus logros, el libro intenta ir más allá para mostrar que lo más sorprendente de la monstruosidad en este periodo no es la manera en que representa un exceso barroco, sino la forma en que el exceso mismo está estructurado en una imagen dual. Muchos de estos "monstruos" (hermafroditas, bicéfalos o licántropos) ostentan un diseño geminado que permanece, de hecho, inexplicado. ¿Qué explica tal anomalía? ¿Cómo contribuirá esta excepción a modelar la imagen misma de lo normal? ¿Qué tiene que ver con la configuración del nuevo cuerpo políticones sociales iban a ser imaginadas, a partir de entonces, en el mundo occidental? Víctor M. Pueyo es profesor titular en el Departamento de Español y Portugués de Temple University. This is a book about theobsession of the Spanish "Golden Age" with the monstrous. Recent research has begun to cast light upon the abundant representation of excessive bodies that mirrors the swelled and deformed language through which they are depictedin early modern literature. Without disregarding its representational approach, the book goes beyond this body of research by arguing that the most surprising element about monstrosity in the sixteenth and seventeenth centuries is not the way it represents Baroque excess, but the way excess itself is structured into a dual image. Most of these "monsters" (hermaphrodites, lycanthropes, two-headed creatures) have a geminated form that remains, indeed, largely unaccounted. What explains such an anomaly? How will it shape the rule? What does it have to do with the configuration of the new body politic through which social relations were going to be imagined in the Western World? Víctor Pueyo is associate professor in the Department of Spanish and Portuguese at Temple University.

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Domus estudia la representación de la casa nobiliaria urbana en la narrativa corta y el teatro del siglo XVII en España. Analiza aspectos materiales y simbólicos del terreno premoderno de lo habitable como arquitectura y decoración del hogar, la división del género, la economía doméstica y la idea de lo privado y lo público. Domus< studies the representation of the urban noble house in 17th-century Spanish short novels and plays. Ityses material and symbolic aspects of early moder

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Peral Vega explores the importance of Pierrot as a symbol of failure in matters of love in García Lorca's imagery and his literary and personal life. Academic research has paid little attention to the importance of the figure of Pierrot in García Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, García Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,García Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El público. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both García Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dalí, which can be presented in theatrical terms: Harlequin (Dalí) / Pierrot (García Lorca). Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.

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Este libro reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios. Contains the latest research by the most important scholars of the Castilian author Mosén Diego de Valera. Esta obra colectiva reúne las últimas investigaciones de los máximos especialistas en este importante autor del siglo XV castellano que cultivó todos los géneros literarios. En este volumen monográfico Guido Cappelli escribe sobre Valera y el Humanismo; Federica Accorsi analiza la relación de Valera con los judíos conversos; Florence Serrano estudia la presencia de Diego de Valera en Borgoña y en su literatura; Gonzalo Pontón se centra en las cartas escritas por Diego de Valera; Jesús Rodríguez Velasco analiza a Diego de Valera como artista microliterario; Cristina Moya analiza la influencia de la crónica Valeriana entre 1482 y 1567; Fernando Gómez Redondo explica las palabras que Juan de Valdés dedica a Valera en su Diálogo de la lengua; José Julio Martín Romero analiza la influencia de Diego de Valera en el Nobiliario Vero de Hernán Mexía y, finalmente, Juan Luis Carriazo Rubio prueba que mosén Diego de Valera no escribió el Origen de la Casa de Guzmán. Cristina Moya García es profesora en la Universidad de Córdoba. This collection contains the latest research by the most important scholars of this fifteenth century Castilian author who cultivated all literary genres. Guido Cappelli writes about Valera and Humanism; Federica Accorsi analyzes the relationship between Valera and the converted Jews; Florence Serrano studies the presence of Diego de Valera in Burgundy and in its literature; Gonzalo Pontón focuses on the letters written by Diego de Valera; Jesús Rodríguez-Velasco studies Diego de Valera as micro-literary artist; Cristina Moya examines the influence of the Valeriana between 1482 and 1567; Fernando Gómez Redondo explains the words dedicated to Diego de Valera by Juan de Valdés (Diálogo de la lengua); José Julio Martín Romero discusses the influence of Diego de Valera in Nobiliario Vero of Hernan Mexía; and, finally Juan Luis Carriazo Rubio proves that Mosén Diego de Valera did not write the Origen de la Casa de Guzmán. Cristina Moya García is a profesora at the Universidad de Córdoba. Contributors: Federica Accorsi, Guido Cappeli, Juan Luis Carriazo Rubio, Fernando Gómez Redondo, José Julio Martín Romero, Cristina Moya García, Gonzalo Pontón, Jesús Rodríguez Velasco, Florence Serrano

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Un trabajo que estudia la compleja relación entre exilio y literatura en la Argentina durante un período de profundos cambios sociales y políticos. A work that studies the complex relationship between exile and literature in Argentina during a period of profound social and political change. Este libro propone una relectura crítica de la relación entre los conceptos de nacionalismo y exilio durante el período inmediatamente posterior a la dictadura argentina (1976-1983) conocido también como la posdictadura. A partir de un análisis de los debates ideológicos del campo intelectual de los años 80 en el Río de la Plata, la autora postula que la literatura de exilio más que una escritura particular de dicha época, forma parte de una tradición literaria mucho más amplia y compleja que merece ser revisada. Este libro aporta un nuevo enfoque en torno al estudio sobre exilio y diáspora en America Latina y el lugar que estos fenómenos ocupan en la formación del canon literario a fines del siglo XX. Por medio de un corpus que aún no ha sido trabajado en su merecida extensión--Composición de lugar(1984) de Juan Martini, Insomnio (1986) de Marcelo Cohen, Maldición eterna a quien lea estas páginas (1980) de Manuel Puig, y Vudú urbano (1984) de Edgardo Cozarinsky--este trabajo estudia la compleja relación entre exilio y literatura en la Argentina durante un período de profundos cambios sociales y políticos. María Inés Cisterna Gold is a professor of Latin American Literature in the Department of Hispanic Studies at the University of Massachusetts, Boston.

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The book is the first to analyse the textual construction of a national Spanish cuisine in the late nineteenth and early twentieth century. This book looks at the textual attempts to construct a national cuisine made in Spain at the turn of the last century. At the same time that attempts to unify the country were being made in law and narrated in fiction, Mariano Pardo de Figueroa (1828-1918) and José Castro y Serrano (1829-96), Angel Muro Goiri (1839 - 1897), Emilia Pardo Bazán (1851-1921) and Dionisio Pérez (1872-1935) all tried to find ways of bringing Spaniards together through a common language about food. In line with this nationalist goal, all of the texts examined in this book contain strategies and rhetoric typical of nineteenth-century nation-building projects. The nationalist agenda of these culinary textscomes as little surprise when we consider the importance of nation building to Spanish cultural and political life at the time of their publication. At this time Spaniards were forced to confront many questions relating to their national identity, such as the state's lackluster nationalizing policies, the loss of empire, national degeneration and regeneration and their country's cultural dependence on France. In their discussions about how to nationalize Spanish food, all of the authors under consideration here tap into these wider political and cultural issues about what it meant to be Spanish at this time. Lara Anderson is Lecturer in Spanish Studies at the Universityof Melbourne.

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A detailed and lively discussion and analysis of the novels, short stories, newspaper columns, and other works of one of the most important and popular writers in Spain today. This book provides the most comprehensive study to date of the full range of Marías' writing, including discussion and analysis of his literary and intellectual formation, his development as a novelist and short story writer, andhis unique perspective offered in nearly twenty-five years of newspaper columns on topics ranging from religion to football. Above all, Marías is examined as a writer of fictions. As a translator of several canonical works from English to Spanish, Marías came to appreciate the preciseness of words as well as their ambiguity, their capacity to represent as well as their propensity to distort. The author examines Marías's constant awareness of how languagecan be used to construct stories as the foundation for engaging the world as well as for imagining it. The nature of Marías's storytelling, and the way in which he imagines, form the principal focus of this Companion. David K. Herzberger is Professor and Chair of the Department of Hispanic Studies at the University of California, Riverside.

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Acceso fidedigno y comprensivo a las 3.451 páginas de los siete tomos impresos de la correspondencia de los Jesuitas españoles. La exactitud y la precisión de las noticias recogidas por los Jesuitas en estas cartas han sido elogiadas por historiadores de la talla de Gregorio Marañón y Pascual de Gayangos. Hace 16 años Crosby compiló este Indice parasu propia utilidad al anotar una serie de 28 cartas desconocidas de Quevedo, redactadas en la cárcel. Como se trata de un período importantísimo en la historia de Europa, y puede ser de gran utilidad a otros investigadores, Crosby decidió publicarlo para ofrecerles acceso a las 3.451 páginas de los siete tomos impresos de la correspondencia de los Jesuitas españoles a través de un índice fidedigno y completo. El Indice onomástico, toponímicoráfico abarca el texto completo de los siete tomos y todo el extenso aparato crítico de su editor, Pascual de Gayangos. La Bibliografía identifica y cuando es posible localiza ejemplares de los 560 documentos impresos ymanuscritos citados por Gayangos y los Jesuitas. Todas las fichas de personas importantes llevan notas extensas sobre sus carreras. JAMES O. CROSBY es profesor emérito en la Florida International University.

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A guide to the interpretation of the Golden-Age ballad. Collections of traditional Spanish ballads were made in the early seventeenth century; some recorded directly from singers, others reworked by educated poets. So popular were these that Court poets composed ballads of their own. Most Spanish poetry of the sixteenth and seventeenth centuries circulated in manuscript among a small coterie of wits and fellow poets, and it often contains references to contemporary events and people, sideswipes at institutionsand individuals, and allusions to other writings of the time. The modern reader has to know about the people and events criticized and lampooned, and everything from municipal by-laws to contemporary painting can prove helpful. The traditional popular associations of the ballad also led to many poets combining in their poems the language of the street alongside that of polite society and the schoolroom. This volume discusses some of the problems encountered by anglophone students and teachers of literature when they turn to the Golden-Age ballad and offers informed guidance on how such poems might be read. The nine poems discussed have been chosen with such difficulties in mind and a strophe-by-strophe prose translation is provided for each, followed by a detailed critical analysis. Edited by NIGEL GRIFFIN, CLIVE GRIFFIN, ERIC SOUTHWORTH and COLIN THOMPSON, all of Oxford University. OTHER CONTRIBUTORS: Oliver Noble-Wood, John Rutherford, Ronald Truman.

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By highlighting features common to the Gothic classics and the works of Adelaida García Morales, this monograph aims to put the Gothic on the map in Hispanic Studies. The Gothic as a literary mode extending well beyond its first proponents in eighteenth-century England is well established in English studies but has been strangely under-used by Hispanists. Now Abigail Lee Six uses it as the paradigm through which to analyse the novels of Adelaida García Morales; while not suggesting that every novel by this author is a classic Gothic text, she reveals certain constants in the work that can be related to the Gothic, evenin novels which one might not classify as such. Each of the novels studied is paired with an English-language Gothic text, such as Dracula, Frankenstein and Dr Jekyll and Mr Hyde, and then read in the lightof it. The focus of each chapter ranges from psychological aspects, such as fear of decay or otherness, or the pressures linked to managing secrets, to more concrete elements such as mountains and frightening buildings, and to keyfigures such as vampires, ghosts, or monsters. This approach sheds new light on how García Morales achieves probably the most distinguishing feature of her novels: their harrowing atmosphere. ABIGAIL LEE SIX is Professor of Hispanic Studies at Royal Holloway, University of London.

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Novelist-critic Leopoldo Alas's reputation suffered neglect and silent reproval during much of the twentieth century, especially under the Franco regime, but his reputation has now achieved classic status in Spain. Clearly relatedto this is the great increase in the number of translations - Julian Barnes called La Regenta 'the foreign classic tardily discovered'. This bibliography picks up where the first one left off in 1984. It is divided into primary material and secondary material. Primary material includes: Anthologies and Selections; Criticism; Novels; Short Story Collections; Plays; Correspondence; Prologues; Reprints; Translations; and Miscellaneous, with two new categories: autograph manuscripts and iconography.

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En 1639 el escribano madrileño Juan García de Albertos fue nombrado Escribano de la Comisión de las comedias. Sus protocolos notariales contienen más de 2.000 escrituras relacionadas con actores y actividad teatral de 1634 a 1660.Esta riquísima colección ofrece un fascinante panorama de la vida teatral de Madrid y su comarca, en toda su diversidad, durante la época de Calderón. Son especialmente abundantes los contratos de representaciones en fiestas de pueblos, tanto por parte de compañías profesionales como de aficionados locales con la ayuda de actrices y músicos individuales contratados en Madrid. La extraordinaria cantidad de actividad teatral que se llevaba a cabo hasta en las poblaciones más pequeñas -fenómeno casi totalmente ignorado hasta ahora- nos obliga a revisar y ampliar nuestra imagen convencional del teatro áureo español. La colección revela también, con todo lujo de detalles, lan y el funcionamiento de las compañías de actores, además de las condiciones de su transporte, el alquiler de vestidos, las prácticas escénicas y el repertorio. Tema omnipresente son los enrevesados problemas económicos de landula. Los documentos vienen acompañados de apéndices y mapas, y de una extensa introducción en la que se analiza exhaustivamente lo que podemos aprender de esta valiosa fuente documental. CHARLES DAVIS fue anteriormenteprofesor de español de Queen Mary, Universidad de Londres, y es ahora investigador por el programa Ramón y Cajal en la Universitat de València. J. E. VAREY fue catedrático de español de la Universidad de Londres y Rector de Westfield College. For description in English see Volume I. Actividad Teatral en la Región de Madrid is published in TWO VOLUMES (I: ISBN 1855660628, II ISBN 1855660792) WHICH MUST BE PURCHASED AS A SET.

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A study which highights the ironic intrusion of novelistic elements in Persiles y Sigismunda, subverting its categorization as pure romance fiction. The lengthy Byzantine romance Persiles y Sigismunda, which Cervantes completed only days before his death in 1616, has conventionally been considered a relatively pure example of romance fiction. This study of genre in thePersiles questions that view by analysing the novelistic or realist aspects of the work. An extensive comparison with examples of Byzantine romance from its Greek origins to its Renaissance evolution highlights the degree to which Cervantes departs from the established canon, notably in the characterisation of the heroine and the significance of the protagonists' wedding, where Cervantes upsets the reader's expectations of a conventional happy ending by consistent use of an ironic mode typical of the work. Multidimensional characters, contrasting perspectives and ironic manipulations produce a kind of 'generic hybridisation' which exposes the fallacies of this type of fiction. MARIA ALBERTA SACCHETTI holds a doctorate from University College London.

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Seminal studies of Spain's greatest dramatist on his fourth centenary. Dr Pring-Mill is one of the most eminent Calderón scholars, and this volume demonstrates the development of his critical thinking over a period of some forty years. The essays, collected in one volume for the first time, and fullyrevised and updated, include his classic exposition of the critical method for which he coined the term `análisis temático-estructural', and his comparison of Calderón's approach to the different media of auto and comedia. As a whole, the volume makes a major contribution to the study of Spain's greatest dramatist on the eve of his fourth centenary. Spanish language. Dr R.D.F. PRING-MILL is an Emeritus Fellow of St Catherine's College, Oxford, and the author of numerous studies on Hispanic literature, ranging from Ramón Lull to Cardenal and Neruda.

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A comprehensive survey of Malory's Morte Darthur, one of the most important texts of the Middle Ages. Malory's Morte Darthur is now a canonical and widely-taught text. Recent decades have seen a transformation and expansion of critical approaches in scholarship, as well as significant advances in understanding its milieux:textual, literary, cultural and historical. This volume adds to and updates the influential Companion of 1996, offering scholars, teachers and students alike a full guide to the text and the author. The essays it contains provide a synthetic overview of, and fresh perspectives on, the key questions about and contexts connected with the Morte. MEGAN G. LEITCH is Senior Lecturer in English Literature at Cardiff University; CORY JAMES RUSHTON is Associate Professor in the Department of English at St Francis Xavier University, Canada. Contributors: Dorsey Armstrong, Thomas Crofts, Siân Echard, Rob Gossedge, Daniel Helbert, Amy Kaufman, Megan Leitch, Andrew Lynch, Catherine Nall, Ralph Norris, Raluca Radulescu, Lisa Robeson, Meg Roland, Cory Rushton, Masako Takagi, Kevin Whetter.

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The first in-depth study of Arthurian places in late medieval and early modern England and Wales. Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality? This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.

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Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries. Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts. This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.

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Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies. Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies via six essays that directly address how the Middle Ages have been put in play with regard to Alice Munro's 1977 short story "The Beggar Maid"; David Lowery's 2021 film The Green Knight; medievalist archaisms in Japanese video games; runic play in Norse-themed digital games; medievalist managerialism in the 2020 video game Crusader Kings III; and neomedieval architectural praxis in the 2014 video game Stronghold: Crusader II. The approaches and conclusions of those essays are then tested in the second section's six essays as they examine "muscular medievalism" in George R. R. Martin's 1996 novel A Game of Thrones; the queering of the Arthurian romance pattern in the 2018-20 television show She-Ra and the Princesses of Power; the interspecies embodiment of dis/ability in the 2010 film How to Train Your Dragon; late-nineteenth and early twentieth-century nationalism in Irish reimaginings of the Fenian Cycle; post-bellum medievalism in poetry of the Confederacy; and the medievalist presentation of Israeli Prime Minister Benjamin Netanyahu's 2020-21 Covid inoculation.

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The first comprehensive study of medieval changelings and associated attitudes to the health and care of children in the period. The changeling - a monstrous creature swapped for a human child by malevolent powers - is an enduring image in the popular imagination; dubbing a child a changeling is traditionally understood as a way to justify the often-violent rejection of a disabled or ailing infant. Belief in the reality of changelings is famously attested in Stephen of Bourbon's disapproving thirteenth-century account of rites at the shrine of Saint Guinefort the Holy Greyhound, where sick children were brought to be cured. However, the focus on the St. Guinefort rituals has meant some scholarly neglect of the wealth of other sources of knowledge (including mystery plays and medical texts) and the nuances with which the changeling motif was used in this period. This interdisciplinary study considers the idea of the changeling as a cultural construct through an examination of a broad range of medical, miracle, and imaginative texts, as well as the lives of three more conventional Saints, Stephen, Bartholomew and Lawrence, who, in their infancy, were said to have been replaced by a demonic changeling. The author highlights how people from all walks of life were invested in both creating and experiencing the images, texts and artefacts depicting these changelings, and examines societal tensions regarding infants and children: their health, their care, and their position within the familial unit.

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A new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, finding many kinships between reading cultures across the medieval longue durée. Even as it transforms human cultures, routines, attention spans, and the wiring of our brains, the media revolution of the last few decades also urges a reconsideration of the long history of reading. The essays in this volume take a new look at how reading was practised and represented in England from the seventh century to the beginnings of the print era, using texts from Aldhelm to Malory and Wynkyn de Worde, arguing that whether unpicking intricate Latin, contemplating image-texts, or participating in semiotically-rich public rituals, reading cultivated and energized the subject's values, perceptions, and attitudes to the world. Part I, "Practices of Reading", asks how writers, scribes and artists engaged readerly attention through textual layout, poetic form, hermeneutic difficulty, or images, while Part II, "Politics of Reading", explores how different textual communities manipulated the anxieties and opportunities for education, moral improvement or entertainment associated with reading; particular topics addressed include Bible translation and exegesis, page layout, literary form and readerly practice, fiction, hermeneutics, and performance. Although it understands reading as culturally and technologically localized, the book finds many kinships between reading cultures across the medieval longue durée and the literatures and literacies that proliferate today. Contributors: Amy Appleford, Michelle De Groot, Daniel Donoghue, Andrew James Johnston, Andrew Kraebel, Katherine O'Brien O'Keeffe, Catherine Sanok, Samantha Katz Seal, James Simpson, Emily V. Thornbury, Kathleen Tonry, Kathryn Mogk Wagner, Nicholas Watson, Erica Weaver, Anna Wilson.

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New and fresh assessments of Malory's Morte Darthur. The essays here are devoted to that seminal Arthurian work, Sir Thomas Malory's Le Morte Darthur. Developments of papers first given at the 'Malory at 550: Old and New' conference, they emphasise here the second part of its remit. Accordingly, several contributors focus new attention on Malory's style, using his stock phrases, metaphors, characterization, or manipulation of sources to argue for a deeper appreciation of his merits as an author. If, as others illustrate, Malory is a much better artist than his twentieth-century reputation allowed, then there is a renewed need to re-assess the vexed question of the possible originality of his 'Tale of Sir Gareth of Orkeney'. Similarly fresh approaches underlie those essays re-examining Malory's attitude to time and the sacred in 'The Sankgreal', the manner in which the ghosts of Lot and his sons highlight potential failures in the Round Table Oath, or the pleasures and pitfalls of Arthurian hospitality. The remaining contributions argue for new approaches to Malory's narrative gaps, Launcelot's status as a victim of sexual violence, and the importance of rejecting Victorian moral attitudes towards Gwenyvere and Isode, moralizing that still informs much recent scholarship addressing Malory's female characters. Contributors: Joyce Coleman, Elizabeth Edwards, Kristina Hildebrand, Cathy Hume, David F. Johnson, Megan Leitch, Andrew Lynch, Molly A. Martin, Cory James Rushton, † Fiona Tolhurst, Michael W. Twomey

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Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award An overlooked aspect of the iconography of the Annunciation investigated - Mary's book. The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.

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New approaches to this most fluid of medieval genres, considering in particular its reception and transmission. Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions. The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

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Winner of the 2022 John Hurt Fisher Award from the John Gower Society First comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features. The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.

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By his contemporaries, Raoul de Houdenc was 'mentioned in the same breath as Chrétien de Troyes as one of the masters of French poetry' (Keith Busby, The New Arthurian Encyclopaedia). The writers of later romances deemed Raoul's work worthy of memory on a par with the Prose Lancelot, and placed Raoul and Chrétien on the same level in terms of authority. Raoul de Houdenc was a major and innovative figure in 13th-century French literature. His surviving works are unusually diverse: they include an impassioned tract about the values of chivalry (The Romance of the Wings), two superbly crafted Arthurian romances (Meraugis of Portlesguez and The Avenging of Raguidel), and a swingeing polemic against declining standards especially among the bourgeoisie (The Burgess's Burgeoning Blight). And with his hugely influential satire The Dream of Hell he was the very first to compose allegory in the vernacular, mastering to perfection the art of parody and the unexpected. After a long period of neglect Raoul is finally receiving the scholarly attention he deserves, and this is the first translation into English of his complete surviving works. The Avenging of Raguidel 'must surely be counted as one of the most fascinating and innovative of the French Gawain romances' - Norris J. Lacy.

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Comprehensive survey of the legend of Charlemagne in the medieval German-speaking world. The legend of the Frankish emperor Charlemagne is widespread through the literature of the European Middle Ages. This book offers a detailed and critical analysis of how this myth emerged and developed in medieval German and Dutch literatures, bringing to light the vast array of narratives either idealizing, if not glorifying, Charlemagne as a political and religious leader, or, at times, criticizing or even ridiculing him as a pompous and ineffectual ruler. The motif is traced from its earliest origins in chronicles, in the Kaiserchronik, through the Rolandslied and Der Stricker's Karl der Große, to his recasting as a saint in the Zürcher Buch vom Heiligen Karl.

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An examination of four written accounts of medieval pilgrimages to Jerusalem. What do the bursar of Eton College, a canon of Mainz Cathedral, a young knight from near Cologne, and a Kentish nobleman's chaplain have in common? Two Germans, residents of the Holy Roman Empire, and two Englishmen, just as the western horizons of the known world were beginning to expand. These four men - William Wey, Bernhard von Breydenbach, Arnold von Harff, and Thomas Larke - are amongst the thousands of western Christians who undertook the arduous journey to the Holy Land in the decades immediately before the Reformation. More importantly, they are members of a much more select group: those who left written accounts of their travels, for the journey to Jerusalem in the late Middle Ages took place not only in the physical world, but also in the mind and on the page. Pilgrim authors contended in different ways with the collision between fifteenth-century reality and the static textual Jerusalem, as they encountered the genuinely multi-religious Middle East. This book examines the international literary phenomenon of the Jerusalem pilgrimage through the prism of these four writers. It explores the process of collective and individual identity construction, as pilgrims came into contact with members of other religious traditions in the course of the expression of their own; engages with the uneasy relationship between curiosity and pilgrimage; and investigates both the relevance of genre and the advent of print to the development of pilgrimage writing. Ultimately pilgrimage is revealed as a conceptual space with a near-liturgical status, unrestricted by geographical boundaries and accessible both literally and virtually.

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