Search results for ""Arnoldsche""

Istanbul - city of contrasts, mediator between orient and occident, former grandiose seat of power of the Sultan in the Ottoman Empire, today a bubbling cultural metropolis on the Bosphorus, European City of Culture in 2010, twin town of Cologne since 1997. In the hip quarters of Tesvikiye und Nisantasi, which are the preferred districts of artists and designers, the range of artistic approaches and attitudes is ever-present. The new Turkish art and design scene has been shaped by the innovative breakthrough of the twenty-first century like almost no other city in Europe. Whether in art, design, music or literature, Istanbul is the creative heart of the Turkish avant-garde. The creations of Istanbul's fashion designers are always astonishing, unconventional and modern. They move between history and modernity, tradition and innovation, between humanism and the cosmopolitan, philosophy and religion - poles which, for the Turkish designers, definitely do not oppose one another. To all of them Istanbul is an inexhaustible source of impressions, stimuli, ideas and images. Features works from Arzu Kaprol, Bahar Korçan| Dilek Hanif, Gamze Saraçoglu, Hakan Yildirim, Hatice Gökçe, Idil Tarzi, Mehtap Elaidi, Özlem Süer, Selim Baklaci, Simay Bülbül and Zeynep Tosun. Text in English, German & Turkish.

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Reflektor 2 presents a broad cross-section of the best student work done in 2009 in the design-related disciplines of photography, graphic design, object design and interior design as well as camera, thus revealing the high standards of teaching and research at Fachhochschule Dortmund. Light is shed on the best student projects to reveal their aims and content. Texts that deal with design, assignments related to it and its aims as well as the advance of interdisciplinary approaches within the individual disciplines have been chosen to accompany them. A chapter entitled "Looking Back" goes into the intermural activities at Fachhochschule Dortmund; events, exhibitions and symposiums. Essays by designers and art historians provide additional insights into the force field of design theory and practice. This publication is intended to provide readers with a vivid impression of the design department and ongoing activities there. Text in English and German. Also available: Reflektor 01 9783897902947 Reflektor 3 9783897903371

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The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith's art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and '60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom. The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these crea

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Tradition and Modernism collide in Cairo - with a population of 20 million people, it is the largest city in the Arab world. In this vibrant environment an independent fashion scene established itself some years ago. Along with it, fashion designer Susanne Kümper has developed a course in fashion design at Helwan University. Providing alluring glimpses of this newest chapter of international fashion design in Cairo, Cairo Fashion Design shows the extraordinary diversity that is possible when East meets West. Many of the clothes shown in this book recall the tales of the Thousand and One Nights; others by contrast have been designed for Western needs and are radically contemporary. Thus a sweeping vista of diverse Egyptian fashion design is projected that also permits exciting insights into living in Egypt today. Texts written by distinguished specialists in cultural history, fashion and politics complete a multilayered view. Text in English, German and Arabic.

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With contemporary advertising and sales catalogues as its sources, this book represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Wurttembergische Metallwarenfabrik AG (WMF) at Geislingen/ Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called "Unika pieces", indicating that they were one-of-a-kind) as well as lines in mass-produced art glas (Ikora and Myra). First presented to the public to great acclaim at the Wurttembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector's items. Ikora and Myra Glass by WMF not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made as imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Unika, Ikora or Myra glass.

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The unique cultural landscape of southern Africa (Nambia, Zimbabwe, Botswana, Mozambique and South Africa) is a highly dynamic and complex area where old traditions are confronted by explosive social and political upheavals. The resulting contradictions and conflicts stimulate a directions as well as ancient roots. The collection of highly varied essays by knowledgeable experts on Africa ranges from historical and political problems to questions of artistic production and of how to deal with culture and nature in the face of industrialisation and globalisation. Art is one of the major subjects, and the contemporary artistic activities, including photography. The publication presents a picture of a vigorously alive southern Africa, contradicting common western Cliches which regard the region as having no art and solely being riddled with problems of post-apartheid, crime and AIDS.

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The discovery of the Oberstein company Jakob Bengel as a prominent jewellery manufacturer has liberated Oberstein from the stigma of being the “underdog” of the German jewellery industry. Wilhelm Lindemann and Christianne Weber-Stöber document in this current study its independent contribution to the evolution of early German jewellery design between 1910 and 1933 using Bengel as an example. Highlights from the collection of Drs. Margarete and Heribert Händel, hitherto unpublished pieces of Bengel jewellery, and contemporary designs attest to the exceptional level of production as part of the reformist ideas of the Deutscher Werkbund, the German Schools of Art and Crafts, and the Bauhaus. With this book, the industrial monument Historische Uhrketten und Bijouteriewarenfabrik Jakob Bengel, Idar-Oberstein together with the Jakob Bengal Foundation marks the factory’s 150-year anniversary. Text in English and German.

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In April 1941 Charmion von Wiegand (1896-1983), an American journalist and artist, met Piet Mondrian for an interview. From this very first meeting, a deep friendship and working relationship developed; she translated Mondrian's texts into English and edited them, discussed art and philosophy with him, and played a part in the evolution of many of the works he created up to his death in 1944. The artist's memoirs of their encounters and their comprehensive correspondence have now been published in full for the very first time. The texts portray a relationship fluctuating between burning affection and distant friendship, tenderness and harsh rejection, openness and reticence. A relationship that has left behind clear traces in Charmion von Wiegand's life and works - far beyond Mondrian's death. Nothing is the same as it once was!

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The Danner Rotunde, the jewellery room in the Pinakothek der Moderne, Munich, was opened in 2004. Ambitious activities by the Danner-Stiftung and Die Neue Sammlung - The Design Museum, with the support of renowned jewellery artists such as Hermann Jünger, Otto Künzli and Peter Skubic, bore the fruit of two globally renowned jewellery collections. Today these comprise far in excess of 1,700 jewellery items, presented in pictures for the first time in this synopsis. Interviews with the creative minds behind these two unique collections in the field of studio jewellery enable insights into a previously unknown history, and an illustrated chronology arrives at astonishing results. Biographies on more than 300 jewellery artists also present those who have been virtually forgotten today. An indispensable compendium on the subject of contemporary jewellery art. Text in English and German.

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The eye of the beholder is fascinated by colours. Their symbolic and cultural historical meanings, which have often developed over centuries and are reflected in various narrative forms, are found to be equally fascinating. Thus in traditional folk tales and in literary fairy tales, colours are not just attributes or superficial manifestations but rather have a deeper significance. Why, for example, is the head covering of a little unimposing girl, of all things, red, and why is the beard of a knight who kills women blue? Why does Cinderella wear grey clothing, and what power does Peter Schlemihl's sold shadow have? The publication traces - colour by colour - these and other exciting questions, all richly portrayed with numerous prints and illustrations from historical fairy tale books. This book accompanies an exhibition at GRIMM World, Kassel, November 2019 - March 2020. Text in English and German.

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A portrait of an eminent jewellery artist and her unique creations! Inspired by the Arte Povera movement, the Italian jewellery artist Annamaria Zanella (b. 1966) uses base materials, which only gain meaning through their context. Corroded metal or found objects convey statements that can be both political and personal in nature. Zanella wants to bring the soul of the material to light through the work of her own hands. The colour used is intended to evoke feelings and reactions. To this end Zanella studied the history of colours and their production, especially that of her unmistakable blue. She produced a blue pigment according to a recipe from the fourteenth century, invoking in its modern use pioneering artists such as Giotto, Wassily Kandinsky and Yves Klein. Annamaria Zanella is represented in numerous museums, including Musee des Arts Decoratifs, Paris (FR); Kunstgewerbemuseum Berlin (DE); Die Neue Sammlung The Design Museum, Munich (DE); Museum of Arts and Design, New York (US); Schmuckmuseum Pforzheim (DE); Museo degli Argenti, Florence (IT); Victoria and Albert Museum, London (GB); Palazzo Fortuny, Venice (IT); Cooper Hewitt, Smithsonian Design Museum, New York (US); Swiss National Museum, Zurich (CH). Text in English and Italian.

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Jewellery and the universe are bound together not just in the Ancient Greek sense of the word 'cosmos'; the sun, moon and stars invariably also found their way into representative forms of art jewellery around the world. While magical, mythological and religious references stood mainly at the forefront of ancient and non-European cultures, over the course of recent history it was on decorative grounds that jewellery pieces with cosmic motifs became so coveted. Whether Köchert in Vienna, Fabergé in St Petersburg or Lalique in Paris, the great jewellers of the nineteenth and twentieth centuries were all inspired by heavenly forms. Today, interest in celestial bodies remains unbroken among contemporary internationally celebrated jewellery artists. With his new, richly illustrated book, the long-standing head of the Jewellery Museum Pforzheim presents for the first time a comprehensive review on the star motif in jewellery - from Ancient Egypt to the present day. Text in English and German.

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'Vessel | Sculpture' refers to the direction studio pottery has taken since the mid-20th century, developing from primarily functional vessels to artistically designed vessels, ceramic sculpture, installation and conceptual art. The aim is to trace the history of how ceramics has evolved and developed into an autonomous art medium, which is continually self-renewing. Focused on the GRASSI Museum's collection of contemporary ceramic work since 1946 when Germany was divided into East and West after the World War II, this book provides a fascinating and instructive overview of developments and trends in the two Germanys. Moreover, a broad-ranging selection of works by ceramicists now active in both the new and the old Federal German states is supplemented by contemporary pieces from all over the world. The publication is devoted to one-off pieces and limited editions from the past six decades. Reproductions in large formats of approximately four hundred selected objects are accompanied by biographies of as many artists and their signatures.

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For almost 20 years, the artist and goldsmith Peter Bauhuis has been exploring a technique for which as yet there are hardly any references. Applying experimental curiosity and creative materials research, he has since worked on the simultaneous casting of different metals, plumbing the depths of the materials' limitations. He plays with chance, directing it so that the vessels emerge in ever new variations. As the metals oxidize, gradations of colour emerge on the objects' surfaces, bringing to mind abstract drawings.The Hamburg-based photographer Hans Hansen, regarded as one of the most important product and still life photographers, has taken his own unique look at the objects, staging 18 current vessel works from Peter Bauhuis's Simultanea series.Text in English and German.

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In the 1950s, a large number of internationally renowned artists created pictures made of ceramic. In 1956, in close collaboration with the artist and ceramicist Richard Bampi, Julius Bissier developed a ceramic work for the University of Freiburg. The abstract composition on a wall in the city centre measures over 19.5 metres long by 2.6 metres high (64 × 8.5 feet). Its restoration and relaunch is occasion to examine more closely the story of its genesis. The distinctiveness of the artwork becomes clear against a backdrop of the cultural politics oriented on France in Freiburg after 1945. Unexpected parallels in contemporaneous ceramic murals by Fernand Léger, Joan Miró, and Victor Vasarely are revealed and make the Freiburg ceramic picture a unique work in the post-war art of Germany. Text in German.

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Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s. He and his wife, the French artist Hélène Perdriat, were part of a circle of artists that included Pablo Picasso, Fernand Léger, Constantin Brâncuși, Piet Mondrian, Theo van Doesburg, and many others. In his short yet intense life, Thorvald Hellesen created an impressive unique oeuvre, oriented on Modernism, consisting of oil paintings, watercolours, gouaches, drawings, design projects, and textiles. Nevertheless, even in Norway he is only known to a few. With this publication the authors Dag Blakkisrud, Matthew Drutt, and Hilde Mørch have created a written portrait of Hellesen. In addition to classifying him within the history of art, they try to find explanations as to why his artistic practice is only now being considered important and interesting for Norwegian and international art history.

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In the 1960s Friedrich Becker began to create the first kinetic jewellery objects, pieces that respond to movements of the body. This documentation is the first survey of this significant artist where all areas of his work are represented'

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The catalogue Tunnel presents works from 2018 to 2023 by ceramicist Johannes Nagel (*1979). The majority of the objects were formed by the artist’s hands digging into sand to form cavities, negative spaces, which were then molded and revealed using liquid porcelain. By doing this, says co-author Esther Niebel, the artist imprints his own presence in to the objects. In addition to the extraordinary shapes thus created, expressive colours and the painting of the objects play a central role in Nagel’s work. Accompanied by essays, the excavated and cast pieces are presented in full-page photographs in a staccato portrayal of objects and ideas. Text in English and German.

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James Wilson Morrice: Paintings and Drawings of Venice is the first comprehensive overview of the artist’s images of Venice, Italy. Living in Paris for most of his life, Morrice (1865–1924) was the first Canadian painter to make regular trips to Venice from the mid 1890s to about 1908. This book situates Morrice within the history of Venice and Venetian art in the late 19th and early 20th centuries by looking carefully at his more than 100 modernist paintings and numerous drawings of “La Serenissima.” During his lifetime, Morrice’s Venetian pictures appeared in art exhibitions in Paris, London and other European countries, as well as in Montreal and the United States. Constantly cited in exhibition reviews, Morrice was praised for his modernity, and his Venice works have ensured his fame and importance for years to come.

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Alongside Erasmus of Rotterdam, Johannes Reuchlin (1455–1522) is one of the most important European humanists whose works marked the transition from the Middle Ages to the modern era. The year 2022 marks the 500th anniversary of the Pforzheim-born jurist, Hebraist, and religious philosopher’s death, cause indeed for an exhibition and publication to bring jewellery, writings, and language into a stimulating dialogue and to offer new meanings to the titular mystery of signs. At the fore stands the human quest for understanding and tolerance, which has lost none of its relevance today. One particular focal point comprises selected manuscripts and works by Reuchlin, highlighted from new perspectives. An additional emphasis is placed on objects that reflect Reuchlin’s cognitive world through script and symbols from the resplendent collection of the Schmuckmuseum Pforzheim [Pforzheim jewellery museum]. With contributions by Jonathan Boyd, Beatriz Chadour-Sampson, Matthias Dall’Asta, Cornelie Holzach, Wolfgang Mayer, Susanne Nagel, Katja Poljanac, Stefan Rhein, Nathan Ron, Isabel Schmidt-Mappes, Pierre Vesperin, and Anja Wolkenhauer. Text in German.

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With a focus on the women designers of early avant-garde jewellery, this publication paints a fascinating picture of Austrian jewellery production from the 1970s to the present day. The show brings together some 80 jewellery objects, many of which exemplify sculptural and conceptual approaches to jewellery design. Selected works from more recent generations not only highlights references to works of the pioneers but also attests to the developments of a contemporary, vibrant jewelry scene, whose diversity is yet to be discovered. The book’s title refers to the landmark exhibition Kunst mit Eigen-Sinn: Aktuelle Kunst von Frauen (Willful Art: Contemporary Art by Women), which took place at the Museum des 20. Jahrhunderts in Vienna in 1985 and is regarded as a milestone in the artistic and social history of women. Text in English and German.

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Margit Jäschke (*1962) lives and works as an independent artist in Halle (Saale), Germany. It was here in the 1980s that she studied at the Burg Giebichenstein art school under Renate Heintze and Dorothea Prühl. Her work — collage, jewellery, drawings, and objects — celebrates inspiration, the origin of all creativity. She delights her audience with her very unique vision of the 'poetry of things'. The title of her publication is symbolic of her oeuvre: Kairos is the Greek god of the fortuitous moment, who can only be caught fleetingly by his forelock. It is this precious moment that Margit Jäschke seizes, harnessing it to fuel her creativity. Discover this renowned artist’s multifaceted oeuvre, which blurs the boundaries between jewellery, painting, and sculpture. This book accompanies an exhibition of her work that will travel throughout Germany between 2022 and 2024. Text in English and German.

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Renowned American textile artist and sculptor Gyöngy Laky (b. 1944) was once described as a 'wood whisperer'. Her highly individual, puzzle-like assemblages of timber and textiles helped to significantly propel the growth of the contemporary fiber-arts movement. Laky’s art traverses an extraordinary personal story: Born amid the bombings of World War II, she escaped from post-war, Soviet-dominated Hungary; was sponsored by a family in Ohio, went to grade school in Oklahoma, and went on to study at the University of California, Berkeley. She followed this by founding the Fiberworks Center for Textile Arts in the 1970s and fostering innovations as a professor at the University of California, Davis. This book provides insight into her studio practice, activism, and teaching philosophy, which champions sustainable art and design, original thinking, and the value of the unexpected.

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The term ‘craftsmanship’ is associated with individuality, uniqueness, decorative potential, artistic quality, attention to material and to process. But what does craftsmanship mean today? This exhibition catalogue of nearly 600 pages explores the meaning of craftsmanship in the context of the outstanding collection of the Museum Angewandte Kunst (Frankfurt, Germany) in a monumental survey of 700 items dating from 1945 to the present. Scale reproductions of plates, furniture, cutlery, jewellery and vases highlight their surprising variety of form. In their essays, the ten authors take diverse approaches to the broad terrain of craftsmanship: from the relationship between East Asia and Western ceramics, via the handicrafts of the Romantic period, to the adventure that is arts and crafts today. The title plays on the perceived parallel between the ability of the cactus to survive and thrive in adverse conditions, and the future of the hand-made object in an industrial world.

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The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewellery, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too. To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about. This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.

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Small China presents Chinese miniatures from 5,000 BCE up to the 15th century. The pocketsize representations of supernatural beings, people, animals, or everyday objects are virtually uncharted in East Asian crafts — even in China, these objects in jade, bronze, ivory, and porcelain are little known. Koos de Jong explores their arcane meanings and traces their production and the market for such treasures, which, contrary to official secular and religious art, include those devoted to taboo subjects such as erotica or humour. The miniatures had many different functions, from insignia, fetishes and devotional objects to burial gifts or toys. They could express good wishes or even serve as bribes. A rare glimpse into the everyday life of ordinary people and into Chinese handicrafts from thousands of years ago!

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Gestural sculptures formed in ceramics are the focus of Erwin Wurm: Dissolution. Wurm’s anthropomorphic ceramic sculptures, their forms oscillating between the ephemeral and the physical, are characterised by performative gestures. They affirm the inherent plasticity of the material clay, recalling the potency of bozzetti, in which artists from the Renaissance onwards were able to give direct expression to their innermost creative ideas. In Dissolution (2018–2020), Wurm sets out in search of a creative process that cannot be completely controlled. “Dissolution” has connotations of disintegration, decay, decomposition, and vanishing boundaries. The sculptures — with their protruding fingers, hands, lips, mouths, breasts, bellies, noses, and ears — force their way out of a clay mass. Text in English and German.

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For Thomas Putze, performance is a snapshot of a moment, a play on possibilities, and at the same time a well-planned and sophisticated act to captivate the onlooker. Yet above all, it is thinking, drawing, sculpting, and realising with and through the body, which he treats just as relentlessly as all the other materials in his works. He swings through trees, occupies church facades, and submerges himself in mud; frequently without clothing or scantily wrapped in plastic sheeting, he gauges and challenges the physical and thus social space between us bystanders. Thomas Putze typifies the risk of being human, with all its failings and plenty of humour. He not only holds us to account but rather invites us to do this ourselves: to partake in art and to reflect on the performance we call life. Text in English and German.

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The architecture by Arne Jacobsen and Otto Weitling is of outstanding importance for post-war modernism in Germany. The calibre of their projects, however, has been forgotten. Gesamtkunstkwerke closes this gap in the appreciation of their work with a comprehensive presentation of seven out of eight German projects by the Danish master architects. Jacobsen and Weitling’s Scandinavian functionalism is a reflection of the visions of the former FRG – designs and commissions grounded in democracy, prestige and efficiency. The publication also takes stock of how the legacy of late modernism is being handled. The journey through the architects’ locales leads us to the sea, to model towns and to the intricacies of modernism, prompting a debate in accordance with Otto Weitling: ‘Pros and cons would be a positive sign because a building that isn’t talked about is usually not worth talking about.’ Text in English and German.

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This monograph presents the Norwegian artist Bente Sætrang (b. 1946) and her forty years of commitment to the medium of textile. Sætrang is known for her intensive investigation of trompe l'oeil drapery, bold textile printing, monumental abstract colour studies, and juicy charcoal drawings. She was Norway's first professor of textile art, and her political engagement and unique knowledge of colour and textile qualities permeate her work. Through essays, poems, interviews, montages, and rich imagery, this monograph sheds light on the different phases of Sætrang's artistic practice and provides an excellent overview of this exciting artistic work. Text in English and Norwegian. Published to accompany an exhibition at Kunstnerforbundet, Oslo (NO), between 22 October and 22 November 2020.

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Switzerland is well-known for its host of remarkable collections of 18th century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today - as a result of endowments or gifts - in Switzerland's renowned institutions. Today, the 'white gold' from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.

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Under the ambiguous term HUNT (English: the hunt; Estonian: the wolf), Kadri Mälk unites her collection of contemporary art jewellery. As a lone wolf, the Estonian artist and teacher compiled the pieces in her eternal hunt for beauty, mystery and creativity. Since jewellery is designed to be worn, Mälk's fellow artists are not only immortalised in these works; they also pose in portraits alongside their favourite pieces. The jewellery is thus brought to life on the bodies of the collector's friends and companions. Text in English and Estonian.

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In 1908 Peter Behrens recruited the young Walter Gropius in his architect's office - but threw him out again in 1910. Gestalt und Hinterhalt [Form and Attack] places a tongue-in-cheek focus on relationships among artists that revolved around the Bauhaus and Darmstadt's artists' colony Mathildenhöhe, Germany. We gain insights into the numerous love affairs of Alma Mahler, and follow Herbert Bayer, who set off from Darmstadt to Weimar, and soon toppled Walter Gropius's second marriage. This book narrates the story of Bauhaus in a way never told before - through not only the successes and talents of those involved, but also through their failures and failings. Text in German.

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In the publication Step by Step. Schuhdesign im Wandel (Shoe Design through the Ages), the Deutsches Ledermuseum in Offenbach am Main presents exceptional designs from its extensive shoe collection of over 10,000 objects: high heels and trainers, slippers and fetish boots all demonstrate how our shoes reflect our culture. They show an awareness of style and of health, strengthen status, express a sense of fashion or act as a political statement. In combining historical exhibits from across the globe and current models, spectacular pairings result that highlight timeless concepts and varying tastes. By means of 2,000-year-old slippers from Egypt, Iranian riding boots from the 17th century and Italian designer shoes, the authors explain how shoes have become what they are today. Where did the flip flop originate? How did the heel develop and how long have we had left and right shoes? All these questions and more are answered in Step by Step. Featuring shoes by Manolo Blahnik, Jimmy Choo, Salvatore Ferragamo, Beth Levine, Christian Louboutin, François Pinet, Alexander McQueen, Mary Quant, Roger Vivier, Vivienne Westwood, and many more. Text in German. Published to accompany an exhibition at Deutsches Ledermuseum, Offenbach am Main, between 26 October 2019 and 31 May 2020.

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Over the past twenty-five years, the Austrian artist Margit Hart has created an extremely diverse oeuvre of contemporary jewellery. Mindscapes, the name of her latest group of works, is synonymous with her ever changing jewellery objects. Since 2009 Margit Hart's work - parallel to her jewellery has extended into abstract photography, resulting in a mutual dialogue between both disciplines. In her Schattenflug [Fleeting Shadows] works, she goes beyond illustrating the purely representational to create imaginary three-dimensional pictorial spaces that immerse us in mysterious worlds of light and shade. This monograph showcases the interplay between both modes of artistic expression in a tangible way. Text in English and German.

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Sverre Bjertnaes was higly influenced by realistic painter Odd Nerdrum, although he now merges figurative and abstract painting. Mid-career overview of the work of one of the leading contemporary Norwegian artists today. The development of the artist is presented across 14 chapters comprising work and exhibition views. Sverre Bjertnaes is considered one of the leading contemporary Norwegian artists today. He himself often refers to his body of works as a fragmented 'stream of images' collected from art history, vernacular culture and his own life. This authoritative monograph on the artist features his oeuvre from the 1990s to the present day, with more than 200 illustrations. The book presents the full range of Bjertnaes's works, covering painting and drawing as well as sculpture and the tableaux installations he has developed in later years. Bjertnas embraces the conceptual approaches of photorealism as well as merging figurative and abstract painting, and experimenting with the use of new media.

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Gene Koss creates majestic works in glass and steel that require demanding techniques to realise their monumental scale. These massive volumes of glass are married with elaborately engineered steel elements. Koss casts molten glass directly from the hot furnace, working with teams of highly-skilled assistants and rigging together intricate systems for transporting his finished abstract works for display in museums, galleries and public spaces. The artistic works deal with the self-sacrificing work of the American farmers in whose milieu the artist grew up. The first monograph published on the work of this groundbreaking glass artist features Koss's most important achievements and, through insightful essays by curators and critics, places them in historic perspective.

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Since the 1970s the Ethnographic Museum at the University of Zurich has held culturally significant collections of Heinrich Harrer (1912-2006) and Peter Aufschnaiter (1899-1973). Between 1945 until 1951 both lived in Tibet. Aufschnaiter then worked in Nepal, whereas Harrer undertook numerous expeditions. In the 1960s he travelled to Asia, South America and Oceania. In the artefacts brought back, craft skills as well as social organisational structures and world views from the local communities are represented. They also reflect the viewpoints of the travellers themselves. For this publication all of the Zurich collections have been researched for the first time. 'Starting with the object', moments of encountering and social change as well as historical and cultural developments can be retraced, and the seemingly obvious is thus pieced together into an extended map or knowledgescape. Accompanies an exhibition at the Ethnographic Museum at the University of Zurich (CH), from 1 July 2018-8 September 2019.

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2018 marks the fiftieth anniversary of the first international symposium of silver jewellery Jablonec '68. Thanks to the liberalisation endeavours as part of the 'Prague Spring', European jewellery artists from East and West came together for a 'summit' at the invitation of the Czech artists' association in Jablonec, northern Bohemia. On the guest list were such renowned names as Anton Cepka, Hermann Junger and Bruno Martinazzi - artists celebrated today as the founders of studio jewellery. The jewellery pieces that developed at that time have remained in the Muzeum skla a bizuterie in Jablonec nad Nisou and to this day have lost nothing of their exceptional and pioneering aura. This publication - which contains a reprint of the original catalogue from 1968 - makes these pieces accessible to a wider audience for the very first time. A document that in a wholly authentic way allows the reader to experience this unique historical moment in the history of the international studio jewellery scene. Text in English and German. Accompanies the exhibition at Die Neue Sammlung The Design Museum, Munich (DE), 10 March-3 June 2018.

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The publication Beneath the Skin provides an overview of the last ten years of work by the Swiss artist Corina Staubli (b. 1959). It shows the altercation in the tension between exterior and interior worlds and the ambivalence of beauty, the beguiling, the sinister and even the unfathomable. With diverse media - be it porcelain, latex, painting or digital collage - the artist directs a dialogue of opposing sides. The question she always poses is 'how does the clandestine and the unconscious reveal itself in something that is manifest' - and, vice versa, 'how does the external view reveal the internal view'? The book itself is sure to arouse intrigue, as it features a nylon sculpture on the cover! Text in English and German.

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Ebbe Weiss-Weingart (b. 1923) is one of the pioneers of international studio jewellery. For over seventy years she has enriched the contemporary jewellery scene with her diverse works. Her inception in the 1950s and 1960s with structured surfaces and galvanised sculptured pieces will never be forgotten. Alongside figurative motifs - in particular, her portrayals of humans and animals - she also created pieces with an ironic and quirky touch. In her last phase of creativity, which began in the 1990s, she had a penchant for working with jewellery made from Chinese jade reliefs. Around 200 illustrations of these jewellery objects documents her award-winning work, and along with previously unpublished photographic material, expands on her hitherto unknown accomplishments. Includes, in full, her speech on the occasion of receiving the Gesellschaft fur Goldschmiedekunst's Ring of Honour, which gives an insight into Ebbe Weiss-Weingart's philosophy and working processes.

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With her unique artistic installations, Madame Tricot - real name Dominique Kaehler Schweizer - displaces the viewer into an illusory world of knitted delicacies. Her smokehouses, refrigerators, counters of sausage and cheese, and platters of vegetables and desserts are full of wit and irony. The knitted human heads and anthropomorphic specimens, on the other hand, confront the viewer with the breaking of taboos and surreal allusions. The installation-like staging represents a balancing act of fine art and virtuosic craftsmanship, and draws on the Eat Art movement of the 1960s. The work of the Swiss artist thus repeatedly awakens associations with the work of Daniel Spoerri, Dieter Roth and Fischli/Weiss. Text in English and German.

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The Vessantara Jataka is the tale of Buddha's last life, before he was reborn as the historical Buddha 2,500 years ago. In this earlier existence as Prince Vessantara he demonstrated evidence of the highest virtue that constitutes an enlightened man: generosity. Vessantara gave away everything dear to him - in the climactic scene of the story, even his wife and children. In North-East Thailand the Vessantara tale is celebrated annually as Bun Phra Wet. Pha Phra Wet - 'Vessantara cloths' - form the visual framework for this festival; they are hand-painted scrolls, which can reach lengths of up to one hundred metres. Devotion presents, for the very first time, a selection of six full-length Vessantara scrolls and explores a contemporary multimedia celebration of an ancient Buddhist text.

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The unique wire model collection of the Swiss collector Edmond Remondino documents an early phase of a craft that today enjoys international renown with collectors and researchers. In the 1970s and 1980s the models evolved from real prototypes such as race cars from the Rally du Burundi; today, as then, the extraordinary aesthetic, alternating between minimalism and comic-type exaggeration, captures the imagination. However, these cars, planes and helicopters, often referred to as 'recycled art', are in no way assembled from rubbish. In Burundi old tin cans and metal wire are considered an important basic material in handicraft. Interdisciplinary essays discuss the works of the self-taught working engineers in terms of their skillful production and the history of Burundi as well as from an industrial design viewpoint, showing completely new aspects of a genre of African art that is now more than forty years old. Text in English and German.

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The publication for the 18th Silver Triennial documents the results of the international competition for current trends in the silver scene announced by the Gesellschaft fur Goldschmiedekunst e.V. and the Deutsches Goldschmiedehaus Hanau. Renowned silversmiths and metal designers who are active across the globe as well as up-and-coming artists present their ideas for pitchers, bowls, tumblers, cutlery, candelabras and accessories. A top-class jury Paul Derrez, Galerie Ra, Amsterdam; Dr Wolfgang Schepers, retired director of the Museum August Kestner, Hanover; and Bruno Sievering-Tornow, master silver- and goldsmith, and specialist teacher at the Staatliche Zeichenakademie Hanau selects the best of the best from 2016.

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'Oishii!' - 'Delicious!' is the most common word in Japan to describe food. Expressing culinary taste goes hand in hand with the social and cultural identity of those eating it. Hence food is much more than nutrition; rather it is tied to all areas of human life and illustrates the various aspects of a society and its culture. Against this backdrop renowned authors devote themselves to Japanese food and drink culture. How is rice cultivated? How do you catch bonitos? What is the secret to good sake and how did green tea become a lifestyle product? Hitherto partly undisclosed treasures from the Linden-Museum Stuttgart and valuable examples from home and abroad draw attention to the rich material culture of food and drink in Japan. Text in German.

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Tsha-tsha are terracottas, or unfired earthenware figures, in the form of cast-sculptured stupas/choerten (reliquaries) or reliefs, which are decorated in a variety of religious motifs in bas-relief or half-relief. These votive offerings in earth or loam are produced by hand by believers or monks with models (casts) and serve many different purposes in every day religious life. With the depiction of over 360 objects, this book offers an outstanding review of the diverse manifestations and the extensive iconography of these exceptional ritual objects from the Buddhist cultural sphere. Text in German.

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Jewelry designed by Ute Eitzenhofer is intrinsically complex and contradictory. Her designs range from playful, sensual, reassuring, to dark, angry, provocative and brutal. Intrinsic beauty and its value to society is a recurring theme of her work. The jewelry she creates is autonomous, it makes a statement; created not for an abstract display case, these are strong artifacts that become complete, that find some meaning, only when worn on the body. The narrative Eitzenhofer strives for is one of social criticism, her designs are perceived as opulent yet reflect a certain image or concept inherent in the modern world. She has consistently challenged and explored the themes of freedom, time, sensuality and worth in her work. This volume is a collection of designs that range from her earlier creative work to the last ten years; thought-provoking, imaginative and often extreme, this is jewelry as a social statement, rather than an accessory. Contents: Cornelie Holzach - A Walk; Wilhelm Lindemann- A Summon to Think for Yourself; Marjan Unger- Elegant but also Malicious. Text in English and German.

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