Search results for ""yale university press""

A brilliant telling of the history of the common seaman in the age of sail, and his role in Britain’s trade, exploration, and warfare“No other book resurrects the wooden world of Jack Tar in such captivating and voluminous detail.”—Roger Ekirch, Wall Street Journal“[A] rollicking narrative . . . Superb”—Ben Wilson, Times British maritime history in the age of sail is full of the deeds of officers like Nelson but has given little voice to plain, "illiterate" seamen. Now Stephen Taylor draws on published and unpublished memoirs, letters, and naval records, including court-martials and petitions, to present these men in their own words. In this exhilarating account, ordinary seamen are far from the hapless sufferers of the press gangs. Proud and spirited, learned in their own fashion, with robust opinions and the courage to challenge overweening authority, they stand out from their less adventurous compatriots. Taylor demonstrates how the sailor was the engine of British prosperity and expansion up to the Industrial Revolution. From exploring the South Seas with Cook to establishing the East India Company as a global corporation, from the sea battles that made Britain a superpower to the crisis of the 1797 mutinies, these "sons of the waves" held the nation’s destiny in their calloused hands.

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The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum’s story comes from the artist himself—and is almost too fantastic to believe. At a young age, Yoakum (1891–1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a “spiritual unfoldment”? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist’s work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography.Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (June 12–October 18, 2021)Museum of Modern Art, New York (November 28, 2021–March 18, 2022)Menil Collection, Houston (April 22–August 7, 2022)

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A trenchant look at how the coronavirus reveals the dangerous fault lines of contemporary society As seen on CNN's Fareed Zakaria GPS: “A stirring alarm addressed to an unsettled world.” (Kirkus Reviews) Forget the world that came before. The author of American Vertigo serves up an incisive look at how COVID-19 reveals the dangerous fault lines of contemporary society. With medical mysteries, rising death tolls, and conspiracy theories beamed minute by minute through the vast web universe, the coronavirus pandemic has irrevocably altered societies around the world. In this sharp essay, world-renowned philosopher Bernard-Henri Lévy interrogates the many meanings and metaphors we have assigned to the pandemic—and what they tell us about ourselves. Drawing on the philosophical tradition from Plato and Aristotle to Lacan and Foucault, Lévy asks uncomfortable questions about reality and mythology: he rejects the idea that the virus is a warning from nature, the inevitable result of global capitalism; he questions the heroic status of doctors, asking us to think critically about the loci of authority and power; he challenges the panicked polarization that dominates online discourse. Lucid, incisive, and always original, Lévy takes a bird’s-eye view of the most consequential historical event of our time and proposes a way to defend human society from threats to our collective future. A portion of the author’s proceeds will be donated to Binc (The Book Industry Charitable Foundation).

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A concise history of how American law has shaped—and been shaped by—the experience of contagion, "taking us from the smallpox outbreaks of the colonies to COVID-19. . . . The conclusion [Witt] arrives at is devastating." (Jennifer Szalai, New York Times)"One wishes that, six months ago, every member of Congress and the Trump administration had been forced to read and reckon with the history Witt neatly summarizes. But now in the aftermath of a close, bitterly fought election, let’s hope that this book will help America chart its way forward."—Jill Filipovic, Washington Post From yellow fever to smallpox to polio to AIDS to COVID-19, epidemics have prompted Americans to make choices and answer questions about their basic values and their laws. In five concise chapters, historian John Fabian Witt traces the legal history of epidemics, showing how infectious disease has both shaped, and been shaped by, the law. Arguing that throughout American history legal approaches to public health have been liberal for some communities and authoritarian for others, Witt shows us how history’s answers to the major questions brought up by previous epidemics help shape our answers today: What is the relationship between individual liberty and the common good? What is the role of the federal government, and what is the role of the states? Will long-standing traditions of government and law give way to the social imperatives of an epidemic? Will we let the inequities of our mixed tradition continue?

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An authoritative, fresh, and vividly written account of the Kashmir conflict—from 1947 to the present The India-Pakistan dispute over Kashmir is one of the world’s incendiary conflicts. Since 1990, at least 60,000 people have been killed—insurgents, civilians, and military and police personnel. In 2019, the conflict entered a dangerous new phase. India’s Hindu nationalist government, under Narendra Modi, repealed Indian-administered Jammu and Kashmir’s autonomous status and divided it into two territories subject to New Delhi’s direct rule. The drastic move was accompanied by mass arrests and lengthy suspension of mobile and internet services. In this definitive account, Sumantra Bose examines the conflict in Kashmir from its origins to the present volatile juncture. He explores the global context of the current situation, including China’s growing role, as well as the human tragedy of the people caught in the bitter dispute. Drawing on three decades of field experience in Kashmir, Bose asks whether a compromise settlement is still possible given the ascendancy of Hindu nationalism in India and the complex geopolitical context.

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How six conservative media moguls hindered America and Britain from entering World War II “A damning indictment. . . . The parallels with today’s right-wing media, on both sides of the Atlantic, are unavoidable.”—Matthew Pressman, Washington Post “A first-rate work of history.”—Ben Yagoda, Wall Street Journal As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the airwaves with their isolationist views. Meanwhile in England, Lord Rothermere’s Daily Mail extolled Hitler’s leadership and Lord Beaverbrook’s Daily Express insisted that Britain had no interest in defending Hitler’s victims on the continent. Kathryn S. Olmsted shows how these media titans worked in concert—including sharing editorial pieces and coordinating their responses to events—to influence public opinion in a right-wing populist direction, how they echoed fascist and anti-Semitic propaganda, and how they weakened and delayed both Britain’s and America’s response to Nazi aggression.

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The first full account of the medieval struggle for Jerusalem, from the seventh to the thirteenth century The history of Jerusalem is one of conflict, faith, and empire. Few cities have been attacked as often and as savagely. This was no less true in the Middle Ages. From the Persian sack in 614 through the bloody First Crusade and beyond, Jerusalem changed hands countless times. But despite these horrific acts of violence, its story during this period is also one of interfaith tolerance and accord. In this gripping history, John D. Hosler explores the great clashes and delicate settlements of medieval Jerusalem. He examines the city’s many sieges and considers the experiences of its inhabitants of all faiths. The city’s conquerors consistently acknowledged and reinforced the rights of those religious minorities over which they ruled. Deeply researched, this account reveals the way in which Jerusalem’s past has been constructed on partial histories—and urges us to reckon with the city’s broader historical contours.

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A vital, engaging, and hugely enjoyable guide to poetry, from ancient times to the present, by one of our greatest champions of literature--selected as the literature book of the year by the London Times “[A] fizzing, exhilarating book.”—Sebastian Faulks, Sunday Times, London“Delightful.’”—New York Times Book Review What is poetry? If music is sound organized in a particular way, poetry is a way of organizing language. It is language made special so that it will be remembered and valued. It does not always work—over the centuries countless thousands of poems have been forgotten. But this Little History is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world, such as Dante, Chaucer, Shakespeare, Whitman, and Yeats. He also looks at more recent poets, like Derek Walcott, Marianne Moore, and Maya Angelou, who have started to question what makes a poem “great” in the first place. For readers both young and old, this little history shines a light for readers on the richness of the world’s poems—and the elusive quality that makes them all the more enticing.

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The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present “An eclectic scholarly account, tracing the evolution of the country house from the hunting lodges of the Middle Ages to the modern villas of today. . . . Mr. Aslet is an elegant writer with a wry sense of humor.”—Moira Hodgson, Wall Street Journal “[Aslet] doesn’t just tell us who built what, and for whom, and in what style, but about the prevailing economic circumstances and fashions of each period.”—Simon Heffer, Daily Telegraph The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.

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A bold and authoritative maritime history of World War II which takes a fully international perspective and challenges our existing understanding Command of the oceans was crucial to winning World War II. By the start of 1942 Nazi Germany had conquered mainland Europe, and Imperial Japan had overrun Southeast Asia and much of the Pacific. How could Britain and distant America prevail in what had become a “war of continents”? In this definitive account, Evan Mawdsley traces events at sea from the first U-boat operations in 1939 to the surrender of Japan. He argues that the Allied counterattack involved not just decisive sea battles, but a long struggle to control shipping arteries and move armies across the sea. Covering all the major actions in the Atlantic and Pacific oceans, as well as those in the narrow seas, this book interweaves for the first time the endeavors of the maritime forces of the British Empire, the United States, Germany, and Japan, as well as those of France, Italy, and Russia.

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What happened on the last day of the Great War? Each year since we have marked the end of the war with tributes and remembrance, solemnity and respect. But as Peace at Last reveals, the first Armistice Day in 1918 was entirely unprecedented and extraordinary. Upon hearing the news of the peace, crowds of people took to the streets, scaled statues, burnt effigies on bonfires and ran riot as joy and relief swept through the British population and the wider world. Drawing on news reports, literature, memoirs and letters, Cuthbertson brings to the fore the full strangeness of the day - its celebratory, wild atmosphere - and the experiences of ordinary people as well as soldiers and prominent figures like D. H. Lawrence, Robert Graves and David Lloyd George. Cuthbertson takes us from midnight to midnight - from when the Armistice was signed to the removing of black paint from streetlamps, flooding cities with light.Peace at Last is the compelling portrait of one of the most important days in history - an exciting and inspiring moment which has, until now, remained relatively unknown.

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Illuminating the photographer’s contributions to New York’s Downtown art scene and her acute feminist work Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era’s major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene’s mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist’s career, this richly illustrated volume explores Resnick’s early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist’s work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick’s photography.Published in association with the Bowdoin College Museum of Art, George Eastman Museum, and Minneapolis Institute of ArtExhibition Schedule:Bowdoin College Museum of Art, Brunswick, ME (February 24–June 5, 2022)Minneapolis Institute of Art (August 13–December 11, 2022)George Eastman Museum, Rochester, NY (February 10–June 18, 2023)

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An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.Distributed for the Yale Center for British Art

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A compelling theory on the rationale for the changing fortunes of nations

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Written by the preeminent democratic theorist of our time, this book explains the nature, value, and mechanics of democracy. In a new introduction to this Veritas edition, Ian Shapiro considers how Dahl would respond to the ongoing challenges democracy faces in the modern world. “Within the liberal democratic camp there is considerable controversy about exactly how to define democracy. Probably the most influential voice among contemporary political scientists in this debate has been that of Robert Dahl.”—Marc Plattner, New York Times “An excellent introduction for novices, as well as a trusty handbook for experts and political science mavens.”—Publishers Weekly

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The sixth and final volume documenting the work of an iconic American artist The sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931–2020) between 2011 and 2019. Here, Baldessari continues his longstanding tradition of borrowing from artists as varied as David Hockney, Giotto, Gustave Courbet, Maria Lassnig, Lucas Cranach the Elder, Giorgio Morandi, and Jackson Pollock. Many of the works in this volume are a testament to the artist’s fascination and engagement with art from previous eras. In one example, Baldessari’s 2012 series “Double Bill” combines scenes from pairs of paintings, such as a Willem de Kooning face atop a Jean Dubuffet body, with the words, “…And Dubuffet” painted beneath: Baldessari is effectively collaborating with artists he has revered for years. This volume also surveys Baldessari’s complete film and video output, from 1968 to 2004, as well as the artist’s books he made, from 1972 to 2019. Additionally, an appendix catalogues works, mostly pre-1974, that were unknown at the time Volume 1 was published.Published in association with Marian Goodman Gallery

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The comprehensive study of the Italian Renaissance altarpiece from the 13th to the early 17th century The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time—whether painter or sculptor, major or minor—who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece—“immagini” (icons), “historie” (narratives), and “misteri” (mysteries)—and is illustrated with 250 beautiful reproductions of the artworks.

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A landmark account that reveals the long history behind the current Catalan and Scottish independence movements A distinguished historian of Spain and Europe provides an enlightening account of the development of nationalist and separatist movements in contemporary Catalonia and Scotland. This first sustained comparative study uncovers the similarities and the contrasts between the Scottish and Catalan experiences across a five-hundred-year period, beginning with the royal marriages that brought about union with their more powerful neighbors, England and Castile respectively, and following the story through the centuries from the end of the Middle Ages until today’s dramatic events. J. H. Elliott examines the political, economic, social, cultural, and emotional factors that divide Scots and Catalans from the larger nations to which their fortunes were joined. He offers new insights into the highly topical subject of the character and development of European nationalism, the nature of separatism, and the sense of grievance underlying the secessionist aspirations that led to the Scottish referendum of 2014, the illegal Catalan referendum of October 2017, and the resulting proclamation of an independent Catalan republic.

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A fresh and insightful history of how the German arts-and-letters scene was transformed under the Nazis Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule.

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A unique illustrated exploration of the development of finance that combines data from every part of the world and covers five thousand years of history

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How popular democracy has paradoxically eroded trust in political systems worldwide, and how to restore confidence in democratic politics Democracies across the world are adopting reforms to bring politics closer to the people. Parties have turned to primaries and local caucuses to select candidates. Ballot initiatives and referenda allow citizens to enact laws directly. Many democracies now use proportional representation, encouraging smaller, more specific parties rather than two dominant ones. Yet voters keep getting angrier. There is a steady erosion of trust in politicians, parties, and democratic institutions, culminating most recently in major populist victories in the United States, the United Kingdom, and elsewhere. Frances Rosenbluth and Ian Shapiro argue that devolving power to the grass roots is part of the problem, not the solution. Efforts to decentralize political decision‑making make governments and especially political parties less effective and less able to address constituents’ long‑term interests. To revive confidence in governance, we must restructure our political systems to restore power to the core institution of representative democracy: the political party.

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An exploration of tragedy and its fundamental position in Western culture In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater. Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.

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A vibrant history of the castle in Britain, from the early Middle Ages to the present day The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses—they were hubs of life, activity, and imagination. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.

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The social dynamics of “alternative facts”: why what you believe depends on who you know“Empowering and thoroughly researched, this book offers useful contemporary analysis and possible solutions to one of the greatest threats to democracy.”—Kirkus ReviewsEditors’ choice, New York Times Book Review • Recommended reading, Scientific American Why should we care about having true beliefs? And why do demonstrably false beliefs persist and spread despite bad, even fatal, consequences for the people who hold them? Philosophers of science Cailin O’Connor and James Weatherall argue that social factors, rather than individual psychology, are what’s essential to understanding the spread and persistence of false beliefs. It might seem that there’s an obvious reason that true beliefs matter: false beliefs will hurt you. But if that’s right, then why is it (apparently) irrelevant to many people whether they believe true things or not?The Misinformation Age, written for a political era riven by “fake news,” “alternative facts,” and disputes over the validity of everything from climate change to the size of inauguration crowds, shows convincingly that what you believe depends on who you know. If social forces explain the persistence of false belief, we must understand how those forces work in order to fight misinformation effectively.

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An evocative exploration of the impact of the Mediterranean on British culture, ranging from the mid-eighteenth century to today Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons—including many painters and poets—who sought from it the inspiration, beauty, and fulfillment that evaded them at home. Referred to as “Magick Land” by one traveler, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. Written by one of the world’s leading historians of the Mediterranean, this book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron’s poetry to Damien Hirst’s installations, Robert Holland shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of color, carnival, and sensual self-discovery.

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A clear, concise introduction to the quickly growing field of complexity science that explains its conceptual and mathematical foundations What is a complex system? Although “complexity science” is used to understand phenomena as diverse as the behavior of honeybees, the economic markets, the human brain, and the climate, there is no agreement about its foundations. In this introduction for students, academics, and general readers, philosopher of science James Ladyman and physicist Karoline Wiesner develop an account of complexity that brings the different concepts and mathematical measures applied to complex systems into a single framework. They introduce the different features of complex systems, discuss different conceptions of complexity, and develop their own account. They explain why complexity science is so important in today’s world.

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Dazzling works on paper from a vast and celebrated collection The Harvard Art Museums house one of the most significant collections of works on paper in North America. Among its many strengths are sheets by draftsmen of the French School, including notable masters such as Simon Vouet, Claude Lorrain, Nicolas Poussin, Jean-Antoine Watteau, François Boucher, Jean-Baptiste Greuze, and Jean-Honoré Fragonard. Following an introductory essay that charts the formation of this group of drawings, this catalogue provides thorough entries on more than 100 outstanding examples from the 16th to 18th century that encompass a range of genres and motifs—from landscapes and figure studies to historical and mythological scenes—many of which were produced for major commissions or mark key moments in the development of style and taste in early modern France. Alvin L. Clark Jr. marshals his decades-long engagement with these works, pairing a discerning eye with perceptive readings that deepen our understanding of the drawings and their makers.Distributed for the Harvard Art Museums

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A thousand-year history of how China’s obsession with silver influenced the country’s financial well-being, global standing, and political stability"A wonderful book for understanding one thousand years of Chinese monetary history."--Debin Ma, Hitotsubashi University This revelatory account of the ways in which silver shaped Chinese history shows how an obsession with “white metal” held China back from financial modernization. First used as currency during the Song dynasty in around 900 CE, silver gradually became central to China’s economic framework and was officially monetized in the middle of the Ming dynasty during the sixteenth century. However, due to the early adoption of paper money in China, silver was not formed into coins but became a cumbersome “weighing currency,” for which ingots had to be constantly examined for weight and purity—an unwieldy practice that lasted for centuries. Jin Xu argues that even as China’s interest in silver spurred new avenues of trade and helped increase the country’s global economic footprint, in the long run silver played a key role in the struggles and entanglements that led to the decline of the Chinese empire.

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An examination of what algorithmic polarization means for society and how conservative elites use media literacy tactics to spread propagandaThe Propagandists’ Playbook peels back the layers of the right-wing media manipulation machine to reveal why its strategies are so effective and pervasive, while also humanizing the people whose worldviews and media practices conservatism embodies. Based on interviews and ethnographic observations of two Republican groups over the course of the 2017 Virginia gubernatorial race—including the author’s firsthand experience of the 2017 Unite the Right rally—the book considers how Google algorithms, YouTube playlists, pundits, and politicians can manipulate audiences, reaffirm beliefs, and expose audiences to more extremist ideas, blurring the lines between reality and fiction. Francesca Tripodi argues that conservatives who embody the Christian worldview give authoritative weight to original texts and interrogate the media using the same tools taught to them in Bible study—for example, using Google to “fact check” the news. The result of this practice, tied to conservative marketing tactics, is more than a reaffirmation of existing beliefs: it is a radicalization of content and a changing of narratives adopted by the media. Tripodi also demonstrates the pervasiveness of white supremacy in the conservative media ecosystem, as well as its mainstream appeal, scope, and spread.

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A renowned scholar argues that liberal hegemony—the policy America has pursued since the Cold War ended—is doomed to failNamed a Financial Times Best Book of 2018“Idealists as well as realists need to read this systematic tour de force.”—Robert D. Kaplan, author of The Return of Marco Polo’s World It is widely believed in the West that the United States should spread liberal democracy across the world, foster an open international economy, and build international institutions. The policy of remaking the world in America’s image is supposed to protect human rights, promote peace, and make the world safe for democracy. But this is not what has happened. Instead, the United States has become a highly militarized state fighting wars that undermine peace, harm human rights, and threaten liberal values at home. In this major statement, the renowned international-relations scholar John Mearsheimer argues that liberal hegemony—the foreign policy pursued by the United States since the Cold War ended—is doomed to fail. It makes far more sense, he maintains, for Washington to adopt a more restrained foreign policy based on a sound understanding of how nationalism and realism constrain great powers abroad. The Great Delusion is a lucid and compelling work of the first importance for scholars, policymakers, and everyone interested in the future of American foreign policy.

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A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch “Fully succeeds in communicating that ‘vivid presentness,’ that ‘joyful eagerness’ for life, which is what keeps us reading Casanova—and reading about him.”—Gregory Dowling, Wall Street Journal “A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites. . . . Another top-notch work from Damrosch.”—Kirkus Reviews (starred review) The life of the iconic libertine Giacomo Casanova (1725–1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment’s shadowy underside, Casanova was an aspiring priest, an army officer, a fortune teller, a con man, a magus, a violinist, a mathematician, a Masonic master, an entrepreneur, a diplomat, a gambler, a spy—and the first to tell his own story. In his vivid autobiography Histoire de Ma Vie, he recorded at least a hundred and twenty love affairs, as well as dramatic sagas of duels, swindles, arrests, and escapes. He knew kings and an empress, Catherine the Great, and most of the famous writers of the time, including Voltaire and Benjamin Franklin. Drawing on seldom used materials, including the original French and Italian primary sources, and probing deeply into the psychology, self-conceptions, and self-deceptions of one of the world’s most famous con men and seducers, Leo Damrosch offers a gripping, mature, and devastating account of an Enlightenment man, freed from the bounds of moral convictions.

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A fresh look at Acts of the Apostles and its depiction of Jewish identity within the larger Roman era When considering Jewish identity in Acts of the Apostles, scholars have often emphasized Jewish and Christian religious difference, an emphasis that masks the intersections of civic, ethnic, and religious identifications in antiquity. Christopher Stroup’s innovative work explores the depiction of Jewish and Christian identity by analyzing ethnicity within a broader material and epigraphic context. Examining Acts through a new lens, he shows that the text presents Jews and Jewish identity in multiple, complex ways, rather than as a simple foil for Christianity. Stroup convincingly argues that when the modern distinctions among ethnic, religious, and civic identities are suspended, the innovative ethnic rhetoric of the author of Acts comes into focus. The author of Acts leverages the power of gods, ancestry, and physical space to legitimate Christian identity as a type of Jewish identity and to present Christian non-Jews as Jewish converts through the power of the Holy Spirit.

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How the history of liberal order and democratic politics since the 1930s explains ongoing threats to democracy and international order The liberal democratic order that seemed so stable in North America and Western Europe has become precarious. James E. Cronin argues that liberalism has never been secure and that since the 1930s the international order has had to be crafted, redeployed, and extended in response to both victories and setbacks. Beginning with the German and Japanese efforts in the 1930s to establish a system based on empire, race, economic protectionism, and militant nationalism, Cronin shows how the postwar system, established out of a revulsion at the ideas of fascism, repeatedly reinvented itself in the face of the Cold War, anticolonial insurgencies, the economic and political crises of the 1970s, the collapse of communism, the rise of globalization, and the financial crisis of 2008. Cronin emphasizes the links between internal and external politics in sustaining liberal order internationally and the domestic origins and correlates of present difficulties. Fragile Victory provides the context necessary to understand such diverse challenges as the triumph of Brexit, the election of Trump, the rise of populism, and the Russian invasion of Ukraine.

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The provocative and often comic Belgian art duo Jos de Gruyter and Harald Thys present in book form their collaborative contribution to the 2019 Venice Biennale The Belgian artists Jos de Gruyter (b. 1965) and Harald Thys (b. 1966) have collaborated for more than two decades on artworks in a variety of media, including film, photography, drawing, painting, and sculpture; they are known for thought-provoking works, often imbued with an antic sense of humor. The pair was selected to represent Belgium at the 2019 Venice Biennale, and this book accompanies and documents their exhibit, also titled Mondo Cane. The book is composed of a series of original, illustrated texts, written alternately in English, French, German, Dutch, and Italian. The texts are intended to evoke a variety of human conditions in an environment reminiscent of present-day Europe. Its title refers to a 1962 Italian film that documented—in a style intended to provoke Western audiences—cultural practices from around the world. Lavishly illustrated and designed by the artists themselves, this book both reflects de Gruyter and Thys’s contribution to the Venice Biennale and is a work of art in its own right.Distributed for MercatorfondsExhibition Schedule:Belgian Pavilion of the 58th Venice Biennale (May 8–November 24, 2019)Centre for Fine Arts, Brussels (Spring 2020)

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An intimate reflection on culture and tradition, creativity and power, that draws on a lifetime’s commitment to aesthetic encounter The playwright, poet, essayist, novelist, and Nobel Laureate Wole Soyinka is also a longtime art collector. This book of essays offers a glimpse into the motivations of the collector, as well as a highly personal look at the politics of aesthetics and collecting. Detailing moments of first encounter with objects that drew him in and continue to affect him, Soyinka describes a world of mortals, muses, and deities that imbue the artworks with history and meaning. Beyond Aesthetics is a passionate discussion of the role of identity, tradition, and originality in making, collecting, and exhibiting African art today. Soyinka considers objects that have stirred controversy, and he decries dogmatic efforts—whether colonial or religious—to suppress Africa’s artistic traditions. By turns poetic, provocative, and humorous, Soyinka affirms the power of collecting to reclaim tradition. He urges African artists, filmmakers, collectors, and curators to engage with their aesthetic and cultural histories.Published in association with the Hutchins Center for African & African American Research

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Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers—including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others—hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won’t Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration.Published in association with the Institute of Contemporary Art/BostonExhibition Schedule:Institute of Contemporary Art/Boston (October 23, 2019–January 26, 2020)Minneapolis Institute of Art (February 22–May 24, 2020)Iris & B. Gerald Cantor Center for Visual Arts at Stanford University (February 5–May 30, 2021)

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An award-winning historian’s revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations “A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin’s book illuminates one of the enduring themes that shaped the medieval and early modern world.”—Paula E. Findlen, Stanford University In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in profound moments of discovery. He argues that religious faith—Christian, Jewish, and Muslim—did not oppose but rather fostered the making of a modern scientific spirit, buoyed along by a providential view of history and nature, and a deep conviction in the coming End of the World. Through thoughtful attention to the primary sources, Martin re‑reads the Renaissance, excavating a religious foundation at the core of even the most radical empirical thinking. Familiar icons like Ibn Khaldūn, Columbus, Isaac Luria, and Francis Bacon emerge startlingly fresh and newly gleaned, agents of a history formerly untold and of a modern world made in the image of its imminent end.

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A brutally funny, carnivalesque novel about love, death, and survival, from the Czech Republic’s greatest living author Tab, an itinerant Czech actor, travels around Europe on the theater circuit with his partner, Soňa, and their two young sons, attending festivals and performing plays. Confronted with growing resentment toward foreigners, Tab decides to return home to the banks of the Sázava River, southeast of Prague. As soon as they arrive, Tab finds himself falsely accused of a terrible crime and forced to go on the run with his sons. Over the course of their journey, dodging authorities by car, foot, and raft, they encounter a motley cast of allies and enemies. The effects of Tab’s sudden reappearance and just-as-sudden disappearance ripple through the community, catalyzing a chaotic chain of events that reaches a final, raucous crescendo. Hailed as “a picaresque romp of black humor and fantasy” (Times Literary Supplement), this is an unforgettable novel about discovering sparks of humanity even in the bleakest of places, in which love or the longing to find it lies around every bend.

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A detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetry This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding. Enjoyed for their learned allusions to literature and contemporary culture, surimono continue to delight and perplex scholars with their visual puns and wordplay. Imagery ranges from delicate, domestic still lifes to spirited vignettes of the natural world, while the poems are often lighthearted takes on the classical Japanese waka form. With its rich text and scholarly apparatus—including names and titles in kanji characters as well as transliterations and translations of the poems on the catalogued prints—The Private World of Surimono serves as a critical resource for scholars of Japanese art and history and offers general readers insight into this rare and innovative print form.Distributed for the Yale University Art Gallery

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At once engaging, personal, and analytical, this book provides the intellectual resources for the critical understanding of art Charles Harrison’s landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.

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An experiment in interactive design and a bold reimaging of the museum exhibition This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the publication itself. These revolutionary interpretations across various media will foster research intended to push our understanding of sensory perception and encourage new ways of conceiving, installing, and experiencing exhibitions. Designed by Laurie Haycock Makela, a leader in experimental graphic design, the book plays with the multiple meanings of the word “speechless,” exploring the evolution of the project, documenting the installations, and offering portraits of the creative individuals who defined this extraordinary undertaking. Topics range from personal connections to issues of inclusion, diversity, accessibility, and empathy.Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (November 10, 2019–March 22, 2020)

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A deep—and darkly comic—dive into the nature of disasters, and the ways they shape how we think about ourselves in the world “In this brilliant book, David Thomson tells the story of how we came to make disaster and catastrophe our best friends—how we let terror cocoon and take over our imaginations to avoid seeing the things that really frighten us. Riveting and totally original.”—Adam Curtis, BBC filmmaker and political journalist “Erudite. . . . Engaging. . . . A cri de coeur about art’s struggle to keep up with reality.”—Kirkus Reviews Audiences swell with the scale of disaster; humans have always been drawn to the rumors of our own demise. In this searching treatment, noted film historian David Thomson examines iconic disasters, both real and fictional, exposing the slippage between what occurs and what we observe. With reportage, film commentary, speculation, and a liberating sense of humor, Thomson shows how digital culture commodifies disaster and sates our desire to witness chaos while suffering none of its aftereffects. Ranging from Laurel and Hardy and Battleship Potemkin to Cormac McCarthy’s The Road, and from the epic San Andreas to the intimate Don’t Look Now, Thomson pulls back the curtain to reveal why we love watching disaster unfold—but only if it happens to others.

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An aesthetic and social history of art and dance in mid-20th-century New York interpreted by contemporary artist Nick Mauss Over the past decade, Nick Mauss (b. 1980) has pursued a hybrid mode of working that melds the roles of curator, artist, and scholar. Following his highly acclaimed 2018 Whitney Museum of American Art exhibition Transmissions, this volume elaborates on the artist’s complex portrait of mid-century New York as seen through the prism of modernist ballet. By pairing installation views of the exhibition and photographs of its daily performances by Paula Court and Ken Okiishi with reproductions of artworks, ballet programs, and fashion magazines, Transmissions animates the vividly enmeshed social and artistic networks that shaped both modern art and modern ballet. Through his emphasis on the collaborations and intimacies between models, dancers, photographers, choreographers, painters, sculptors, filmmakers, publishers, critics, amateurs, and devotees, Mauss re-calibrates the standard narrative of American modernism to locate performance, spectatorship, and the eroticized body at its center.Transmissions features reproductions of documents and artworks—a number published here for the first time—by Paul Cadmus, George Platt Lynes, Dorothea Tanning, Carl Van Vechten, Isamu Noguchi, Pavel Tchelitchew, Walker Evans, Ilse Bing, PaJaMa, Man Ray, Maya Deren, Marcel Duchamp, Elie Nadelman, Eugene Berman, Peter Hujar, and many more. Additional texts address the subjects of ballet and the body, Mauss’s work as an artist and curator, and performance within museum spaces, while an extensive conversation with the sixteen dancers who participated in the Whitney exhibition brings rare insight into the labor of making performance-based work while negotiating diverging legacies of embodiment. Distributed for the Whitney Museum of American Art and Dancing Foxes Press

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Selected writings from a leading critic of modern art, “the best art writer of his generation” (Art Newspaper) Michael Peppiatt, guest curator of the Royal Academy of Arts’ 2021 exhibition ‘Francis Bacon: Man and Beast’, has for more than 50 years written trenchant and lively dispatches from the centre of the international art world. In this collection of key essays, Peppiatt gives his unique insight into the making and interpretation of modern art, from Manet and Degas through to Kandinksy and Picasso to Freud and Hockney. Covering a whole spectrum of artists and art-world figures—from pioneers such as Klimt and Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Jean Dubuffett, Francis Bacon and Zoran Music, with whom he had close relationships—Peppiatt interweaves personal anecdote with critical judgement. Each text is accompanied by a new introduction, written in the author’s signature vivid and jargon-free style, in which he contextualises his writings and reflects on significant moments in a lifetime of artistic engagement. This volume will provide readers with an exhilarating tour of the extraordinary reach and variety of modern art.

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Faced with relentless technological aggression that imperils democracy, how can Western nations fight back? Before the cyber age, foreign interference in democratic politics played out in a comparatively narrow arena. The rapid expansion of cyberspace has radically altered this situation. The hacking activities of Russian military agents in the 2016 US presidential election and other major incidents demonstrate the sophisticated offensive strategies pursued by geopolitical adversaries. The West is winning the technology race—yet losing the larger contest over cybersecurity. Lucas Kello reveals the failures of present policy to prevent cyberattacks and other forms of technological aggression. Drawing upon case studies and interviews with decision-makers, he develops a bold new approach: a concentrated and coordinated response strategy that targets adversaries’ interests and so recaptures the initiative. Striking Back provides an original solution to national security challenges in our era of intense technological rivalry.

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The recent work of Belgian abstract artist Yves Zurstrassen is explored in depth in this handsome volume, designed in close collaboration with the artist himself The decade of work produced between 2010 and 2019 by Belgian abstract painter Yves Zurstrassen (b. 1956) is the focus of this beautifully designed and illustrated book. Although he originally studied graphic art, Zurstrassen was inspired by Abstract Expressionists such as Jackson Pollock and Willem de Kooning to pursue painting. The book’s essays delve into the artist’s process and offer a critical analysis of the work. Also included are a detailed biography and insightful, informal conversations with the artist. Featuring full-page illustrations of Zurstrassen’s recent work, the book situates the artist both within abstract art and the broader context of contemporary painting.Distributed for MercatorfondsExhibition Schedule:Centre for Fine Arts, Brussels (September 1–December 31, 2019)

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