Search results for ""author victoria"

Our Lady of Victorian Feminism is about three nineteenth-century women, Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women. In the field of Victorian studies, few scholars have looked beyond the customary identification of the Christian Madonna with the Victorian feminine ideal—the domestic Madonna or the Angel in the House. Kimberly VanEsveld Adams shows, however, that these three Victorian writers made extensive use of the Madonna in feminist arguments. They were able to see this figure in new ways, freely appropriating the images of independent, powerful, and wise Virgin Mothers. In addition to contributions in the fields of literary criticism, art history, and religious studies, Our Lady of Victorian Feminism places a needed emphasis on the connections between the intellectuals and the activists of the nineteenth-century women’s movement. It also draws attention to an often neglected strain of feminist thought, essentialist feminism, which proclaimed sexual equality as well as difference, enabling the three writers to make one of their most radical arguments, that women and men are made in the image of the Virgin Mother and the Son, the two faces of the divine.

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Inspector William Monk: In search of justice, he will not stop until he has found the truth.1864: When the body of a brutally mutilated body of a woman is found on Limehouse Pier, Monk's enquiries into her death unearth a suspicious connection between the victim and Dr Lambourn, a recently deceased scientist and staunch supporter for a new pharmaceutical bill aimed to regulate the sale of opium.Investigating further, Monk learns that Lambourn's widow refuses to believe that her husband's death was suicide; she is convinced that he was murdered by government officials intent on keeping the lucrative trade of opium flowing.With pressure mounting for the police to find the Limehouse killer, Monk is propelled headlong into an investigation that will delve the darkest depths of the opium trade and threatens to expose corruption in the very highest echelons of society...

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Death might be commonplace in 1857 in the Royal Free Hospital in London's Gray's Inn Road, but murder certainly isn't. When the body of Prudence Barrymore, a gently bred, dedicated and passionate nurse, is discovered stuffed into a laundry chute no one - high born or low - can be beyond suspicion. But the police seem determined to concentrate their efforts on proving Dr Kristian Beck the culprit - because he is foreign. Concerned and unhappy with this state of affairs, Lady Callandra Daviot of the Board of Governers asks Investigator William Monk to pursue the case.Monk, frustrated by the lingering traces of amnesia caused by an accident, agrees, and calls upon his old colleagues to aid him. Hester Latterly, an independent young woman who served with Florence Nightingale in the Crimean War, knew the dead woman there; Hester's profession provides the perfect cover for her to obtain work at the Royal Free. And Oliver Rathbone, a brilliant barrister, who is brought in as counsel for the defence. But under the ever-present shadow of the gallows, and inching towards the appalling solution, the three begin to despair of justice ever prevailing.

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Magpies Workbooks provide valuable reading and language support for the "Magpies Storybooks" at Levels 8 and 9. The range of activities to accompany each storybook encourages children to look more closely at the stories, to focus on comprehension, aspects of language and grammar; and develop greater rhyme awareness, sequencing skills, alphabet knowledge, and creative writing. There is a progression within the Level and from levels 8 to 9. This pack contains 6 copies of one workbook, suitable for teachers to use in the classroom with a group of children.

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Histories for the Many examines the contribution of illustrated family magazines to Victorian historical culture. How, by whom, for whom and with which intentions was history used within this popular medium? How were class, gender, age, religion, and space debated? How were academic and popular approaches to the past linked to the materiality of the medium? The focus is set on the evangelical Leisure Hour with comparisons to the London Journal, Good Words and Cornhill. The study's approach to the serialisation of history in text and image combines periodical studies and book history with concepts from cultural studies, sociology as well as narratology.

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London Zoo examined in its nineteenth-century context, looking at its effect on cultural and social life. At the dawn of the Victorian era, London Zoo became one of the metropolis's premier attractions. The crowds drawn to its bear pit included urban promenaders, gentlemen menagerists, Indian shipbuilders and Persian princes - and Charles Darwin himself. This book shows that the impact of the zoo's extensive collection of animals can only be understood in the context of a wide range of contemporary approaches to nature, and that it was not merely a manifestation of British imperial culture. The author demonstrates how the early history of the zoo illuminates three important aspects of the history of nineteenth-century Britain: the politics of culture and leisure in a new public domain which included museums and art galleries; the professionalisation and popularisation of science in a consumer society; and the meanings of the animal world for a growing urban population. Weaving these threads together, he presents a flexible frame of analysis to explain how the zoo was established, how it pursued its policies of animal collection, and how it responded to changing social conditions.

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A fascinating account of what it was like to live in a Victorian body from best-selling historian and critic Kathryn Hughes.In Victorians Undone, renowned British historian Kathryn Hughes follows five iconic figures of the nineteenth century as they encounter the world not through their imaginations or intellects but through their bodies. Or rather, through their body parts. Using the vivid language of admiring glances, cruel sniggers, and implacably turned backs, Hughes crafts a narrative of cinematic quality by combining a series of truly eye-opening and deeply intelligent accounts of life in Victorian England.Lady Flora Hastings is an unmarried lady-in-waiting at young Queen Victoria's court whose swollen stomach ignites a scandal that almost brings the new reign crashing down. Darwin's iconic beard provides important new clues to the roles that men and women play in the great dance of natural selection. George Eliot brags that her right hand is larger than her left, but her descendants are strangely desperate to keep the information secret. The poet-painter Dante Gabriel Rossetti, meanwhile, takes his art and his personal life in a new direction thanks to the bee-stung lips of his secret mistress, Fanny Cornforth. Finally, we meet Fanny Adams, an eight-year-old working-class girl whose tragic evisceration tells us much about the currents of desire and violence at large in the mid-Victorian countryside. While 'bio-graphy' parses as 'the writing of a life,' the genre itself has often seemed willfully indifferent to the vital signs of that life—to breath, movement, touch, and taste. Nowhere is this truer than when writing about the Victorians, who often figure in their own life stories as curiously disembodied. In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

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This fascinating book about Belfast in the middle of the nineteenth century looks at how and why Ireland’s most prosperous and industrialized town began to tear itself apart. This study provides a vivid example of how a society can come apart at the seams – and how it can stay that way for generations. Through a series of steadily escalating riots, working-class Protestants and Catholics forged a tradition of violence that profoundly shaped their own identities and that of the city itself, setting the stage for the bitter conflicts of the next century. Fighting like the Devil for the Sake of God describes that foundational moment, offering a new analysis of Belfast’s violence that is rooted in the social lives of those who constructed this bitter rivalry and those who were forced to endure it.This book will be of interest to scholars in the fields of Irish and Modern History.

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John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.

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Regardless of time period, some things hold true: kindness is timeless.Invasion of privacy; divorce; relationship issues; encounters between people from different places and cultures; new technologies developed at dizzying speeds . . . the hectic pace of life in the late nineteenth century could make the mind reel.Wait a minute—the nineteenth century?Many of the issues people faced in the 1880s and ’90s surprisingly remain problems in today’s modern world, so why not take a peek at some Victorian advice about negotiating life’s dizzying twists and turns? Gathered from period magazines and Hill’s Manual of Social and Business Forms, a book on social conduct originally published in 1891, this volume provides timeless guidance for a myriad of situations, including:The husband’s duty: Give your wife every advantage that it is possible to bestow.Suggestions about shopping: Purchasers should, as far as possible, patronize the merchants of their own town. (Buy local!)Suggestions for travel: Having paid for one ticket, you are entitled to only one seat. It shows selfishness to deposit a large amount of baggage in the surrounding seats and occupy three or four.Unclassified laws of etiquette: Never leave home with unkind words.This advice is accompanied by watercolors and illustrations throughout. Though these are tips originate from nineteenth-century ideas, you’ll find that they certainly do still apply.

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When Mr Thomas Tapley is found bludgeoned to death in his sitting room, his neighbour Inspector Benjamin Ross of Scotland Yard is immediately summoned. Little is known about the elusive gentleman until Mr Jonathan Tapley, QC, hears of the news and the truth about his cousin's tragic past slowly begins to emerge. Meanwhile, Ben's wife Lizzie is convinced she saw someone following Thomas Tapley on the day he died and she discovers that he received a mysterious visitor a few days before his death. As the list of suspects begins to mount, Ben must unearth who would benefit most from Tapley's unfortunate demise.

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A powerful reimagining of the world in which a young Charles Darwin developed his theory of evolution. When Charles Darwin returned to Britain from the Beagle voyage in 1836, the most talked-about scientific books of the day were the Bridgewater Treatises. This series of eight works was funded by a bequest of the last Earl of Bridgewater and written by leading men of science appointed by the president of the Royal Society to explore "the Power, Wisdom, and Goodness of God, as manifested in the Creation." Securing public attention beyond all expectations, the series offered Darwin’s generation a range of approaches to one of the great questions of the age: how to incorporate the newly emerging disciplinary sciences into Britain’s overwhelmingly Christian culture. Drawing on a wealth of archival and published sources, including many unexplored by historians, Jonathan R. Topham examines how and to what extent the series contributed to a sense of congruence between Christianity and the sciences in the generation before the fabled Victorian conflict between science and religion. Building on the distinctive insights of book history and paying close attention to the production, circulation, and use of the books, Topham offers new perspectives on early Victorian science and the subject of science and religion as a whole.

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The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual. Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians’ image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians’ ideas about the world in which they lived and their notions of gender, class, and race. Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe’s novel Uncle Tom’s Cabin and Tennyson’s poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned.

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Despite Thomas Pitt's success in the Whitechapel case, the secretive Inner Circle prevent his returning to Bow Street police as Superintendent. Pitt's next task for Special Branch is to investigate Charles Voisy - the corrupt Inner Circle man Pitt defeated in court - who is standing for election as a Tory MP. Pitt must obtain information to stop Voisy's climb to political power. Then Pitt is ordered to Southampton Row, scene of the hideous murder of a spiritual medium. As the link between the spiritualist and political figures is revealed, the whispers of scandal grow louder. And with Charlotte in hiding for safety, Pitt must turn to his sister-in-law, Emily, to help him solve one of his most high-profile cases yet...

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Eminent Victorians marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.

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Discover all the foul facts about the Vile Victorians with history's most horrible headlines. All the foul facts about the Vile Victorians are ready to uncover, including: the murderers who wouldn't hang when the first public loo was flushed and how stag hunting took place in Paddington Station Fully illustrated throughout and packed with horrible stories – with all the horribly hilarious bits included with a fresh take on the classic Horrible Histories style, perfect for fans old and new the perfect series for anyone looking for a fun and informative read Horrible Histories has been entertaining children and families for generations with books, TV, stage show, magazines, games and 2019's brilliantly funny Horrible Histories: the Movie – Rotten Romans. Get your history right here and collect the whole horrible lot. Read all about it!

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A fascinating account of what it was like to live in a Victorian body from best-selling historian and critic Kathryn Hughes.In Victorians Undone, renowned British historian Kathryn Hughes follows five iconic figures of the nineteenth century as they encounter the world not through their imaginations or intellects but through their bodies. Or rather, through their body parts. Using the vivid language of admiring glances, cruel sniggers, and implacably turned backs, Hughes crafts a narrative of cinematic quality by combining a series of truly eye-opening and deeply intelligent accounts of life in Victorian England.Lady Flora Hastings is an unmarried lady-in-waiting at young Queen Victoria's court whose swollen stomach ignites a scandal that almost brings the new reign crashing down. Darwin's iconic beard provides important new clues to the roles that men and women play in the great dance of natural selection. George Eliot brags that her right hand is larger than her left, but her descendants are strangely desperate to keep the information secret. The poet-painter Dante Gabriel Rossetti, meanwhile, takes his art and his personal life in a new direction thanks to the bee-stung lips of his secret mistress, Fanny Cornforth. Finally, we meet Fanny Adams, an eight-year-old working-class girl whose tragic evisceration tells us much about the currents of desire and violence at large in the mid-Victorian countryside. While 'bio-graphy' parses as 'the writing of a life,' the genre itself has often seemed willfully indifferent to the vital signs of that life—to breath, movement, touch, and taste. Nowhere is this truer than when writing about the Victorians, who often figure in their own life stories as curiously disembodied. In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

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Behind the innocent face of Victorian fairy tales such as Through the Looking Glass or Mopsa the Fairy lurks the specter of an intense gender debate about the very nature of childhood. Offering brilliant rereadings of classics from the "Golden Age of Children's Literature" as well as literature commonly considered "grown-up," U. C. Knoepflmacher illuminates this debate, probing deeply into the relations between adults and children, adults and their own childhood selves, and the lives of beloved Victorian authors and their "children's tales." Ventures into Childland will delight and instruct all readers of children's classics, and will be essential reading for students of Victorian culture and gender studies."Ventures into Childland is acute, well written and stimulating. It also has a political purpose, to insist on the importance of protecting and nurturing children, imaginatively and physically."—Jan Marsh, Times Literary Supplement"A provocative and interesting book about Victorian culture."—Library Journal

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Primary History: Victorians encourages the study of written sources, images and key figures to understand the influence of Victorian society on today’s world. Stimulating activities cover the growth of railways, industrial and social reform, levels of society within towns and the countryside, and the life of children at home, school and in work. Choose from a range of activities to suit your class. Differentiate using a variety of writing-based tasks. Explore history topics through creative role-plays and art and design work. Ideal as accessible research resources for topic work.

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This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films - Shadow of a Doubt, Rear Window, Vertigo, Psycho - as well as some of his more uneven ones - Rope, The Wrong Man, Topaz - and makes connections between his evolution as a filmmaker and trends in the larger society.Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen sees Hitchcock's films as developing, in part, as a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination.Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films.Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity - one that builds on a Victorian inheritance and ultimately discards it.

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Discover all the foul facts with history's most horrible headlines: Victorian edition. The master of making history fun, Terry Deary, turns his attention to the Victorian era. From ridiculous stories of why burglars were scared of bogies to how a snick fadger might kiddy-nap your spangle, it's all in Horrible Histories: Villainous Victorians: fully illustrated throughout and packed with hair-raising stories - with all the horribly hilarious bits included with a fresh take on the classic Horrible Histories style, perfect for fans old and new the perfect series for anyone looking for a fun and informative read Horrible Histories has been entertaining children and families for generations with books, TV, stage show, magazines, games and 2019's brilliantly funny Horrible Histories: the Movie - Rotten Romans. Get your history right here and collect the whole horrible lot. Read all about it!

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The innovative Creative History Activity Packs series is designed to help teachers bring history topics to life through imaginative creative arts activities. Each pack includes ten laminated, double-sided cards, printed in full color. Each card describes in detail activities that recreate aspects of life in a particular historical period, using art, drama and dance. Each activity is based on historically researched authentic practices of the time. Ideal for whole class or small group sessions, the packs are an inspiration for busy teachers looking for new ways to approach project work at Key Stage 2 - and are easily applicable for Key Stage 1 classes. Victorian activities in this pack include making decorative objects - penwipers, fans, cornucopias - based on original Victorian patterns; sewing samplers; making miniature gardens; original Victorian parlor games based on both wordplay and physical activity; and an upstairs/downstairs drama.

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Very Short Introductions: Brilliant, Sharp, Inspiring The Victorian period may have come to an end over 120 years ago, but the Victorians continue to be a vital presence in the modern world. Contemporary Britain is still in large part Victorian in its transport networks, sewage systems, streets, and houses. Victorian cultural legacies, especially in art, science, and literature, are still celebrated. The first to have to grapple with many of the challenges of modern urban society, we continue to look to the Victorians for inspiration and solace. And we are increasingly aware of the ways their global actions shaped, often for ill, the world around us. Much mythologised, inexhaustibly controversial, the Victorians are an inescapable reference point for understanding the modern histories not just of Britain and its empire, but of the world. In The Victorians: A Very Short Introduction Martin Hewitt offers a guide through the thickets of judgement and debate which have grown around the period and its people, to offer a historical overview of the Victorians and their legacies. He seeks to answer five crucial questions. Why have the Victorians continued occupy such a prominent place in the cultures of not just the anglophone world? How far does it make sense to think of a 64-year period arbitrarily given an identity by the longevity of the Queen as an identifiable historical period in a general sense? How justified are the value-laden versions of the Victorians which argue for the existence of a particular world view called 'Victorianism'? Beyond ideology, what was Victorian Britain actually like – and in particular, what was distinctive about it? Who were the Victorians – not just the eminent few, but the population as a whole? And finally, how far and with what results did the Victorians and their culture spread across the globe? In answering these questions, Hewitt cautions against some long-held orthodoxies, throws a light on some less well-known aspects of the period, and urges the importance of understanding the Victorians on their own terms if we are to effectively engage with their legacies. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Victorian Britain, with its maritime economy and strong links between government and scientific enterprises, founded an office to collect meteorological statistics in 1854 in an effort to foster a modern science of the weather. But as the office turned to prediction rather than data collection, the fragile science became a public spectacle, with its forecasts open to daily scrutiny in the newspapers. And meteorology came to assume a pivotal role in debates about the responsibility of scientists and the authority of science.Studying meteorology as a means to examine the historical identity of prediction, Katharine Anderson offers here an engrossing account of forecasting that analyzes scientific practice and ideas about evidence, the organization of science in public life, and the articulation of scientific values in Victorian culture. In Predicting the Weather, Anderson grapples with fundamental questions about the function, intelligibility, and boundaries of scientific work while exposing the public expectations that shaped the practice of science during this period.A cogent analysis of the remarkable history of weather forecasting in Victorian Britain, Predicting the Weather will be essential reading for scholars interested in the public dimensions of science.

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This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers.Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

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Jeremy Paxman's unique portrait of the Victorian age takes readers on an exciting journey through the birth of modern Britain. Using the paintings of the era as a starting point, he tells us stories of urban life, family, faith, industry and empire that helped define the Victorian spirit and imagination.To Paxman, these paintings were the television of their day, and his exploration of Victorian art and society shows how these artists were chronicling a world changing before their eyes. This enthralling history is Paxman at his best - opinionated, informed, witty, surprising - and a glorious reminder of how the Victorians made us who we are today.

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People, not abstract ideas, make history, and nowhere is this more revealed than in A. N. Wilson's superb portrait of the Victorians, in which hundreds of different lives have been pieced together to tell a story - one which is still unfinished in our own day. The 'global village' is a Victorian village and many of the ideas we take for granted, for good or ill, originated with these extraordinary, self-confident people. What really animated their spirit, and how did they remake the world in their view? In an entertaining and often dramatic narrative, A. N. Wilson shows us remarkable people in the very act of creating the Victorian age.

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Modernity and the Victorians diagnoses a disorder in the scholarship on Victorian Britain, and proposes an interpretative remedy. It argues that the 'modernization theory' beloved of twentieth-century social scientists cannot be made to fit the facts of nineteenth-century British history. In its place, the book lays out in sweeping terms an alternative conception of the political and social dynamics of the period, centred on the past, morality, and community. Intended in part as a companion volume to Angus Hawkins' previous synthetic study Victorian Political Culture: "Habits of Heart and Mind" (2015), the book offers a deliberately bracing challenge to a swathe of received wisdoms which, it asserts, have misled students of modern Britain. Modernity and the Victorians is at once a piece of twentieth-century intellectual history, a contribution to the history of scholarship, a commentary on more recent historiography, and an attempt to intervene in current debates about the practice and future of political history. It is a mature and humane essay by a historian who devoted the whole of his career to making sense of the Victorians. A preface by Alex Middleton sets the book in context with Hawkins' earlier scholarship, and reflects on his wider contribution to the historiography of modern Britain. The volume will be of interest not only to students of nineteenth-century Britain, but also to intellectual historians, historiographers, historically-minded social scientists, and anyone interested in how present preoccupations can distort readings of the past.

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Beyond the patrician vision of Victorian Britain traditionally advanced in our textbooks, there always existed another, more diverse Britain, populated by people of colour marking achievements both ordinary and extraordinary. In this deeply researched and dynamic history, Woolf and Abraham reach into the archives to recentre our attention on marginalised Black Victorians, from leading medic George Rice to political agitator William Cuffay to abolitionists Henry ‘Box’ Brown and Sarah Parker Remond; from pre-Raphaelite muse Fanny Eaton to renowned composer Samuel Coleridge-Taylor. While acknowledging the paradoxes of Victorian views of race, Black Victorians demonstrates, with storytelling verve and a liberatory impulse, how Black people were visible and influential, firmly rooted in British life.

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This compact easy-reference book takes an alternative look at 19th-century British history, shining a light on the often-forgotten sacrifices that were required to bring about the Industrial Revolution & the realisation of the Victorian dream. For while the Victorian era is often viewed as one of uninterrupted success - of unrelenting industrial progress powered scientific advance like no other in history - a question remains: was this revolution good for everyone? The stories in this book offer a sobering counterbalance to the associated tales of glorious Victorian success. One chapter looks at the Tay Bridge disaster. In 1879 the Tay Bridge was the longest in the world and a wonder of its age. But on a stormy night in December, disaster struck when the central section of the bridge collapsed and the 7:13pm train from Edinburgh plunged into the icy waters of the Tay, taking the lives of 75 passengers and crew. How and why did this supposed feat of Victorian invention fail so spectacularly? One of the worst man-made catastrophes in Victorian Britain was caused when the wall of the Dale Dyke dam at Bradfield in South Yorkshire was breached in March 1864. This released 650 million gallons of water that poured down towards Sheffield at a mile a minute in a 9ft wall of liquid that demolished houses, factories and bridges, and claimed the lives of 240 people. For all the railways built, bridges constructed, rivers tamed and electricity harnessed, an impatience for achievement too often resulted in catastrophe and disaster. The accounts in this book detail how the Victorians could and did stumble into appalling errors of judgement.

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This unique study traces the history of Norwich and Norfolk from the time of earliest life to the outbreak of the First World War. It is designed to appeal to the travellers, both single and in family groups, who wish to explore the host of fascinating places on offer in what the Norfolk-born authors believe to be the most unspoilt and mysterious county in England. Norwich has its own section along with three possible walks taking in many of the recommended sites. The vast coast is presented next and finally the book travels to central Norfolk: at all times, places of interest are grouped as much as possible so that travellers can make the most of the time available. Everywhere, legends and stories relating to an area are woven into the narrative. A final chapter considers Norwich and Norfolk through time using rare archive and archaeological material to give a taste of life in days gone by. Top Norfolk photographer Daniel Tink has taken 100 photographs especially for the book and presents these where appropriate alongside some wonderful contrasting old prints and etchings. The book concludes with a comprehensive index and bibliography designed to facilitate further study.Throughout, telephone numbers and websites of attractions are given, providing readers with a toolkit' to unlock the secrets, history, sites and stories of this vast county.

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Gruesome Truth About looks at all the gruesome, gory and grisly bits of history that no one ever tells you about.

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Melanie se recupera de una larga convalecencia que la ha mantenido postrada durante meses. Por primera vez se le permitirá abandonar su cuarto y tal vez ver a su hijo, con quien no ha tenido contacto desde el parto. El primer paso es levantarse de la cama y reposar unas horas sobre la chaise-longue situada en la sala contigua. Pero, tras adormecerse en el viejo sillón, Melanie despierta en un lugar extraño. Ante ella se inicia un desfile de siniestros personajes, oscuras intenciones, secretos y censuras, con los que comenzará una desesperada carrera por encontrar un sentido y salvar la propia vida.

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Disability and the Victorians brings together in one collection a range of topics, perspectives and experiences from the Victorian era that present a unique overview of the development and impact of attitudes and interventions towards those with impairments during this time. The collection also considers how the legacies of these actions can be seen to have continued throughout the twentieth century right up to the present day. Subjects addressed include deafness, blindness, language delay, substance dependency, imperialism and the representation of disabled characters in popular fiction. These varied topics illustrate how common themes can be found in how Victorian philanthropists and administrators responded to those under their care. Often character, morality and the chance to be restored to productivity and usefulness overrode medical need and this both influenced and reflected wider societal views of impairment and inability.

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"Each century," wrote Charles Dickens "[is] more amazed by the century following it than by all the centuries before." Victorians in theory explores the startling conceit that nineteenth-century poetry is amazed by twentieth-century literary theory. In a daring and exciting departure from critical convention, Schad re-reads postructuralist theory through Victorian poetry. Each chapter pairs a poet with a theorist: Robert Browning meets Jacques Derrida; Christina Rossetti encounters Luce Irigaray; Matthew Arnold is after Michel Foucault; Gerald Manley Hopkins dreams with Jacques Lacan; and Elizabeth Barrett Browning haunts Hélène Cixous. Reading both across and between these writers, Schad opens up a radically intertextual space; he wanders, in Matthew Arnold's words, "between two worlds." Across this no-man's land appear a host of unlikely specters, among them T. S. Eliot, Martin Luther, Friedrich Nietzsche, Lewis Carroll's Alice, Walter Benjamin's "angel of history," and the woman taken in adultery.This book will fascinate anyone interested in the Victorians or theory; at once rigorous and readable, it will appeal to both the scholar and the student.

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Northumberland to the Romans it was Ad Fines, the limit of the Empire, the end of the Roman World. It was here in 122 AD that the Emperor Hadrian decided to build a wall stretching from coast-to-coast to provide protection, to show the might of the Empire, and as a statement of his grandeur. Visitors to Northumberland can walk the Wall visiting milecastles, Roman frontier forts and settlements such as Housesteads (where you can see the oldest toilets you ll ever see) or Vindolanda (where you can take part in an archaeological dig) where wooden tablets detailing life on this frontier (the oldest example of written language in Britain) were discovered, or the remains of Roman temples and shrines (such as the Mithraeum at Carrawburgh). After the Romans left, Northumberland became the heart of one of the greatest kingdoms of Anglo-Saxon Britain, Northumbria. The home of Saints, scholars and warrior kings. Visitors can see the ancient seat of this kingdom at the medieval Bamburgh Castle, visit Hexham Abbey (built in 674 AD), or tour the magnificent remains of the 7th century Priory at Tynemouth (where three kings are buried Oswin (d. 651), Osred (d. 790), and the Scottish King Malcolm III (d. 1093). No other county in Britain has as many medieval remains as Northumberland. From the most grand such as Alnwick Castle (known as the Windsor of the North, the home of the Dukes of Northumberland, the capital of Northumberland, and, to many, Hogwarts!) to humble remains such as the Chantry at Morpeth. At Warkworth visitors can tour the medieval church (scene of a 12th century Scottish massacre), Warkworth Castle (another Percy possession and the setting for a scene in Shakespeare s Henry IV), a medieval hermitage, and the fortified bridge gatehouse (one of the only surviving examples in Britain). Northumberland was ravaged during the Anglo-Scottish Wars and this led to the development of family clans of Border Reivers who were active during the 16th and early 17th centuries. Raiders, looters, blackmailers and courageous cavalrymen the Reivers have left many surviving remnants of their harsh time. Peel Towers dot the landscape alongside Bastle Houses. The active can even walk in the footsteps of the Reivers by following the Reivers Way long distance path. Victorian Northumberland was dominated by both farming and, increasingly, by the industrial genius of some of its entrepreneurs. The greatest of these, Lord Armstrong (known as the Magician of the North), has left behind one of the most magnificent tourist sites in Britain; his home at Cragside. Carved from a bare hillside and transplanted with millions of trees and shrubs and crowned with the beautiful Cragside House visitors can walk the grounds taking advantage of various trails and spotting wildlife such as red squirrels before visiting the first house in the world to be lit by electricity!

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Divorce has become one of the most widely discussed issues in America. In this innovative exploration of the phenomenon of divorce in American society, Norma Basch uses a variety of analytic perspectives to enrich our understanding of the meaning of divorce during the formative years of both the nation and its law, roughly 1770 to 1870. She provides a fascinating, thoughtful look at divorce as a legal action, as an individual experience, and as a cultural symbol in its era of institutionalization and traces the powerful legacy of the first American divorce experiences for us today. Using a unique methodology, Basch fragments her story into three discrete but chronologically overlapping perspectives. In Part I, 'Rules,' she analyzes the changing legal and legislative aspects of divorce and the public response to them. Part II, 'Mediations,' focuses on individual cases and presents a close-up analysis of the way ordinary women and men tested the law in the courts. And Part III, 'Representations,' charts the spiraling imagery of divorce through various fiction and non-fiction narratives that made their way into American popular culture during the nineteenth century. The composite picture that emerges in "Framing American Divorce" is a vividly untidy one that exposes the gulf between legal and moral abstractions and everyday practices. Divorce, Basch argues, was always a focal point of conflict between the autonomy of women and the authority of men. Tracing the legal, social, and cultural experience of divorce allows Basch to provide a searching exploration of the limits of nineteenth-century ideals of domesticity, romantic love, and marriage, and their legacy for us today. She brings her findings up-to-date with a provocative discussion of the current debate over fault or no-fault divorce.

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In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, Cultivating Victorians shows how a mid-Victorian liberal discourse of individual "many-sidedness"—understood as a cultivated disposition toward self-criticism and open-mindedness—was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness. As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and Oscar Wilde. Theoretically inventive, engagingly written, and vividly illustrated, Cultivating Victorians is a timely invitation to rethink liberal values—like autonomy and reflective judgment—that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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