Search results for ""author victoria"

Originally published in 1891, this hilarious (and informative) collection is a treasure trove of essential advice any man or woman, or couple, would be foolish to ignore.From advice about how to find the perfect partner...• Don't marry a villain.• Don't marry a duke, or anyone who travels on his title.• If money is your object, the older and uglier he is, the better.• Avoid slovenly dressed girls or heedless men....to advice about how to wed...• Don't propose on a wash-day, in the rain, at breakfast or in a tunnel.• Marry at home or at church, in good form, without display....as well as general words of wisdom...• Don't expect too much from your marriage.• Don't cross your husband....Hildreth's Advice for Marriage is a delightful collection that is as relevant today as it was 100 years ago.

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Step back in time to discover life in London during the reign of Queen Victoria with this handy time travel guidebookTravel back in time to Victorian London and find out all about life and culture there. Get ready to visit a cotton mill, drink coffee in one of new coffee houses and watch the Changing of the Guard at Buckingham Palace! Like modern travel guides, the books in this series highlight must-see features and explain local culture. Each highlighted destination contains an explanation of what took part in these areas, as well as a look at important artefacts found there providing a bigger picture of life in the past. Typical travel guide notes include, ''best time to visit'', ''what to eat'' and ''where to stay''. Perfect for the KS2 history curriculum, and for readers aged 7 and up.Contents:LondonPutting London on the mapOut and aboutVictorian homesChristmasThe East EndStroll along the riverVictorian chil

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Greenwich, 1897. A macabre scene is discovered outside a house on Shooters Hill. There has been a vicious fight, and amid the bloodstains are locks of long auburn hair. Thomas Pitt, head of Special Branch, is called: this is the home of Dudley Kynaston, a minister with access to some of the government's most dangerous secrets, and any inquiry must be handled with utmost discretion. An auburn-haired maid has disappeared from Kynaston's household, but no major crime appears to have taken place. Then a disfigured body is found in the gravel pits nearby. Could this be Kynaston's missing servant? As Pitt begins to investigate, he finds small inconsistencies in Kynaston's story. Are these harmless omissions, or could they lead to something more serious, something that could threaten not just Kynaston's own family but also his Queen and country?

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The two figures had been on the bridge. He had grasped hold of her. To save her, or to push her?Inspector William Monk is still feeling his way in a new post in the Thames River Police and knows he must solve the mystery to gain the respect of his men. Soon both he and Hester find themselves powerfully involved in the story of the dead woman, Mary Havilland, and her quest to vindicate her father, found dead two months previously. An engineer working for the Argyll Construction Company, James Havilland was convinced a major disaster would happen in the tunnels where London's desperately needed new sewer system was being built. Maddened by his obsession, he'd apparently shot himself. Mary had never accepted that and now she was dead too. Was it chance or something more sinister?

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Suppose that everything we think we know about 'The Victorians' is wrong? That we have persistently misrepresented the culture of the Victorian era, perhaps to make ourselves feel more satisfyingly liberal and sophisticated? What if they were much more fun than we ever suspected? Matthew Sweet's Inventing the Victorians has some revelatory - and entertaining - answers for us. As Sweet shows us in this brilliant study, many of the concepts that strike us as terrifically new - political spin-doctoring, extravagant publicity stunts, hardcore pornography, anxieties about the impact of popular culture upon children - are Victorian inventions. Most of the pleasures that we imagine to be our own, the Victorians enjoyed first: the theme park, the shopping mall, the movies, the amusement arcade, the crime novel and the sensational newspaper report. They were engaged in a well-nigh continuous search for bigger and better thrills. If Queen Victoria wasn't amused, then she was in a very small minority . . .Matthew Sweet's book is an attempt to re-imagine the Victorians; to suggest new ways of looking at received ideas about their culture; to distinguish myth from reality; to generate the possibility of a new relationship between the lives of nineteenth-century people and our own.

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Thomas Pitt arrives at a devastating bombing in Lancaster Gate to find two policemen dead and three more gravely wounded. London's anarchists are blamed, but as Pitt and Inspector Tellman investigate they find it looks increasingly like a personal vendetta against those particular men. Did they lie about a drugs raid that went fatally wrong, and let an innocent man hang? The idea of police dishonesty cuts Tellman to the quick - he joined the force to protect society, not exploit it. But he must uncover the truth, however much he wants to resist the signs of blackmail and corruption. With the threat of further bombings, and their superiors pushing for a quick resolution, Pitt and Tellman find their every move scrutinised, and their own lives suddenly at risk...Treachery at Lancaster Gate is the exceptional new historical thriller from the master of Victorian crime.

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Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind. The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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Another fantastic Pitt novel from the master storyteller of the Victorian mystery.1895 and an increasingly violent tide of political unrest is rising fast all over Europe. Special Branch's Inspector Thomas Pitt knows that they must find those responsible before England is overrun by reformists intent on overthrowing the government. When he finds himself in pursuit of a suspected terrorist, Pitt has no hesitation in following the chase all the way to France. But events take a sinister turn when Narraway, Pitt's superior, is accused of involvement in the death of an Irish informant and abruptly removed from office. Aware that her husband's own career is also in jeopardy if he is not reinstated, Pitt's wife Charlotte determines to help Narraway clear his name. As Charlotte and Narraway depart for Ireland and Pitt is drawn deeper into the investigation in France, it becomes clear that outside forces have conspired to separate them at a crucial time in the country's history. With no one else to trust can they make it back to England and stop the revolt before it's too late?

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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Cardinal Manning * Florence Nightingale * Thomas Arnold * General Gordon Lytton Strachey's biographical essays on four 'eminent Victorians' dropped a depth-charge on Victorian England when the book was published in 1918. It ushered in the modern biography and raised the genre to the level of high literary art. Lytton Strachey approached his subjects with scepticism rather than reverence, and his iconoclastic wit and engaging narratives thrilled as well as shocked his contemporaries. Debunking Church, Public School and Empire, his portraits of Cardinal Manning, Florence Nightingale, Dr Arnold of Rugby, and General Gordon of Khartoum changed perceptions of the Victorians for a generation. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The paths of a secret paramour, a jilted lover and a reluctant hangman cross in one fateful winter week in Galway, 1885 James Berry was the notorious hangman who ended the lives of over 100 criminals in Victorian Britain and Ireland. Tortured by nightmares as he tried to come to terms with the toll his gruesome work took on him, he played a central role in some of the crimes of the century, including the hanging of William Bury, the man suspected of being Jack the Ripper. The Hangman Who Came to Galway focuses on a winter week in Irish history where Berry was tasked with bringing to a conclusion the case of two notorious murders in Galway, keeping readers transfixed as they journey with this fascinating character through nineteenth-century Ireland in all its gruesome glory.

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Flow Blue and other transfer print decorated wares produced from 1880 to 1925 by the potters of England's famous Staffordshire pottery district are illustrated in over 740 color images and line drawings, along with the pottery body shapes and the manufacturers' marks found on these highly sought antiques. A thorough text discusses methods of manufacture, provides histories of some of the major Staffordshire pottery firms (including W. H. Grindley & Co., Johnson Brothers, and Alfred Meakin), defines ceramic wares by type, and includes an extensive bibliography. Current market values are provided in the captions. This is a valuable guide for anyone interested in Late Victorian era British ceramics.

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In 1879, Canon Thomas Frederick Simmons edited the late medieval poem now known as The Lay Folks' Mass Book creating what remains the standard edition of the text. This volume shows how Simmons' interest in the text was related profoundly to contemporary debates about worship in the Church of England, and how he used his medievalist researches as the basis for the most important attempt at Prayer Book revision between the Reformation and the twentieth century.

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Henry Rathbone arrives to spend Christmas at the Dreghorn family manor house near Ullswater. He is greeted by the news that the master of the house, Judah Dreghorn has slipped while crossing a stream in the grounds of the estate in the middle of the night, and drowned. Not only this, but Ashton Gower, recently released from prison, is slandering Judah's name, claiming that his family rightfully owns the estate and that the forged deeds for which he was imprisoned were in fact genuine. To Rathbone and the two remaining Dreghorn brothers, also returning to the Lakes for Christmas, Judah's mysterious death and Gower's outrageous claims seem inextricably linked.

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This fascinating book about Belfast in the middle of the nineteenth century looks at how and why Ireland’s most prosperous and industrialized town began to tear itself apart. This study provides a vivid example of how a society can come apart at the seams – and how it can stay that way for generations. Through a series of steadily escalating riots, working-class Protestants and Catholics forged a tradition of violence that profoundly shaped their own identities and that of the city itself, setting the stage for the bitter conflicts of the next century. Fighting like the Devil for the Sake of God describes that foundational moment, offering a new analysis of Belfast’s violence that is rooted in the social lives of those who constructed this bitter rivalry and those who were forced to endure it.This book will be of interest to scholars in the fields of Irish and Modern History.

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Every night Hester Monk tends to women of the streets who have been injured as a result of their trade. But the injuries are becoming more serious, and now a body has been discovered in one of the area's brothels. The dead man is the respected head of a successful railway company, Nolan Baltimore. With calls for the police to clean up the streets, Hester decides she must intervene to protect these women who stand to lose everything. Meanwhile her husband, William Monk, is investigating a possible fraud at Baltimore and Sons. As Monk endeavours to prevent a serious crime from taking place, he faces some staggering revelations, and finds that the time has come to confront his own demons - even if it means losing all he holds dear...

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A unique cross-disciplinary survey of design history, A History of Design from the Victorian Era to the Present offers a concise overview of the modern milestones of architecture, interior design, graphic design, product design, and photography from the Crystal Palace of 1851 to the iPhone at the turn of the twenty-first century. This abundantly illustrated volume traces modern design across continents and cultures, highlighting the key movements and design traditions that have shaped the world around us. From the whirlwind of innovation that gripped Victorian England at the dawn of the Industrial Revolution, the book details design’s rich evolution through more than a century and a half, including Art Nouveau’s breathtaking ornament, the “new vision” of the Bauhaus, the rise of the International Style, and postmodernism and contemporary currents in the graphic arts and landscape architecture. Major design figures are framed against a background of evolving aesthetic idioms. Especially attuned to how technological innovations catalyzed daringly conceived skyscrapers, bridges, and cantilever chairs, the authors also chart the impact of technical advances in the disciplines of industrial design, typography, and photographic portraiture. This new edition of a classic text first published in 1970 expands coverage to include developments in design over the last forty years, with emphasis on its global reach, the impact of the digital revolution, and new trends in sustainable design that will shape the century to come.

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When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.” The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor. It considers how the Victorian inheritance has been represented in literature, politics, film, and visual culture; the ways in which modernists and progressives have sought to differentiate themselves from an image of the Victorian; and how conservatives (and some liberals) have sought to revive elements of nineteenth-century life. Nostalgic and critical impulses combine to fix an understanding of the Victorians in the popular imagination. Simon Joyce examines heritage culture, contemporary politics, and the “neo-Dickensian” novel to offer a more affirmative assessment of the Victorian legacy, one that lets us imagine a model of social interconnection and interdependence that has come under threat in today’s politics and culture. Although more than one hundred years have passed since the death of Queen Victoria, the impact of her time is still fresh. The Victorians in the Rearview Mirror speaks to diverse audiences in literary and cultural studies, in addition to those interested in visual culture and contemporary politics, and situates detailed close readings of literary and cinematic texts in the context of a larger argument about the legacies of an era not as distant as we might like to think.

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Evil lurks on the streets of Victorian London in the third gripping crime novel to feature Scotland Yard Inspector Ben Ross and his wife Lizzie.As Inspector Ben Ross of Scotland Yard walks homeward one Saturday night in late October 1867, the fog that swirls around him is like a living beast. By the time it has lifted next morning a woman lies murdered in Green Park. Allegra Benedict was the beautiful Italian wife of an art dealer in Piccadilly. But what had she been doing in London that afternoon, and why had she been selling her brooch in the Burlington Arcade just hours before her death? As Ben begins his investigation, his wife Lizzie - with the help of their maid Bessie - looks into Allegra's private life and uncovers more than one reason why someone might want her dead...

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A hanged man would say anything to save his life. But what if his testimony is true?When Inspector Ben Ross is called to Newgate Prison by a man condemned to die by the hangman's noose he isn't expecting to give any credence to the man's testimony. But the account of a murder he witnessed over seventeen years ago is so utterly believeable that Ben can't help wondering if what he's heard is true. It's too late to save the man's life, but it's not too late to investigate a murder that has gone undetected for all these years.

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When her brother arrives on her doorstep, Hester Monk is shocked - as much by the unexpectedness of the visit as by the reason for it. For since her marriage to Monk, Charles and his elegant wife, Imogen, have kept their distance. But now Charles needs Hester's help. He believes Imogen is having an affair - there can be no other explanation for her recent strange behaviour. However, before Hester is able to investigate, a tragedy occurs. In a nearby artist's studio two women have been brutally killed. Having left the police force with extreme ill feeling between himself and his superior, the last thing Monk wants to do is face the demons of his past. But, in the course of his work, Monk is left with no choice but to visit his old adversary, Runcorn, and involve himself with the sensational murder case.

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The second novel in Ann Granger's wonderfully atmospheric Victorian mystery series. Lizzie Martin, lady's companion, has been sent from London to the New Forest to comfort a young woman whose baby has tragically died. A sad enough task, but things take an even darker turn when a rat-catcher is found murdered in the garden, and the young woman is discovered beside the body, crying and covered in blood. Not knowing where else to turn, Lizzie calls upon her friend Inspector Ben Ross from Scotland Yard to solve the horrific crime.

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Part of bestselling designer Cynthia Hart''s Victoriana Dogs stationery line, this 1,000-piece puzzle features sweet and charming pups from the Victorian era, combining two big trends-dogs and vintage-into one sophisticated gift.Dogs were celebrated during the Victorian era because they embodied important cultural values of the time: steadfast, loyal, courageous. They became the most popular domestic pets-Dash, a King Charles Spaniel, was considered Queen Victoria''s closest childhood companion-and were pampered just as they are today. Created by artist Cynthia Hart, who layers antique paper ephemera, fresh flowers, ribbons, and vintage objects into lush collages filled with life, color, and energy, this timeless 1,000-piece puzzle celebrates the charming personalities of the dogs that captured hearts everywhere during the 19th century.- 1,000 interlocking pieces- Mini-poster (8 3/8 x 6 5/8) for reference or framing- Completed puzzle size: 23 4/5 x 19<

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Once again, Inspector William Monk, now of the Thames River Police, must face a dangerous foe. It's 1864, and after a game of cat and mouse, Monk has captured Jericho Phillips, the man he suspects of brutally killing a young mudlark and running an evil child prostitution ring. In bringing Phillips to justice, Monk hopes to close down the ring and avenge the memory of Durban, his old commander, who was determined to capture Philips. However at trial justice does not prevail. Oliver Rathbone, Monk's friend, is hired anonymously to represent the accused and when he proves that vital evidence is missing, Phillips is freed. As Monk begins the investigation again, venturing deeper into London's murky underworld, he realises that Durban may have had his own reasons for pursuing Phillips, and shockingly, that secret support for Phillips may reach further into civilised society than anyone could ever have imagined...

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The seventeenth novel in Anne Perry's acclaimed William Monk series1864 - Monk and his wife Hester are doing their best to care for Scuff - a homeless boy slowly recovering from a terrifying ordeal at the hands of Jericho Phillips, the runner of a child prostitution ring. Although Scuff's evil abductor is dead, there is no suggestion that the ring has been broken and Scuff is certain that more children are suffering an even worse fate.Monk is determined to find the remaining children and uncover, once and for all, the men funding the operation. And when the body of small-time crook Mickey Parfitt washes up on Mortlake's shore, it fortuitously points him in the right direction. But as Monk's investigation continues, the reputations of respected gentlemen, including Arthur Ballinger, father-in-law of Monk's friend Oliver Rathbone, start being called into question and his task becomes fraught with unforeseen dangers.In an illicit world of blackmail, vice and corruption, Monk must follow the trail - and his conscience - wherever it leads, no matter how disturbing the truth may be.

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When the Maude Idris docks at the Pool of London, laden with ebony, spices and first-grade tusks of ivory collected from her voyage to Zanzibar, Clement Louvain leaves four armed seamen on board to guard the precious cargo. But as soon as the relief for the night watch arrives ready for duty in the morning, he finds the ivory gone and one of the seamen dead. Hindered by his ignorance of the river and its customs, and ashamed of the fact that he so badly requires the huge fees that Louvain is prepared to pay, William Monk nevertheless begins his investigation into the theft and murder. Meanwhile Hester's work at the refuge at Portpool Lane is encountering acute financial difficulties. Sick prostitutes are arriving daily and the medicines needed to help them are running out. When a man arrives promising to pay a huge amount of money for the care of one particular woman, Hester is astonished to meet him. He is none other than Clement Louvain. So who is the woman he is so generously helping? And why is he offering such a substantial sum? Will Monk discover what Louvain is hiding before it is too late?

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The queen of the Victorian mystery, New York Times bestseller Anne Perry returns with the 22nd novel in the William Monk series REVENGE IN A COLD RIVER. An adversary Monk cannot remember threatens everything he holds dear - will he survive what is to come?London, 1869: The body of a middle-aged man is found tangled in a mass of rope and wooden wreckage near the dockside of the River Thames.Commander William Monk of the River Police is called when initial investigations reveal the man was shot in the back. When he learns that the man was a master forger who had just escaped prison, Monk's interest is immediately piqued. But as his investigations lead him ever deeper into the murky world of smuggling and forgery, Monk is forced to confront his own forgotten past.The unsolicited interference of an old foe takes precedence as it becomes clear to Monk that a bitter enemy is back for revenge and has him in his sights. With his life and career in imminent danger, can Monk navigate his way to the truth before it is too late?Commander William Monk - A man with no past has only his conscience and instinct to guide him.

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When nurse Hestor Latterly accompanies the elderly Mrs Mary Farraline on a short trip to London, her only medical duty is to ensure her charming patient takes her heart medicine. But Mrs Farraline dies during the night. When her missing brooch 'turns up' in Hester's possession she is arrested for theft, until a post-mortem reveals a lethal dose of medicine in Mrs Farraline's body, and the charge becomes murder. Inspector William Monk must find a killer amongst the aloof Farraline clan, and in a Scottish courtroom the family's secrets will be exposed - or buried for ever.

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In this richly textured and wide-ranging survey of Victorian attitudes to the past, Andrew Sanders builds on Roy Strong’s groundbreaking book And when did you last see your father?: The Victorian Painter and British History (1978). Sanders explores the essentially literary nature of Victorian history writing, and he reveals the degree to which painters were indebted to written records both fictional and factual. Starting with a stimulating comparison of Queens Elizabeth I and Victoria, In the Olden Time examines works by poets and painters, essayists and dramatists, architects and musicians, including Jane Austen, John Donne, William Shakespeare, and John Soane. Together with a study of religious history as seen through the eyes of architect and critic Augustus Pugin and journalist William Cobbett, this book offers an original view of Victorian responses to British history, presenting a fresh investigation of unexpected Victorian attitudes and the establishment of particular 20th-century prejudices and bias.

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It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor as companion had disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on. She has re-made the acquaintance of a childhood friend, now Inspector Benjamin Ross, and with his help starts to investigate, risking her life to unearth the truth about the death of a girl whose fate seems interlinked with her own.

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It's 1859 and throughout Europe tremendous upheavals have taken place. Hester Latterly is nurse to the sick son of a German Baron and his family, who have moved to London from one of the many small principalities between Prussia and Bavaria - and the Baroness tells Hester about her kingdom's famous royal family...Handsome Prince Friedrich was one of just two heirs to the crown, considered the perfect match by every woman of the land. But during an affair with Countess Zorah Rostova, he meets the alluring and sophisticated Gisela - with whom he falls deeply in love. He can have Gisela or the crown, but not both. He chooses Gisela, marries her in Venice and, after many years, tragically dies in England. Now, Countess Zorah, having accused the widowed Princess of murdering Friedrich, is being sued in the biggest slander trial of the century - and the only way that she can defend herself is to prove that Gisela is indeed guilty. But in doing so she must sully the greatest love story that the country has ever known, and that is enough to put her lawyer's career in jeopardy, too. That lawyer is Oliver Rathbone, who calls on Investigator William Monk to help...

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There is more to the Victorian era than respectability, economic success and the grudging solution of the practical social problems they encountered. The politicians, generals and commercial classes have been well covered in popular history books, but there were also thinkers of radical and unsettling ideas who had a real influence at the time. Many were women, many from the middle and working classes, and almost all outside the power structure. They were by no means all fringe ideas either - in 1840, Queen Victoria herself attended a s ance, for example. The book is a biography focussed history of some of these challenging ideas and the men and women who promoted them. It looks at radical thinkers and movers, the people who stepped outside of the social norm and propelled the Victorians towards the modern day.

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Veintiún cuentos de fantasmas escritos por algunas de las maestras victorianas del relato escalofriante. Un regalo perfecto para Navidad y para leer al amor de la lumbre.Qué hace que las historias victorianas de fantasmas sean tan perfectas para leer al calor de una chimenea en una noche oscura? Historias de mansiones abandonadas, de viajes en coches de caballos por páramos desolados, de castillos en acantilados, de bellas mujeres sepulcrales, de oscuras historias familiares en las que los antepasados no acaban de irse del todo? Un género en el que algunas eminentes damas novelistas, especialistas en lo escalofriante, marcaron tendencia. Las veintiuna historias incluidas en este volumen abarcan el reinado de la reina Victoria y cuentan con aportaciones de autoras clásicas como Charlotte Brontë, Elizabeth Gaskell, Margaret Oliphant o Willa Cather, junto con otras no tan conocidas pero no por ello menos especialistas en lo tenebroso y lo sobrenatural. Ambientados en las montañas de I

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He is not going to die, after all, in this Victorian pesthouse called a hospital. But the accident that felled him on a London street has left him with only half a life, because his memory and his entire past have vanished. His name, they tell him, is William Monk, and he is a London police detective; the mirror reflects a face that women woud like, but he senses he has been more feared than loved. Monk is given a particularly sensational case: the brutal murder of Major the Honourable Joscelin Grey, Crimean war hero and a popular man about town, in his rooms in fashionable Mecklenburgh Square. It's an assignment to make or break an investigator, for the exalted status of the victim puts any representative of the police in the precarious position of having to pry into a noble family's secrets. Suggesting that his superior, the wily Runcorn, hopes he will fail, Monk returns to a world where he cannot distinguish friend from foe. Grasping desperately for any clue to his own past and to the identity of the killer, each new revelation leads Monk step by terrifying step to the answers he seeks but dreads to find.

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Thomas Pitt is summoned to the offices of Victor Narraway, head of the Imperial Secret Service. An ex-army officer and promising young diplomat has been shot and the prime suspect is the Egyptian mistress of a senior cabinet minister. But some things don't add up at the scene of the murder. When the Egyptian Ambassador puts in a call to Prime Minister Gladstone, it seems a major diplomatic row is brewing. Thomas is convinced Narraway knows more than he claims, and Pitt's wife Charlotte fears there could be involvement with the secret organisation that destroyed Pitt's Metropolitan Police career and nearly cost him his life. Can Pitt tread the tense diplomatic tightrope between protecting justice, the security of his country, and the safety of his family?

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One night, in a corridor of the Royal Naval Hospital, Greenwich, nurse Hester Monk is approached by a terrified girl. She's from a hidden ward of children, all subject to frequent blood-letting, and her brother is dying. While William Monk's River Police fight to keep London safe from gun-runners, Hester takes on a new role at the hospital, helping to administer a secretive new treatment. But she slowly realises that this experimental cure is putting the lives of the children at risk. Attempting to protect the young victims, she comes under threat from one rich, powerful, and very ill man who is desperate to survive...

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In the latest compelling book in Anne Perry's bestselling Pitt series, Inspector Thomas Pitt must navigate the upper echelons of society if he is to find a murderer bold enough to kill in Buckingham Palace.Early one morning, Inspector Thomas Pitt is awoken by a message from his boss, Narraway. A maid has been murdered. The maid worked at Buckingham Palace and Narraway needs his must trusted man to deal with the investigation.The suspects are narrowed down to a group of guests, meeting with the Prince of Wales to discuss the funding for a huge project: the Cape to Cairo railway. If the murderer isn't found, the Queen will veto royal support for the scheme.It rests with Pitt to solve the murder - in doing so he must reconcile his own concept of justice with those who feel it is within their right to make their own laws, whatever the consequences.

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THE DEAD WOMAN OF DEPTFORD is the sixth Inspector Ben Ross mystery set in Victorian London by much-loved crime writer Ann Granger.On a cold November night in a Deptford yard, dock worker Harry Parker stumbles upon the body of a dead woman. Inspector Ben Ross is summoned from Scotland Yard to this insalubrious part of town, but no witness to the murder of this well-dressed, middle-aged woman can be found. Even Jeb Fisher, the local rag-and-bone man, swears he's seen nothing. Meanwhile, Ben's wife Lizzie is trying to suppress a scandal: family friend Edgar Wellings has a gambling addiction and no means of repaying his debts. Reluctantly, Lizzie agrees to visit his debt collector's house in Deptford, but when she arrives she finds her husband is investigating the murder of the woman in question. Edgar was the last man to see Mrs Clifford alive and he has good reason to want her dead, but Ben and Lizzie both know that a case like this is rarely as simple as it appears...

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Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them—as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells.The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.

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Part of bestselling designer Cynthia Hart''s Victoriana Dogs stationery line, these high-quality wrapping papers feature sweet and charming pups from the Victorian era, combining two big trends-dogs and vintage-into one sophisticated gift.Dogs were celebrated during the Victorian era because they embodied important cultural values of the time: steadfast, loyal, courageous. They became the most popular domestic pets-Dash, a King Charles Spaniel, was considered Queen Victoria''s closest childhood companion-and were pampered just as they are today. Created by artist Cynthia Hart, who layers antique paper ephemera, fresh flowers, ribbons, and vintage objects into lush collages filled with life, color, and energy, these twelve gorgeous sheets of wrapping paper and gift tags will make the wrapping as desirable as the gift inside. Tear out the decorated sheets along the perforations, unfold them, cut to size, and wrap your gift in beautiful style.- 12 illustrated she

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