Search results for ""Manchester University Press""

This book uncovers a forgotten campaign of the First World War, the fight to dominate South America. Propelled by the fear of British businessmen, Britain created a complex economic war against local Germans, with the aim of permanently overturning German dominance in lucrative avenues of international trade. By utilizing archives in Britain and South America, Dehne produces a lively account of the way the campaign was conducted on both sides of the Atlantic.This book will persuade anyone interested in the First World War that the conflict must be examined beyond the battlefields of Europe. It comprises a significant contribution to the new field of the history of globalization, and it will appeal to anyone interested in the economic, diplomatic, and imperial history of the twentieth century. Suggesting new reasons for the emergence of anti-foreign populism in South American states, it will also be of interest to Latin American history students.

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'Postmodernism' became the buzzword of contemporary society in the 1990s. Yet, even now, it still remains confusing and baffling in its variety of definitions, contexts and associations. Beginning postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas, and to develop comparative connections and ideas from one area to another. With its emphasis firmly on 'postmodernism in practice', the book contains questions designed to help readers understand and reflect upon a variety of positions within the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art, sculpture and material culture; pupular culture and music; film, video and television; and the social sciences

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This is the first book to survey in comparative form the transmission of imperial ideas to the public in six European countries in the nineteenth and twentieth centuries. The chapters, focusing on France, Britain, the Netherlands, Belgium, Germany and Italy, provide parallel studies of the manner in which colonial ambitions and events in the respective European empires were given wider popular visibility. The international group of contributors, who are all scholars working at the cutting edge of these fields, place their work in the context of governmental policies, the economic bases of imperial expansion, major events such as wars of conquest, the emergence of myths of heroic action in exotic contexts, religious and missionary impulses, as well as the new media which facilitated such popular dissemination. Among these media were the press, international exhibitions, popular literature, educational institutions and methods, ceremonies, church sermons and lectures, monuments, paintings and much else.

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In this groundbreaking reassessment of the conventional understanding of a cohesive ‘Arts and Crafts movement’ in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century.Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated ‘movements’ allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of ‘Arts and Crafts’. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts.

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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. It brings together ground-breaking and inspiring work on this topic from both renowned and newer academics in the field. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in ‘spoof news’ programmes and the television ‘sit com’ and popular Bollywood films.

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Focussing on professional politicians Klaus Stolz investigates the interrelationship between political career patterns and political institutions in two of the most widely discussed cases of regionalism: Catalonia and Scotland. The study deals with two different yet closely related sets of questions: Firstly, how do professional politicians pursue their careers in the regional context. And secondly, how do they shape and reshape the political institutions in which they pursue these careers. The monograph is based on extensive empirical research including a comprehensive data set on the careers of Catalan and Scottish parliamentarians, systematic surveys of regional representatives as well as in-depth interviews of a wide range of politicians and experts in both regions. Exploring the effects of political professionalisation on regional democracy, Stolz goes way beyond traditional studies of regionalism and decentralization, while his focus on the regional career arena introduces a much needed territorial dimension to the study of political careers. Rich original data, innovative theoretical concepts and a strictly comparative approach are the basis for a study that considerably deepens and enhances our understanding of the tremendous political changes both Catalonia and Scotland are undergoing.Thus, the book is of interest to the still growing number of scholars concerned with devolution in the UK, the Spanish autonomous communities as well as to those interested in regional politics and regionalisation in general. Furthermore, its theoretical focus makes it highly relevant for scholars working on political careers, political professionalisation and democratic theory.

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The term ‘conversation’ is one of today’s jargon terms. This book explores in depth what conversation means in national terms. Its premise is that to be English is to participate in a conversation about the country’s history, politics, culture and society. The conversation changes, of course, but there is also continuity which illustrates a distinct tradition. It is a conversation, the book argues, which requires the plural notion of these Englands rather than the singularity of this England. Englishness, then, is the tone, register and idiom of it subject matters, its anxieties and certainties, differences and commonalities. The book explores the English conversation through historical, political, literary and popular voices and tries to identify the character of contemporary Englishness.

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This book applies social and political theory to the field of environmental politics in Ireland. It offers both a substantive contribution to understanding environmental politics in this country and a test case of the application of theory within the field of environmental scholarship more generally. The essays are integrated by a concern for analysing the relationship between culture, discourse and action in this political field, hence the emphasis on the communicative turn. The book is innovative in offering a sustained application of social and political theory within environmental scholarship as well as in combining theoretical and empirical approaches to advancing environmental scholarship in a particular case. This synergy of theory and substantive analysis is a key feature of the book and offers an important contribution to the environmental literature in the social sciences. The authors apply key developments in the modern social sciences and offer compelling evidence of their value for clarifying the cultural foundations of political action and for its evaluation and critique. Academics in the social sciences and in philosophy, postgraduate and advanced undergraduate, both in Ireland and beyond, will find this book highly rewarding for its multi-faceted application of social and political theories and associated methodologies to the environmental field.

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This book provides a comprehensive analysis of the opponents of Britain’s first attempt to join the European Economic Community (EEC), between the announcement of Harold Macmillan’s new policy initiative in July 1961 and General de Gaulle’s veto of Britain’s application for membership in January 1963. In particular, this study examines the role of national identity in shaping both the formulation and articulation of arguments put forward by these opponents of Britain’s policy. To date, studies of Britain’s unsuccessful bid for entry have focused on high political analysis of diplomacy and policy formulation. In most accounts, only passing reference is made to domestic opposition. This book redresses the balance by providing a more complete depiction of the opposition movement and a distinctive approach that proceeds from a ‘low political’ viewpoint. As such, the book emphasises protest and populism of the kind exercised by, among others, Fleet Street crusaders at the Daily Express, pressure groups such as the Anti-Common Market League and Forward Britain Movement, expert pundits like A. J. P. Taylor, Sir Arthur Bryant and William Pickles, as well as constituency activists, independent parliamentary candidates, pamphleteers, letter writers and maverick MPs. In its consideration of a group largely overlooked in previous accounts, the book provides essential insights into the intellectual, structural, populist and nationalist dimensions of early Euroscepticism. The book will be of significant interest to both scholars and students of national identity, Britain’s relationship with Europe and the Commonwealth, pressure groups and party politics, and the trajectory of the Eurosceptic phenomenon.

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This is the first sustained and broad-ranging critique of the legacies of Ireland’s Celtic Tiger boom. Contributors identify the damaging impact that the free market has had on a wide range of areas in public life, including the media and the pharmaceutical industry, and also examine its influence on health, education, state surveillance, immigrants, the welfare state, consumerism and the Irish language. Challenging the notion that there is no alternative for Ireland but the present economic and political dispensation, experts map out an alternative politics that could create spaces for hope and renewal in contemporary Ireland.In a society whose public debates have been largely dominated by the instrumentalist logic of stockbroker economists and the regressive populism of talk-radio shock jocks, Transforming Ireland offers a more substantial and considered analysis, uncovering hidden aspects of everyday Irish life. It reveals that, virtually unnoticed by the media, there exist lively debates in today’s Ireland which draw on international insights about globalisation to probe how it is reshaping Irish society. Covering four principal topics – culture and society, media and social change, social control, and power and politics – this impressive volume opens new and hopeful perspectives for students and also the general reader. Though primarily a book about Ireland, it is also a book about today’s form of globalisation, offering a rare and accessible analysis of the damage done to society when market forces are given free rein.

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This book is the first definitive history of the Northern Ireland Labour Party (NILP), a unique political force which drew its support from Protestants and Catholics and became electorally viable despite deep-seated ethnic, religious and national divisions. Formed in 1924 and disbanded in 1987, the NILP succeeded in returning several of its members to the locally-based Northern Ireland parliament in 1925–29 and 1958–72 and polled some 100,000 votes in both the 1964 and the 1970 British general elections. As British Labour’s ‘sister’ party in the province from the late 1920s until the late 1970s, the NILP could rely on substantive fraternal and organisational support at critical junctures in its history. Despite its political successes the NILP’s significance has been downplayed by historians, partly because of the lack of empirical evidence and partly to reinforce the simplistic view of Northern Ireland as the site of the most protracted sectarian conflict in modern Europe.For the first time this book brings together important archival sources and the oral testimonies of former NILP members to explain the enigma of an extraordinary political party operating in extraordinary circumstances. The book situates the NILP’s successes and failures in a broad historical framework, providing the reader with a balanced account of twentieth-century Northern Irish political history. This book will appeal to students and scholars of labour movements, as well as non-specialists who wish to learn more about the NILP’s brand of democratic socialism, its ideological and logistical ties to British Labour and the character of its cross-sectarian membership.

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Material relations tells the story of nineteenth- and early twentieth-century middle-class families by exploring the domestic spaces they inhabited and the material goods they prized. By opening the doors of the house, the book sheds new light on aspects of family life including love, marriage, sex, childhood and death. Historians have argued that as the nineteenth century waned, domestic spaces became increasingly private. Material relations challenges this, contending that domestic space created a complex series of family intimacies. Drawing upon novels, advice manuals and magazines, alongside sources for everyday use such as diaries, autobiographies, sale catalogues and inventories, wills and photographs, this fascinating book will be of particular interest to scholars and students of modern history, English literature, cultural studies, social geography, history of art and history of design.

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The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence – and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin’s USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America.This book gives a lively, multi-angled account of Dickinson’s works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson’s original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well.Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat.

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Humphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930s and 1940s.Poet, propagandist, surrealist and documentary filmmaker – Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience.Films analysed include Spare Time, Words for Battle, Listen to Britain, Fires Were Started, The Silent Village, A Diary for Timothy and Family Portrait.

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The war that won’t die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers – from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró – rallied to support the country’s democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book’s focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century – including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco’s censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.

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When did medicine become modern? This book takes a fresh look at one of the most important questions in the history of medicine. It explores how the cultures, values and meanings of medicine were transformed across the late eighteenth and early nineteenth centuries as its practitioners came to submerge their local identities as urbane and learned gentlemen into the ideal of a nationwide and scientifically-based medical profession. Moving beyond traditional accounts of professionalization, it demonstrates how visions of what medicine was and might be were shaped by wider social and political forces, from the eighteenth-century values of civic gentility to the radical and socially progressive ideologies of the age of reform. Focusing on the provincial English city of York, it draws on a rich and wide-ranging archival record, including letters, diaries, newspapers and portraits, to reveal how these changes took place at the level of everyday practice, experience and representation.

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Leonardo da Vinci and the ethics of style brings together a distinguished group of experts on Leonardo and the Renaissance, examining the ethical underpinnings of art history. The seven essays articulate the complexity of ways in which style involved ethical considerations during the early modern period, and still involves us in its conundrums.Looking at individual works and concepts, this fascinating collection covers subjects such as Leonardo’s understanding of his role as a painter as that of a natural philosopher, his interests in visual perception and the understanding of visual sensations by the mind, how and why Leonardo’s ideas on painting are at the core of art theory, how Leonardo addresses style in gendered terms, and ‘style’ as the historian’s projection.This volume will be of great interest to all those studying or with an enthusiasm for Renaissance art history, art theory, cultural studies and philosophy.

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Amateur film: Meaning and practice 1927–77 plunges readers into the world of home movies making and reveals that behind popular perceptions of clichéd family scenes shakily shot at home or by the sea, there is much more to discover. Exploring who, how, where, when and why amateur enthusiasts made and shared their films provides fascinating insights into an often misunderstood aspect of national visual history. This study of how non-professional filmmakers responded to the new possibilities of moving image places decades of cine use into a history of changing visual technologies that span from Edwardian visual toys to mobile phones. Using northern cine club records, interviews and amateur films, the author reveals how film-making practices ranged from family footage to highly crafted edited productions about local life and distant places made by enthusiasts who sought to ‘educate, inspire and entertain’ armchair audiences during the early decades of British television.

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This book offers an original analysis of the problem of the authority of the state in democracies. Unlike many discussions of democracy that treat authority as a problem primarily of domestic politics or normative values, this book puts the international economy at the centre of the analysis.This volume shows how changes in the international economy from the inter-war years to the end of the twentieth century impacted upon the success and failures of democracy. It makes the argument by considering a range of different cases, and it traces the success and failure of democracies over the past century. It includes detailed studies of democracies in both developed and developing countries, and offers a comparative analysis of their fate. It will appeal to all those interested in democracy, the future of the state and the impact of the international economy on domestic politics.

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This book explores the life of Madeleine Smith, who in 1857 was tried for poisoning her secret lover. As well as charting the course of this illicit relationship and Madeleine’s subsequent trial, the authors draw on a wide range of sources to pursue themes such as the nature of gender relations and the extent of women’s social and commercial activities, and to bring vividly to life the world of the mid-Victorian middle class.The book contains new discoveries about Madeleine’s long and colourful life after the trial which confirm the view that it is only in fiction that the bad end unhappily.The book will be of interest to academic social historians, but the fascination of its subject matter and the way in which much rich material is used to evoke a vivid sense of time and place, will also promote a wider interest among a more general readership.

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Thomas More's Utopia in Early Modern Europe provides the first complete account of all the editions of Utopia, whether vernacular or Latin, printed before 1650, together with a transcription of all the prefatory materials they contain. The reception of the idea of Utopia in early modern Europe has been studied extensively before: what has been lacking is a composite picture of how Utopia moved by means of translation from culture to culture and of the ways in which particular versions offered themselves to their readers.Part I consists of a series of chapters which provide a contextual and interpretative framework for each national group of translations; in Part II, the substantive paratexts of all the extant translations of Utopia printed between 1524 and 1643 are reproduced both in the original language and in English translation. The book also contains a chapter sketching the fortunes of the Latin paratexts and editions up to 1650, and a transcription of a single Latin paratext which has never, to our knowledge, been printed in modern times.This book will be of interest to specialists in early modern cultural history and history of the book, to graduate students working in these fields, and to anyone for whom the extraordinary success of More’s Utopia as a book published on the European market remains a perennial fascination.

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Within its ancient boundaries, Staffordshire is a county of diverse and contrasting historic landscapes. World-renowned industrial complexes sit alongside agricultural systems; castles rub shoulders with urban-industrial housing; the cathedral centre of a vast diocese lies close to the birthplace of primitive Methodism; overtly planned landscapes mingle with the uplands of the Moorlands and the heathlands of Cannock Chase.These many and varied landscapes are both products and reflections of a multiplicity of histories, and students of the county have been keen to explore and relate these pasts. However, no systematic attempt has previously been made to express these accounts in spatial form. This book seeks to demonstrate by maps the various histories that contribute to the diversity of Staffordshire. With its succinct discussions and detailed map presentations of these themes, incorporating new thinking and recent research, the atlas provides an innovative and major contribution to the study of the history of Staffordshire.

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Making Socialists combines a biographical study of a (nowadays) virtually unknown woman with an original exploration of several major themes in late nineteenth and early twentieth century political and educational history. More than a local politician, Mary Bridges Adams was among the dynamic late nineteenth-century women activists who sought to transform government policy through socialist initiatives, with the ultimate (utopian) aim of creating a social nation. The author has assembled a thorough range of sources, including new materials that will bring fresh insights to this biography and more generally to Labour Party and socialist historiography, well-studied topics. The people Adams knew and the circles in which she travelled are particularly attractive features of this book. Foes thought her an awful woman: friends like George Bernard Shaw remembered the power of her oratory. Placed against the circumstances in which she lived and presented as part of a militant and anti-capitalist tradition within labour history, her life story contributes to new ways of seeing both socialist and feminist politics.

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Time and relative dissertations in space takes the reader on a rich and varied study of one of the greatest television programmes of all time: Doctor Who. This book is the first study of Doctor Who to explore the Doctor’s adventures in all their manifestations: on television, audio, in print and beyond. Although focusing on the original series (1963-89), the collection recognises that Doctor Who is a cultural phenomenon that has been ‘told’ in many ways through a myriad of texts.Combining essays from academics as well as practitioners who have contributed to the ongoing narrative of Doctor Who, the collection encourages debate with contrasting opinions on the strengths (and weaknesses) of the programme, offering a multi-perspective view of Doctor Who and the reasons for its endurance.

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In this new anthology, the editors of the widely acclaimed The Political Interests of Gender (1988) make a compelling case for reconstructing feminist theory in critical-realist terms, fostering more robust, multi-dimensional approaches to analyses of the political interests of gender. Leading gender studies’ scholars utilise different research traditions to investigate topics including human rights, women’s movements, gendered labour markets, international monetary policy, equality policy, and queer politics. This unique anthology includes theoretical and empirical work, illustrating how to build bridges between materialist and discursive theoretical frameworks for understanding the politics of gender. It will be a trend-setting text for advanced gender studies political science, and sociology courses, as well as for professionals in these fields.

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This book provides a comprehensive introduction to the development, making and implementation of European Union environmental politics and identifies the central areas and instruments of EU environmental policy. It analyses the factors influencing not only the formulation but also the implementation of environmental measures in the complex multi-level setting of the EU. On this basis, it takes a critical look at the EU’s effectiveness and problem-solving capacity in the environmental field. Designed as a textbook at undergraduate and graduate level, the book employs a clear and insightful analytical perspective based on the theoretical state-of-the-art of EU policy studies. Thus, it provides an overview of the major theoretical approaches available in the field. At the same time, the discussion is illustrated by a broad range of empirical findings with regard to the formulation and implementation of EU environmental policy.This study is an ideal companion for anyone seeking a concise and accessible introduction into EU environmental politics.

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This is the first full-length, published study of Beethoven’s songs. All the composer’s songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven’s compositional methods.An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven’s choice of texts, his crucial role in the development of German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven’s life and music.It is anticipated that this book, like its predecessor The Schubert Song Companion, will encourage the performance and study of an important but comparatively neglected aspect of the work of the world’s most celebrated composer.

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This study focuses on seven women who used the fin-de-siècle’s popular stage as a space to develop their experimental performance practices: acts that won them international fame and critical acclaim. The diverse entertainment careers of Maud Allan (1873-1956), Jane Avril (1868-1943), Loïe Fuller (1868-1926), Sylvia Grey (1866-1958), Yvette Guilbert (1867-1944), Letty Lind (1862-1923) and Cissie (Cecilia) Loftus (1876-1943) encompassed song, dance, impersonation and acting. In accounts, reviews, autobiographical writings, interviews and other cultural products associated with them it is clear that individual female celebrities understood their work as creative, professional and original performance practice. The absence of their creative work from studies of performance history reveals much about hierarchical approaches to cultural environments, gender and physical, non-scripted performances that demands to be interrogated.

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How do parties adopt and change positions on the European question? How do they balance the demands placed upon them by ideology, voters and participation in coalition government? What are the sources of Euroscepticism, and how widespread is it among the parties and the public? This book addresses these questions by examining the politics of Hungary’s accession to the European Union, from the early 1990s to 2004. The book provides a conceptually grounded yet accessible analysis of the way questions related to EU membership, and European integration in general, are channelled into political life. Starting with a comparative exploration of the impact of European integration on party politics in Western and Eastern Europe, the book goes on to review the Hungarian political parties’ history, ideological profiles, electoral competition and coalition-building in government and opposition, as well as the dynamics of public opinion. It will be of interest to academics concerned with the contestation of European integration in EU member states, and specifically with party politics in Central and Eastern European.

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This book is the first full-length study of Douglas Coupland, one of the twenty-first century’s most innovative and influential novelists. The study explores the prolific first decade and a half of Coupland’s career, from Generation X: Tales for an Accelerated Culture (1991) to JPod (2006), a period in which he published ten novels and four significant volumes of non-fiction. Emerging in the last decade of the twentieth century - amidst the absurd contradictions of instantaneous global communication and acute poverty - Coupland’s novels, short stories, essays and visual art have intervened in specifically contemporary debates regarding authenticity, artifice and art. This book explores Coupland’s response, in ground-breaking novels such as Microserfs, Girlfriend in a Coma and Miss Wyoming, to some of the most pressing issues of our times. Designed for students, researchers and general readers alike, the study is structured around thematically focused chapters that consider Coupland’s engagement with narrative, consumer culture, space, religion and ideas of the future.

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Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.

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Why adopt a poststructural lens for the reading of the military strategy of national missile defence (NMD)? No doubt, when contemplating an attack on US territory by intercontinental ballistic missiles, consulting Michel Foucault and critical international relations theory scholars may not seem the obvious route to take. The answer to this lies in another question: why has there been so much interest and continuous investment in NMD deployment when there is such ambiguity surrounding the status of threat to which it responds, controversy over its technological feasibility and concern about its cost? Posed in this manner, the question cannot be answered on its own terms – the terms given in official accounts of NMD that justify the system’s significance on the basis of strategic feasibility studies and conventional threat predictions guided by worst-case scenarios. Instead, this book argues that the preferences leading to NMD deployment must be understood as satisfying requirements beyond strategic approaches and issues. In turning towards the interpretative modes of inquiry provided by critical social theory and poststructuralism, this book contests the conventional wisdom about NMD and suggests reading the strategy in terms of US identity. Presented as an analysis of discourses on threats to national security, around which the need for NMD deployment is predominantly framed, this book is an effort to let the two fields of critical international relations theory and US foreign policy speak directly to each other. It seeks to do so by showing how the concept of identity can be harnessed to an analysis of a contemporary military-strategic practice.

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That devil’s trick is the first study of nineteenth-century hypnotism based primarily on the popular – rather than medical – appreciation of the subject. Drawing on the reports of mesmerists, hypnotists, quack doctors and serious physicians printed in popular newspapers from the early years of the nineteenth century to the Victorian fin de siècle, the book provides an insight into how continental mesmerism was first understood in Britain, how a number of distinctively British varieties of mesmerism developed, and how these were continually debated in medical, moral and legal terms. Highly relevant to the study of the many authors – Charles Dickens, George Eliot, Bram Stoker and Conan Doyle among them – whose fiction was informed by the imagery of mesmerism, That devil’s trick will be an essential resource for anybody with an interest in the popular and literary culture of the nineteenth century, including literary scholars, medical historians and the general reader.

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EU security governance assesses the effectiveness of the EU as a security actor. The book has two distinct features. Firstly, it is the first systematic study of the different economic, political and military instruments employed by the EU in the performance of four different security functions. The book demonstrates that the EU has emerged as an important security actor, not only in the non-traditional areas of security, but increasingly as an entity with force projection capabilities. Secondly, the book represents an important step towards redressing conceptual gaps in the study of security governance, particularly as it pertains to the European Union. The book links the challenges of governing Europe’s security to the changing nature of the state, the evolutionary expansion of the security agenda, and the growing obsolescence of the traditional forms and concepts of security cooperation.

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It has traditionally been held that Robert Southwell’s poetry offers a curious view of Elizabethan England, one that is from the restricted perspective of a priest-hole. This book dismantles that idea by examining the poetry, word by word, discovering layers of new meanings, hidden emblems, and sharp critiques of Elizabeth’s courtiers, and even of the ageing queen herself.Using both the most recent edition of Southwell’s poetry and manuscript materials, it addresses both poetry and private writings including letters and diary material to give dramatic context to the radicalisation of a generation of Southwell’s countrymen and women, showing how the young Jesuit harnessed both drama and literature to give new poetic poignancy to their experience. Bringing a rigorously forensic approach to Southwell’s ‘lighter’ pieces, Sweeney can now show to what extent Southwell engaged exclusively through them in direct artistic debate with Spenser, Sidney, and Shakespeare, placing the poetry firmly in the English landscape familiar to Southwell’s generation. Those interested in early modern and Elizabethan culture will find much of interest, including new insights into the function of the arts in the private Catholic milieu touched by Southwell in so many ways and places.

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Videogame, player, text examines the playing and playful subject through a series of analytical essays focused on particular videogames and playing experiences. With essays from a range of internationally renowned game scholars, the major aim of this collection is to show how it is that videogames communicate their meanings and provide their pleasures. Each essay focuses on specific examples of gameplay dynamics to tease out the specificities of videogames as a new form of interaction between text and digital technology for the purposes of entertainment. That modes of engagement with the videogame text are many and varied, and construct the playing subject in different ways, provides the central theme of Videogame,player, text. Online play, clan membership, competitive or co-operative play, player modification of game texts, and the solo play of a single player are each addressed through individual analyses of the gameplay experiences produced by, for example, The Sims, Grand Theft Auto, Prince of Persia, Doom, Quake, World of Warcraft, StreetFighter and Civilisation.

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James Kelman is Scotland’s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration, ‘Booker Prize’ culture and Glasgow’s controversial ‘City of Culture’ status in 1990, Simon Kovesi offers readings of Kelman’s style, characterisation and linguistic innovations.This study resists the prevalent condemnations of Kelman as a miserable realist, and produces evidence that he is acutely aware of an unorthodox, politicised literary tradition which transgresses definitions of what literature can or should do. Kelman is cautious about the power relationship between the working-class worlds he represents in his fiction, and the latent preconceptions embedded in the language of academic and critical commentary. In response, this study is boldly self-critical, and questions the validity and values of its own methods. Kelman is shown to be deftly humorous, assiduously ethical, philosophically alert and politically necessary.

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Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic Countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.

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This book is the first in-depth study of the debates over devolution in the four nations of the UK in the period up to 1939. It explores divergent trends and attitudes towards the principle of devolution at both local and national (UK) levels, explains the limitations of devolution as a political ideal and the inherent contradictions in the debates over devolution which were unresolvable in the period under study.The book also demonstrates the enduring potency of an all-British context and of the influence and power of those who wished to defend the status quo. It investigates the role of national - and Imperial - identities in the debates over devolution, highlighting the continuing value and importance of ‘Britishness’ and British identity as vital factors in moulding popular opinion and support for established systems of governance. In so doing, the book offers fresh perspectives on the development of nationalisms in the ‘Celtic fringe’ during this period and demonstrates the problems and limitations of such identities as ways of mobilizing political opposition.

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This book examines the two main dimensions of the European Union’s enlargement to eight central and eastern European countries (CEECs) in 2004. Why did the EU agree to enlargement, despite the costs for some incumbents who have veto-power? How can we explain the (uneven) pattern of accommodation of the CEECs’ preferences in concrete policies? Combining in-depth empirical analysis with an original theoretical framework, which draws on insights from constructivism and historical institutionalism, this book focuses on the EU's discursively constructed role-identity vis-à-vis the CEECs. This role-identity forged a group of policy advocates inside the European Commission, who promoted the CEECs' preferences inside the EU, and induced a path-dependence into the enlargement process. The impact of EU identity on concrete policies was less direct. Case studies on trade liberalisation, regulatory alignment, and foreign policy consultations demonstrate that sectoral policy paradigms are a key factor that mediates the influence of the policy advocates on specific policy areas.

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This book explores the aspirations and tastes of new suburban communities in interwar England for domestic architecture and design that was both modern and nostalgic in a period where homeownership became the norm. It investigates the ways in which new suburban class and gender identities were forged through the architecture, design and decoration of the home, in choices such as ebony elephants placed on mantelpieces and modern Easiwork dressers in kitchens. Ultimately, it argues that a specifically suburban modernism emerged, which looked backwards to the past whilst looking forward to the future. Thus the inter-war ‘ideal’ home was both a retreat from the outside world and a site of change and experimentation. The book also examines how the interwar home is lived in today. It will appeal to academics and students in design, social and cultural history as well as a wider readership curious about interwar homes.

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‘Georges Franju' is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on him in English since 1967. Born in 1912, but only enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs 'Le Sang des bêtes', Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic 'Les Yeux sans visage'. Ince takes a new approach to Franju's films, investigating the areas of genre and gender, and grouping the films thematically rather than chronologically. A chapter on Franju's cinematic aesthetics offers a new synthesis of existing writings, combined with the author's responses to the films. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.'Georges Franju' will be essential reading on Franju, and of great interest to researchers, academics and students in film studies

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Provides a comprehensive introduction to the political system and processes of western Europe. Demonstrates clearly that political decisions are made in the context of specific historical developments, geographical constraints and social demands. Fully updated to take account of the recent French, British and Italian general elections as well as the momentous changes that have taken place in global politics as a result of the September 11 terrorist attacks, and the preparations for EU enlargement. Chapters on the European Union and democracy in western Europe have been substantially revised to take account of globalisation and recent political corruption issues.

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Michael Ondaatje is the first comprehensive and fully up-to-date study of Ondaatje’s entire oeuvre. Starting from Ondaatje’s beginnings as a poet, this volume offers an intensive account of each of his major publications, including The Collected Works of Billy the Kid, Coming Through Slaughter, In The Skin of a Lion and The English Patient, drawing attention to the various contexts and intertexts that have informed his work.The book contains a broad overview of Ondaatje’s career for students and readers coming to his work for the first time. It also offers an original reading of his writing which significantly revises conventional accounts of Ondaatje as a postmodern or postcolonial writer.As the fullest account of Ondaatje’s work to date, Spinks’s approach draws on a range of postcolonial theory and, as well as being a landmark in Ondaatje scholarship, makes a distinctive contribution to debates about postcolonial literature and the poetics of postmodernism.

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"This book is to be recommended as a good, informative, broad-based survey, useful for students of film, media, drama and cultural studies who are looking for an entry into this broad genre and to use this text as a general resource."Christine Etherington-Wright, Studies in Musical Theatre"Mundy is an unabashed aficionado of the British musical film, and his expertise and knowledge in this area are evident in this encyclopedic volume. The book follows an easy-to-read, chronological format and covers all major and many minor British musical films from inception of sound to the present."W.W Dixon, University of Nebraska Lincoln Choice Current Reviews for Academic Libraries March 2008 Vol. 45 No. 07The British musical film is the first book to examine a neglected area of British cinema as it developed from the early so-called ‘silent’ period to the present. Offering a comprehensive survey of musical films across the decades, it also includes detailed critical analysis of individual films and the creative personnel, including directors, stars, lyricists, composers and musical directors, who worked on them. Scholarly but clearly written, the book traces the development of a distinctive genre within British cinema, noting ways in which it differs from the Hollywood musical and setting the films in their historical and cultural context.Adopting a chronological approach, the book starts with the importance of music to the cinema-going experience before the coming of synchronised sound in the late 1920s and then examines the explosion of musical films featuring British musical talent in the 1930s, and the role of musical films during the years of the Second World War. The book examines the transition in musical taste reflected in musical films during the 1950s, and the importance of pop music on-screen in the 1960s. Important innovations in the British musical film of the 1970s and 1980s are analysed, as are examples of contemporary musical films that reflect an increasingly heterogeneous British culture.As well as analysing Oscar-winning musicals such as The Red Shoes and Oliver!, this study also uncovers musical films that have been unjustly neglected for far too long. In asserting the importance of the musical film and its relationship with a vibrant British popular music culture, this study makes a significant contribution to the growing awareness of the rich distinctiveness of British cinema.

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It is increasingly recognised that EU development cooperation policy has failed to meet its stated aims. In this book, available for the first time in paperback, Arts and Dickson ask the obvious and important question: if the policy doesn’t work, why bother with it?The authors assess why EU development policy has become largely ineffective, citing among the external causal factors the liberalisation of trade, and the growing influence of US and international actors such as the World Bank and the International Monetary Fund upon EU policy. It also considers contributing factors within the EU such as the enlargement of its membership and the resulting shifts in priorities.It is this analysis of internal and external factors affecting the decline of EU development policy that makes this study both innovative and unique. It brings together an impressive range of contributors from different disciplines resulting in a thorough and intelligent assessment of the debate.This study will appeal to advanced level undergraduates and academics of European politics in general, EU integration, development studies, and International Relations.

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This book is the first substantial study of Steven Berkoff's career, examining the construction and projection of his notorious public persona through his plays and writings.

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This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema.Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'.The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film.

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