Search results for ""Manchester University Press""

Mad money is a classic of International Relations and international political economy literature. It also has profound modern relevance. First published by Manchester University Press in 1998, the book called for an end to the volatility of international financial markets. Markets had grown, technology had advanced, and regulation had all but disappeared, resulting in financial crises in Asia and in the western world. The book identified that finance now called the tune internationally: governments had been stripped of control, morals had loosened, and income gaps were widening sharply. Susan Strange predicted that this would lead to a long, inevitable financial crisis if it continued unchecked. She was proved right within a decade of the book coming out.This reissue includes a new introduction by Benjamin Cohen of the University of California that contextualises the book, and conveys the value of the work for a modern audience.

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Originally released by Basil Blackwell in 1986, and then re-released by Manchester University Press in 1998, Casino capitalism is a cutting-edge discussion of international financial markets, the way they behave and the power they wield. It examines money's power for good as well as its terrible disruptive, destructive power for evil. Money is seen as being far too important to leave to bankers and economists to do with as they think best. The raison d'être of Casino capitalism is to expose the development of a financial system that has increasingly escaped the calming influences of democratic control. This new edition includes a powerful new introduction provided by Matthew Watson that puts the book it in its proper historical context, as well as identifying its relevance for the modern world. It will have a wide reaching audience, appealing both to academics and students of economics and globalization as well as the general reader with interests in capitalism and economic history.

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Caring for someone with a long-term illness is the first book in the Support for Friends and Family series from Manchester University Press. Caring for, or being close to someone who cares for a person with a long-term illness can be very difficult, and not knowing how to help can be frustrating.The book is designed to help friends, family and carers understand the practical and personal issues that face carers; providing useful suggestions on how to understand the carer’s role and ways to make the experience easier for the carer and those around them. This is less of a how to do book and more a selection of chapters giving advice on things to say, things to do, and where to look for advice and practical help when needed.Carers and their friends and family will find this book an invaluable resource on how to act (or simply give peace and quiet) in the most welcome and appropriate way.

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As the Kremlin’s crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the civic sphere and its connections to the country’s twentieth-century past. Witness Onstage traces the history of documentary theatre’s rapid growth in twenty-first century Russia and situates the form within the socio-political setting of the Putin years. It argues that through the practice of performing documents, Russian theatre artists are creating a new type of cultural and historical archive that challenges the dominance of state-sponsored media and invites individuals to participate in a collective renegotiation of cultural narratives.

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This volume looks at a range of texts and practices that address race and its relationship with television. The chapters explore television policy and the management of race, how transnationalism can diminish racial diversity, historical questions of representation, the myth of a multicultural England and more. They also provide analyses of programmes such as Doctor Who, Shoot the Messenger, Desi DNA, Survivors and Top Boy, all of which are considered in the context of the broadcast environments that helped to create them. While efforts have been made to put diverse portrayals on screen, there are still significant problems with the stories being told.

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This book offers readings of five of the most interesting and original voices to have emerged in Britain since the millennium as they tackle the challenges of portraying the new century. Through close readings of the work of Ali Smith, Andrew O'Hagan, Tom McCarthy, Sarah Hall and Jon McGregor, Daniel Lea opens a window onto the formal and thematic concerns that characterise a literary landscape troubled by both familiar and unfamiliar predicaments. These include questions about the meaning of humanness in an age of digital intercourse; about the need for a return to authenticity in the wake of postmodernism; and about the dislocation of self from the other under neoliberal individualism. By relating its readings of these authors to the wider shifts in contemporary literary criticism, this book offers in-depth analysis of important landmarks of recent fiction and an introduction to the challenges of understanding the literature of our time.

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In defence of councillors is an unashamed defence of local representative democracy and of those elected to serve as councillors from the often ill-informed, ill-judged and inaccurate criticism made by the media, government and public, of councillors' personal, political and professional roles. By using qualitative research from a number of related projects, the book examines the roles, functions and responsibilities of councillors and the expectations placed upon them by citizens, communities and government. It also examines the impact council membership has on other facets of the councillor's life. The book examines how councillors develop strategies to overcome the constraints and restrictions on their office so as to be able to govern their communities, balance their political and public life and democratise and hold to account a vast array of unelected bodies that spend public money and develop public policy without the electoral mandate and legitimacy held by our councillors.

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Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large'. This is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene.A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures andMercilla's judgment on Duessa all come into sharper focus when juxtaposed with contemporary religious rhetoric.

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The names Edmund Spenser and John Donne are typically associated with different ages in English poetry, the former with the sixteenth century and the Elizabethan Golden Age, the latter with the ‘metaphysical’ poets of the seventeenth century. This collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge this dichotomous view and to engage critically with both poets, not only at the sites of direct allusion, imitation, or parody, but also in terms of common preoccupations and continuities of thought, informed by the literary and historical contexts of the politically and intellectually turbulent turn of the century. Juxtaposing these two poets, so apparently unlike one another, for comparison rather than contrast changes our understanding of each poet individually and moves towards a more holistic, relational view of their poetics.

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Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.

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This book illuminates the history of one of Manchester's most influential families. Charting the lives of Henry, Emily, Ernest and Shena Simon, it demonstrates their significance through tracing their work in engineering innovation, enriching Manchester's civic culture, and in shaping local government, housing and education. -- .

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This book interprets the later murals of the Mexican painter David Alfaro Siqueiros in light of his Marxist internationalism. -- .

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This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike.

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This book presents racial stratification as the underlying system that accounts for the differential in outcomes in the labour market. It employs critical race theory to discuss the operation, research, maintenance and impact of racial stratification. Making innovative use of a stratification framework to expose the pervasiveness of racial inequality, this book teaches readers how to use critical race theory to investigate the racial hierarchy and develop a race consciousness. Using Ireland as a case study, Ebun Joseph examines how migrants navigate the labour market and respond to their marginality.Representing the first study in Europe to examine inequality, racism and discrimination in the labour market from a racial stratification perspective, this book offers scholars a method to conduct empirical study of racial stratification across different countries without an over-reliance on secondary data. While based on a study of Ireland, Joseph’s theoretical approach and insight into migrant perspectives will appeal to readers interested in social justice, diversity and inclusion, race and ethnicity, and critical whiteness and migration.

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This book surveys ‘thrift’ through its moral, religious, ethical, political, spiritual and philosophical expressions, focussing in on key moments such as the early Puritans and Post-war rationing, and key characters such as Benjamin Franklin, Samuel Smiles and Henry Thoreau. The relationships between thrift and frugality, mindfulness, sustainability, and alternative consumption practices are explained, and connections made between myriad conceptions of thrift and contemporary concerns for how consumer cultures impact scarce resources, wealth distribution, and the Anthropocene. Ultimately, the book returns the reader to an understanding of thrift as it was originally used - to ‘thrive’ - and attempts to re-cast thrift in more collective, economically egalitarian terms, reclaiming it as a genuinely resistant practice.

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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality.Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press?Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

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The authoritative sequel to Female Fortune, continuing the diaries of Anne Lister up to 1838, when she was at her most powerful. -- .

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This book describes how human rights have given rise to a vision of benevolent governance that, if fully realised, would be antithetical to individual freedom. It describes human rights’ evolution into a grand but nebulous project, rooted in compassion, with the overarching aim of improving universal welfare by defining the conditions of human well-being and imposing obligations on the state and other actors to realise them. This gives rise to a form of managerialism, preoccupied with measuring and improving the ‘human rights performance’ of the state, businesses and so on. The ultimate result is the ‘governmentalisation’ of a pastoral form of global human rights governance, in which power is exercised for the general good, moulded by a complex regulatory sphere which shapes the field of action for the individual at every turn. This, unsurprisingly, does not appeal to rights-holders themselves.

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This study explores pre- and extra-marital relationships among the gentry and nobility of the north of England from 1450 to 1640: the keeping of mistresses, the taking of lovers, the birth of illegitimate children and the fate of those children. It challenges assumptions about the extent to which such activities declined in the period, and hence about the impact of Protestantism and other changes to the culture of the elite. A major contribution to the literature on marriage and sexual relationships, family, kinship and gender, it is aimed at an academic readership in the fields of social and political history.

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This is the first book-length study of the humanities and the Irish university. Ireland was a deeply religious country throughout the twentieth century but the colleges of its National University never established a religion or theology department. The official first language of Ireland is Irish but the vast majority of teaching in the arts and humanities is in English. These are two of the anomalies that long constrained humanities education in Ireland. This book charts a history of responses to humanities education in the Irish context. Reading the work of John Henry Newman, Padraig Pearse, Sean O Tuama, Denis Donoghue, Declan Kiberd, Richard Kearney and others, it looks for an Irish humanities ethos. It compares humanities models in the US, France and Asia with those in Ireland in light of work by Immanuel Kant, Pierre Bourdieu and Jacques Derrida. It should appeal to those interested in Irish education and history.

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From the conflict in Syria to the crisis in Ukraine, Russia continues to dominate the headlines. Yet the political realities of contemporary Russia are poorly understood by Western observers and policy-makers. In this highly engaging book, Andrew Monaghan explains why we tend to misunderstand Russia - and the importance of 'getting Russia right'. Exploring in detail the relationship between the West and Russia, he charts the development of relations and investigates the causes of the increasingly obvious sense of strategic dissonance. He also considers the evolution in Russian domestic politics, introducing influential current figures and those who are forming the leadership and opposition of the future. By delving into the depths of difficult questions such as the causes of the Ukraine crisis or the political protests surrounding the 2011-12 elections, the book offers a dynamic model for understanding this most fascinating and elusive of countries.

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Islam in France is often regarded as a political ‘issue’ and much of the scholarly and public debates about Islam in contemporary France over the last three decades have concentrated on the supposedly ‘antagonistic’ relationship between France, Islam and its Muslims. Against such a troubled backdrop, however, this book looks at the ways in which certain prominent French Muslim intellectuals seek to articulate a vision of multi-faith co-existence, which embraces a critical secularism, and which simultaneously draw on religious and secular humanist traditions. Intellectuals have historically played a major part in French public life, yet relatively little is known about the work of Abdelwahab Meddeb, Malek Chebel, Leïla Babès, Dounia Bouzar and Abdennour Bidar, whose writings and public interventions this book examines. Secularism, Islam and public intellectuals in contemporary France will be of particular interest to specialists, undergraduate and post-graduate students working across the Humanities and Social Sciences from disciplines such as Francophone Studies, Anthropology, Religious Studies or Sociology.

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This book is the first analysis of political defections over a long time span. It investigates all the Liberal/Liberal Democrat MPs and former MPs who defected from the party between the elections of December 1910 and May 2010 - around one sixth of all those elected - as well as the smaller number of inward defectors. Each of the 122 defections was an expert judgment on the state of the party at a specific date. The research investigates the timing and reasons for all the defections and reveals long-term trends and underlying causes and apportions responsibility between leaders for them. The author finds some significant differences which distinguished defectors from loyalists and draws wider conclusions about the underlying factors which lead MPs to defect. This book will be of interest to students and lecturers of British politics and anyone interested in the relationship between British political parties in the last century.

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In light of the innumerable interventions that characterise the transformation of Ireland over the last two decades, Spacing Ireland: Place, society and culture in a post-boom era explores questions of ‘space’ and ‘place’ to understand the nature of major social, cultural and economic change in contemporary Ireland. The authors explore the intersections between everyday life and global exchanges through the contexts of the ‘stuff’ of contemporary everyday encounters: food, housing, leisure, migration, music, shopping, travel and work. These are the multiple layers of space we now inhabit. Ireland is a turbulent place. It is fruitful to consider the contemporary geographies of the island through the various forms where change is expressed. The wide range of topics addressed in the collection and the plurality of spaces they represent make the book appealing not only to students and academics, but to anyone who follows social, cultural and economic developments in Ireland.

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The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renée Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display.

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This collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre. Collectively the essays examine the work of a range of dramatists and offer a critical overview of Renaissance tragedy as a genre.

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Male voices on women’s rights is a timely complement to the studies undertaken in recent years on men’s roles in the history of feminism.This unique collection of seminal, little-known or forgotten writings, spanning from 1809 to 1913, will help the revision of many common assumptions and misconceptions regarding male attitudes to sex equality, and give some insight into the tensions provoked by shifting patterns of masculinity and re-definitions of femininity. The documents, drawn from a wide range of sources, throw a light on the role played by the radical tradition, liberal culture, religious dissent and economic criticism in the development of women’s politics in nineteenth–century Britain.The collection includes a substantial historical introduction and a short contextualising essay before each excerpt, making it an accessible resource for students and teachers alike.

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Using more than 600 UN documents that analyse the discussions in the UN Security Council, General Assembly and Secretariat, The United Nations and peacekeeping, 1988-95 presents innovative explanations on how after the Cold War UN peacekeeping operations became the dominant response to conflicts around the globe. This study offers a vivid description of these changes through the analysis of the evolution in the concept and practice of United Nations peacekeeping operations from 1988 to 1995. The research is anchored primarily in United Nations documents, which were produced following the diplomatic discussions that took place in the General Assembly, the Security Council and the UN Secretariat on the subject of peacekeeping in general and in the cases of Cambodia, Former Yugoslavia and Somalia in particular. These large and complex operations were the testing ground for the new roles of peacekeeping in democratisation, humanitarian aid, resettlement of refugees, demobilisation of armed forces, economic development and advancement of good government.

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David Livingstone’s Zambesi expedition marked the beginning of an ongoing series of medical exchanges between the British and Malawians. This book explores these entangled histories by placing medicine in the frameworks of mobilities and networks that extended across Southern Africa and beyond. It provides a new approach to the study of medicine and empire.Drawing on a range of written and oral sources, the book argues that mobility was a crucial aspect of intertwined medical cultures that shared a search for therapy in changing conditions. Mobile individuals, ideas and materials played key roles in medical networks that involved both professionals and laypeople. These networks connected colonial medicine with Protestant Christianity and migrant labour.The book will be of value to scholars and students of history and anthropology of colonialism and medicine, as well as a wider readership interested in the plural search for health in Africa and globally.

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Novel horizons analyses how narrative prose fiction developed during the English Restoration. It argues that after 1660, generic changes within dramatic texts occasioned an intense debate within prologues and introductions. This discussion about the poetics of a genre was echoed in the paratextual material of prose fictions. In the absence of an official poetics that defined prose fiction, paratexts ful­filled this function and informed readers about the budding genre. This study traces the piecemeal development of these boundaries and describes the generic competence of readers through the analysis of paratexts and prose fictions.Novel horizons covers the surviving textual material widely, focusing on narrative prose fictions published between 1660 and 1710. In addition to tracing the paratextual poetics of Restoration fiction, this book also covers the state of the art of fiction-writing during the period, discussing character development, narrative point of view and questions of fictionality and realism.

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Widely regarded as expert in techniques of surveillance and political control, Israel has been successful in controlling a native population for a long time. Despite tremendous challenges, it has maintained a tight grip over a large Palestinian population in the territories it occupied in the 1967 war. Moreover, it has effectively contained the Palestinian minority inside its 1948 borders. Although members of the latter group were granted Israeli citizenship, various policies have blocked them from challenging the state’s Jewish identity. Israel’s continued administration of a large Palestinian population into the twenty-first century represents a serious challenge for scholars and theorists of colonial forms of political control. Relying on hitherto unpublished archival material, this book traces the genesis of Israeli policies and tactics of population management, surveillance and political control towards the Palestinians. It identifies the principal architects of these strategies, discusses their approaches, summarises their discussions and traces the implementations of these policies and their impact on the everyday lives of Palestinians.

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Written by an extraordinary team of authors, including Danny Dorling and Kate Pickett, this book offers a compelling and achievable vision for a progressive future. It presents concrete policy proposals for the reform of welfare, health and social care, public utilities and more. -- .

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In 2019, Solomon Islands made international headlines when the country severed its decades-old alliance with Taiwan in exchange for a partnership with Beijing. The decision prompted international condemnation and terrified security experts. This penetrating investigation into the switch sheds light on China's wider foreign policy. -- .

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Monumental cares rethinks monument debates, site specificity and art activism in light of problems that strike us as monumental or overwhelming, such as war, migration and the climate crisis. The book shows how artists address these issues, from Chicago and Berlin to Oslo, Bucharest and Hong Kong, in media ranging from marble and glass to postcards, graffiti and re-enactment. A multidirectional theory of site does justice to specific places but also to how far-away audiences see them. What emerges is a new ethics of care in public art, combined with a passionate engagement with reality harking back to the realist aesthetics of the nineteenth century. Familiar questions can be answered anew: what to do with monuments, particularly when they are the products of terror and require removal, modification or recontextualisation? And can art address the monumental concerns of our present?

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The art of the observer is a personal guide to documentary filmmaking, based on the author’s years of pioneering work in the fields of ethnographic and documentary cinema. It stands in sharp contrast to books of academic film criticism and handbooks on visual research methods, being based extensively on concrete examples from the author’s own filmmaking experience. The book places particular emphasis on observational filmmaking and the ways in which this approach is distinct from other forms of documentary. It offers both practical insights and reflections on what it means, in both emotional and intellectual terms, to attempt to represent the lives of others. The book makes clear that documentary cinema is not simply a matter of recording reality, but of artfully organising the filmmaker’s observations in ways that reveal the complex patterns of social life.

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First published in 1974, this novel is a semi-autobiographical reflection on the author’s experience of having been the subject of Stanley Kubrick’s film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess’s finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.

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This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?

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Founded in 1421, the Collegiate Church of Manchester, which became a cathedral in 1847, is of outstanding historical and architectural importance. But until now it has not been the subject of a comprehensive study. Appearing on the 600th anniversary of the Cathedral’s inception by Henry V, this book explores the building’s past and its place at the heart of the world's first industrial city, touching on everything from architecture and music to misericords and stained glass. Written by a team of renowned experts and beautifully illustrated with more than 100 photographs, this history of the ‘Collegiate Church’ is at the same time a history of the English church in miniature.

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In the first book-length treatment of the application of feminist theories of international law, Charlesworth and Chinkin argue that the absence of women in the development of international law has produced a narrow and inadequate jurisprudence that has legitimated the unequal position of women worldwide rather than confronting it.The boundaries of international law provides a feminist perspective on the structure, processes and substance of international law, shedding new light on treaty law, the concept of statehood and the right of self-determination, the role of international institutions and the law of human rights. Concluding with a consideration of whether the inclusion of women in the jurisdiction of international war crimes tribunals represents a significant shift in the boundaries of international law, the book encourages a dramatic rethinking of the discipline of international law. With a new introduction that reflects on the profound changes in international law since the book’s first publication in 2000, this provocative volume is essential reading for scholars, practitioners and students alike.

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What’s wrong with the UK economy? Everyone has an opinion. But no one has an answer. Why?For decades, our economy has failed to work for ordinary citizens: stagnant wages have been combined with underemployment and rising costs of basic goods like healthcare, education and housing. At the same time, a small minority of the population make obscene profits, while in the background we continue to hurtle headlong into an environmental emergency. While there is no shortage of anger and anti-elite sentiment expressed in what is often referred to as the ‘culture wars’, no significant challenge to the dominant economic model has broken into the mainstream.The pound and the fury argues that behind this failure of imagination are a set of myths about how the economy works, myths that stifle debate and block change. This book analyses the origins of these myths and how they might be dispelled at a time when, away from the public gaze, economic theory is opening up new possibilities of economic action. Possibilities that, as we emerge from the chaos of COVID-19, could lead to the radical structural changes we desperately need.

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When Britain left the European Union in January 2021, it set out on a new journey. Shorn of empire and now the EU too, Britain’s economy is as national as it has ever been. A decade or so since globalisation seemed inevitable, this is a remarkable reversal. How did this happen?Britain alone argues that this “nationalisation” — aligning the boundaries of the state with its national peoples — emerged from the 2008 global financial crisis. The book analyses how austerity and scarcity intensified and created new conflicts over who gets what. This extends to struggle over what the British nation is for, who it represents, and who it values.Drawing on a range of cultural, economic, and political themes — immigration and the hostile environment, nostalgia and Second World War mythology, race and the “left behind”, the clap for carers and furloughing, as well as Superscrimpers and stand-up comedy — the book traces the complex nationalist path Britain took after the crash, demonstrating how we cannot explain nationalism without reference to the economy, and vice versa.In analysing the thread that ties the fallout of the crash and austerity, through Brexit, and to the shape of lockdown politics, Britain alone provides an incisive and original history of the last decade of Britain and its relationship to the global economy.

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The 1918–19 influenza epidemic killed more than 50 million people, and infected between one fifth and half of the world's population. It is the world's greatest killing influenza pandemic, and is used as a worst case scenario for emerging infectious disease epidemics like the corona virus COVID-19. It decimated families, silenced cities and towns as it passed through, stilled commerce, closed schools and public buildings and put normal life on hold. Sometimes it killed several members of the same family. Like COVID-19 there was no preventative vaccine for the virus, and many died from secondary bacterial pneumonia in this pre-antibiotic era. In this work, Ida Milne tells how it impacted on Ireland, during a time of war and revolution. But the stories she tells of the harrowing impact on families, and of medicine's desperate search to heal the ill, could apply to any other place in the world at the time.

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Starting with the premise that clothing is political and that analysing clothing can enhance understanding of political style, this collection explores the relationships among political theory, dress, and self-presentation during a period in which imperial and colonial empires assumed their modern form. Organised under three thematic clusters, the volume’s chapters range from an analysis of the uniforms worn by West India regiments stationed in the Caribbean to the smock frock donned by rural agricultural labourers, and from the self-presentations of members of parliament, political thinkers, and imperial administrators to the dress of characters and caricatures in novels, paintings, and political cartoon. With its interdisciplinary approach, the book will appeal to nineteenth-century cultural and social historians and literary critics as well as advanced undergraduate and postgraduate students whose research and teaching interests include gender, politics, material culture, and imperialism.

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Sonic ethnography makes a compelling argument for taking sound seriously as a crucial component of social life and as an ethnographic form of representation. This volume explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. With an approach that cuts across sensory anthropology, sound studies and ethnomusicology, Sonic ethnography demonstrates how acoustic tradition is made and disrupted and acoustic communities are brought together in shared temporality and space. Based extensive research, this volume provides an innovative take on soundful cultural performances such as tree rituals, carnivals, pilgrimages and more informal musical performances, with particular attention to the interactions between classic ethnographic scholarship from the past century and the local politics of heritage.Featuring stunning colour photographs and more than an hour of sound recordings, Sonic ethnography uses a unique combination of media to investigate distinctive ways of knowing, beyond more traditional ethnographic forms of representation. Two methodological chapters, respectively on music-making as creative research practice and on photo-ethnography, make the book an essential contribution for those interested in the production of sounds and still images as relational and interactive approaches to fieldwork. The pioneering anthropologist of sound, Steven Feld, collaborated to some of the research and contributed to the book an afterword and a soundscape composition.

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Through the centre of China’s historic capital, Long Peace Street cuts a long, arrow-straight line. It divides the Forbidden City, home to generations of Chinese emperors, from Tiananmen Square, the vast granite square constructed to glorify a New China under Communist rule. To walk the street is to travel through the story of China’s recent past, wandering among its physical relics and hearing echoes of its dramas. Long Peace Street recounts a journey in modern China, a walk of twenty miles across Beijing offering a very personal encounter with the life of the capital’s streets. At the same time, it takes the reader on a journey through the city’s recent history, telling the story of how the present and future of the world’s rising superpower has been shaped by its tumultuous past, from the demise of the last imperial dynasty in 1912 through to the present day.

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This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.

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Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures’ key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.

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