Search results for ""Author Ming"

On September 11th, 1893, the Columbian Liberty Bell at the World's Columbian Exposition in Chicago sounded ten times - symbolising what were then considered the ten great religious traditions: Hinduism, Buddhism, Jainism, Zoroastrianism, Taoism, Confucianism, Shintoism, Judaism, Christianity, and Islam. As the bell tolled, more than 60 religious leaders from around the globe proceded into the Hall of Columbus to gather in solemn assembly. The ochre robes of Buddhist ascetics, the vermilion cloaks and turbans of Hindu swamis, the silk vestments of Confucians, Taoists, and Shinto priests, the sombre garb of Protestant ministers, all gathered together in the platform around a Catholic cardinal dressed in scarlet and seated in a high chair of state. The near-ecstatic crowd repeatedly burst into tumultuous applause, waving handkerchiefs and mingling tears with smiles. The World's Parliament of Religions was the first event of its kind in the history of the world: a gathering of representatives of numerous world religions for an exchange of views. It was also a turning point in American religious and cultural life, presaging the multiculturalism of a century later. This volume contains a selection of 60 representative and revealing addresses given to the Parliament, with introductions and notes by Professor Seager. The addresses include contributions by Protestant mainstream ministers, African Americans, Jews, Muslims, Buddhists, Hindus, and other Asian religions. Also included are various "points of contact and contention", in which religious leaders attempted to analyse or reach out to their counterparts in other traditions.

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"This is a beautiful book, a masterpiece of brevity and depth" New European"This tense novella builds to a final reckoning" The TimesIn October 1944, a thirteen-year-old girl arrives in a tiny farming community in Lower Austria, at some distance from the main theatre of war. She remembers very little about how she got there, it seems she has suffered trauma from bombardment. One night a few months later, a young, emaciated Russian appears, a deserter from forced labour in the east. He has nothing with him but a canvas roll, which he guards like a hawk. Their burgeoning friendship is abruptly interrupted by the arrival of a group of Wehrmacht soldiers in retreat, who commandeer the farm.Paulus Hochgatterer's intensely atmospheric, resonant novel is like a painting in itself, a beautiful observation of small shifts from apathy in a community not directly affected by the war, but exhausted by it nonetheless; individual acts of moral bravery which to some extent have the power to change the course of history.Longlisted for the Austrian Book Prize 2017, this subtle, evocative novella will appeal to readers of Hubert Mingarelli's A MEAL IN WINTER and Jenny Erpenbeck's THE END OF DAYS. Translated from the German by Jamie BullochJamie Bulloch is the translator of novels by Timur Vermes, Steven Uhly, F. C. Delius, Daniela Krien, Jörg Fauser, Martin Suter, Roland Schimmelpfennig and Oliver Bottini. For his translation of Birgit Vanderbeke's The Mussel Feast he was the winner of the Schlegel-Tieck Prize.With the support of the Creative Europe Programme of the European Union

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From the last decades of the nineteenth century through the late 1930s, the West Bohemian spa towns of Carlsbad, Franzensbad, and Marienbad were fashionable destinations for visitors wishing to "take a cure"—to drink the waters, bathe in the mud, be treated by the latest X-ray, light, or gas therapies, or simply enjoy the respite afforded by elegant parks and comfortable lodgings. These were sociable and urbane places, settings for celebrity sightings, match-making, and stylish promenading. Originally the haunt of aristocrats, the spa towns came to be the favored summer resorts for the emerging bourgeoisie. Among the many who traveled there, a very high proportion were Jewish. In Next Year in Marienbad, Mirjam Zadoff writes the social and cultural history of Carlsbad, Franzensbad, and Marienbad as Jewish spaces. Secular and religious Jews from diverse national, cultural, and social backgrounds mingled in idyllic and often apolitical-seeming surroundings. During the season, shops sold Yiddish and Hebrew newspapers, kosher kitchens were opened, and theatrical presentations, concerts, and public readings catered to the Jewish clientele. Yet these same resorts were situated in a region of growing hostile nationalisms, and they were towns that might turn virulently anti-Semitic in the off season. Next Year in Marienbad draws from memoirs and letters, newspapers and maps, novels and postcards to create a compelling and engaging portrait of Jewish presence and cultural production in the years between the fin de siècle and the Second World War.

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Today’s war is for the survival of the planet. In Maintenant 14: A Journal of Contemporary Dada Writing and Art, the weapon of choice is Dada. Today, everyone in the world is affected by the growing impact of climate change, pollution, plastics, and lack of sustainability. The 2020 edition of the premiere journal of contemporary dada writing and art confronts the situation with a bold and rebellious collection of work that shows the absurdity of continuing the practices that have taken earth to the precipice of extinction. Using the theme “UN-SUSTAIN-A-BULL-SH*T” Maintenant 14 creators turn poetry and art into weapons that expose, confront, and lambast policies that have taken the planet to tipping points in the climate system, biodiversity loss, and the risk of social and ecological collapse. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, Maintenant 14 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by neo-pop artist/provocateur Walter Robinson. Past issues include art by Mark Kostabi, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, Charles Mingus III, and Kazunori Murakami; writing by Gerard Malanga, Charles Plymell, Andrei Codrescu, Anne Waldman, and more, with a strong contingent of artist-writers from the world of punk rock.

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The letters in these volumes, written from both sides of the Atlantic, addressed by and to members of the Adams family, chronicle nearly five years of its history, They were years in which John Adams in successive missions to Europe, accompanied first by one son, then by two, initiated what would be a continuing role for Adamses in three generadons: representing their country and advancing its interests in the capitals of Europe.John Adams, a troubled but stouthearted Yankee lawyer on the vast new scene of Europe, though always circumspect in familial correspondence in referring to public matters, provides, in his revealing letters about his own health and state of mind, sufficient insight into the difficult relations among the American commissioners, the designs of America's allies, and the diplomatic failures and triumphs he experienced in Paris and the Netherlands to permit some reevaluations of purposes and tactics. With these high matters are mingled the rigors and rewards of travel, concern with his sons' education, books for their reading, Dutch cloth and ribbons for his wife.Whether Mrs. Adams' letters relate to the upbringing of children, the problems of wartime taxes and inflation, the inferior roles assigned to American women, or her wide historical reading, they bear the marks of distinction of mind and mastery of language that make them timeless.If the letters of these two are central, those written by others are hardly less interesting, relating as they do to the concerns of young John Quincy at school in Levden and his observations on his way to and during his stay in St. Petersburg at age fourteen: to the adventure-filled return voyage of Charles, aged eleven, to America; to the interests of the younger Abigail maturing in Braintree; to the reactions of sturdy patriots to the tides and rumors of war.

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Murder, dark family secrets, and the unwavering bond of sisterhood-regardless of the cost Beth Ralston, a paralegal in Portland, Oregon, would rather be racking up billable hours than mingling at an office party-especially when her sister Lindsay, aka her plus one, is a no-show. After making her obligatory rounds, Beth returns to her office to find that her boss, who she'd talked with moments before, has been murdered. She sees a woman fleeing the scene. Wait-was that Lindsay? Unable to catch up to her in time, Beth waits for the police to arrive and notices that Lindsay has left her phone behind with an unsent text message to Beth displayed on the screen: Don't ask. Don't follow. Lindsay is unreachable for days, and when Beth starts to come under suspicion for the crime, she decides that waiting is impossible. While retracing Lindsay's steps, determined to bring her home, Beth uncovers what her sister, an investigative reporter bent on changing the world, was trying to expose-corru

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Winner of the 2021 Julian Minghi Distinguished Book Award from the American Association of Geographers​2021 Foreword Indies Finalist - Politics and Social SciencesIntimate Geopolitics begins with a love story set in the Himalayan region of Ladakh, in India’s Jammu and Kashmir State, but this is also a story about territory, and the ways that love, marriage, and young people are caught up in contemporary global processes. In Ladakh, children grow up to adopt a religious identity in part to be counted in the census, and to vote in elections. Religion, population, and voting blocs are implicitly tied to territorial sovereignty and marriage across religious boundaries becomes a geopolitical problem in an area that seeks to define insiders and outsiders in relation to borders and national identity. This book populates territory, a conventionally abstract rendering of space, with the stories of those who live through territorial struggle at marriage and birth ceremonies, in the kitchen and in the bazaar, in heartbreak and in joy. Intimate Geopolitics argues for the incorporation of the role of time–temporality–into our understanding of territory.

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Shortlisted for The 2019 Forward Prize for Best Collection. City of Departures is Helen Tookey’s second Carcanet collection, following her 2014 Missel-Child, an `exceptional volume … from a powerful and intelligent imagination’ (Jeffrey Wainwright). City of Departures is a collection of uncanny spaces and fleeting encounters, an urban patchwork of glimpsed moments and chance affiliations. Through them, Tookey explores the ways in which we create meaning and connection in these kinds of spaces, and how the nature of those connections—often temporary and provisional—affects who we are, and who we are becoming. Tookey’s work has a new formal inventiveness and experimental temperament. The collection mixes prose and verse, and a multitude of voices and structures mingle on its pages. The poems connect through repeated images, themes and tones, which echo and re-echo. Their loci are neglected houses and gardens, canals, wrecked boats… liminal worlds where absence has a presence of its own, fertile ground for ghosts, fantasies, memories, and dreams.

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Traditional medicine enjoys widespread appeal in today’s Russia, an appeal that has often been framed either as a holdover from pre-Soviet times or as the symptom of capitalist growing pains and vanishing Soviet modes of life. Mixing Medicines seeks to reconsider these logics of emptiness and replenishment. Set in Buryatia, a semi-autonomous indigenous republic in Southeastern Siberia, the book offers an ethnography of the institutionalization of Tibetan medicine, a botanically-based therapeutic practice framed as at once foreign, international, and local to Russia’s Buddhist regions. By highlighting the cosmopolitan nature of Tibetan medicine and the culturally specific origins of biomedicine, the book shows how people in Buryatia trouble entrenched center-periphery models, complicating narratives about isolation and political marginality. Chudakova argues that a therapeutic life mediated through the practices of traditional medicines is not a last-resort response to sociopolitical abandonment but depends on a densely collective mingling of human and non-human worlds that produces new senses of rootedness, while reshaping regional and national conversations about care, history, and belonging.

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Extraordinary and diverse people inhabit this rich, ripe, occasionally raucous collection of short stories. Some are based on real people - Jeanne Duval, Baudelaire's handsome and reluctant muse who never asked to be called the Black Venus, trapped in the terminal ennui of the poet's passion, snatching at a little lifesaving respectability against all odds...Edgar Allen Poe, with his face of a actor, demonstrating in every thought and deed how right his friends were when they said 'No man is safe who drinks before breakfast.'And some of these people are totally imaginary. Such as the seventeenth century whore, transported to Virginia for thieving, who turns into a good woman in spite of herself among the Indians, who have nothing worth stealing. And a girl, suckled by wolves, strange and indifferent as nature, who will not tolerate returning to humanity. Angela Carter wonderfully mingles history, fiction, invention, literary criticism, high drama and low comedy in a glorious collection of stories as full of contradictions and surprises as life itself.

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The ups and downs of silk, cotton, and stocks syncopated with serialized novels in the late-nineteenth-century Arabic press: Time itself was changing. Novels of debt, dissimulation, and risk begin to appear in Arabic at a moment when France and Britain were unseating the Ottoman legacy in Beirut, Cairo, and beyond. Amid booms and crashes, serialized Arabic fiction and finance at once tell the other’s story. While scholars of Arabic often write of a Nahdah, a sense of renaissance, Fictitious Capital argues instead that we read the trope of Nahdah as Walter Benjamin might have, as “one of the monuments of the bourgeoisie that [are] already in ruins.” Financial speculation engendered an anxious mixture of hope and fear formally expressed in the mingling of financial news and serialized novels in such Arabic journals as Al-Jinān, Al-Muqtataf, and Al-Hilāl. Holt recasts the historiography of the Nahdah, showing its sense of rise and renaissance to be a utopian, imperially mediated narrative of capital that encrypted its inevitable counterpart, capital flight.

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An ex-convict struggles with his addictive yearning for prison. A law-abiding citizen broods over his pleasure in violent, illegal acts. A prison warden loses his job because he is so successful in rehabilitating criminals. These are but a few of the intriguing stories Martha Grace Duncan examines in her bold, interdisciplinary book Romantic Outlaws, Beloved Prisons. Duncan writes: "This is a book about paradoxes and mingled yarns - about the bright sides of dark events, the silver linings of sable clouds." She portrays upright citizens who harbor a strange liking for criminal deeds, and criminals who conceive of prison in positive terms: as a nurturing mother, an academy, a matrix of spiritual rebirth, or a refuge from life's trivia. In developing her unique vision, Duncan draws on literature, history, psychoanalysis, and law. Her work reveals a nonutopian world in which criminals and non-criminals--while injuring each other in obvious ways--nonetheless live together in a symbiotic as well as an adversarial relationship, needing each other, serving each other, enriching each other's lives in profound and surprising fashion.

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What it is and what it isn't. This not a camera manual for the Leica M, nor is it a book that will teach you photography. Nevertheless, in Bertram Solcher's book you will learn a whole lot about your camera and how to use it, and about the art and craft of photography. This book contains a collection of illustrated essays that are meant to reveal the secrets of working with a rangefinder camera. To be more precise, with the best camera ever made. The book's ultimate goal is to ignite your passion for the kind of spontaneous, minimalist, and creative photography we admire in the works of Henri Cartier-Bresson, Joel Meyerowitz, and other great Leica photographers. All Leica M model cameras, both analog and digital, use rangefinder technology. Because of its design, working with a Leica M requires a more methodical style of photography where the photographer must slow down and exercise attention and purpose. Using these cameras is both challenging and rewarding. With a Leica M, you can mingle discretely within your environment to capture candid, exciting, insightful images.Bertram Solcher, a professional Leica M photographer for over 35 years, demonstrates how to use this unique camera in a practical and effective way. Solcher's enthusiasm, substantial experience, and technical expertise will help you learn the skills necessary for creating masterful photographs with any Leica M camera.

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Born in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles. But Arreguin’s paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist’s strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds. Lauro Flores reveals Alfredo Arreguin as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured. Twenty-three new paintings are included in the second edition of this highly regarded book first published in 2002.

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In 1970s New York City, the abandoned piers of the Hudson River became a site for extraordinary works of art and a popular place for nude sunbathing and anonymous sex. Jonathan Weinberg’s provocative book—part art history, part memoir—weaves interviews, documentary photographs, literary texts, artworks, and film stills to show how avant-garde practices competed and mingled with queer identities along the Manhattan waterfront.Artists as varied as Vito Acconci, Alvin Baltrop, Shelley Seccombe, and David Wojnarowicz made work in and about the fire-ravaged structures that only twenty years before had been at the center of the world’s busiest shipping port. At the same time, the fight for the rights of gay, lesbian, and transgendered people, spurred by the 1969 Stonewall riots, was dramatically transforming the cultural and social landscape of New York City. Gay men suddenly felt free to sunbathe on the piers naked, cruise, and have sex in public. While artists collaborated to transform the buildings of Pier 34 into makeshift art studios and exhibition spaces, gay men were converting Pier 46 into what Delmas Howe calls an “arena for sexual theater.”Featuring one hundred exemplary works from the era and drawing from a rich variety of source material, interviews, and Weinberg’s personal experience, Pier Groups breaks new ground to look at the relationship of avant-garde art to resistant subcultures and radical sexuality.

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The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access.The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

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With their weird combination of animal limbs, or distorted visions of human perception, beasts and creatures can be found in all myths and legends of the world, often used to demonstrate moral or fabulistic stories, and explain extreme natural phenomena. An ideal companion to Gods & Monsters Myths & Tales, this new collection includes more of the most famous and recognizable beasts, with some insight too into the rare and the little known: the Simurgh – the gigantic mythical bird of Persian mythology and literature – mingles with the monstrous Great Head of Iroquois folklore; the Kraken of originally Scandinvavian legend can be found alongside North America's Bigfoot, or Sasquatch if you prefer. Of course, from the Greek and Celtic mythologies come the Phoenix, Scylla and Charybdis, the Unicorn, Satyrs and Fauns, Centaurs and Minotaurs, the Basilisk and the Griffin. And let's not forget the goblins of the Norse, the ogreish monsters of Japanese mythology, the Oni, and the nymphs, fairies and sprites that appear in many different mythological traditions. This truly is a wonderful collection of tales. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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full of wisdom and entertaining anecdotes' The Economist'fascinating' Financial TimesSocial Chemistry will utterly transform the way you think about 'networking.' Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . .One of 2021's Most Highly Anticipated New Books--NewsweekOne of The 20 New Leadership Books--Adam GrantOne The Best New Wellness Books Hitting Shelves In January--Shape.comA Next Big Idea Club Nominee__________Conventional wisdom would have us believe that it is the size of your network that matters: how many people do you know? We're told to mix, mingle, and connect.But social science research suggests otherwise.The quality and structure of our relationships have far greater impact on our personal and professional lives. our relationships with friends, family, co-workers, neighbours, and collaborators are by far our greatest asset. Yet, most people leave them to chance.In this ground-breaking study, Marissa King, Professor of Organizational Behavior at the Yale, argues that there are strategic ways in which we can alter our relationships for a happier and more fulfilling life. With new understanding, this book can help readers to see how they can harness the power of their networks in their personal relationships, at work, and to create a better world.

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A TELEGRAPH BEST BOOK OF THE YEAR 2023'One of the most erudite and inventive poets of our time' GuardianShane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career; in addition to introducing his readers to 'the thin king / who eats the world,' McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. 'O reader, listener, stay,' McCrae writes. 'You are now evidence.'In The Many Hundreds of the Scent, Homeric figures mingle with those that populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises - the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in the Guardian, 'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through.'

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In his bestselling book The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that, contrary to the assumptions of many Americans, most lesbians appeared indistinguishable from other women. They could mingle “congenially in conventional society.” Some were popular sex symbols; some were married to unsuspecting husbands. Robert J. Corber contends that The Grapevine exemplified a homophobic Cold War discourse that portrayed the femme as an invisible threat to the nation. Underlying this panic was the widespread fear that college-educated women would reject marriage and motherhood as aspirations, weakening the American family and compromising the nation’s ability to defeat totalitarianism. Corber argues that Cold War homophobia transformed ideas about lesbianism in the United States. In the early twentieth century, homophobic discourse had focused on gender identity: the lesbian was a masculine woman. During the Cold War, the lesbian was reconceived as a woman attracted to other women. Corber develops his argument by analyzing representations of lesbianism in Hollywood movies of the 1950s and 1960s, and in the careers of some of the era’s biggest female stars. He examines treatments of the femme in All About Eve, The Children’s Hour, and Marnie, and he explores the impact of Cold War homophobia on the careers of Joan Crawford, Bette Davis, and Doris Day.

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BY CROM! Robert E. Howard's famous Cimmerian UNCENSORED! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! The Cimmerian Vol 2 includes two complete stories, The People of The Black Circle, and The Frost-Giant's Daughter, plus bonus material, including the original prose stories, in one hardcover collection! In The People of the Black Circle, the king has just died in the kingdom of Vendhya, struck down by the spells of the black prophets of Yimsha. The king’s sister, Yasmina, decides to avenge him…and contacts Conan, then chief of the Afghuli tribe. But several of Conan’s warriors have just been killed by the men of the kingdom of Vendhya, further complicating the matter. The princess thought she could use the Cimmerian, but rather it is she who will serve his interests... Sylvain Runberg and prodigious designer/illustrator Jae Kwang Park adapt one of the most ambitious and complex Conan stories of Robert E. Howard. An adventure where epic battles, witchcraft and plots mingle in a mystical and scary Orient. Where revenge is an art… In The Frost-Giant's Daughter, Conan, the only survivor of a ferocious battle, sits in the midst of a bloodstained snow field. When the fight is over, the Cimmerian suddenly finds himself overcome with deep weariness and disgust. Until the moment he meets a redheaded woman of supernatural beauty, blinding like the glow of the sun on the snow. Moved by a burning desire, Conan decides to follow her but finds himself caught in a trap, attacked by two titans. In his ardor, he was not suspicious…he did not imagine for a second that his bride was none other than Ymir's own daughter: the frost-giant! A mythical tale both in both form and substance, The Frost-Giant’s Daughter is masterfully adapted by Robin Recht, who manages to capture the essence of this whirlwind tale of violent desire…a true love trap in which the force of will of the Cimmerian is put to the test.

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It is no surprise that one of Muriel Spark’s most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) — himself thirty-two, she just nineteen — whom she followed to Rhodesia (now Zimbabwe) and left behind to return to England. In the midst of WWII, Spark took a bizarre position working in the disinformation campaign of the British Secret Service, eliciting information from German POWs to combat Nazi propaganda. She later moved to the Poetry Society of London, where she mingled with literati and other intellectuals, befriended by some (such as Graham Greene, an early supporter of her work) and sparring with others. We experience Spark’s joy with the publication of her first novel, The Comforters, her trials with other writers’ envy, and her emergence as the most brilliant femme fatale of 20th-century English literature.

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The Greek-American artist Kosta Alex (1925-2005) initially trained in figure sculpture in Manhattan. In 1947 he moved to Paris, where he mingled with and exhibited alongside the avant-garde artists of his day. His interest in the flattening of forms led him to create his first series of decoupage-collages in about 1950. Like many other artists of the time, he was drawn to using humble, utilitarian materials such as corrugated cardboard, packaging, newspapers, magazines, wallpaper, timetables, lists, maps, and other scraps culled from daily urban life. He integrated these elements into his art in an often poetic and humorous manner, using screws, nuts, staples, rope, string, and glue to connect them into a cohesive whole. Alex also drew inspiration from classical sculpture, primitive art, and Islamic art, and employed repetitive themes and rhythmic arrangements in his compositions. In the late 1960s and early 1970s he produced groundbreaking collage-reliefs in expanded polystyrene, which Man Ray praised for breaking "the two-dimensional barrier." Handsomely illustrated, Kosta Alex is the first monograph on this intriguing artist.Distributed for Editions Hazan, Paris

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In her long career, Canadian songstress Joni Mitchell has been hailed as everything from 1960s folk icon to 20th century cultural figure, artistic iconoclast to musical heroine, extreme romantic confessor to outspoken commentator and lyrical painter. While some criticised what they viewed as her seeming dismissal of commercial considerations, she simply viewed her trajectory as that of any artist serious about the integrity of their work. But whatever musical position she took, she was always one step ahead of the game, making eclectic and innovative music Albums like The Ladies Of The Canyon, Blue , Hejira and Mingus helped define each era of the 1970s, as she moved from exquisitely pitched singer songwriter material towards jazz. Her past influence was obvious in the 1980s when hoards of assuming successors (some highly respectable) gathered her exotic breadcrumbs with a view to distilling their illusive compounds, while Joni simultaneously forged ahead. This book revisits her studio albums in detail from 1968’s Song to a Seagull to 2007’s Shine, providing anecdote and insight into the recording sessions, an in depth analysis along with a complimentary level of lyrical and instrumental examination.

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Text edition. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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German translation. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land.In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

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'A gloriously good read' Sunday Independent LIFESURROUNDED BY WEALTH, GLAMOUR AND EXCITEMENTLady Honor Guinness is a reluctant wallflower. But that all changes when she marries Henry 'Chips' Channon, a charming and ambitious American. On his arm, she finds herself at the heart of 1930s London's most elite social circles, mingling with aristocrats, politicians and royalty. But it's not too long before Chips begins toprioritise his aspirations over all else, and Honor begins to wonder who exactly she has married.By her side is her best friend Doris, a young woman eager to establish her place in society. A social butterfly who keeps the details of her family background to herself, Doris is hopeful her beauty and charm will win her a suitable husband, but she has no interest in a romantic attachment. Until she is introduced to 'the most devastating man in London'.Inspired by true-life events, The Other Guinness Girl: A Question of Honor is an elegant, captivating story of two young women navigating friendship, loneliness, love and desire as they try to find their places in a society where the rules seem to change every moment.PRAISE FOR THE GUINNESS GIRLS NOVELS'Utterly captivating ... an absolute page-turner' IRISH INDEPENDENT'Masterfully and glamorously told' SUNDAY BUSINESS POST'Fans of Downton Abbey will adore this' SUNDAY TIMES

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Harold Nicolson called her 'the greatest Queen since Cleopatra', while Cecil Beaton called her 'a marshmallow made on a welding machine'. Stephen Tennant said: 'She looked everything that she was not: gentle, gullible, tenderness mingled with dispassionate serenity, cool, well-bred, remote. Behind this veil she schemed and vacillated, hard as nails.' Who was she? The Queen Mother's story has not yet been properly told. This was partly due to her long life, and the difficulty that always exists when a biography of a living person is attempted, partly because she was a queen - and the real person gets hidden behind the perceived image - and partly because she is hard to pin down. From her privileged aristocratic childhood, to the Abdication and the problems with Diana - this book questions how she faced her challenges and crises, assesses her role, how powerful she was, and how she coped. This is a candid, personal portrait of one of Britain's most loved national treasures. Hugo Vickers, an acknowledged expert on the House of Windsor, has spent seventeen years researching this book, and observed the Queen Mother in public and private over a period of forty years.

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Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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This hot, two-in-one biography examines the complicated co-dependencies of the greatest but most dysfunctional mother-daughter act in showbiz, Debbie Reynolds and her talented, often traumatized daughter, Carrie Fisher. After years of feuds and separations, they reunited at the end of their lives. Today, their legions of fans like to think they're each doing fine, together in some galaxy far, far away. Debbie Reynolds and Carrie Fisher were the greatest mother-daughter act in show business. Frank Sinatra stole her virginity, but she married pop singer Eddie Fisher for the “official deflowering” (her words). Through storm and rain, Debbie battled on, hitting a high point when she starred as Tammy in 1957 and her most memorable role was in 1964, when she was cast in the rags-to riches saga of The Unsinkable Molly Brown. Each of her three marriages was a disaster, the second one to a millionaire shoe manufacturing mogul who bankrupted both of them. Impoverished after the divorce, she ended up sleeping in her car. Debbie mingled with the élite of Hollywood in the dying days of its Golden Age. Luminaries included Clark Gable (“if I were only twenty years younger….); Judy Garland (who propositioned her); Lana Turner; Bette Davis (“she was my daughter”) and Glenn Ford, who fell in love with her. A rebellious daughter, Carrie grew up to endure a life of living hell—pill popping, drug abuse, chronic anxiety, failed love affairs, bipolar disorder, and electroshock therapy. Carrie sometimes protested: “I don’t want to be the daughter of Debbie Reynolds. I battled demons that set my brain on fire.” International celebrity came in 1977, when she played Princess Leia in Star Wars as an elaborately coiffed intergalactic princess, spearheading “The Force,” and strong enough to oppose the villainy of Darth Vader.

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Pre-order the best Formula One romance of 2024 now! The stakes this season have never been higher... Josie Bancroft may be single, but she is definitely not ready to mingle. All she wants to do post-breakup is focus on herself. A simple task, but as a marketing manager for McAllister Racing, she spends every race weekend alongside the charismatic Formula 1 driver, Theo Walker. With his iceberg-melting smile and abs sharper than a cheese grater, he's a distraction she shouldn't entertain but can't seem to ignore. Theo has mastered two things in life: winning races and wooing women. But this season, both are being put to the test. His team's new owner is threatening his hard-earned seat, and the one woman he wants has placed him in the friend zone, despite the fact that their attraction is hotter than his car's engine. As Josie embraces her independence and Theo struggles to cement his place within the racing world, they'll have to decide if they want to fuel the flames of their frie

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“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.

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Ce petit livre pourrait être une introduction à la pharmacopée orientale. Il comprend une cinquantaine de lignes, tirées du début d'un manuscrit syriaque entré à la BNF (Paris) il y a quelques années sous le numéro syr. 423, dont l'auteur (Ph. Gignoux) a pu faire une édition critique grâce au même texte provenant de la collection des mss Mingana, syr. no 594. La nouveauté de ce texte réside dans le fait qu'il ne semble pas être une traduction d'un ouvrage grec, alors que la suite du même manuscrit provient pour l'essentiel de Galien. Ce texte nous apporte une quantité de noms de plantes médicinales et de produits animaux et minéraux. L'originalité réside aussi dans le fait que ces noms sont souvent glosés dans des langues comme le grec, l'arabe, l'arabo-persan, dont Gignoux a expliqué l'origine dans des articles préliminaires. Le texte syriaque et la traduction française ont été mis en face à face pour permettre aux botanistes de retrouver facilement tel ou tel passage. Cela devrait aussi entraîner les chercheurs à travailler davantage sur les plantes médicinales qui ont donné lieu à une littérature très abondante et passionnante.

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This book offers a fresh reading of the biblical story of Joseph, alert to, and explicit about current literary methodology. Joseph is sold south by traders; then his brothers must go down to barter for food; and finally all his kin relocate in Egypt to survive famine. The relentless pull of the characters into various literal and figurative pits mingles with their struggles to emerge. The major mystery presented to both characters and readers—who is responsible for the descent of Joseph into Egypt?—develops into a much deeper question articulated by the brothers about the significance of the journey: 'What profit for us?' The conversation among characters is the repeated effort to interpret and thus understand, even control, the details of the descents so that survival is possible. The significance of the Joseph story for characters and readers is in the re-enacting, re-playing, remembering, re-interpreting of the events so that they can be grasped and integrated. The characters' strategies become a model for what the readers must do with the text.

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Winner of the 2021 Julian Minghi Distinguished Book Award from the American Association of Geographers​2021 Foreword Indies Finalist - Politics and Social SciencesIntimate Geopolitics begins with a love story set in the Himalayan region of Ladakh, in India’s Jammu and Kashmir State, but this is also a story about territory, and the ways that love, marriage, and young people are caught up in contemporary global processes. In Ladakh, children grow up to adopt a religious identity in part to be counted in the census, and to vote in elections. Religion, population, and voting blocs are implicitly tied to territorial sovereignty and marriage across religious boundaries becomes a geopolitical problem in an area that seeks to define insiders and outsiders in relation to borders and national identity. This book populates territory, a conventionally abstract rendering of space, with the stories of those who live through territorial struggle at marriage and birth ceremonies, in the kitchen and in the bazaar, in heartbreak and in joy. Intimate Geopolitics argues for the incorporation of the role of time–temporality–into our understanding of territory.

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Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.In this haunting collection, the phantoms and ghouls of Japanese folklore stalk the page. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.'The stories occupy the reverie world our mind projects onto the backs of our eyelids, where the ordinary mingles with the supernatural' - Wall Street Journal

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"This admirably produced and well-translated volume of stories from the Sanskrit takes the Western reader into one of the Golden Ages of India. . . . The world in which the tales are set is one which placed a premium upon slickness and guile as aids to success. . . . Merchants, aristocrats, Brahmins, thieves and courtesans mingle with vampires, demi-gods and the hierarchy of heaven in a series of lively or passionate adventures. The sources of the individual stories are clearly indicated; the whole treatment is scholarly without being arid."—The Times Literary Supplement "Fourteen tales from India, newly translated with a terse and vibrant effectiveness. These tales will appeal to any reader who enjoys action, suspense, characterization, and suspension of disbelief in the supernatural."—The Personalist

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"[P.D. Ouspensky's] yearning for a transcendent, timeless reality—one that cancels out physical disintegration and death—figures into science at some fundamental level. Einstein found solace in his theory of relativity, which suggested to him that events are ever-present in the space-time continuum. When his friend Michele Besso passed on shortly before his own death, he wrote: 'For us believing physicists the distinction between past, present, and future is only an illusion, even if a stubborn one.'" —from Magic, Mystery, and ScienceThe triumph of science would appear to have routed all other explanations of reality. No longer does astrology or alchemy or magic have the power to explain the world to us. Yet at one time each of these systems of belief, like religion, helped shed light on what was dark to our understanding. Nor have the occult arts disappeared. We humans have a need for mystery and a sense of the infinite.Magic, Mystery, and Science presents the occult as a "third stream" of belief, as important to the shaping of Western civilization as Greek rationalism or Judeo-Christianity. The occult seeks explanations in a world that is living and intelligent—quite unlike the one supposed by science. By taking these beliefs seriously, while keeping an eye on science, this book aims to capture some of the power of the occult. Readers will discover that the occult has a long history that reaches back to Babylonia and ancient Egypt. It proceeds alongside, and frequently mingles with, religion and science. From the Egyptian Book of the Dead to New Age beliefs, from Plato to Adolf Hitler, occult ways of knowing have been used—and hideously abused—to explain a world that still tempts us with the knowledge of its dark secrets.

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Widely regarded as the greatest footballer of all time, seven-time Ballon d’Or and six-time Golden Shoe winner, Lionel Messi, enjoyed a record-breaking 17-year career at FC Barcelona during which time he scored more goals, played more games, won more titles and provided more assists than any other player in the Catalan club’s history. Adored by Barça fans, Messi reigned supreme until August 2021, when he made a tearful farewell to a stunned global audience. Messi: The King of Camp Nou is the definitive story of Lionel Messi’s entire Barça career, written by Jason Pettigrove, a football journalist who worked for FC Barcelona during Messi’s final years in Catalonia. Charting Messi’s rise as a hopeful 13-year-old Argentinian boy from Rosario to becoming the best footballer in the world, Pettigrove’s comprehensively researched book features exclusive interviews with key individuals in Messi’s story - team-mates, opponents, managers, agents and fellow journalists - including: Joan Laporta, Lionel Scaloni, Victor Font, Sir Kenny Dalglish, Jamie Carragher, Mike Phelan, Josep Maria Minguella, Horacio Gaggioli, Tony Watt, Santi Padro and Jorge Barraza. From being signed by Barça on a napkin to Champions League glory and becoming FC Barcelona captain, Messi: The King of Camp Nou reveals the inside story of Leo’s remarkable reign at Barça including breaking Pelé's incredible record for most goals scored at one club, how the longed for Copa América title was won and how he, season-on-season, mesmerised the football world.

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In her first collection of stories since her PEN/Faulkner-winning The Caprices, Sabina Murray confronts the manipulation, compassion, ambition, and controversy surrounding some of the most intrepid and sadistic pioneers of the last four millennia. Iconic explorers and settlers are made intimately human as they plow through the un-navigated boundaries of their worlds to give shape to modern geography, philosophy, and science. As Ferdinand Magellan sets out on his final voyage, he forms an unlikely friendship with a rich scholar who harbors feelings for the captain, but in the end cannot save Magellan from his own greed. Balboa’s peek at the South Sea may never have happened if it wasn’t for his loyal and vicious dog, Leonico, and an unavoidable urge to relieve himself. And Captain Zimri Coffin is plagued by sleepless nights after reading Frankenstein, that is until his crew rescues two shipwrecked Englishmen who carry rumor of a giant and deadly white whale lurking in the depths of the ocean. With her signature blend of sophistication and savagery, darkness and humor, Sabina Murray investigates the complexities of faith, the lure of the unknown, and the elusive mingling of history and legend.

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Interpreting the meaning of hospitality in an unwelcoming political moment Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In this first monograph on hospitality in contemporary art, Aristarkhova employs a feminist perspective to critically explore the artworks of Ana Prvački, Faith Wilding, Lee Mingwei, Kathy High, Mithu Sen, Pippa Bacca, Silvia Moro, and Ken Aptekar and asks who, how, and what determines who is worthy of our welcome. Spanning a diverse range of contemporary art practices, Arrested Welcome shows how artists challenge our existing notions of hospitality—culturally, philosophically, and politically. From the role of “microcourtesies” in social change to the portrayal of waiting as a feminist endeavor, Aristarkhova looks deeply into topics such as gender stereotypes of welcome, ways to reclaim civility, and the means by which guests (sometimes human, sometimes animal) push the limits of our hosting traditions. Blending a feminist analysis of hospitality with in-depth case studies on how contemporary artists stimulate personal reflection and political engagement, Aristarkhova initiates these important conversations at a critical time of national and international hospitality crises.

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While the world often categorizes women in reductive false binaries—careerist versus mother, feminine versus fierce—romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood.In Creating Identity, Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: "Who is the romance heroine, and what does she want?" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.

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A hundred years ago and more, a walk down a Chicago street invited an assault on the senses. Untiring hawkers shouted from every corner. The manure from thousands of horses lay on streets pooled with molasses and puddled with kitchen grease. Odors from a river gelatinous and lumpy with all manner of foulness mingled with the all-pervading stench of the stockyard slaughterhouses. In Sensing Chicago, Adam Mack lets fresh air into the sensory history of Chicago in the nineteenth and early twentieth centuries by examining five case studies: the Chicago River, the Great Fire, the 1894 Pullman Strike, the publication of Upton Sinclair's The Jungle, and the rise and fall of the White City amusement park. His vivid recounting of the smells, sounds, and tactile miseries of city life reveals how input from the five human senses influenced the history of class, race, and ethnicity in the city. At the same time, he transports readers to an era before modern refrigeration and sanitation, when to step outside was to be overwhelmed by the odor and roar of a great city in progress.

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What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different. In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. In exploring the neighborhood, he models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.

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Five years since his daughter's death. Now it's happening again.**A Sunday Times pick of the week**'The Next to Die is a remarkably assured debut. It oozes the sour tang of authenticity, mingling psychiatry and crime with the mean streets of London.' Andrew Taylor'Pitch-perfect tone and quality, a terrific debut.' Amer Anwar'A superb, heart-thumping thriller. Without doubt my favourite read of the year.' Carol Wyer'Hooked me immediately with its formidable pace and fluid style.' James Oswald'Outstanding. Gritty and compelling with a cast of richly-drawn characters, this is an exceptional book. That ending - wow!' D. S. ButlerDylan Kasper is stuck. Living in self-imposed reclusion from his former life in the police, he's been in a downward spiral since his daughter's death five years ago.All that changes when the son of an esteemed professor jumps under an inner-city train. His former colleagues call it suicide, but Kasper knows different. This has all happened before - to him, and his dead daughter.Taking on the investigation himself, Kasper soon realises the terrible trouble young Tommy had found himself in. With nowhere to run, he thought suicide was the only way to keep his family safe.But before long, Kasper's investigation makes him target number one. Can he keep his demons in check and stay alive long enough to bring those responsible to justice?

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A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music’s reach. As Bauer shows, conjunto’s encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco’s Legacy reveals how conjunto came to encompass new people, places, and styles.

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New essays on the cultural representations of the relationship between Britain and China in the nineteenth century, focussing on the Amherst diplomatic problem. On 29 August 1816, Lord Amherst, exhausted after travelling overnight during an embassy to China, was roughly handled in an attempt to compel him to attend an immediate audience with the Jiaqing Emperor at the Summer Palace of Yuanming Yuan. Fatigued and separated from his diplomatic credentials and ambassadorial robes, Amherst resisted, and left the palace in anger. The emperor, believing he had been insulted, dismissed the embassy without granting it animperial audience and rejected its "tribute" of gifts. This diplomatic incident caused considerable disquiet at the time. Some 200 years later, it is timely in 2016 to consider once again the complex and vexed historical andcultural relations between two of the nineteenth-century world's largest empires. The interdisciplinary essays in this volume engage with the most recent work on British cultural representations of, and exchanges with, Qing China,extending our existing but still provisional understandings of this area of study in new and exciting directions. They cover such subjects as female foot binding; English and Chinese pastoral poetry; translations; representationsof the trade in tea and opium; Tibet; and the political, cultural and environmental contexts of the Amherst embassy itself. Featuring British and Chinese writers such as Edmund Spenser, Wu Cheng'en, Thomas De Quincey, Oscar Wilde, James Hilton, and Zhuangzi, these essays take forward the compelling and highly relevant subject for today of Britain and China's relationship. Peter J. Kitson is Professor of English at the University of East Anglia;Robert Markley is W.D. and Sara E. Trowbridge Professor of English at the University of Illinois. Contributors: Elizabeth Chang, Peter J. Kitson, Eugenia Zuroski-Jenkins, Zhang Longxi, Mingjun Lu, Robert Markley, EunKyung Min, Q.S. Tong

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