Search results for ""Author Ming"

There's only one vampire Sookie Stackhouse is involved with - at least voluntarily - and that's Bill. But recently he's been a little distant - in another state distant. His sinister and sexy boss Eric has an idea where to find him, and next thing Sookie knows she's off to Jackson, Mississippi, to mingle with the underworld at Club Dead. It's a dangerous little haunt where the elusive vampire society can go to chill out and suck down some Type O - but when Sookie finally finds Bill caught in an act of serious betrayal she's not sure whether to save him, or to sharpen some stakes.The Sookie Stackhouse books are delightful Southern Gothic supernatural mysteries, starring Sookie, the telepathic cocktail waitress, and a cast of increasingly colourful characters, including vampires, werewolves and things that really do go bump in the night.

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When the Ottoman Empire collapsed, so many spies mingled in the lobby of Istanbul’s Pera Palace Hotel that the manager put up a sign asking them to relinquish seats to paying guests. As the multi-ethnic empire became a Turkish republic, Russian émigrés sold family heirlooms, an African American impresario founded a jazz club and Miss Turkey became the first Muslim beauty queen. Turkey’s president Kemal Atatürk, Muslim feminist Halide Edip, the exiled Leon Trotsky and the future Pope John XXIII fought for new visions of human freedom. During the Second World War, German intellectuals ran from the Nazis while Jewish activists spirited refugees out of occupied Europe. This pioneering portrait of urban reinvention re-creates an era when an ancient city became a global crossroads—a moment when Europe’s closest Muslim metropolis became its vital port of refuge.

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The first translation of The Countess von Rudolstadt in more than a century brings to contemporary readers one of George Sand's most ambitious and engaging novels, hailed by many scholars of French literature as her masterpiece. Consuelo, or the Countess von Rudolstadt, born the penniless daughter of a Spanish gypsy, is transformed into an opera star by the great maestro Porpora. Her peregrinations throughout Europe (especially Vienna, Berlin, and the Bohemian forest), become a quest undertaken on a number of levels: as a singer, as a woman, and as an unwilling subject of alienation and oppression. Sand's heroine moves through a mid-eighteenth-century Europe where absolute rulers mingle with Enlightenment philosophers and gender-bending members of secret societies plot moral and political revolution. As the old order breaks down, she undergoes a series of grueling initiations into radically redefined notions of marriage and social organization. In a novel by equal measures philosophical and lurid, nothing is what it seems. Written some fifty years after the French Revolution, the book taps into many of the political and religious currents that contributed to that social upheaval—and aims to channel their potential for future change. Fed by Sand's rich imagination and bold aspirations for social reform, The Countess von Rudolstadt is a sinuous novel of initiation, continuing the coming of age tale of the titular heroine of Sand's earlier Consuelo and drawing on such diverse models as Ann Radcliffe's Gothic tales and Goethe's Wilhelm Meister.

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In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

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In this sharp and suspenseful sequel to Sleeping with Friends, a reluctant detective investigates a suspicious death, the party where it happened—and the secrets no one’s willing to tell.Book editor Agnes Nielsen never anticipated the viral celebrity that would come after solving the attempted murder of her best friend. Suddenly swept up in a world of luxury, she finds herself mingling with New York’s movers, shakers, and moneymakers—among them the enigmatic heiress Charlotte Bond, who takes Agnes under her wing.But those wings, it turns out, aren’t enough to save Charlotte from a fatal fall.When police dismiss the death as accidental, Agnes takes on the scions and wannabes of New York society, even if she sometimes doubts her new skill set as a hipster detective. After all, she only has a vague recollection of the party that ended Charlotte’s life, and everyone else has a different story. Or so they say.A

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Motherless Brooklyn is a compulsively readable riff on the classic noir detective novel. Brooklyn''s self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to rip apart our language in startling and original ways. Together with three other veterans of the St. Vincent''s Home for Boys, he works for small-time mobster Frank Minna''s limo service cum detective agency. But when Frank is fatally stabbed, Lionel''s world is suddenly topsy-turvy, and he must untangle the threads of the case while trying to keep the words straight in his head.The Fortress of Solitude is the vividly told story of Dylan Ebdus growing up white and motherless in Brooklyn in the 1970s. In a neighbourhood where the entertainments include muggings and games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unravelling of the boys'' friendship, Lethem creates an overwhelmingly rich and emotionally

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Now that the vibrant colours and bold shapes of mid-century design are more popular than ever, Retro Revival offers a privileged glimpse into fabulous retro-inspired homes around the world. Our passion for retro style shows no signs of fading. From the cerebral elegance of mid-century modern and the spare simplicity of Scandinavian retro design to the flamboyant opulence of the 1970s, retro interiors still exert enormous appeal. In this glorious book, Andrew Weaving visits 17 inspiring and varied homes around the globe that showcase the Retro Revival style. Furniture by Charles and Ray Eames, Arne Jacobsen and Le Corbusier mingles with textiles by Lucienne Day, lighting by Isamu Noguchi and ceramics by Russel Wright and Constance Spry. Take a tour of a minimalist loft in London and enjoy the colourful, playful chic of Palm Beach in the 1960s as you explore the many facets of a look that ranges from sophisticated glamour to pared-down elegance.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. Clarissa Dalloway is a woman of high-society – vivacious, hospitable and sociable on the surface, yet underneath troubled and dissatisfied with her life in post-war Britain. This disillusionment is an emotion that bubbles under the surface of all of Woolf’s characters in Mrs Dalloway. Centred around one day in June where Clarissa is preparing for and holding a party, her interior monologue mingles with those of the other central characters in a stream of consciousness, entwining, yet never actually overriding the pervading sense of isolation that haunts each person. One of Virginia Woolf’s most accomplished novels, Mrs Dalloway is widely regarded as one of the most revolutionary works of the 20th century in its style and the themes that it tackles. The sense that Clarissa has married the wrong person, her past love for another female friend and the death of an intended party guest all serve to amplify this stultifying existence.

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Two hearts. Twice as vulnerable. Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she’s carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens—dissecting and displaying them for the eager public. Cora’s specialty is not only profitable, it’s a means to keep a finger on the pulse of those searching for her. She’s the girl born with two hearts—a legend among grave robbers and anatomists—sought after as an endangered prize. Now, as a series of murders unfolds closer and closer to Cora, she can no longer trust those she holds dear, including the young medical student she’s fallen for. Because someone has no intention of waiting for Cora to die a natural death.

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Running from 1990 to 1999, the annual OutWrite conference played a pivotal role in shaping LGBTQ literary culture in the United States and its emerging canon. OutWrite provided a space where literary lions who had made their reputations before the gay liberation movement—like Edward Albee, John Rechy, and Samuel R. Delany—could mingle, network, and flirt with a new generation of emerging queer writers like Tony Kushner, Alison Bechdel, and Sarah Schulman. This collection gives readers a taste of this fabulous moment in LGBTQ literary history with twenty-seven of the most memorable speeches from the OutWrite conference, including both keynote addresses and panel presentations. These talks are drawn from a diverse array of contributors, including Allen Ginsberg, Judy Grahn, Essex Hemphill, Patrick Califia, Dorothy Allison, Allan Gurganus, Chrystos, John Preston, Linda Villarosa, Edmund White, and many more. OutWrite offers readers a front-row seat to the passionate debates, nascent identity politics, and provocative ideas that helped animate queer intellectual and literary culture in the 1990s. Covering everything from racial representation to sexual politics, the still-relevant topics in these talks are sure to strike a chord with today’s readers.

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The story of Alfred Barr and Philip Johnson, two young men, now acknowledged as giants in the history of modernism, who changed the course of design in the United States. The 1920s and 1930s saw the birth of modernism in the United States, a new aesthetic, based on the principles of the Bauhaus in Germany: its merging of architecture with fine and applied arts; and rational, functional design devoid of ornament and without reference to historical styles. Alfred H. Barr Jr., the then 27-year-old founding director of the Museum of Modern Art, and 23-year-old Philip Johnson, director of its architecture department, were the visionary young proponents of the modern approach. Shortly after meeting at Wellesley College, where Barr taught art history, and as Johnson finished his studies in philosophy at Harvard, they set out on a path that would transform the museum world and change the course of design in America. The Museum of Modern Art opened just over a week after the stock market crash of 1929. In the depths of the Depression, using as their laboratories both MoMA and their own apartments in New York City, Barr and Johnson experimented with new ideas in museum ideology, extending the scope beyond painting and sculpture to include architecture, photography, graphic design, furniture, industrial design, and film; with exhibitions of ordinary, machine-made objects (including ball bearings and kitchenware) elevated to art by their elegant design; and with installations in dramatically lit galleries with smooth, white walls. Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York - 1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany - and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Plentifully illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments - domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe - this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.

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The Safety of Small Things meditates on mortality from a revealing perspective. Images of stark examination rooms, the ravages of chemotherapy, biopsies, and gel-soaked towels entwine with remembrance to reveal grace and even beauty where they are least expected. Jane Hicks captures contemporary Appalachia in all of its complexities: the world she presents constantly demonstrates how the past and the present (and even the future) mingle unexpectedly. The poems in this powerful collection juxtapose the splendor and revelation of nature and science, the circle of life, how family and memory give honor to those we've lost, and how they can all fit together. This lyrical and contemplative yet provocative collection sings a song of lucidity, redemption, and celebration.

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Why is finance so important? How do stock markets work and what do they really do? Most importantly, what might finance be and what could we expect from it? Exploring contemporary finance via the development of stock exchanges, markets and the links with states, Roscoe mingles historical and technical detail with humorous anecdotes and lively portraits of market participants. Deftly combining research and autobiographical vignettes, he offers a cautionary tale about the drive of financial markets towards expropriation, capture and exclusion. Positioning financial markets as central devices in the organization of the global economy, he includes contemporary concerns over inequality, climate emergency and (de)colonialism and concludes by wondering, in the market’s own angst-filled voice, what the future for finance might be, and how we might get there.

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Explore ghosts and mysteries across the American Southwest. Learn about the traveling rocks of Devil’s Racetrack in Death Valley. Experience the spirits of criminals in the Yuma Territorial Prison, and find out the strange way one prisoner escaped. Stay the night in the St. James Hotel and encounter spirits that mingled with the likes of Jesse James and Black Jack Ketchum. Take a journey to Elizabethtown where the resident ghost was a serial killer in life, and possibly in death. Enjoy a drink in Virginia City where the dusty miner sitting next to you may just be a ghost. Find out why you may want to avoid driving on Route 491, at least when you’re alone. The Southwest has haunts for you, from an old ghost town to the local corner store.

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The Ku Klux Klan has peaked three times in American history: after the Civil War, around the 1960s Civil Rights Movement, and in the 1920s, when the Klan spread farthest and fastest. Recruiting millions of members even in non-Southern states, the Klan’s nationalist insurgency burst into mainstream politics. Almost one hundred years later, the pent-up anger of white Americans left behind by a changing economy has once again directed itself at immigrants and cultural outsiders and roiled a presidential election.In The Politics of Losing, Rory McVeigh and Kevin Estep trace the parallels between the 1920s Klan and today’s right-wing backlash, identifying the conditions that allow white nationalism to emerge from the shadows. White middle-class Protestant Americans in the 1920s found themselves stranded by an economy that was increasingly industrialized and fueled by immigrant labor. Mirroring the Klan’s earlier tactics, Donald Trump delivered a message that mingled economic populism with deep cultural resentments. McVeigh and Estep present a sociological analysis of the Klan’s outbreaks that goes beyond Trump the individual to show how his rise to power was made possible by a convergence of circumstances. White Americans’ experience of declining privilege and perceptions of lost power can trigger a political backlash that overtly asserts white-nationalist goals. The Politics of Losing offers a rigorous and lucid explanation for a recurrent phenomenon in American history, with important lessons about the origins of our alarming political climate.

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English spas have a long and steamy history, from the thermal baths of Aquae Sulis in Bath to the stews of Southwark, the elegant pump rooms of Cheltenham and Buxton to the Victorian mania for hydrotherapy and Turkish hammams. 'The Secret History of English Spas' is an informative but light-hearted social and cultural history of our obsession with drinking and bathing in spa waters. It tells the stories of the rich, the famous, the poor and the sick, all of whom visited spas in hopes of curing everything from infertility to leprosy and gonorrhoea. It depicts the entrepreneurs who promoted these resorts – often on the basis of the most dubious scientific evidence – and the riotous and salacious social life enjoyed in spa towns, where moral health might suffer even as bodies were cleansed and purged. And yet English spas also offered an ideal of civility and politeness, providing a place where social classes and sexes could mingle and enjoy refined entertainments such as music and dance – all part of the fashionable pastime referred to as ‘taking the waters’.

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"The photographs of William Claxton define the essence of cool." - Jason Ankeny (AllMusic) "Claxton's innovative choices and airy style, which he called 'jazz for your eyes', worked sublimely to document and promote the rise of trumpeter and singer Chet Baker, especially." - Howard Mandel Born in Pasadena, California, photographer William Claxton (1927-2008) is best known for his dozens of splendid portraits of jazz stars (especially those of Chet Baker, of whom he made the first professional photos) and Hollywood stars (such as his friend Steve McQueen). In 1952, while shooting Gerry Mulligan and Chet Baker at the Haig Club, he met Richard Bock, founder of Pacific Jazz, who quickly hired him as art director and house photographer. During his time at the label, Claxton snapped and designed album covers at a rate of roughly one per week, in the process establishing the visual identity of the West Coast jazz movement. Where previous jazz photographers captured their subjects in the dark, smoky environs of nightclubs, Claxton capitalised on the sun and surf of southern California, posing artists in unorthodox outdoor settings to represent a new era in the music's continued evolution. Claxton's images graced the covers of numerous music albums, and his work regularly appeared in such magazines as Life, Paris Match and Vogue. Claxton wrote 13 books, held dozens of exhibitions of his photographs around the world, and won numerous photography awards. This book presents a selection of more than 150 superb images by the great photographer. Among the multiple artists portrayed are Louis Armstrong, Chet Baker, Art Blakey, Clifford Brown, Dave Brubeck, Ray Charles, Ornette Coleman, John Coltrane, Miles Davis, Bill Evans, Stan Getz, Billie Holiday, Antonio Carlos Jobim, Charles Mingus, Thelonious Monk, Wes Montgomery, Lee Morgan, Art Pepper, Sonny Rollins, Dinah Washington, and Muddy Waters. Text in English, with an introduction in English, French and Spanish.

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All they wanted was land: land for crofting and land on which to build a house. In 1908, ten desperate men from the islands of Barra and Mingulay in the Western Isles were imprisoned in Edinburgh for refusing to leave the island of Vatersay, where they had built huts and planted potatoes without permission. The case caused an outcry throughout Scotland, and led eventually to the purchase of the island by the government for crofting. This book, the first about Vatersay, tells the remarkable story of the raiders and their struggle to escape from the poverty which the policies of an absentee landowner forced them to endure. The Vatersay Raiders documents not only these events, which had enormous significance in the history of crofting, but also the fascinating earlier history of Vatersay and its now-deserted neighbour Sandray. An outline of more recent developments brings the account up to date.

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To save her family from financial ruin, Miss Poppy Garrison accepts an unusual proposition to participate in the New York social season in exchange for her grandmother settling a family loan that has unexpectedly come due. Ill-equipped to handle the intricacies of mingling within the New York Four Hundred, Poppy becomes embroiled in one hilarious fiasco after another, doomed to suffer a grand societal failure instead of being deemed the diamond of the first water her grandmother longs for her to become. Reginald Blackburn, second son of a duke, has been forced to travel to America to help his cousin, Charles Wynn, Earl of Lonsdale, find an American heiress to wed in order to shore up his family estate that is in desperate need of funds. Reginald himself has no interest in finding an heiress to marry, but when Poppy's grandmother asks him to give etiquette lessons to Poppy, he swiftly discovers he may be in for much more than he bargained for.

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Explore a mysterious, enchanted world in this beautifully illustrated colour-by-numbers collection. Have you ever dreamed of stepping into another realm? This book will take you on a tour of an enchanted land, where human and animals mingle at magnificent banquets and magical fireworks illuminate the skies. Georgie Fearns''s charming art style blends warmth and wit with exquisite detail. The line drawings inside have been designed to reveal their mysteries only when colour is added to the page. Perfect for children aged 8+.Features:• A colour-key on each page for easy reference• Thick, high-quality paper to avoid bleed-through• Previews of the finished designs in full-colour to aid design selection.ABOUT THE SERIES: The beautifully illustrated Arcturus Creative Colour by Numbers series includes expressive, modern and uplifting artworks to fill with colour, with a colour-key on each page for easy

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An authoritative volume representing the vast oeuvre of one of the twentieth century’s most brilliant and visionary poets.Widely regarded as some of the most important and innovative poetry from postwar Europe, Tomaž Šalamun’s work offers a singularly thrilling reading experience. Sharp and subtle, Šalamun’s rhythms intertwine with an incantatory force; his prescient, liberatory politics and poetics pulse like a heartbeat. In Kiss the Eyes of Peace, the histories of Slovenia, the former Yugoslavia, and Europe are broken into kaleidoscopic harmonies of terror and joy: friends and family talk to each other under the sun as snow, apples, and deer mingle with blood and bones, with salt and cabbage, with gold, silk, and wine, and with God and heaven in the sand and grass.“Love tore apart all my theories,” writes Šalamun. His oracular poems, suffused with mystic pr

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Spiky, clever, funny' Emma StonexA true page-turner' The IndependentFabulous' Daily MailIt's peak 90s London. Scandal dominates the headlines, men dominate the board rooms and Becky Sharp will stop at nothing to reach the top at the Mercury newspaper.Mingling with tabloid millionaires and trading favours with royalty, Becky lands scoop after scoop, ruthlessly carving a place for herself in a world determined to ignore her. These are the biggest stories of the decade, and Becky has something to do with every one of them.But Becky may have more in common with the people she writes about than she thinks what takes a lifetime to build takes only a moment to destroy . . .A darkly entertaining and delicious read, Sarah May's Becky charts the rise and fall of an unforgettable heroine.A Vanity Fair for the mass-media age' - The Guardian

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Ernie O’Malley was a revolutionary republican and writer. One of the leading figures in the Irish independence and civil wars, he survived wounds, imprisonment and hunger strike, before going to the USA in 1928 to fundraise on de Valera’s behalf. Broken Landscapes tells of his subsequent journeys, through Europe and the Americas, where O’Malley moved in wide social circles that included Paul Strand, Edward Weston, Hart Crane and Jack B. Yeats. Back in Mayo he took up farming. In 1935 he married Helen Hooker, an American heiress, with whom he had three children, Cathal, Etain and Cormac, before a bitter separation. His literary reputation was established with a magnificent memoir, On Another Man’s Wound (1936). In later years he was close to John Ford, and worked on The Quiet Man (1952). This vibrant new collection of letters, diaries and fragments opens up the broad panorama of his life to readers. It enriches the history of Ireland’s troubled independence with reflections on loss and reconciliation. It links the old world to the new – O’Malley perched on the edge of the Atlantic, a folklore collector, art critic and radio broadcaster; autodidact, modernist and intellectual. It conducts a unique conversation with the past. In Broken Landscapes, we travel with O’Malley through Italy, the American Southwest, Mexico and points inbetween. In Taos, he mingled wiht the artistic set around D. H. Lawrence. In Ireland, he drank with Patrick Kavanagh, Liam O’Flaherty and Louis MacNiece. The young painter Louis le Brocquy was his guest on his farm in Burrishoole, Co. Mayo. These places and people remained with O’Malley in his private writing, assembled for the first time from family and institutional archives. Reading these letters, dairies and fragments is to see Ireland in the tumultuous world of the twentieth century, as if for the first time, allowing us to view the intellectual foundations of the State through the eyes of its leading chronicler.

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'A very cool and intelligent writer' TLS Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Christine Hall, a mother in her late thirties, is on holiday on the south coast of England when she bumps into an old friend: Celia Baird, staying with her parents at the Moray hotel. Celia - eccentric, impulsive - is one of tangled group of friends who have Christine at their core. There's architect Eric Aveling (who happens to be having an affair with Celia); his wife, terminally ill Lois; and Junius Evans, Eric's business partner. When death affects a shift in the dynamics of the group, none of them expect the final outcome. Duty, guilt, secrecy, loneliness: the hidden side of marriage is uncovered as choices are thrust upon the characters.******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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By the time she was 14, Chrissie Hynde knew she had to get out of Akron, Ohio. Her perfect ’50s American childhood upturned by a newly acquired taste for rock ’n’ roll, motorbikes and the ‘get down boys’ seen at gigs in and around Cleveland – Mitch Ryder, the Jeff Beck Group, the Velvet Underground and David Bowie among the many.Wrapped up in the Kent State University riots and getting dangerously involved in the local biker and drug scenes, she escaped - to Mexico, Canada, Paris and finally London where she caught the embryonic punk scene just in time not only to witness it first-hand, but more importantly to seize the opportunity to form her own band, the Pretenders.Iggy Pop, the Sex Pistols, the Clash, Vivienne & Malcolm, Ray Davies … on every page household names mingle with small town heroes as we shift from bedroom to biker HQ; from squat to practice room; from pub gig to Top Of The Pops – the long and crooked path to stardom, and for the Pretenders, ultimately, tragedy.That Chrissie Hynde is alive to tell the tale is, by her own admission, something of a miracle. Throughout she is brutally honest, wryly humorous and always highly entertaining. She has written one of the most evocative and colourful music memoirs to be published in recent years.

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Everybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York’s spirited dives, where men and women, often black and white, mingled freely—to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit “Alexander’s Ragtime Band,” and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. Everybody’s Doin’ It illuminates the how, why, and where of America’s popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.

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Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land.In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

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This description is for the Inuktitut edition.Nunatsiavut, tânna Inuit nunakKatigengituk Canada-mit pitâlauttut namminik kavamamik 2005-imi, sanaKattajut sananguatausimajunik adjiKangitunik nunatsualimâmit Canadamiungutlutik ammalu ukkiuttatop KikKanganettuk Inuit sananguataumajut. Silatsualimâmi siKinganeluattuk inigijautluni Inutuinnanut, tamakkua satjugiamit inuit Nunatsiavummi iniKainnatut napattop killingani, ammalu Inuit allanguattingit ammalu sananguatingit Nunatsiavummit pitâsongunginnatut adjigengitunik ukiuttattumi ammalu ukiuttattoKattangimmijuk pigutsianginnik, taikkunangat atuKattasimajut takuminattunik sanagalagiamik suliagijanginnit.Allanguattet nunanganit piusituKanginnit atuKattasimavut ukkusitsajannik ammalu Kijunik sananguagiamut; amilinnik, tuttujannik, ammalu Kisinik atuttausonik sanaKattajut; ammalu tagiulinnit ivinik sanaKattamijut, ammalugiallak allasajannik, kikiatsajak, Kallunâttajak, sapangak, ammalu alakkasâjannik. MânnaKammik, sanagalasimavut sanajaunginnatunik takugatsausongutlutik, ilautillugit minguattausimajut, allanguattausimajut, nenittausimajut, adjiliuttausimajut, taggajâliuttausimajut, ammalu maggalinnit, atautsikut atutlutik piusituKannik atunginnatamminik nutângutlutik ammalu nigiugijausimangitunut piusitKatlutik.SakKijâjuk: Allanguattausimajut ammalu sananguatausimajut Nunatsiavummit sivulligijauvuk angijotluni nuititausimajuk allanguattausimajunit Labrador Inunginnit. Sanajauluasimajuk angijummagimmik apvitattitaulluni takugatsauniattilugit âkKisuttausimajuk taikkununga taijaujunut The Rooms Prâvinsikkut Allanguattausimajunik Takujapvinganut St. John's-imit, atuagak pitaKalangavuk ungatâni 80-nik sanajaugesimajunut 45-init adjigengitunit sananguatinut, kinakkoningit iluanemmijut sananguatet, ammalu angijummagik allataumajuk sananguatet pitjutigillugit Nunatsiavummit allasimajuk Heather Igloliorte.SakKijâjuk pivitsaKattisijuk atuatsiKattajunut, katitsuiKattajunut, allanguattinut piusituKaujunut, ammalu katitsuiKattajunut sunatuinnanik sananguatausimajunit siKinittini ammalu taggatinni takujagiattulâkKut taikkununga adjiKangitunut, sanajautsiasimajunut, ammalu takuminattusiavannik suliagijausimajunut Inuit sananguatinginnut ammalu allanguattinginnut Nunatsiavummit.

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The Inheritance of Loss is Kiran Desai's extraordinary Man Booker Prize winning novel.High in the Himalayas sits a dilapidated mansion, home to three people, each dreaming of another time. The judge, broken by a world too messy for justice, is haunted by his past. His orphan granddaughter has fallen in love with her handsome tutor, despite their different backgrounds and ideals. The cook's heart is with his son, who is working in a New York restaurant, mingling with an underclass from all over the globe as he seeks somewhere to call home. Around the house swirl the forces of revolution and change. Civil unrest is making itself felt, stirring up inner conflicts as powerful as those dividing the community, pitting the past against the present, nationalism against love, a small place against the troubles of a big world. 'A Magnificent novel of humane breadth and wisdom, comic tenderness and political acuteness' Hermione Lee, chair of the Man Booker Prize judges'Poised, elegant and assured . . . breaks out into extraordinary beauty' The Times'Desai's bold, original voice, and her ability to deal in a grand narratives with a deft comic touch that affectionately recalls some of the masters of Indian fiction, makes hers a novel to reread and remembered' Independent

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Over 100 color photographs vividly portray the people and places of the southeastern Adirondacks as seen by a Glens Falls family physician who has spent over twenty years practicing rural medicine in such places as Bolton Landing, Warrensburg, North Greek, Indian Lake, Long Lake, Wells, and Speculator. The book is a breathtaking collection of Adirondack landscapes taken along Dr. Daniel Way's travels, mingled with portraits of his patients taken in their homes and the many stories that reveal the full spectrum of humor, sorrow, wonder and stress that constitutes the doctor-patient relationship. The book's patient population includes trappers, war heroes, matriarchs, lumbermen, Great Camp residents, and transplanted ""flatlanders,"" and their stories will leave the reader enriched while enjoying views of Adirondack rivers, mountains, lakes, and forests.

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In Empty Moments, Leo Charney describes the defining quality of modernity as “drift”—the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture’s preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust’s conception of time/memory with Cubism’s attempt to interpret time through perspective and Surrealism’s exploration of subliminal representations of the present. Other topics include Husserl’s insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin’s laws of thermodynamics. Ultimately, Charney’s work hints at parallels among such examples, the advent and popularity of cinema, and early film theory. A book with a structural modernity of its own, Empty Moments will appeal to those interested in cinema and its history, as well as to other historians, philosophers, literary, and cultural scholars of modernity.

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The role of athletics in ancient Greece extended well beyond the realms of kinesiology, competition, and entertainment. In teaching and philosophy, athletic practices overlapped with rhetorical ones and formed a shared mode of knowledge production. Bodily Arts examines this intriguing intersection, offering an important context for understanding the attitudes of ancient Greeks toward themselves and their environment. In classical society, rhetoric was an activity, one that was in essence "performed." Detailing how athletics came to be rhetoric's "twin art" in the bodily aspects of learning and performance, Bodily Arts draws on diverse orators and philosophers such as Isocrates, Demosthenes, and Plato, as well as medical treatises and a wealth of artifacts from the time, including statues and vases. Debra Hawhee's insightful study spotlights the notion of a classical gymnasium as the location for a habitual "mingling" of athletic and rhetorical performances, and the use of ancient athletic instruction to create rhetorical training based on rhythm, repetition, and response. Presenting her data against the backdrop of a broad cultural perspective rather than a narrow disciplinary one, Hawhee presents a pioneering interpretation of Greek civilization from the sixth, fifth, and fourth centuries BCE by observing its citizens in action.

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The instantly recognizable English cottage garden encapsulates that delightful mix of scented climbers, drifts of flowers inter-mingled with herbs and vegetables, fruit trees and traditional features. Much loved and copied throughout the world, it is uniquely individual. With no strict rules to adhere to, it is a garden style that is both informal and functional, celebrating fragrance, flowers and seasonal interest at its heart. The old cottage style of gardening, that blended planting to create a flowery yet productive plot within a small space, is still highly relevant and easily transferable to today's modern garden, whether it be a city courtyard or a large garden in the country. Appropriate for gardeners of every level of ability, The English Cottage Garden covers all aspects of designing a cottage-style garden; from choosing the right trees, climbers, shrubs and perennials to creating an authentic cottage feel to the planting It also covers the use of colour within the garden; how features can establish a framework and create focal points; and why companion planting is essential to this style. Illustrated throughout with a wealth of photographs showing gardens, planting combinations, colourful border schemes and individual flowers, this book is an essential read for anyone interested in the quintessential cottage garden.

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Zhu Pei’s Jingdezhen Imperial Kiln Museum recalls a time of glory of the once “Millenium Porcelain Capital” city, Jingdezhen, and extends these memories to the present. Inspired by the perception of Jingdezhen’s specific regional culture (porcelain) and the survival wisdom of the locals, the museum is a symbol of the past and future. The contemporary architecture magnificently resonates the ages: the building form is reminiscent of ancient traditional brick kilns, and its landscape — with mirror pools, bamboo groves, kiln ruins, and courtyards — recreates an impression of Jingdezhen’s vibrant porcelain past. As an "Architecture of Nature," that evokes both contemporaneity and ancient vibes, the museum subverts typical perceptions of modern-day museums. Coloured photos, drawings, essays, and interviews provide detailed insights on the conception of the museum — from design concept to environmental strategies, to construction techniques and construction materials — as well as the architect’s personal perspectives on the overall concept and intention of the museum. The pages also feature commentaries on the museum by well-known architects, including Fan Di'an, Kenneth Frampton, Steven Holl, Arata Isozaki, Rem Koolhaas, Thomas Krens, Mohsen Mostafavi, Wang Mingxian.

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In North Pole, Michael Bravo explains how visions of the North Pole have been supremely important to the world's cultures and political leaders, from Alexander the Great to neo-Hindu nationalists. Tracing poles and polarity back to sacred ancient civilizations, this book explores how the idea of a North Pole has given rise to utopias, satires, fantasies, paradoxes and nationalist ideologies, from the Renaissance to the Third Reich. The Victorian conceit of the polar regions as a vast empty wilderness, and the preserve of white males battling against the elements, was far from the only polar vision. Michael Bravo shows an alternative set of pictures, of a habitable Arctic criss-crossed by densely connected networks of Inuit routes, rich and dense in cultural meanings. In Western and Eastern cultures, theories of a sacred North Pole abound. Visions of paradise and a lost Eden have mingled freely with the imperial visions of Europe and the United States. Forebodings of failure and catastrophe have been companions to tales of conquest and redemption. Michael Bravo shows that visions of a sacred or living pole can help humanity understand its twenty-first-century predicament, but only by understanding the pole's deeper history.

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What happens when a very human kid ends up at the wrong summer camp—FOR VAMPIRES?! This quirky and heart warming graphic novel about making friends and getting in trouble is perfect for fans of Witches of Brooklyn.After a lackluster school year, Maya anticipates an even more disappointing summer. The only thing she’s looking forward to is cooking and mixing ingredients in the kitchen, which these days brings her more joy than mingling with her peers . . . that is until her dad's girlfriend registers her for culinary summer camp! Maya's summer is saved! . . . or not. What was meant to be a summer filled with baking pastries and cooking pasta is suddenly looking a lot . . . paler?! Why do all of the kids have pointy fangs? And hate garlic? Turns out that Maya isn't at culinary camp—she's at a camp for VAMPIRES! Maya has a lot to learn if she's going to survive this summer . . . and if she's lucky, she might even make some friends

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Labor and Love in Guatemala re-envisions the histories of labor and ethnic formation in Spanish America. Taking cues from gender studies and the "new" cultural history, the book transforms perspectives on the major social trends that emerged across Spain's American colonies: populations from three continents mingled; native people and Africans became increasingly hispanized; slavery and other forms of labor coercion receded. Komisaruk's analysis shows how these developments were rooted in gendered structures of work, migration, family, and reproduction. The engrossing narrative reconstructs Afro-Guatemalan family histories through slavery and freedom, and tells stories of native working women and men based on their own words. The book takes us into the heart of sweeping historical processes as it depicts the migrations that linked countryside to city, the sweat and filth of domestic labor, the rise of female-headed households, and love as it was actually practiced—amidst remarkable permissiveness by both individuals and the state.

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Here is the story of arguably America''s finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines - even Russia - empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused - until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity - a powerful woman. Mingling with the movers and shakers of the day - with President McKinley, Theodore Roosevelt, William Randolf Hearst,

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

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After Sylvia is an anthology of new writing celebrating the work and legacy of Sylvia Plath. Published by Nine Arches Press in October 2022, the book honours the 90th anniversary of Plath’s birth through a range of compelling poems and thought-provoking essays by leading and up-and-coming poets and scholars from the UK and beyond.After Sylvia is shaped around five inspiring chapters, each exploring a key Plathian theme: Nature, Rebirth, Womanhood, Mothers & Fathers and Magic. Co-edited by Ian Humphreys and Sarah Corbett, contributors include Mona Arshi, Emily Berry, Mary Jean Chan, Heather Clark, Pascale Petit and Jacob Polley.This vital anthology sets out to help dispel the myth of Sylvia Plath as tortured genius destined to her fate, by expressing the power and complexity of her work, legacy and reputation as one of the most important and influential writers of the 20th century.Full list of contributors: Moniza Alvi, Romalyn Ante, Mona Arshi, Polly Atkin, Tiffany Atkinson, Sally Baker, Colin Bancroft, Emily Berry, Nina Billard Sarmadi, Caroline Bird, Sharon Black, David Borrott, Mary Jean Chan, Heather Clark, Angela Cleland, Jane Commane, Sarah Corbett, Jonah Corren, Gail Crowther, Mari Ellis Dunning, Samatar Elmi, Ruth Fainlight, Daniel Fraser, Rosie Garland, Victoria Gatehouse, Rebecca Goss, Annie Hayter, Gaia Holmes, Ian Humphreys, Julie Irigaray, Bhanu Kapil, Victoria Kennefick, Martin Kratz, Zaffar Kunial, Jennifer Lee Tsai, Carola Luther, Karen McCarthy Woolf, Roy McFarlane, Nina Mingya Powles, Mark Pajak, Caleb Parkin, Pascale Petit, Jacob Polley, Niamh Prior, Shivanee Ramlochan, Clara Rosarius, Devina Shah, Penelope Shuttle, Jean Sprackland, Laura Stanley, Paul Stephenson, Degna Stone, Dorka Tamás, Anastasia Taylor-Lind, Peter Wallis, Tom Weir, Sarah Westcott, Merrie Joy Williams, Sarah Wimbush, Tamar Yoseloff.

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La pharmacopee syriaque demeure encore aujourd'hui peu connue, malgre l'edition datant de 1913 d'un gros volume que nous evons a E.A. Wallis Budge mais qui est loin d'etre parfaite, et un manuscrit inedit de la BnF auquel est apparente un autre de la collection Mingana. L'auteur s'est donne pour tache dans ce petit lexique de rassembler tous les termes, avec les references exactes qui manquaient chez Budge, comprenant les noms de plantes, joliment illustres par cliches fournis par Mme S. Amigues, ainsi que les termes mineraux et animaliers qui entraient dans la composition des recettes pharmacologiques. Le principal but de cet ouvrage est de determiner l'origine linguistique des mots syriaques, une grande partie venant du grec. Cependant un nombre non negligeable de mots issus du moyen-perse ou de persan / arabo-persan est a remarquer. Cela montre combien la pharmacopee en syriaque, comme d'autre sciences (medecine, philosophie, etc.) a herite du grec, attestant par la que les Syriens furent les transmetteurs aux Arabes de ces sciences, comme les specialistes l'oublient trop souvent et comme l'auteur l'a deja montre dans des articles precedents.

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Longleaf is a chapbook of poems deeply rooted in place and the landscape of John Saad's native coastal Alabama. This wide-ranging and wise collection shows the poet's bone-deep connection to home that stems from childhood through early adulthood. With finely wrought images and specialized yet lyrical language that recall the best of Rodney Jones and Philip Levine, Saad brings us into his world of the Deep South, where 'the fumbled light of live oaks' mingles with 'the ferrous / howls / of valley dogs.' In these pages, memories of family are woven with observations of a natural world in constant conversation with civilization and the machines that encroach upon it. Still, Saad's poems prove that his environment can and will endure, no matter how marked with freeways and 'smokestacks belching black.' Windows still give us views of an 'anvil sky' dissolving 'over the purple pulse / of switchgrass,' and we can—like the guitar he once abandoned on a riverbank—lose ourselves in 'the cutbank's slow refrains,' at last redeemed by 'the water's dark applause.'

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In this annotated translation and study of an early fourteenth-century Japanese devotional picture scroll set, Royall Tyler illuminates the complex relationships between medieval Japanese religion and politics, text, and art. The Kasuga Gongen genki ("The Miracles of the Kasuga Deity") mingles text and painting on silk to tell the tale of miraculous events at the Kasuga shrine in Nara, a site favored by the dominant Fujiwara clan for centuries. The work's values are aristocratic, but the text sheds light on the syncretic nature of the era's religious practices, allowing Tyler to collapse the distinction between high and low forms of medieval Japanese religion. Tyler provides a detailed examination of the scrolls, the shrine, and their history and political role. He also elucidates the scrolls' relationship to literary genre and religious practice, including the interaction between Shintoism and Buddhism. His copious annotations describe the work's historical context, as well as its religious and cultural influences. This study is essential for scholars of religion, art historians, and cultural historians alike.

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Provocative and tender, passionate yet wary, the highly charged poems in Helen Farish's first collection testify to the complex nature of relationships with lovers, with family and with the self. The love poems explore moments of intense exposure, and within the erotic relation seek to carve out a voice adequate to the expression of female sexuality and desire. Within this framework, the body itself becomes a rich and compelling site of inquiry. Posted throughout the collection like sentinels, poems on the death of the father draw the poet back home where grief mingles with surprising moments of grace or redemption. But whether the encounter concerns sudden loss or sudden blessing, constant throughout is a warm and boldly embodied lyric 'I' voice generously inviting the reader in. Poised at life's mid-point, these haunting, haunted poems negotiate their emotional freight in carefully crafted forms which mediate between exposure and guardedness. Expertly charting the geographies of sex and love, the histories of childhood and grief, Intimates introduces a new poet of originality, honesty and singular power.

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Find your "Way" with 33 oracle cards with guidebook based on principles of the ancient traditions of Taoism and nature-based spirituality. Organized around basic archetypal situations of life and shown with Way-pointing Arrows on each card, varied themes—Child, Nest, Hero, Crossroads, Threshold, Betrayal, Earth, Air, Fire, and Water—reflect your journey, the elemental forces of life, and the fundamental situations you may find yourself encountering along the Way. With this deck, first see what lies outside you with clarity, and then explore what lies inside. Places and encounters along your life path can identify hidden knowledge, challenges, and opportunities and the passage to the interior mingles both negative and positive emotional experiences—each illuminating the Way. There are no wrong turnings on the life path. Everything that happens—every decision, accident, error, victory—is the path. With WayCards to direct you, now travel more lightly along your own personal road.Includes cards and book.Card dimensions: 3" x 5"

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This book is a graphic introduction to how chemistry developed, from ancient times to now. Led by cartoon host, Ben Zene — with occasional interjections by eccentric Greek philosopher Democritus — readers learn about ancient Greek and Chinese elements, alchemists, and the development of chemistry as we know it today, from Robert Boyle and Antoine Lavoisier, from Elizabeth Fulhame and John Dalton, to Jöns Jakob Berzelius and Friedrich Wöhler, to Rosalind Franklin, Linus Pauling, and Mario Molina. The book delves into topics like nanochemistry, environmental chemistry, and how the structure of atoms and molecules was uncovered, all with good humor, bright colors, and lively drawings. There are occasional sidebars on chemical-related history and the arts, and factoids such as how President of the USA Herbert Hoover and President of Israel Chaim Weizmann influenced chemistry, how personal politics may have denied Gilbert Lewis the Nobel Prize, a Japanese tale of intrigue mingling with chemistry, and which chemist was the first living person to have an element named for him.Related Link(s)

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This Silk Road guidebook is ideal for travellers seeking inspirational guides and planning a more extended trip. It provides interesting facts about the Silk Road''s people, history and culture and detailed coverage of the best places to see. This Silk Road travel book has the style of an illustrated magazine to inspire you and give a taste of the Silk Road. The book is printed on paper from responsible sources, and verified to meet FSC''s strict environmental and social standards. This Silk Road guidebook covers: China (Shaanxi, Ginsu, Xinjiang), Central Asia (Pakistan, Afghanistan, Kyrgyzstan, Kazakhstan, Tajikistan, Uzbekistan, Turkmenistan), Western Asia (Iran, Iraq, Syria, Lebanon, Turkey).In this Silk Road travel guidebook, you will find:- Unique essays - country history and culture, and modern-day life, people and politics- Silk Road highlights - Mingsha Shan and Crescent Moon Lake; Heavenly Lake Tia

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'Properly analytical ... always entertaining' TIME OUT'Should tempt both those generally familiar with Andy Warhol and, even more, young people who have trouble imagining how popular art can challenge the status quo' L A TIMESPainter, filmmaker, photographer, philosopher, all-round celebrity, Andy Warhol is an outstanding cultural icon. He revolutionised art by bringing to it images from popular culture - such as the Campbell's soup can and Marilyn Monroe's face - while his studio, the Factory, where his free-spirited cast of 'superstars' mingled with the rich and famous, became the place of origin for every groundswell shaping American culture.In many ways he can be seen as the precursor to today's 'celebrity artists' such as Tracey Emin and Damian Hirst. But what of the man behind the white wig and dark glasses? Koestenbaum gives a fascinating, revealing and thought-provoking picture of pop art's greatest icon.

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