Search results for ""author art, culture"

With rugged mountain ranges and stunning Pacific coastline, savoury mole and smoky mezcal, Oaxaca is more than just a stop along the way: it's an adventure in itself. Stay a while with Moon Oaxaca. Inside you'll find:*Strategic itineraries for backpackers, foodies, ecotourists, and more, whether you're spending ten days or just a weekend in Oaxaca *The top activities and unique experiences: Spend a day strolling Oaxaca City's cobblestone streets and stopping in trendy cafes, mezcal shops, artisan cooperatives, and art galleries. Tour the Zapotec ruins of Monte Albán, trek the mountain paths of the Sierra Norte, or surf the world-class swells off Oaxaca's coast. Revel in the blur of parades, fireworks, and friendly locals inviting you to view their ofrendas (altars) during Oaxaca's legendary Day of the Dead celebration*The best local flavours: Indulge in steamy pozole from a street stand, try traditional mole negro, or snack on fried grasshoppers. Visit a mezcal distillery to sample the smoky spirit and explore the fields of spiky agave, or satisfy your sweet tooth with a frothy espuma*Local insight: Mexico City writer and former Oaxaca dweller Cody Copeland shares what inspires him about the region*Full-colour photos and detailed maps throughout*Helpful background on the landscape, culture, history, and environment, plus tips on health and safety, how to get around, and a handy Spanish phrasebookWith Moon's practical tips and local insight, you can experience the best of Oaxaca.Looking for más Mexico? Check out Moon Yucatán Peninsula, Moon San Miguel de Allende, or Moon Mexico City.

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Whether you're an adventure junkie, road-tripper, or card shark, Nevada has something for you. Make it the perfect trip with Moon Nevada.Inside you'll find:* The best road trips through Nevada, from 3 days on "the loneliest road in America," to a week covering Death Valley and the Extraterrestrial Highway, with detailed information on travel times, distances, and directions* Full-color photos and detailed maps throughout* The top sights and unique activities for all travel styles:Explore caves and glaciers at Great Basin National Park, or go fishing, swimming, or boating on Lake Tahoe or Lake Mead. Marvel at the engineering of the Hoover Dam, camp out at a secluded alpine lake, or find the best spots for a day hike. Schedule your visit during one of the major festivals that frequent Nevada (Burning Man, Art Town Reno, or the National Rodeo Finals), or shop for local turquoise trinkets. Try your hand at a slot machine, and get a taste of the world-renowned Las Vegas nightlife* Focused coverage of Reno, Las Vegas, Death Valley, Tahoe, Central Nevada, Elko, the Ruby Mountains, and more* Honest advice on where to stay, when to go, and how to get around* Expert tips from long-time Nevada local Scott Smith* Thorough information, including background on the landscape, plants and animals, climate, and local cultureWith Moon Nevada's practical tips, myriad activities, and local insight, you can plan your trip your way.Spending more time at the lake? Try Moon Tahoe. Headed to the parks? Try Moon Yosemite National Park or Moon Death Valley National Park.

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Is the faith journey a matter of reflection, of emotion, or of obedience? Is there valid and convincing evidence that does enable human beings to assent to Jesus Christ and his message? What is the influence of cognitive assumptions and of affective tendencies in the art of believing? Should we distinguish faith and belief? And do we need more than one kind of conversion?Taking account of the widespread indifference, skepticism, and distrust of organized religion in the West, Louis Roy begins The Three Dynamisms of Faith with the human concern about hope and about a reachable happiness, both in our contemporary world and in the Bible. He then traces these themes in three historic giants of Christian thinking: Thomas Aquinas, John Henry Newman, and Bernard Lonergan, presenting their converging descriptions of the three dynamisms of Christian faith: the quests for meaning, for fulfillment, and for truth. Fr. Roy shows how The Three Dynamisms of Faith are lived in today’s culture and how they are systematically related; sometimes in alliance and sometimes in apparent opposition. Having led the reader to a plausible answer to the human condition in Catholicism, in his final chapter he discusses some classic issues that result: possible tensions between meaning and truth, between feelings and insight, and about the role of religious experience in becoming attuned to Christian revelation. All along, Fr. Roy describes concrete examples of problems that may occur in the journey of faith: blindness and distortions, the varieties of self-deception, the limitations of natural reason. Logical stages on the way to faith are also identified. A pastoral conclusion brings those multiple threads together; it insists on the legitimate diversity of emphases in people’s journeys, and it proposes a balance between the rich strengths available in persons and groups.

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Islamic religious education (IRE) in Europe has become a subject of intense debate during the past decade. There is concern that states are doing too little or too much to shape the spiritual beliefs of private citizens. State response to the concern ranges from sponsoring religious education in public schools to forgoing it entirely and policies vary according to national political culture. In some countries public schools teach Islam to Muslims as a subject within a broader religious curriculum that gives parents the right to choose their children's religious education. In the other countries public schools teach Islam to all pupils as a subject with a close relation to the academic study of religions. There are also countries where public schools do not teach religion at all, although there is an opportunity to teach about Islam in school subjects such as art, history, or literature. IRE taught outside publicly funded institutions, is of course also taught as a confessional subject in private Muslim schools, mosques and by Muslim organisations. Often students who attend these classes also attend a publicly funded "main stream school". This volume brings together a number of researchers for the first time to explore the interconnections between Islamic educations and public schooling in Europe. The relation between Islamic education and public schooling is analysed within the publicly and privately funded sectors. How is publicly funded education organised, why is it organised in this way, what is the history and what are the controversial issues? What are the similarities and differences between privately run Islamic education and "main stream" schooling? What are the experiences of teachers, parents and pupils? The volume will be of interest to scholars of Islam in Europe, policy makers of education and integration and teachers of religious education.

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An exciting study of ancient slavery in Greece and Rome This book provides an introduction to pivotal issues in the study of classical (Greek and Roman) slavery. The span of topics is broad—ranging from everyday resistance to slavery to philosophical justifications of slavery, and from the process of enslavement to the decline of slavery after the fall of the Western Roman Empire. The book uses a wide spectrum of types of evidence, and relies on concrete and vivid examples whenever possible. Introductory chapters provide historical context and a clear and concise discussion of the methodological difficulties of studying ancient slavery. The following chapters are organized around central topics in slave studies: enslavement, economics, politics, culture, sex and family life, manumission and ex-slaves, everyday conflict, revolts, representations, philosophy and law, and decline and legacy. Chapters open with general discussions of important scholarly controversies and the challenges of our ancient evidence, and case studies from the classical Greek, Hellenistic, and Roman periods provide detailed and concrete explorations of the issues. Organized by key themes in slave studies with in-depth classical case studies Emphasizes Greek/Roman comparisons and contrasts Features helpful customized maps Topics range from demography to philosophy, from Linear B through the fall of the empire in the west Features myriad types of evidence: literary, historical, legal and philosophical texts, the bible, papyri, epitaphs, lead letters, curse tablets, art, manumission inscriptions, and more Ancient Greek and Roman Slavery provides a general survey of classical slavery and is particularly appropriate for college courses on Greek and Roman slavery, on comparative slave societies, and on ancient social history. It will also be of great interest to history enthusiasts and scholars, especially those interested in slavery in different periods and societies.

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Eric Zakim follows the literary and intellectual career of the powerful Zionist slogan "to build and be built" from its conceptual origin in reaction to the Kishinev pogroms of 1903, when it first served as an expression of settlement aspiration, until the end of pre-state national expansion in Palestine in 1938. "Draining the swamps" and "making the desert bloom," the Jewish settlers imagined themselves as performing "miracles" on the land. By these acts, they were also meant to reinvent the very notion of what it was to be a Jew in the modern world. As Jewish settlers reshaped nature in the Holy Land by turning it from one thing into another, they too were newly constructed. Zakim argues that in the period leading up to the establishment of the state of Israel, the action of working the land and building its cities in order to transform both into something essentially Jewish increasingly came to mark a turn inward toward the reclamation of a Jewish subject tied to the very soil of Palestine. To Build and Be Built radically recontextualizes modernist Hebrew literature to demonstrate how literary aesthetics of nature formed the very political discourse they nominally reflected. Zakim's work sees no division between politics and representation. Instead, the depiction of nature in literature, art, and architecture became constitutive of a political and social understanding of the Jew's place in the Middle East. By refusing to acknowledge the disciplinary boundaries of standard works on literature, history, and political thought, To Build and Be Built challenges the methodological certainties that have guided popular and academic understandings of the development of Zionist involvement in the land of Israel. For this reason, To Build and Be Built will be of interest to people beyond literature, in particular those working in history and those outside of Israel studies who have an interest in modernism and the representation of nature in the history of culture.

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How did the Greeks view foreign peoples? This book considers what the Greeks thought of foreigners and their religions, cultures and politics, and what these beliefs and opinions reveal about the Greeks. The Greeks were occasionally intrigued by the customs and religions of the many different peoples with whom they came into contact; more often they were disdainful or dismissive, tending to regard non-Greeks as at best inferior, and at worst as candidates for conquest and enslavement. Facing up to this less attractive aspect of the classical tradition is vital, Thomas Harrison argues, to seeing both what the ancient world was really like and the full nature of its legacy in the modern. In this book he brings together outstanding European and American scholarship to show the difference and complexity of Greek representations of foreign peoples -- or barbarians, as the Greeks called them -- and how these representations changed over time. The book looks first at the main sources: the Histories of Herodotus, Greek tragedy, and Athenian art. Part II examines how the Greeks distinguished themselves from barbarians through myth, language and religion. Part III considers Greek representations of two different barbarian peoples -- the allegedly decadent and effeminate Persians, and the Egyptians, proverbial for their religious wisdom. In part IV three chapters trace the development of the Greek--barbarian antithesis in later history: in nineteenth-century scholarship, in Byzantine and modern Greece, and in western intellectual history. Of the twelve chapters six are published in English for the first time. The editor has provided an extensive general introduction, as well as introductions to the parts. The book contains two maps, a guide to further reading and an intellectual chronology. All passages of ancient languages are translated, and difficult terms are explained.

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Queens Cartimandua and Boudica were both Celtic noblewomen, recorded by classical writers as part of a tradition of women who showed particular courage, ambition and political skill, and who were just as formidable in war as their husbands. They took on the status of Celtic goddesses and were central players in the struggle against the Roman annexation of Britain. Boudica led the rebellion against the Romans but her reputation may be largely symbolic. Using historical and archaeological evidence, Celtic Queen uncovers the arguably more impressive story of Queen Cartimandua, the independent ruler of the powerful Brigante tribe whose territory was the single largest Celtic kingdom in Britain. Cartimandua’s leadership in battle and political influence were probably much greater than Boudica’s. Unlike Boudica, wife of King Prasutagus of the Iceni tribe, Cartimandua was the regent of the Brigante tribe in her own right. Her tribe prospered in the new Imperial world because she cooperated with the invaders and she held her position as queen until AD69. Cartimandua's territory was considerable, covering most of modern Cheshire, South and North Yorkshire, Lancashire, North Humberside, Cumbria, County Durham and Tyne and Wear. But she was seen as a shameless adulteress after an open affair with her husband’s armour bearer. Such sexual liberation was normal for powerful Celtic women but it scandalised Roman society. With many references to popular Celtic culture, their gods, beliefs, art and symbolism, as well as living conditions and the hillforts that would have been Cartimandua’s headquarters, Celtic Queen offers an insight into the life of this fascinating woman and the Romano/Celtic world in which she lived.

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In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs—Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

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An explosive investigation into how the United States of America built one of the largest illicit offshore finance systems in the world. For years, one country has acted as the greatest offshore haven in the world, attracting hundreds of billions of dollars in illicit finance tied directly to corrupt regimes, extremist networks, and the worst the world has to offer. But it hasn’t been the sand-splattered Caribbean islands, or even traditional financial secrecy havens like Switzerland or Panama that have come to dominate the offshoring world. Instead, the country profiting the most also happens to be the one that still claims to be the moral leader of the free world, and the one that claims to be leading the fight against the crooked and the corrupt: the United States of America. American Kleptocracy examines just how the United States’ implosion into a centre of global offshoring took place: how states such as Delaware and Nevada perfected the art of the anonymous shell company; how post-9/11 reformers watched their success usher in a new flood of illicit finance directly into the U.S.; how African despots and post-Soviet oligarchs came to dominate American coastlines, American industries, and entire cities and small towns across the American Midwest; how Nazi-era lobbyists birthed an entire industry of spin-men whitewashing transnational crooks and despots, and how dirty money has now begun infiltrating America’s universities, think tanks, and cultural centres; and how those on the frontline are trying to restore America’s legacy of anti-corruption leadership ― and finally end this reign of American kleptocracy. It also looks at how Trump’s presidency accelerated all of the trends already on hand ― and how the Biden administration can, and should, act on this tawdry inheritance.

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From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences.Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.

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Embodying the Soul explores the possibilities and limitations of human intervention in the body's health across the ninth-century Carolingian Empire. Early medieval medicine has long been cast as a superstitious, degraded remnant of a vigorous, rational Greco-Roman tradition. Against such assumptions, Meg Leja argues that Carolingian scholars engaged in an active debate regarding the value of Hippocratic knowledge, a debate framed by the efforts to define Christian orthodoxy that were central to the reforms of Charlemagne and his successors. From a subject with pagan origins that had suspicious links with magic, medical knowledge gradually came to be classified as a sacred art. This development coincided with an intensifying belief that body and soul, the two components of individual identity, cultivated virtue not by waging combat against one another but by working together harmoniously. The book demonstrates that new discussions regarding the legitimacy of medical learning and the merits of good health encouraged a style of self-governance that left an enduring mark on medieval conceptions of individual responsibility. The chapters tackle questions about the soul's material occupation of the body, the spiritual meaning of illness, and the difficulty of diagnosing the ills of the internal bodily cavity. Combating the silence on "dark-age" medicine, Embodying the Soul uncovers new understandings of the physician, the popularity of preventative regimens, and the theological importance attached to dietary regulation and bloodletting. In presenting a cultural history of the body, the book considers a broad range of evidence: theological and pastoral treatises, monastic rules, court poetry, capitularies, hagiographies, biographies, and biblical exegesis. Most important, it offers a dynamic reinterpretation of the large numbers of medical manuscripts that survive from the ninth century but have rarely been the focus of historical study.

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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.

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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.

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From political debates about global free markets to local free lunches, today the word 'freedom' is in danger of becoming a distorted and tired cliche. In "Another Freedom", Svetlana Boym explores the rich history of the idea of freedom, from its origins in ancient Greece through the present day, suggesting that our attempts to imagine freedom should occupy the space of not only 'what is' but also 'what if'. Beginning with notions of sacrifice and the emergence of a public sphere for politics and art, Boym expands her account to include the relationships between freedom and liberty, modernity and terror, political dissent and creative estrangement, and love and freedom of the other. While depicting a world of differences, Boym affirms lasting cross-cultural solidarities with the commitment to passionate thinking that reflection on freedom requires. "Another Freedom" is filled with stories that illuminate our own sense of what it means to be free, and it assembles a truly remarkable cast of characters: Warburg and Euripides, Pushkin and Tocqueville, Kafka and Osip Mandelshtam, Arendt and Heidegger, and an imagined encounter between Dostoevsky and Marx on the streets of Paris. What are the limits of freedom and how can it be imagined anew? Reflecting upon her experience as a Leningrad native transplanted to the United States, Boym dares to ask whether American freedom can be transported across the national border. With these questions in mind, Boym attempts to reinvent freedom as something 'infinitely improbable' - yet nevertheless still possible. By offering a fresh look at the strange history of this idea and opening a new arena of inquiry, "Another Freedom" delivers a nuanced portrait of freedom's unpredictable occurrences and unexplored plots, one whose repercussions will be felt well into the future.

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Transcendence and History is an analysis of what philosopher Eric Voegelin described as 'the decisive problem of philosophy': the dilemma of the discovery of transcendent meaning and the impact of this discovery on human self-understanding. The explicit recognition and symbolization of transcendent meaning originally occurred in a few advanced civilizations worldwide during the first millennium. The world's major religious and wisdom traditions are built upon the recognition of transcendent meaning, and our own cultural and linguistic heritage has long since absorbed the postcosmological division of reality into the two dimensions of 'transcendence' and 'immanence.' But the last three centuries in the West have seen a growing resistance to the idea of transcendent meaning; contemporary and 'postmodern' interpretations of the human situation - both popular and intellectual - indicate a widespread eclipse of confidence in the truth of transcendence.In Transcendence and History, Glenn Hughes contributes to the understanding of transcendent meaning and the problems associated with it and assists in the philosophical recovery of the legitimacy of the notion of transcendence. Depending primarily on the treatments of transcendence found in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan, Hughes explores the historical discovery of transcendent meaning and then examines what it indicates about the structure of history. Hughes's main focus, however, is on clarifying the problem of transcendence in relation to historical existence. Addressing both layreaders and scholars, Hughes applies the insights and analyses of Voegelin and Lonergan to considerable advantage.Transcendence and History will be of particular value to those who have grappled with the notion of transcendence in the study of philosophy, comparative religion, political theory, history, philosophical anthropology, and art or poetry. By examining transcendent meaning as the key factor in the search for ultimate meaning from ancient societies to the present, the book demonstrates how 'the decisive problem of philosophy' both illuminates and presents a vital challenge to contemporary intellectual discourse.

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It is said that asphyxiation brings on a state of hallucinatory intoxication...in which case the 71 year old artist who lay in his sprawling Provencal villa died happy. In the early afternoon of Monday 4 October 1999, wracked with Parkinson's, and unable to paint because of a fall in which he had broken his wrist, Bernard Buffet calmly placed a plastic bag over his head, taped it tight around his neck and patiently waited the few minutes it took for death to arrive. Bernard Buffet:The Invention of the Modern Mega-artist tells the remarkable story of a French figurative painter who tasted unprecedented critical and commercial success at an age when his contemporaries were still at art school. Then, with almost equal suddenness the fruits of fame turned sour and he found himself an outcast. Scarred with the contagion of immense commercial success no leper was more untouchable. He was the first artist of the television age and the jet age and his role in creating the idea of a post-war France is not to be underestimated. As the first of the so-called Fabulous Five (Francoise Sagan, Roger Vadim, Brigitte Bardot and Yves Saint Laurent) he was a leader of the cultural revolution that seemed to forge a new France from the shattered remains of a discredited and demoralized country. Rich in incident Buffet’s remarkable story of bisexual love affairs, betrayal, vendettas lasting half a century, shattered reputations, alcoholism, and drug abuse, is played out against the backdrop of the beau monde of the 1950s and 1960s in locations as diverse as St Tropez, Japan, Paris, Dallas, St Petersburg and New York, before coming to its miserable conclusion alone in his studio.

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Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally.But there was nothing new about women crafting as a means of dissent.Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by citizens to engage with the rhetoric and policy shaping their country’s public sphere.The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations."Three features make this a unique contribution to the field of craft activism and history: The inclusion of diverse contributors from a global perspective (including from England, Ireland, India, New Zealand, Australia) Essay formats including photo essays, personal essays and scholarly investigations The variety of professional backgrounds among the book’s contributors, including academics, museum curators, art therapists, small business owners, provocateurs, artists and makers. This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.

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"Expertly takes readers into a world of Japanese home cooking far from the austere precision of the sushi counter, or the late-night rush of the ramen-ya. . . .This welcome primer goes a long way toward making Japanese cooking accessible to home cooks curious but perhaps intimidated by the cuisine." Publishers Weekly Learn how to make the enigmatic and umami-rich comfort food of Japan, with over 75 recipes straight from Atsuko Ikeda’s authentic yet modern Japanese Kitchen. Japanese home-cooking is full of comfort, but a version of comfort food that is stylish, mouth-watering and less unhealthy than most. For those who aspire to recreate the Japanese dishes enjoyed in restaurants or on holiday, and to discover even more about the secrets and techniques involved in Japanese home cooking, you are invited into Atsuko’s Kitchen. Learn the subtle art of creating a balanced meal as demonstrated with an easy-to-follow infographic. Learn the basics, such as how to season food the Japanese way, how to prepare dashi stock and how to make variations on basic rice. Choose from the delicious array of main dishes you might be familiar with, such as chicken teriyaki, tonkatsu pork, beef tataki, gyoza, seared tuna with ponzu, vegetable tempura, okonomiyaki, grilled aubergine with sesame sauce, plus recipes from Atsuko’s own family and modern creative repertoire. Also featuring ‘izakaya’ small plates for sharing and sumptuous modern desserts, there is Japanese comfort food for every occasion. With tips on how to present your dishes in the traditional way, anecdotes and cultural explanations of dishes, discover the secrets of Japanese home-cooking for yourself.

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From sipping scotch and sampling haggis to touring castles and historic museums, make the most of your Scottish adventure with Moon Edinburgh, Glasgow & the Isle of Skye. Inside you'll find:*Flexible itineraries such as one to three days in Edinburgh and Glasgow, two days in the Highlands, and four days on the Isle of Skye that can be expanded or combined into a longer trip, including day trips to Loch Lomond, Ben Nevis, and more*Strategic advice for art lovers, history buffs, road trippers, and more*Explore the Cities: Walk along Edinburgh's historic Royal Mile from the Edinburgh Castle to the Queen's Scottish Palace or climb the Arthur's Seat peak. Sample authentic haggis and dine at innovative new restaurants. Catch a traditional music performance in Glasgow (the UNESCO City of Music!) or chat with locals at a corner pub over folk music and a pint*Escape the Crowds: Hike through wild moors and pine forests to deserted villages on Skye, sip your way through Islay's whisky distilleries, or take a seaplane over Loch Lomond for dramatic views of the Highlands*Valuable perspective from Scotland expert Sally Coffey*Full-colour photos and detailed maps throughout*Background information on the landscape, history, and cultural customs of Scotland*Handy tools such as a glossary and list of Scottish phrases, and helpful tips for seniors, disability access, families with children, LGBTQ visitors, and travellers of colorWith Moon Edinburgh, Glasgow & the Isle of Skye's practical tips and local insight, you can plan your trip your way.Exploring beyond Scotland? Check out Moon Ireland.

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We may all feel we know what an "English" garden is, but do we really? England's Gardens offers a holistic, modern-day tour and an update on the history of some of the most iconic, enduring, and influential gardens across the country.A fresh take on a much-loved subject, this book will help you get to know England's gardens up close and personal. Garden historian Stephen Parker leads you through England's horticultural history, unearthing the cultural context and hidden stories behind the gardens, and bringing lesser-known garden makers to the fore. In five detailed historical chapters, Parker explores the making of the so-called "English" garden - from its origins in the formal splendour of stately homes, all the way to climate-change resilience and future-facing designs of the modern era.Inside the pages of this stunning book on England's country gardens, you will find:- 5 chapters of detailed narrative essays arranged in chronological order.- Detailed profiles showcase significant garden makers.- More than 20 photography-led garden case studies explore key gardens to visit in England today.- Stunning, full-bleed, contemporary photography brings the gardens to life.- Archival photography and historical art sheds light on the history and making of the gardens.Discover the best gardens to visit today - with garden case studies showcasing everything England's gardens have to offer through stunning contemporary photography and careful analysis of planting schemes and garden makers' creative influences. From iconic sites like Sissinghurst and Great Dixter, to more unusual examples such as Prospect Cottage and The Laskett - this book celebrates England's gardens in all their glorious diversity, sublime beauty, and exuberant eccentricity.

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A startling look at the unexpected places where violent hate groups recruit young peopleHate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels.Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood.Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization.

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Bringing together leading scholars from across the UK, North America and mainland Europe, this book provides a uniquely comparative exploration of daily life under dictatorship in 20th-century Europe. With coverage of well-known regimes and some that are relatively underrepresented in the literature from right across the continent, it examines the impact felt on people’s lives amidst political administrations characterised by some or all of the following: a one-party state, in which opposition or multiple parties were banned; a cult surrounding the leader; the censorship of the press and other publications; the widespread use of propaganda and political persuasion; and the threat or use of force by the regime and its agents. The chapters investigate crucial questions in relation to life under dictatorships as follows: · What was the impact of censorship on access to news or entertainment? · How was leisure time conducted? · What was the impact of the regime on working life? · What was the scope for dissent and resistance? To what extent were these possible? · How much did the regime coerce the population and how much did it try to indoctrinate? · What was the difference for Party leaders, comrades and members in terms of the possibilities and opportunities that opened up, compared to everyone else in society? · With the shutting down – to a large extent – of civil society and state intrusion into private life, what restrictions were placed on ordinary and day-to-day activities? · What happened to religious life and to cultural life and the arts? · How were personal choices in aspects of life such as reproduction, education and even eating affected by these regimes? · What was the impact of different political ideologies on people’s way of life – whether Fascist, Nazi or Communist? Dictatorship and Daily Life in 20th-Century Europe addresses these issues and more, striking to the heart of European life in the darkest episodes of its recent history.

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The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

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How did violence become OK? And is there any way back? At some point between George Floyd’s killing on May 25 and the invasion of the US Capitol on January 6, America’s consensus against political violence crumbled. Before 2020, almost everyone agreed that it should be out of bounds. Now, many are ready to justify such violence – at least when it is their side breaking windows or battling police officers. Something significant seems to have slipped. Is there any way back? As Christians, we need to consider what guilt we bear, with the rise of a decidedly unchristian “Christian nationalism” that historically has deep roots in American Christian culture. But shouldn’t we also be asking ourselves what a truly Christian stance might look like, one that reflects Jesus’ blessings on the peacemakers, the merciful, and the meek? Oscar Romero, when accused of preaching revolutionary violence, responded: “We have never preached violence, except the violence of love, which left Christ nailed to a cross.” If we take Jesus’ example and his call to nonviolence at face value, we’re left with all kinds of interesting questions: What about policing? What about the military? What about participating in government? This issue of Plough addresses some of these questions and explores what a life lived according to love rather than violence might look like. In this issue: - Anthony M. Barr revisits James Baldwin’s advice about undoing racism. - Gracy Olmstead describes welcoming the baby she did not expect during a pandemic. - Patrick Tomassi debates nonviolence with Portland’s anarchists and Proud Boys. - Scott Beauchamp advises on what not to ask war veterans. - Rachel Pieh Jones reveals what Muslims have taught her about prayer. - Eberhard Arnold argues that Christian nonviolence is more than pacifism. - Stanley Hauerwas presents a vision of church you’ve never seen in practice. - Andrea Grosso Ciponte graphically portrays the White Rose student resistance to Nazism. - Zito Madu illuminates rap’s role in escaping the violence of poverty. - Springs Toledo recounts his boxing match with an undefeated professional. You’ll also find: - An interview with poet Rhina P. Espaillat - New poems by Catherine Tufariello - Profiles of Anabaptist leader Felix Manz and community founder Lore Weber - Reviews of Marly Youmans’s Charis in the World of Wonders, Judith D. Schwartz’s The Reindeer Chronicles, Chris Lombardi’s I Ain’t Marching Anymore, and Martín Espada’s Floaters Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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June Boyce-Tillman's new book identifies and discusses the very issues that could render the education that we offer through music more engaging and relevent to those whom we teach. The book presents a wide-ranging and rich mix of psychological, ethnomusicological, philosophical, educational, mythological and theological material. Into this rich tapestry is woven a concern to consider seriously New Age phenomena and to empathize with people's experiences and life stories. Very occasionally, a book is published that has the potential of seriously challenging current orthodoxy and practice. This is such a book.'- British Journal of Music Education.'June Boyce-Tillman has published this beautifully researched essay at what I think may prove to be a vital re-balancing point in our history, when there is a developing realisation that post-Enlightenment culture with its emphasis on scientific reason and logic needs to incorporate again the "subjugated ways of knowing" as June Boyce-Tillman terms Gooch's value "system B" which favours being, subjectivity, personal feeling, emotion, magic, involvement, associative ways of knowing, belief and non-causal knowledge... The bibliography and referencing are excellent, massively extending the hub of resource which this book itself presents for further study, investigation and good practice by people from many walks of life. Many thanks to June Boyce-Tillman for her work.'- The Christian Parapsychologist'In Constructing Musical Healing, June Boyce-Tillman attempts to blend ancient and modern ideas and practices with her own perspective as a New Age practitioner. In an interdisciplinary effort, Boyce-Tillman describer particular philosophical aspects concerning Western music, practices of shamans and healers, and explorations of the new consciousness reflected in the New Age movement and music therapy. Her goal is to establish a new model of healing as balance including physical, psychological, and spiritual elements in a process approach, which she parallels with music therapy practice...Boyce-Tillman has some promising ideas. And certainly she adds her words, her thoughts, and beliefs to the continuing questions about the compatibility between "healing" and "therapy"...The strength of the book is that it has the potential to encourage our own discourse by giving us an opportunity to compare and contrast our own ideas about music therapy with at least one New Age practitioner.'- The Arts in PsychotherapyDrawing on literature from philosophy, anthropology, psychology and musicology, Boyce-Tillman looks at musical traditions and notions of healing in different societies. Her work includes a number of case studies in various cultures - spirit possession cults in Africa and shamans in various traditions. It explores contemporary musical practice in the New Age including neo-shamanism and notions of musical healing in Western musical aesthetics. The use of music in Western medicine is also studied, as Boyce-Tillman draws together a theory of what actually occurs when music is associated with therapeutic intention and examines the role of music within healthcare, education and the community.

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In this bold, surreal photographic celebration of the fantastical beauty of cosplay, 70 cosplayers leave behind their everyday existence and become heroes for a day. Whether it is becoming a fictional character or presenting the ‘you’ the world sees, the craft of cosplay is everywhere. A powerful expression of individuality and diversity, cosplay is a global phenomenon that allows a large number of diverse individuals to join together in one single chaotic but inclusive community. Cosplay allows anyone to become a hero for a day. After attending a cosplay convention in 2018, photographer Thurstan Redding became captivated by cosplay as a subject matter and embarked on a three-year photographic project to portray cosplay in a way it had never been seen before. In this bold and surprising volume, he captures the transfixing world of cosplay. Brought to life through the presentation of 70 cosplayers in the most unassuming of locations, this exceptional book highlights how creativity can thrive in the most mundane realities: Spider-Man is illuminated by the open fridge in the kitchen, three Alices wait at a bus stop in a desolate Wonderland, Resistance Pilot plays dead on the gravel driveway of a suburban housing estate. Supplemented by commentary from the cosplayers themselves, together with behind-the-scenes pages from Thurstan’s personal diary, Kids of Cosplay is ‘a celebration of ... fandom and allows a glimpse into the world where people are united by their celebration of an art which transforms the ordinary into the extraordinary’ (The Independent). A foreword by fashion powerhouse Katie Grand, an essay by writer and performer Tom Rasmussen, who discusses the social and cultural context of cosplay, and an illuminating interview with Redding by noted fashion writer Sara McAlpine complete this compelling volume. Sometimes, all it takes is to scratch the surface of our realities to reveal the fantasy that lies beneath.

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The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage.Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the cultural links between humans and birds.What makes Birds Britannica of special significance is the inclusion of observations and experiences from more than 1,000 naturalists and bird lovers. These contributions from the public touch on avian ecology; the lore and language of birds; their myths, the art and literature they have inspired; birds as food; and the crucial role they play in our sense of place and the changing seasons.Birds Britannica took eight years to research and was assembled by a team that included some of the finest writers and image-makers of British wildlife. On one level, it is a remarkable collection of humorous stories, field observations and tales of joy, wonder and occasional woe; on another, it is a nationwide chronicle. Scholarly and wide-ranging, a mix of the traditional and the contemporary, Birds Britannica is a comprehensive record of birdlife in the early years of the twenty-first century. No other book has dealt so completely with the rich connections between birds and humans; Birds Britannica captures the very essence of that relationship, and explores why birds matter and why we care.

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Go beyond the ordinary with this remarkable travelogue and guidebook filled with spectacular color photography that showcases Venice’s magical beauty and hidden gems, from the Piazzo San Marco to the island of Giudecca, the banks of the Grand Canal to the Arsenal district—the second entry in the Hedonist’s Guide travel series.Combining essential insider details, cultural information, must-see attractions, and detailed maps with glorious custom photography, Magical Venice is the ultimate handbook for modern nomads, including both savvy travelers and novice tourists. Designed for twenty-first century globetrotters, Magical Venice features stylish graphics and an elegant visual design, as well as a breakdown of must-visit places, thematic double-page photographic spreads to help you discover and understand the city, and walking routes to explore each district away from the crowds. Every fascinating detail of Venice is revealed, from the splendor of its palaces, the beauty of its piazzettas, the romanticism of its bridges and canals, the delights of its gastronomy, the charm of its sestieri—the districts that make up the city of the Doges—and the wealth of its museums and its arts and crafts.Whether you prefer a more traditional visit or want to chart your own unique course, this user-friendly reference and coffee table book includes everything you need—and more: Discover the spirit of Venice as seen through the eyes of Philippe Starck Visit Carlo Scarpa's Olivetti showroom, Piazza San Marco Taste cicchetti in the city’s bacari Drink a bellini at Harry’s Bar Admire the gems of modern art in the baroque palace of Ca ’Pesaro Visit the latest contemporary constructions on the island of La Giudecca Learn about the phenomenon of aqua alta Take a walk in the hidden gardens of Venice Magical Venice offers inspiration and insight for armchair travelers and dreamers alike. Best of all, the gorgeous photography transforms the book into a keepsake that will transport you back to your favorite places and sights long after returning home.Experience Venice as never before with the Hedonist’s Guide!

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Eloquent and provocative drawings, exquisitely reproduced, provide an intimate encounter with these two daring Austrian masters. Gustav Klimt and Egon Schiele were two of the most daring and controversial artists in Vienna during the culturally turbulent decades around the turn of the 20th century. They worked out their provocative depictions of the human body, created in a search for psychological truth as well as physical realism, in the direct and intimate medium of drawing. In Klimt’s studies, the distinctive character or unsettling emotional resonance of the person portrayed comes through in the artist’s delicate, sinuous lines. The striking presence of the individual in Schiele’s more finished drawings, often rendered with extreme frankness and bold colouration, pulses with dramatic immediacy. Although Klimt was almost thirty years Schiele’s senior, he quickly recognized and encouraged the younger artist’s extraordinary talent. The sixty important works exquisitely reproduced in large format in this volume reach from each artist’s early academic studies to more incisive and unconventional explorations of nature, psychology, sexuality and spirituality. By giving viewers access to these artists’ worlds, this album of unforgettable drawings provides a direct connection to the minds of two master draftsmen exploring the limits of representation, as well as the shock of recognition at seeing our own inner lives caught on paper.

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"This adaptation for younger readers (Key Stage 2) will introduce them to this classic of world literature and to Babur’s exciting adventures of discovery and conquest." —The School Run "In a time where we are even more aware of the need for diversity and understanding of other traditions, this will make an excellent addition to any school library." —Margaret Pemberton "This dynamic retelling of the memoirs of Babur, founder of the Mughal empire and Uzbek national hero, features the triumphs and reverses of his military and political career, with richly coloured illustrations." —The Guardian "A perfect introduction to the Baburnama for young readers giving them a flavour of this classic of world literature and Babur’s exciting adventures of discovery and conquest." —Outside in World The memoirs of Babur (1483–1530), descendant of Genghis Khan and Timur (Tamburlaine) and founder of the mighty Mughal Empire, enjoy worldwide renown as the first true autobiography in Islamic literature and an absorbing account of conquest and wise rule, composed by a man whose erudition and statecraft have elevated him to the status of a national hero in the countries of Central Asia. Babur’s narrative describes not only the battles that propelled him to power, but the people, flora and fauna of the lands he ruled – taking us from Samarkand to Kabul to northern India. Anuradha's lucid and lively retelling of the Baburnama will introduce this classic of world literature to a new generation of young readers, for whom the story of Babur will serve as both a thrilling adventure and an exemplary tale. The Story of Babur: Prince, Emperor, Sage is published as the Republic of Uzbekistan undertakes an extensive programme of promoting and communicating its rich cultural heritage both within its own borders and to the rest of the world. The book’s publication will coincide with an exhibition on the Boburid dynasty of the Mughal Empire at the Smithsonian Institute, Washington DC. This new children’s edition will be available in English, Russian and Uzbek versions, as well as in Braille editions of all three languages. For ages 7-11 years.

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Canada boasts a remarkable number of talented theatre artists, scholars, and educators. How Theatre Educates brings together essays and other contributions from members of these diverse communities to advocate for a broader and more inclusive understanding of theatre as an educative force. Organized to reflect the variety of contexts in which professionals are making, researching, and teaching drama, this anthology presents a wide range of articles, essays, reminiscences, songs, poems, plays, and interviews to elucidate the relationship between theatre practice and pedagogy, and to highlight the overriding theme: namely, that keeping 'education' - with its curriculum components of dramatic literature and theatre studies in formal school settings - separate from 'theatre' outside of the classroom, greatly diminishes both enterprises. In this volume, award-winning playwrights, directors, actors, and scholars reflect on the many ways in which those working in theatre studios, school classrooms, and on stages throughout the country are engaged in teaching and learning processes that are particular to the arts and especially genres of theatre. Situating theatre practitioners as actors in a larger socio-cultural enterprise, How Theatre Educates is a fascinating and lively inquiry into pedagogy and practice that will be relevant to teachers and students of drama, educators, artists working in theatre, and the theatre-going public. Contributors* Maja Ardal* David Booth* Patricia Cano* Diane Flacks* Kathleen Gallagher* John Gilbert* Sky Gilbert* Jim Giles* Linda Griffiths* Tomson Highway* Janice Hladki* Cornelia Hoogland* Ann-Marie MacDonald* Lori McDougall* John Murrell* Domenico Pietropaolo* Walter Pitman* Richard Rose* Jason Sherman* Lynn Slotkin* Larry Swartz* Judith Thompson* Guillermo Verdecchia* Belarie Zatzman*

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The ruin of St Peter's College has sat on a wooded hilltop above the village of Cardross for more than three decades. Over that time, with altars crumbling, graffiti snaking across its walls and nature reclaiming its concrete, it has gained a mythical, cult-like status among architects, preservationists and artists. St Peter’s only fulfilled its original role as a seminary for 14 years, from 1966 to 1979. As its uncompromising design gave way to prolonged construction and problematic upkeep, the Catholic Church reassessed the role of seminaries, resolving to embed trainee priests not in seclusion, but in communities. Although briefly repurposed as a drug rehabilitation centre, the building was soon abandoned to decay and vandalism. Ever since, people have argued and puzzled over the future and importance of St Peter’s. It has been called both Scotland’s best and worst twentieth century building. In 1992, it was listed category A. One of its architects suggested the idea of ‘everything being stripped away except the concrete itself – a purely romantic conception of the building as beautiful ruin’. And now in 2016, St Peter’s is renewed as a cultural space through the work of the arts organisation NVA. In this landmark book, Diane Watters looks at the history of a structure that emerged out of an innovative phase of post-war Catholic church building. She traces the story of an architectural failure which morphed into a tragic modernist myth: unappreciated architects betrayed by an unloving client, and abandoned by an uncaring society. This is a historian’s account of the real story of St Peter’s College: an exploration of how one of Scotland’s most singular buildings became one its most troubled – and most celebrated.

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After the 1993 Oslo Accords people across the world anticipated the onset of peace and an end to the Palestinian-Israeli conflict. For Israelis, the Accords generated massive economic growth and a sense of security. For Palestinians in the West Bank and the Gaza Strip, they led to a dramatic rise in poverty and unemployment due to a complex array of closures, militarized checkpoints, and bypass roads, and a vast expansion of the settlement project that fractured Palestinian territories and communities. In 2000 popular Palestinian rage with the new shape of the Israeli occupation erupted in a second uprising or intifada. In this volume, prominent scholars and journalists examine the dramatic political changes in Palestine and Israel from the Oslo Accords through the second intifada and the death of Yasser Arafat. Their essays address the political economy of the Oslo process, social and political changes in Palestine and Israel, United States foreign policy, social movements and political activism, and the interplay between cultural and political-economic processes. The volume also includes documents, maps, poetry, and graphic art. Contributors: Ammiel Alcalay, Lori A. Allen, Marwan Barghouti, Joel Beinin, Robert Blecher, Elliott Colla, Catherine Cook, Jonathan Cook, Richard Falk, Khaled Furani, Rita Giacaman, Lisa Hajjar, Jeff Halper, Rema Hammami, Sari Hanafi, Adam Hanieh, Islah Jad, Penny Johnson, Rela Mazali, Emma C. Murphy, Issam Nassar, Ilan Pappé, Yoav Peled, Mouin Rabbani, Shira Robinson, Sara Roy, Rosemary Sayigh, Charmaine Seitz, Adam Shatz, Rebecca L. Stein, Gary Sussman, Salim Tamari, David Tartakover, Graham Usher, Sharif Waked, and Oren Yiftachel

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This volume is a "state-of-the-art" assessment of comparative philosophy written by some of the leading practitioners of the field. While its primary focus is on gaining methodological clarity regarding the comparative enterprise of "interpreting across boundaries," the book also contains new substantive essays on Indian, Chinese, Japanese, and European thought. The contributors are Roger T. Ames, William Theodore de Bary, Wing-tsit Chan, A. S. Cua, Eliot Deutsch, Charles Hartshorne, Daya Krishna, Gerald James Larson, Sengaku Mayeda, Hajime Nakamura, Raimundo Panikkar, Karl H. Potter, Henry Rosemont, Jr., Ben-Ami Scharfstein, Ninian Smart, Fritz Staal, and Frederick J. Streng. Comparative or cross-cultural philosophy can be seen as a relative newcomer to the field of philosophy. It has its antecedents in the emergence of comparative studies in nineteenth-century European intellectual history, as well as in the sequence of East-West Philosophers' Conferences at the University of Hawaii, which began in 1939. This book will prove to be of great significance in helping to define a field that is only now becoming fully self-conscious, methodologically and substantively, about its role and function in the larger enterprises of philosophy and comparative studies. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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"Breast cancer may very well be history's oldest malaise, known as well to the ancients as it is to us. The women who have endured it share a unique sisterhood. Queen Atossa and Dr. Jerri Nielsen-separated by era and geography, by culture, religion, politics, economics, and world view-could hardly have been more different. Born 2,500 years apart, they stand as opposite bookends on the shelf of human history. One was the most powerful woman in the ancient world, the daughter of an emperor, the mother of a god; the other is a twenty-first-century physician with a streak of adventure coursing through her veins. From the imperial throne in ancient Babylon, Atossa could not have imagined the modern world, and only in the driest pages of classical literature could Antarctica-based Jerri Nielsen even have begun to fathom the Near East five centuries before the birth of Christ. For all their differences, however, they shared a common fear that transcends time and space." -from Bathsheba's Breast In 1967, an Italian surgeon touring Amsterdam's Rijks museum stopped in front of Rembrandt's Bathsheba at Her Bath, on loan from the Louvre, and noticed an asymmetry to Bathsheba's left breast; it seemed distended, swollen near the armpit, discolored, and marked with a distinctive pitting. With a little research, the physician learned that Rembrandt's model, his mistress Hendrickje Stoffels, later died after a long illness, and he conjectured in a celebrated article for an Italian medical journal that the cause of her death was almost certainly breast cancer. A horror known to every culture in every age, breast cancer has been responsible for the deaths of 25 million women throughout history. An Egyptian physician writing 3,500 years ago concluded that there was no treatment for the disease. Later surgeons recommended excising the tumor or, in extreme cases, the entire breast. This was the treatment advocated by the court physician to sixth-century Byzantine empress Theodora, the wife of Justinian, though she chose to die in pain rather than lose her breast. Only in the past few decades has treatment advanced beyond disfiguring surgery. In Bathsheba's Breast, historian James S. Olson-who lost his left hand and forearm to cancer while writing this book-provides an absorbing and often frightening narrative history of breast cancer told through the heroic stories of women who have confronted the disease, from Theodora to Anne of Austria, Louis XIV's mother, who confronted "nun's disease" by perfecting the art of dying well, to Dr. Jerri Nielson, who was dramatically evacuated from the South Pole in 1999 after performing a biopsy on her own breast and self-administering chemotherapy. Olson explores every facet of the disease: medicine's evolving understanding of its pathology and treatment options; its cultural significance; the political and economic logic that has dictated the terms of a war on a "woman's disease"; and the rise of patient activism. Olson concludes that, although it has not yet been conquered, breast cancer is no longer the story of individual women struggling alone against a mysterious and deadly foe.

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World-renowned oracle card expert with over a million decks sold, best-selling author, and internationally acclaimed spiritual teacher Colette Baron-Reid presents a portable 52-card edition of her best-selling oracle deck.These beautiful goddess oracle cards draw upon the symbolic energy of goddesses from cultures around the world—energy that can be reflected in any individual. Did you know the timeless energy of powerful goddesses rises up and can be expressed through every one of us when we need them? The goddesses are here to guide us and empower us, and if we look closely in our reflection, their bright light shines through our eyes, reminding us of the truth of our divinity and the power to choose the best version of ourselves in service and love. The Goddess Power Oracle reminds us of our beautiful relationship to the energy of these deities from around the world. The nontraditional, multi-ethnic art is intended to allow all of us to see ourselves in them, regardless of our origins. This standard edition of Goddess Power Oracle features 52 cards as well as a compact 3.5"x5" guidebook and storage box. Example Goddess Oracle Card Meanings: Aphrodite - Romantic Love Aphrodite invites you to fall in love with your life now and choose to look for the essence and expression of love all around you. By doing so, love will increase tenfold, and you will see evidence of it everywhere you turn.Isis - RebirthThe process of soul retrieval, resurrection, and rebirth is the theme recurrent through the stories of the Egyptian goddess Isis, and one that she invites you to address now. Mary - MiraclesMary, mother of miracles, is here to remind you of all the amazing wonders that are everywhere in your life right now. Sophia - Divine WisdomWhen we ask for help, we are asking for guidance from a Source greater than us—a great unknowable mystery. The Great Goddesses invite us to see a reflection of them in ourselves and to ask: Who could we become if we knew how to heal and reclaim our true power?Let the Goddess Power Oracle cards guide you to your deepest truth, empower you to choose freedom from the bondage of your old conditioning, and bring you to a new heightened state of awareness so that you can co-create a life beyond your wildest dreams! This oracle deck will serve as your sparkling bridge between the seen and unseen worlds, taking you from the mundane to the mystical. Note: This is a portable-size edition of Goddess Power Oracle (ISBN: 9781401956448).

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Guy Robinson and Doris Carson have assembled a wonderfully comprehensive and timely book that both reveals and joins together the many and varied elements of diverse contemporary agriculture and food production systems. The book stands as a valuable scan of the diverse forces and processes of change in agriculture and also makes visible, through its various and well-chosen case analyses, the abiding and sometimes colliding roles of structure , agency, power and place in shaping farm and food futures.'- John Smithers, University of Guelph, Canada'An excellent, timely and innovative contribution to the wide-ranging debates on the globalisation of agriculture. The book brings together a wide array of authors who approach agricultural globalisation issues from various angles spanning both the social and natural sciences, including key contributions on agriculture/environment issues, food security challenges, policy regimes, transnational corporations, and challenges of an increasingly globalised agriculture.'- Geoff A. Wilson, Plymouth University, UKAgriculture is becoming increasingly influenced by globalisation. The result is a more interconnected world where new forms of trade and cultural exchange can thrive on an international level. This novel Handbook provides insights to the ways in which globalization is affecting the whole agri-food system, from farms to the consumer.The expert contributors cover themes including the physical basis of agriculture, the influence of trade policies, the nature of globalised agriculture, and resistance to globalisation in the form of attempts to foster sustainability and multifunctional agricultural systems. They present a state-of-the-art summary of current debates and provide a starting point for subsequent research into solutions aimed at addressing food insecurity, global hunger and uneven development.Drawing upon studies from around the world, the Handbook will appeal to a broad and varied readership, across academics, students, and policy-makers interested in economics, trade, geography, sociology and political science.Contributors: K. Anderson, D.K. Bardsley, P. Basu, A. Blay-Palmer, S. Bringezu, L. Bryant, D. Burch, D.A. Carson, A. Dorward, J. Entwistle, S.J. Fielke, D. Fuchs, T. Gomiero, W. Grant, P. Hoppe, B. Ilbery, A. Kalfagianni, J. Klepek, I. Knezevic, G. Lawrence, T. Li, Y. Liu, H. Long, D. Maye, J. Morrison, S. Nicholson, M. O'Brien, A. Omer, C.R. Parfitt, K.E. Rickson, R.E. Rickson, D.F. Robinson, G.M. Robinson, N. Russell, B.A. Scholten, H. Schütz, S.R. Sippel, R. Taylor, B. Winders

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Over the past few decades, alliance and networks have been generally examined individually. This Handbook sheds new light on this research by combining the two topics and focuses on highlighting their similarities.The expert contributors discuss topics surrounding the state-of-the-art in alliance and network research such as organizing opportunities in international entrepreneurship; transaction costs in alliances and joint ventures; diaspora networks; and national culture and international alliances. They go on to look at conceptual developments relating to born globals; subsidiary performance; internationalisation; and knowledge transfer and organisational learning. Finally, they present empirical evidence of international alliances and networks. They combine diverse types of studies including literature reviews, conceptual papers and empirical studies in order to provide the reader with a comprehensive understanding of the topic.Researchers with an interest in joint ventures and alliance and networks, along with students and academics of international business will find this book to be a valuable resource.Contributors: S. Andersson, U. Andersson, A. Arslan, G.B. Awuah, P Ekman, M. Elo, C. Erixon, N. Evers, P.N. Ghauri, M. Hilmersson, M. Hsia-Wen Ho, M. Johanson, V. Kaartemo, J. Larimo, C. López-Duarte, H. Lundberg, T. Mainela, H. Makkonen, M. Marinov, S.T. Marinova, L.-G. Mattsson, H. Merchant, K.E. Meyer, N. Mirc, N. Nummela, R. Olkkonen, U.F. Ott, S. Papaioannou, E. Pernu, V. Puhakka, P.A. Ryan, S. Saarenketo, A. Salmi, P. Servais, A. Smith, A. Thyr, L. Torkkeli, P. Very, M.M. Vidal-Suárez, Y. Wang

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Peter Asher met the Beatles in the spring of 1963, the start of a lifelong association with the band and its members. He had a front-row seat as they elevated pop music into an art form, and he was present at the creation of some of the most iconic music of our times. Asher is also a talented musician in his own right, with a great ear for what is new and fresh. Once, when Paul McCartney wrote a song that John Lennon didn’t think was right for the Beatles, Asher asked if he could record it. “A World Without Love” became a global number-one hit for his duo, Peter & Gordon. A few years later Asher was asked by Paul McCartney to help start Apple Records; the first artist Asher discovered and signed up was a young American singer-songwriter named James Taylor. Before long he would be not only managing and producing Taylor but also (having left Apple and moved to Los Angeles) working with Linda Ronstadt, Neil Diamond, Robin Williams, Joni Mitchell, and Cher, among others. The Beatles from A to Zed grows out of his popular radio program “From Me to You” on SiriusXM’s The Beatles Channel, where he shares memories and insights about the Fab Four and their music. Here he weaves his reflections into a whimsical alphabetical journey that focuses not only on songs whose titles start with each letter, but also on recurrent themes in the Beatles’ music, the instruments they played, the innovations they pioneered, the artists who influenced them, the key people in their lives, and the cultural events of the time. Few can match Peter Asher for his fresh and personal perspective on the Beatles. And no one is a more congenial and entertaining guide to their music.

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Nobel Prize-winning novelist J.M. Coetzee's "Jesus" fictions constitute a trilogy of novels that have appeared over the last decade. They stand out from his earlier work in their difficulty, and in the central role they accord philosophy--in part through their interest in specific themes in which philosophy is interested, in part through their critical engagement with philosophy as a mode of intellectual activity, with a very particular role to play in the broader cultural concerns of modern Western Europe. Robert Pippin presents the first detailed interpretation of J.M. Coetzee's "Jesus" trilogy as a whole. In order to understand them, he treats the three fictions as a philosophical fable, in the tradition of Plato's Republic, More's Utopia, Rousseau's Emile, or Nietzsche's Thus Spoke Zarathustra. In the trilogy's mythical setting, everyone is an exile, removed from their homeland and transported to a strange new place, with most of their memories of their homeland erased. Pippin treats these fictions as philosophical explorations of the implications of a deeper kind of spiritual homelessness--a version that characterizes late modern life itself--and he sees the theme of forgetting as a figure for modern historical amnesia and indifference to reflection and self-knowledge. This state of exile is interpreted as metaphysical as well as geographical. Pippin's insightful, careful reading of Coetzee suggests the limitations of traditional philosophical treatments of themes like eros, beauty, social order, art, family, non-discursive forms of intelligibility, self-deception, and death. And he wrings from the trilogy its intertextuality, and many references to the Christian Bible, Plato, Cervantes, Goethe, Kleist, and Wittgenstein, among others. Throughout, Pippin expresses the potential of literature to be a profound form of philosophical reflection.

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Life in ancient Greece was musical life. Soloists competed onstage for popular accolades, becoming centrepieces for cultural conversation and even leading Plato to recommend that certain forms of music be banned from his ideal society. And the music didn’t stop when the audience left the theatre: melody and rhythm were woven into the whole fabric of daily existence for the Greeks. Vocal and instrumental songs were part of religious rituals, dramatic performances, dinner parties, and even military campaigns. Like Detroit in the 1960s or Vienna in the 18th century, Athens in the 400s BC was the hotspot where celebrated artists collaborated and diverse strands of musical tradition converged. The conversations and innovations that unfolded there would lay the groundwork for musical theory and practice in Greece and Rome for centuries to come. In this perfectly pitched introduction, Spencer Klavan explores Greek music’s origins, forms, and place in society. In recent years, state-of-the-art research and digital technology have enabled us to decipher and understand Greek music with unprecedented precision. Yet many readers today cannot access the resources that would enable them to grapple with this richly rewarding subject. Arcane technical details and obscure jargon veil the subject — it is rarely known, for instance, that authentic melodies still survive from antiquity, helping us to imagine the vivid soundscapes of the Classical and Hellenistic eras. Music in Ancient Greece distills the latest discoveries into vivid prose so readers can come to grips with the basics as never before. With the tools in this book, beginners and specialists alike will learn to hear the ancient world afresh and come away with a new, musical perspective on their favourite classical texts.

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Winner, 2024 E. Gene Smith Inner Asia Book Prize, Association for Asian StudiesHonorable Mention, 2023 Joseph Levenson Prize Post-1900, Association for Asian StudiesIn the aftermath of the cataclysmic Maoist period, three Tibetan Buddhist scholars living and working in the People’s Republic of China became intellectual heroes. Renowned as the “Three Polymaths,” Tséten Zhabdrung (1910–1985), Mugé Samten (1914–1993), and Dungkar Lozang Trinlé (1927–1997) earned this symbolic title for their efforts to keep the lamp of the Dharma lit even in the darkest hour of Tibetan history.Lineages of the Literary reveals how the Three Polymaths negotiated the political tides of the twentieth century, shedding new light on Sino-Tibetan relations and Buddhism during this turbulent era. Nicole Willock explores their contributions to reviving Tibetan Buddhism, expanding Tibetan literary arts, and pioneering Tibetan studies as an academic discipline. Her sophisticated reading of Tibetan-language sources vivifies the capacious literary world of the Three Polymaths, including autobiography, Buddhist philosophy, poetic theory, and historiography. Whereas prevailing state-centric accounts place Tibetan religious figures in China in one of two roles, collaborator or resistance fighter, Willock shows how the Three Polymaths offer an alternative model of agency. She illuminates how they by turns safeguarded, taught, and celebrated Tibetan Buddhist knowledge, practices, and institutions after their near destruction during the Cultural Revolution.An interdisciplinary work spanning religious studies, history, literary studies, and social theory, Lineages of the Literary offers new insight into the categories of religion and the secular, the role of Tibetan Buddhist leaders in modern China, and the contested ground of Tibet.

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An artist and activist committed to the empowerment of women and girls has created a gorgeous illustrated volume, blending watercolor and short biography to showcase the contributions of more than fifty influential female leaders whose words and actions are a passionate call to arms.Distraught by the results of the 2016 election and the realization that the nation was not ready for its first female president, Kimothy Joy found herself poring over the biographies of brave women throughout history—those who persisted in the face of daunting circumstances—to learn from their experiences.Turning to art, Joy channeled her feelings to the canvas, bringing these strong women to life in bold watercolor portraits surrounded by inspirational hand-lettered quotes. With each creation, Joy found catharsis and hope. She shared her watercolors with her online community and encouraged everyone to raise their own voices and recharge for the battles ahead.Now, in this beautiful gift book, Joy has gathered her stunning illustrations and quotes and paired them with surprising, illuminating biographies of her subjects to inspire women of all ages, races, and backgrounds. That’s What She Said honors a powerful and diverse group of over fifty women—from Maya Angelou, Gloria Steinem, and Virginia Woolf to Sojourner Truth, Malala Yousafzai, and Ruth Bader Ginsburg—role models whose words and insights remind us that we must never give up the fight for a more just and equitable society.Reclaiming the derogatory cultural barb "that’s what she said," this stunning book celebrates strong female leadership throughout history and empowers current and future generations to find their voices and inspire change in their communities.

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Bangladesh has been shunned by tourists from the moment it was created in 1971. Henry Kissinger described it as a basketcase. Poverty and humanitarian disasters defined Bangladesh in the ensuing decades. When Rupert Grey arrived in Dhaka in 1992, a sign announced that arrivals were ‘Welcome to Bangladesh before the tourists get here’. They still haven’t. Grey first came to Bangladesh as a London lawyer armed with three FM2 cameras. Many journeys and 30 years later he is a photographer armed with a useful legal background. The catalysts were Chobi Mela, the festival of photography, and its founder Shahidul Alam, an acclaimed photographer, human rights activist and Time magazine’s Person of the Year in 2018. This book charts Grey’s love affair with Bangladesh, including an epic transcontinental journey through India to Chobi Mela in a vintage Rolls-Royce, later portrayed in the award-winning, Sharon Stone produced film Romantic Road. His photographs, mostly taken on film, speak powerfully of the cultural vitality and energy which Kissinger missed, and which inspired Grey’s Homage to Bangladesh. As a libel and copyright lawyer Rupert has represented national papers, politicians, bankers, celebrities and explorers. He serves on the board of a number of front-line charities in the arts, education, photography and marine exploration. He has travelled on foot and horseback, by dug-out canoe, dog sledge, camel, elephant, bush-plane and Land Rover to the wild places of the earth. His photographs have been exhibited in several countries including Bangladesh, and his articles have been widely published. He lives with his wife Jan in a remote thatched cottage in Sussex, England, with their three daughters nearby.

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This new, thoroughly updated second edition of Bradt's Ivory Coast remains the only English-language guidebook to focus solely on this culturally rich West African country, a place of crimson savannas, sublime mountains and cream-hued beaches that is becoming increasingly popular for ecotourism and wildlife, surfing and off-the-beaten track travel. Written in easy-to-navigate geographical structure, chapters on background and practical information are followed by dedicated sections on Abidjan and the surrounding area; the southeast, including Grand-Bassam and Assinie; the southwest, including Sassandra, San-Pe´dro and the Parc National de Tai¨; and the centre: Yamoussoukro, Bouake´, Daloa and Abengourou. Moving up the country, the Dix-Huit Montagnes area is covered, including Man and Touba, followed by a chapter on the North, including Odienne´, Korhogo, Kong, Parc National de la Comoe´ and Bondoukou. From wildlife and birdwatching to hiking, trekking, chocolate and twerking, Bradt's Ivory Coast lifts the lid on what gives this country its unique flavour. Tribal arts, vibrant reggae, Afrobeat and traditional folk-music scenes, and delicious Ivorian food are all covered, as are hotels, the extraordinary mud mosques of Kong and the far north, Drummologie and 'talking drums', football (the 2023 Africa Nations Cup will be held here), and unprecedented pricing and timetabling information for the full range of transport options. Having only recently re-opened for tourism, Ivory Coast is West Africa's hidden treasure. Packed with vivid descriptions, detailed maps and essential practical advice, Bradt's Ivory Coast is the ideal companion for a perfect trip, whatever your interest.

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Can we move beyond borders that divide us without losing our identity? Over the past decade, the yearning for rootedness, for being part of a story bigger than oneself, has flared up as a cultural force to be reckoned with. There’s much to affirm in this desire to belong to a people. That means pride in all that is admirable in the nation to which we belong – and repentance for its historic sins. A focus on national identity, of course, can lead to darker places. The new nationalists, who in Western countries often appeal to the memory of a Christian past, applaud when governments fortify borders to keep out people who are fleeing for their lives. (Needless to say, such actions are contrary to the Christian faith.) Is our yearning for roots doomed to lead to a heartless politics of exclusion? Does maintaining group or national identity require borders guarded with lethal violence? The answer isn’t artificial schemes for universal brotherhood, such as a universal language. Our differences are what make a community human. Might the true ground for community lie deeper even than shared nationality or language? After all, the biblical vision of humankind’s ultimate future has “every tribe and language and people and nation” coming together – beyond all borders but still as themselves. In this issue: - Santiago Ramos describes a double homelessness immigrant children experience as outsiders in both countries. - Ashley Lucas profiles a Black Panther imprisoned for life and looks at the impact on his family. - Simeon Wiehler helps a museum repatriate a thousand human skulls collected by a colonialist. - Yaniv Sagee calls Zionism back to its founding vision of a shared society with Palestinians. - Stephanie Saldaña finds the lost legendary chocolates of Damascus being crafted in Texas. - Edwidge Danticat says storytelling builds a home that no physical separation can take away. - Phographer River Claure reimagines Saint-Exupéry’s Le Petit Prince as an Aymara fairy tale. - Ann Thomas tells of liminal experiences while helping families choose a cemetery plot. - Russell Moore challenges the church to reclaim its integrity and staunch an exodus. You’ll also find: - Prize-winning poems by Mhairi Owens, Susan de Sola, and Forester McClatchey - A profile of Japanese peacemaker Toyohiko Kagawa - Reviews of Fredrik deBoer’s The Cult of Smart, Anna Neima’s The Utopians, and Amor Towles’s The Lincoln Highway - Insights on following Jesus from E. Stanley Jones, Barbara Brown Taylor, Teresa of Ávila, Oscar Romero, Martin Luther King Jr., Eberhard Arnold, Leonardo Boff, Meister Eckhart, C. S. Lewis, Hermas, and Dietrich Bonhoeffer Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Southeast Asia on a Shoestring is your passport to having big experiences on a small budget, offering the most relevant, up-to-date advice on what to see and skip, what hidden discoveries await you and how to optimise your budget for an extended continental trip. Watch the sun rise over Cambodia's temples of Angkor; hang out, hit the beach and learn to cook in Vietnam's cosmopolitan, buzzing Hoi An; and kayak around the turquoise waters of Laos' Si Phan Don. All with your trusted travel companion. Inside Lonely Planet's Southeast Asia on a Shoestring: Budget-oriented recommendations with honest reviews - eating, sleeping, sightseeing, going out, hidden gems that most guidebooks miss Extensive planning tools and budget calculators Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Cultural insights provide a richer, more rewarding travel experience - covering history, art, literature, cinema, landscapes Colour maps and images throughout Covers Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Thailand, Timor-Leste, Singapore, Vietnam Useful features: First Time Southeast Asia, Big Adventures Small Budget, Off the Beaten Track, Border Crossing, Splurge, and Responsible Travel The Perfect Choice: Lonely Planet's Southeast Asia on a shoestringis perfect for budget- and value-conscious travellers taking a big trip, and is packed with amazing sights and experiences, savvy tips and recommendations. After only a few of the destinations in this guide? Check out the relevant Lonely Planet destination guides. These are our most comprehensive titles, designed to immerse you in the culture and help you discover the best sights and get off the beaten track. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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