Search results for ""author art, culture"

For more than four centuries, communities of maroons (men and women who escaped slavery) dotted the fringes of plantation America, from Brazil through the Caribbean to the United States. Today their descendants still form semi-independent enclaves— in Jamaica, Brazil, Colombia, Belize, Suriname, Guyane, and elsewhere—remaining proud of their maroon origins and, in some cases, faithful to unique cultural traditions forged during the earliest days of Afro-American history. In 1986, expelled by the military regime of Suriname, anthropologists Richard and Sally Price turned to neighboring Guyane (French Guiana), where thousands of Maroons were taking refuge from the Suriname civil war. Over the next fifteen years, their conversations with local people convinced them of the need to replace the pervasive stereotypes about Maroons in Guyane with accurate information. In 2003, Les Marrons became a local best seller. In 2020, after a series of further visits, the Prices wrote a new edition taking into account the many rapid changes. Available for the first time in English, Maroons in Guyane reviews the history of Maroon peoples in Guyane, explains how these groups differ from one another, and analyzes their current situations in the bustling, multicultural world of this far-flung outpost of the French Republic. A gallery of the magnificent arts of the Maroons completes the volume.

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"As visually arresting as it is informative."—The Boston Globe "Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."—Fast Company's Co.Design W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition. Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from advances in education to the lingering effects of slavery. They convey a literal and figurative representation of what he famously referred to as "the color line," collected here in full color for the first time. A landmark collection for social history, graphic design, and data science. • Data display, visualizations, and infographics far ahead of their time • Colorful graphs and charts are mesmerizing pieces of art in their own right • A valuable companion to W.E. B. Du Bois's The Souls of Black Folk • Includes contributions from Aldon Morris, Silas Munro, and Mabel O. Wilson W.E.B. Du Bois's Data Portraits is an informative and provocative history, data, and graphic design book that continues to resonate with audiences today.

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Bubbly fine arts graduate Gené is desperate to get into the film industry. She moves to Cape Town and works as a photographer for a tabloid magazine. Gené starts moonlighting on film sets and finds herself on an Indian paint commercial where a big Bollywood producer offers her a six-month stint in his company in Mumbai. Unable to resist the lure and glamour of working in film and traveling the world business class, she leaps at the opportunity and soon finds herself on a plane headed for India. But there is no free curry in Mumbai. On arrival she realizes she is expected to sleep with the producer, and slips into an uneasy, culturally challenging role as his new firangi girlfriend. The producer soon insists on transforming Gené into a size-6 blonde who he can show off on the red carpet. He puts her on a grueling diet and stringent exercise regime. Once a teenage anorexic, this pushes all her deepest buttons of insecurity around her fraught body issues. Even though he is twice her age, overweight, and often rude, she becomes obsessed with him, and is soon convinced that he is cheating on her. She goes on an all-out mission to make him love her. When it becomes clear the producer no longer wants her, she manipulates her way into turning her six-month work stint into a six-year epic stay. In her first year there, she works on 96 commercials and gets drawn into the rich cultural textures of India, experiencing India in a way rarely written about. With access to the who's who in Bollywood, she rubs shoulders with India's most famous glitterati, including the great Bly Avibath, India's most famous actor. Gené also becomes close to Bollywood's top director, Kiran, and they dream about making the film of her life, together. After a traumatic night with the producer in a London hotel, she realizes it's time to leave India and come home. Although she continues to return to Bollywood over the next few years to do films with her hero Bly Avibath, who insists that she work with him, the producer now has little hold over her. On the last film that Gené does with Bly she tells him about her dream to tell her story. He surprises her by buying her a MacBook Pro, which she ends up using to write this book.

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic cliches, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture-from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover-Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

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While travelling overland to India from Europe in the fall of 1971, Luke Powell ran into the war between India and Pakistan, and he spent the following winter in neighbouring Afghanistan. Powell was stunned by the beauty of the country, the state of preservation of the culture, and by the Afghans’ ability to be totally self-sustaining. He returned nearly every year until 1978, when he left the country three days before a Communist coup. Powell’s ability to transform raw 35 mm film into refined printed images grew during 15 years when he printed his work with the legendary Dye Transfer Process. The Afghan Folio exhibition travelled to over 120 museums and galleries in North America and Europe, during the years when the Russians were occupying Kabul. In early 2000 the Taliban government invited Luke Powell to come back to Afghanistan, and later that year the Northern Alliance allowed him to travel alone in areas under their control. Through 2003 Powell took photographs for the United Nations Demining Program for Afghanistan and other UN agencies. In Afghan Gold Luke Powell has tried to separate art from journalism and show only the beautiful, traditional side of Afghanistan. In the text, published in a separate volume, Powell acts as a spokesman for an essentially peace-loving people who have been at war for the last three decades, placing the images in an unusually broad historical context.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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'Devil-may-care daring and biting humour . . . Think Rachel Cusk's autofiction on skunk and OxyContin and you're in the right ballpark' The Times 'In a literary culture swamped by clenched, worthy fiction and the writer as activist, her satirist's misanthropy and taste for provocation are a tonic' Observer 'Enjoyably mischievous and daring' Financial Times 'Ruthless, very funny' New York Times 'A wicked satire of the literary elite and an exploration of art and violence' New Yorker Mona is a Peruvian writer based on a Californian campus, open-eyed and sardonic, a connoisseur of marijuana and prescription pills. In the humanities she has discovered she is something of an anthropological curiosity - a female writer of colour treasured for the flourish of rarefied diversity that reflects so well upon her department. When she is nominated for 'the most important literary award in Europe', Mona sees a chance to escape her sunlit substance abuse and erotic distraction, and leaves for a small village in Sweden. Now she is stuck in the company of her competitors, who arrive from Japan, France, Armenia, Iran and Colombia. The writers do what writers do: exchange flattery, nurse envy and private resentments, stab rivals in the back and go to bed together. But all the while, Mona keeps stumbling across traces of violence on her body, the origins of which she can't - or won't - remember.

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An exploration of the representational culture of Alzheimer’s disease and how media technologies shape our ideas of cognition and aging With no known cause or cure despite a century of research, Alzheimer’s disease is a true medical mystery. In Mediating Alzheimer’s, Scott Selberg examines the nature of this enduring national health crisis by looking at the disease’s relationship to media and representation. He shows how collective investments in different kinds of media have historically shaped how we understand, treat, and live with this disease. Selberg demonstrates how the cognitive abilities that Alzheimer’s threatens—memory, for example—are integrated into the operations of representational technologies, from Polaroid photographs to Post-its to digital artificial intelligence. Focusing on a wide variety of media technologies, such as neuroimaging, art therapy, virtual reality, and social media, he shows how these cognitively oriented media ultimately help define personhood for people with Alzheimer’s. Media have changed the practices of successful aging in the United States, and Selberg takes us deep into how technologies like digital brain-training and online care networks shape ideas of cognition and healthy aging.Packed with startlingly fresh insights, Mediating Alzheimer’s contributes to debates around bioethics, the labor of caregiving, and a national economy increasingly invested in communication and digital media. Probing the very technologies that promise to save and understand our brains, it gives us new ways of understanding Alzheimer’s disease and aging in America.

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Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.

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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience. In addition to the editor, the contributors are David R. Ambaras, James Donald, Ruben Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.

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The political thought of Muslim societies is all too often defined in religious terms, in which the writings of clerics are seen as representative and ideas about governance are treated as an extension of commentary on sacred texts. Disenchanting the Caliphate offers a groundbreaking new account of political discourse in Islamic history by examining Abbasid imperial practice, illuminating the emergence and influence of a vibrant secular tradition.Closely reading key eighth-century texts, Hayrettin Yücesoy argues that the ulema’s discourse of religious governance and the political thought of lay intellectuals diverged during this foundational period, with enduring consequences. He traces how notions of good governance and reflections on prudent statecraft arose among cosmopolitan literati who envisioned governing as an art. Competent in nonreligious branches of knowledge and trained in administrative professions, these belletrists articulated and defended secular political practices, reimagining the caliphal realm as politically constituted rather than natural. They sought to improve administrative efficiency and bolster state control for an empire made up of diverse cultures. Their ideas about moral cultivation, temporal reasoning, and governmental rationality endured for centuries as a counterpoint to religious rulership. Drawing on this history, Yücesoy critiques the concept of “Islamic political thought,” calling for decolonizing debates about “secular” and “religious” politics.Theoretically rich and historically grounded, Disenchanting the Caliphate is an insightful and provocative reconsideration of key strands of political discourse in the intellectual history of Muslim societies.

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Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available.Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots.Necklace and Calabash finds Judge Dee returning to his district of Poo-yang, where the peaceful town of Riverton promises a few days' fishing and relaxation. Yet a chance meeting with a Taoist recluse, a gruesome body fished out of the river, strange guests at the Kingfisher Inn, and a princess in distress thrust the judge into one of the most intricate and baffling mysteries of his career.An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.

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Singapore, a small island nation, offers a huge variety of experiences for holidaymakers of all kinds. This bustling cosmopolitan city has excellent shopping malls and fascinating museums; heritage trails and wildlife walks; a colourful nightlife and a huge choice of dining options. Much planning has been involved in maximising these attractions. Leading the way are the two integrated resorts of Resorts World Sentosa and Marina Bay Sands which offer the glitz and glamour of Las Vegas as well as all the excitement of theme park activities. Other massive projects are the 1.1 km boardwalk that runs along the coast and mangrove area of Chek Jawa, allowing nature lovers to get close to the rich plant and marine life, as well as `Gardens by the Bay’, three waterfront gardens that showcase horticulture and garden art. Singapore’s Botanic Gardens have developed into one of the world’s most respected with palms, cycads, bromeliads and a vast number of orchids. For sporting enthusiasts, there’s the recently introduced F1 Grand Prix, as well as all of the watersports you would expect around an island and some adventurous trekking in the national parks and wetlands. The wonderful array of cuisines from Peranakan to Chinese, Indian to Malay is proof of the collage of cultures that make up Singapore’s population. Enchanting Singapore introduces all of the must-see places and events to help you make the most of your holiday time.

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One of the most exhilarating cities in the world, London is steeped in history whilst embracing innovation. Its skyline is a mix of old and new, with the beautiful architectural splendour of St Paul’s Cathedral sitting comfortably alongside the staggering modernity of new high rises. The pomp and ceremony of quintessential British culture remains very much on show, from Changing the Guard to the Lord Mayor’s Show and tea at The Ritz. With world-famous museums, art galleries, theatres, eight royal parks, shops, restaurants and a buzzing nightlife, London has something on offer for everyone. The latest Pitkin guide to London is a fresh, updated edition of our best-seller In and Around London. This guidebook celebrates the most famous icons in our English heritage, as well as introducing the newest architectural additions to the city’s skyline – from museums to The Shard. The book showcases all these top attractions in a fun and accessible manner, offering exciting facts and anecdotes as well as significant historical information. At 44 pages, London is compact enough to fit into a bag or a small piece of hand luggage, but it is still an insightful read. Whether it is an expedition through the museums - back in time to ancient London, following the footsteps of one of the most famous royal families in the world or indulging in the countless eateries, theatres and shopping hubs, this text is the perfect companion to any tourist visiting London.

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The first edited collection of essays dedicated to Shyam Benegal's career and films Offers in-depth scholarship on Indian parallel, or new wave, cinema Provides cultural contexts for Benegal's films, including representations of gender, class, and caste Can be used in academic courses dealing with Bollywood, gender politics, subaltern studies, media studies, adaptation, and postcolonialism Shyam Benegal is widely perceived as one of the most influential Indian filmmakers, yet his voluminous body of work remains relatively under-studied in contemporary film scholarship. To help fill this critical lacuna, ReFocus: The Films of Shyam Benegal undertakes a closer look at Benegal's films, a trailblazing auteur who successfully redefined the contours of non-commercial Hindi language cinema. This addition to ReFocus: The International Directors Series will consider how Benegal, over the course of his forty year career, used cinema as a potent medium to narrate the story of a nation in continuous transition. The 13 essays in the volume will explore how Benegal's films articulate his concerns over caste, class, gender, religion, and other allied social, economic and political problems characterizing the Indian subcontinent. This collection also includes a full-length interview with Shyam Benegal that investigates his perspectives on the art of film-making.

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As his personal circumstances move in constant flux, Ai Weiwei remains a cultural magnet. Renowned for his political activism and social media activity almost as much as for his social interventions, contemporary approach to the readymade, and knowledge of Chinese traditional crafts, Ai’s fame extends throughout and beyond the art world. Drawn from TASCHEN’s limited Collector’s Edition, this monograph explores each of Ai’s career phases up until his release from Chinese custody. It features extensive visual material to trace Ai’s development from his early New York days right through to his recent practice. Focus moments include his international breakthrough in the early 2000s, his porcelain Sunflower Seeds at the Turbine Hall of the Tate Modern, his response to the Sichuan earthquake of 2008, and his police detention in 2011. With behind-the-scenes studio pictures, production shots, and numerous statements derived from exclusive interviews with Ai, we gain privileged access to the artist’s process, influences, and importance. The book includes texts from Uli Sigg, Ai’s longtime friend and former Swiss ambassador to China and Roger M. Buergel, who curated the 2007 documenta and hosted the artist’s Fairytale piece.

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The Way We Wed: A History of Wedding Fashion presents styles and stories from the Renaissance to the present day, chronicling evolving fashions as well as changing customs, lifestyles, and values. And because all wedding attire has a tale to tell, The Way We Wed also reveals fascinating personal stories of those who wore it. While the book is a visually and thematically rich source of bridal inspiration for all seasons, it's far from a monotonous parade of white gowns. The long white wedding dress is a relatively recent innovation popularized by Queen Victoria; it has traditionally been reserved for the upper classes, and abandoned in times of war, economic hardship, or mourning. The Way We Wed showcases wedding gowns of all colors and styles from around the world, as well as going-away dresses, accessories (shoes, veils, hats, fans, and tiaras), and clothes worn by flower girls, bridesmaids, mothers of the bride, and grooms. Same-sex weddings are represented, and the book features celebrity brides (Angelina Jolie, Frida Kahlo, Elizabeth Taylor, Princess Diana, Martha Washington, Solange Knowles, Ellen DeGeneres, Meghan Markle) as well as everyday anonymous couples. Illustrated with 100 gorgeous photos, The Way We Wed is a rich celebration of the art of wedding fashion across time and cultures, and those whose style and circumstances made a statement.

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Yvonne Weekes' memoir of eight years dominated by the awakening, eruption and still grumbling aftermath of Montserrat's Soufriere is a remarkable document at many levels. It is an acutely written account of the impact of the eruption on the life and viability of this small Caribbean island, with a quizzical eye for the undertones of the experience - the way, for instance, the awakened mountain becomes a favoured place for car-bourne lovers' trysts - as well as for the more public manifestations of the way her people responded to disaster. As Director of Culture who organised a theatrical review that was taken round the refugees in the temporary shelters, she was well-placed to observe and listen; one of the qualities of the book is the way it brings the voices of Montserratians so vividly to life. She captures a world split between the new scientific vocabulary of seismology and pyroclastic flows and the Old Testament talk of Sodom and Gomorrah and sins punished. But 'Volcano' is above all a personal and intimate account of the processes of stress, loss, grieving emptiness and the rebuilding of heart and sense of self; of confronting the 'nothingness that hollows me', when everything by which she has known herself - home, family, friends, landscape - is taken from her, when faith is tested to the core. But it is the quality of Yvonne Weekes' writing that makes 'Volcano' a work of art as well as a record. Her prose is always alive, conversational and clear, rising to memorable heights when she describes the terrible moments of blackness against which all life demands to be reviewed.

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The Cold War ended thirty years ago, the Communists have won in Europe and the world has settled into two blocks divided by a silicon curtain, The Partition. The tranquil backwater of the People’s Republic of Britain is due to host an international sporting event, the Games, and celebrate the twenty-fifth anniversary of the country becoming a republic. When the organiser of the Games dies suddenly and his office is broken into, Barrow, the retired security operative enlisted to investigate, is drawn into a conspiracy that has implications not only for him and his team of young and inexperienced assistants, but for their entire way of life. How is the American research student Julia Verona implicated? Is some kind of attack being planned? Who is really in command of the operation? Is there a double agent within the PRBs security apparatus? What is the significance of the reclusive novelist Vernon Crane? Fusing the trappings of a literary thriller with experimental style, Eminent Domain explores the art, culture, politics, personalities, conflicts, loves and losses of a range of boldly realised characters in a Utopian world radically different to our own but recognizably the way that things, at one time, might have been. A kaleidoscopic satire of our present moment, Eminent Domain is both a dark thriller and a radical neo-modernist experiment that probes at the limits of Utopia, a formally dazzling reimagining of the political novel in which lives, worlds and even realities collide to devastating effect.

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A stunning celebration of the equine world. This definitive visual guide to horses and ponies includes a list of over 150 different breeds and types, including all those recognized by national horse societies. This stunning volume is the perfect reference guide for horse lovers of all ages!Inside the pages of this horse encyclopedia, you’ll find: • A comprehensive horse compendium. • Expert care advice on keeping, feeding, grooming and caring for horses. • Panels on famous breeds, or individual horses, owners, riders or breeders. Everything about horses!From tiny ponies to heavy draft horses and speedy thoroughbreds, horses are among the most influential animals in human history. The Horse Encyclopedia explores the evolution and anatomy of the horse and its place in history, art and culture. Gorgeous photography of horse breeds worldwide is accompanied by knowledgeable text describing the origins, history and characteristics of a definitive list of horses and ponies. This animal encyclopedia also includes expert advice on horse care, including feeding and grooming and horse health.Love animals? Try our other animal encyclopedias!The Horse Encyclopedia explores all you need to know about horses and ponies in one dazzling volume — a must-have for any equine enthusiast! Other Definitive Visual Guide series titles include the Dog Encyclopedia and Cat Encyclopedia, stunning celebrations of your favorite pets!

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It is arguably Confucianism, not Communism, which lies at the core of China's deepest sense of self. Although reviled by Chinese intellectuals of the 1950s-1990s, who spoke of it as 'yellow silt clotting the arteries of the country', Confucianism has defied eradication, remaining a fundamental part of the nation's soul for 2500 years. And now, as China assumes greater ascendancy on the world economic stage, it is making a strong comeback as a pragmatic philosophy of personal as well as corporate transformation, popular in both home and boardroom. What is this complex system of ideology that stems from the teachings of a remarkable man called Confucius (Kongzi), who lived in the distant sixth century BCE? Though he left no writings of his own, the oral teachings recorded by the founder's disciples in the 'Analects' left a profound mark on later Chinese politics and governance. They outline a system of social cohesiveness dependent upon personal virtue and self-control. For Confucius, society's harmony relied upon the appropriate behaviour of each individual within the social hierarchy; and its emphasis on practical ethics has led many to think of Confucianism as a secular philosophy rather than a religion. In this new, comprehensive introduction, Ronnie Littlejohn argues rather that Confucianism is profoundly spiritual, and must be treated as such. He offers full coverage of the tradition's sometimes neglected metaphysics, as well as its varied manifestations in education, art, literature and culture.

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It's time for the ladies—the First Ladies, that is—to get their time in the spotlight What does a First Lady do? What makes a First Lady successful? If you've always wanted to know, this is the place to come to for the answers! This reference has the inside scoop on all the First Ladies, including Michelle Obama's campaigns for healthy eating and Jackie Kennedy's emphasis on art and culture. In First Ladies For Dummies, you'll find out how these women's values, initiatives, and style have influenced all our lives, and how they've become true role models for generations. With the detailed biographies and personal profiles in First Ladies For Dummies, you'll gain a well-rounded knowledge of the United States' 47 First Ladies. From Martha to Melania, from Jackie to Dr. Jill, and everyone in between, every First Lady has left her stamp on the White House, in the Rose Garden, and in history, and this book covers it all. It includes: An historical context for a deeper understanding of the world these First Ladies lived in Accounts of their childhoods and early lives to learn who these women were before they stepped foot in the White House Each First Lady's interests and achievements Whether you're a history fanatic or just curious about these highly accomplished women, you'll find lots of fun facts about them in First Ladies For Dummies. Pick up your copy to be in the know!

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From the mid-seventeenth to the mid-nineteenth century, millions of Korean men from all walks of life trained in the arts of war to prepare not for actual combat but to sit for the state military examination (mukwa). Despite this widespread interest, only for a small minority did passing the test lead to appointment as a military official. Why, then, did so many men aspire to the mukwa?Eugene Y. Park argues that the mukwa was not only the state's primary instrument for recruiting aristocrats as new members to the military bureaucracy but also a means by which the ruling elite of Seoul could partially satisfy the status aspirations of marginalized regional elites, secondary status groups, commoners, and manumitted slaves. Unlike the civil examination (munkwa), however, that assured successful examinees posts in the prestigious central bureaucracy, achievement in the mukwa did not enable them to gain political power or membership in the existing aristocracy.A wealth of empirical data and primary sources drives Park's study: a database of more than 32,000 military examination graduates; a range of new and underutilized documents such as court records, household registers, local gazetteers, private memoirs, examination rosters, and genealogies; and products of popular culture, such as p'ansori storytelling and vernacular fiction. Drawing on this extensive evidence, Park provides a comprehensive sociopolitical history of the mukwa system in late Choson Korea.

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One of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan "renaissance" of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked by a transition from the use of rhetoric as a means of public persuasion to the use of images to display imperial power. Taking a fresh approach to Virgil's epic poem, Riggs Alden Smith argues that the Aeneid fundamentally participates in the Augustan shift from rhetoric to imagery because it gives primacy to vision over speech as the principal means of gathering and conveying information as it recounts the heroic adventures of Aeneas, the legendary founder of Rome. Working from the theories of French phenomenologist Maurice Merleau-Ponty, Smith characterizes Aeneas as a voyant-visible, a person who both sees and is seen and who approaches the world through the faculty of vision. Engaging in close readings of key episodes throughout the poem, Smith shows how Aeneas repeatedly acts on what he sees rather than what he hears. Smith views Aeneas' final act of slaying Turnus, a character associated with the power of oratory, as the victory of vision over rhetoric, a triumph that reflects the ascendancy of visual symbols within Augustan society. Smith's new interpretation of the predominance of vision in the Aeneid makes it plain that Virgil's epic contributes to a new visual culture and a new mythology of Imperial Rome.

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The name elBulli is synonymous with creativity and innovation. Located in Catalonia, Spain, the three-star Michelin restaurant led the world to "molecular" or "techno-emotional" cooking and made creations, such as pine-nut marshmallows, rose-scented mozzarella, liquid olives, and melon caviar, into sensational reality. People traveled from all over the world-if they could secure a reservation during its six months of operation-to experience the wonder that chef Ferran Adria and his team concocted in their test kitchen, never offering the same dish twice. Yet elBulli's business model proved unsustainable. The restaurant converted to a foundation in 2011, and is working hard on its next revolution. Will elBulli continue to innovate? What must an organization do to create something new? Appetite for Innovation is an organizational analysis of elBulli and the nature of innovation. Pilar Opazo joined elBulli's inner circle as the restaurant transitioned from a for-profit business to its new organizational model. In this book, she compares this moment to the culture of change that first made elBulli famous, and then describes the novel forms of communication, idea mobilization, and embeddedness that continue to encourage the staff to focus and invent as a whole. She finds that the successful strategies employed by elBulli are similar to those required for innovation in art, music, business, and technology, proving the value of the elBulli model across organizations and industries.

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A new addition to expert collector Geoffrey T. Carlton's Star Wars Super Collector's Wish Book series of merchandise guides, volume 3 takes Star Wars enthusiasts into the vast galaxy of items that celebrate the beloved film franchise and pop culture juggernaut. Volume 3 unifies toys and nontoy products into a single book, covering 70,000 items released from 2011 to 2022. Also included are some of the more common and popular items, along with older pieces not previously featured in the first two volumes of the series. Through 14,000 color images and directory-style categorization, this guide provides identification and values for a vast array of Star Wars items from around the world, including art and cards, coins and stickers, party decorations, clothing, action figures, games and toys, home decor items, and much, much more. From ticket stubs to statues and ice cream wrappers to rockets, if it was made with a Star Wars logo on the package, you'll be able to find it here. In both quantity and quality, the volumes of the Star Wars Super Collector's Wish Book surpass all others to form the largest Star Wars collectibles identification and reference series ever produced. Though massive, the volumes boast an easy-to-use, directory-style format and thousands of color photographs that make them valuable and quick resource guides.

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Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available.Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots.Murder in Canton takes place in the year 680, as Judge Dee, recently promoted to lord chief justice, is sent incognito to Canton to investigate the disappearance of a court censor. With the help of his trusted lieutenants Chiao Tai and Tao Gan, and that of a clever blind girl who collects crickets, Dee solves a complex puzzle of political intrigue and murder through the three separate subplots "the vanished censor," "the Smaragdine dancer," and "the Golden Bell."An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.

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The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.

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This groundbreaking work is the most in-depth and state-of-the-art study on the Life Cycle Assessment (LCA) of energy systems, the only volume available on this critical subject. Energy and sustainability are two of the most important and often most misunderstood subjects in our world today. As these two subjects have grown in importance over the last few decades, interest in the Life Cycle Assessment (LCA) model has grown as well, as a potentially crucial tool in understanding and striving towards sustainability in energy systems. Not just wind and solar systems, but all energy systems, need to be understood through this model. Wind and solar power have the potential to decentralize the U.S. energy system by offering local communities electricity and economic support, depending on the scale and design of projects. Nevertheless, every energy technology potentially faces environmental costs, lay and expert opposition, and risks to public health. Engineers play a central role as designers, builders, and operators in energy systems. As they extend their expertise into electrical, mechanical and chemical fields, from fossil fuel-based systems to renewable energy systems, "sustainability" is steadily becoming one of the key criteria engineers apply in their work. This groundbreaking new study argues that engineering cultures foster sustainability by adopting assumptions and problem-solving practices as part of their identities when designing and building engineering projects. This work examines the politics of creating, utilizing, and modifying Life Cycle Assessment (LCA) in the construction of renewable energy systems. The only volume of its kind ever written, it is a must-have for any engineer, scientist, manager, or other professional working in or interested in Life Cycle Assessment and its relation to energy systems and impact on environmental and economic sustainability.

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Biles' first-rate primer on the state's history will be a useful resource for anyone curious about a state whose residents have played crucial roles in almost every major episode in the nation's history.―Chicago Tribune Featuring 67 illustrations, Illinois will captivate readers of all ages and interests. Crossroads of the continent, Land of Lincoln, hub of commerce—or, as Charles Dickens viewed it, a landscape "oppressive in its barren monotony"—Illinois boasts a rich and varied past. In this far-reaching but compact history, Roger Biles provides a much-needed, up-to-date account of the state's development, from the early native settlements to the present. Focusing on Illinois' demographic changes over time, he highlights the key figures who contributed to the state's government, economy, culture, and the arts. While devoting attention to the touchstones of history, Illinois illuminates also the achievements of ordinary people, including the women, the African Americans, and the other minorities who—along with the politicians, the captains of industry, and the military heroes—contributed to the state's growth and prosperity. National events shaped the state as well, and Biles explores the impact of such crises as the Civil War and World War II on the people of Illinois. No history of Illinois can ignore the state's largest city, the dynamic metropolis on Lake Michigan—Chicago. Drawing on extensive research, Biles illuminates Chicago's past—its outbursts of labor unrest and racial tensions as well as the splendors of two world's fairs and an artistic renaissance—while at the same time relating Chicago to the larger story of Illinois and its people. Connecting lesser-known stories with the main events of the state's past, Biles writes in an accessible style that is at once entertaining and enlightening.

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In London in 1770 Georg Christoph Lichtenberg (1742–1799) remarked, ‘What a work could be written on Shakespeare, Hogarth and Garrick! There is something similar in the genius of all three.’ Two-and-a-half centuries on, Robin Simon’s highly original and illuminating book takes up the challenge.William Hogarth (1697–1764) and David Garrick (1717–1779) closely associated themselves with Shakespeare, embodying a relationship between plays, painting and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century.History painting was considered the highest form of art: a picture illustrating a moment drawn from just a few lines in a revered text. Hogarth’s David Garrick as Richard III (1745) transformed those ideas because, although it looked like a history painting, it was also a portrait of an actor in performance. With it, Hogarth established the genre of theatrical portraiture, a new and distinctively British kind ofhistory painting.This book offers a fresh examination of theatrical portraits through close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth and Garrick in the European Enlightenment and the rise of Romanticism. In this context another trio of genius features prominently: Lichtenberg, GottholdEphraim Lessing and Denis Diderot.Familiar paintings and performances are seen in an entirely new light, while unfamiliar pictures are also introduced, including major paintings and drawings that have never been published.The final chapter shows that the inter-relationship between plays, painting and performance survived into the age of cinema, revealing the pictorial sources of Laurence Olivier’s legendary film Richard III.

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For readers of all ages, an imaginative, creative and fun trip around New York. An architecture book, an activity book, a history book and an art book all rolled into one. For architects, budding architects or anyone who is interested in architecture. Contains informative and interesting historical facts about New York neighbourhoods and buildings. Look Up! New York is the first volume of an exciting new series of architecture and design books that will inspire architects of all ages. This book is designed to be an on-the-go, fun and informative architecture book that can be used to learn, explore, create and colour. It is filled with great drawing and doodling activities for kids and teens as well as beautiful images, architecture detailing and fun historical facts that will inspire everyone. Look Up! New York provides a guide for exciting neighbourhood walking tours; fun maps are included to enhance observation and learning. The carefully chosen neighbourhoods and buildings identify the different types of architecture that evidence culture, life and character for that area of the city. This book will help kids identify architectural drawings, understand building design, develop drawing skills, and recognise architectural details. It will help readers consider architecture in its environment, its impact on our world and its place in history, and will also inspire all readers to sketch building ideas and details in a fun and creative process. New York City is home to some of the most beautiful and recognisable buildings in the world. Look Up! New York will include specialised tours of each neighbourhood, with 6-8 buildings encompassing a perfect walking tour. These neighbourhoods include the Upper West Side, Upper East Side, Bryant Park, and Madison Square Park/Flatiron.

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'An immersive novel, steeped in the history and folklore of Crete: transporting, historically informative story-telling' Sunday Times'A moving, superbly written exploration of a family with dark secrets. Crete itself becomes one of the main characters in the story' Irish Times, Best Books 2021----------This was my home. This harbour and sea. These golden alleys. But the town I grew up in has disappeared.Ri is a successful international artist who has worked in London all her life. When her English husband dies she turns to her Greek roots on Crete, island of mass tourism and ancient myth, only to discover they are not what she thought. As Brexit looms in the UK, and Greece grapples with austerity and the refugee crisis, she finds under the surface of her home not only proud memories of resisting foreign occupation but a secret, darker history. As an artist, she has lived by seeing and observing. Now she discovers how much she has not seen, and finds within herself the ghost of someone she never even heard of. Unearthing her parents' stories transforms Ri's relationships to her family and country, her identity and her art.Lyrical, unsettling and evocative, Daughters of the Labyrinth explores the power of buried memory and the grip of the past on the present, and questions how well we can ever know our own family.----------'Daughters of the Labyrinth is a novel about a daughter's passionate quest for the truth about what happened to her parents in Crete during the German occupation. It is also a sumptuous and sensuous evocation of Crete itself, its landscape and culture. Ruth Padel's brings a poet's eye to this world of great physical beauty and gnarled legacy' Colm Tóibín

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The urge to ride a wave, the search for the next perfect swell, is an enduring preoccupation that draws people to coastlines around the world. In recent decades, surfing has grown into a multimillion-dollar industry with over three million surfers in the United States alone and an international competitive circuit that draws top surfers to legendary beaches in Hawaii, California, and Australia. But away from the crowds and the hype, dedicated surfers catch waves in places like the Texas Gulf Coast for the pure pleasure of being in harmony with life, their sport, and the ocean. Kenny Braun knows that primal pleasure, as both a longtime Texas surfer and a fine art photographer who has devoted years to capturing the surf culture on Texas beaches. In Surf Texas, he presents an eloquent photo essay that portrays the enduring fascination of surfing, as well as the singular and sometimes unexpected beauty of the coast.Texas is one of the top six surfing states in America, and Braun uses evocative black-and-white photography to reveal the essence of the surfers’ world from Galveston to South Padre. His images catch the drama of shooting the waves, those moments of skill and daring as riders rip across the breaking face, as well as the downtime of bobbing on swells like seabirds and hanging out on the beach with friends. Braun also photographs the place—beaches and dunes, skies and storms, surf shops, motels, and parking lots—with a native’s knowing eye for defining details. Elegant and timeless, this vision of the Texas Coast is redolent of sea breezes and salt air and the memories and dreams they evoke. Surfer or not, everyone who feels the primeval attraction of wind and waves will enjoy Surf Texas.

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In a post-digital media landscape tracked endlessly by streams and feeds of images, it is clearer than ever that photography is an art poised between arresting singularity and ambiguous plurality. Drawing on work in visual culture studies that emphasizes the interplay between still and moving images, In and Out of Sight provides a provocative new account of the relationship between photography and modernist literature--a literature which has long been considered to trace, in its formal experimentation, the influence of modern visual technologies. Making pioneering claims about the importance of photography to the writing of Gertrude Stein, Jean Toomer, John Dos Passos, and F. Scott Fitzgerald, Alix Beeston traverses the history of photography in the late nineteenth and early twentieth centuries. From the composite experiments of Francis Galton to the epic portrait project of August Sander; from the surrealist self-fashioning of Claude Cahun to the reappropriation of lynching photographs by black activist groups; from the collectable postcards of Broadway stars to the glamour shots of Hollywood celebrities-these and other serialized photographic projects provide essential contexts for understanding the fragmentary, composite forms of literary modernism. In a series of richly detailed literary analyses, Beeston argues that the gaps and intervals of the composite literary text model the visual syntax of photography--as well as its silences, absences, and equivocations. In them, the social and political order of modernity is negotiated and reshaped. Moving in and out of these textual openings, In and Out of Sight pursues the fleeting, visible and invisible figure of the woman-in-series, who recasts absence and silence as forms of presence and witness. This shadowy figure emerges as central to the conceptual space of modernist literature--a terrain not only gendered but radically constructed around the instability of female bodies and their desires.

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Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy—The Devil and Satan—trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era.The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth. Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought.Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s. This major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.

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This volume presents vessels, fittings and other objects made in Syria, Egypt, Iraq and Yemen from the early Islamic period through to the end of the Ottoman era in the 19th century. The pieces include exquisite platters, serving-vessels, candlesticks and pen-boxes produced for royal courts, but also many beautifully decorated bronze domestic items, such as bowls, lunch-boxes, door-knockers, buckets and lamps. The metalwork traditions in this book reflect the complex history of the Arab world following the advent of Islam. The collection starts in the Late Antique period, which informed the early Islamic royal styles of the Umayyad, Abbasid and Fatimid dynasties, and goes on to trace the emergence of Mosul as a centre for metalwork in the 12th–13th centuries; the courtly Mamluk style during the Bahri period (1250–1380s); the Circassian era (1380s–1517); the growth of the European export market from the 15th century; distinctive vernacular styles in Yemen during the 14th–16th centuries; and the many revivals and fusions of international styles over six centuries of Ottoman rule (1517–1900s). Finally, an enigmatic group of zoomorphic fittings that defies easy dating is celebrated for the craftsmanship and charm of its animal figures. This beautifully illustrated volume features many important unpublished pieces and is essential reading for specialists, but it will fascinate and inform anyone with an interest in Islamic culture and history, metalwork and the decorative arts of the Arab world.With 350 illustrations

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What is a thriving, meaningful, and flourishing human life? What practices, associations, policies, and institutions support flourishing lives? These questions are not new ones. Philosophers from Buddha and Socrates onward have stressed that love of wisdom is demonstrated by living well--not by thought or theory alone but by action and practice. In light of new developments in positive psychology, psychiatry, evolutionary biology, cognitive science, and behavioral economics, these questions can be addressed with fresh insight rooted in both theory and practice. This new perspective is further supported by recent research in feminist theory, critical race studies, philosophical psychology, neuro-ethics, and more. Philosophy and Human Flourishing both draws on and charts new directions for philosophy and humanistic thought aimed at human flourishing. To reflect the fact that human lives and cultures differ, the perspectives here are refreshingly pluralistic, a commitment evident in the breadth and diversity of its highly accomplished contributors. Their expertise spans philosophy of mind, philosophy of science, evolutionary theory, cognitive science, ethics, political theory, social epistemology, education, and the arts. Each chapter is crisp, clear, and free of technical jargon. All contributors write in explicit conversation and cross-reference each other to create a volume that is cohesive and engaging. Human flourishing does not happen automatically or by default. It demands careful reflection and imagination. This book takes up and applies that reflection and imagination to the search for a flourishing life.

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What is a thriving, meaningful, and flourishing human life? What practices, associations, policies, and institutions support flourishing lives? These questions are not new ones. Philosophers from Buddha and Socrates onward have stressed that love of wisdom is demonstrated by living well--not by thought or theory alone but by action and practice. In light of new developments in positive psychology, psychiatry, evolutionary biology, cognitive science, and behavioral economics, these questions can be addressed with fresh insight rooted in both theory and practice. This new perspective is further supported by recent research in feminist theory, critical race studies, philosophical psychology, neuro-ethics, and more. Philosophy and Human Flourishing both draws on and charts new directions for philosophy and humanistic thought aimed at human flourishing. To reflect the fact that human lives and cultures differ, the perspectives here are refreshingly pluralistic, a commitment evident in the breadth and diversity of its highly accomplished contributors. Their expertise spans philosophy of mind, philosophy of science, evolutionary theory, cognitive science, ethics, political theory, social epistemology, education, and the arts. Each chapter is crisp, clear, and free of technical jargon. All contributors write in explicit conversation and cross-reference each other to create a volume that is cohesive and engaging. Human flourishing does not happen automatically or by default. It demands careful reflection and imagination. This book takes up and applies that reflection and imagination to the search for a flourishing life.

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Men’s jewelry has a long and fascinating history, with storied houses, famous patrons and a diverse range of modern designers. Behind each tiny piece often lies a complex narrative of patronage, personality and craftsmanship. This is the first publication dedicated solely to a neglected subject. Drawing on his expertise on men’s style and insider’s knowledge of the jewelry industry, men’s style aficionado James Sherwood tells the story of men’s relationship with jewelry and presents the contemporary artisans who keep the art alive. Through thematic chapters, works by key jewelers are profiled and richly illustrated, including pieces by Tiffany & Co., David Yurman, Cartier, Boucheron and Ara Vartanian. Hundreds of exquisite photographs, many specially commissioned, of rings, cufflinks, studs, pins, slides, bracelets, chains and pendants chart changing fashions and evolving attitudes to men’s jewelry over the centuries. Pieces by great craftsmen and -women and the patrons who commissioned them, from the Maharaja of Kashmir to David Bowie, are brought to life through vivid texts and contemporary and archival portraits. This sumptuous guide to sartorial elegance sets men’s jewelry in its proper historical and cultural contexts, offering an unexpected resource for jewelers and a trove of inspiration for anyone who wears, gifts or simply admires men’s jewelry.

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A BBC RADIO 4 BOOK OF THE WEEK 'A great, thrusting codpiece of a book. It is big, bombastic and richly brocaded... A jewel in its own right' The Times 'Evokes the painter and his world as vividly as a Holbein masterpiece. Beautifully written and illustrated, this book is a must for lovers of Tudor history' Tracy Borman Full of insight... This is a gorgeous book, to which I am sure I shall return again and again' Dan Jones Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius: a humanist, satirist, political propagandist, and contributor to the history of book design as well as a religious artist and court painter. The rich layers of symbolism and allusion that characterise his work have proved especially fascinating to scholars. Franny Moyle traces and analyses the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror.

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The interplay between violence, religion, and politics is a central problem for societies and has attracted the attention of important philosophers, including Martin Heidegger, Jacques Derrida, and Rene Girard. Centuries earlier during the Italian Renaissance, these same problems drew the interest of Niccolo Machiavelli. In Not Even a God Can Save Us Now, Brian Harding argues that Machiavelli's work anticipates - and often illuminates - contemporary theories on the place of violence in our lives. While remaining cognizant of the historical and cultural context of Machiavelli's writings, Harding develops Machiavelli's accounts of sacrifice, truth, religion, and violence and places them in conversation with those of more contemporary thinkers. Including in-depth discussions of Machiavelli's works The Prince and Discourses on Livy, as well as his Florentine Histories, The Art of War, and other less widely discussed works, Harding interprets Machiavelli as endorsing sacrificial violence that founds or preserves a state, while censuring other forms of violence. This reading clarifies a number of obscure themes in Machiavelli's writings, and demonstrates how similar themes are at work in the thought of recent phenomenologists. The first book to approach both Machiavellian and contemporary continental thought in this way, Not Even a God Can Save Us Now is a highly original and provocative approach to both the history of philosophy and to contemporary debates about violence, religion, and politics.

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This is a brilliant exploration of Radiohead's game-changing album, looking at its place in the career of "The World's Best Band" with ten years of hindsight. Radiohead's Kid A never had a chance on paper. Not only did the band have the unenviable task of following up the near-universally lauded "OK Computer", but Kid A didn't even have an official single or video. Neither did it help that the band largely abandoned rock-pop conventions for a sound that traversed glitch, free-jazz, modern composition, and krautrock. Rather than simply reinforcing Kid A's canonical status, Marvin Lin situates the album in the temporal, examining it from various philosophical and cultural interpretations of time in order to arrive at its political and social stakes. Why should we care how time is expressed through its aesthetic components like repetition, sampling, and hybridization? Where does the album subvert our sense of time with songs like "Treefingers"? In which ways does it attempt to transcend time and with what implications? Time is perhaps art's biggest enemy - all human creations will be erased eventually - but it's through these various articulations that we are able to uncover some of the most interesting insights about Kid A. For more information on the series and on individual titles in the series, check out our blog.

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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A wide-ranging, first-of-its-kind selection of Berryman’s correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America’s major poets.The Selected Letters of John Berryman assembles for the first time the poet’s voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words.Included are more than 600 letters to almost 200 people—editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman’s ambitions, as well as the challenges of practicing his art within the confines of the publishing industry and contemporary critical expectations. Correspondence with Ezra Pound, Robert Lowell, Delmore Schwartz, Adrienne Rich, Saul Bellow, and other writers demonstrates Berryman’s sustained involvement in the development of literary culture in the postwar United States. We also see Berryman responding in detail to the work of writers such as Carolyn Kizer and William Meredith and encouraging the next generation—Edward Hoagland, Valerie Trueblood, and others. The letters show Berryman to be an energetic and generous interlocutor, but they also make plain his struggles with personal and familial trauma, at every stage of his career.An introduction by editors Philip Coleman and Calista McRae explains the careful selection of letters and contextualizes the materials within Berryman’s career. Reinforcing the critical and creative interconnectedness of Berryman’s work and personal life, The Selected Letters confirms his place as one of the most original voices of his generation and opens new horizons for appreciating and interpreting his poems.

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There's a reason Noma sits atop the list of the world's best restaurants. Every bite, every dish, every course surprises, delights, challenges, and deeply satisfies in a way that's unique in the world of dining. As the New York Times's Pete Wells wrote recently in praising Noma's flavors, "sauces are administered so subtly that you don't notice anything weird going on; you just think you've never tasted anything so extraordinary in your life." In Noma 2.0, Rene Redzepi digs deep into the restaurant's magic through the creation of nearly 200 dishes, each photographed in spectacular beauty and detail. Noma 2.0--the title is a reference to the reinvention of Noma after it closed in 2018 to move to its new compound across the water--is about true seasonality, from wild game in the fall to just-picked peas in the summer. It is about using only local ingredients, to build a cuisine that is profoundly situated in its place and culture. It is about transforming the ordinary--a mushroom, a chicken wing, often through fermentation--to develop haunting, memorable flavors. It is about composing a plate that delights the eye as much as the palate, whether through the trompe l'oeil of a "flowerpot" chocolate cake or a dazzling mandala of flowers and berries. It is about pushing the boundaries of what we think we want to eat--a baby pinecone, a pudding made of reindeer brain--to open our palates with a startling confidence. And it is about how to stay creative and challenge yourself over the course of a career. For foodies, for chefs, for artists and art lovers, for thought-leaders and makers, and for the kind of reader who is compelled by the idea that sometimes one person can change everything, Noma 2.0 is the gift book of the season.

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The Art of Computer and Information Security: From Apps and Networks to Cloud and Crypto Security in Computing, Sixth Edition, is today's essential text for anyone teaching, learning, and practicing cybersecurity. It defines core principles underlying modern security policies, processes, and protection; illustrates them with up-to-date examples; and shows how to apply them in practice. Modular and flexibly organized, this book supports a wide array of courses, strengthens professionals' knowledge of foundational principles, and imparts a more expansive understanding of modern security. This extensively updated edition adds or expands coverage of artificial intelligence and machine learning tools; app and browser security; security by design; securing cloud, IoT, and embedded systems; privacy-enhancing technologies; protecting vulnerable individuals and groups; strengthening security culture; cryptocurrencies and blockchain; cyberwarfare; post-quantum computing; and more. It contains many new diagrams, exercises, sidebars, and examples, and is suitable for use with two leading frameworks: the US NIST National Initiative for Cybersecurity Education (NICE) and the UK Cyber Security Body of Knowledge (CyBOK). Core security concepts: Assets, threats, vulnerabilities, controls, confidentiality, integrity, availability, attackers, and attack types The security practitioner's toolbox: Identification and authentication, access control, and cryptography Areas of practice: Securing programs, user–internet interaction, operating systems, networks, data, databases, and cloud computing Cross-cutting disciplines: Privacy, management, law, and ethics Using cryptography: Formal and mathematical underpinnings, and applications of cryptography Emerging topics and risks: AI and adaptive cybersecurity, blockchains and cryptocurrencies, cyberwarfare, and quantum computing Register your book for convenient access to downloads, updates, and/or corrections as they become available. See inside book for details.

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Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire. Winner of the 2018 CHOICE Outstanding Academic Title Award In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric 'Triple' Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire. MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. He has recorded the music of virtuoso cellists David Popperand Alfredo Piatti for the VAI label, and his American premiere of Zemlinsky's Cello Sonata was heralded by the Washington Post as 'an impassioned performance'. Moskovitz has contributed to the New Grove Dictionary of Music and Musicians; and his biography, Alexander Zemlinsky: A Lyric Symphony, was published by Boydell & Brewer in 2010. Recognized as 'Mendelssohn's most authoritative biographer' (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. He is the author of Mendelssohn: A Life in Music, named Best Biography in 2003 by the Association of American Publishers, and Fanny Hensel: The Other Mendelssohn, awarded the ASCAP Nicholas Slonimsky Award for outstanding biography in music. As a pianist, he has recorded with Nancy Green the complete cello works of Mendelssohn and Fanny Hensel for JRI Recordings.

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