Search results for ""yale university press""

An overview of current issues and developments in foreign language education, designed for instructors of language, literature, and culture at any stage of their careers A contemporary guide to language teaching, this book presents the latest developments and issues in the field of applied linguistics. Written by scholars with expertise in theoretical linguistics, literary and cultural studies, and education, the book encourages readers to examine their beliefs about language teaching and to compare these perspectives with the tenets of current research-supported frameworks and approaches. It also leads instructors to make vital connections between theory and practice while linking language and content pedagogy so that they may develop innovative lesson plans, classroom activities, and course materials that align with the specific contexts in which they teach. Serving as a textbook for teaching methods courses, as well as a reference for instructors with varying levels of experience and diverse specializations, the book is applicable to all levels of instruction and provides guidelines and models that prepare instructors to teach in a rapidly evolving field.

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An introduction to the U.S. Congress, from seasoned political historians and teachers In this accessible overview of the United States Congress’s past and present, Ginsberg and Hill introduce students to the country’s most democratic institution. This text surveys Congressional elections, the internal structure of Congress, the legislative process, Congress and the President, and Congress and the courts. Congress: The First Branch offers a fresh approach to the First Branch grounded in a historical, positive frame.

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A comprehensive case for a fresh literary approach to the New Testament For at least a half century, scholars have been adopting literary approaches to the New Testament inspired by certain branches of literary criticism and theory. In this important and illuminating work, Michal Beth Dinkler uses contemporary literary theory to enhance our understanding and interpretation of the New Testament texts. Dinkler provides an integrated approach to the relation between literary theory and biblical interpretation, employing a wide range of practical theories and methods. This indispensable work engages foundational concepts and figures, the historical contexts of various theoretical approaches, and ongoing literary scholarship into the twenty-first century. In Literary Theory and the New Testament, Dinkler assesses previous literary treatments of the New Testament and calls for a new phase of nuanced thinking about New Testament texts as both ancient and literary.

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Poetry in a time of upheaval Equal parts dramatic and symphonic, the poetry of Jean-Paul de Dadelsen provides acute insight into the European consciousness of the first half of the twentieth century. With energetic innovation and imaginative depth, Dadelsen extols the somber beauty of his Alsatian homeland, grapples with the elusiveness of meaning, and decries religion’s futile attempts to speak to a continent ravaged by fascism and war. His is an acerbic and humane assessment of French and European identity that draws on the past and imagines the future, while remaining firmly rooted in the present. In these poems, Dadelsen modulates himself in dramatic monologue, exploring a mosaic of voices to form a composite portrait of the postwar landscape. Inhabiting such characters as King Solomon, Johann Sebastian Bach, provincial French women, and a Hungarian resistant in the 1956 uprising, the poems in this new bilingual collection offer an inside look at the shifting cultural topography of midcentury Europe, forged in the war that reshaped our understanding of the human condition.

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A collection of extra-biblical scriptures written by the gnostics, updated with three ancient texts including the recently discovered Gospel of Judas “The one indispensable book for the understanding of Gnosis and Gnosticism.”—Harold Bloom This definitive introduction to the gnostic scriptures provides a crucial look at the theology, religious atmosphere, and literary traditions of ancient Christianity and Hellenistic Judaism. It provides authoritative translations of ancient texts from Greek, Latin, and Coptic, with introductions, bibliographies, and annotations. The texts are organized to reflect the history of gnosticism in the second through fourth century CE. This second edition provides updates throughout and adds three new ancient texts, including the recently discovered Gospel of Judas.

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W. E. B. Du Bois' insightful commentary on Black history, racism, and the struggles of Black Americans following emancipation—a masterpiece in the African-American canon"Jonathan Holloway introduces W. E. B. Du Bois' 1903 classic for our time, when visions of a 'post-racial' America clash with the enduring centrality of what Du Bois termed 'the problem of the color-line.' We need Du Bois now more than ever."—Adam Bradley, University of Colorado, Boulder This collection of essays by scholar-activist W. E. B. Du Bois is a masterpiece in the African American canon. Du Bois, arguably the most influential African American leader of the early twentieth century, offers insightful commentary on Black history, racism, and the struggles of Black Americans following emancipation. In his groundbreaking work, the author presciently writes that “the problem of the twentieth century is the problem of the color line,” and offers powerful arguments for the absolute necessity of moral, social, political, and economic equality. These essays on the black experience in America range from sociological studies of the African American community to illuminating discourses on religion and “Negro music,” and remain essential reading in our so-called “post-racial age.” A new introduction by Jonathan Scott Holloway explores Du Bois’s signature accomplishments while helping readers to better understand his writings in the context of his time as well as ours.

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In this brilliant guide to modern European political ideas and thinkers spans the twentieth century, the author illuminates both the twentieth-century's ideological extremes and how Europeans built lasting liberal democracies in the second half of the century. This book is the first major account of political thought in twentieth-century Europe, both West and East, to appear since the end of the Cold War. Skillfully blending intellectual, political, and cultural history, Jan-Werner Müller elucidates the ideas that shaped the period of ideological extremes before 1945 and the liberalization of West European politics after the Second World War. He also offers vivid portraits of famous as well as unjustly forgotten political thinkers and the movements and institutions they inspired.Müller pays particular attention to ideas advanced to justify fascism and how they relate to the special kind of liberal democracy that was created in postwar Western Europe. He also explains the impact of the 1960s and neoliberalism, ending with a critical assessment of today's self-consciously post-ideological age.

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“This translation offers a fresh and vital encounter with Thomas More’s Utopia for a twenty-first century audience.”—Elizabeth McCutcheon, Utopian Studies Saint Thomas More’s Utopia is one of the most important works of European humanism and serves as a key text in survey courses on Western intellectual history, the Renaissance, political theory, and many other subjects. In Utopia, More introduces the mysterious traveler Raphael Hythloday, who tells of an island nation that he considers the most perfectly organized and harmonious in the world. Preeminent More scholar Clarence H. Miller does justice to the full range of More’s rhetoric in this masterful translation. In an Afterword to this edition, Jerry Harp contextualizes More’s life and Utopia within the wider frames of European humanism and the Renaissance.

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An authoritative new edition of Marcel Proust’s The Captive and The Fugitive, published together as the fifth volume of his epic masterwork, In Search of Lost Time Marcel Proust’s monumental seven-part novel In Search of Lost Time is considered by many to be the greatest novel of the twentieth century. The Captive and The Fugitive, the fifth and sixth volumes of Proust’s masterpiece, contain some of literature’s most beautiful meditations on art, music, desire, jealousy, love and loss, grieving and forgetting. In this work, Proust continues his vast satirical fresco of high society in France just prior to the outbreak of World War I. These volumes and the following volume were published posthumously, as Proust died when he was approximately one-third of the way through correcting the proofs for The Captive.The Fugitive was also the last volume translated by Charles Kenneth Scott Moncrieff, who did not live to finish his enormous task. This edition of the two, published together as the fifth volume, is edited and annotated by noted Proust scholar William C. Carter, who endeavors to bring the classic C. K. Scott Moncrieff translation closer to the spirit and style of the original.

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The first modern biography of the most powerful politician in late Tudor England William Cecil, Lord Burghley (1520–1598), was the closest adviser to England’s Queen Elizabeth I and—as this revealing and provocative biography shows—he was the driving force behind the Queen's reign for four decades. Cecil’s impact on the development of the English state was deep and personal. A committed Protestant, he guided domestic and foreign affairs with the confidence of his religious conviction. Believing himself the divinely instigated protector of his monarch, he felt able to disobey her direct commands. He was uncompromising, obsessive, and supremely self-assured—a cunning politician as well as a consummate servant.This comprehensive biography gives proper weight to Cecil's formative years, his subtle navigation of the reigns of Edward VI and Mary I, his lifelong enmity with Mary Queen of Scots, and his obsession with family dynasty. It also provides a fresh account of Elizabeth I and her reign, uncovering limitations and concerns about invasions, succession, and conspiracy. Intimate, authoritative, and enormously readable, this book redefines our understanding of the Elizabethan period.

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The flood of information brought to us by advancing technology is often accompanied by a distressing sense of “information overload,” yet this experience is not unique to modern times. In fact, says Ann M. Blair in this intriguing book, the invention of the printing press and the ensuing abundance of books provoked sixteenth- and seventeenth-century European scholars to register complaints very similar to our own. Blair examines methods of information management in ancient and medieval Europe as well as the Islamic world and China, then focuses particular attention on the organization, composition, and reception of Latin reference books in print in early modern Europe. She explores in detail the sophisticated and sometimes idiosyncratic techniques that scholars and readers developed in an era of new technology and exploding information.

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How the medieval right to appoint a parson helped give birth to English common law Appointing a parson to the local church following a vacancy—an “advowson”—was one of the most important rights in medieval England. The king, the monasteries, and local landowners all wanted to control advowsons because they meant political, social, and economic influence. The question of law turned on who had the superior legal claim to the vacancy—which was a type of property—at the time the position needed to be filled. In tracing how these conflicts were resolved, Joshua C. Tate takes a sharply different view from that of historians who focus only on questions of land ownership, and he shows that the English needed new legal contours to address the questions of ownership and possession that arose from these disputes. Tate argues that the innovations made necessary by advowson law helped give birth to modern common law and common law courts.

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It would seem unlikely that one could discover tolerant religious attitudes in Spain, Portugal, and the New World colonies during the era of the Inquisition, when enforcement of Catholic orthodoxy was widespread and brutal. Yet this groundbreaking book does exactly that. Drawing on an enormous body of historical evidence—including records of the Inquisition itself—the historian Stuart Schwartz investigates the idea of religious tolerance and its evolution in the Hispanic world from 1500 to 1820. Focusing on the attitudes and beliefs of common people rather than those of intellectual elites, the author finds that no small segment of the population believed in freedom of conscience and rejected the exclusive validity of the Church. The book explores various sources of tolerant attitudes, the challenges that the New World presented to religious orthodoxy, the complex relations between “popular” and “learned” culture, and many related topics. The volume concludes with a discussion of the relativist ideas that were taking hold elsewhere in Europe during this era.

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A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabric Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome. The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.

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Over his illustrious career, Raymond E. Brown, S.S., Ph.D., was internationally regarded as a dean of New Testament scholars. He was Auburn Distinguished Professor Emeritus of Biblical Studies at Union Theological Seminary in New York City. He received over thirty honorary degrees from Catholic and Protestant universities worldwide, and was elected a (Corresponding) Fellow of the British Academy and a member of the American Academy of Arts and Sciences.In addition to serving as president of the Society of Biblical Literature, the Catholic Biblical Association, and the Society of New Testament Studies, two popes appointed Father Brown as the sole American on the Pontifical Biblical Commission. Some of the best known of his more than thirty-five books on the Bible are three volumes in the "Anchor Bible" series on the Gospel and Epistles of John, as well as the Anchor Bible Reference Library volumes "The Birth of the Messiah", "The Death of the Messiah", and "An Introduction to the New Testament", winner of the 1998 Catholic Press Association Award for Biblical Studies. Father Brown's untimely death on August 8, 1998, saddened all who knew him.

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Advanced Russian Through History is a Russian reader for students working towards advanced and superior level proficiency in Russian. The book consists of thirty-six chapters focusing on the history of Russia, from Kievan Rus' to the post-Soviet era. Each chapter is accompanied by a corresponding minilecture and related learning tasks on the Web. The learning tasks are designed to promote students' abilities to understand and produce argument in the style of scholarly discourse, both in speech and in writing.

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This supplementary text for elementary to intermediate courses in Italian is structured around stimulating discussions of ten contemporary Italian films, among them Cinema Paradiso, La vita e bella, Mediterraneo, and Il postino. With a chapter devoted to each movie, the book effectively fosters a deeper understanding of both Italian language and culture, and it is adaptable for any level of language instruction. Italian Through Film features: Films that are easily available from school video libraries or from video stores; Pre-viewing, viewing, and post-viewing activities appropriate to the various films in each chapter; Grammar review, vocabulary in context, listening comprehension, cultural and historical background, and discussion questions for language practice; Exercises ranging in difficulty from elementary to highly sophisticated that are designed to enhance students’ vocabulary and cultural awareness as well as oral and written skills; Boxed sections that provide information about the movie, director, plot, and certain cultural aspects specific to each movie; Lists of Internet-based activities that expand aspects of each movie by exploring Italian websites.

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Now updated with new facts, and abridged for use in Soviet history courses, this gripping book assembles top secret Soviet documents, translated into English, from the era of Stalin’s purges. The dossiers, police reports, private letters, secret transcripts, and other documents expose the hidden inner workings of the Communist Party and the dark inhumanity of the purge process. “[This] book will be of great value to students of the Terror and . . . the material, such as Bukharin’s last letter, is astounding.”—Michael J. Ybarra, Wall Street Journal “It will be indispensable for all historians and researchers of communism, the USSR, and Stalinism for many decades to come.”—Roy A. Medvedev, author of Let History Judge

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This enthralling book is the first biography in English of Bill Evans, one of the most influential of all jazz pianists. Peter Pettinger, himself a concert pianist, describes Evans’s life (the personal tragedies and commercial successes), his musicmaking (technique, compositional methods, and approach to group playing), and his legacy. The book also includes a full discography and dozens of photographs.

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First published in 1987 and now considered a classic, The Recording Angel charts the ways in which the phonograph and its cousins have transformed our culture. In a new Afterword, Evan Eisenberg shows how digital technology, file trading, and other recent developments are accelerating—or reversing—these trends. Influential and provocative, The Recording Angel is required reading for anyone who cares about the effect recording has had—and will have—on our experience of music.

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Lichens are a unique form of plant life, the product of a symbiotic association between an alga and a fungus. The beauty and importance of lichens have long been overlooked, despite their abundance and diversity in most parts of North America and elsewhere in the world. This stunning book—the first accessible and authoritative guidebook to lichens of the North American continent—fills the gap, presenting superb color photographs, descriptions, distribution maps, and keys for identifying the most common, conspicuous, or ecologically significant species. The book focuses on 805 foliose, fruticose, and crustose lichens (the latter rarely included in popular guidebooks) and presents information on another 700 species in the keys or notes; special attention is given to species endemic to North America. A comprehensive introduction discusses the biology, structure, uses, and ecological significance of lichens and is illustrated with 90 additional color photos and many line drawings. English names are provided for most species, and the book also includes a glossary that explains technical terms. This visually rich and informative book will open the eyes of nature lovers everywhere to the fascinating world of lichens.Published in collaboration with the Canadian Museum of Nature

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Gogol's 1842 novel Dead Souls, a comic masterpiece about a mysterious con man and his grotesque victims, is one of the major works of Russian literature. It was translated into English in 1942 by Bernard Guilbert Guerney; the translation was hailed by Vladimir Nabokov as "an extraordinarily fine piece of work" and is still considered the best translation of Dead Souls ever published. Long out of print, the Guerney translation of Dead Souls is now reissued. The text has been made more faithful to Gogol's original by removing passages that Guerney inserted from earlier drafts of Dead Souls. The text is accompanied by Susanne Fusso's introduction and by appendices that present excerpts from Guerney's translations of other drafts of Gogol's work and letters Gogol wrote around the time of the writing and publication of Deal Souls. "I am delighted that Guerney's translation of Dead Souls [is] available again. It is head and shoulders above all the others, for Guerney understands that to 'translate' Gogol is necessarily to undertake a poetic recreation, and he does so brilliantly."—Robert A. Maguire, Columbia University "The Guerney translation of Dead Souls is the only translation I know of that makes any serious attempt to approximate the qualities of Gogol's style—exuberant, erratic, 'Baroque,' bizarre."—Hugh McLean, University of California, Berkeley "A splendidly revised and edited edition of Bernard Guerney's classic English translation of Gogol's Dead Souls. The distinguished Gogol scholar Susanne Fusso may have brought us as close as the English reader may ever expect to come to Gogol's masterpiece. No student, scholar, or general reader will want to miss this updated, refined version of one of the most delightful and sublime works of Russian literature."—Robert Jackson, Yale University

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This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts—their assertions of truth or falsehood as well as their assertions of values—are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust’s Remembrance, Nietzsche’s philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible….Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."—Julia Epstein, Washington Post Book World"The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man’s text, almost certain to be endlessly provocative, is worthy of repeated re-reading."—Ralph Flores, Library Journal"Paul de Man continues his work in the tradition of ‘deconstructionist criticism,’… [which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind. The title of his new work reflects de Man’s preoccupation with the unreliability of language. … The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."—Caroline D. Eckhardt, World Literature Today

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"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."—Natalie Zemon Davis Confrontations between the powerless and powerful are laden with deception—the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage—what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects.

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A pioneer in landscape studies takes us on a tour of landscapes past and present to show how our surroundings reflect our culture.“No one who cares deeply about landscape issues can overlook the scores of brilliant insights and challenges to the mind, eye and conscience contained in Discovering the Vernacular Landscape. It is a book to be deeply cherished and to be read and pondered many times.”—Wilbur Zelinsky, Landscape“While it is fashionable to speak of man as alienated from his environment, Mr. Jackson shows us all the ties that bind us to it, consciously or unconsciously. He teaches us to speak intelligently—rather than polemically or wistfully—of the sense of place.”—Anatole Broyard, New York Times“This book is a vital and seminal text: do beg, borrow or buy it.”—Robert Holden, Landscape Design (London)“Incisive and overpoweringly influential. It will probably tell you something about how you live that you’ve never thought about.”—Thomas Hine, The Philadelphia Inquirer“No one can come close to Jackson in his unique combination of historical scholarship and field experience, in his deep knowledge of European high culture as well as of American trailer parks, in his archivist’s nose for the unusual fact and his philosopher’s mind for the trenchant, surprising question.”—Yi-Fu Tuan

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“These compact vigorous essays constitute Dr. Jung’s most sustained interpretation of the religious function in individual experience.”—Journal of Social Philosophy “This psychological study of religion is particularly interesting in the light of current social and political movements throughout the world.”—The Personalist Dr. Carl Gustav Jung, author of some of the most provocative hypotheses in modern psychology, in this volume describes what he regards as an authentic religious function in the unconscious mind. Using a wealth of material from ancient and medieval gnostic, alchemistic, and occultistic literature, he discusses the religious symbolism of unconscious processes and the possible continuity of religious forms that have appeared and reappeared through the centuries.

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During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (ca. 1757–66) in 2012 prompted a reimagining of artists and art making in this context. These essays give attention to Jakuchū’s spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers’ identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists’ identities during a time of great significance in the country’s history.Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

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A close look at the work, relationship, and shared influences of two masterful 20th-century artists “The camera,” said Orson Welles, “is a medium via which messages reach us from another world.” It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898–1986) and Bill Brandt (1904–1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These “shelter pictures” were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists’ intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain’s great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7–November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020–February 28, 2021)Yale Center for British Art (November 17, 2022–February 26, 2023)

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An innovative new history of Cubism told through some of the most significant artworks ever produced, drawn from a distinguished private collection This groundbreaking new history of Cubism, based on works from the most significant private collection in the world today, is written by many of the field’s premier art historians and scholars. The collection, recently donated to The Metropolitan Museum of Art, includes 80 works by Picasso, Braque, Gris, and Léger and is unsurpassed in the number of masterpieces and iconic pieces deemed critical to the development of Cubism. Twenty-two essays explore various facets of Cubism from its origins and consider small groupings of works in light of specific themes—such as a study by neuropsychiatrist Eric Kandel on Cubism and the science of perception. Also included is a fascinating interview in which Lauder discusses his approach to collecting. This is a work to place beside other great histories of Modernism. It is a comprehensive, copiously illustrated book that offers a greater understanding of Cubism and will stand as a resource on this pioneering style for many years to come.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art(10/20/14–02/16/15)

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Eugene O’Neill’s autobiographical play Long Day’s Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition, which includes a new foreword by Harold Bloom, coincides with a new production of the play starring Brian Dennehy, which opens in Chicago in January 2002 and in New York in April. “By common consent, Long Day’s Journey into Night is Eugene O’Neill’s masterpiece. . . . The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us.”—Harold Bloom, from the foreword“Only an artist of O’Neill’s extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day’s Journey into Night is the most remarkable achievement of one of the world’s greatest dramatists.”—Jose Quintero “The play is an invaluable key to its author’s creative evolution. It serves as the Rosetta Stone of O’Neill’s life and art.”—Barbara Gelb “The definitive edition of a `play of old sorrow, written in tears and blood,’ as O’Neill described it in dedicating it to his wife, Carlotta.”—Boston Globe

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An inspiring and enlightening introduction to Quakerism, the second title in the Yale University Press “The Spirit of . . .”series Who are the Quakers, what do they believe, and what do they practice? The Religious Society of Friends—also known as Quakers-—believes that everyone can have a direct experience of God. Quakers express this in a unique form of worship that inspires them to work for change in themselves and in the world. In The Spirit of the Quakers, Geoffrey Durham, himself a Friend, explains Quakerism through quotations from writings that cover 350 years, from the beginnings of the movement to the present day.Peace and equality are major themes in the book, but readers will also find thought-provoking passages on the importance of action for social change, the primacy of truth, the value of simplicity, the need for a sense of community, and much more. The quoted texts convey a powerful religious impulse, courage in the face of persecution, the warmth of human relationships, and dedicated perseverance in promoting just causes.The extended quotations have been carefully selected from well-known Quakers such as George Fox, William Penn, John Greenleaf Whittier, Elizabeth Fry and John Woolman, as well as many contemporary Friends. Together with Geoffrey Durham’s enlightening and sympathetic introductions to the texts, the extracts from these writers form an engaging, often moving guide to this accessible and open-hearted religious faith.

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Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion “An authoritative and moving insight into the legacy of the British designer.”—Carola Long, Financial Times “McQueen’s brilliance is celebrated in this sumptuous tome.”—Harper’s Bazaar “Excellent.”—Huffington Post Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer’s career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art. Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (May 4–August 7, 2011)

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Robert Louis Stevenson, long recognized as a master storyteller and essayist, was also one of the finest and most delightful of letter writers. Yale University Press is now publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2,800 letters, only 1,100 of which have been published before.Volumes III and IV cover the period from August 1879 to June 1884. The six hundred letters tell for the first time the full story of Stevenson's reckless journey to California as an "amateur emigrant," during which he gained a wife but wrecked his health. They describe his return to Europe and his futile search to improve his health in Scotland, Switzerland, and France and reveal interesting aspects of the writing of Treasure Island, Virginibus Puerisque (his first volume of collected essays), and many poems later collected in Underwoods and in A Child's Garden of Verses. Volumes V and VI cover the period from July 1884 to September 1890 and comprise over nine hundred letters. During this time, Stevenson lived as a chronic invalid for three years in Bournemouth, England; searched for improved health in the United States and the South Seas; and achieved fame and success with the Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, and A Child's Garden of Verses. The letters convey Stevenson's courage and gaiety in the face of illness and his affection for his family and friends. They also reveal the devoted care given him by his wife, Fanny Stevenson.Ernest Mehew's detailed annotation provides all the background necessary to fully enjoy Stevenson's letters.

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Third edition (and 10th impression) of the standard introduction to traditional buildings - houses, cottages, farmhouses, farm buildings, small manor houses and chapels.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet

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"The Mishna", a six-part codification of oral rabbinic law, is the basis of the Talmud. It is one of the two holy books upon which Judaism has been constructed. This edition aims to provide as close to a literal translation as possible, following the syntax of Mishnaic Hebrew.

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