Search results for ""Author Frances"

This study brings together widely divergent discourses to fashion a comprehensive picture of sexual language and attitudes at a particular time and place in the medieval world. John Baldwin introduces five representative voices from the turn of the 12th century in northern France: Pierre the Chanter speaks for the theological doctrine of Augustine; the Prose Salernitan Questions, for the medical theories of Galen; Andre the Chaplain, for the Ovidian literature of the schools; Jean Renart, for the contemporary romances; and Jean Bodel, for the emerging voices of the fabliaux. Baldwin juxtaposes their views on a range of essential subjects, including social position, the sexual body, desire and act, and procreation. The result is a dialogue of how they agreed or disagreed with, ignored, imitated, or responded to each other at a critical moment in the development of European ideas about sexual desire, fulfillment, morality and gender. These spokesmen allow us into the discussion of sexuality inside the church and schools of the clergy, in high and popular culture of the leity. This heterogeneous discussion also offers a glimpse into the construction of gender specific to this moment, when men and women enjoyed equal status in sexual matters, if nowhere else. Taken together, these voices extend their reach, encompass their subject, and point to a centre where social reality lies. By articulating reality at its varied depths, this study takes its place alongside groundbreaking works by James Brundage, John Boswell, and Leah Otis in extending the understanding of sexuality and sexual behaviour in the Middle Ages.

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Edward Thomas was perhaps the most beguiling and influential of the war poets. This haunting account of his final five years follows him from his beloved English countryside to the battlefield in France where he lost his life. When he met the American poet Robert Frost in 1913, Thomas was tormented by feelings of failure in his work and in his marriage. With Frost’s encouragement he began writing poem after poem as he finally found the expression for which he had spent his life searching. But the First World War put an ocean between them: Frost returned to New England while Thomas enlisted and went to fight in France. It is these roads taken—and not taken—that are at the heart of this unforgettable book, which culminates in Thomas’s tragic death on Easter Monday, 1917. Now All Roads Lead to France encompasses an astonishingly creative moment in English literature, when London was a battleground for new, ambitious writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost, and Rupert Brooke was “making it new”—vehemently and pugnaciously—and this dazzling biography places Thomas firmly in their midst.

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Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? "The Likeness of the King" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify late medieval likenesses of historical personages as 'the first modern portraits'. Unwilling to accept the anachronistic nature of these claims, Stephen Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.

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In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap. A Desert Named Peace examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposition to use extreme violence in colonial conflicts; a spontaneous nighttime attack made by Algerian pastoralists on a French village, as notable for its brutality as for its obscure causes; the violence of indigenous forms of slavery and the colonial accommodations that preserved it during the era of abolition; and the struggles of French Romantics whose debates about art and politics arrived from Paris with disastrous consequences. Benjamin Claude Brower uses these different perspectives to reveal the unexpected causes of colonial violence, such as France's troubled revolutionary past and its influence on the military's institutional culture, the aesthetics of the sublime and its impact on colonial thinking, the ecological crises suffered by Saharan pastoralists under colonial rule, and the conflicting paths to authority inherent in Algerian Sufism. Directly engaging a controversial history, A Desert Named Peace offers an important backdrop to understanding the Algerian war for independence (1954-1962) and Algeria's ongoing internal war, begun in 1992, between the government and armed groups that claim to fight for an Islamist revolution.

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The Neoliberal Republic traces the corrosive effects of the revolving door between public service and private enrichment on the French state and its ability to govern and regulate the private sector. Casting a piercing light on this circulation of influence among corporate lawyers and others in the French power elite, Antoine Vauchez and Pierre France analyze how this dynamic, a feature of all Western democracies, has developed in concert with the rise of neoliberalism over the past three decades. Based on interviews with dozens of public officials in France and a unique biographical database of more than 200 civil-servants-turned-corporate-lawyers, The Neoliberal Republic explores how the always-blurred boundary between public service and private interests has been critically compromised, enabling the transformation of the regulatory state into either an ineffectual bystander or an active collaborator in the privatization of public welfare. The cumulative effect of these developments, the authors reveal, undermines democratic citizenship and the capacity to imagine the public good.

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In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.

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The ninth edition of Inland Waterways of France is the ideal guide for planning cruises in and through the most fascinating and diverse waterway network in Europe. This edition takes a new paperback format, split into three volumes. Author David Edwards-May presents a detailed overview of the waterways extending from the English Channel through Northern France, Picardy and Paris to Central France and Burgundy. This system totals 2700 kilometres of waterways that are as vibrant as ever, and include the new Seine-Nord Europe Canal, now under construction, to be completed by 2028. Recreational use is growing alongside the commercial traffic on the busier waterways, while Champagne, Burgundy and Central France have become cruising destinations in their own right. This first volume of the new edition sets out the current state of the network in 200 pages in full colour, with detailed maps of junctions and other key sites on the network, overview maps for each waterway, and route descriptions. It is a unique blend of practical information, maps, background historical notes and colour photographs.

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New insights on the growth of the territorial state in early modern Europe, the nature of the French absolute monarchy, and the political legacy of the Sun King. Driven by a desire for glory and renown, Louis XIV presided over France's last great burst of territorial expansion in Europe. During the first three decades of his rule, his armies conquered numerous territories along France's borders. After 1688, however, the tide of conquest turned as the kingdom was plunged into crisis. For the remainder of his reign, the king and his people endured wars against grand alliances of European powers, ecological disasters,economic depression, state bankruptcy, and demographic stagnation. Expansion and Crisis in Louis XIV's France examines these central yet understudied aspects of the age of the Sun King through the experience of Franche-Comté, a possession of the Spanish empire with a long history of autonomy, conquered by Louis XIV in 1674. Dee's detailed research reconstructs the ensuing dialogue -- sometimes harmonious, sometimes discordant -- between the king and the elites who ruled this province. The integration of Franche-Comté into France proved to be a protracted process involving confrontation, negotiation, and compromise. The resulting regime was then severely tested by the challenges of Louis XIV's late reign; its survival demonstrated how the king had brought a distinctly early modern state to the height of its development. This study offers significant new insights on the growth of the territorial state in early modern Europe, the nature of the French absolute monarchy, and the political legacy of the Sun King. Darryl Dee is Assistant Professor of History, Wilfrid Laurier University, Waterloo, Canada.

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In 1914 one of Britain's most famous sportsmen went off to play his part in the First World War. Like millions of others, he would die. Unlike millions of others, nobody knew how or where. Until now. Lost in France is the true story of Leigh Roose: playboy, scholar, soldier and the finest goalkeeper of his generation. It's also the tale of how one man became caught up in a global catastrophe - one that would cost him his life, his identity and his rightful place as one of football's all-time legends. Lost In France is the biography of goalkeeper Leigh Roose, football's first genuine superstar, a man so good at his position on the field of play that the Football Association made one of the most significant rule changes in the game's history just to keep him in check. Small wonder that when the Daily Mail put together a World XI to take on another planet, Leigh's was the first name on its team sheet.

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Act French includes Adramelech's Monologue by Valere Novarina, A.W.O.L. by Olivier Cadiot, 11 Septembre 2001/11 September 2001 by Michel Vinaver, Pumpkin On The Air by Michele Sigal, We Were Sitting on The Shores of the World...by Jose Pliya, Cut by Emmanuelle Marie, and Inventories by Philippe Minyana.

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For readers of Rachel Cusk, Lisa Taddeo and the essays of Zadie Smith, Bear Woman is a beautifully wrought memoir from one of Sweden's bestselling authors, in which she examines motherhood and the female experience.'The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story' - Esther Freud, author of Hideous KinkyMarguerite de la Rocque didn't exist before her guardian abandoned her on a remote island.Abandoned, pregnant to a man she'd met on board one of the first ships sailing to settle what became Canada, Marguerite was forced to fight for her life against the treacherous wilderness of Nova Scotia, giving birth alone. When her guardian returned nearly two years later, her lover and her baby had died, but Marguerite had survived. Returning to France, her story was concealed so that her family's reputation might be protected.Centuries later, a woman with small children of her own begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she delves deeper into the hidden history of Marguerite and her extraordinary story of persecution and survival, the woman begins to question her ability to tell this story, or that of any woman in history, and in so doing exposes a fundamental truth about what it is to be both a writer and mother.Combining historical text, autobiographical fiction and essay with the uncertainty of memory, Bear Woman is a deeply moving journey into what it means to be a woman, in a world in which men still hold power.

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Colonialism persists in many African countries due to the continuation of imperial monetary policy. This is the little-known account of the CFA Franc and economic imperialism. The CFA Franc was created in 1945, binding fourteen African states and split into two monetary zones. Why did French colonial authorities create it and how does it work? Why was independence not extended to monetary sovereignty for former French colonies? Through an exploration of the genesis of the currency and an examination of how the economic system works, the authors seek to answer these questions and more. As protests against the colonial currency grow, the need for myth-busting on the CFA Franc is vital and this exposé of colonial infrastructure proves that decolonisation is unfinished business.

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Helene was a strong-willed princess, raised in France but closely connected with the court of Queen Victoria. After the premature end to a romance with Victoria's grandson, she married into the royal family of Italy. However, Helene began extended adventuresome trips into Africa where she became a big-game hunter, explorer and travel writer, escaping from an unhappy marriage and the boredom of court life. Her travels took her around the world, but her sense of royal duty brought her back to nurse aboard a hospital ship in Libyan waters, then to an important role as head of the Italian Red Cross nurses during the First World War while her husband headed Italy's Third Army, and her two sons served in the artillery and the navy. Afterwards, her strong Italian nationalism made her an ally to Gabriele d'Annunzio and Benito Mussolini, but the disastrous Second World War saw her grandchildren interned in Austria and her older son die as a British prisoner-of-war while she continued her charitable work in Naples. When the country voted to become a republic in 1946, Helene was the only member of the royal family allowed to remain in Italy with her second 'secret' husband.

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The public sector currently employs around 40 percent of all union members in the United States. Pressures for cost-effective and quality government services have placed new demands on the labor-management relationship. A fluctuating set of expectations about the appropriate responsibilities of government and a shifting political culture are severely testing the ability of the public sector to meet demands for increased accountability and expanded services.Especially in an age of knowledge workers, the traditional division between labor and management regarding leadership and work may no longer be viable. Going Public examines the forces affecting labor and management and the prospects for adopting service-oriented cooperative relationships as a key strategy for meeting the expanded demands on the public sector.Contributors: Robert R. Albright, Rensselaer Polytechnic Institute; Lorenzo Bordogna, University of Milan; Jonathan Brock, University of Washington; John F. Burton Jr., Rutgers University; Adrienne E. Eaton, Rutgers University; Stephen Goldsmith, Harvard University; Jeffrey H. Keefe, Rutgers University; Charles Kerchner, Claremont Graduate School; David B. Lipsky, Cornell University; Martin H. Malin, Chicago-Kent College of Law; Marick F. Masters, University of Pittsburgh; Sonia Ospina, New York University; Terry Thomason, University of Rhode Island; Robert M. Tobias, American University; Paula B. Voos, Rutgers University; Allon Yaroni, New York University

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This is a rarely detailed, "you are there" account of World War II combat, describing a brief but bloody tank/infantry action in August 1944. Based on six years of research – drawing from interviews, primary documents, and visits to the battlefield – The Day of the Panzer transports the reader into the ranks of L Company, 15th Regiment, Third Infantry Division, and its supporting M4s of the 756th Tank Battalion as they grapple head-on with the Wehrmacht.On August 15, 1944, L Company hit the beaches in southern France, joined by the tank crews of 2nd Lt. Andrew Orient’s 3rd Platoon, all veterans of Cassino. Despite logistical problems, the Third Division forged north through the Rhône River valley, L Company and its supporting tanks leading the regimental charge - until they faced a savage counterattack by the Germans and a rampaging Panther tank…In this book, the minute-by-minute confusion, thrill, and desperation of WWII combat is placed under a microscope, as if the readers themselves were participants."[An] excellent popular history… a sprightly and evocative tribute to the troops of Operation Dragoon" – Publishers Weekly"Through his well-wrought prose, Danby paints a detailed picture of deadly fighting and stunning victory" – WWII History"One of the most interesting and absorbing battles histories that this reviewer has ever read… remarkably realistic and personal." – History Book Club"The excellent descriptions of infantrymen, tankers and supporting troops from the 15th’s Cannon Company using M8 self-propelled howitzers and the three inch gun armed M10s of the 601st Tank Destroyer Battalion make for good reading." – War History Online

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The German campaign in France during the summer of 1940 was pivotal to Hitler's ambitions and fundamentally affected the course of the Second World War. Having squabbled about fighting methods right up to the start of the campaign, the German forces provided the Führer with a swift, efficient and decisive military victory over the Allied forces.In achieving in just six weeks what their fathers had failed to accomplish during the four years of the First World War, Germany altered the balance of power in Europe at a stroke. Yet, as Lloyd Clark shows in this enthralling new book, it was far from a foregone conclusion. Blitzkrieg tells the story of the campaign, while highlighting the key technologies, decisions and events that led to German success, and details the mistakes, good fortune and chronic weaknesses in their planning process and approach to war fighting. There are also compelling portraits of the officers who played key roles, including Heinz Guderian, Erwin Rommel, Kurt Student, Charles de Gaulle and Bernard Montgomery.Clark argues that far from being undefeatable, the France 1940 campaign revealed Germany and its armed forces to be highly vulnerable - a fact dismissed by Hitler as he began to plan for his invasion of the Soviet Union - and offers a gripping reassessment of the myths that have built up around one of the Second World War's greatest military victories.

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Part I discusses the creation of the Commissariat a I'Energie Atomique and outlines its structure and function. Part II focuses on the development of military atomic policy. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Our common definition of literacy is the ability to read and write in one language. But as Margaret Ferguson reveals in "Dido's Daughters", this description is inadequate, because it fails to help us understand heated conflicts over literacy during the emergence of print culture. The 15th through 17th centuries, she shows, were a contentious era of transition from Latin and other clerical modes of literacy toward more vernacular forms of speech and writing. Ferguson's aim in this work is twofold: to show that what counted as more valuable among these competing literacies had much to do with notions of gender, and to demonstrate how debates about female literacy were critical to the emergence of imperial nations. Looking at writers whom she dubs the figurative daughters of the mythological figure Dido - builder of an empire that threatened to rival Rome - Ferguson traces debates about literacy and empire in the works of Marguerite de Navarre, Christine de Pizan, Elizabeth Cary and Aphra Behn, as well as male writers such as Shakespeare, Rabelais, and Wyatt. The result is a study that sheds new light on the crucial roles that gender and women played in the modernization of England and France.

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The Official History of the Tour de France – fully revised and updated for 2023 – is a celebration of one of the greatest annual sporting events, and the premier competition in world cycling.Through more than 300 photographs, rarely seen documents and items of memorabilia, this book covers more than a century of fascinating stories about the Tour and its iconic yellow jersey.This revised and updated edition includes an authoritative narrative account of each major era, up to and including the thrilling 2022 Tour. There are features on superstar cyclists and memorable moments from each period of the event's rich history, plus a foreword from legendary Tour de France champion Bernard Hinault. This is the definitive illustrated book on the Tour.

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From the winner of the Telegraph Sports Book Awards Cycling Book of the Year 2018The first Tour de France in 1903 was a colourful affair full of adventure, mishaps and audacious attempts at cheating. Its riders included characters like Maurice Garin, an Italian-born Frenchman, said to have been swapped for a round of cheese by his parents in order to smuggle him into France to clean chimneys as a teenager, Hippolyte Aucouturier with his trademark handlebar moustache, and amateurs like Jean Dargassies, a blacksmith who had never raced before. Would this ramshackle pack of cyclists draw crowds to throng France's rutted roads and cheer the first Tour heroes? Surprisingly it did, and, all thanks to a marketing ruse dreamed up to revive struggling newspaper L'Auto, cycling would never be the same again. Peter Cossins takes us through the inaugural Tour de France, painting a nuanced portrait of France in the early 1900s, to see where the greatest sporting event of all began.

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The first collective, critical historical study of women artists in Britain and France during the Revolutionary era In the late eighteenth and early nineteenth centuries, hundreds of women in London and Paris became professional artists, exhibiting and selling their work in unprecedented numbers. Many rose to the top of their nations’ artistic spheres and earned substantial incomes from their work, regularly navigating institutional inequalities expressly designed to exclude members of their sex. In the first collective, critical history of women artists in Britain and France during the Revolutionary era, Paris Spies-Gans explores how they engaged with and influenced the mainstream cultural currents of their societies at pivotal moments of revolutionary change. Through an interdisciplinary analysis of the experiences of these narrative painters, portraitists, sculptors, and draughtswomen, this book challenges longstanding assumptions about women in the history of art. Importantly, it demonstrates that women built profitable artistic careers by creating works in nearly every genre practiced by men, in similar proportions and to aesthetic acclaim. It also reveals that hundreds of women studied with male artists, and even learned to draw from the nude. Where traditional histories have left a void, this generously illustrated book illuminates a lively world of artistic production. Featuring an extensive range of these artists’ paintings, drawings, sculptures, and writings, alongside contemporary prints, satires, and works by their male peers, A Revolution on Canvas transforms our understanding of the opportunities and identities of women artists of the past. Distributed for the Paul Mellon Centre for Studies in British Art

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A MAIL ON SUNDAY AND WASHINGTON POST BOOK OF THE YEAR. The little-known true story of the woman who headed the largest spy network in Vichy France during World War II. In 1941, a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of Alliance, a vast Resistance organisation — the only woman to hold such a role. Brave, independent, and a lifelong rebel against her country’s conservative, patriarchal society, Marie-Madeleine Fourcade was temperamentally made for the job. No other French spy network lasted as long or supplied as much crucial intelligence as Alliance — and as a result, the Gestapo pursued its members relentlessly, capturing, torturing, and executing hundreds of its three thousand agents, including Fourcade’s own lover and many of her key spies. Fourcade herself lived on the run and was captured twice by the Nazis. Both times she managed to escape. Though so many of her agents died defending their country, Fourcade survived the occupation to become active in post-war French politics. Now, in a dramatic account of the war that split France in two and forced its people to live side by side with their hated German occupiers, Lynne Olson tells the fascinating story of a woman who stood up for her nation, her fellow citizens, and herself.

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The trial of former SS lieutenant and Gestapo chief Klaus Barbie was France’s first trial for crimes against humanity. Known as the "Butcher of Lyon" during the Nazi occupation of that city from 1942 to 1944, Barbie tortured, deported, and murdered thousands of Jews and Resistance fighters. Following a lengthy investigation and the overcoming of numerous legal and other obstacles, the trial began in 1987 and attracted global attention. Justice in Lyon is the first comprehensive history of the Barbie trial, including the investigation leading up to it, the legal background to the case, and the hurdles the prosecution had to clear in order to bring Barbie to justice. Richard J. Golsan examines the strategies used by the defence, the prosecution, and the lawyers who represented Barbie’s many victims at the trial. The book draws from press coverage, articles, and books about Barbie and the trial published at the time, as well as recently released archival sources and the personal archives of lawyers at the trial. Making the case that, despite the views of its many critics, the Barbie trial was a success in legal, historical, and pedagogical terms, Justice in Lyon details how the trial has had a positive impact on French and international law governing crimes against humanity.

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World War II was very much a war of the radios. A relatively new technology, radio as a tool was exploited by all of the participants of the war to win the hearts and minds of the people and to steer public opinion.The period 1940 to 1942 was the most volatile of the war, with the Nazis capturing large parts of western Europe and dominating on the Eastern front. At this time France was separated into two nominally independent zones, and public opinion could easily have been swayed in favour of the New German Order. This could have had potentially disastrous consequences for any future Allied attempt to liberate Europe, and so the battle for French minds was launched using the new technology of radio.This narrative of that campaign develops chronologically through a series of topics including major military incidents, youth, food, family, psychological warfare, sports and work, as presented by different radio stations – in particular Radiodiffusion, controlled by Vichy France; Radio Paris, controlled by the Nazis; and the BBC – offering a systematic comparative analysis of radio propaganda messages and building a vivid picture of the evolution of broadcasts in the context of the complex political and social impact of the war on the French population.Using original primary sources from archives in Britain and France, broadcast recordings, radio magazines, and interviews conducted by British Intelligence with those arriving from France during the war, this is a fascinating and unique insight into wartime radio propaganda from 1940 to 1942.

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What Soldiers Do presents a devastating new perspective on the Greatest Generation and the liberation of France, one in which the US military use the lure of easy, sexually available French women to sell soldiers on the invasion, thus unleashing a "tsunami of male lust" among the war-weary GIs. The resulting chaos-ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease - horrified the battered and demoralized French population and caused serious friction between the two nations at a crucial point as the war drew to a close.

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Edward Thomas was perhaps the most beguiling and influential of First World War poets. Now All Roads Lead to France is an account of his final five years, centred on his extraordinary friendship with Robert Frost and Thomas's fatal decision to fight in the war.The book also evokes an astonishingly creative moment in English literature, when London was a battleground for new, ambitious kinds of writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost and Rupert Brooke were 'making it new' - vehemently and pugnaciously. These larger-than-life characters surround a central figure, tormented by his work and his marriage. But as his friendship with Frost blossomed, Thomas wrote poem after poem, and his emotional affliction began to lift. In 1914 the two friends formed the ideas that would produce some of the most remarkable verse of the twentieth century. Their writing was far more than just war poetry, but it was World War I that put an ocean between them. Frost returned to the safety of New England while Thomas stayed to fight for the Old.It is these roads taken - and those not taken - that are at the heart of this remarkable book, which culminates in Thomas's tragic death on Easter Monday 1917.

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Murder mystery starring Bruno, France's favourite policeman, plus food and wine, great characters and sunshine and everything that's wonderful about the Dordogne.'RICH ON LOCAL COLOUR' THE TIMESFor thirty years, Bruno's boss, Chief of Detectives Jalipeau, known as J-J, has been obsessed with his first case. It was never solved and Bruno knows that this failure continues to haunt J-J. A young male body was found in the woods near St Denis and never identified. For all these years, J-J has kept the skull as a reminder. He calls him 'Oscar'. Visiting the famous pre-history museum in nearby Les Eyzies, Bruno sees some amazingly life-like heads expertly reconstructed from ancient skulls. He suggests performing a similar reconstruction on Oscar as a first step towards at last identifying him. An expert is hired to start the reconstruction and the search for Oscar's killer begins again in earnest.'DOLLOPS OF THE GOOD LIFE IN RURAL FRANCE SPICED UP WITH INTERNATIONAL INTRIGUE' IRISH INDEPENDENT'UNRIVALED AT INTERWEAVING THE PROFESSIONAL AND PRIVATE PURSUITS OF A THOROUGH LIKABLE COP' DAILY MAIL

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An illustrated exploration of the largely unpublished collection of eighteenth-century French drawings, albums, and sketchbooks at the Bibliothèque nationale de FrancePromenades on Paper explores the largely unmined collection of eighteenth-century drawings held in the Department of Prints and Photography of the Bibliothèque nationale de France. Among the 50 featured artists are some of France’s most celebrated eighteenth-century practitioners, including Madeleine Basseporte (1701–1780), François Boucher (1703–1770), Gabriel de Saint Aubin (1724–1780), and Jean-Honoré Fragonard (1732–1806), alongside architects, designers, and printmakers. Scattered across the institution’s vast reserves, these drawings have until now served primarily documentary purposes. In this book, leading international scholars introduce more than 80 drawings, albums, and sketchbooks—many published here for the first time—and reveal how artists used drawing to record, critique, and try to improve the world around them.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (December 17, 2022–March 12, 2023)Musée des Beaux-Arts de Tours (May 12–August 28, 2023)

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French government officials have long been known among Europeans for the special attention they give to the state of their population. In the first half of the nineteenth century, as Paris doubled in size and twice suffered the convulsions of popular revolution, civic leaders looked with alarm at what they deemed a dangerous population explosion. After defeat in the Franco-Prussian War in 1870, however, the falling birthrate generated widespread fears of cultural and national decline. In response, legislators promoted larger families and the view that a well-regulated family life was essential for France. In this innovative work of cultural history, Joshua Cole examines the course of French thinking and policymaking on population issues from the 1780s until the outbreak of the Great War. During these decades increasingly sophisticated statistical methods for describing and analyzing such topics as fertility, family size, and longevity made new kinds of aggregate knowledge available to social scientists and government officials. Cole recounts how this information heavily influenced the outcome of debates over the scope and range of public welfare legislation. In particular, as the fear of depopulation grew, the state wielded statistical data to justify increasing intervention in family life and continued restrictions on the autonomy of women.

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This classic work by one of the most important philosophers and critics of our time charts the genesis and trajectory of the desiring subject from Hegel's formulation in Phenomenology of Spirit to its appropriation by Kojeve, Hyppolite, Sartre, Lacan, Deleuze, and Foucault. Judith Butler plots the French reception of Hegel and the successive challenges waged against his metaphysics and view of the subject, all while revealing ambiguities within his position. The result is a sophisticated reconsideration of the post-Hegelian tradition that has predominated in modern French thought, and her study remains a provocative and timely intervention in contemporary debates over the unconscious, the powers of subjection, and the subject.

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This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.Distributed for the Art Institute of ChicagoExhibition Schedule:Grand Palais, Paris(10/06/10-01/10/11)The Art Institute of Chicago(02/27/11-05/30/11)

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According to some, French philosophy has taken an obvious turn towards/into a theological context. In their work, contemporary philosophers such as Ricoeur, Levinas, Girard, Henry, and even Derrida and Lyotard in their later periods focus on issues usually associated with theological debates. For thinkers like Henry, Marion, and Lacoste, theology even plays a prominent role in their thought. Why this post-Heideggerian turn to God? This book introduces the typically French debate of the so-called 'theological turn of French philosophy' through a presentation of the philosophers mentioned. Why are they all interested in the quest for God and Religion? How do they understand God in a philosophical way? Thinking about these questions offers to both philosophy and theology the opportunity for a crossover which is mutually enriching. This book aims to contribute to this fascinating process.

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This book tells a very beautiful and magnificent adventure, that of a young Frenchman humiliated by the 1940 defeat who fled aboard a Breton crayfish boat to carry on the fight for freedom. The diary of Jacques “Jaco” Andrieux tells very simply, quickly and always with emotion, the discoveries, the apprenticeship and the daily life of a Free Frenchman transplanted to England, in Fighter command. The unceasing combats he fought in the RAF squadrons, the risks, the kills, the loneliness of the hunter, the camaraderie, the fraternity, life, are all written in a simple tone, lively and effective with the impression of being in the heart of the action. Each page breathes its lot of pictures, sounds, smells but also the feelings, doubts, joys where death and life exist alongside each other simply. General Andrieux relates his combats above the Channel, Dieppe, the Normandy Landings, and in the skies of France which was being freed and above Germany in its death throes. The story of this man is part of History itself. This tale full of panache is breathtaking through and through with the breath of life, that of the Magnificent Jaco. Text in French.

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Cassoulet Confessions is an enthralling memoir by award-winning food and travel writer Sylvie Bigar that reveals how a simple journalistic assignment sparked a culinary obsession and transcended into a quest for identity. Set in the stunning southern French countryside, this honest and poignant memoir conveys hunger for authentic food and a universal hunger for home. In Cassoulet Confessions, Sylvie travels across the Atlantic from her home in New York to the origin of cassoulet – the Occitanie region of Southern France. There she immerses herself in all things cassoulet: the quintessential historic meat and bean stew. From her first spoonful, she is transported back to her dramatic childhood in Geneva, Switzerland, and finds herself journeying through an unexpected rabbit hole of memories. Not only does she discover the deeper meanings of her ancestral French cuisine, but she is ultimately transformed by having to face her unsettling, complex family history. Sylvie’s simple but poetic prose immerses us in her story: we smell the simmering aromas of French kitchens, empathise with her family dilemmas, and experience her internal struggle to understand and ultimately accept herself.

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