Search results for ""Author Frances"

‘One of our very best writers on France.’ Antony Beevor After publishing an acclaimed biography of Jean Moulin, leader of the French Resistance, Patrick Marnham received an anonymous letter from a person who claimed to have worked for British Intelligence during the war. The ex-spy praised his book but insisted that he had missed the real ‘treasure’. The letter drew Marnham back to the early 1960s when he had been taught French by a mercurial woman – a former Resistance leader, whose SOE network was broken on the same day that Moulin was captured and who endured eighteen months in Ravensbrück concentration camp. Could these two events have been connected? His anonymous correspondent offered a tantalising set of clues that seemed to implicate Churchill and British Intelligence in the catastrophe. Drawing on a deep knowledge of France and original research in British and French archives, War in the Shadows exposes the ruthless double-dealing of the Allied intelligence services and the Gestapo through one of the darkest periods of the Second World War. It is a story worthy of Le Carré, but with this difference – it is not fiction. ‘A melange of Le Grand Meaulnes and The Spy Who Came in from the Cold. It is unforgettable.’ Ferdinand Mount, TLS, Books of the Year ‘A masterly analysis, impeccably presented.’ Allan Mallinson, Spectator ‘Fascinating… Marnham has a vast and scholarly knowledge of this often treacherous world.’ Caroline Moorehead, Literary Review

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AdventureMaps provide global travellers with the perfect combination of detail and perspective, highlighting hundreds of points of interest and the diverse and unique destinations within the country. Each map is printed on durable synthetic paper, making them waterproof and tear-resistant. They also include the locations of cities and towns with a user-friendly index, plus a clearly marked road network complete with distances and designations for major highways, main roads and tracks and trails for those seeking to explore more remote regions.

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Se jouant des limites, puisqu'elle etait frontiere de la France au XVIIe siecle et qu'elle deborde aujourd'hui sur les departements du Nord et des Ardennes, le Thierache est, dans l'Aisne, un terroir ouvert a l'identite forte. Vallons, haies, forets, villages a l'habitat disperse, mosaique oA' regnent le vert des pres, le bleu de l'ardoise, le rouge orange de la brique, l'ocre jaune du torchis et le brun du bois, s'imposent a l'evidence comme un seul et meme A"paysA". Agricole et discrete, la Thierache fut, dans l'ancien diocese de Laon, terre de mission et de defrichement pour les grandes abbayes qui s'y implanterent au Moyen Age, puis terre d'accueil precoce du protestantisme. Sans cesse parcourue par les armees de l'invasio,, cette region, sans autre defense que ses forets, vit ses bourgs se ceinturer de murailles, et ses eglises se herisser de fortifications aux XVIe et XVIIe siecles, en particulier pendant la guerre de Trente Ans qui marqua memoires et paysages. Dans ce terroir depourvu de grands centres urbains, les petites cites d'Aubenton, Guise, Hirson, La Capelle, Le Nouvion-en-Thierache, Montcornet, Rozoy-sur-Serre, Vervins ont connuune histoire politique mouvementee, souvent encore lisible dans leur architecture. L'experience industrielle et sociale sans equivalent en France, reussie par Jean-Baptiste Godin au Familistere de Guise, tranche sur les activites artisanales implantees en Thierache (meunerie, verrerie, forge, tissage, vannerie, saboterie...), reflets durables d'une economie et d'un monde rural qui s'effaceraient sans bruit, si plusieurs petits musees ne s'efforcaient de transmettre le souvenir de modes de vie disparus et d'hommes emblematiques (Mgr Pigneau de Behaine, Godin, Mermoz...). Malgre toutes les epreuves, la Thierache a conserve, dans ses edifices cultuels, un riche patrimoine religieux: des fonts baptismaux medievaux en A"pierre bleueA", des peintures dont les plus connues restent celles de Jouvenet, un vaste corpus de vitraux des XIXe et XXe siecles, de superbes autels et decors de choeur, et pres d'un tiers des orgues de l'Aisne dont la renommee a largement franchi les frontieres du departement.

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This collection of essays by leading scholars from France, Great Britain and North America is published in honour of Peter Bayley, former Drapers Professor of French at the University of Cambridge and a leading scholar of early modern France. The volume reflects his scholarly interest in the interface between religion, rhetoric and literature in the period 1500–1800. The first three sections of the book are concerned with the early modern period. The contributors consider subjects including the eloquence of oration from the pulpit, the relationship between religion, culture and belief, and the role of theatre and ceremony during the seventeenth century. They engage with individuals such as the theologian Jacques-Bénigne Bossuet, the dramatists Molière, Racine and Corneille, and the philosophers Bayle and Pascal. The volume concludes with a section that is concerned with critical influences and contexts from the sixteenth, eighteenth and nineteenth centuries. Throughout, the authors offer stimulating new perspectives on an age that never ceases to intrigue and fascinate.

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In France as elsewhere in recent years, legislative debates over single-parent households, same-sex unions, new reproductive technologies, transsexuality, and other challenges to long-held assumptions about the structure of family and kinship relations have been deeply divisive. What strikes many as uniquely French, however, is the extent to which many of these discussions—whether in legislative chambers, courtrooms, or the mass media—have been conducted in the frequently abstract vocabularies of anthropology and psychoanalysis. In this highly original book, Camille Robcis seeks to explain why and how academic discourses on kinship have intersected and overlapped with political debates on the family—and on the nature of French republicanism itself. She focuses on the theories of Claude Lévi-Strauss and Jacques Lacan, both of whom highlighted the interdependence of the sexual and the social by positing a direct correlation between kinship and socialization. Robcis traces how their ideas gained recognition not only from French social scientists but also from legislators and politicians who relied on some of the most obscure and difficult concepts of structuralism to enact a series of laws concerning the family. Lévi-Strauss and Lacan constructed the heterosexual family as a universal trope for social and psychic integration, and this understanding of the family at the root of intersubjectivity coincided with the role that the family has played in modern French law and public policy. The Law of Kinship contributes to larger conversations about the particularities of French political culture, the nature of sexual difference, and the problem of reading and interpretation in intellectual history.

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This wide-ranging collection of essays, written by leading specialists, furnishes previously unpublished evidence of France's role and importance in the early modern English literary and dramatic fields. Its chapter-length introduction offers an up-to-date critical presentation of the issues involved: representation, cultural identity, the construction of otherness, Frenchness, and the social and cultural dynamics of theater. The essays in the five sections of the book continue the debate with a series of in-depth studies touching on important critical themes such as intertextuality; old and new historicisms; language, semiotics, and nationhood; imagined geographies; and stereotypes and social satire. The book will appeal to students and specialists of Renaissance literature, to scholars working on the construction of national identity and will be required reading for anyone interested in cultural exchange or comparative literature.

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The French Revolution transformed the nation's—and eventually the world's—thinking about citizenship, nationality, and gender roles. At the same time, it created fundamental contradictions between citizenship and family as women acquired new rights and duties but remained dependents within the household. In The Family and the Nation, Jennifer Ngaire Heuer examines the meaning of citizenship during and after the revolution and the relationship between citizenship and gender as these ideas and practices were reworked in the late 1790s and early nineteenth century. Heuer argues that tensions between family and nation shaped men's and women's legal and social identities from the Revolution and Terror through the Restoration. She shows the critical importance of relating nationality to political citizenship and of examining the application, not just the creation, of new categories of membership in the nation. Heuer draws on diverse historical sources—from political treatises to police records, immigration reports to court cases—to demonstrate the extent of revolutionary concern over national citizenship. This book casts into relief France's evolving attitudes toward patriotism, immigration, and emigration, and the frequently opposing demands of family ties and citizenship.

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In 1931, the United States and France embarked on a broadcasting partnership built around radio. Over time, the transatlantic sonic alliance came to personify and to shape American-French relations in an era of increased global media production and distribution. Drawing on a broad range of American and French archives, Derek Vaillant joins textual and aural materials with original data analytics and maps to illuminate U.S.-French broadcasting's political and cultural development. Vaillant focuses on the period from 1931 until France dismantled its state media system in 1974. His analysis examines mobile actors, circulating programs, and shifting institutions that shaped international radio's use in times of war and peace. He explores the extraordinary achievements, the miscommunications and failures, and the limits of cooperation between America and France as they shaped a new media environment. Throughout, Vaillant explains how radio's power as an instantaneous mass communications tool produced, legitimized, and circulated various notions of states, cultures, ideologies, and peoples as superior or inferior. A first comparative history of its subject, Across the Waves provocatively examines how different strategic agendas, aesthetic aims and technical systems shaped U.S.-French broadcasting and the cultural politics linking the United States and France.

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'Foucault must be reckoned with by humanists, social scientists, and political activists' The New York Times Book ReviewSociety Must Be Defended is Michel Foucault's devastating critique of the systems of power and control inherent in civilization. Taken from a series of lectures given by Foucault at the Collége de France in 1975-76, it reveals how war is the foundation of all power relations, and politics ultimately a continuation of battlefield violence. He offers a politically charged re-reading of history, with examples ranging from the Trojan myth to Nazi Germany, to show a continual, 'silent war' between the powerful and the powerless.'A timely and prescient book, mainly because of what it says about the way in which war is necessary as a means of control' New StatesmanTranslated by David Macey

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Reveals the complex irony in France's last volume of short stories, Les sept femme de la Barbe-Bleue. Diane Wolfe Levy shows how France imbues his narration with paradoxical elements, contrasts full of irony, and complex oppositions. She also reveals the way irony is directed to both the narrator and the fictional characters.

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Coinage and currency—abstract and socially created units of value and power—were basic to early modern society. By controlling money, the people sought to understand and control their complex, expanding, and interdependent world. In Making Money in Sixteenth-Century France, Jotham Parsons investigates the creation and circulation of currency in France. The royal Cour des Monnaies centralized monetary administration, expanding its role in the emerging modern state during the sixteenth century and assuming new powers as an often controversial repository of theoretical and administrative expertise. The Cour des Monnaies, Parsons shows, played an important role in developing the contemporary understanding of money, as a source of both danger and opportunity at the center of economic and political life. More practically, the Monnaies led generally successful responses to the endemic inflation of the era and the monetary chaos of a period of civil war. Its work investigating and prosecuting counterfeiters shone light into a picaresque world of those who used the abstract and artificial nature of money for their own ends. Parsons’s broad, multidimensional portrait of money in early modern France also encompasses the literature of the age, in which money’s arbitrary and dangerous power was a major theme.

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In this highly original book, Susan E. Hiner looks behind fashion’s seams and focuses on the women fashion producers – both working- and middle-class – who were key to shaping the French fashion economy. Behind the Seams thus opens up the fields of both fashion and French cultural studies and explores new ways of understanding the 19th century by demonstrating that these women’s complex and contradictory roles as producers of luxury items left them exploited by an oppressive fashion system even as they served as influencers within it. In 19th-century France, fashion was a powerful and lucrative network that depended on women’s expert manipulation of its raw materials. The delicate finger work of seamstresses and modistes yielded frothy dresses and ethereal hats; the subtle, persuasive rhetoric of written chronicles resulted in savvy, targeted marketing campaigns of goods and lifestyles; and the stylized visual splendour of the detailed drawing, engraving, and painting of fashion plates fed an aspirational fantasy that ended in consumption. Yet this fashion system paradoxically effaced many of the women on whom it depended. Rather than repeating the familiar narrative of women as victims of fashion, Behind the Seams tells a more complicated story. Hiner’s close examination reveals the productive women workers, writers, and artists who achieved agency, influence, and active careers even as their work and lives were masked by the ways in which they were mythologized in popular culture, rendered anonymous, and marginalized by institutional exclusion. Beautifully illustrated in colour throughout, Behind the Seams is a rich resource and essential reading for all those interested in fashion history, 19th-century French history and visual culture, and the social history of women.

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"[Keaton] provides the most in-depth analysis of the predicament of French Arabs and Africans living in the suburbs of Paris. . . . [O]ne can read the book through the lens of such great African American writers and activists as Richard Wright, James Baldwin, and Malcolm X. . . . [It] contains an implicit warning to you, France, not to repeat the American racism in your country." —from the foreword by Manthia DiawaraMuslim girls growing up in the outer-cities of Paris are portrayed many ways in popular discourse—as oppressed, submissive, foreign, "kids from the projects," even as veil-wearing menaces to France's national identity—but rarely are they perceived simply as what they say they are: French. Amid widespread perceptions of heightened urban violence attributed to Muslims and highly publicized struggles over whether Muslim students should be allowed to wear headscarves to school, Muslim girls often appear to be the quintessential "other." In this vivid, evocative study, Trica Danielle Keaton draws on ethnographic research in schools, housing projects, and other settings among Muslim teenagers of North and West African origin. She finds contradictions between the ideal of universalism and the lived reality of ethnic distinction and racialized discrimination. The author's own experiences as an African American woman and non-Muslim are key parts of her analysis. Keaton makes a powerful statement about identity, race, and educational politics in contemporary France.

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It's time to take to the road with this selection of stunning handpicked trips throughout France and Germany. The trips are suitable for campervanners, motorcaravanners, long-distance cyclists. basically anyone on a set of wheels, especially those who like to go camping, wild or otherwise (although details of finding alternative accommodation are also included). Whether you're a novice motorcaravanner or experienced road tripper, solo adventurer or family group, these self-guided tours will provide the inspiration to set out and explore - as slowly and leisurely as you like - the less obvious regions of France and Germany. There are routes of all distances, from day/weekend trips of no more than 30 or 40 miles to routes of 1,000 miles and more for those enjoying a longer holiday. Collectively these routes explore the very best scenery that France and Germany offer - from coastal views and mountains, forests and national parks, UNESCO World Heritage Sites, vineyards, lakesides and riverbanks, islands (including parking up and visiting car-free islands), to pastoral idylls, wilderness and vibrant cities brimming with architectural heritage. No end of adventures await! Travel the Route Napoléon (France's first ever signposted route following Napoleon's trek through the Alps on his return from exile) or the Bertha Benz Memorial Route (named for the wife of inventor Carl Benz and the first person ever to make a long-distance road trip). Explore the Gorges du Verdon, the Grand Canyon of France, visit Dorgogne's annual Strawberry Festival, or walk into Poland along an eight-mile seaside promenade at the seaside resort of Heringsdorf. Packed with practical advice, tempting photographs and inspirational itineraries, Camping Road Trips: France & Germany is the essential handbook to your European adventure.

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Shoes, gloves, umbrellas, cigars that are not just objects—the topic of fetishism seems both bizarre and inevitable. In this venturesome and provocative book, Emily Apter offers a fresh account of the complex relationship between representation and sexual obsession in turn-of-the-century French culture. Analyzing works by authors in the naturalist and realist traditions as well as making use of documents from a contemporary medical archive, she considers fetishism as a cultural artifact and as a subgenre of realist fiction. Apter traces the web of connections among fin-de-siècle representations of perversion, the fiction of pathology, and the literary case history. She explores in particular the theme of "female fetishism" in the context of the feminine culture of mourning, collecting, and dressing.

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This study, spanning the years 1520–1570, explores the rhetoric of martyrdom in the historical context of Reformation France. The focal points include questions of authority, gender, and community.

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In the decade following World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This new gender confusion became a central metaphor for the War's impact on French culture and led to a marked increase in public debate concerning female identity and woman's proper role. Mary Louise Roberts examines how, in these debates, French society came to grips with the catastrophic horrors of the Great War. In sources as diverse as parliamentary records, newspaper articles, novels, medical texts, writings on sexology, and vocational literature, Roberts discovers a central question: how to come to terms with rapid economic, social and cultural change and articulate a new order of social relationships. She examines the role of French trauma concerning the War in legislative efforts to ban propaganda for abortion and contraception, and explains anxieties about the decline of maternity by a crisis in gender relations that linked soldiery, virility, and paternity. Through these debates, Roberts locates the seeds of actual change. She shows how the willingness to entertain, or simply the need to condemn, non-traditional gender roles created an indecisiveness over female identity that ultimately subverted even the most conservative efforts to return to traditional gender roles and irrevocably altered the social organization of gender in postwar France.

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'Paris, 4 July 2003: My first Tour de France. I had never seen a bike race. I had only vaguely heard of Lance Armstrong. I had no idea what I was doing there. Yet, that day I was broadcasting live on television. I fumbled my way through a few platitudes, before summing up with the words, "...Dave Millar just missing out on the Yellow Jumper." Yes, the Yellow Jumper.'Follow Ned Boulting's (occasionally excruciating) experiences covering the world's most famous cycling race. His story offers an insider's view of what really goes on behind the scenes of the Tour. From up-close-and-personal encounters with Lance Armstrong to bewildered mishaps with the local cuisine, Ned's been there, done that and got the crumpled-looking t-shirt. Eight Tours on from Ned's humbling debut, he has grown to respect, mock, adore and crave the race in equal measure. What's more, he has even started to understand it. Includes How Cav Won the Green Jersey: Short Dispatches from the 2011 Tour de France

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Edward Thomas was perhaps the most beguiling and influential of the war poets. This haunting account of his final five years follows him from his beloved English countryside to the battlefield in France where he lost his life. When he met the American poet Robert Frost in 1913, Thomas was tormented by feelings of failure in his work and in his marriage. With Frost’s encouragement he began writing poem after poem as he finally found the expression for which he had spent his life searching. But the First World War put an ocean between them: Frost returned to New England while Thomas enlisted and went to fight in France. It is these roads taken—and not taken—that are at the heart of this unforgettable book, which culminates in Thomas’s tragic death on Easter Monday, 1917. Now All Roads Lead to France encompasses an astonishingly creative moment in English literature, when London was a battleground for new, ambitious writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost, and Rupert Brooke was “making it new”—vehemently and pugnaciously—and this dazzling biography places Thomas firmly in their midst.

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In the mid-nineteenth century, French colonial leaders in Algeria started southward into the Sahara, beginning a fifty-year period of violence. Lying in the shadow of the colonization of northern Algeria, which claimed the lives of over a million people, French empire in the Sahara sought power through physical force as it had elsewhere; yet violence in the Algerian Sahara followed a more complicated logic than the old argument that it was simply a way to get empire on the cheap. A Desert Named Peace examines colonial violence through multiple stories and across several fields of research. It presents four cases: the military conquests of the French army in the oases and officers' predisposition to use extreme violence in colonial conflicts; a spontaneous nighttime attack made by Algerian pastoralists on a French village, as notable for its brutality as for its obscure causes; the violence of indigenous forms of slavery and the colonial accommodations that preserved it during the era of abolition; and the struggles of French Romantics whose debates about art and politics arrived from Paris with disastrous consequences. Benjamin Claude Brower uses these different perspectives to reveal the unexpected causes of colonial violence, such as France's troubled revolutionary past and its influence on the military's institutional culture, the aesthetics of the sublime and its impact on colonial thinking, the ecological crises suffered by Saharan pastoralists under colonial rule, and the conflicting paths to authority inherent in Algerian Sufism. Directly engaging a controversial history, A Desert Named Peace offers an important backdrop to understanding the Algerian war for independence (1954-1962) and Algeria's ongoing internal war, begun in 1992, between the government and armed groups that claim to fight for an Islamist revolution.

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The Neoliberal Republic traces the corrosive effects of the revolving door between public service and private enrichment on the French state and its ability to govern and regulate the private sector. Casting a piercing light on this circulation of influence among corporate lawyers and others in the French power elite, Antoine Vauchez and Pierre France analyze how this dynamic, a feature of all Western democracies, has developed in concert with the rise of neoliberalism over the past three decades. Based on interviews with dozens of public officials in France and a unique biographical database of more than 200 civil-servants-turned-corporate-lawyers, The Neoliberal Republic explores how the always-blurred boundary between public service and private interests has been critically compromised, enabling the transformation of the regulatory state into either an ineffectual bystander or an active collaborator in the privatization of public welfare. The cumulative effect of these developments, the authors reveal, undermines democratic citizenship and the capacity to imagine the public good.

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Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? "The Likeness of the King" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify late medieval likenesses of historical personages as 'the first modern portraits'. Unwilling to accept the anachronistic nature of these claims, Stephen Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.

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The Body in Time looks at two different genres in relation to the construction of femininity in late nineteenth-century France: Degas's representation of ballet dancers and the transforming tradition of female portraiture. Class, gender, power, and agency are at stake in both arenas, but they play themselves out in different ways via different pictorial languages. Degas's depictions of anonymous young female ballerinas at the Paris Opera reflect his fascination with the physical exertions and prosaic setting of the dancer's sexualized body. Unlike the standard Romantic depictions of the ballerina, Degas's dancers are anonymous spread-legged workers on public display. Female portraiture and self-portraiture, in contrast, depicted the unique and the distinctive: privileged women, self-assured individuals transgressing gender conventions. Focusing on Degas's representation of the dancer, Tamar Garb examines the development of Degas's oeuvre from its early Realist documentary ambitions to the abstracted Symbolist renderings of the feminine as cypher in his later works. She argues that despite the apparent depletion of social significance and specificity, Degas's later works remain deeply enmeshed in contemporary gendered ways of viewing and experiencing art and life. Garb also looks at the transformation in the genre of portraiture heralded by the “new woman,” examining the historical expectations of female portraiture and demonstrating how these expectations are challenged by new notions of female autonomy and interiority. Women artists such as Anna Klumpke, Rosa Bonheur, and Anna Bilinska deployed the language of Realism in their own self-representation. The figure of femininity remained central to the personal, political, and pictorial imperatives of artists across the spectrum of modern aesthetics. Gender and genre intersect throughout this book to show how these categories mutually impact one another.

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The Côte d'Or in Upper Burgundy is a border area between the Seine and Yonne basins to the north, the Saône basin to the southeast and the Loire basin to the southwest, with reliefs above 600 meters. It is a zone of passage between basins more than an area of permanent settlement, except in the most temperate periods of early prehistory. The region is considered poor in terms of Palaeolithic sites, a poverty relatively belied by a detailed study of inventoried sites. The most numerous remains of occupation are dated to the Middle Paleolithic, at the end of the interglacial MIS 5 and to the Gravettian in the beginning of MIS 2. The complex stratigraphy in caves and cornice-base systems reveals many shortcomings that notably obliterated the fills of MIS 3 and the end of MIS 2. The Boccard cave, which has the most complete stratigraphic sequence in the region, is here the subject of a previously unpublished detailed monograph. Comparisons with the Palaeolithic sites of the Seine basin (Arcy-sur-Cure caves, open-air sites in the Vanne valley) and the Saône basin (Solutré, Vergisson, Germolles) show that the Palaeolithic settlement of the Côte d'Or is part of the larger settlement system of east-central France, knowledge of which is reduced by the sites’ incomplete fills and the brevity of the occupations.

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The ninth edition of Inland Waterways of France is the ideal guide for planning cruises in and through the most fascinating and diverse waterway network in Europe. This edition takes a new paperback format, split into three volumes. Author David Edwards-May presents a detailed overview of the waterways extending from the English Channel through Northern France, Picardy and Paris to Central France and Burgundy. This system totals 2700 kilometres of waterways that are as vibrant as ever, and include the new Seine-Nord Europe Canal, now under construction, to be completed by 2028. Recreational use is growing alongside the commercial traffic on the busier waterways, while Champagne, Burgundy and Central France have become cruising destinations in their own right. This first volume of the new edition sets out the current state of the network in 200 pages in full colour, with detailed maps of junctions and other key sites on the network, overview maps for each waterway, and route descriptions. It is a unique blend of practical information, maps, background historical notes and colour photographs.

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As the UK leaves the European Union and as the multilateral order is increasingly under stress, bilateral security links are more important than ever. Among such relationships, the UK-France partnership has become particularly critical in the past decades. Alice Pannier's Rivals in Arms reveals the history of the growing special partnership between Europe's two leading military powers in the twenty-first century. Using an innovative analytical framework rooted in theories of cooperation and negotiation, this book exposes the challenges the two countries have faced to develop, equip, and employ their military capabilities together. Through a decade-long study, Pannier highlights how France and the UK have endeavoured to make their partnership more effective and resistant to domestic and international shifts, including Brexit. Building on more than one hundred interviews with key stakeholders and unmatched access to primary sources, Rivals in Arms takes the reader behind the scenes, investigating the complicated but crucial defence relationship between France and the UK - a relationship that is critical to the future of Euro-Atlantic security.

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This guidebook describes a 240km cycle ride along the length of the Canal du Midi in southern France. Starting at Toulouse in the Haute Garonne and finishing at Sète on the Mediterranean Coast, the route is divided into five stages of about 50km. It is a flat, car-free and picturesque route mainly on the towpath, and is suitable for all abilities. The guide is written for those who want to explore the canal and visit attractions along the way. There are lots of optional detours to sites of interest near the canal, as well as six longer excursions including fortified Carcassone, Roman Narbonne, Vendres lagoon and the Portiragnes marshes. Detailed route descriptions are crammed with additional information about points of interest passed, and 1:200,000 scale maps clearly show the route for each stage of the way. Begun in 1666 the Canal du Midi is one of the world's most picturesque waterways and a World Heritage Site. This is 'La France Profonde', a region rich in history and culture, as seen in the grand homes and chateaux that grace the water's edge, and the fascinating Cathar strongholds of Carcassone, Lastours and Minerve.

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Despite French President Charles de Gaulle's persistent efforts to constructively share French experience and use his resources to help engineer an American exit from Vietnam, the Kennedy administration responded to de Gaulle's peace initiatives with bitter silence and inaction. The administration's response ignited a series of events that dealt a massive blow to American prestige across the globe, resulting in the deaths of over fifty-eight thousand American soldiers and turning hundreds of thousands of Vietnamese citizens into refugees.This history of Franco-American relations during the Kennedy presidency explores how and why France and the US disagreed over the proper western strategy for the Vietnam War. France clearly had more direct political experience in Vietnam, but France's postwar decolonization cemented Kennedy's perception that the French were characterized by a toxic mixture of short-sightedness, stubbornness, and indifference to the collective interests of the West.At no point did the Kennedy administration give serious consideration to de Gaulle's proposals or entertain the notion of using his services as an honest broker in order to disengage from a situation that was rapidly spiraling out of control. Kennedy's Francophobia, the roots of which appear in a selection of private writings from Kennedy's undergraduate years at Harvard, biased his decision-making. The course of action Kennedy chose in 1963, a rejection of the French peace program, all but handcuffed Lyndon Johnson into formally entering a war he knew the United States had little chance of winning.

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This anthology focuses on Britain and France in a period critical to their development as great powers. Its emphasis is on the regions and nations of which these two states were composed, rather than on the monolithic states. The documents illustrate many facets of their history, from the personal to the constitutional and, in particular, reflect the development of absolutism in France and of limited monarchy in England and other parts of the British Isles. Additionally, the documents indicate the social, religious and political trends that influenced the direction of change. Some of the documents have been drawn from unpublished 17th- and early 18th-century sources, and a number are translated from French for the first time.

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Act French includes Adramelech's Monologue by Valere Novarina, A.W.O.L. by Olivier Cadiot, 11 Septembre 2001/11 September 2001 by Michel Vinaver, Pumpkin On The Air by Michele Sigal, We Were Sitting on The Shores of the World...by Jose Pliya, Cut by Emmanuelle Marie, and Inventories by Philippe Minyana.

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Geoff Thomas's heroic battle to overcome leukaemia, and then take on the toughest sporting challenge: to ride the Tour de France'A wonderfully compelling read' INDEPENDENT'RIDING THROUGH THE STORM details movingly and eloquently how Thomas fought cancer and then took on the Tour de France to prove how alive he was ... All human life graces Thomas' outstanding book' DAILY TELEGRAPHWhen Geoff Thomas struggled to play a friendly game of tennis while on holiday in Mallorca in May 2003, he thought little of it. Recently retired as a footballer, he believed it was a sign of ageing and perhaps a pulled muscle. But when the pain wouldn't go away, his wife Julie persuaded him to go to a doctor. He was diagnosed as having leukaemia.RIDING THROUGH THE STORM focuses on his journey round the Tour de France in the summer of 2005, riding the 2,240-mile course in the 21 days it takes Lance Armstrong and all the top cyclists, despite never having cycled much before. Despite the odds against him achieving it, he rode the course and raised nearly £200,000 for charity. As he rides, he looks back on his successful career as a footballer, and the bone-marrow transplant that saved his life. This is a powerful, moving and inspirational story of extraordinary achievement.

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