Search results for ""Author Craig"

This release features a recreation of the first ever cast of Doctor Who, as seen on BBC TV in 2013's celebratory 'An Adventure in Space and Time' with David Bradbury then appearing as the Doctor in 2017's Peter Capaldi finale. Contains two stories; 5.1 For the Glory of Urth by Guy Adams. The TARDIS has barely landed in an alien sewer when a distant scream sends Susan racing to give aid, and the crew split up. Trying to reunite, the travellers find themselves in something resembling a monastery led by a man half-way between an Abbot and a warlord. They discover that they are in 'Urth', a barbaric place clinging on to its former glory. It's somewhere its populace are never allowed to leave, somewhere keeping many secrets from its people. And today those secrets will be revealed...5.2 The Hollow Crown by Sarah Grochala. When the TARDIS lands in Shoreditch, 1601, the Doctor suggests going to see a play at the Globe Theatre and his friends readily agree. But this is a turbulent time. There is violence in the streets, plots against the Queen, and rebellion is in the air. At the centre of it all stands the most famous playwright in British history - William Shakespeare - who is having troubles of his own. As tensions mount and wheels turn within wheels, the travellers are about to discover if the play really is the thing... Cast: David Bradley (The Doctor), Claudia Grant (Susan), Jemma Powell (Barbara Wright), Jamie Glover (Ian Chesterton), Nicholas Asbury (William Shakespeare), Wendy Craig (Queen Elizabeth I), Liane-Rose Bunce (Lady Penelope Rich/Hawker), Ian Conningham (Robert Devereaux, Earl of Essex/Lord Cecil), Lauren Cornelius (Judith Shakespeare), Susie Emmett (Sissy Cruciatu), Amanda Hurwitz (Mummy Martial/Computer Voice), Phil Mulryne (Bruddle Medicus/Guard 2), Phyllida Nash (Brooskin), Clive Wood (Daddy Dominus/Clubwell/Guard 1). Other parts played by members of the cast

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'The book of the year' SUNDAY TIMES'One of the very best biographies I have ever read' STEPHEN FRY'A hot thunderstorm of a book' DAVID HARE'Erotic Vagrancy gave me a week of pure joy' CRAIG BROWN'Unputdownable' TONY PALMER'A genius writer' LYNN BARBER'ABSOLUTE MASTERPIECE . . . ONE OF THE GREAT READING EXPERIENCES OF MY LIFE' MARINA HYDEA TOP 25 BEST BOOK OF 2023 (INDEPENDENT)Thirteen years in the writing, Erotic Vagrancy doesn't only surpass every other biography of Elizabeth Taylor and Richard Burton yet to appear, this rich, vital and passionately articulated book, which is as extravagant and wayward as its two subjects, is also about celebrity, creativity, being flawed, being brilliant, sexuality, the intermingling of a low and a highbrow existence, pride, insecurity, attraction and repulsion, and devilry.We see Taylor the child actress exchanging dogs and horses for husbands. We see Burton emerging from the mists and brimstone of Wales to be the greatest theatrical animal of his generation. The pair come together in Rome during the making of Cleopatra, which gives Lewis the opportunity for a major farcical set-piece. We then enter a world of jewels and private jets, vodka, yachts and furs - the splendid vulgarity of the Sixties, where the narrative of Taylor and Burton becomes a Pop Art story.Then, inevitably, it all goes wrong, with alcoholism, violence, recrimination and divorce ( twice ) - with Burton, whom Lewis depicts as a Faustus figure, damned by fame, dead at fifty-eight.Stephen Fry has said, 'It is one of the very best biographies I have ever read. One of the best books about fame, desire, Hollywood and mid-to-late twentieth century culture ever written. Inside which, brilliant, hilarious and sensitive insights on all manner of subjects fizz and froth. Magnificent, terrible, tragic, triumphant.'

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"In this new edition of Historical Anthology of Music by Women, Briscoe offers an indispensable resource for our own moment. . . . He has commissioned new biographical and critical essays by leading musicologists such as Thomas J. Mathiesen, Elizabeth Aubrey, Suzanne Cusick, Ellen Rosand, and Mark Everist, thus making the most recent interpretations of these women and their music easily available for the classroom." —from the Foreword by Susan McClaryNew Historical Anthology of Music by Women updates the extremely popular collection with 55 compositions by 46 women composers from the ancient Greeks to the present. Each work is introduced by an informative essay by a specialist in the field, with recommendations for further reading, listening, and performing. Historical scores have been transcribed into modern notation for ease of use, and the works represent a wide variety of genres, including solo songs, chamber music, piano music, and orchestral scores. Composers include Sappho, Hildegard of Bingen, Barbara Strozzi, Clara Schumann, and Fanny Mendelssohn-Hensel. The anthology includes a foreword by Susan McClary, the leading scholar on women's music. New Historical Anthology of Music by Women is supplemented by an expanded 3-CD set featuring newly commissioned recordings.Contributors: Elizabeth Aubrey, Laura Barceló-Lastra, Melissa Blakesly, Adrienne Fried Block, Marcia J. Citron, Suzanne Cusick, David Gordon Duke, Susan Erickson, Mark Everist, Jill Munroe Fankhauser, Annegret Fauser, Nancy Fierro, Susan M. Filler, Barbara Garvey Jackson, Bryony Jones, Michael Klaper, Carolyn Lindeman, Roberta Lindsey, Thomas J. Mathiesen, Hidemi Matsushita, Susan McClary, Sharon Mirchandani, Craig B. Parker, Karin Pendle, Barbara A. Petersen, Martin Picker, Janet Pollack, Caroline Potter, Nancy B. Reich, Ellen Rosand, Judith Rosen, and Diane Touliatos-Milesis.

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When an old man is run over and killed by a Hungarian au pair, Finnish police investigator Anna Fekete soon realizes that there is more than meets the eye … and a lot more at stake. The international, bestselling Anna Fekete series continues… ***Shortlisted for the Petrona Award for Best Scandinavian Crime Novel of the Year*** ***Shortlisted for the Glass Key Award for Best Nordic Crime Novel*** ***Winner of the Best Finnish Crime Novel of the Year*** ‘Tough and powerful crime fiction’ Publishers Weekly 'Dark-souled but clear-eyed, Kati Hiekkapelto’s edgy, powerful novels grip your throat and squeeze your heart. Addictive’ A J Finn, author of The Woman in the Window 'A gut-punch of a book’ Metro –––––––––––––––––––––––– When an old man is found dead on the road – seemingly run over by a Hungarian au pair – police investigator Anna Fekete is certain that there is more to the incident than meets the eye. As she begins to unravel an increasingly complex case, she’s led on a deadly trail where illegal immigration, drugs and, ultimately, murder threaten not only her beliefs, but her life. Anna’s partner Esko is entrenched in a separate but equally dangerous investigation into the activities of an immigrant gang, where deportation orders and raids cause increasing tension and result in desperate measures by gang members – and the police themselves. Then a bloody knife is found in the snow, and the two cases come together in ways that no one could have predicted. As pressure mounts, it becomes clear that having the law on their side may not be enough for Anna and Esko. Chilling, disturbing and terrifyingly believable, The Defenceless is an extraordinary, vivid and gripping thriller by one of the most exciting new voices in crime fiction. –––––––––––––––––––––––– 'Finnish Kati Hiekkapelto deserves her growing reputation as her individual writing identity is subtly unlike that of her colleagues' Barry Forshaw, Financial Times ’There is something fresh and slightly subversive about Hiekkapelto’s writing in The Defenceless. there is something of that restless energy here, a nod to anti-authoritarian and countercultural ideas that makes the novel stand out from the pack’ Doug Johnstone, The Big Issue ’A taut and provocative thriller with a raging social conscience … cements Kati Hiekkapelto’s position as one of Scandi-noir’s most exciting and important new voices’ Eva Dolan ‘Compelling, assured and gutsy … a gripping and stimulating read’ LoveReading ‘An edgy and insightful chiller with a raw and brooding narrative. Skilfully plotted and beautifully written, Hiekkapelto has given us an excellent and suspenseful crime novel’ Craig Robertson 'A beautifully written and many-layered mystery novel that illuminates the dangers of prejudice, while still providing a major thrill ride' Mystery Scene Magazine ‘A writer willing to take risks with her work’ Sarah Ward ‘Seriously good! The taut elegance of the writing brilliantly contrasts the grit of the subject matter. Kati Hiekkapelto is the real deal’ Anya Lipska

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Does your group need help making good decisions? Whether your organization is large or small, public or private, simple or complex, all groups of people must make decisions to move their agendas forward. And to ensure the ongoing health of your group, those decisions need to be optimal. With tips, underlying principles, and case studies in his definitive book, Craig Freshley shares the essentials that groups of all sizes need to make sure their decisions will last and provide benefits for all members. This friendly, practical, and authoritative guide from an experienced and successful facilitator/trainer is a must-have for groups or individuals who want to work on consensus and their collaborative decision-making skills. Leaders, board members, and senior staff in the nonprofit sector-where there's often a higher expectation of collaboration-and corporate leaders who have a collaborative, inclusive mindset or culture will find this hook especially valuable. Topics include: * Collaboration is underrated and competition is overrated. * Making collaborative decisions (good group decisions) is as much or more about attitude as it is mechanics. * When you separate process from substance (putting process in the hands of a facilitator and substance in the hands of everyone else), the process is better, and the end decision (the substance) will be better. * There are proven techniques and best practices that improve meetings and the decision-making processes. Anyone can learn how to turn processes and meetings from bad to good. * Humility is important. Every one of us is part of a group, and not one of us knows what's best for all of us. * Making peace is harder than making war. It's easier to be mad at your neighbor than to talk to your neighbor. We shouldn't expect peacemaking (or productive meetings) to be easy. These things are not easy. And yet they are totally worth it when done right. * Collaboration isn't just the right thing to do in a moral sort of way; it's intensely practical for achieving true innovation, creativity, and breakthrough results. * Critical for group decision-making efficiency is how to apply the right method at the right scale to fit the magnitude of the decision at hand. Freshley's message is especially pertinent to today's world: When good decisions are implemented properly, their effects will be long lasting-for people, for groups, and for the world.

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While the Edwardian castles of Conwy, Beaumaris, Harlech and Caernarfon are rightly hailed as outstanding examples of castle architecture, the castles of the native Welsh princes are far more enigmatic. Where some dominate their surroundings as completely as any castle of Edward I, others are concealed in the depths of forests, or tucked away in the corners of valleys, their relationship with the landscape of which they are a part far more difficult to discern than their English counterparts. This ground-breaking book seeks to analyse the castle-building activities of the native princes of Wales in the thirteenth century. Whereas early castles were built to delimit territory and as an expression of Llywelyn I ab Iorwerth’s will to power following his violent assumption of the throne of Gwynedd in the 1190s, by the time of his grandson Llywelyn II ap Gruffudd’s later reign in the 1260s and 1270s, the castles’ prestige value had been superseded in importance by an understanding of the need to make the polity he created - the Principality of Wales - defensible. Employing a probing analysis of the topographical settings and defensive dispositions of almost a dozen native Welsh masonry castles, Craig Owen Jones interrogates the long-held theory that the native princes’ approach to castle-building in medieval Wales was characterised by ignorance of basic architectural principles, disregard for the castle’s relationship to the landscape, and whimsy, in order to arrive at a new understanding of the castles’ significance in Welsh society. Previous interpretations argue that the native Welsh castles were created as part of a single defensive policy, but close inspection of the documentary and architectural evidence reveals that this policy varied considerably from prince to prince, and even within a prince’s reign. Taking advantage of recent ground-breaking archaeological investigations at several important castle sites, Jones offers a timely corrective to perceptions of these castles as poorly sited and weakly defended: theories of construction and siting appropriate to Anglo-Norman castles are not applicable to the native Welsh example without some major revisions. Princely Ambition also advances a timeline that synthesises various strands of evidence to arrive at a chronology of native Welsh castle-building. This exciting new account fills a crucial gap in scholarship on Wales’ built heritage prior to the Edwardian conquest and establishes a nuanced understanding of important military sites in the context of native Welsh politics.

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'A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet's insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.' John Banville, Guardian'An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.' Patricia Craig, TLS Books of the YearEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan - from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet's own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney's joyous mastery of language is as evident here as it is in any of his writing for a literary readership.Listening to Heaney's voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.

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Capital DJ Roman Kemp has achieved much success but he hasn't had an easy ride. He's battled depression since the age of 15, once contemplated suicide, and has bravely fought to smash the stigma still surrounding medication and mental health. The lifelong Arsenal supporter grafted his way to Capital's highly coveted Breakfast slot - and pulled in record-beating listeners with his cheeky sense of humour. Who else could convince Ed Sheeran to tattoo Roman's leg on air, drive around London playing cab-roulette with James Corden, get Craig David to freestyle rap, or rope Lewis Capaldi into a life-drawing class? Then, in 2019, Roman won over yet more fans coming third in I'm A Celebrity Get Me Out Of Here, with his uncanny impressions of everyone from Ant and Dec to his mate Harry Styles. Here, for the first time, Roman's ready to reveal the things that weren't captured on camera, and how his time in the jungle changed his whole outlook on life. During the pandemic Roman's life changed when his best friend - the producer who'd nurtured his career every step of the way - tragically took his own life. Amidst the shock, loss and confusion, Roman bravely made a moving BBC3 documentary about the alarming rates of suicide amongst young males. He's well aware he too, could have been a statistic. In this page-turning book - peppered with hilarious and surprising anecdotes from his youth - Roman also unflinchingly tackles the taboo of suicide, in the hope that by talking about his own struggles and sharing advice, he can help others. Roman shares all the experiences that have shaped him, and why love, marriage and having his own family one day are so important to his future dreams.

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It is increasingly challenging for teachers to educate without a deeper understanding of the experience of their students. This is particularly the case in marginalised groups of young people who are subject to loss, grief, trauma and shame. Through a snapshot of the diverse student populous, this book explores the impact of these experiences on a student's learning and success. Topics covered include poverty, obesity, incarceration, immigration, death, sexual exploitation, LGBT issues, psychodrama, the expressive arts, resilience, and military students. The authors share the children's perspective, and through case studies they offer solutions and viable objectives.

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The third edition of this popular and established core textbook provides an invaluable guide to 24 of the most influential thinkers in Sociology. Written by leading academics in the field, Key Sociological Thinkers provides a clear and contextualised introduction to classical and contemporary theory. Each chapter offers an insightful assessment of a different theorist, exploring their lives, works and legacies, and in a much-valued 'Seeing Things Differently' section authors demonstrate how each thinker’s ideas can be used to illuminate aspects of social life in new ways. With frameworks for deep learning around group discussion, this continues be an essential text for undergraduate and postgraduate modules on sociological and social theory. New to this Edition: - Four new chapters, on Mead, Du Bois, Latour and Alexander - Five chapters by new authors on existing key thinkers: Durkheim, Merton, Goffman, Bourdieu, and Giddens - A major new introduction - An updated, structured and annotated ‘Further Reading’ section for each thinker - Extended accounts of 13 additional thinkers who have influenced, or been influenced by, the key thinkers Accompanying online resources for this title can be found at bloomsburyonlineresources.com/key-sociological-3e. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

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One of Time magazine's '32 Books You Need to Read This Summer' -- 'a riveting read'.'Intensely readable, downright terrifying, and surprisingly uplifting.'Vanity Fair'A fascinating work of imaginative futurology, a science journalist takes a look at our current technologies and anticipates the human-robot future that could await us - one full of warrior bots, politician bots, doctor bots and sex bots.'One of Barbara VanDenburgh's '5 Books Not to Miss', USA TodayOne of the best summer reads of 2019, according to top authors David Baldacci and Elizabeth Acevedo on USA Today's Today programme. 'A refreshing variation on the will-intelligent-robots-bring-Armageddon genre . . . this colorful mixture of expert futurology and quirky speculation does not disappoint' Kirkus ReviewsWhat robot and AI systems are being built and imagined right now? What do they say about us, their creators? Will they usher in a fantastic new future, or destroy us? What do some of our greatest thinkers, from physicist Brian Greene and futurist Kevin Kelly to inventor Dean Kamen, geneticist George Church and filmmaker Tiffany Shlain, anticipate for our human-robot future? For even as robots and AI intrigue us and make us anxious about the future, our fascination with robots has always been about more than the potential of the technology - it also concerns what robots tell us about being human.From present-day Facebook and Amazon bots to near-future 'intimacy' bots and 'the robot that swiped my job' bots, bestselling American popular science writer David Ewing Duncan's Talking to Robots is a wonderfully entertaining and insightful guide to possible future scenarios about robots, both real and imagined.Featured bots include robot drivers; doc bots; politician bots; warrior bots; sex bots; syntheticbio bots; dystopic bots that are hopefully just bad dreams; and ultimately, God Bot (asdescribed by physicist Brian Greene). These scenarios are informed by discussions with well-known thinkers, engineers, scientists, artists, philosophers and others, who share with us their ideas, hopes and fears about robots. David spoke with, among others, Kevin Kelly, David Baldacci, Brian Greene, Dean Kamen, Craig Venter, Stephanie Mehta, David Eagleman, George Poste, George Church, General R. H. Latiff, Robert Seigel, Emily Morse, David Sinclair, Ken Goldberg, Sunny Bates, Adam Gazzaley, Tim O'Reilly, Tiffany Shlain, Eric Topol and Juan Enriquez.These discussions, along with some reporting on bot-tech, bot-history and real-time societal andethical issues with robots, are the launch pads for unfurling possible bot futures that are informed by how people and societies have handled new technologies in the past.The book describes how robots work, but its primary focus is on what our fixation with botsand AI says about us as humans: about our hopes and anxieties; our myths, stories, beliefs andideas about beings both real and artificial; and our attempts to attain perfection.We are at a pivotal moment when our ancient infatuation with human-like beings with certainattributes or superpowers - in mythology, religion and storytelling - is coinciding with ourability to actually build some of these entities.

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This handbook offers detailed descriptions of EU competition law, including mergers and public authorities. Above all, it analyzes and discusses recent decisions of the ECJ and the General Court. Presenting systematically structured and theoretically founded content, the book also includes recommendations for practitioners. Special attention is paid to the scope of penalties and the influence on fundamental rights. Rounding out the book, the conflict between safeguarding confidential information and the effectiveness of private and public enforcement is discussed intensively in the context of the new Directive 2014/104/EU.

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If the River is Hidden charts the journey of two writers from the source to the mouth of the Bann, Northern Ireland’s longest river. Through a dialogue of prose and poetry the history, landscape and divisions that have come to define the North are explored and challenged. With backgrounds from each side of the sectarian divide, theirs is a journey of uncovering a sense of place and of searching for meaning; a reshaping of the authors' own memories, experiences and expectations. For like the river, it is not just what is visible, but what is hidden, that comes to define us.

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The role of universities is not only restricted to knowledge exchange, higher education institutions also play a leading role in the development of society, and should engage as active members of their local communities. This book provides empirical evidence on how some universities have shifted social responsibility to be one of their primary focuses, and have engaged with society to enhance their values. The authors present international case studies, from Indonesia to the UK, that examine community engagement, inequality, university-corporate partnerships, philanthropy, and sustainable futures, among other important topics.

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A handsomely designed overview of Chan’s acclaimed Badlands imprint and his latest sculptural series exploring the metaphor of the “breather” This volume surveys Paul Chan’s publications and works made between 2010 and 2022 following his return to artmaking. The exhibition takes as its organizing principle the notion of the “breather,” a word that can signify a moment of rest or pause but can also reference a purposeful redirection toward other activities. Chan’s turn to publishing through the founding of his independent press Badlands Unlimited represented a type of “breather.” Badlands for Chan embodied a radical break that seeded new ideas and ways of working. The term is also what Chan titles a recent major body of work. Breathers is an ongoing series of pneumatic sculptures and installations that he considers a new genre of moving-image works. Tacitly and overtly, the metaphor of the “breather” underscores each of the works in the Walker Art Center exhibition, which, with the artist’s input, is conceived in four sections. The exhibition catalog includes scholarly contributions by Chan; Pavel Pys, Curator of Visual Arts at the Walker Art Center; and Vic Brooks, Senior Curator of Time-based Visual Art at Experimental Media and Performing Arts Center Rensselaer Polytechnic Institute (EMPAC). Paul Chan (born 1973) is an artist, writer and publisher who lives in New York. Chan is the winner of the Hugo Boss Prize in 2014, a biennial award honoring artists who have made visionary contributions to contemporary art. Chan founded the independent press Badlands Unlimited in 2010. Badlands has published over 50 books, including the works of Yvonne Rainer, Calvin Tomkins, Lynne Tillman, Hans Ulrich Obrist, Carroll Dunham, Claudia La Rocco, Dread Scott, Martine Syms, Craig Owens, Petra Cortright, Cauleen Smith, Ian Cheng, Rachel Rose, Aruna D’Souza and many others.

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Top 4 Finalist for the Best New Cocktail or Bartending Book in Tales of the Cocktail Foundation's 17th Annual Spirited Awards.This updated edition contains more than 400 classic and contemporary craft cocktail recipes, paired with exceptional writing and the authoritative voice of The New York Times.Cocktail hour is one of America’s most popular pastimes and a favorite way to entertain. What better place to find the secrets of craft cocktails than The New York Times? Steve Reddicliffe, the “Quiet Drink” columnist for The Times, brings his signature voice and expertise to this collection of delicious recipes from bartenders from around the world, with a special emphasis on New York City.This informative guide includes: Classics such as the Martini, Manhattan, Old Fashioned, and Negroni, served both straight up and with modern twists New imaginative favorites inspired by the craft-distilling boom Auxiliary recipes for signature ingredients, including brandied cherries and brown-butter bourbon, plus recipes for cordials, shrubs, bitters, and more New chapters on non-alcoholic drinks, bourbon cocktails, and vermouth cocktails A complete guide to home entertaining, setting up your personal bar, and how to build your own cocktail encyclopedia Engaging essays from the biggest names in cocktail writing Original interviews with ten bartenders and spirits professionals, including Ivy Mix of Leyenda in Brooklyn, Sother Teague of Amor y Amargo in Manhattan, and Victoria Eady Butler, master blender of Uncle Nearest bourbon Reddicliffe has carefully curated this essential collection, with memorable writing from famed New York Times journalists like Craig Claiborne, Toby Cecchini, Eric Asimov, Rosie Schaap, Robert Simonson, Melissa Clark, William L. Hamilton, Jonathan Miles, Amanda Hesser, William Grimes, and many more. Discover over 400 recipes and the wit and wisdom of decades of this venerable paper’s best cocktail coverage.

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In her performances, videos, and installations, Sharon Hayes (b. 1970) explores the nexus between politics, history, speech, and desire. Her works modify or appropriate the language and tools of political dissent, creating unexpected affinities between important historical events and the present. Highlighted in this volume is the video installation Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2003)—a work in which Hayes memorized the famous taped speeches by Patty Hearst and her kidnappers, the leftist radical group the Symbionese Liberation Army, and then reads them to an audience who corrects her mistakes. It is in these slippages between memory and history that the meaning of Hayes's work resides. This book also includes a group of new site-specific works that addresses the Whitney's role in the historic development of process-based, performative art and its engagement with politics that took place in the late 1960s and early 1970s.This book serves as document of Hayes’s thinking process, featuring original contributions from Hayes and some two-dozen other writers, artists, and activists, which provide insight into the motivations and development of her projects. The catalogue includes images carefully selected by the artist—photographs, vinyl LP covers, fliers, images of Hayes’s own work—and a short text response by each of the contributors. Contributors include: Dennis Adams, Lauren Berlant, Saramina Berman, Claire Bishop, Juli Carson, Kabir Carter, Christhian Diaz, Saeed Taji Farouky, Malik Gaines, Andrea Geyer, Leah Gilliam, Michela Griffo, Sharon Hayes, Holly Hughes, Chrissie Iles, Iman Issa, Hans Kuzmich, Cristobal Lehyt, Ralph Lemon, Brooke O’Harra, Jenni Olson, Dean Spade, Lynne Tillman, What, How & For Whom/WHW, Craig Willse.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art(06/21/12–09/09/12)

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State and Local Retirement Plans in the United States explains how economic and political events have shaped the development of pension plans in the last century, and it argues that changes in the structure and generosity of these plans will continue to shape policy and funding in the future. It also brings to bear a new rationale to the policies behind public sector pension plans. The authors use the history of how early public pension plans were established, how they matured and how they have grown in generosity to analyse what changes may be expected in years to come. Unique in its scope, this comprehensive history of the development of public sector pension plans in the United States during the twentieth century expands upon current ideas relating to the changing economic environment, the passage and evolution of social security and the expansion of the public sector. With the exception of military pension plans, which date from the eighteenth century, the first public sector plans, dating from the late nineteenth century, were established to cover teachers, police officers and firefighters in large cities. Over time, these retirement plans were extended to other public sector workers and the local plans were often merged with plans for state workers; all of these date from the twentieth century. Here, the authors show just how pension coverage for public sector workers expanded steadily, through the first half of the twentieth century, so that by the 1960s the vast majority of public sector workers were covered by a plan. This analysis demonstrates how economic events and shifts in public policy at the federal, state and local levels helped to shape public sector retirement plans. The authors also compare public plans with private sector plans, and the final chapter focuses on recent changes in public pensions in response to the `Great Recession', concurrent sharp declines in equity markets and the aging of the public workforce. Scholars and students of economics, history and public policy, public administrators, policymakers and all those with an interest in policy development will find the analyses discussed and conclusions drawn here of significance.

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During the nineteenth century, the United States entered the ranks of the world's most advanced and dynamic economies. At the same time, the nation sustained an expansive and brutal system of human bondage. This was no mere coincidence. Slavery's Capitalism argues for slavery's centrality to the emergence of American capitalism in the decades between the Revolution and the Civil War. According to editors Sven Beckert and Seth Rockman, the issue is not whether slavery itself was or was not capitalist but, rather, the impossibility of understanding the nation's spectacular pattern of economic development without situating slavery front and center. American capitalism—renowned for its celebration of market competition, private property, and the self-made man—has its origins in an American slavery predicated on the abhorrent notion that human beings could be legally owned and compelled to work under force of violence. Drawing on the expertise of sixteen scholars who are at the forefront of rewriting the history of American economic development, Slavery's Capitalism identifies slavery as the primary force driving key innovations in entrepreneurship, finance, accounting, management, and political economy that are too often attributed to the so-called free market. Approaching the study of slavery as the originating catalyst for the Industrial Revolution and modern capitalism casts new light on American credit markets, practices of offshore investment, and understandings of human capital. Rather than seeing slavery as outside the institutional structures of capitalism, the essayists recover slavery's importance to the American economic past and prompt enduring questions about the relationship of market freedom to human freedom. Contributors: Edward E. Baptist, Sven Beckert, Daina Ramey Berry, Kathryn Boodry, Alfred L. Brophy, Stephen Chambers, Eric Kimball, John Majewski, Bonnie Martin, Seth Rockman, Daniel B. Rood, Caitlin Rosenthal, Joshua D. Rothman, Calvin Schermerhorn, Andrew Shankman, Craig Steven Wilder.

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Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

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This book draws on the contributions of a range of international experts to consider the current archival landscape and imagine the archive of the future. Firmly rooted in current professional debate and scholarship, Archival Futures offers thought provoking and accessible chapters that aim to challenge and inspire archivists globally and to encourage debate about their futures. It is widely acknowledged that the archive profession/discipline is facing a time of change. The digital world has presented changes in how records are created, used, stored and communicated. At the same time, there is increased public debate over issues such as ownership of and access to information and its authenticity and reliability in a networked and interconnected world. On a practical level archivists are being asked to do more, to have a greater range of skills, often with increasingly restricted resources while competing with others to maintain their role as experts in ever changing environments. Exploring the potential impact of these changes is timely. Such reflections will provide the opportunity to consider the archivists’ purpose and role, discuss the practical impact of change on skills and functions and to articulate what can be contributed to a mid 21 century world. The contributors, Kate Theimer, Luciana Duranti, Victoria Lemieux, Geoffrey Yeo, Jenny Bunn, Sonia Ranade, Barbara Reed, Gillian Oliver, Frank Upward, Joanne Evans, Michael Moss, David Thomas and Craig Gauld cover: the role of archives in relation to individuals, organisations, communities and society how appraisal, arrangement, description and access might be affected in the future the impact of changing societal expectations in terms of access to information, how information is exchanged, and how things are recorded and remembered the place of traditional archives and what ‘the archive’ is or might become competition or opportunity offered by other information, cultural or IT related professions and the future role of the archive profession truth and post-truth: archives as authentic and reliable evidence This book will appeal to an international audience of students, academics and practitioners in archival science, records management, and library and information science.

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Marine biologist Hebe Harrison has vanished from the timelines and the Doctor and Mel must find a way of getting their new friend back! But little do they realise what perils lie ahead - or who stands against them... 1. Broadway Belongs to Me! by Matthew Sweet. The Doctor and Mel begin their search for Hebe in 1930s New York, where history is taking a dark turn all of its own. On Broadway, they discover a genuine aberration of the timestreams: Behold America! - a hot shoe show set in a future Fascist United States. Starring Melanie Bush. Opening tonight... 2. Purification by Chris Chapman. The Doctor and Mel follow the trail to a port in New Zealand, 1910. A ship is being prepared for a journey to Antarctica and the Doctor realises that this is Captain Scott's Terra Nova expedition. But this is merely the beginning of an intricate scheme to rewrite the future of humanity. 3. Time-Burst by Ian Potter. Tracking the anomaly that erased Hebe from history, the Doctor and Mel find an instability in Sheffield, 1864. Who is Mrs Virtue, the mysterious owner of the new steelworks? And can the Doctor untwist history before a natural disaster washes them all away...? CAST: Colin Baker (The Doctor), Bonnie Langford (Melanie Bush), Ruth Madeley (Hebe Harrison), Imogen Stubbs (Patricia McBride/Time-Suit), Rosalie Craig (Frances Drouet), Sophie-Louise Dann (Lydia Putti), Graham Vick (Julian Arnstein), Nicholas Pegg (Karel Lombard / Chorus Boy), Sam Stafford (Stagehand (Billy) / Bystander), Leah Brotherhead (Elizabeth Rodden / Martha Curtis), Jonny Weldon (Thomas Rodden), Greig Johnson (Jasper Woodward / Harbour Master), Luke R Francis (Patrick), Billie Fulford-Brown (Mary), Connor Williams (Colton), George Bukhari (Security), Martin O'Neill (Arthur Lee). Other parts played by members of the cast.

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The Lightning Thief: the first book in Rick Riordan's Percy Jackson series.Look, I didn't want to be a half-blood. I never asked to be the son of a Greek god. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends and generally trying to stay alive. This is the one where Zeus, God of the Sky, thinks I've stolen his lightning bolt - and making Zeus angry is a very bad idea . . .Rick Riordan has now sold an incredible 55 million copies of his books worldwidePraise for the Percy Jackson series:'Witty and inspired. Gripping, touching and deliciously satirical...This is most likely to succeed Rowling. Puffin is on to a winner' - Amanda Craig, The Times'Puns, jokes and subtle wit, alongside a gripping storyline' - Telegraph'Perfectly paced, with electrifying moments chasing each other like heartbeats' - New York TimesRick Riordan is an award-winning mystery writer. For the past fifteen years he has taught at middle schools in the San Francisco Bay area and in Texas. Rick lives in San Antonio, Texas, with his wife and two sons. Percy Jackson and the Lightning Thief, the overall winner of the Red House Children's Book Award, was Rick's first novel featuring the heroic young demigod.The Percy Jackson series:The Lightning Thief; The Sea of Monsters; The Battle of the Labyrinth; The Titan's Curse; The Last Olympian Heroes of Olympus:The Lost Hero; The Son of Neptune; The Mark of AthenaThe Kane Chronicles:The Red Pyramid; The Throne of Fire; The Serpent's Shadow

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Comprehensive overview of the theoretical, conceptual, and applied/practical presentations of action research as it is found and conducted solely in educational settings The Wiley Handbook of Action Research in Education is the first book to offer theoretical, conceptual, and applied/practical presentations of action research as it is found and conducted solely in educational settings. Covering primarily PK-12 educational settings, the book utilizes a cross-section of international authors and presentations to provide global perspectives on action research in education. Part I of The Wiley Handbook of Action Research in Education focuses on various foundational aspects and issues related to action research. Part II is centered on chapters that present theories and principles that help to guide the use of action research in educational contexts. Part III focuses on specific applications of educational action research in practice. Part IV provides an outlet for seven educational practitioners to share their experiences in conducting action research. Each of these authors also discusses the importance and value that action research has had on him or her, both professionally and personally. Discuss action research in PK-12, as well as in higher education settings The first book to focus on the importance and application of action research exclusively in educational settings Offers world perspectives on action research in education Written by a team of international scholars The Wiley Handbook of Action Research in Education is an excellent book for advanced undergraduate students, graduate students, and scholars studying and/or researching educational action research.

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The White Stripes Complete Lyrics is a deluxe new 300+ page hardbound book documenting all of Jack White’s original words written for the 6x Grammy Award-winning duo he and Meg White formed in 1997 through the release of their final album in 2007. The first-time-ever lyric collection also features never-before-seen and rare rough drafts, alternate lyrics, and photographs, alongside exclusive essays by Hanif Abdurraqib, Ben Blackwell, and Caroline Randall Williams.Here’s some facts you may or may not know about the White Stripes: They are quite possibly the youngest band to have opened for both the Rolling Stones and the Pretty Things. They have won six Grammy Awards. They have appeared on the Late Late Show with Craig Kilborn, the Daily Show with John Stewart, The Late Show with David Letterman, Charlie Rose, Late Night with Conan O’Brien and Detroit PBS Backstage Pass. They have released two films, both of which feature the words “under” and “lights” in the title. They are almost certainly the only band to have ever played shows with Loretta Lynn, the Stooges, Porter Wagoner, Whirlwind Heat and Sleater-Kinney. All six of their albums have at least one song with the word “little” in the title. They have performed in Iqaluit, Canada; Talinn, Estonia and Toledo, Ohio. Jack and Meg White appeared in Jim Jarmusch's film Coffee and Cigarettes. Several songs by the White Stripes are featured in the first season of the television series Peaky Blinders. The Academy Award-winning movie, The Social Network featured "Ball and Biscuit" in the opening scene. The band also appeared as themselves in The Simpsons episode "Jazzy and the Pussycats." The song "Apple Blossom" was featured in the Quentin Tarantino film The Hateful Eight. Wayne McGregor used music by the White Stripes for his production Chroma, a piece he created for The Royal Ballet in London, England.

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A comprehensive overview of the field of comparative administrative law that builds on the first edition with many new and revised chapters, additional topics and extended geographical coverage. This research handbook s broad, multi-method approach combines history and social science with more strictly legal analyses. This new edition demonstrates the growth and dynamism of recent efforts - spearheaded by the first edition - to stimulate comparative research in administrative law and public law more generally, reaching across different countries and scholarly disciplines.A particular focus is on administrative independence with its manifold implications for separation of powers, democratic self-government, and the boundary between law, politics, and policy. Several chapters highlight the tensions between impartial expertise and public accountability; others consider administrative litigation and the role of the courts in reviewing both individual decisions and secondary norms. The book concludes by asking how administrative law is shaping and is being shaped by the changing boundaries of the state, especially shifting boundaries between the public and the private, and the national and the supranational domains.This extensive and interdisciplinary appraisal of the field will be a vital resource for scholars and students of administrative and comparative law worldwide, and for public officials and representatives of interest groups engaged with government policy implementation and regulation. Contributors: B. Ackerman, A. Alemanno, M. Asimow, J.-B. Auby, D. Barek-Erez, J. Barnes, P. Cane, P. Craig, D. Custos, M. D'Alberti, L.A. Dickinson, C. Donnelly, Y. Dotan, B. Emerson, T. Ginsburg, D. Halberstam, H.C.H. Hofmann, G.B. Hola, C.-Y. Huang, N. Kadomatsu, K. Kovács, P. Lindseth, M.E. Magill, J. Mashaw, J. Massot, J. Mathews, J. Mendes, G. Napolitano, D.R. Ortiz, T. Perroud, M.M. Prado, A. Psygkas, V.V. Ramraj, D.R. Reiss, S. Rose-Ackerman, M. Ruffert, J. Saurer, K.L. Scheppele, J.-P. Schneider, M. Shapiro, B. Sordi, L. Sossin, P. Strauss, A.K. Thiruvengadam, A. Vosskuhle, J.B. Wiener, T. Wischmeyer, J.-r. Yeh

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Many people first encounter Hawai‘i through the imagination—a postcard picture of hula girls, lu‘aus, and plenty of sun, surf, and sea. While Hawai‘i is indeed beautiful, Native Hawaiians struggle with the problems brought about by colonialism, military occupation, tourism, food insecurity, high costs of living, and climate change. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i's culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech

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Elizabeth Bishop is one of the greatest poets of the 20th century. When she died in 1979, she had only published four collections, yet had won virtually every major American literary award, including the Pulitzer Prize. She maintained close friendships with poets such as Marianne Moore and Robert Lowell, and her work has always been highly regarded by other writers. In surveys of British poets carried out in 1984 and 1994 she emerged as a surprising major choice or influence for many, from Andrew Motion and Craig Raine to Kathleen Jamie and Lavinia Greenlaw. A virtual orphan from an early age, Elizabeth Bishop was brought up by relatives in New England and Nova Scotia. The tragic circumstances of her life - from alcoholism to repeated experiences of loss in her relationships with women - nourished an outsider's poetry notable both for its reticence and tentativeness. She once described a feeling that 'everything is interstitial' and reminds us in her poetry - in a way that is both radical and subdued - that understanding is at best provisional and that most vision is peripheral. Since her death, a definitive edition of Elizabeth Bishop's "Complete Poems" (1983) has been published, along with "The Collected Prose" (1984), her letters in "One Art" (1994), her paintings in "Exchanging Hats" (1996) and Brett C. Millier's important biography (1993). In America, there have been numerous critical studies and books of academic essays, but in Britain only studies by Victoria Harrison (1995) and Anne Stevenson (1998) have done anything to raise Bishop's critical profile. "Elizabeth Bishop: Poet of the Periphery" was the first collection of essays on Bishop to be published in Britain, and draws on work presented at the first UK Elizabeth Bishop conference, held at Newcastle University. It brings together papers by both academic critics and leading poets, including Michael Donaghy, Vicki Feaver, Jamie McKendrick, Deryn Rees-Jones and Anne Stevenson. Academic contributors include Professor Barbara Page of Vassar College, home of the Elizabeth Bishop Papers.

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Capital DJ Roman Kemp has achieved much success but he hasn’t had an easy ride. He’s battled depression since the age of 15, once contemplated suicide, and has bravely fought to smash the stigma still surrounding medication and mental health. The lifelong Arsenal supporter grafted his way to Capital’s highly coveted Breakfast slot - and pulled in record-beating listeners with his cheeky sense of humour. Who else could convince Ed Sheeran to tattoo Roman’s leg on air, drive around London playing cab-roulette with James Corden, get Craig David to freestyle rap, or rope Lewis Capaldi into a life-drawing class? Then, in 2019, Roman won over yet more fans coming third in I’m A Celebrity Get Me Out Of Here, with his uncanny impressions of everyone from Ant and Dec to his mate Harry Styles. Here, for the first time, Roman’s ready to reveal the things that weren't captured on camera, and how his time in the jungle changed his whole outlook on life. During the pandemic Roman’s life changed when his best friend - the producer who’d nurtured his career every step of the way - tragically took his own life. Amidst the shock, loss and confusion, Roman bravely made a moving BBC3 documentary about the alarming rates of suicide amongst young males. He’s well aware he too, could have been a statistic. In this page-turning book - peppered with hilarious and surprising anecdotes from his youth - Roman also unflinchingly tackles the taboo of suicide, in the hope that by talking about his own struggles and sharing advice, he can help others. Roman shares all the experiences that have shaped him, and why love, marriage and having his own family one day are so important to his future dreams.

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In-depth case-studies of significant aspects of early twentieth-century English music-theatre, which engage with notions of Englishness and the idea of a 'musical renaissance' Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) andon the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage isHonorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.

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'Headland veers into the gothic realm that is visited by the best Australian fiction that dares to go somewhere dark and unfathomable . . . It's a cracker.' - Sydney Morning HeraldThe small beachside town of Gloster is on the edge of disaster. After constant rain, floodwaters are rising fast.Detective Constable Craig Watson, exiled to Gloster from Sydney, is a young man with a damaged past and an uncertain future.Constables Ellie Cameron and Larissa Brookes are young women struggling to show their worth as police officers under a misogynistic sergeant.The drowning town holds a secret that someone is prepared to murder for, and as the floodwaters cut Gloster off from the world the three young police officers begin to understand that it's not just them left stranded. Somewhere out there in the floodwaters is a killer. And he needs them dead.Taut, compelling and visceral, John Byrnes' Headland announces a major new voice in Australian crime fiction.'Following in the footsteps of Jane Harper and Chris Hammer . . . Byrnes does a fantastic job of turning the relentless downpour into a constant threat. This thriller is a pacy and compelling debut.' - Books+Publishing'This has all the ingredients of a classic rural noir, but dialled up to 11 . . . all the elements come together for a final, thrilling, climax, as resolution and redemption are delivered . . . a page-turner' - Newcastle Herald'[Headland] takes readers on a dark and captivating journey . . .blends realistic action scenes and bleak character moments with a clever mystery.With this impressive debut, Byrnes has set himself up as an exciting and distinctive new Australian crime fiction talent who has a very bright future. Headland is an outstanding read and is highly recommended.' -Canberra Weekly'a propulsive, lean and gritty crime thriller from a distinct new voice in Australian crime writing . . .Crisp and economical prose means Headlandwon't gather much dust on your nightstand. It's relentlessly paced, and no-holds-barred.' Simon McDonald, Diary of a Bookseller

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'This book fills a gap in IP law. There are many publications on substantive and procedural law in IP litigation. But it was impossible to find a book that addresses the role of the judiciary in IP like this one does. It provides unique insights into the matter from a variety of angles. It brings together editors and authors from the bench, the bar and academia coming from all over Europe, the US and Japan. This book is a must-have for everyone who has an interest in international IP litigation.'- Klaus Grabinski, Justice, Federal Court of Justice (Bundesgerichtshof), Germany'This volume makes an important contribution to our understanding of the contours of intellectual property protection through a critical examination of the global trend to adjudicate IP disputes in specialized courts. The editors have assembled an extraordinary group of scholars, practitioners and judges to compare their experiences with various adjudicatory structures.'- Rochelle Dreyfuss, New York University, School of Law, USIntellectual Property and the Judiciary examines the role of judges in the development, interpretation, and application of intellectual property (IP) law and norms. In this regard, the authors engage in a comparative analysis of various national, European and international court systems while also exploring the competing and complementary roles of legislators and executive actors. Each chapter seeks to capture the comparative institutional advantages of government bodies within existing legal frameworks as well as offering a thorough examination of both the common law and civil law traditions in the context of judicial treatment of IP. The result is a series of proposals relating to the architecture of judiciaries and the functional role of judges with the goal of optimally positioning jurists to address complex issues and advance IP doctrine and policy. Featuring high-level authors from both academia and practice, the book will be of great interest to academic researchers and practicing lawyers who have a focus on IP. It will be of particular value to those who are engaged in the rapidly changing enforcement environment of intellectual property rights.Contributors include: V. Cassiers, M. Ekvad, S. Frankel, C. Geiger, D. Gervais, S. Granata, J. Griffiths, E. Izyumenko, T. Kandeva, S. Lugienbuehl, B. Lynn, S. Martin, C. Mulder, M.O. Müller, C. Nard, K. O'Malley, C.S. Petersen, A. Plomer, J. Schovsbo, X. Seuba, A. Strowel, T. Takenaka, A. von Mühlendahl, G. Würtenberger, P. Yu

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This introductory textbook presents Christian philosophical and theological approaches to ethics. Combining their expertise in philosophy and theology, the authors explain the beliefs, values, and practices of various Christian ethical viewpoints, addressing biblical teachings as well as traditional ethical theories that contribute to informed moral decision-making. Each chapter begins with Words to Watch and includes a relevant case study on a vexing ethical issue, such as caring for the environment, human sexuality, abortion, capital punishment, war, and euthanasia. End-of-chapter reflection questions, illustrations, and additional information tables are also included.

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When Aldine originally published this book in 1969, the emerging multidisciplinary field of alcohol studies was dominated by biology, chemistry, physiology, and other 'hard sciences.' As such, writes Dwight Heath in his new foreword, the work challenged the prevailing wisdom in the authors’ use of historical, ethnographic, and cross-cultural data and their analysis of drinking behavior as an anthropological and sociocultural phenomenon. From the Foreword to the Percheron Press Edition: '[O]ne of only a few books that can truly be said to have had a major impact on our understanding of alcohol use and its outcomes.'

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A Washington Post Best Book of 2021 ​The #1 New York Times bestselling investigative story of how three successive presidents and their military commanders deceived the public year after year about America’s longest war, foreshadowing the Taliban’s recapture of Afghanistan, by Washington Post reporter and three-time Pulitzer Prize finalist Craig Whitlock.Unlike the wars in Vietnam and Iraq, the US invasion of Afghanistan in 2001 had near-unanimous public support. At first, the goals were straightforward and clear: defeat al-Qaeda and prevent a repeat of 9/11. Yet soon after the United States and its allies removed the Taliban from power, the mission veered off course and US officials lost sight of their original objectives. Distracted by the war in Iraq, the US military become mired in an unwinnable guerrilla conflict in a country it did not understand. But no president wanted to admit failure, especially in a war that began as a just cause. Instead, the Bush, Obama, and Trump administrations sent more and more troops to Afghanistan and repeatedly said they were making progress, even though they knew there was no realistic prospect for an outright victory. Just as the Pentagon Papers changed the public’s understanding of Vietnam, The Afghanistan Papers contains “fast-paced and vivid” (The New York Times Book Review) revelation after revelation from people who played a direct role in the war from leaders in the White House and the Pentagon to soldiers and aid workers on the front lines. In unvarnished language, they admit that the US government’s strategies were a mess, that the nation-building project was a colossal failure, and that drugs and corruption gained a stranglehold over their allies in the Afghan government. All told, the account is based on interviews with more than 1,000 people who knew that the US government was presenting a distorted, and sometimes entirely fabricated, version of the facts on the ground. Documents unearthed by The Washington Post reveal that President Bush didn’t know the name of his Afghanistan war commander—and didn’t want to meet with him. Secretary of Defense Donald Rumsfeld admitted that he had “no visibility into who the bad guys are.” His successor, Robert Gates, said: “We didn’t know jack shit about al-Qaeda.” The Afghanistan Papers is a “searing indictment of the deceit, blunders, and hubris of senior military and civilian officials” (Tom Bowman, NRP Pentagon Correspondent) that will supercharge a long-overdue reckoning over what went wrong and forever change the way the conflict is remembered.

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Scores are dead or injured. But who was the killer’s true target?On a misty morning in the Lake District, two men depart by helicopter from a private estate. Below, they see the stunning views of Wast Water, with Scafell Pike ahead, where fell runners are competing atop England’s highest mountain. It’s at this moment that the pilots lose control, and crash into the mountain top. Runners and bystanders are caught in the devastation.This is the scene that greets DI Kelly Porter. She attempts to coordinate the rescue efforts, though it’s clear many won’t make it, including occupants of the helicopter. Three are dead, and the fourth is badly injured. When it emerges that the survivor is none other than the Right Honourable Lord Donald Reilly, and the person who chartered the flight was notorious billionaire Bartholomew Kennedy-Craig, the media frenzy is intense. Reilly is high up in government, and his contact with the magnate provokes speculation.When it is learned that the helicopter had been tampered with, Kelly and her team can’t afford to make a single mistake. Who was the intended victim, and why? With the scrutiny of the government, the public and the press on her, just how confident can she be that the trail of evidence is leading her to the right conclusion?Don’t miss the stunning return of DI Kelly Porter in this tenth instalment from million copy bestseller Rachel Lynch. A must-read for fans of Angela Marsons, Patricia Gibney and L. J. Ross. Praise for Sudden Death ‘A great mix of mystery, intrigue and murder made me keep turning the pages as quick as I could. I just love the style of Rachel Lynch’s writing, keeps me hooked from the first page. I 100% recommend this book and author.’ ⭐⭐⭐⭐⭐ Reader review‘Sudden Death is another excellent instalment in the series. So well written that you feel completely immersed… At times I had to remember to breathe!’ ⭐⭐⭐⭐⭐ Reader review‘This was an exciting police procedural that as always left me waiting for the next instalment.’ ⭐⭐⭐⭐⭐ Reader review‘I love the beautiful and dramatic Lake District settings featured in these novels, and as usual really enjoyed Rachel Lynch's plotting and writing style.’ ⭐⭐⭐⭐⭐ Reader review‘Amazing jaw dropping book… the action starts right on the very first page…’ ⭐⭐⭐⭐⭐ Reader review‘This series gets better with each new book. I can't wait to read more.’ ⭐⭐⭐⭐⭐ Reader review‘I absolutely love this series and couldn’t wait to start reading this and it didn’t disappoint.’ ⭐⭐⭐⭐⭐ Reader review‘An out and out belter of a read… kept me gripped throughout. This is a series that I have loved from book one… the brilliant writing of Rachel Lynch never ceases to keep me glued to my Kindle.’ ⭐⭐⭐⭐⭐ Reader review‘Great writing and premise. Amazing characters. Page turner. Plenty of suspense to keep you guessing...’ ⭐⭐⭐⭐⭐ Reader review‘The Kelly Porter series is one of my favourite crime series. A cracking, intriguing crime mystery, brilliant characters, and the perfect setting.’ ⭐⭐⭐⭐⭐ Reader review‘A page turner from the start. This is an excellent series, each new storyline is welcomed, and, once again, I happily highly recommend it.’ ⭐⭐⭐⭐⭐ Reader review‘A cracking good read. This series is a favourite of mine and never fails to deliver a proper unputdownable read.’ ⭐⭐⭐⭐⭐ Reader review

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Mockumentary is now an established part of the spectrum of television styles, with both deep roots in television history and a key part of innovations in the sitcom genre since the 1990s. Tracing the development of mockumentary series within the broader history of traditions of satire, drama and nonfiction programming, the author uses detailed discussions of popular and innovative television series from Britain, the United States, Canada, Ireland, Australia, and New Zealand.This is the first detailed study of the rich vein of mockumentary television programmes, covering series such as The Larry Sanders Show, The Daily Show, and the British and American versions of The Office to discuss how producers have experimented with mockumentary as a distinctive approach to storytelling.

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Solutions for negotiating one of life's most difficult events Healthy Divorce is a very valuable book, containing practicalanswers to difficult questions. --Dan Kiley, author of The Peter Pan Syndrome and The WAndyDilemma The authors have devoted their careers to counseling divorcingfamilies. In this encouraging book, they outline the fourteenstages of divorces and offer families practical advice andsolutions for negotiating one of life's most difficult events. Withsensitivity and sensibility they explain how to recognize thedifferent stages of the divorce; what to expect during each phase;and how to deal with the predictable patterns of the divorceprocess. Healthy Divorce explores ways of confronting such tough issues ashow to tell your children you're getting a divorce; how to plan aseparation; and how to cope with your feelings of anger, grief, andabandonment. The authors offer practical advice on using mediationas an alternative to the adversarial court battle; co-parenting tomaintain stability for the children after the divorce; andorganizing and structuring a happy blAnded family.

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Why is America so rich and powerful? The answer lies in our genes, according to psychologist John Gartner.Hypomania, a genetically based mild form of mania, endows many of us with unusual energy, creativity, enthusiasm, and a propensity for taking risks. America has an extraordinarily high number of hypomanics—grandiose types who leap on every wacky idea that occurs to them, utterly convinced it will change the world. Market bubbles and ill-considered messianic crusades can be the downside. But there is an enormous upside in terms of spectacular entrepreneurial zeal, drive for innovation, and material success. Americans may have a lot of crazy ideas, but some of them lead to brilliant inventions. Why is America so hypomanic? It is populated primarily by immigrants. This self-selection process is the boldest natural experiment ever conducted. Those who had the will, optimism, and daring to take the leap into the unknown have passed those traits on to their descendants. Bringing his audacious and persuasive thesis to life, Gartner offers case histories of some famous Americans who represent this phenomenon of hypomania. These are the real stories you never learned in school about some of those men who made America: Columbus, who discovered the continent, thought he was the messiah. John Winthrop, who settled and defined it, believed Americans were God’s new chosen people. Alexander Hamilton, the indispensable founder who envisioned America’s economic future, self-destructed because of pride and impulsive behavior. Andrew Carnegie, who began America's industrial revolution, was sure that he was destined personally to speed up human evolution and bring world peace. The Mayer and Selznick families helped create the peculiarly American art form of the Hollywood film, but familial bipolar disorders led to the fall of their empires. Craig Venter decoded the human genome, yet his arrogance made him despised by most of his scientific colleagues, even as he spurred them on to make great discoveries. While these men are extraordinary examples, Gartner argues that many Americans have inherited the genes that have made them the most successful citizens in the world.

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'What makes a great player? He's the one who brings out the best in others. When I am saying that I’m talking about Billy McNeill.' JOCK STEIN A unique tribute to Celtic's greatest ever player to mark the 60th anniversary of his first appearance for the club. Billy McNeill is the greatest Celt of all time. He spent his entire playing career at the Glasgow giants and made 790 appearances between 1958 and 1975, winning the European Cup, nine Scottish League Championships, seven Scottish Cups and six League Cups in a glittering career. And it all started on 23rd August 1958 when Billy McNeill made his Celtic debut. Billy McNeill's breathtaking journey through the beautiful game is charted here from his debut against Clyde through the momentous years as player and manager, the highs, the lows, the triumphs, the tears. Sixty years on from his debut, this unique book celebrates the astonishing life and times of one of world football’s best-loved personalities with tributes from many greats of the game. Celtic chief executive Peter Lawwell pays his own special tribute to the Parkhead hero along with a Who's Who of the game's royalty. They share their unforgettable experiences and wonderful memories of playing with and against Billy McNeill, one of football's most respected and well-loved men, and talk about him both as a world-renowned footballer and as a genuinely much-admired figure. Packed full of anecdotes and tributes, In Praise of Caesar is a must-read for all Billy McNeill and Celtic fans, and football supporters everywhere. Contributions from: Brendan Rodgers, Sir Alex Ferguson, Sir Kenny Dalglish, Denis Law, Mike Jackson, Steve Archibald, Gordon Strachan, Danny McGrain, Roy Aitken, Paul McStay, Davie Hay, Charlie Nicholas, Frank McAvennie, Pat Bonner, Alex McLeish, Davie Provan, and not forgetting Lisbon Lions Bertie Auld, John Clark, Jim Craig, Bobby Lennox and Willie Wallace.

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities. Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar

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Torchwood are on the run. As the world puts itself back together, Torchwood are there to pick up the pieces. And they find something nasty hiding in them. A housing estate where everyone's gone mad, an industrial estate interrogation facility, a lighthouse in Iceland, the comments section of a newspaper. Trouble is everywhere. And so are Torchwood. 7.1 Aliens Next Door by Ash Darby. Mrs Betty Clerihew has an exciting secret in her spare room. Torchwood are hiding out there, watching the comings and goings of her estate. Apparently, monsters are living on the cul-de-sac. 7.2 Colin Alone by Una McCormack. Colin Colchester-Price has been left behind. But he's kept calm and he's carried on. He knows his husband is out there, saving the world for Torchwood. And he'll comeback for him. One day. Soon. Surely. 7.3 Misty Eyes by Tim Foley Gwen Cooper and Rhys Williams have made a new life for themselves in Iceland. Away from death and aliens and horror and Torchwood. Until there's a knock on the door from the last person they want to see. 7.4 Moderation by James Goss. Tyler Steele has a job moderating the comments section of a website. His old friend Petra is a star reporter for the newspaper. And Tyler realises the newspaper is going to kill her. CAST: Eve Myles (Gwen Cooper), Kai Owen (Rhys Williams), Samantha Béart (Orr), Paul Clayton (Mr Colchester), Jonny Green (Tyler Steele), Alexandria Riley (Ng), Helena Breck (Mrs Penis-Implant / Supermarket Employee / Mum), Silas Carson (Barry Beans), Rosalie Craig (Sophie), Barnaby Edwards (Noel), Mark Elstob (Policeman / Gammon), Raj Ghatak (Hakan), Lowri Gwynne (Colleague), Mia Hope (The Child), Sandra Huggett (Mira), Chris Jarman (Jeff), Melanie Kilburn (Betty), Daniel Llewellyn-Williams (Heggsy), Luke Nunn (Bank Employee / Charlie), Nicholas Nunn (Kieran), Maya Saroya (Petra Malik), Joplin Sibtain (Colin), Sam Stafford (Mr Penis-Implant / Building Manager / Brin). Other parts played by members of the cast.

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A comprehensive overview of the field of comparative administrative law that builds on the first edition with many new and revised chapters, additional topics and extended geographical coverage. This research handbook s broad, multi-method approach combines history and social science with more strictly legal analyses. This new edition demonstrates the growth and dynamism of recent efforts - spearheaded by the first edition - to stimulate comparative research in administrative law and public law more generally, reaching across different countries and scholarly disciplines.A particular focus is on administrative independence with its manifold implications for separation of powers, democratic self-government, and the boundary between law, politics, and policy. Several chapters highlight the tensions between impartial expertise and public accountability; others consider administrative litigation and the role of the courts in reviewing both individual decisions and secondary norms. The book concludes by asking how administrative law is shaping and is being shaped by the changing boundaries of the state, especially shifting boundaries between the public and the private, and the national and the supranational domains.This extensive and interdisciplinary appraisal of the field will be a vital resource for scholars and students of administrative and comparative law worldwide, and for public officials and representatives of interest groups engaged with government policy implementation and regulation. Contributors: B. Ackerman, A. Alemanno, M. Asimow, J.-B. Auby, D. Barek-Erez, J. Barnes, P. Cane, P. Craig, D. Custos, M. D'Alberti, L.A. Dickinson, C. Donnelly, Y. Dotan, B. Emerson, T. Ginsburg, D. Halberstam, H.C.H. Hofmann, G.B. Hola, C.-Y. Huang, N. Kadomatsu, K. Kovács, P. Lindseth, M.E. Magill, J. Mashaw, J. Massot, J. Mathews, J. Mendes, G. Napolitano, D.R. Ortiz, T. Perroud, M.M. Prado, A. Psygkas, V.V. Ramraj, D.R. Reiss, S. Rose-Ackerman, M. Ruffert, J. Saurer, K.L. Scheppele, J.-P. Schneider, M. Shapiro, B. Sordi, L. Sossin, P. Strauss, A.K. Thiruvengadam, A. Vosskuhle, J.B. Wiener, T. Wischmeyer, J.-r. Yeh

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Typography meets poetry at a Pink Floyd laser-light show In Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are “soaking in it!” Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages."The striking compositions you’ll find in Surface Tension are being presented sequentially in book form, yet that they wouldn’t be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable...' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos." – Mónica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959–1979"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process." – Craig Dworkin, author of Radium of the Word: A Poetics of Materiality"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu’s question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension make a startling case for his fascinating Letraset/photocopier inventions. Beaulieu’s compositions originate in a place of clean design and logical narrative; soon, as in a dream, they open up, ushering in what he calls 'a poetry of difference, chance, eruption.' Marcel Duchamp would have called it the poetry of the infrathin: watch 'Simple Symmetry' or 'Dendrochronology' open up and come alive in their minutely evolving new spaces. This is quite simply an enchanting book – a book producing new pleasures with each turn of the page." – Marjorie Perloff, Sadie Dernham Patek Professor of Humanities, Emerita, Stanford University

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Covering all aspects of the Unix operating system and assuming no prior knowledge of Unix, this book begins with the fundamentals and works from the ground up to some of the more advanced programming techniques The authors provide a wealth of real-world experience with the Unix operating system, delivering actual examples while showing some of the common misconceptions and errors that new users make Special emphasis is placed on the Apple Mac OS X environment as well as Linux, Solaris, and migrating from Windows to Unix A unique conversion section of the book details specific advice and instructions for transitioning Mac OS X, Windows, and Linux users

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