Search results for ""Author Jean"

This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France's Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demandsand how she created and profited from controversy. Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d'Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privil

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Whether placed in a window, beside the bed, or illuminating the dining table as an elegant centerpiece, glass candle holders provoke a rich symbolism of home, comfort, and welcome. Today, these beautiful candle holders capture the eye of many a collector. With over 500 photographs of single, double, and triple candle holders, all listed alphabetically by manufacturer, this book proves the ideal guide to identification, dating, and valuation of your prized candle holders. The book blends style and origin, providing a comprehensive survey of candle holders by major manufacturers such as Beaumont, Cambridge, Fenton, Duncan & Miller, Jeannette Glass, Morgantown, New Martinsville, and Portieux of France with Art Nouveau, Art Deco, Depression era, and modern examples.

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Filled with transformative stories of powerful women from legend and history as well as rituals, spellcraft, and workings for you to try this book explores themes that rebels, witches, warriors, and heretics confront as they make their way in a patriarchal world. Each chapter examines a topic like standing tall in your beliefs, finding your voice, embracing your sexuality, and loving your body, and shares hands-on practices designed to inspire and support you as you connect with your inner witch, heretic, and warrior. Within these pages, you will find stories and exercises based on Circe, Anne Boleyn, Marie Laveau, Mary Magdalene, Jeanne D'Arc, Salome, Boudicca, Moving Robe Woman, and Harriet Tubman.

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The sublime city of Venice has long offered inspiration to the world's storytellers. This anthology gathers a dazzling variety of stories with Venetian settings, including Daphne du Maurier's haunting "Don't Look Now," Anthony Trollope's wartime romance "The Last Austrian Who Left Venice," Vernon Lee's spine-chilling "A Wicked Voice," and a scene from The Wings of the Dove, Henry James's tale of passion and betrayal in a Gothic palazzo on the Grand Canal. The famed Venetian adventurer Giacomo Casanova weighs in with escapades from his notorious Memoirs, alongside enthralling selections by Baron Corvo, Marcel Proust, Camillo Boito, and Jeanette Winterson. In its multifaceted portrait of La Serenissima, Venice Stories showcases a lineup of literary classics worthy of the magnificent city they celebrate.

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What is the secret to true friendship? Is it really love’s quieter relation or something stronger and more profound? And where does the line between the two lie? Rose Tremain looks at two unlikely lifelong friendships, which – though tested – prove unbreakable. Thought-provoking and life-affirming, this is at once an examination and a celebration of friendship in all its glorious complexity.Selected from the books Restoration and The Gustav Sonata by Rose TremainVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Love by Jeanette WintersonLanguage by Xiaolu GuoDesire by Haruki MurakamiFreedom by Margaret Atwood

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Become a dazzling wit or enjoy a good laugh with this entertaining collection of humorous quotations, carefully handpicked and edited by writer and broadcaster Gyles Brandreth. From Art to Bores, Tennis to Wine, this little dictionary contains over 2,700 of the best quotations, from witty one-liners and funny phrases to pithy comments and unintended humour. If you live to be one hundred you've got it made. Very few people die past that age. - George Burns I thought coq au vin was love in a lorry. - Victoria Wood Champagne, if you are seeking the truth, is better than a lie-detector. - Graham Greene The trouble with a book is that you never know what's in it until it's too late. - Jeanette Winterson

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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The Lost Diaries is a wide-ranging anthology of the world's greatest diarists, each of them channelled onto paper through the considerable psychic force that is Craig Brown. Arranged on a day-to-day basis, spread throughout an entire year, these diary extracts form a patchwork quilt of observation, reflection, contemplation and, above all, self-promotion. As the months unfold, different diarists offer their insights on the events that pass: John Prescott on going to Royal Ascot, Nigella Lawson on preparing Christmas lunch, W.G. Sebald on enjoying an ice lolly by the beach, Karl Lagerfeld on the need for an umbrella in Spring. Among over 200 diarists featured are Martin Amis, Jordan, Germaine Greer, The Duchess of Devonshire, President Barack Obama, Philip Roth, HM the Queen, Heather Mills McCartney, Victoria Beckham, Ludwig Wittgenstein, Sir Cecil Beaton, John Prescott, Mohamed Fayed, Harold Pinter, Yoko Ono, Barbara Cartland, Jilly Cooper, Christopher Ricks, Jeremy Clarkson, Jeanette Winterson, Sylvia Plath, Keith Richards, Maya Angelou and Frank McCourt. The Lost Diaries is the first time all Craig Brown’s greatest parodies have been gathered together in one book. Arranged day-by-day, full of invigorating and sometimes shocking juxtapositions, they constitute a treasure-trove, choc-a-bloc with all the fantasies and illusions of our times.

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The story of Liverpool's women is one of diversity and contrast. This iconic port has welcomed countless nationalities over the centuries, both as residents and passing migrants; it has experienced both great prosperity, and crushing poverty. Liverpool's women have lived in unhealthy court dwellings, and comfortable suburbs; helped each other, educated each other, and stood together against common adversaries such as poor living conditions, and enemies in wartime; they have lived, loved, worked, fought, laughed, wept, worshipped, and survived in their own unique way. Containing rarely seen illustrations, this book will take you on an adventure through 100 years of Liverpool's history, with a focus on its courageous, hospitable, caring, intelligent and adventurous women. In this honest account, you will meet women from all walks of life, be they politician, home maker, impoverished migrant, the ladies from the big house', preacher at a chapel, teacher, prostitute, activist, prisoner, and more. Some of them you may have heard of, such as Battling Bessie' Braddock MP, suffragette Jeannie Mole; many are the forgotten women of history you will encounter for the first time. All of them in their own way make up the kaleidoscope of women's history in this great city.

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In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

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This little book is about cats; cats of all shapes, sizes and colours, and specifically about those that have shared their lives with the great and well-respected astronomer, Sir Patrick Moore CBE FRS, over a lifetime of 80 years. This is Patrick's very personal account of the cats who have been part of his family, beginning with Bonnie, who died at the grand old age of twenty, through to Jeannie and Ptolemy, the two beloved felines that he lives with currently. The fascinating and engrossing text is complemented by personal photographs of Sir Patrick, his adored mother, Gertrude (also a cat-lover), and the many cats that have filled Patrick's life with love and companionship. Reveals a delightful and charming side to the man who has attained international status as a writer, researcher, radio commentator and television presenter, and who is credited with having done more than any other to raise the profile of astronomy.

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Lauded by FT’s How to Spend It as “one of the world’s best antique and vintage furniture stores,” Galerie Half offers a stylish blend of twentieth-century design, European antiques, and eclectic rarities.A favorite purveyor to the Los Angeles design cognoscenti, Galerie Half is imbued with a sense of timeless imperfection. Pieces from disparate design traditions converge seamlessly in a single room: a bleached Gustavian daybed is flanked by a Roman statue, a Venetian mirror reflects African masks, and a rustic farmhouse table is framed by caned chairs. Galerie Half is talented at constructing such diverse compositions. A vivid hue can create synchronicity between the timeworn patina of a glazed terracotta planter and the softened leather of an Advocat and Press chair by Le Corbusier–Pierre Jeanneret. A monochromatic palette of contrasting textures can ground a room, creating harmony between luxurious and humble materials, or si

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Women and the Reformation gathers historical materials and personal accounts to provide a comprehensive and accessible look at the status and contributions of women as leaders in the 16th century Protestant world. Explores the new and expanded role as core participants in Christian life that women experienced during the Reformation Examines diverse individual stories from women of the times, ranging from biographical sketches of the ex-nun Katharina von Bora Luther and Queen Jeanne d’Albret, to the prophetess Ursula Jost and the learned Olimpia Fulvia Morata Brings together social history and theology to provide a groundbreaking volume on the theological effects that these women had on Christian life and spirituality Accompanied by a website at www.blackwellpublishing.com/stjerna offering student’s access to the writings by the women featured in the book

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Women and the Reformation gathers historical materials and personal accounts to provide a comprehensive and accessible look at the status and contributions of women as leaders in the 16th century Protestant world. Explores the new and expanded role as core participants in Christian life that women experienced during the Reformation Examines diverse individual stories from women of the times, ranging from biographical sketches of the ex-nun Katharina von Bora Luther and Queen Jeanne d’Albret, to the prophetess Ursula Jost and the learned Olimpia Fulvia Morata Brings together social history and theology to provide a groundbreaking volume on the theological effects that these women had on Christian life and spirituality Accompanied by a website at www.blackwellpublishing.com/stjerna offering student’s access to the writings by the women featured in the book

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Claire Tham’s rebels tease us with the most provocative questions. Was Hitler the first rock star? Is college spirit a huge con-game? Are teachers fascist? Chris, the angry college punk; Lee, the deejay’s Americanised daughter; James, the pretender; Jeanne, the alienated wife; the Tiananmen refugee – these are some of the rebels who walk through the disturbingly familiar stories in Fascist Rock. Bitterly, yet eloquently, they voice our own hidden rebellion. This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected.

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It’s the summer of 2017 in Wellington Beach, California, a suburban coastal town increasingly divided by politics, protests, and escalating housing prices—divisions that change the lives of five neighbors. Longtime resident and real estate agent Lisa Kensington juggles her job, her shopaholic husband, a mother-in-law who knows how to push her buttons, and teenage children with ideas of their own, all while trying to hold on to her own dreams. Her neighbor Ray Gorman is a haunted Vietnam vet who is also caring for his aging mother. Keith Nelson, an ex-con, lives in his car, parked around the corner from Ray, near his parents’ house. Keith’s got a job, a grandmother he loves, and a gym routine that almost helps him manage his violent tendencies. Down the street from Ray, sixteen-year-old Josh Kowalski is working through the shock of his father’s abandonment by slamming on a drum set. He loves Led Zeppelin and setting things on fire and is fascinated with his friend’s sister. New neighbor Jeannette Larsen, an aerobics teacher numbed by horrific tragedy, turns away from her husband—and toward sex with strangers. In the end, these characters discover that despite their differences, they are more connected than any of them could have imagined.

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Mientras estudiaba cine, Julien Frey conoció a Édouard Luntz. El director afirmaba que su carrera se truncó por culpa de Darryl F. Zanuck, el último magnate de Hollywood. Después de un rodaje épico en Brasil en mayo de 1968 y un presupuesto multiplicado por veinte, el productor estadounidense habría hecho desaparecer su película, 'Le grabuge'.Años más tarde, Julien descubre que es toda la obra de Luntz ?quien rodara con grandes de la escena francesa como Jeanne Moreau o Michel Bouquet, y algunas de cuyas películas fueron seleccionadas y premiadas en los festivales de cine Berlín, Cannes y Venecia? la que es inencontrable. Julien decide buscar esas películas perdidas.Recogiendo multitud de testimonios ?de sus allegados, técnicos y actores?, Julien Frey realiza una minuciosa investigación, no exenta de momentos divertidos, tras las obras perdidas del realizador francés, proceso que ha trasladado con maestría a imágenes Nadar, el autor de obras como 'Papel estrujado' (2013), 'El mun

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Electromagnetic Waves 2 examines antennas in the field of radio waves. It analyzes the conditions of use and the parameters that are necessary in order to create an effective antenna. This book presents antennas’ definitions, regulations and fundamental equations, and describes the various forms of antennas that can be used in radio: horns, waveguides, coaxial cables, printed and miniature antennas. It presents the characterization methods and the link budgets as well as the digital methods that make the fine calculation of radio antennas possible. Electromagnetic Waves 2 is a collaborative work, completed only with the invaluable contributions of Ibrahima Sakho, Hervé Sizun and JeanPierre Blot, not to mention the editor, Pierre-Noël Favennec. Aimed at students and engineers, this book provides essential theoretical support for the design and deployment of wireless radio and optical communication systems.

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How can humour and irony in writing both create and destroy boundaries? In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States - Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker - employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this careful analysis also acknowledges the ways that they can be used to assert or restore order. Using the framework of humour and irony, five themes emerge from the words of these poets: religious transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms.

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Charlotte Perriand (1903-1999) is undoubtedly one of the most significant figures in 20th-century interior design. Vintage pieces of her furniture designs fetch millions in auctions. Together with Le Corbusier and Pierre Jeanneret she created a number of classics, such as the chaise-longue LC4. From the 1930s, she sought not only to change design but to initiate social change; her main goal as a designer, was to develop affordable, functional, and appealing furniture for the masses. Perriand's life and work has been widely acknowledged, but thus far there has never been a comprehensive monograph covering all aspects of her work. Charlotte Perriand: Complete Works Volume 1 is a valuable resource on this key figure of 20th-century interior design. Each of the three lavishly illustrated volumes is completed by annotations, index, and bibliography. The initial volume looks at the years of collaboration with Le Corbusier and her role as a precursor in the use of tubular steel in interior design. It also documents her work in photography and her special interest in pre-fabricated residential architecture.

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A stunning collection of poems from Grace Nichols, winner of the Queen's Gold Medal for Poetry 2021Beautyis a fat black woman walking the fields pressing a breezed hibiscus to her cheekwhile the sun lights up her feetNichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.'Unquestionably one of our most important living poets' i-D magazine 'Not only rich music, an easy lyricism, but also grit, and earthy honesty, a willingness to be vulnerable and clean' Gwendolyn Brooks 'Beneath the folk rhythms and the lyrical simplicities, Nichols's poems preach disquiet' Observer 'Grace Nichols has wit, acidity, tenderness, any number of gifts at her disposal' Jeanette Winterson

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James Patterson's bestselling Middle School series is now a major motion picture! Catch up with everyone's favorite troublemaker, Rafe Khatchadorian, when he gets lost in London on the worst field trip EVER!After a mostly-successful stint at Hills Village Middle School, Rafe is excited to visit the incredible city of London with his class. Sightseeing around a foreign country sounds like a blast, until Rafe finds out his roommate will be none other than Miller the Killer, bully extraordinaire!Then Rafe is forced to work on a class project side by side with his crush Jeanne Galletta and her too-perfect boyfriend, which might be even more torturous than rooming with Miller. And it's no surprise that Rafe's bad luck follows him across the pond, putting him in one crazy situation after another – all under the watchful eye of his bad-tempered principal.Out of all of his adventures, this trip could prove to be Rafe's most embarrassing yet, undoing everything good he has going for him back home!

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Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today Explores Gothic themes through nuanced queer lenses Re-visits past ideas of queer theory and expands on them within Gothic context Focuses on time periods, genres, and queer Gothic modes Queer Gothic: An Edinburgh Companion features sixteen essays that interrogate queer theory's intersections with the Gothic. By re-visiting the usefulness of the term 'queer' and pushing queer theoretical frameworks into new territory, this volume explores the ways that Gothic and queer work alongside each other: one as a marginalised genre and the other as a marginalised identity. Considering both major and lesser-known Gothic works, and ranging from the canonical (poetry and fiction) to the popular (film, video games, music, and visual and performance art), it offers queer and trans perspectives on a wide selection of Gothic modes, genres and texts from fiction such as Hugh Walpole's The Castle of Otranto to Jeanette Winterson's The Daylight Gate, films from Nosferatu to The Cured and TV shows including In the Flesh and Pose.

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German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.

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*THE SUNDAY TIMES NUMBER ONE BESTSELLER**OVER HALF A MILLION COPIES SOLD*Discover the shocking gender bias that affects our everyday lives.'HELL YES. This is one of those books that has the potential to change things - a monumental piece of research' Caitlin MoranImagine a world where...· Your phone is too big for your hand· Your doctor prescribes a drug that is wrong for your body· In a car accident you are 47% more likely to be injured.If any of that sounds familiar, chances are you're a woman.From government policy and medical research, to technology, workplaces, and the media. Invisible Women reveals how in a world built for and by men we are systematically ignoring half of the population, often with disastrous consequences. Caroline Criado Perez brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are forgotten, and the profound impact this has on us all.Find out more in Caroline's new podcast, Visible Women.'A book that changes the way you see the world' Sunday Times'Revelatory, frightening, hopeful' Jeanette Winterson

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'She can pick up personal facts impossible to fathom by deduction or guesswork.' JEANETTE WINTERSON'A marvellous book.' DR EBEN ALEXANDER__________________________________'We all have psychic experiences in our lives that connect us to one another and to those we love on the Other Side. Not just once in a while, but all the time.'Laura Lynne Jackson has been receiving communications from the afterlife since she was a child. In The Light Between Us she takes us through her struggle to come to peace with her gift and use it to help others.Through her moving and uplifting stories of the people she has helped, Laura Lynne shares her knowledge of how to understand these messages of love, and how we can use those lessons to help us live more peacefully in the present.What The Light Between Us has meant to readers:'A genuine and honest testimonial''This book has made me laugh, made me cry and make me think''I love this book. It really helps you realise that the ones we love are never far from us.''The stories are heartfelt and had me in tears towards the end''Very uplifting''It has given me so much comfort and understanding'

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An in-depth look at the reversal of a wrongful conviction in a noteworthy example of the justice system seeking to correct mistakes of the pastIn 2019, Nathan Myers and Clifford Williams were released after almost 43 years in prison when murder charges against them were dismissed in the first exoneration brought about through a Conviction Integrity Unit in Florida. Justice Pursued is the story of this wrongful conviction and its landmark reversal, which made headlines as it was initiated by the same state office that sought the death penalty for both men in 1976.Journalist Bruce Horovitz describes in detail the events of the murder of Jeanette Williams and the one-sided trial, conviction, and life sentencing of Nathan Myers and Clifford Williams, drawing on first-person interviews as well as case documents, newspaper clippings, and other media coverage. Horovitz tells how the two men maintained their innocence for years and petitioned the state to reconsider the case. He highlights the creation of Florida's first Conviction Integrity Review Unit, which reinvestigated the evidence and helped overturn the original verdict. He also looks at the issue of compensating exonerees like Myers and Williams for time imprisoned for crimes they did not commit.Incorporating the perspectives of those involved in the initial case and its reexamination four decades later, this tragic story is also one of hope, perseverance, and vindication. Justice Pursued brings awareness to systemic failures in the criminal justice system, the toll these mistakes exact on victims, and the necessity of prosecutorial review in addressing the growing crisis of wrongful convictions in the United States.

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'A fabulous new writer' Richard Osman'Compelling, tense and pacy' Observer-------------HE LOVES YOU. HE CONTROLS YOU. HE'LL NEVER LET YOU GO.He's been looking in the windows again. Messing with cameras. Leaving notes.Supposed to be a refuge. But death got inside.When Katie Straw's body is pulled from the waters of the local suicide spot, the police decide it's an open-and-shut case. A standard-issue female suicide.But the residents of Widringham women's refuge where Katie worked don't agree. They say it's murder.Will you listen to them?An addictive literary page-turner about a crime as shocking as it is commonplace, KEEPER will leave you reeling long after the final page is turned.AN OBSERVER TOP DEBUT NOVELISTS OF 2020A SUNDAY TIMES STYLE HOT DEBUT: 'READ IF YOU LIKED GONE GIRL AND LULLABY'A COSMOPOLITAN BOOKS TO WATCH-------------'Gripping, devastating... breathtaking' Clare Mackintosh, Hostage'Powerful and chilling, with a shocking twist' Guardian'A compelling story . . . a writer to watch' Independent'A feminist whodunnit' Sunday Times'A powerful book telling stories that need to be heard' Rosamund Lupton, Three Hours'A new young writer I believe in' Jeanette Winterson, Oranges Are Not The Only Fruit'Extraordinary and compelling' Cara Hunter, The Whole Truth'Vastly impressive . . . Deeply affecting and superbly told, it demands to be read' Daily Mail'Jess Moor's debut novel made me want to shout out in anger' Val McDermid, 1979'This is a thriller, but its pacy insights make it one that you need to read' Cosmopolitan'A pacy crime novel that will have you gripped, and get you thinking' Stylist'Grips from the first page' Erin Kelly, Watch Her Fall

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In Le Corbusier: Secret Photographer Tim Benton reflects on the famous architect's use of photography, starting with the young Charles-Edouard Jeanneret's attempts to take professional photographs during his travels in central Europe, the Balkans, Turkey, Greece, and Italy. While Le Corbusier always claimed that he saw no virtue in taking photographs, he actually bought three cameras and took several hundred photographs between 1907 and 1917, many of them of publishable quality. In 1936 he acquired a 16mm movie camera and took 120 sequences of film and nearly 6,000 photographs with it. This completely unknown body of material is the basis for the publication. It reveals Le Corbusier to be a sensitive and brilliant manipulator of a range of photographic styles. Le Corbusier: Secret Photographer provides dramatically new insights into Le Corbusier's visual imagination, his changing attitudes towards nature and materials in the 1930s, and his distrust of progress.

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African-American fashion designer Willi Smith, pioneer of streetwear and visionary collaborator, finally gets his due in an exuberant celebration of his life and work.Before Off-White, before Hood By Air, before Supreme, there was WilliWear. Willi Smith created inclusive and liberating fashion: "I don't design clothes for the queen, but the people who wave at her as she goes by," he said. A rising star from the time he left Parsons, Smith went on to found WilliWear with Laurie Mallet in 1976 and became one of the most successful designers of his era by his untimely death in 1987. Smith broke boundaries with his streetwear, or "street couture," and trailblazed the collaborations between artists, performers, and designers commonplace today in projects with SITE Architects, Nam June Paik, Christo and Jeanne-Claude, Spike Lee, Dan Friedman, Bill T. Jones, and Arnie Zane. Essays by leading figures from the worlds of fashion, art, architecture, and cultural studies paired with never before-seen images and ephemera make Willi Smith essential reading for the history of streetwear culture and the evolution of fashion from the 1970s to today.

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"Isn't it … particularly difficult to 'speak' of your work?" Frédéric-Yves Jeannet asks Hélène Cixous in this fascinating book of interviews. "[I]t's only in writing, on paper, … that I reach the most unknown, the strangest, the most advanced part of me for me. I feel closer to my own mystery in the aura of writing it," Cixous responds. These conversations, which took place over three years and cover the creative process behind Cixous’s fictional writing, illuminate the genesis and particular genius of one of France’s most original writers. Cixous muses on her "coming to writing," from her first publications to her recent acclaim for a series of fictional texts that spring, as, she insists all true writing does, from her life: the loss of her father when she was a child, and her relationship with her mother, now in her tenth decade, as well as with such friends as Jacques Derrida and Jacques Lacan. The conversations delve into Cixous’s career as an academic in Paris and abroad, her summer retreats to the Bordeaux region to write uninterrupted for two months, her work with Ariane Mnouchkine’s Théàtre du Soleil, her political engagements and her dreams. Readers and writers who have followed Cixous’s path-blazing career as a fiction writer who crosses boundaries of genre and gender while posing essential questions about the nature of narrative and life will find this a book that cannot be put down.

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The evening beyond each chain-lit match seemed to crouch in the shapes of houses, then rose to play havoc in a veil of dogwoods. In among the lapses, deer stooped on their stilts to eat the tulips which, under these circumstances, turned away from the source like moths losing themselves in folded wool. Are we alone? If so, Particle and Wave insists that we need not be lonely. Here the periodic table of elements-a system familiar to many of us from high school chemistry-unfolds in a series of unexpected meanings with connotations public, personal, and existential. Based on a logic that considers the atomic symbol an improvised phoneme, Particle and Wave is keenly attuned to the qualities of voice and concerned with how these improvisations fall on the listening ear. From the most recent housing bust, to the artistic visions of Christo and Jeanne Claude, to the labors of the Curies, to Pliny the Younger's account of the eruption of Vesuvius, culture and world histories are recontextualized through the lens of personal experience. Muscular, precise, structurally varied, and imagistic, these poems engage in lyricism yet resist mere confession. In doing so they project the self as a composite, speaking in a variety of registers, from the nursery rhyme songster, to the ascetic devotee, to the unapologetic sensualist. They welcome all comers and elbow the bounded physical world to make way for a dynamic, new subjectivity.

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Duncan Williamson was the son, grandson and great grandson of nomadic tinsmiths, basket makers, pipers and storytellers. In this book, he describes his life as a traveller with verve, candour and intimacy, recounting a childhood spent on the shores of Loch Fyne, work on the small hill farms in the summer, walking with barrows and prams and later with horse and cart, the length and breadth of Scotland. He recalls camping with hundreds of traveller families from the 1940s to the 1960s, his marriage to his cousin, Jeanie Townsley, and all the various traditional skills and arts which must be perfected for a man to maintain his family adequately. The Horsieman is the story of traditions long vanished - of traveller trades, of building tents, of routes travelled and traditional camping sites, of stories, songs, music and cures which have been the heritage and tradition of travelling people in Scotland through the ages. Set mainly in Argyll, Tayside and all stations in between, Duncan Williamson's story is told with great warmth and humour and in the inimitable style of one Scotland's master storytellers.

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A cutting-edge view of the digital humanities at a time of global pandemic, catastrophe, and uncertaintyWhere do the digital humanities stand in 2023? Debates in the Digital Humanities 2023 presents a state-of-the-field vision of digital humanities amid rising social, political, economic, and environmental crises; a global pandemic; and the deepening of austerity regimes in U.S. higher education. Providing a look not just at where DH stands but also where it is going, this fourth volume in the Debates in the Digital Humanities series features both established scholars and emerging voices pushing the field’s boundaries, asking thorny questions, and providing space for practitioners to bring to the fore their research and their hopes for future directions in the field. Carrying forward the themes of political and social engagement present in the series throughout, it includes crucial contributions to the field—from a vital forum centered on the voices of Black women scholars, manifestos from feminist and Latinx perspectives on data and DH, and a consideration of Indigenous data and artificial intelligence, to essays that range across topics such as the relation of DH to critical race theory, capital, and accessibility.Contributors: Harmony Bench, Ohio State U; Christina Boyles, Michigan State U; Megan R. Brett, George Mason U; Michelle Lee Brown, Washington State U; Patrick J. Burns, New York U; Kent K. Chang, U of California, Berkeley; Rico Devara Chapman, Clark Atlanta U; Marika Cifor, U of Washington; María Eugenia Cotera, U of Texas; T. L. Cowan, U of Toronto; Marlene L. Daut, U of Virginia; Quinn Dombrowski, Stanford U; Kate Elswit, U of London; Nishani Frazier, U of Kansas; Kim Gallon, Brown U; Patricia Garcia, U of Michigan; Lorena Gauthereau, U of Houston; Masoud Ghorbaninejad, University of Victoria; Abraham Gibson, U of Texas at San Antonio; Nathan P. Gibson, Ludwig-Maximilians-Universität, Munich; Kaiama L. Glover, Barnard College; Hilary N. Green, Davidson College; Jo Guldi, Southern Methodist U; Matthew N. Hannah, Purdue U Libraries; Jeanelle Horcasitas, DigitalOcean; Christy Hyman, Mississippi State U; Arun Jacob, U of Toronto; Jessica Marie Johnson, Johns Hopkins U and Harvard U; Martha S. Jones, Johns Hopkins U; Annette K. Joseph-Gabriel, Duke U; Mills Kelly, George Mason U; Spencer D. C. Keralis, Digital Frontiers; Zoe LeBlanc, U of Illinois at Urbana-Champaign; Jason Edward Lewis, Concordia U; James Malazita, Rensselaer Polytechnic Institute; Alison Martin, Dartmouth College; Linda García Merchant, U of Houston Libraries; Rafia Mirza, Southern Methodist U; Mame-Fatou Niang, Carnegie Mellon U; Jessica Marie Otis, George Mason U; Marisa Parham, U of Maryland; Andrew Boyles Petersen, Michigan State U Libraries; Emily Pugh, Getty Research Institute; Olivia Quintanilla, UC Santa Barbara; Jasmine Rault, U of Toronto Scarborough; Anastasia Salter, U of Central Florida; Maura Seale, U of Michigan; Celeste Tường Vy Sharpe, Normandale Community College; Astrid J. Smith, Stanford U Libraries; Maboula Soumahoro, U of Tours; Mel Stanfill, U of Central Florida; Tonia Sutherland, U of Hawaiʻi at Mānoa; Gabriela Baeza Ventura, U of Houston; Carolina Villarroel, U of Houston; Melanie Walsh, U of Washington; Hēmi Whaanga, U of Waikato; Bridget Whearty, Binghamton U; Jeri Wieringa, U of Alabama; David Joseph Wrisley, NYU Abu Dhabi. Cover alt text: A text-based cover with the main title repeating right-side up and upside down. The leftmost iteration appears in black ink; all others are white.

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A critical reexamination of Russian modernist cultural historiography.Winner of the Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures by the Modern Language AssociationThe writing and teaching of Russian literary and cultural history have changed little since the 1980s. In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious alternatives to the conventional ways of thinking and speaking about Russian and transnational modernism. Drawing on methodological breakthroughs in Anglo-American new modernist studies, Leonid Livak explores Russian and transnational modernism as a story of a self-identified and self-conscious interpretive community that bestows a range of meanings on human experience. Livak's approach opens modernist studies to integrative and interdisciplinary analysis, including the extension of scholarly inquiry beyond traditional artistic media in order to account for modernism's socioeconomic and institutional history. Writing with a student audience in mind, Livak presents Russian modernism as a minority culture coexisting with other cultural formations while addressing thorny issues that regularly come up when discussing modernist artifacts. Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is also intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.

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In the days before the outbreak of war in Syria, a young Kurdish woman, Zarrin, has brought shame on her family. She has paid a high price - as is the way for such dishonour - and fearing for her life, she flees, stumbling her way blindly to the border with Turkey, where she finds herself amongst a growing tide of migrants in a refugee camp. There, a son, Elend, is born - the product of her punishment. When the weather improves, and still fearing pursuit, she takes Elend, escapes the camp, and heads for Europe, hoping to find refuge there. She makes her way to Britain, scraping a living as best she can, but she is betrayed over and over as she moves from job to job, living hand to mouth and supporting her young son with what little she has. Events conspire to make her flee once more and she finds work as a vegetable picker, exploited, unappreciated but, importantly, largely unnoticed. Then, at last, her fortunes change and she finds happiness and companionship at last. Elend grows strong and love beckons but her happiness is crushed again when she is outed inadvertently by one of her friends and she finds herself pursued once more. This is a compelling tale of a fight for freedom and safety in the vein of American Dirt by Jeanine Cummins.

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Deriving its theme from the Interface theme of the 2011 PHotoEspana festival, Face Contact looks at the myriad registers of the human face as interpreted by photography. It sets aside the conventional category of portrait to assess the idea of photographing the face as if it were an anthropological occasion or semiotic act, rather than merely an artistic genre. Broaching this reframing of portraiture as sociology are photographers and artists such as Liliana Angulo, Ananke Asseff, Lauren Olney, Richard Lawrence, Jorge Brantmayer, Nancy Burson, Luis Camnitzer, Jeanette Chavez, Colectivo MR, Luc Fosther Diop, Eugenio Dittborn, Juan Downey, Hans-Peter Feldmann, Jerome Fortin, Shadi Ghadirian, Simryn Gill, Shilpa Gupta, Mona Hatoum, Jose Iraola, Kan Xuan, Pedro Lemebel, Cristina Lucas, Dulce Pinzon, Liliana Porter, Libia Posada, Jorge Ribalta, Yoani Sanchez, Stephanie Sinclair, Dayanita Singh, Marta Soul, Remy Zaugg, Jarbas Lopes and Giselle Victoria.

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Joanna. Jeannine. Janet. Jael.Four women, four worlds, four vastly different societies.When these women are suddenly able to communicate with each other through the boundaries of dimensions, they are confronted with what could have been if one thing changed in history. And they find themselves looking at their own worlds with new eyes. Acclaimed as one of the essential works of science fiction, The Female Man examines gender roles in society and remains a work of great power. It won a retrospective James Tiptree Jr. Award and a 2002 Gaylactic Spectrum Hall of Fame award.'A stunning book, a work to be read with great respect. It's also screamingly funny' - San Francisco Review of Books'She was brilliant in a way that couldn't be denied'- The New Yorker'It's a gorgeous book, frankly, and well worth any reader's time' - Tor.comWelcome to The Best Of The Masterworks: a selection of the finest in science fiction

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Winner, 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry’s Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. The Literary Qurʾan mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as social and moral comportment—El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. Foregrounding form and praxis alike, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. The book places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Theorizing the Qurʾan as a literary object, process, and model, this interdisciplinary study blends literary and theological methodologies, conceptual vocabularies, and reading practices.

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A captivating and page-turning romance perfect for fans of Christina Courtenay and Barbara Erskine! On a windswept British coastline the tide bestows an unexpected gift… It was the cry that she first noticed, the plaintive wail that called to her over the crash of winter waves. Wrapped only in a sealskin, the baby girl looks up at Effie and instantly captures her heart. Effie has always been an outcast in her village, the only granddaughter of a woman people whisper is a witch, so she’s used to a solitary existence. But when Midsummer arrives so too does a man claiming to be the child’s father. Effie is surprised when he asks her to continue looking after his daughter, mysteriously refusing to explain why. When he returns six months hence she pushes him for answers. And Lachlan tells a story she never anticipated … one of selkies, legend, and the power of the sea… Readers are loving Daughter of the Sea: ⭐⭐⭐⭐⭐ ‘I am lost for words…from beginning to end this book took my breath away’ Jeannie ⭐⭐⭐⭐⭐ ‘This has to be one of the best reads of the year if not the best … Captivating, beautiful, spellbinding’ Angela ⭐⭐⭐⭐⭐ ‘Where do I start? I adored this book on so many levels. Part love story, part grown up fairytale …A truly special book’ Mandy ⭐⭐⭐⭐⭐ ‘What a fabulous read! Had me hooked from the first page’ Bev ⭐⭐⭐⭐⭐ ‘I was completely transported by this beautiful story…the writing was both evocative and provocative’ Sandra ⭐⭐⭐⭐⭐ ‘So well written … interesting and emotive’ Aria ⭐⭐⭐⭐⭐ ‘Truly one of the most outstanding, captivating stories I have read…such a page turner’ Sandra

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The Alexander Technique has revolutionised the physicality, presence and professional lives of generations of actors. By first asking you to identify your own acquired habits, the technique enables you to find new and beneficial ways of moving, thinking, breathing and performing, freely and without unnecessary tension. Written by an experienced teacher of the Alexander Technique, this clear, supportive and highly practical book takes you step by step through a series of eleven guided lessons. Each explores different elements and principles of the technique, including: Training yourself to stay present, and mindful of your environment Thinking (but not overthinking!) in new ways Observing and developing your natural poise Sitting, standing and walking easily and effortlessly Breathing and speaking with release and power Applying all of this work to characterisation and performance With dozens of exercises and assignments to help you immediately put what you've learned into practice, and featuring illustrations throughout, this is the ideal introduction to everything the Alexander Technique has to offer – and its potential to benefit not just your work and career, but your entire life. 'Penny O'Connor's approach to the Alexander Technique is mindful and meaningful. She brings great skill, experience, wit and humanity to her work. I have learnt a great deal from her.' Jeannette Nelson, Head of Voice, National Theatre 'This comprehensive and absorbing book is essential reading for actors – and all other performers too. It moves seamlessly between explanation and experiential learning, and takes the reader on a cumulative and developmental journey of self-awareness and change, whether working alone or in a group. A joy to experience!' Niamh Dowling, Head of School of Performance, Rose Bruford College

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The history of the American West is full of intriguing life stories, and the fifteen essays in this collection weave a selection of those lives together to focus on the main currents in the region's history. The first five essays cover the period from contact to the mid-nineteenth century and feature Indian leaders and Spanish colonisers, characters from the Mexican period, explorers, mountain men, and missionaries. Familiar names in this portion are Juan Bautista de Anza, Stephen F. Austin, Dona Tules, Lewis and Clark, Jedediah Smith, and Narcissa Whitman. The second group of essays reflects on Mormons, miners, California Hispanics, American Indians, ranchers, farmers, and the Wild West of Buffalo Bill and Annie Oakley. The essays on the twentieth-century West examine the careers of James J. Hill, John Muir, Jeannette Rankin, Aimee Semple McPherson, J. Robert Oppenheimer, Walt Disney, Cesar Chavez, Barbara Jordan, Microsoft's Paul Allen, and the mythical figure of Rosie the Riveter.

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Fans of Ilona Andrews, Jeaniene Frost, Patricia Biggs and Christine Feehan will fall under the spell of New York Times bestseller Yasmine Galenorn's spectacular fantasy romance series. Enter Whisper Hollow at your own risk, for in this town spirits walk among the living, and the lake never gives up her dead.Whisper Hollow is no ordinary place. In this haunted town, people don't stay buried.Kerris Fellwater isn't your usual human. She's a spirit shaman who drives the dead back to their graves.Fifteen years ago, Kerris ran away from her hometown. But now she's back, and there are deadly magical forces at work, wreaking havoc.Whisper Hollow holds painful memories for Kerris, but a lot has changed. There's a mysterious new guy in town, Bryan, who Kerris feels powerfully drawn to. Together they unearth a horrifying family secret, and unravelling the mystery means working with - rather than against - the dead. Can they defeat Whisper Hollow's enemy, before it destroys them?Return to Whisper Hollow in Yasmine's next book, Shadow Silence.

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A high-pitched laugh echoes in an empty church. Servants discover their master dead in his bed, the only sign of disturbance an open window. The coffin of a woman hanged as a witch is found to be empty. A bed that hasn’t been slept in is crumpled and distressed come the morning. A skeletal figure creeps closer and closer to the house where an unsuspecting family lie sleeping. In these chilling tales of the supernatural, M. R. James proves he truly is the master of the ghost story. Selected from the book Ghost Stories by M.R. JamesVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Drinking by John CheeverSummer by Laurie LeeFriendship by Rose TremainLove by Jeanette Winterson

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Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association. Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect—in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state. If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power. A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.

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As scholars become more public, what responsibility do they have to advocate for policies that will advance equity, inclusiveness, and social change?Higher education scholars often conduct research on topics about which they care deeply, but to what extent should they be advocates for reform and social change? One school of thought believes researchers should remain dispassionate and data focused; the other, that a researcher, by the very questions she asks, can help effect social change. In this book, Laura W. Perna questions how, why, and when higher education researchers should be public intellectuals and whether, armed with research, they are—and should be—a powerful force for change.Taking It to the Streets collects essays from nationally and internationally recognized thought leaders with diverse opinions and perspectives on these issues. With the intentional inclusion of voices on different sides of this discussion, the volume offers a thought-provoking and nuanced understanding of the multifaceted connections between higher education research, advocacy, and policy.Contributors: Ann E. Austin, Estela Mara Bensimon, Anthony A. Berryman, Mitchell J. Chang, Cheryl Crazy Bull, Adam Gamoran, Sara Goldrick-Rab, Shaun R. Harper, Donald E. Heller, Adrianna Kezar, Simon Marginson, James T. Minor, Jeannie Oakes, Laura W. Perna, Gary Rhoades, Daniel G. Solorzano, Christine A. Stanley, William G. Tierney

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In recent years Clare Barron has emerged as one of the most acclaimed and exciting new voices in American drama. The first ever collection of her work, this volume contains I'll Never Love Again, You Got Older, Dance Nation and Dirty Crusty. I'll Never Love Again A theatrical chamber piece about first love, first heartbreak and how those early teenage experiences haunt the rest of our lives, I'll Never Love Again was created from the playwright's real high school diary, and recalls the anguish and mysteries of sex and love during adolescence. You Got Older Mae returns home to help take care of Dad and – maybe (a little) – herself. You Got Older is a tender and darkly comic new play about family, illness, and cowboys – and how to remain standing when everything you know comes crashing down around you. Dance Nation Somewhere in America, an army of pre-teen competitive dancers plots to take over the world. And if their new routine is good enough, they’ll claw their way to the top at the Boogie Down Grand Prix in Tampa Bay. Yet these young dancers have more than choreography on their minds, as every plié and jeté is a step toward finding themselves and unleashing their power. Dirty Crusty Jeanine is determined to improve her life. With sex. With dance. With new hobbies, like horticulture. But self-improvement is hard. Reclaiming your dreams is hard. And personal hygiene is really, really hard.

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An Irish Independent Book of the Year. As the great John McGahern used to say, there's verse, and there's prose, and then there's poetry; William Wall is a poet in both mediums' John Banville. 'An underrated veteran at the peak of his powers' Sunday Times. 'It's this mood of lives irreparably spoiled that make this bitter-tasting tale so potent' Daily Mail. Grace and her mother and sisters live on an island off the west coast of Ireland. Their father is a successful writer of travel books that advocate a simpler way of life, though he is so seldom there that his family become the subjects of his social experiments and his children's freedom is indistinguishable from poverty. Grace and Jeannie take turns to look after their little sister Emily. Then one day – Grace's day – a terrible tragedy occurs that changes everything. This is novel about a world of adult self-indulgence and the consequences of careless decisions and dishonest compromises.

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