Search results for ""Author Jean"

Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures. Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia WoolfVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Love by Jeanette WintersonHome by Salman RushdieLanguage by Xiaolu GuoRace by Toni Morrison

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Throughout the history of Western political philosophy, the idea of friendship has occupied a central place in the conversation. It is only in the context of the modern era that friendship has lost its prominence. By retrieving the concept of friendship for philosophical investigation, these essays invite readers to consider how our political principles become manifest in our private lives. They provide a timely corrective to contemporary confusion plaguing this central experience of our public and our private life. This volume assembles essays by well-known scholars who address contemporary concerns about community in the context of philosophical ideas about friendship. Part One includes essays on ancient philosophers including Plato, Aristotle, and Cicero. Part Two considers treatments of friendship by Christian thinkers such as Augustine, Aquinas, Luther, and Calvin, and Part Three continues with Thomas Hobbes, Montaigne, the American founders, and de Tocqueville. The volume concludes with two essays that address the postmodern emphasis on fragmentation and the dynamics of power within the modern state. Contributors: John von Heyking, Richard Avramenko, James M. Rhodes, Stephen M. Salkever, Walter Nicgorski, Jeanne Heffernan Schindler, Thomas Heilke, Timothy Fuller, Travis D. Smith, George Carey, Joshua Mitchell, and Jürgen Gebhardt.

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In some ways, I didn’t – don’t – want to remember any of it. Which is not to say that one ever forgets. I don’t know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn’t haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles – the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed – arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book – a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O’Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglán de Bréadún, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O’Callaghan, Conor O’Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

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Jeanette Garland, missing Castleford, July 1969. Susan Ridyard, missing Rochdale, March 1972. Claire Kemplay, missing Morley, since yesterday. Christmas bombs and Lord Lucan on the run, Leeds United and the Bay City Rollers, The Exorcist and It Ain't Half Hot Mum. It's winter, 1974, Yorkshire, and Eddie Dunford's got the job he wanted - crime correspondent for the Yorkshire Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched into her back. In Nineteen Seventy Four, David Peace brings the passion and stylistic bravado of an Ellroy novel to this terrifyingly intense journey into a secret history of sexual obsession and greed, and starts a highly acclaimed crime series that has redefined how the genre is approached.

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At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of \u0022Asian America\u0022 in accordance with their unique set of sensibilities. For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well. Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

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Here's the most delicious book on kitchen collecting ever written. It is resplendent with hundreds of Depression Glass and Elegant Glass cake plates, from all the major glass manufacturers - Duncan & Miller, Hazel-Atlas Company, Imperial Glass Company, Jeannette Glass Company, Liberty Works, Macbeth-Evans Glass Company, New Martinsville, Paden City, to name merely a few. This treasure explores the American view of serving cake for dessert from the 1920s through the 1960s. An entire chapter is devoted to Canada's Corn Flower cut on American-made glass cake plates. Dozens of chrome, copper, tin, and plastic cake carriers from well-known producers such as Kromex, NESCO, and Deco Ware are also included. Even vintage recipes and serving pieces are included. You won't gain an ounce but you will develop an appetite for cake plates and carriers while enjoying this visually exciting identification and price guide!

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Start Becoming A Good Samaritan Teen Edition is about people like you. Teens who want to do something to help make the world a better place, who want to help bring healing and comfort to those in need, but don’t know where to start.It is a resource that will help you better understand the parable of the Good Samaritan, showing you how you can live out Jesus’ call to “Love your neighbor” at home, at school, in the community, and throughout the world.In six dynamic sessions (DVD/digital video sold separately), the Start Becoming A Good Samaritan Teen Edition curriculum explores the critical needs facing our world and helps teen Christians understand how they can become Good Samaritans, right now, right where they live.Commit yourself to being the hands and feet of Christ to a hurting world. Start here.Designed for use with the Start Becoming a Good Samaritan Teen Edition Video Study (sold separately). Hosted by Jarret and Jeannie Stevens, this video curriculum features an amazing line up of teachers, thinkers, and global Christian leaders such as Eugene Peterson, Philip Yancey, Jim Cymbala, Chuck Colson, Zach Hunter, Brenda Salter McNeil, Kay Warren, Joni Eareckson Tada, Rob Bell, and many others.

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Honorable Mention, Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.

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Honorable Mention, Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.

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Technology, Literature and Culture provides a detailed and accessible exploration of the ways in which literature across the twentieth century has represented the inescapable presence and progress of technology. As this study argues, from the Fordist revolution in manufacturing to computers and the internet, technology has reconfigured our relationship to ourselves, each other, and to the tools and material we use. The book considers such key topics as the legacy of late-nineteenth century technology, the literary engagement with cinema and radio, the place of typewriters and computers in formal and thematic literary innovations, the representations of technology in spy fiction and the figures of the robot and the cyborg. It considers the importance of broadcast technology and the internet in literature and covers major literary movements including modernism, cold war writing, postmodernism and the emergence of new textualities at the end of the century. An insightful and wide-ranging study, Technology, Literature and Culture offers close readings of writers such as Virginia Woolf, Samuel Beckett, Ian Fleming, Kurt Vonnegut, Don DeLillo, Jeanette Winterson and Shelley Jackson. It is an invaluable resource for students and scholars alike in literary and cultural studies, and also introduces the topic to a general reader interested in the role of technology in the twentieth century.

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AN INSTANT SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE GORDON BURN PRIZEA GUARDIAN BEST MEMOIR OF 2023A WATERSTONES BEST BOOK OF 2023AN iNEWS BEST BOOK TO GIFTJohn Niven's little brother Gary was fearless, popular, stubborn, handsome, hilarious and sometimes terrifying. In 2010, after years of chaotic struggle against the world, he took his own life at the age of 42.Hoping for the best while often witnessing the worst, John, his younger sister Linda and their mother, Jeanette, saw the darkest fears they had for Gary played out in drug deals, prison and bankruptcy. While his life spiralled downward and the love the Nivens shared was tested to its limit, John drifted into his own trouble in the music industry, a world where excess was often a marker of success.Tracking the lives of two brothers in changing times - from illicit cans of lager in 70s sitting rooms to ecstasy in 90s raves - O Brother is a tender, affecting and often uproariously funny story. It is about the bonds of family and how we try to keep the finest of those we lose alive. It is about black sheep and what it takes to break the ties that bind. Fundamentally it is about how families survive suicide, 'that last cry, from the saddest outpost.'

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The smash-hit Sunday Times bestseller that will transform your understanding of our planet and life itself.'Astonishing ... it seems somehow to tip the natural world upside down' Observer'Completely mind-blowing ... reads like an adventure story' Sunday Times*WINNER OF THE ROYAL SOCIETY BOOK PRIZE 2021**WINNER OF THE WAINWRIGHT PRIZE FOR CONSERVATION WRITING 2021*The more we learn about fungi, the less makes sense without them. They can change our minds, heal our bodies and even help us avoid environmental disaster; they are metabolic masters, earth-makers and key players in most of nature's processes. In Entangled Life, Merlin Sheldrake takes us on a mind-altering journey into their spectacular world, and reveals how these extraordinary organisms transform our understanding of our planet and life itself.'Dazzling, vibrant, vision-changing' Robert Macfarlane'Urgent, astounding and necessary' Helen Macdonald'Gorgeous!' Margaret Atwood (on Twitter)'Wonderful' Nigella Lawson'This book is like one surprise after another' David Byrne'Uplifting' Jeanette Winterson*SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 2021**SHORTLISTED FOR THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2021** A Sunday Times, Daily Telegraph, New Statesman, The Times, Evening Standard, Mail on Sunday, BBC Science Focus and Time Book of the Year *

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In 1869, more than twenty years after Elizabeth Cady Stanton and Susan B. Anthony made their declaration of the rights of woman at Seneca Falls, New York, the men of the Wyoming Territorial Legislature granted women over the age of 21 the right to vote in general elections. And on September 6, 1870, a grandmother named Eliza Swain stepped up to a ballet box in Laramie, Wyoming, and became the first woman in the United States to exercise that right, ushering in the era of Western states’ early foray into suffrage equality. Wyoming Territory’s motives for extending the vote to women might have had more to do with publicity and attracting female settlers than with any desire to establish a more egalitarian society. However, individual men’s interests in the idea of women’s rights had their roots in diverse ideologies, and the women who agitated for those rights were equally diverse in their attitudes. No Place for a Woman explores the history of the fight for women’s rights in the West, examining the conditions that prevailed during the vast migration of pioneers looking for free land and opportunity on the frontier, the politics of the emerging Western territories at the end of the Civil War, and the changing social and economic conditions of the country recovering from war and on the brink of the Gilded Age. The stories of the women who helped settle the west and who ushered in voting rights decades ahead of the 19th Amendment and the stories of the country they were forging in the west will be of great interest to readers as the 100th anniversary of national woman suffrage approaches and is relevant in our current political climate. Revealed through the individual stories of women like Esther Hobart Morris, Martha Cannon, and Jeannette Rankin, this book fills a hole in the story of the West, revealing the real story of how the hard work and individual lobbying of a few heroines, plus a little bit of publicity-seeking and opportunism by promoters of the Wyoming Territory, ushered in a new era for the expansion of women’s rights.

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Berlin has survived two world wars, was divided by a wall during the Cold War, and after the fall of the wall was reunited. The city emerged as a center of European power and culture. From 1860 to the present day, this book is the most comprehensive photographic study of this extraordinary city, dense with spirit as much as with history. Some 560 pages gather aerial views, street scenes, portraits, and more to trace Berlin history from the Imperial Era as capital of Prussia through the Roaring Twenties to devastating images of war to heartwarming postwar photos of a city picking up the pieces—the Reichstag in ruins and later wrapped by Christo and Jeanne-Claude. Among the photographs are works by Henri Cartier-Bresson, Helmut Newton, René Burri, Robert Capa, Thomas Struth, and Wolfgang Tillmans in addition to well-known Berlin photo-chroniclers such as Friedrich Seidenstücker, Erich Salomon, Willy Römer, and Heinrich Zille (an index of photographers’ biographies is also included). The images are accompanied by quotes from Berliners and Berlin connoisseurs such as Vladimir Nabokov, Alfred Döblin, Herwarth Walden, Marlene Dietrich, Billy Wilder, John F. Kennedy, Willy Brandt, Helmut Newton, Sir Simon Rattle, and David Bowie. More than a tribute to the city and its civic, social, and photographic history, this book pays homage to Berlin’s inhabitants: full of hope and strength, in their faces is reflected Berlin’s undying soul.

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Your sister might be the kindred soul who knows you best, or the most alien being in your household; she might enrage you or inspire you; she might be your fiercest competitor or closest co-conspirator, but she'll always share with you a totally unique bond. Meg, Jo, Beth and Amy are four of the most famous sisters in literature, and these stories of the joys and heartaches they share are a touching celebration of the special ties of sisterhood.Selected from the books Little Women and Good Wives by Louisa May AlcottVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Fatherhood by Karl Ove KnausgaardMotherhood by Helen SimpsonBabies by Anne EnrightLove by Jeanette Winterson

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Many female journalists came to the fore during the first and second world wars, and their perspective was very different to that of their male peers, who were reporting from the field. Specifically, they often wrote about war from the perspective of those left at home, struggling to keep the household afloat. And with 'How it feels to be forcibly fed' (1914) by Djuna Barnes, one of the world's very first experiential, or 'gonzo' journalists, came a new age of reporting.Since then, women have continued to break new ground in newspapers and magazines, redefining the world as we see it. Many of the pieces here feel almost unsettlingly relevant today -- the conclusions Emma 'Red' Goldman drew in her 1916 'The social aspects of birth control', Maddy Vegtel's 1930s article about becoming pregnant at 40, Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's Beauty Myth brought feminism to a new generation; Helen Fielding's Bridget Jones caused a media revolution; Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candour and a host of imitators; and when two iconic women come face to face, we have at one end Dorothy Parker on Isadora Duncan (1928) and at the other Julie Burchill on Margaret Thatcher (2004). This collection of superlative writing, selected by the Sunday Times's most senior female editor, brings together the most influential, incisive, controversial, affecting and entertaining pieces of journalism by the best women in the business. Covering: War; Crime; Politics & Society; Sex & Romance; Body Image & Health; Family, Friendship & Birth; Emancipation & Having it All; Hearth & Home; Icons & Interviews. Including: Lynn Barber, Djuna Barnes, Julie Burchill, Angela Carter, Marie Colvin, Jilly Cooper, Joan Didion, Margaret Drabble, Helen Fielding, Zelda Fitzgerald, Kathryn Flett, Martha Gellhorn, Nicci Gerrard, Emma Goldman, Germaine Greer, Nicola Horlick, Erica Jong, Jamaica Kincaid, India Knight, Christina Lamb, Daphne du Maurier, Nancy Mitford, Suzanne Moore, Camille Paglia, Sylvia Pankhurst, Dorothy Parker, Allison Pearson, Ruth Picardie, Erin Pizzey, Eleanor Roosevelt, Zadie Smith, Susan Sontag, Gloria Steinem, Martha Stewart, Mary Stott, Jill Tweedie, Rebecca West, Zoe Williams, Jeanette Winterson, Naomi Wolf.

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In his frenzy to save France from the hordes of the living dead, a manic Louis XVI seeks the jewels he believes shall resurrect the Maid of Orléans herself – the legendary heroine Jeanne d’Arc. With the help of Napoléon and his entourage, the hunt for a miracle is on…but will Antoinette’s actions dash their hopes for a new and better nation? Series Overview: While en route from Austria to marry Louis XVI and become the Queen of France, Marie Antoinette’s carriage is intercepted by bloodthirsty zombies. The sole survivor of the attack is Marie’s twin brother, Albert. He heads for Versailles in his sister’s gown – and instead of continuing life as himself, decides to take his sister’s place. Now at the heart of the French royal court, Albert must face the undead horrors as the man who would be queen.

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The story of the fight against fascism across the African diaspora, revealing that Black antifascism has always been vital to global freedom struggles.At once a history for understanding fascism and a handbook for organizing against, The Black Antifascist Tradition is an essential book for understanding our present moment and the challenges ahead.From London to the Caribbean, from Ethiopia to Harlem, from Black Lives Matter to abolition, Black radicals and writers have long understood fascism as a threat to the survival of Black people around the world—and to everyone. In The Black Antifascist Tradition, scholar-activists Jeanelle K. Hope and Bill Mullen show how generations of Black activists and intellectuals—from Ida B. Wells in the fight against lynching, to Angela Y. Davis in the fight against the prison-industrial complex—have stood within a tradition of Black Antifascism. 

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A busy night in a fashionable restaurant. Minutes later, carnage. 13 people dead and dozens wounded. As Lieutenant Decker, in charge of the police on the scene says, it's your worst nightmare. But at least the culprit seems clear - an embittered ex-employee, Harlan Manz, who ambled up to the bar and opened fire, finally turning the gun on himself. But why did Manz do it? Deck finds that things don't quite add up. Then he questions Jeanine Garrison, daughter of millionaire parents killed in the outrage, and find himself slapped with a sexual harassment suit. Now Decker knows she's involved, and after her brother, who shared the inheritance, is found dead he's sure. But he's not allowed near the woman. Meantime, he can feel her slipping through his fingers and getting away, quite literally, with murder.

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Simple in concept, far-reaching in implementation, Curriculum-Based Measurement (CBM) was developed in the 1980s as an efficient way to assess the progress of struggling students, including those with disabilities. Today, there are few areas of special education policy and practice that have not been influenced by CBM progress monitoring. The impact of CBM is reflected in recent education reforms that emphasize improvements in assessment and data-based decision making. Gathering an international group of leading researchers and practitioners, A Measure of Success provides a comprehensive picture of the past, present, and possible future of CBM progress monitoring. The book will be instrumental for researchers and practitioners in both general and special education, particularly those involved in the rapidly growing Response to Intervention (RTI) approach, an approach used to determine the performance and placement of students with learning difficulties.A Measure of Success presents a nuanced examination of CBM progress monitoring in reading, math, and content-area learning to assess students at all levels, from early childhood to secondary school, and with a wide range of abilities, from high- and low-incidence disabilities to no disabilities. This study also evaluates how the approach has affected instructional practices, teacher training, psychology and school psychology, educational policy, and research in the United States and beyond.Timely and unique, this volume will interest anyone in education who wants to harness the potential advantage of progress monitoring to improve outcomes for students.Contributors: Laurence Bergeron; Lionel A. Blatchley; Renee Bradley; Mary T. Brownell, U of Florida; Todd W. Busch, U of St. Thomas; Heather M. Campbell, St. Olaf College; Ann Casey; Theodore J. Christ, U of Minnesota; Kelli D. Cummings, U of Oregon; Eric Dion, U du Québec à Montréal; Isabelle Dubé, U du Québec à Montréal; Hank Fien, U of Oregon; Anne Foegen, Iowa State U; Douglas Fuchs, Vanderbilt U; Lynn S. Fuchs, Vanderbilt U; Gary Germann; Kim Gibbons; Roland H. Good III, U of Oregon; Anne W. Graves, San Diego State U; John L. Hosp, U of Iowa; Michelle K. Hosp; Joseph R. Jenkins, U of Washington; Ruth A. Kaminski; Panayiota Kendeou, Neapolis U Pafos, Cyprus; Dong-il Kim, Seoul National U, South Korea; Amanda Kloo, U of Pittsburgh; Danika Landry, U du Québec à Montréal; Erica Lembke, U of Missouri; Francis E. Lentz Jr., U of Cincinnati; Sylvia Linan-Thompson, U of Texas at Austin; Charles D. Machesky; Doug Marston; James L. McLeskey, U of Florida; Timothy C. Papadopoulos, U of Cyprus; Kelly A. Powell-Smith; Greg Roberts, U of Texas at Austin; Margaret J. Robinson; Steven L. Robinson, Minnesota State U, Mankato; Catherine Roux, U du Québec à Montréal; Barbara J. Scierka; Edward S. Shapiro, Lehigh U; Jongho Shin, Seoul National U, South Korea; Mark R. Shinn, National Louis U; James G. Shriner, U of Illinois, Urbana-Champaign; Paul T. Sindelar, U of Florida; Deborah L. Speece, U of Maryland; Pamela M. Stecker, Clemson U; Martha L. Thurlow, U of Minnesota; RenátaTichá, U of Minnesota; Gerald Tindal, U of Oregon; Paul van den Broek, Leiden U, the Netherlands; Sharon Vaughn, U of Texas at Austin; Dana L. Wagner, Augsburg College; Teri Wallace, Minnesota State U, Mankato; Jeanne Wanzek, Florida State U; Mary Jane White, U of Minnesota; Mitchell L. Yell, U of South Carolina; Naomi Zigmond, U of Pittsburgh.

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Among the most celebrated works of Modigliani’s brief but brilliant career are his large-format nudes. Drenched in color and glowing with the artist’s deep appreciation of women and the female form, these works ushered in a new era of nude portraiture, while also causing an enormous scandal. This stunning exhibition catalog offers a new perspective on this aspect of Modigliani’s work by examining for the first time his portraits of emancipated women sporting coupe garçonnes haircuts and wearing loin cloths. Modigliani was one of the first chroniclers of the femme moderne, which also influenced his nude painting and the scandal they caused. Featuring lavish reproductions and astute texts by leading scholars, this volume also examines Modigliani’s cultural context in European Classicism, from Toulouse-Lautrec and Cezanne to the work of his contemporaries, including Paula Modersohn-Becker, Gustav Klimt, Egon Schiele, Jeanne Mammen and Wilhelm Lehmbruck; and traces his impact on future European Modernism and New Objectivity.

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Following a first edition that generated wide-spread debate, Cultural Politics – Queer Reading is a bold study of the future of critical theory and the role of gender, ethnicity and cultures within academic literary studies.An illuminating introduction to the second edition revisits the book's agenda for a new form of cultural critique and a truly political lesbian and gay studies. Sinfield renews his call for an 'Englit' that incorporates ongoing study of the cultures of ethnicity, gender and sexuality.Challenging the assumptions that have shaped the study of English literature, Sinfield engages provocatively with topics such as the gendering of literary culture, the sexual politics of psychoanalysis during the Cold War and the history of cultural materialism. He discusses such key figures as William Shakespeare, Christopher Marlowe, Walt Whitman, Arthur Miller, Holly Hughes, Audre Lorde and Jeanette Winterson.This influential investigation of the principles and practice that may form dissident reading, forms compelling argument for intellectual allegiances beyond the academy.

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JEANNE ANTOINETTE POISSON (1721-64), Madame de Pompadour, became the official mistress of Louis XV of France in 1745, and for the rest of her life their patronage of Vincennes/Sèvres helped to make it one of the greatest porcelain factories in history. Everyday Rococo: Madame de Pompadour and Sèvres Porcelain is a year-on-year richly-illustrated chronology in two volumes of her daily life and purchases. Although also partly a social history revealing Madame de Pompadour as a major player in the art and politics of eighteenth-century France, Rosalind Savill’s diligent research has concentrated on the everyday details of Madame de Pompadour’s life for which Vincennes/Sèvres catered so perfectly. Everyday Rococo: Madame de Pompadour and Sevres Porcelain is a year-on-year richly-illustrated chronology of her daily life and purchases. Although also partly a social history revealing Madame de Pompadour as a major player in the art and politics of eighteenth-century France, Rosalind Savill's diligent research has concentrated on the everyday details of Madame de Pompadour's life for which Vincennes/Sevres catered so perfectly.

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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‘There is a certain feeling – standing between rows of richly dyed blue cloth – that you are within an enclave of protection, that within this ocean you can feel calm; a separation from the outside world.’ One summer, a mother and daughter are reunited in the small village of Betws Gwerful Goch in North Wales following the death of a father and grandfather. Ellie returned from studying at university, while Jeanette had been studying the art of indigo dyeing in Japan. In this lyrical memoir, Ellie Evelyn Orrell transports readers to their hillside garden, reflecting on a summer spent learning to work with indigo, and witnessing the power of creativity in moments of mourning and recovery. In it, she weaves together stories of resettling in a once-familiar landscape; the healing powers of art; the historical, mythological and present day properties of indigo; and the presence of this indelible colour within the Welsh landscape. An Indigo Summer is an absorbing meditation on art, rural life and roots, grief, creativity and the artistic process.

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Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged.

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A fascinating collective biography of six female scientists in eighteenth-century France, whose stories were largely written out of history “Of the 72 scientific names engraved on the Eiffel Tower, none is female. Omissions include the six Enlightenment women dubbed ‘Minerva’s sisters’ by historian Nina Gelbart in her pioneering, evocative rescue.”—Nature This book presents the stories of six intrepid Frenchwomen of science in the Enlightenment whose accomplishments—though celebrated in their lifetimes--have been generally omitted from subsequent studies of their period: mathematician and philosopher Elisabeth Ferrand, astronomer Nicole Reine Lepaute, field naturalist Jeanne Barret, garden botanist and illustrator Madeleine Françoise Basseporte, anatomist and inventor Marie-Marguerite Biheron, and chemist Geneviève d’Arconville. By adjusting our lens, we can find them. In a society where science was not yet an established profession for men, much less women, these six audacious and inspiring figures made their mark on their respective fields of science and on Enlightenment society, as they defied gender expectations and conventional norms. Their boldness and contributions to science were appreciated by such luminaries as Franklin, the philosophes, and many European monarchs. The book is written in an unorthodox style to match the women’s breaking of boundaries.

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In Hermeneutics and the Church, James A. Andrews presents a close reading of De doctrina christiana as a whole and places Augustine's text into dialogue with contemporary theological hermeneutics. The dialogical nature of the exercise allows Augustine to remain a living voice in contemporary debates about the use of theology in biblical interpretation. In particular, Andrews puts Augustine's hermeneutical treatise into dialogue with the theologians Werner Jeanrond and Stephen Fowl. Andrews argues on the basis of De doctrina christiana that the paradigm for theological interpretation is the sermon and that its end is to engender the double love of God and neighbor. With the sermon as the paradigm of interpretation, Hermeneutics and the Church offers practical conclusions for future work in historical theology and biblical interpretation. For Augustine scholars, Andrews offers a reading of De doctrina that takes seriously the entirety of the work and allows Augustine to speak consistently through words written at the beginning and end of his bishopric. For theologians, this book provides a model of how to engage theologically with the past, and, more than that, it offers the actual fruits of such an engagement: suggestions for the discipline of theological hermeneutics and the practice of scriptural interpretation.

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Principles of Addiction Medicine, 7th ed is a fully reimagined resource, integrating the latest advancements and research in addiction treatment. Prepared for physicians in internal medicine, psychiatry, and nearly every medical specialty, the 7th edition is the most comprehensive publication in addiction medicine. It  offers detailed information to help physicians navigate addiction treatment for all patients, not just those seeking treatment for SUDs. Published by the American Society of Addiction Medicine and edited by Shannon C. Miller, MD, Richard N. Rosenthal, MD, Sharon Levy, MD, Andrew J. Saxon, MD, Jeanette M. Tetrault, MD, and Sarah E. Wakeman, MD, this edition is a testament to the collective experience and wisdom of 350 medical, research, and public health experts in the field.   The exhaustive content, now in vibrant full color, bridges science and medicine and offers new insights and advancements for evidence-based treatment of SUDs. This foun

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1 Introduction - Kara J. Mitchell, Nason P. Hamlin2 Styles of Medical Consultation - Rachel E. Thompson, Nason P. Hamlin3 The Preoperative Evaluation - Molly Blackley Jackson, Christopher J. Wong4 Perioperative Medication Management - Anna L. Golob, Tyler Lee5 Anesthesia Pearls - Gail A. Van Norman6 Cardiovascular Risk Stratification - Molly Blackley Jackson7 Ischemic Heart Disease - Molly Blackley Jackson8 Perioperative Beta-blockers - Paul B. Cornia, Kay M. Johnson9 Atrial Fibrillation - Kay M. Johnson, Paul Cornia10 Hypertension - Nason P Hamlin, Gail A. Van Norman11 Valvular Heart Disease - Divya Gollapudi12 Implantable Cardiac Electronic Devices - G. Alec Rooke13 Diabetes Mellitus - Nason P. Hamlin, Kara J. Mitchell14 Stress-Dose Steroids - Kara J. Mitchell15 Thyroid Disease - Jennifer R. Lyden, Jeanie C. Yoon16 Liver Disease and Perioperative Risk - Kara J. Mitchell1

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In The Gender and Psychology Reader, Blythe McVicker Clinchy and Julie K. Norem have culled through a diverse group of readings to provide a wide-ranging exploration of both progress made and problems encountered as psychologists grapple with gender. The volume includes both classic and contemporary readings, drawn from all branches of psychology-- social, developmental, personality, cognitive, history, physiological/biological--as well as from other disciplines, including sociology, philosophy, and anthropology.The essays cover a gamut of subjects including epistemological issues, the study of difference, the embodiment of gender, autonomy and connection in relationships, and clinical implications. A concluding chapter by the editors considers themes that can be traced through the different sections, gaps in current perspectives, and future directions.The Gender and Psychology Reader includes contributions from an array of distinguished scholars from varying methodological and disciplinary backgrounds. Among the contributors are Laurel Furumoto, Jeanne Marecek, Laura S. Brown, Anne Fausto- Sterling, Sandra Lipsitz Bem, Michelle Fine, Jospeh H. Pleck, J. G. Morawski, Daniel A. Hart, Barrie Thorne, and Aida Hurtado. Organized for easy use as either a primary or supplementary text for upper-level undergraduate and graduate courses in psychology, The Gender and Psychology Reader will also serve as the essential reference for those in clinical practice interested in gender issues.

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Regulation No 1346/2000 of 29 May 2000 (EIR) is the cornerstone of European insolvency law. The Regulation, which is directly applicable in all Member States, is the legal basis for cross-border insolvencies within the European Union. Paving the way for a new European insolvency law, the Heidelberg-Luxembourg-Vienna Report carries out a comprehensive legal and empirical evaluation of European insolvency law practice in the Member States. Based on thorough analyses the general reporters evaluate the Regulation and provide recommendations for its current revision. General reporters Professor Burkhard Hess (Luxembourg/Heidelberg), Dr Christian Koller (Vienna), Dr Björn Lankemann (Heidelberg/Luxembourg), Dr Robert Magnus (Heidelberg), Professor Paul Oberhammer (Vienna/London/St Gallen), Professor Thomas Pfeiffer (Heidelberg), Professor Andreas Piekenbrock (Heidelberg), Michael Slonina (Vienna) National reporters Dr Krista Pisani Bencini (Valletta), Samantha Bewick (London), Prof Dr Eric Bylander, LLD (Uppsala), Dr Rosanne Bonnici (Valletta), Prof Dr Remo Caponi (Florence), Mgr Slavomír M.Èauder (Prague), Dr Jeanette Ciantar (Valletta), Prof Dr Zoltaá Csehi (Budapest), Prof Dr Gilles Cuniberti, LLM (Luxembourg), Prof Dr Aleš Galiè (Ljubljana), Prof Dr Francisco Garcimartín (Madrid), Prof Dr Iván Heredia (Madrid), Prof Burkhard Hess (Luxembourg/Heidelberg), Dr Laura Kirilevièiûtë (Lithuania), Prof Dr Nikolaos Klamaris (Athens), Dr Björn Laukemann (Heidelberg/Luxembourg), Dennis Lievens, LLM (Heidelberg), Prof Dr Tuula Linna, LLD (Lapland), Dr Robert Magnus (Heidelberg), Prof Dr Federico M Mucciarelli (London), Dr Carl Friedrich Nordmeier (Wiesbaden), Dr Ailbhe O'Neill (Dublin), Nina Orehek (Ljubljana), Polina Pavlova (Luxembourg), Joanna Perkins (London), Prof Thomas Pfeiffer (Heidelberg), Prof Andreas Piekenbrock (Heidelberg), Dr Tomáš Richter (Prague), Veronika Sajadova (Latvia), Mag Gottfried Schellmann (Vienna), Christopher Seagon (Heidelberg), Kristina Sirakova (Luxembourg), Michael Slonina, LLM (Vienna), Prof Dr Elisa Torralba (Madrid), Prof Dr Paul Varul (Tartu), Prof Dr PM Michael Veder (Nijmegen), Dr Signe Viimsalu (Tallinn), Gheorghe-Liviu Zidaru (Bucharest)

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This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France's Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demandsand how she created and profited from controversy. Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d'Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privil

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French intellectuals have always defined themselves in political terms. They figure in common representation as oppositional figures set against State and government. But speaking truth to power is not the only way that intellectuals in France have brought their influence to bear upon political fields. Ahearne’s book explores a neglected dimension of French intellectuals’ practice. What happens when, instead of denouncing from without the worlds of government and public policy, French intellectuals become voluntarily, at least for a while, entangled within those worlds? After a historical and theoretical overview, the heart of the book is constituted by a series of case studies exploring policy domains in which strategies for shaping the broad ‘culture’ of France have been debated and developed. These comprise issues of laicity and secularization, reform of the educational curriculum, programmes of cultural ‘democratization’ and ‘democracy’, and public television programming. It explores the policy engagement of intellectuals such as Pierre Bourdieu, Michel de Certeau, André Malraux, Cathérine Clément, Régis Debray, Francis Jeanson, Henri Wallon, Blandine Kriegel, and Edgar Morin. ‘An interesting and stimulating read … I shall be recommending elements of this book as higher-level reading for students taking undergraduate modules on 'Republican values' and the French education system and 'French Popular culture'. I am sure that many other colleagues elsewhere in British and US universities will want to do likewise.’ Hugh Dauncey, Newcastle University.

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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic cliches, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture-from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover-Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

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LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZEA gorgeous, critically acclaimed debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes - in the bestselling tradition of Jeannette Walls's The Glass Castle.A prize-winning tour de force when it came out in France, Violaine Huisman's remarkable debut novel is about a daughter's inextinguishable love for her magnetic, mercurial mother. Beautiful and charismatic, Catherine, aka 'Maman', smokes too much, drives too fast, laughs too hard and loves too extravagantly. During a joyful and chaotic childhood in Paris, her daughter Violaine wouldn't have it any other way.But when Maman is hospitalised after a third divorce and breakdown, everything changes. Even as Violaine and her sister long for their mother's return, once she's back Maman's violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine's own traumatic childhood and coming of age unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive.With spectacular ferocity of language, a streak of dark humor and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother's dizzying heights and devastating lows, and a daughter who must hold her memory close in order to let go.

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The Lost Diaries is a wide-ranging anthology of the world's greatest diarists, each of them channelled onto paper through the considerable psychic force that is Craig Brown. Arranged on a day-to-day basis, spread throughout an entire year, these diary extracts form a patchwork quilt of observation, reflection, contemplation and, above all, self-promotion. As the months unfold, different diarists offer their insights on the events that pass: John Prescott on going to Royal Ascot, Nigella Lawson on preparing Christmas lunch, W.G. Sebald on enjoying an ice lolly by the beach, Karl Lagerfeld on the need for an umbrella in Spring. Among over 200 diarists featured are Martin Amis, Jordan, Germaine Greer, The Duchess of Devonshire, President Barack Obama, Philip Roth, HM the Queen, Heather Mills McCartney, Victoria Beckham, Ludwig Wittgenstein, Sir Cecil Beaton, John Prescott, Mohamed Fayed, Harold Pinter, Yoko Ono, Barbara Cartland, Jilly Cooper, Christopher Ricks, Jeremy Clarkson, Jeanette Winterson, Sylvia Plath, Keith Richards, Maya Angelou and Frank McCourt. The Lost Diaries is the first time all Craig Brown’s greatest parodies have been gathered together in one book. Arranged day-by-day, full of invigorating and sometimes shocking juxtapositions, they constitute a treasure-trove, choc-a-bloc with all the fantasies and illusions of our times.

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The story of Liverpool's women is one of diversity and contrast. This iconic port has welcomed countless nationalities over the centuries, both as residents and passing migrants; it has experienced both great prosperity, and crushing poverty. Liverpool's women have lived in unhealthy court dwellings, and comfortable suburbs; helped each other, educated each other, and stood together against common adversaries such as poor living conditions, and enemies in wartime; they have lived, loved, worked, fought, laughed, wept, worshipped, and survived in their own unique way. Containing rarely seen illustrations, this book will take you on an adventure through 100 years of Liverpool's history, with a focus on its courageous, hospitable, caring, intelligent and adventurous women. In this honest account, you will meet women from all walks of life, be they politician, home maker, impoverished migrant, the ladies from the big house', preacher at a chapel, teacher, prostitute, activist, prisoner, and more. Some of them you may have heard of, such as Battling Bessie' Braddock MP, suffragette Jeannie Mole; many are the forgotten women of history you will encounter for the first time. All of them in their own way make up the kaleidoscope of women's history in this great city.

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Since the mid-1960s, new religious movements—some exotic, some homegrown—have burgeoned all over the United States. A sense of self-awareness and spiritual sensitivity have found expression in the lives of large numbers of people, especially among youth. Why would this happen? What do these movements teach, and what effect do they have on the future? How does religious consciousness relate to other manifestations of social change, such as communal living, group therapy, and radical politics? Beginning in 1971, an extensive research project was undertaken by a team of sociologists, historians, and theologians seeking answers to these questions. Through a combination of interviews and participant observations, they studied new religious and quasi-religious groups in the San Francisco Bay Area, a spawning ground for upwards of one hundred such movements. The New Religious Consciousness opens with reports on three Eastern-based movements: the Healthy, Happy, Holy Organization, Hare Krishna, and Divine Light (more popularly known by the name of its leader, Maharaj Ji). Three quasi-religious movements are then considered: the New Left, the Human Potential Movement (Esalen, EST, Scientology, etc.), and Synanon. Next, three movements having their roots in Western religious traditions are examined: the Christian World Liberation Front (an offshoot of the Jesus Movement), Catholic Charismatic Renewal, and the Church of Satan (whose members believe in witchcraft). Succeeding chapters are devoted to estimating the impact of these movements on established religions and the population at large and to the history of earlier periods of religious ferment in the United States. The book concludes with provocative essays by the editors in which they present separate and differing analyses of the sources, nature, and meaning of the new religious consciousness. A variety of perspectives are represented here: phenomenological, theological, experiential, sociological, and social psychological. The result is a book rich in insight about the nature of new religions. Taken together with a companion volume, Robert Wuthnow's The Consciousness Reformation, also published by University of California Press, The New Religious Consciousness provides the first comprehensive study of American countercultural belief systems. With contributions by: Randall H. Alfred Robert N. Bellah Charles Y. Glock Barbara Hargrove Donald Heinz Gregory Johnson Ralph Lane, Jr. Jeanne Messer Richard Ofshe Thomas Piazza Linda K. Pritchard Donald Stone Alan Tobey James Wolfe Robert Wuthnow This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

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Fast track route to leading change in a fast-moving business world Covers the key areas of change leadership, from collaborativeleadership to relationship management and from efficiency andefficacy to getting organizations ready for change Examples and lessons from some of the world's most successfulbusinesses, including Microsoft, Daewoo, Cisco, The Royal/DutchShell, Komatsu, and ideas from the smartest thinkers, includingAlan Hooper and John Kotter, Jeanie Daniel Duck, John Katzenbachand the RCL team, Daryl Conner, John Adair and Tom Peters Includes a glossary of key concepts and a comprehensiveresources guide

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This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

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In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

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In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.

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This little book is about cats; cats of all shapes, sizes and colours, and specifically about those that have shared their lives with the great and well-respected astronomer, Sir Patrick Moore CBE FRS, over a lifetime of 80 years. This is Patrick's very personal account of the cats who have been part of his family, beginning with Bonnie, who died at the grand old age of twenty, through to Jeannie and Ptolemy, the two beloved felines that he lives with currently. The fascinating and engrossing text is complemented by personal photographs of Sir Patrick, his adored mother, Gertrude (also a cat-lover), and the many cats that have filled Patrick's life with love and companionship. Reveals a delightful and charming side to the man who has attained international status as a writer, researcher, radio commentator and television presenter, and who is credited with having done more than any other to raise the profile of astronomy.

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As the career of Worsley Senior languished amid studio politics, young Wally began his own odyssey through the Hollywood legacy of the twentieth century, spending almost two decades at MGM with such actors as Greta Garbo, Jeanette MacDonald and Gene Kelly, on pictures like The Wizard of Oz and Thirty Seconds Over Tokyo. Wally left during the turbulent 1950s and went to New York City, Singapore, and Europe. When he returned to Hollywood in 1960, he spent another two decades in the new, television-dominated Hollywood. Here, he worked for Universal City Studios, the MGM of the television age. His credits in later life include such Universal hits as Earthquake, Coal Miner's Daughter and Steven Spielberg's E.T. He also worked on Deliverance at Warner Brothers and Shogun at Paramount. When Wally died in 1991, four days short of his 83rd birthday, his widow, Sue Dwiggins Worsley, completed the autobiography he had begun to assemble from his voluminous business diaries. As edited by Charles Ziarko, a long time friend and co-worker, this chronicle captures a fascinating picture of Hollywood at work. Contains 16 pages of black and white photographs.

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This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture. A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: (1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality, (4) History, Memory and Writing, and (5) Narratives of Cultural Space. Key Features * Introduces the major themes and trends in British fiction over the last 30 years * Analyses a range of writers and texts including Brick Lane by Monica Ali, London Fields by Martin Amis, The Passion of New Eve by Angela Carter, Fever Pitch by Nick Hornby, The Buddha of Suburbia by Hanif Kureishi, Atonement by Ian McEwan, Shame by Salman Rushdie, Downriver by Iain Sinclair, White Teeth by Zadie Smith, and Oranges Are Not the Only Fruit by Jeanette Winterson. * Presents a variety of critical perspectives essential for studying contemporary British fiction * Provides essential resources for further reading and research

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Cosy up on the sofa with this year’s most heartwarming, feel good comfort read! Welcome to Love Heart Lane… When Flick Simons returns to the cosy village of Heartcross she only expected to stay for a few days. The white-washed cottages of Love Heart Lane might be her home, but the place holds too many painful memories, and of one man in particular – Fergus Campbell. When a winter storm sweeps in, the only bridge connecting the village to the main land is swept away. As the villagers pull together, Flick finds herself welcomed back by the friends she once left behind. And as the snow begins to melt, maybe there is a chance that Fergus’s heart will thaw too… Readers ADORE Christie’s books: ‘A hug in a book’ Jeannie, Amazon ‘A warm, cosy winter read perfect for January nights’ Susie, Amazon ‘I love reading about a community pulling together in the face of adversity…These days so many live lonely, anonymous lives in towns and cities’ Joanna, Amazon ‘A book full of love and community spirit’ Kathy, Amazon ‘I want to live there!!!’ Cally, Amazon ‘Delightfully warm feelgood fiction at its best’ Lorna, Amazon

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As discrete fields of inquiry, rhetoric and mathematics have long been considered antithetical to each other. That is, if mathematics explains or describes the phenomena it studies with certainty, persuasion is not needed. This volume calls into question the view that mathematics is free of rhetoric. Through nine studies of the intersections between these two disciplines, Arguing with Numbers shows that mathematics is in fact deeply rhetorical. Using rhetoric as a lens to analyze mathematically based arguments in public policy, political and economic theory, and even literature, the essays in this volume reveal how mathematics influences the values and beliefs with which we assess the world and make decisions and how our worldviews influence the kinds of mathematical instruments we construct and accept. In addition, contributors examine how concepts of rhetoric—such as analogy and visuality—have been employed in mathematical and scientific reasoning, including in the theorems of mathematical physicists and the geometrical diagramming of natural scientists. Challenging academic orthodoxy, these scholars reject a math-equals-truth reduction in favor of a more constructivist theory of mathematics as dynamic, evolving, and powerfully persuasive. By bringing these disparate lines of inquiry into conversation with one another, Arguing with Numbers provides inspiration to students, established scholars, and anyone inside or outside rhetorical studies who might be interested in exploring the intersections between the two disciplines.In addition to the editors, the contributors to this volume are Catherine Chaput, Crystal Broch Colombini, Nathan Crick, Michael Dreher, Jeanne Fahnestock, Andrew C. Jones, Joseph Little, and Edward Schiappa.

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