Search results for ""author fredericks"

As perhaps never before in its extraordinary history, New York has captured the American imagination. This major anthology brings together not only the best literary writing about New York-from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, John Steinbeck, Paul Auster, and James Baldwin, among many others-but also the most revealing essays by politicians, philosophers, city planners, social critics, visitors, immigrants, journalists, and historians. The anthology begins with an account of Henry Hudson's voyage in 1609 and ends with an essay written especially for this book by John P. Avlon, former Mayor Rudolph Guiliani's speechwriter, called "The Resilient City," on the September 11th attack on the World Trade Center as observed from City Hall. The editors have chosen some familiar favorites, such as Washington Irving's A History of New York and Walt Whitman's "Crossing Brooklyn Ferry," as well as lesser-known literary and historical gems, such as Frederick Law Olmsted's plan for Central Park and Cynthia Ozick's "The Synthetic Sublime"-an updated answer to E. B. White's classic essay Here Is New York, which is also included. The variety and originality of the selections in Empire City offer a captivating account of New York's growth, and reveal often forgotten aspects of its political, literary, and social history.

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There is no formula for becoming humble—not for individuals, and not for nations. Benjamin Franklin’s dilemma—one he passed on to the young United States—was how to achieve both greatness and humility at once. The humility James Madison learned as a legislator helped him to mold a nation, despite his reputation as a meek, timid, and weak man. The humility of Abigail Adams fed her impossible resilience. Humility of all kinds is deeply ingrained in our American DNA. Our challenge today is to rediscover and reawaken this utterly indispensable, alarmingly dormant national virtue before it’s too late.In Humility: An Unlikely Biography of America’s Greatest Virtue, Dr. David J. Bobb traces the “crooked line” that is the history of humility in political thought. From Socrates to Augustine to Machiavelli to Lincoln, passionate opinions about the humble ruler are literally all over the map. Having shown classical, medieval, and Christian ideas of humility to be irreconcilable, Dr. Bobb asserts that we as a nation are faced with a difficult choice. A choice we cannot put off any longer.“The power promised by humility is power over oneself, in self-government,” says Dr. Bobb. “[But] humility’s strength is obscured by the age of arrogance in which we live.”George Washington’s humility, as great as it was, cannot substitute for ours today. We must reintegrate this fundamental virtue if there is to be an American future. The rediscovery of humility’s strength awaits."Humility is essential to good character—and to our country. In this smart and lively book, David Bobb illustrates this virtue with the stories of five great Americans. And he reminds us that humility is at the core of our national creed of equality and liberty."—Paul Ryan"Nothing defies political correctness and the prevailing zeitgeist as radically as the notion that humility remains an important virtue. Dr. Bobb not only makes the case for this dismissed and disregarded value but emphasizes its importance as part of the American national character."—Michael Medved, syndicated talk radio host"A lively and counterintuitive argument, spiced with witty prose and engaging vignettes of Franklin, Washington, Madison, Lincoln, Frederick Douglass, and Abigail Adams."—Robert Faulkner, professor of Political Science, Boston College; author, The Case for Greatness“Dr. David Bobb has written a timely and timeless book on a vital virtue absent from far too many leaders today. Humility should be required reading for leaders in the public and private sector as well as in our homes and communities. In an age of arrogance there is much to be learned and strength to be gained from returning to the principle, power and pattern of humility contained in this extraordinary book.” --Mike Lee, U.S. Senator, Utah

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'Starts off like a fired bullet and never lets up. A sheer delight' DAVID BALDACCI Michael North is a dead man walking. Can he survive long enough to uncover the truth? Tobias Hawke was the tech genius on the brink of an astonishing breakthrough in the field of Artificial Intelligence. His creation, 'Syd', a device that mimics human thought, promised to change the face of humanity forever. Now Hawke’s body has been found in his lab – brutally murdered. And in the wake of her creator's death, Syd has gone into emergency shutdown procedure. There’s only one man to uncover what secrets she’s hiding and find the killer: Michael North – ex-assassin, spy-for-hire, and racing against the clock to survive the bullet lodged in his brain. Can he save himself and humanity in time? Perfect for fans of David Baldacci, Lee Child and Mark Dawson, Curse the Day is an action-packed spy thriller from a Sunday Times bestselling author. REVIEWS FOR CURSE THE DAY: 'A slick, fast-paced thriller from a master storyteller... Do yourself a favour and buy this book!' LJ Ross 'A rip-roaring road trip into the dark heart of a corrupt, cynical British establishment' Financial Times 'With a plot Fleming or Forsyth would be proud of and a hero to rival Jack Reacher, Curse the Day just might be the Thriller of the Year' Howard Linksey 'Relentlessly plotted with a blistering pace, Curse the Day is a sharply drawn, gleefully witty conspiracy thriller. Tackling tomorrow's nightmare today, this is a superb novel' M.W. Craven 'A brilliant technothriller that reads like a Bond movie, complete with terrific action sequences, memorable characters, and the fate of the world at stake... The pace never lets up and the story stays with you long after the final page' Zoe Sharp 'Packed with no-holds-barred action and memorable characters. It's a blast!' James Swallow PRAISE FOR JUDE O'REILLY: 'A terrific future-shock thriller full of pace, tension, character, and emotion' Lee Child 'Fast-paced and packed with action' Mick Herron 'A high-octane plot that centres around the dark heart of British political power' Sunday Times 'Thought-provoking, pacy and thrilling' Sunday Mirror 'A gritty, action-packed, page-turner' Andy McNab 'New thriller writers come and go. I suspect this lady will stick around' Frederick Forsyth 'A constantly surprising, heart-felt, desperately exciting super-thriller – and a truly standout action-adventure novel... Left me both smiling and breathless' Rob Parker

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A surfing, boy-crazy teenager comes of age in the summer of 1957 in this classic novel that inspired both movies and television and created an American pop culture icon.“My English comp teacher Mr. Glicksberg says if you want to be a writer you have to—quote—sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I heard that when you get older you forget things, and I’d be the most miserable woman in the world if I forgot all about Moondoggie and what happened this summer. I absolutely owe the world my story. (And every word is true. I swear.)”This is Franzie, part Holden Caulfield, part Lolita. The guys call her Gidget—short for girl midget. Based on the experiences of his own daughter, Frederick Kohner’s trend-setting novel became an international sensation with an irrepressible heroine whose voice still echoes every thrill, every fear, and every hope that every teenager ever had about growing up.Includes a Foreword by Kathy Kohner Zuckerman (aka the real Gidget)

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This illustrated history highlights the diversity and innovation of American ceramics in the late nineteenth and early twentieth centuries, as artists responded to historical precedents and emerging modernist styles around the world Between the early 1880s and the early 1950s, pioneering American artists drew upon the rich traditions and recent innovations of European and Asian ceramics to develop new designs, decorations, and techniques. With splendid new photography, this book showcases these American interpretations of international trends, from the Arts and Crafts and Art Deco movements, through the modernism of Matisse and the Wiener Werkstätte, to abstracted, minimalist styles. Illustrations of more than 180 exemplary works—some of these never before published—accompany engaging essays by two of the foremost experts on American art pottery. The featured makers include Rookwood, Grueby, and Van Briggle potteries, as well as artists including Maija Grotell, George E. Ohr, Frederick Hurten Rhead, Louis Comfort Tiffany, Rockwell Kent, Adelaide Alsop Robineau, and Leza McVey. A vivid and accessible overview of American ceramics and ceramists of the late nineteenth and early twentieth centuries, this publication reveals how diverse and global sources inspired works of astonishing ingenuity and variety by artists working in the United States. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 2021–October 2022)

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In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism. In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.

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Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. In The Portrait's Subject, Sarah Blackwood tells a wide-ranging story about how images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology.Blackwood reveals the underappreciated connections between portraiture's representations of the material human body and developing modern ideas about the human mind. It encouraged figures like Frederick Douglass, Nathaniel Hawthorne, Thomas Eakins, Harriet Jacobs, and Henry James to reimagine how we might see inner life, offering a rich array of metaphors and aesthetic approaches that ultimately reconfigured the relationship between body and mind, exterior and interior. In the end, Blackwood shows how nineteenth-century psychological discourse developed as much through aesthetic fabulation as through scientific experimentation.

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Let Secret Potsdam guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Potsdam guide book and let our local experts show you the well-hidden treasures of this amazing city. Ideal for local inhabitants and curious travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. A piece of the summit of Kilimanjaro at the New Palace, a swasticak in Sanssouci Park, a remnant of the 1893 Chicago World's Fair, the starry ceiling of a villa alluding to the Masonic setting of Mozart's opera The Magic Flute, a spectacular Expressionist tomb, a stone that sings in the heart of the city, a copy of the music pavilion of one of King Louis XV's mistresses, a luminous art installation under a bridge, a carved monkey from the Leaning Tower of Pisa, chimneys replicating those at Hampton Court in London, the esoteric passions of Emperor Frederick William II, a column to commemorate the deat of a parrot, a tower to calculated the displacement of the Earth's rotational axis, the last witness to the extraordinary epic of silk production in the Babelsberg district, a woman who disguised herself as a man to fight Napoleon, the spectacular hidden remains of Katharinenholz firing range, the forgotten mock-ups in Zeppelin Park... Far from the crowds and the usual cliches, Potsdam holds many well-hidden treasures that are revealed only to local residents and travellers who know where to step off the beaten track.

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Steven Spielberg is known as the most powerful man in New Hollywood and a pioneer of the contemporary blockbuster, America’s most successful export. His career began a new chapter in mass culture. At the same time, American post war liberalism was breaking down. This fascinating new book explains the complex relationship between film and politics through the prism of an iconic filmmaker. Spielberg’s early films were a triumphant emergence of the Sunbelt aesthetic that valued visceral kicks and basic emotions over the ambiguities of history. Such blockbusters have inspired much debate about their negative effect on politics and have been charged as being an expression of the corporatization of life. Here Frederick Wasser argues that the older Spielberg has not fully gone this way, suggesting that the filmmaker recycles the populist vision of older Hollywood because he sincerely believes in both big time moviemaking and liberal democracy. Nonetheless, his stories are burdened by his generation’s hostility to public life, and the book shows how he uses filmmaking tricks to keep his audience with him and to smooth over the ideological contradictions. His audiences have become more global, as his films engage history. This fresh and provocative take on Spielberg in the context of globalization, rampant market capitalism and the hardening socio-political landscape of the United States will be fascinating reading for students of film and for anyone interested in contemporary America and its culture.

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Lieutenant William Frederick “Bill” Harris was 25 years old when captured by Japanese forces during the Battle of Corregidor in May 1942. This son of a decorated Marine general escaped from hell on earth by swimming eight hours through a shark-infested bay but his harrowing ordeal had just begun. Shipwrecked on the southern coast of the Philippines, he was sheltered by a Filipino aristocrat, engaged in guerilla fighting, and eventually set off through hostile waters to China. After 29 days of misadventures and violent storms, Harris and his crew limped into a friendly fishing village in the southern Philippines. Evading and fighting for months, he was betrayed by treacherous islanders and handed over to the Japanese. Held for two years in the notorious Ofuna prisoner-of-war camp outside Yokohama, Harris was continuously starved, tortured, and beaten, but he never surrendered. Teaching himself Japanese, he eaves dropped on the guards and created secret codes to communicate with fellow prisoners. After liberation on August 30, 1945, Bill represented American Marine POWs during the Japanese surrender in Tokyo Bay before joining his father and flying to a home he had not seen in four years. Through military documents, personal photos, and an unpublished memoir provided by his daughter, Harris’ experiences are dramatically revealed through his own words in a riveting new look at the Pacific War.

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It was 1882 when Antoinette Giry, Maitresse du Corps de Ballet at the Paris Opera House, took her small daughter to the funfair at Neuilly. And there, in a cage, she saw a filthy manacled creature whose tormented eyes shone from a grotesquely deformed face. It was Antoinette Giry who saved him, freed him, cured his wounds and finally let him find a dwelling place in the labyrinthine depths of the Opera House. The creature - Erik - whose hideous face hid a brilliant brain of near-genius, was to become the Phantom of the Opera - magician, artists, musician, and lover. When he tried to lure the object of his adoration to his underground domain - it was to end in tragedy.It was Madame Giry who saved him once more, set him on a ship to the New World - and there Erik Muhlheim began a new and secret life, a life that began in misery and poverty but in which his incredible skills finally carved out an unexpected kingdom of power. And there it was he learned again of Christine, whose life had changed dramatically since that night in the Paris Opera House.Inevitably, their paths must cross again in the old sequence of tragedy and triumph.The Phantom, one of the most mysterious and romantic figures ever created, soars again in a world of his own making. Frederick Forsyth's magnificent and evocative story adds a new dimension to the legend of the Phantom.

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This book tells the story of the American West as the meeting of peoples and encounters with new environments. It emphasises the efforts of the Spanish, French, English and American empires to control the region and impose their ways of life on its Native peoples and landscapes, but also shows how empire builders sometimes adapted to the peoples and lands they encountered, how conquests always had unexpected consequences. The story has a cast of colourful characters, from the Indian warriors and gunslingers made into icons by Western novels and films to miners filled with gold fever, farm families dreaming of owning their own land, suburban tourists packed into cars at national parks, and the constant stream of immigrants, legal and illegal, looking for work and a better life. Lavishly illustrated with over 100 photographs and maps - and certainly the most accessible and affordable U.S. West survey on the market - the book does not shy away from controversial questions or the significance and meaning of Western American history. Pitting the famous 'frontier thesis' of Frederick Jackson Turner against competing ways of understanding the history of the U.S. West - from 'bor-derlands' approaches to the 'metropolitan thesis' of Western Canadian Historians, frontiers as zones of racial conflict, and the 'New Western History' of the 1980s and 1990s - this is a text that encourages readers to consider what these diverse perspectives on the region and its history have to say about the present and future of the American West.

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New approaches to a central area of Latter-day Saint belief The Church of Jesus Christ of Latter-day Saints and other Christians have always shared a fundamental belief in the connection between personal salvation and the suffering, death, and resurrection of Jesus Christ. While having faith in and experiencing the atonement of Christ remains a core tenet for Latter-day Saints, some thinkers have in recent decades reconsidered traditional understandings of atonement. Deidre Nicole Green and Eric D. Huntsman edit a collection that brings together multiple and diverse approaches to thinking about Latter-day Saint views on this foundational area of theology. The essayists draw on and go beyond a wide range of perspectives, classical atonement theories, and contemporary reformulations of atonement theory. The first section focuses on scriptural and historical foundations while the second concentrates on theological explorations. Together, the contributors evaluate what is efficacious and ethical in the Latter-day Saint outlook and offer ways to reconceive those views to provide a robust theological response to contemporary criticisms about atonement. Contributors: Nicholas J. Frederick, Fiona Givens, Deidre Nicole Green, Sharon J. Harris, J.B. Haws, Eric D. Huntsman, Benjamin Keogh, Ariel Bybee Laughton, Adam S. Miller, Jenny Reeder, T. Benjamin Spackman, and Joseph M. Spencer

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New approaches to a central area of Latter-day Saint belief The Church of Jesus Christ of Latter-day Saints and other Christians have always shared a fundamental belief in the connection between personal salvation and the suffering, death, and resurrection of Jesus Christ. While having faith in and experiencing the atonement of Christ remains a core tenet for Latter-day Saints, some thinkers have in recent decades reconsidered traditional understandings of atonement. Deidre Nicole Green and Eric D. Huntsman edit a collection that brings together multiple and diverse approaches to thinking about Latter-day Saint views on this foundational area of theology. The essayists draw on and go beyond a wide range of perspectives, classical atonement theories, and contemporary reformulations of atonement theory. The first section focuses on scriptural and historical foundations while the second concentrates on theological explorations. Together, the contributors evaluate what is efficacious and ethical in the Latter-day Saint outlook and offer ways to reconceive those views to provide a robust theological response to contemporary criticisms about atonement. Contributors: Nicholas J. Frederick, Fiona Givens, Deidre Nicole Green, Sharon J. Harris, J.B. Haws, Eric D. Huntsman, Benjamin Keogh, Ariel Bybee Laughton, Adam S. Miller, Jenny Reeder, T. Benjamin Spackman, and Joseph M. Spencer

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“Community and regional planning involve thinking ahead and formally envisioning the future for ourselves and others,” according to Frederick R. Steiner. “Improved plans can lead to healthier, safer, and more beautiful places to live for us and other species. We can also plan for places that are more just and more profitable. Plans can help us not only to sustain what we value but also to transcend sustainability by creating truly regenerative communities, that is, places with the capacity to restore, renew, and revitalize their own sources of energy and materials.”In Making Plans, Steiner offers a primer on the planning process through a lively, firsthand account of developing plans for the city of Austin and the University of Texas campus. As dean of the UT School of Architecture, Steiner served on planning committees that addressed the future growth of the city and the university, growth that inevitably overlapped because of UT’s central location in Austin. As he walks readers through the planning processes, Steiner illustrates how large-scale planning requires setting goals and objectives, reading landscapes, determining best uses, designing options, selecting courses for moving forward, taking actions, and adjusting to changes. He also demonstrates that planning is an inherently political, sometimes messy, act, requiring the intelligence and ownership of the affected communities. Both wise and frank, Making Plans is an important philosophical and practical statement on planning by a leader in the field.

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Charles Mills makes visible in the world of mainstream philosophy some of the crucial issues of the black experience. Ralph Ellison's metaphor of black invisibility has special relevance to philosophy, whose demographic and conceptual "whiteness" has long been a source of wonder and complaint to racial minorities. Mills points out the absence of any philosophical narrative theorizing and detailing race's centrality to the recent history of the West, such as feminists have articulated for gender domination.European expansionism in its various forms, Mills contends, generates a social ontology of race that warrants philosophical attention.Through expropriation, settlement, slavery, and colonialism, race comes into existence as simultaneously real and unreal: ontological without being biological, metaphysical without being physical, existential without being essential, shaping one's being without being in one's shape.His essays explore the contrasting sums of a white and black modernity, examine standpoint epistemology and the metaphysics of racial identity, look at black-Jewish relations and racial conspiracy theories, map the workings of a white-supremacist polity and the contours of a racist moral consciousness, and analyze the presuppositions of Frederick Douglass's famous July 4 prognosis for black political inclusion. Collectively they demonstrate what exciting new philosophical terrain can be opened up once the color line in western philosophy is made visible and addressed.

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A groundbreaking history of the Big Questions that dominated the nineteenth centuryIn the early nineteenth century, a new age began: the age of questions. In the Eastern and Belgian questions, as much as in the slavery, worker, social, woman, and Jewish questions, contemporaries saw not interrogatives to be answered but problems to be solved. Alexis de Tocqueville, Victor Hugo, Karl Marx, Frederick Douglass, Fyodor Dostoevsky, Rosa Luxemburg, and Adolf Hitler were among the many who put their pens to the task. The Age of Questions asks how the question form arose, what trajectory it followed, and why it provoked such feverish excitement for over a century. Was there a family resemblance between questions? Have they disappeared, or are they on the rise again in our time?In this pioneering book, Holly Case undertakes a stunningly original analysis, presenting, chapter by chapter, seven distinct arguments and frameworks for understanding the age. She considers whether it was marked by a progressive quest for emancipation (of women, slaves, Jews, laborers, and others); a steady, inexorable march toward genocide and the "Final Solution"; or a movement toward federation and the dissolution of boundaries. Or was it simply a farce, a false frenzy dreamed up by publicists eager to sell subscriptions? As the arguments clash, patterns emerge and sharpen until the age reveals its full and peculiar nature.Turning convention on its head with meticulous and astonishingly broad scholarship, The Age of Questions illuminates how patterns of thinking move history.

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Upsetting the Apple Cart surveys the history of black-Latino coalitions in New York City from 1959 to 1989. In those years, African American and Latino Progressives organized, mobilized, and transformed neighborhoods, workplaces, university campuses, and representative government in the nation's urban capital. Upsetting the Apple Cart makes new contributions to our understanding of protest movements and strikes in the 1960s and 1970s and reveals the little-known role of left-of-center organizations in New York City politics as well as the influence of Jesse Jackson's 1984 and 1988 presidential campaigns on city elections. Frederick Douglass Opie provides a social history of black and Latino working-class collaboration in shared living and work spaces and exposes racist suspicion and divisive jockeying among elites in political clubs and anti-poverty programs. He ultimately offers a different interpretation of the story of the labor, student, civil rights, and Black Power movements than has been traditionally told. His work highlights both the largely unknown agents of historic change in the city and the noted politicians, political strategists, and union leaders whose careers were built on this history. Also, as Napoleon said, "An army marches on its stomach," and Opie's history equally delves into the role that food plays in social movements, with representative recipes from the American South and the Caribbean included throughout.

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A dazzling new spy thriller about a female CIA agent whose extraordinary powers lead her into the dangerous heart of the collapsing Soviet Union – and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire. THE SPY: Melvina Donleavy is part of a US trade delegation... and on her first undercover mission with the CIA. Mel has a secret skill: she is a 'super recognizer', someone who never forgets a face. She is the CIA's early warning system, on watch for hostile agents trying to extract fissionable materials from the moribund USSR. THE SERIAL KILLER: On the streets of Minsk, women are being strangled. Many more have disappeared. The Soviet Union is not a gentle place for women and too many men are capable of such violence, but the truth is worse: just one man is responsible. Worse still, the authorities will never admit to his existence – serial killers, after all, are a symptom of capitalist decadence. And now he has a new target... THE SPY HUNTER: Chairman of the BSSR's KGB, recipient of the Hero of the Soviet Union medal, the Order of Lenin, the Medal for Valour, the Order of the Patriotic War and the Order of the Red Star. They say you never hear his footsteps until he's carrying your coffin. And now he has a new target... The Cold War may be coming to a close, but Mel is in danger of being obliterated by its fallout. Whichever way she turns, the wolves are gathering. Reviews for Black Wolf: 'Kathleen Kent slays it with Black Wolf, a propulsive page-turner chock full of juicy spy game goodies. Simply masterful.' Lisa Barr 'Black Wolf is a superlative read, rich in atmospherics and authenticity. Kathleen Kent knows the territory firsthand, and deftly guides us across the harrowing terrain.' Dan Fesperman 'A razor-sharp, whip-smart, beautifully written thriller. Combines the plotting of Frederick Forsyth with the chills of Thomas Harris. Highly recommended.' Christopher Reich 'A gritty depiction of the spy game during the dissolution of the Soviet Union. Perfect for fans of The Americans.' Alma Katsu

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‘A gripping thriller from the man on the inside. You need to read this.’ Andy McNab‘Tom Fletcher was the ultimate Downing Street operator’ David CameronA global conspiracy. A man on the run. What happens when diplomacy fails?An unputdownable thriller, written with unique insight into the highest levels of diplomacy. From the former ambassador and No.10 foreign policy advisor Tom Fletcher, an urgent 21st-century thriller.In the aftermath of a global pandemic, a beautiful and charismatic human rights activist is murdered, live on the internet, at the British Embassy in Paris. It is a mystery that no one wants solved.But, when governments refuse to investigate, Ambassador Ed Barnes is determined to find out the truth himself.The quest for answers plunges Barnes into a world of cyber terrorists and warlords, taking him to Oxford, Copenhagen, the mountains of Snowdonia and Lebanon, where he picks up the trail of a shocking conspiracy.This is an international crisis – but also a personal one. Only Barnes can save his family, his diplomatic service and even his country.But can he save himself?Perfect for readers of Robert Peston’s The Whistleblower, Tom Bradby or Frank Gardner.Praise for The Ambassador ‘As one long convinced the truth is very often stranger than fiction I enjoyed Tom Fletcher’s debut novel The Ambassador. The author can draw authenticity from a career spent at the coal face of diplomacy and intelligence, which is why it is a page turner’ Frederick Forsyth‘A diplomatic genius’ Gordon Brown‘A terrific read that blends fact, fiction and fantasy. And a call for all of us to reflect on friendship, family and trust. What do we stand for, and what will we do to defend it?’ Sir Graeme Lamb, former Commander of the SAS‘A week is a long time in diplomacy: intrigue, betrayal, comradeship and reconciliation! A great read!’ Mark Sedwill, Former National Security Adviser‘A very good novel… recommended’ Alastair Campbell‘Vivid and atmospheric, [The Ambassador] rockets around the world with intoxicating verve … Hugely engaging’ Daily Mail‘A compelling tale of cyber-crime, terrorism and assassination… A real page-turner’ Tortoise

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Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.

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A gorgeously illustrated tour of several centuries of American magazine history. The history of the American magazine is intricately entwined with the history of the nation itself. In the colonial eighteenth century, magazines were crucial outlets for revolutionary thought, with the first statement of American independence appearing in Thomas Paine’s Pennsylvania Magazine in June 1776. In the eighteenth century, magazines were some of the first staging grounds for still-contentious debates on Federalism and states’ rights. In the years that followed, the landscape of publications spread in every direction to explore aspects of American life from sports to politics, religion to entertainment, and beyond.Magazines and the American Experience is an expansive and chronological tour of the American magazine from 1733 to the present. Illustrated with more than four hundred color images, the book examines an enormous selection of specialty magazines devoted to a range of interests running from labor to leisure to literature. The contributors—Leonard Banco and Suze Bienaimee, both experts in the field of periodical history—devote particular focus to magazines written for and by Black Americans throughout US history, including David Ruggles’s Mirror of History (1838), [Frederick] Douglass’ Monthly (1859), the combative Messenger (1917), the Negro Digest (1942), and Essence (1970). With its mix of detailed descriptions, historical context, and lush illustrations, this handsome guide to American magazines should entice casual readers and serious collectors alike.

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In Necro Citizenship Russ Castronovo argues that the meaning of citizenship in the United States during the nineteenth century was bound to—and even dependent on—death. Deploying an impressive range of literary and cultural texts, Castronovo interrogates an American public sphere that fetishized death as a crucial point of political identification. This morbid politics idealized disembodiment over embodiment, spiritual conditions over material ones, amnesia over history, and passivity over engagement.Moving from medical engravings, séances, and clairvoyant communication to Supreme Court decisions, popular literature, and physiological tracts, Necro Citizenship explores how rituals of inclusion and belonging have generated alienation and dispossession. Castronovo contends that citizenship does violence to bodies, especially those of blacks, women, and workers. “Necro ideology,” he argues, supplied citizens with the means to think about slavery, economic powerlessness, or social injustice as eternal questions, beyond the scope of politics or critique. By obsessing on sleepwalkers, drowned women, and other corpses, necro ideology fostered a collective demand for an abstract even antidemocratic sense of freedom. Examining issues involving the occult, white sexuality, ghosts, and suicide in conjunction with readings of Harriet Jacobs, Ralph Waldo Emerson, Frederick Douglass, Nathaniel Hawthorne, and Frances Harper, Necro Citizenship successfully demonstrates why Patrick Henry's “give me liberty or give me death” has resonated so strongly in the American imagination.

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The Drinking Water Act Amendments of 1996 instituted wide-ranging regulatory changes to the seminal Safe Drinking Water Act (SDWA)-such as providing funding to communities facing health risks, focusing regulatory efforts on contaminants posing such health risks, and adding flexibility to the regulatory process- and the amendments continue to shape regulations and regulatory policy to this day. Editor Frederick Pontius's Drinking Water Regulation and Health provides a comprehensive, up-to-date resource on the current regulatory landscape. Drinking Water Regulation and Health serves as a guide for water utilities, regulators, and consultants, forecasting future trends and explaining the latest developments in regulations. A diverse group of contributors covers topics such as water treatment, water protection, how some of the regulations have been interpreted in the courts, how water utilities can stay in compliance, and how to satisfy customer expectations, especially sensitive subpopulations. Divided into four sections - The SDWA and Public Health, Regulation Development, Contaminant Regulation and Treatment, and Compliance Challenges - the book includes chapters on: * Improving Waterborne Disease Surveillance * Application of Risk Assessments in Crafting Drinking Water Regulations * Control of Drinking Water Pathogens and Disinfection By-Products * Selection of Treatment Technology for SDWA Compliance * Death of the Silent Service: Meeting Consumer Expectations * Achieving Sustainable Water Systems * What Water Suppliers Need to Know About Toxic Tort Litigation

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This book reconsiders the career of an important, controversial, but neglected figure in this history of Irish Presbyterianism. The Revd Isaac Nelson is mostly remembered for his opposition to the evangelical revival of 1859, but this book demonstrates that there was much more to Nelson’s career. Nelson started out as a protégé of Henry Cooke and as an exemplary young evangelical minister. Upon aligning himself with the Belfast Anti-Slavery Society and joining forces with American abolitionists such as Frederick Douglass and William Lloyd Garrison, Nelson emerged as a powerful voice against compromise with slaveholders. One of the central objectives of this book is to show that anti-slavery, especially his involvement with the ‘Send Back the Money’ controversy in the Free Church of Scotland and the debate over fellowship with slaveholders at the Evangelical Alliance, was crucially important to the development of Nelson into one of Irish Presbyterianism’s most controversial figures. His later opposition to the 1859 Revival has often been understood as being indicative of Nelson’s opposition to evangelicalism. This book argues that such a conclusion is mistaken and that Nelson opposed the Revival as a Presbyterian evangelical. His later involvement with the Land League and the Irish Home Rule movement, including his tenure as the Member of Parliament for County Mayo, could be easily dismissed as an entirely discreditable affair. While avoiding romantic nostalgia in relation to Nelson’s nationalism, this book argues that Nelson’s basis for advocating Home Rule was not as peculiar as it might first appear.

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'Fast, taut, tense, accurate. A terrific read' FREDERICK FORSYTH 'Authenticity seeps from every page . . . this is a promising start' DAILY MAIL Introducing Luke Carlton - ex-Special Boat Service commando, and now under contract to MI6 for some of its most dangerous missions. Sent into the steaming Colombian jungle to investigate the murder of a British intelligence officer, Luke finds himself caught up in the coils of a plot that has terrifying international dimensions. Hunted down, captured, tortured and on the run from one of South America's most powerful and ruthless drugs cartels and its psychotic leader thirsting for revenge, Luke is in a life-or-death race against time to prevent a disaster on a truly terrifying scale: London is the target, the weapon is diabolical and the means of delivery is ingenious. Drawing on his years of experience reporting on security matters, CRISIS is Frank Gardner's debut novel. Combining insider knowledge, up-to-the-minute hardware, fly on the wall insights with heart-in-mouth excitement, CRISIS boasts an irresistible, visceral frisson of authenticity: smart, fast-paced and furiously entertaining, here is a thriller for the 21st century. Readers are gripped by Crisis: ***** 'An excellently written page turner, full of intrigue.' ***** 'It kept me engrossed and on the edge of my seat.' ***** 'Superb writing style. Gripping story line.' Luke Carlton returns in Frank Gardner's third, explosive thriller OUTBREAK. Available for pre-order now.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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The Sunday Times No.1 bestseller. 'Sixty special forces against 100,000 - a feat of British arms to take the breath away' Frederick Forsyth.They were branded as cowards and accused of being the British Special Forces Squadron that ran away from the Iraqis. But nothing could be further from the truth. Ten years on, the story of these sixty men can finally be told. In March 2003 M Squadron - an SBS unit with SAS embeds - was sent 1,000 kilometres behind enemy lines on a true mission impossible, to take the surrender of the 100,000-strong Iraqi Army 5th Corps. From the very start their tasking earned the nickname 'Operation No Return'. Caught in a ferocious ambush by thousands of die-hard fanatics from Saddam Hussein's Fedayeen, plus the awesome firepower of the 5th Corps' heavy armour, and with eight of their vehicles bogged in Iraqi swamps, M Squadron launched a desperate bid to escape, inflicting massive damage on their enemies. Running low on fuel and ammunition, outnumbered, outmanoeuvred and outgunned, the elite operators destroyed sensitive kit and prepared for death or capture as the Iraqis closed their deadly trap. Zero Six Bravo recounts in vivid and compelling detail the most desperate battle fought by British and allied Special Forces trapped behind enemy lines since World War Two. It is a classic account of elite soldiering that ranks with Bravo Two Zero and the very greatest Special Forces missions of our time.

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Long before cities were scrambling to go green and eco-conscious commuters were sensibly strapping on their bike helmets, New Haven, Connecticut, was envisioning a plan for its growth taken from the challenging ideas of the City Beautiful Movement and its call for civic monumentality. In a 1910 plan commissioned from legendary landscape architect Frederick Law Olmsted and prominent architect Cass Gilbert, New Haven's leaders charted new ground by incorporating revolutionary models for studying social and demographic data and using that information to help guide the physical plan for the city's growth. The visionary result is a gem of American urban planning history that became a benchmark in discussions about the shape the new American city would take in the twentieth century. This facsimile edition of the 1910 Plan for New Haven, available to general readers for the first time, includes a critical contemporary review of the century-old plan. Architectural scholar Alan Plattus and urban economist Douglas Rae contribute modern perspectives on the plan's importance to the development of both New Haven and American urbanism in the current rediscovery of urban livability and sustainability. The lessons of master urban planners like Cass and Gilbert have never been more valuable and can guide an exploration of how American urbanism has evolved and where it is going in the twenty-first century.

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Volume 12 of Adams Family Correspondence, with 276 documents spanning from March 1797 through April 1798, opens with the inauguration of John Adams as president and closes just after details of the XYZ affair are made public in America. Through private networks of correspondence, the Adamses reveal both their individual concerns for the well-being of the nation and the depth of their public and political engagement with the republic. Abigail’s letters to friend and foe demonstrate the important role she played as an unofficial member of the administration. John Quincy and Thomas Boylston’s letters from The Hague, Paris, London, and finally Berlin offer keen observations about the political turmoil in France and its consequences, the shifting European landscape as a result of the war, and court life in Berlin following the coronation of Frederick William III.In the midst of crisis, the family’s domestic life and personal connections challenged and sustained them. The marriage of John Quincy and Louisa Catherine Johnson in London in July 1797 gave the family cause for celebration, while John’s appointment of John Quincy as U.S. minister to Prussia created a minor rift as the scrupulous younger Adams struggled with concerns about nepotism. Visits between the elder Adamses and their children Nabby and Charles in New York provided welcome distractions, even as John and Abigail worried about Nabby’s domestic situation. With the characteristic candor and perception expected from the Adamses, this volume again features forthright commentary from one family at the center of it all.

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This widely-heralded collection of remarkable documents offers a view of African American religious history from Africa and early America through Reconstruction to the rise of black nationalism, civil rights, and black theology of today. The documents—many of them rare, out-of-print, or difficult to find—include personal narratives, sermons, letters, protest pamphlets, early denominational histories, journalistic accounts, and theological statements. In this volume Olaudah Equiano describes Ibo religion. Lemuel Haynes gives a black Puritan’s farewell. Nat Turner confesses. Jarena Lee becomes a female preacher among the African Methodists. Frederick Douglass discusses Christianity and slavery. Isaac Lane preaches among the freedmen. Nannie Helen Burroughs reports on the work of Baptist women. African Methodist bishops deliberate on the Great Migration. Bishop C. H. Mason tells of the Pentecostal experience. Mahalia Jackson recalls the glory of singing at the 1963 March on Washington. Martin Luther King, Jr. writes from the Birmingham jail. Originally published in 1985, this expanded second edition includes new sources on women, African missions, and the Great Migration. Milton C. Sernett provides a general introduction as well as historical context and comment for each document.

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How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.

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For hundreds of years, the American public education system has neglected to fully examine, discuss, and acknowledge the vast and rich history of people of African descent who have played a pivotal role in the transformation of the United States. The establishment of Black studies departments and programs represented a major victory for higher education and a vindication of Black scholars such as W. E. B. Du Bois and Nathan Huggins. This emerging field of study sought to address omissions from numerous disciplines and correct the myriad distortions, stereotypes, and myths about persons of African descent.In An Introduction to Black Studies, Eric R. Jackson demonstrates the continuing need for Black studies, also known as African American studies, in university curricula. Jackson connects the growth and impact of Black studies to the broader context of social justice movements, emphasizing the historical and contemporary demand for the discipline. This book features seventeen chapters that focus on the primary eight disciplines of Black studies: history, sociology, psychology, religion, feminism, education, political science, and the arts. Each chapter includes a biographical vignette of an important figure in African American history, such as Frederick Douglass, Louis Armstrong, and Madam C. J. Walker, as well as student learning objectives that provide a starting point for educators. This valuable work speaks to the strength and rigor of scholarship on Blacks and African Americans, its importance to the formal educational process, and its relevance to the United States and the world.

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Today it is not uncommon to find items in department stores that are hand-crafted in countries like Thailand and Costa Rica. These "traditional" crafts now make up an important part of a global market. They support local and sometimes national economies and help create and solidify cultural identity. But these crafts are not necessarily indigenous. Whereas Thailand markets crafts with a long history and cultural legacy, Costa Rica has created a local handicraft tradition where none was known to exist previously. In Global Markets and Local Crafts, Frederick F. Wherry compares the handicraft industries of Thailand and Costa Rica to show how local cultural industries break into global markets and, conversely, how global markets affect the ways in which artisans understand, adapt, and utilize their cultural traditions. Wherry develops a new framework for studying globalization by considering the phenomenon from the perspective of the supplier instead of the market. Drawing from interviews and extensive fieldwork shadowing artisans and exporters in their daily dealings, Wherry offers a rare account of globalization in motion-and what happens when market negotiations do not proceed as planned. Considering economic and political forces, flows of people and materials, and frames that define cultural and market situations as they play out in the artisan communities of these two countries, Wherry uncovers how authentic folk tradition is capitalized or created.

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Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women—indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as a radical of immense and enduring influence; yet, unlike them, what is remembered of her consists more of myth than of personality. Now, in a masterful blend of scholarship and sympathetic understanding, eminent black historian Nell Irvin Painter goes beyond the myths, words, and photographs to uncover the life of a complex woman who was born into slavery and died a legend. Inspired by religion, Truth transformed herself from a domestic servant named Isabella into an itinerant pentecostal preacher; her words of empowerment have inspired black women and poor people the world over to this day. As an abolitionist and a feminist, Truth defied the notion that slaves were male and women were white, expounding a fact that still bears repeating: among blacks there are women; among women, there are blacks. No one who heard her speak ever forgot Sojourner Truth, the power and pathos of her voice, and the intelligence of her message. No one who reads Painter's groundbreaking biography will forget this landmark figure and the story of her courageous life.

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In a society that prides itself on the most expansive legal guarantees of free speech in history, why are so many individuals and groups frustrated by the American system of freedom of expression? As the public sphere continues to be redefined by advances in technology, and new debates about this technology crop up daily, the time has come to move from reflexive discussions about the value of more speech to a detailed assessment of the real power and limits of speech.Why, this volume asks, does the First Amendment--the very document intended to ensure the freedom of U.S. citizens--need to be freed? And from what?Long an icon in American law, politics, and journalism, the First Amendment--and the potential and real dilemmas with which it presents us--have only recently begun to be scrutinized. Challenging the idea that the only champions of free speech are traditional liberal theorists who oppose alternatives to the mainstream interpretation of the First Amendment, the contributors to this volume, among them such prominent thinkers as Frederick Schauer, Owen Fiss, and Cass Sunstein, explore new and provocative ways to think about freedom of expression. By reformulating traditional liberal and libertarian approaches to the First Amendment, this volume convincingly disputes the notion that those who question an unwavering reliance on free- and-open competition between individuals to produce free expression are necessarily enemies of free speech. It argues instead that these alleged enemies can in fact be champions as well.

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During Mexico's first century of independence, European and American explorers rediscovered its pre-Hispanic past. Finding the jungle-covered ruins of lost cities and artifacts inscribed with unintelligible hieroglyphs—and having no idea of the age, authorship, or purpose of these antiquities—amateur archaeologists, artists, photographers, and religious writers set about claiming Mexico's pre-Hispanic patrimony as a rightful part of the United States' cultural heritage. In this insightful work, Tripp Evans explores why nineteenth-century Americans felt entitled to appropriate Mexico's cultural heritage as the United States' own. He focuses in particular on five well-known figures—American writer and amateur archaeologist John Lloyd Stephens, British architect Frederick Catherwood, Joseph Smith, founder of the Church of Jesus Christ of Latter-Day Saints, and the French émigré photographers Désiré Charnay and Augustus Le Plongeon. Setting these figures in historical and cultural context, Evans uncovers their varying motives, including the Manifest Destiny-inspired desire to create a national museum of American antiquities in New York City, the attempt to identify the ancient Maya as part of the Lost Tribes of Israel (and so substantiate the Book of Mormon), and the hope of proving that ancient Mesoamerica was the cradle of North American and even Northern European civilization. Fascinating stories in themselves, these accounts of the first explorers also add an important new chapter to the early history of Mesoamerican archaeology.

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The first art book to explore Rossetti's art and poetry together, including her own artworks, illustrations to her writing, and art inspired by her Christina Rossetti (1830–1894) is among the greatest of English Victorian poets. The intensity of her vision, her colloquial style, and the lyrical quality of her verse still speak powerfully to us today, while her striking imagery has always inspired artists. Rossetti lived in an exceptionally visual environment: her brother, Dante Gabriel Rossetti, was the leading member of the avant-garde Pre-Raphaelite Brotherhood, and she became a favorite model for the group. She sat for the face of Christ in William Holman Hunt’s The Light of the World, while both John Everett Millais and Frederick Sandys illustrated her poetry. Later on, the pioneering photographer Julia Margaret Cameron and the great Belgian Symbolist Fernand Khnopff were inspired by Rossetti’s enigmatic verses. This engaging book explores the full artistic context of Rossetti’s life and poetry: her own complicated attitude to pictures; the many portraits of her by artists, including her brother, John Brett, and Lewis Carroll; her own intriguing and virtually unknown drawings; and the wealth of visual images inspired by her words.Published in association with Watts GalleryExhibition Schedule:Watts Gallery, Guildford, Surrey (11/13/18–03/17/19)

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El Capitán Frederick Marryat (Londres, 1792-Langham, 1872) ingresó a los catorce años en la Armada Real británica y dio sus primeros pasos en el mar a bordo del buque Impérieuse capitaneado por Lord Cochrane, cuyo valor inspiró a Marryat futuros personajes de sus novelas. En 1814 fue nombrado teniente de navío del Newcastle y en 1825 capitán del Tees. A los treinta y ocho años se retiró del servicio con rango de capitán y se dedicó por entonces a escribir (como Conrad, como Melville) narraciones de aventuras en el mar, batallas, tormentas y naufragios, contando para ello con su enorme conocimiento de primera mano de la vida marinera.En El perro diabólico nos encontramos con la balandra Yungfrau, cuya misión es patrullar el Canal de la Mancha con el fin de impedir el contrabando procedente de las costas francesas, y su oficial al mando, el teniente Cornelis Vanslyperken, sirve también como correo real del rey Guillermo con los E

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Esta fascinante obra introductoria ofrece una guía accesible al pasado, presente y futuro de la historia cultural, tal como se ha cultivado en el mundo de habla inglesa, la Europa continental, Asia, Sudamérica y otros lugares. Burke comienza con un examen de la etapa clásica de la historia cultural, asociada a Jacob Burckhardt y Johan Huizinga, y de la reacción marxista, desde Frederick Antal hasta Edward Thompson. Luego recorre el desarrollo de la historia cultural en tiempos más recientes, centrándose en las obras de la última generación, descrita a menudo como la nueva historia cultural. Sitúa la historia cultural en su propio contexto, advirtiendo vínculos entre los nuevos enfoques del pensamiento y la escritura históricos y el surgimiento del feminismo, los estudios poscoloniales y un discurso cotidiano en el que la idea de cultura desempeña un papel cada vez más relevante. Qué es la historia cultural? es un texto esencial para todos los estudiantes de historia y para todos aquell

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In 2016, Lawrence Jackson accepted a new job in Baltimore, searched for schools for his sons, and bought a house. It would all be unremarkable but for the fact that he had grown up in West Baltimore and now found himself teaching at Johns Hopkins, whose vexed relationship to its neighborhood, to the city and its history, provides fodder for this captivating memoir in essays. With sardonic wit, Jackson describes his struggle to make a home in the city that had just been convulsed by the uprising that followed the murder of Freddie Gray. His new neighborhood, Homeland-largely White, built on racial covenants-is not where he is "supposed" to live. But his purchase, and his desire to pass some inheritance on to his children, provides a foundation for him to explore his personal and spiritual history, as well as Baltimore's untold stories. Each chapter is a new exploration: a trip to the Maryland shore is an occasion to dilate on Frederick Douglass's complicated legacy; an encounter at a Hopkins shuttle-bus stop becomes a meditation on public transportation and policing; and Jackson's beleaguered commitment to his church opens a pathway to reimagine an urban community through jazz. Shelter is an extraordinary biography of a city and a celebration of our capacity for domestic thriving. Jackson's story leans on the essay to contain the raging absurdity of Black American life, establishing him as a maverick, essential writer.

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The letters of Jane Lady Cornwallis Bacon offer the richly illuminating story of a loving mother and devoted friend. Cumulatively, they provide an unfolding, sometimes self-dramatizing narrative, one which details the expansive life of a privileged woman and her family throughout the turbulent years of the early to mid-17th century. Jane Lady Cornwallis Bacon was born about 1581, daughter of Hercules Meautys of West Ham, Essex, and Phillippa, daughter of Richard Cooke of Gidea Hall, Essex. In 1608 she married Sir William Cornwallis, of Brome, Suffolk, who died in 1611 when their son Frederick was one year and three days old. In 1614 she married Nathaniel Bacon, of Culford, Suffolk, with whom she had three children, Anne, Nicholas, and Jane. For many years she looked after her own children and those of her relatives in the large and comfortable home at Culford, where she died in 1659. Complemented by extensive notes and 16 illustrations, "The Private Correspondence of Lady Jane Cornwallis Bacon, 1613-1644" constitutes a unique collection. It brings to life the interests and concerns of a family living in England before the Civil War, and gives insight into the complex yet recognizable relationships for the first time and thereby form a major contribution to our knowledge of Jacobean and Stuart family life.

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The recipient of a 2000 MacArthur fellowship, Ben Katchor (b. 1951) is a beloved comics artist with a career spanning four decades. Published in indie weeklies across the United States, his comics are known for evoking the sensorium of the modern metropolis. As part of the Biographix series edited by Frederick Luis Aldama, Ben Katchor offers scholars and fans a thorough overview of the artist’s career from 1988 to 2020. In some of his early strips published in the 1980s in the New York Press and Forward, Katchor introduced one of his quintessential characters, Julius Knipl, a real estate photographer. By crafting Knipl as an urban flâneur prone to wandering, Katchor was able to variously demonstrate his absurd humor and linguistic whimsy alongside narratives packed with social critique. Three volumes collecting the Julius Knipl strips, Julius Knipl, Real Estate Photographer; Cheap Novelties: The Pleasures of Urban Decay; and The Beauty Supply District, helped cement Katchor as a distinguished comics artist and social commentator. Later works, such as The Cardboard Valise, Hand-Drying in America, and The Dairy Restaurant, have diversified his comics legacy. Rooted in close analyses of the artist’s numerous series and collections, each chapter in Ben Katchor is dedicated to a distinct aspect of the urban experience. Individual pages from Katchor’s work depict not only the visual, but also the auditory, tactile, and olfactory dimensions of life in the city.

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In any decade the work of only a very few artists offers a template for understanding the culture and ideas of their time. Photographer Diane Arbus is one of these rare artists, and in this book Frederick Gross returns Arbus’s work to the moment in which it was produced and first viewed to reveal its broader significance for analyzing and mapping the culture of the 1960s. While providing a unique view of the social, literary, and artistic context within which Arbus worked, he also, perhaps for the first time anywhere, measures the true breadth and complexity of her achievement.Gross considers Arbus less in terms of her often mythologized biography—a “Sylvia Plath with a camera”—but rather looks at how her work resonates with significant photographic portraiture, art, social currents, theoretical positions, and literature of her times, from Robert Frank and Richard Avedon to Andy Warhol and Truman Capote. He shows how her incandescent photographs seem to literalize old notions of photography as trapping a layer of the subject’s soul within the frame of a picture. For Arbus, “auguries”—as in “Auguries of Innocence,” her 1963 photographic spread in Harper’s Bazaar—conveyed the idea that whoever was present in her photograph could attain legendary status. By shifting critical attention from the myths of Arbus’s biography to the mythmaking of her art, this book gives us a new, informed appreciation of one of the twentieth century’s most important photographers and a better understanding of the world in which she worked.

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A bold new history of the rise of the medieval Italian communeAmid the disintegration of the Kingdom of Italy in the eleventh and twelfth centuries, a new form of collective government—the commune—arose in the cities of northern and central Italy. Sleepwalking into a New World takes a bold new look at how these autonomous city-states came about, and fundamentally alters our understanding of one of the most important political and cultural innovations of the medieval world.Chris Wickham provides richly textured portraits of three cities—Milan, Pisa, and Rome—and sets them against a vibrant backcloth of other towns. He argues that, in all but a few cases, the elites of these cities and towns developed one of the first nonmonarchical forms of government in medieval Europe, unaware that they were creating something altogether new. Wickham makes clear that the Italian city commune was by no means a democracy in the modern sense, but that it was so novel that outsiders did not know what to make of it. He describes how, as the old order unraveled, the communes emerged, governed by consular elites "chosen by the people," and subject to neither emperor nor king. They regularly fought each other, yet they grew organized and confident enough to ally together to defeat Frederick Barbarossa, the German emperor, at the Battle of Legnano in 1176.Sleepwalking into a New World reveals how the development of the autonomous city-state took place, which would in the end make possible the robust civic culture of the Renaissance.

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A succinct and comprehensive history of the development of citizenship from the Roman Empire to the present dayCitizenship, Inequality, and Difference offers a concise and sweeping overview of citizenship's complex evolution, from ancient Rome to the present. Political leaders and thinkers still debate, as they did in Republican Rome, whether the presumed equivalence of citizens is compatible with cultural diversity and economic inequality. Frederick Cooper presents citizenship as "claim-making"--the assertion of rights in a political entity. What those rights should be and to whom they should apply have long been subjects for discussion and political mobilization, while the kind of political entity in which claims and counterclaims have been made has varied over time and space. Citizenship ideas were first shaped in the context of empires. The relationship of citizenship to "nation" and "empire" was hotly debated after the revolutions in France and the Americas, and claims to "imperial citizenship" continued to be made in the mid-twentieth century. Cooper examines struggles over citizenship in the Spanish, French, British, Ottoman, Russian, Soviet, and American empires, and he explains the reconfiguration of citizenship questions after the collapse of empires in Africa and India. He explores the tension today between individualistic and social conceptions of citizenship, as well as between citizenship as an exclusionary notion and flexible and multinational conceptions of citizenship. Citizenship, Inequality, and Difference is a historically based reflection on some of the most fundamental issues facing human societies in the past and present.

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CHOICE Outstanding Academic Title, 2022A cultural history of how white men exploited the image of the Vietnam veteran to roll back civil rights and restake their claim on the nation “If war among the whites brought peace and liberty to the blacks,” Frederick Douglass asked in 1875, peering into the nation’s future, “what will peace among the whites bring?” The answer then and now, after civil war and civil rights: a white reunion disguised as a veterans’ reunion. How White Men Won the Culture Wars shows how a broad contingent of white men––conservative and liberal, hawk and dove, vet and nonvet––transformed the Vietnam War into a staging ground for a post–civil rights white racial reconciliation. Conservatives could celebrate white vets as raceless embodiments of the nation. Liberals could treat them as minoritized heroes whose voices must be heard. Erasing Americans of color, Southeast Asians, and women from the war, white men with stories of vets on their mind could agree, after civil rights and feminism, that they had suffered and deserved more. From the POW/MIA and veterans’ mental health movements to Rambo and “Born in the U.S.A.,” they remade their racial identities for an age of color blindness and multiculturalism in the image of the Vietnam vet. No one wins in a culture war—except, Joseph Darda argues, white men dressed in army green.

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This tense, gripping novel set in 19C St Petersburg amid desperate revolutionaries bent on the overthrow of the Tsar 'confirms Andrew William's place in the front ranks of English thriller writers' (Daily Mail). Shortlisted for the CWA Ellis Peters and the Walter Scott Awards, To Kill a Tsar will appeal to readers of John le Carre, Robert Harris and Alan Furst.St Petersburg, 1879. A shot rings out in Palace Square. Cossack guards tackle the would-be assassin to the ground. In the mêlée no one notices a striking dark haired young woman in a heavy coat slip away from the scene. Russia is alive with revolutionaries. While Tsar Alexander II remains a virtual prisoner in his own palaces, his ruthless secret police will stop at nothing to unmask those who plot his assassination and the overthrow of the Imperial regime. For Dr Frederick Hadfield, whose medical practice is dependent on the Anglo-Russian gentry, these are dangerous times. Drawn into a desperate cat-and-mouse game of undercover assignations, plot and counter-plot, he risks all in a perilous double life.From glittering ballrooms to the cruel cells of the House of Preliminary Detention, from the grandeur of the British Embassy to the underground presses of the young revolutionaries, To Kill a Tsar is a gripping thriller set in a world of brutal contrasts in which treachery is everywhere and nothing is what it seems.

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