Search results for ""author fredericks"

During the final days of the Second World War, for 900 Allied officers, held by the Germans in Oflag IX A/H and Oflag IX A/Z, freedom was still a world away. Marched east by their captors, away from the liberating American forces, March and April 1945 was a time of great trials, at the mercy of vengeful Nazis and Allied air raids. Amongst their number were many men whose names would become well known – Desmond Llewellyn, ‘Q’ in the Bond films, Frederick Corfield, a cabinet minister under Margaret Thatcher and Major Bruce Shand, father of Camilla Parker Bowles. The March East 1945 draws on official and eyewitness accounts from British, Commonwealth, American and German records, as well as over 30 diaries and memoirs. It reveals the human story that unfolded over two weeks in Hesse, Thuringia and Saxony, and explains how the prisoners lived until their final liberation. Complemented by 100 photographs and illustrations taken and drawn by PoWs, as well as the German instructions for camp evacuation published for the first time in English, this book provides a fascinating insight into the last days of the Second World War.

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The motivations behind those who went on the Third Crusade examined through close investigation of their social networks. The Third Crusade (1189-1192) was an attempt by Latin Christendom to reconquer the Holy Land, following the capture of Jerusalem by the Ayyubid sultan Saladin in 1187. Tens of thousands responded to a call for a crusade by Pope Gregory VIII and the efforts of his preachers at mass cross-taking ceremonies, rallying to the expedition's leaders - Frederick Barbarossa, Philip Augustus, and Richard the Lionheart. This book analyses the communal and cultural factors that influenced nobles from north-western Europe who embarked on the Third Crusade, bringing out the motives, dynamics, and extent of their participation, and placing that participation in the broader social and geographical context of crusading and medieval life. It shows that significant numbers of them were themselves descended from crusaders, and that the majority of them travelled to the Levant in the company of friends, family, and neighbours, as well as through membership of a military household. It also highlights the role of key individuals - both male and female - who influenced the decision to undertake the crusade, and identifies the significant role played by particular religious institutions in the diffusion of crusading ideology.

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This compendium brings together thirty-three murderous tales — one from each of the capital’s boroughs — that not only shocked the City but made headline news across the country. Throughout its history the great urban sprawl of Greater London has been home to some of the most shocking murders in England, many of which have made legal history. Contained within the pages of this book are the stories behind these heinous crimes. They include George Chapman, who was hanged in 1903 for poisoning three women, and whom is widely suspected of having been the notorious serial killer Jack the Ripper; lovers Edith Thompson and Frederick Bywaters, executed for stabbing to death Thompson’s husband Percy in 1922; and Donald Hume, who was found not guilty of the murder of wealthy businessman Stanley Setty in 1949, but later confessed to killing him, chopping up his body and disposing of it by aeroplane. Linda Stratmann also reveals previously unpublished information that sheds a whole new light on the infamous Craig and Bentley case. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of Greater London’s history and true-crime fans alike.

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Winner of the 2021 Cundill History Prize Winner of the 2021 Frederick Douglass Prize 'A richly detailed account of a gripping human story' Washington Post '[An] epic history ... a sweeping, thoughtful narrative' Los Angeles Times On Sunday 27 February, 1763, thousands of slaves in the Dutch colony of Berbice - in present-day Guyana - launched a massive rebellion which came amazingly close to succeeding. Surrounded by jungle and savannah, the revolutionaries and their enslavers struck and parried for an entire year. In the end, the Dutch prevailed because of one advantage: their access to soldiers and supplies. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Drawing on 900 interrogation transcripts collected by the Dutch when the Berbice rebellion finally collapsed, which were subsequently buried in Dutch archives, historian Marjoleine Kars reconstructs an extraordinarily rich day-by-day account of this pivotal event. Blood on the River provides a rare, in-depth look at the political vision of enslaved people at the dawn of the Age of Revolution. An astonishing original work of history, Blood on the River will change our understanding of revolutions, slavery and of the story of freedom in the New World.

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Noting that the documents pertaining to the Battle of the Little Big Horn are often garbled in editing and quoted out of context, Loyd J. Overfield set out to compile the original orders, letters, and telegrams that put a great fighting machine into motion and soon conveyed the shock of its destruction. Far more readable than today's official documents, they carry the sound of individual voices and clearly state the circumstances surrounding Custer's fall. The communications of this collection begin with Custer's successful plea to President Grant, who in a fit of pique had originally forbidden him to join his regiment in fighting the hostile Indians. A series of carefully spelled-out field orders is followed by a letter from Major Marcus Reno asking for medical aid for his wounded men after two days of fighting. Included are dispatches from Reno, Gen. Alfred H. Terry, Col. John Gibbon, Capt. Frederick Benteen, and Capt. E.W. Smith. The rosters of officers and enlisted men who fought at the Little Big Horn will be of interest to Custer buffs and historians and also to family genealogists trying to trace ancestors who made history there. Overfield has provided primary sources that amount to a detailed postmortem of events from participants only too aware that history would ask questions.

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In this sweeping look at political and philosophical history, Linda M. G. Zerilli unpacks the tightly woven core of Hannah Arendt's unfinished work on a tenacious modern problem: how to judge critically in the wake of the collapse of inherited criteria of judgment. Engaging a remarkable breadth of thinkers, including Ludwig Wittgenstein, Leo Strauss, Immanuel Kant, Frederick Douglas, John Rawls, J rgen Habermas, Martha Nussbaum, and many others, Zerilli clears a hopeful path between an untenable universalism and a cultural relativism that forever defers the possibility of judging at all. Zerilli deftly outlines the limitations of existing debates, both those that concern themselves with the impossibility of judging across cultures and those that try to find transcendental, rational values to anchor judgement. Looking at Kant through the lens of Arendt, Zerilli develops the notion of a public conception of truth, and from there she explores relativism, historicism, and universalism as they shape feminist approaches to judgment. Following Arendt even further, Zerilli arrives at a hopeful new pathway seeing the collapse of philosophical criteria for judgment not as a problem but a way to practice judgment anew as a world-building activity of democratic citizens. The result is an astonishing theoretical argument that travels through and goes beyond some of the most important political thought of the modern period.

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Scoundrels, Cads, and Other Great Artists examines the lives of 12 great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, “Why do we like magnificent art from artists who were awful human beings?” For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a dual. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of native Americans on the trail on horseback give no hint of Remington’s enmity toward them or other ethnic groups in America. John James Audubon? He mostly shot the birds he painted; if in doing so, he damaged a part that he wanted to paint, he shot another one. Whistler and Courbet were philanderers and libertines. Scoundrels introduces people to great art by showing the more salacious side of the personal lives of great artists over time. The book not only tells the stories of a dozen artists, but explores how to look at art and the separation between art and artist. This lively narrative is enhanced by over 100 full-color reproductions of great paintings and details from them.

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A philosophical and legal argument for equal access to good lawyers and other legal resources.Should your risk of wrongful conviction depend on your wealth? We wouldn’t dream of passing a law to that effect, but our legal system, which permits the rich to buy the best lawyers, enables wealth to affect legal outcomes. Clearly justice depends not only on the substance of laws but also on the system that administers them.In Equal Justice, Frederick Wilmot-Smith offers an account of a topic neglected in theory and undermined in practice: justice in legal institutions. He argues that the benefits and burdens of legal systems should be shared equally and that divergences from equality must issue from a fair procedure. He also considers how the ideal of equal justice might be made a reality. Least controversially, legal resources must sometimes be granted to those who cannot afford them. More radically, we may need to rethink the centrality of the market to legal systems. Markets in legal resources entrench pre-existing inequalities, allocate injustice to those without means, and enable the rich to escape the law’s demands. None of this can be justified. Many people think that markets in health care are unjust; it may be time to think of legal services in the same way.

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"I am just one of many who experienced life on a submarine duringWorld War II. Silent Running is a story sincerely told--free of anyrevisionism or cynicism--and I commend Vice Admiral Calvert forsharing this dramatic personal account of that difficult andexciting time." --President George Bush "Hardened old sub vet that I am, I still felt the need for twoweeks R&R after reliving Jim's only too realistic warpatrolling adventures." --C. W. Nimitz, Jr., Rear Admiral, USN(Ret.) "I believe it is the best personal account yet written on U.S.submarine operations in the Second World War. [Calvert] writes withlucidity and a rare candor. We get an extraordinary sense of whatit was like, feeling the tensions and emotions, sharing thesuccesses and disappointments, ... This is a true story with tealpeople, always gripping and sometimes tender. It is exciting toread and hard to put down. --J. L. Holloway, Admiral, USN (Ret.)President, Naval Historical Society, Chief of Naval Operations,1974-1978. "I knew Jim Calvert Throughout the war, and in this book he hastold the submarine story in a way that catches the flavor and tangof the real thing. This is the way it really was." --Frederick B.Warder, Rear Admiral, USN (Ret.) Legendary W.W. II skipper of theSeawolf.

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A fascinating reinterpretation of the radical and socialist origins of ecology Twenty years ago, John Bellamy Foster's Marx's Ecology: Materialism and Nature introduced a new understanding of Karl Marx's revolutionary ecological materialism. More than simply a study of Marx, it commenced an intellectual and social history, encompassing thinkers from Epicurus to Darwin, who developed materialist and ecological ideas. Now, with The Return of Nature: Socialism and Ecology, Foster continues this narrative. In so doing, he uncovers a long history of efforts to unite issues of social justice and environmental sustainability that will help us comprehend and counter today's unprecedented planetary emergencies. The Return of Nature begins with the deaths of Darwin (1882) and Marx (1883) and moves on until the rise of the ecological age in the 1960s and 1970s. Foster explores how socialist analysts and materialist scientists of various stamps, first in Britain, then the United States, from William Morris and Frederick Engels to Joseph Needham, Rachel Carson, and Stephen J. Gould, sought to develop a dialectical naturalism, rooted in a critique of capitalism. In the process, he delivers a far-reaching and fascinating reinterpretation of the radical and socialist origins of ecology. Ultimately, what this book asks for is nothing short of revolution: a long, ecological revolution, aimed at making peace with the planet while meeting collective human needs.

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Citizenship is much more than the right to vote. It is a collection of political capacities constantly up for debate. From Socrates to contemporary American politics, the question of what it means to be an authentic citizen is an inherently political one. With Learning One's Native Tongue, Tracy B. Strong explores the development of the concept of American citizenship and what it means to belong to this country, starting with the Puritans in the seventeenth century and continuing to the present day. He examines the conflicts over the meaning of citizenship means in the writings and speeches of prominent thinkers and leaders ranging from John Winthrop and Roger Williams to Thomas Jefferson, Nathaniel Hawthorne, Abraham Lincoln, Frederick Douglass, and Franklin Roosevelt, among many others who have participated in these important cultural and political debates. The criteria that define what being a citizen entails change over time and in response to historical developments, and they are thus also often the source of controversy and conflict, as with voting rights for women and African Americans. Strong looks closely at these conflicts and the ensuing changes in the conception of citizenship, paying attention to what difference each change makes and what each particular conception entails socially and politically.

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Citizenship is much more than the right to vote. It is a collection of political capacities constantly up for debate. From Socrates to contemporary American politics, the question of what it means to be an authentic citizen is an inherently political one. With Learning One's Native Tongue, Tracy B. Strong explores the development of the concept of American citizenship and what it means to belong to this country, starting with the Puritans in the seventeenth century and continuing to the present day. He examines the conflicts over the meaning of citizenship means in the writings and speeches of prominent thinkers and leaders ranging from John Winthrop and Roger Williams to Thomas Jefferson, Nathaniel Hawthorne, Abraham Lincoln, Frederick Douglass, and Franklin Roosevelt, among many others who have participated in these important cultural and political debates. The criteria that define what being a citizen entails change over time and in response to historical developments, and they are thus also often the source of controversy and conflict, as with voting rights for women and African Americans. Strong looks closely at these conflicts and the ensuing changes in the conception of citizenship, paying attention to what difference each change makes and what each particular conception entails socially and politically.

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Before Black Lives Matter and Hamilton, there were abolitionist poets, who put pen to paper during an era when speaking out against slavery could mean risking your life. Indeed, William Lloyd Garrison was dragged through the streets by a Boston mob before a planned lecture, and publisher Elijah P. Lovejoy was fatally shot while defending his press from rioters. Since poetry formed a part of the cultural, political, and emotional lives of readers, it held remarkable persuasive power. Yet antislavery poems have been less studied than the activist editorials and novels of the time. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover these poems from the periodicals—Garrison’s Liberator, Frederick Douglass’s North Star, and six others—in which they originally appeared. The poems are arranged by theme over thirteen chapters, a number that represents the amendment that finally abolished slavery in 1865. The book collects and annotates works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women. There is no other book like this. Sweeping in scope and passionate in its execution, Lyrical Liberators is indispensable for scholars and teachers of American literature and history, and stands as a testimony to the power of a free press in the face of injustice.

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For most people, the work of Frederic Remington conjures an antiquarian world of all things “western.” Why this is so, and whether it should be so, are two of the critical questions raised in this book. Stephen Tatum closely considers selected paintings from Remington’s last four years of life—his so-called years of critical acclaim. Tatum’s purpose is twofold: first, to understand these paintings, both formally and thematically, within their historical, aesthetic, and biographical contexts; and second, to account for what endows them today—after marking the centennial of Remington’s death in 1909—with continuing aesthetic and cultural significance. To this end, Tatum examines these late paintings in relation to Remington’s other works, his letters and published writings, his evolving critical reception, and the writing and artwork of other cultural figures of the era, such as historian Frederick Jackson Turner and sociologist Georg Simmel. The book provides an illuminating glimpse of how and why particular Remington works might seize a viewer’s attention in his or her past or present moment of reception—how in fact their unstable visual complexity can ultimately absorb their viewer. In his “Coda,” Tatum offers a personal memoir of his own encounter with Remington’s The Love Call, a critical meditation enacting and questioning the “Remington Moment.”

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The Civil War revealed what united as well as what divided Americans in the nineteenth century—not only in its deadly military conflict, but also in the broader battle of ideas, dueling moral systems, and competing national visions that preceded and followed. This cultural civil war was the clash among North, South, and West, as their leaders sought to shape Manifest Destiny and slavery politics.No site embodied this struggle more completely than St. Louis, the largest city along the border of slavery and freedom. In this sweeping history, Adam Arenson reveals a city at the heart of the cultural civil war. St. Louisans heralded a new future, erasing old patterns as the United States stretched across the continent. They tried to reorient the nation’s political landscape, with westerners in the vanguard and St. Louis as the cultural, commercial, and national capital. John C. Calhoun, Frederick Douglass, Walt Whitman, and John Brown tracked the progress of the cultural contest by monitoring events in St. Louis, observing how the city’s leaders tried yet ultimately failed to control the national destiny.The interplay of local ambitions and national meanings reveals the wider cultural transformation brought about by westward expansion, political strife, and emancipation in the era of the Civil War and Reconstruction. This vibrant and beautifully written story enriches our understanding of America at a crossroads.

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In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.

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Frederick Douglass, Harriet Jacobs, W.E.B. Du Bois, Zora Neale Hurston, Malcolm X - their words speak firmly, eloquently and personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to contemporary urban raps, have each in their own way gauged and confronted the character of society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts provide a rare opportunity of gaining access to the contents and core of white identity. There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well. Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point: one that is knowledgeable and intimate, yet removed from the white world and thus unencumbered by its obfuscating claims to normativity.

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This is a paperback edition of Eric Fenby's famous book which has not been available in authorised form for some years. It is a memoir of the last six years of the composer's life when Fenby, then a young organist from Scarborough, volunteered to live in Grez-sur-Loing to help the blind and partly paralysed Delius to continue to compose. The vivid account of the painful and exasperating process whereby Fenby was able to help Delius commit to paper such great works as Songs of Farewell and A Song of Summer is unforgettable. Equally gripping is the description of life in the strange household in which Frederick and Jelka Delius received visitors such as Balfour Gardiner, Roger Quilter, Philip Heseltine, Percy Grainger, Thomas Beecham and Elgar. Delius died in 1934 and Eric Fenby heeded Ernest Newman's advice not to wait but to write down his impressions at once. This he did and Delius As I Knew Him was published in 1936. In 1968 the book inspired Ken Russell's masterly film about the composer Song of Summer. In 1980, Delius and Fenby made an appearance in the song Delius by Kate Bush and subsequently their extraordinary story has influenced other artists too. Today Delius As I Knew Him remains one of the most remarkable books about a composer ever written.

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"Robert Hughes is probably the best - and certainly the most accessible - art critic in the world . . . in Barcelona his art-historical and his sociological talents converge in what is often a dazzling collage of Catalan peculiarities" FREDERICK RAPHAEL, Sunday TimesA modern homage to a proud, cosmopolitan city where Gaudí, Picasso and Miró learned how to break all the rules.Before Spain there was Catalunya, a thriving maritime empire with its own language and Barcelona as its capital, last bastion of resistance to Franco in the Spanish Civil War. Exploring 2000 of the city's history, Robert Hughes takes us down the Ramblas, through the "intestinal windings" of the ancient Gothic Quarter, past the bountiful Boqueria market to the Eixample, showcase of the daring, mannered architecture of Catalan modernisme, before resting at Gaudí's celebrated Sagrada Familia: crazy, unfinished symbol of this fiercely independent city of extremes."The pace is brisk, the narrative grasp cool, firm and confident . . . Hughes' prose has the 'capriciousness, symbolic precision and stylistic punch' he attributes to Catalan moustaches" HILARY SPURLING, Daily Telegraph"Nobody has ever represented Catalonia's character more powerfully, or illustrated its claims to self-destiny more persuasively, than Robert Hughes in this monumental work" JAN MORRIS

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In Against the Closet, Aliyyah I. Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century.Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.

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In this sweeping look at political and philosophical history, Linda M. G. Zerilli unpacks the tightly woven core of Hannah Arendt's unfinished work on a tenacious modern problem: how to judge critically in the wake of the collapse of inherited criteria of judgment. Engaging a remarkable breadth of thinkers, including Ludwig Wittgenstein, Leo Strauss, Immanuel Kant, Frederick Douglas, John Rawls, J rgen Habermas, Martha Nussbaum, and many others, Zerilli clears a hopeful path between an untenable universalism and a cultural relativism that forever defers the possibility of judging at all. Zerilli deftly outlines the limitations of existing debates, both those that concern themselves with the impossibility of judging across cultures and those that try to find transcendental, rational values to anchor judgement. Looking at Kant through the lens of Arendt, Zerilli develops the notion of a public conception of truth, and from there she explores relativism, historicism, and universalism as they shape feminist approaches to judgment. Following Arendt even further, Zerilli arrives at a hopeful new pathway seeing the collapse of philosophical criteria for judgment not as a problem but a way to practice judgment anew as a world-building activity of democratic citizens. The result is an astonishing theoretical argument that travels through and goes beyond some of the most important political thought of the modern period.

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Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2, the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study.Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann

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Across the country, races for judgeships are becoming more and more politically contested. As a result, several states and cities are now considering judicial election reform. Running for Judge examines the increasingly contentious judicial elections over the last twenty-five years by providing a timely, insightful analysis of judicial elections. The book ties together the current state of the judicial elections literature, and presents new evidence on a wide range of important topics, including: the history of judicial elections; an understanding of the types of judicial elections; electoral competition during races; the increasing importance of campaign financing; voting in judicial elections; the role interest groups play in supporting candidates; party organizing in supposedly non-partisan elections; judicial accountability; media coverage; and judicial reform of elections. Running for Judge is an engaging, accessible, empirical analysis of the major issues surrounding judicial elections, with contributions from prominent scholars in the fields of judicial politics, political behavior, and law. Contributors: Lawrence Baum, Chris W. Bonneau, Brent D. Boyea, Paul Brace, Rachel P. Caufield, Jennifer Segal Diascro, Brian Frederick, Deborah Goldberg, Melinda Gann Hall, Richard L. Hasen, David Klein, Brian F. Schaffner, and Matthew J. Streb.

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"This is an important book. In the latter nineteenth century, diverse and influential elements in white America combined forces to settle the 'Indian question' through assimilation...The results were the essentially treaty-breaking Dawes Act of 1887, related legislation, and dubious court decisions. Schoolteachers and missionaries were dispatched to the reservations en masse. Eventual 'citizenship' without functional rights was given Native Americans; the Indians lost two-thirds of reservation land as it had existed before the assimilationist campaign...With insight and skill that go well beyond craft, Hoxie has admirably defined issues and motives, placed economic/political/social interaction into cogent perspective, brought numerous Anglo and Indian individuals and organizations to life, and set forth important lessons."-Choice. "This significant study of Indian-white relations during a complex time in national politics deserves close attention."-American Indian Quarterly. "Important and intellectually challenging ...This volume goes far to fill a large gap in the history of United States Indian policy."-Journal of American History. Frederick E.Hoxie is director of the D'Arcy McNickle Center for the History of the American Indian at the Newberry Library. He coedited (with Joan Mark) E. Jane Gay's With the Nez Perces: Alice Fletcher in the Field, 1889-92 (Nebraska 1981).

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'Damien Lewis is both a meticulous historian and a born storyteller' Lee ChildSAS Great Escapes Two recounts the hitherto untold stories of six of the most dramatic and daring escapes executed by the world's most famous fighting force during WWII. From the very earliest SAS missions to the push into Nazi-occupied Europe, they cover some of the key figures in the Regiment, including its founder, David Stirling, plus other lesser-known heroes.With each story comes an edge-of-the-seat, rollercoaster ride in classic Damien Lewis fashion, as readers are plunged into the escapees' experiences - sharing their most terrifying yet inspiring moments. These stunning accounts of survival beggar belief, revealing nerve-racking bluff and deception, knife-edge encounters with enemy hunter forces hellbent on wreaking vengeance and murder, but also incredible acts of mercy and kindness from those who risk all to help the escapees on their way. Each tale of breath-taking derring-do reveals how necessity really is the mother of all invention, as with every step and at every juncture these fugitives defied fate, snatching survival and freedom from the jaws of the enemy, and all the horrors that would have followed capture.Damien Lewis has worked closely with the families of those portrayed, accessing wartime diaries, letters, mission reports, interrogation transcripts and more, to relate how the men of the SAS crossed blazing deserts, evaded enemy hunter forces and escaped through hostile lands, battling against seemingly insurmountable odds. But most of all, these uplifting tales of endurance beyond measure showcase the triumph of the human spirit and the will to survive.'Damien Lewis paints a uniquely vivid picture of the wartime SAS. Packed with detail, this fresh and dynamic book brings us as close to its remarkable members as we are ever likely to get.' Joshua Levine, author of Dunkirk'In these days when we are told to be scared of everything it is a relief to read of steely nerves and cold courage. Damien Lewis has collected examples of exactly these qualities from World War II and they are all thrillers, to be read with pleasure - and a bit of nostalgia!' Frederick Forsyth'The fund of SAS escapes turns out to be too big for one book, and in Damien Lewis there is a writer of rare narrative gifts able to bring alive these epic stories for us today' Mark Urban'An astonishing book: a collection of truly riveting stories of bravery, all brilliantly told. In terms of sheer drama and audacity, SAS: Great Escapes Two goes where no fiction writer would dare venture' Alex Gerlis, author of Agent in the Shadows

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“She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country.”—Alfreda M. Duster Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony. This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster.

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These two slave narratives expand our knowledge of the differing ways males and females coped with enslavement and later ordeals in flight. This popularly-priced anthology contains the often taught Incidents in the Life of a Slave Girl by Harriet Jacobs and the recently discovered A True Tale of Slavery by John S. Jacobs, her younger brother, now reprinted for the first time. After Harriet’s owner, a physician, repeatedly abused her, she escaped his sexual advances for a time by entering into a relationship with a local attorney. Her owner continued to harass her, and she sought refuge in a crawlspace where she lived in hiding. After her escape to the North, she published her narrative. John S. Jacobs “walked away” as he put it, from his owner, a congressman. He sailed on a whaling ship and educated himself. He then became a paid agent of the Anti-Slavery Society, made a lecturing trip with Frederick Douglass, and finally settled in London, where he remained until it was safe for a fugitive to return to the North. He wrote his story for a London Sunday school journal where it was published in 1861.

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The works of Gjekë Marinaj, Albania’s leading poet, have been praised, translated, published, and discussed in over twenty languages and countries. His most celebrated poem, "Horses," drew the attention of the dictatorship’s censors when it was published and forced Marinaj to escape his country pursued by armed men. Later, the poem became the anthem for the democratic forces that freed the country. He has won several of the world’s most prestigious prizes for his poetry and criticism, but his remarkable body of passionate, profound, and wildly original poetry is only now translated and published in English for the first time.Frederick Turner, a prizewinning Anglo-American poet, critic, and translator, has translated this generous collection of Marinaj’s major poems into English with the close collaboration of the poet himself. Gathered into nine sections—Home, Albania, Amor, Admonitions, Acheron, Heroines, Metaphysics, Poets, and The Earth—the volume concludes with an extraordinary long poem, "The Lost Layers of Vyasa’s Skin." With his fascinating introductory essay, Turner contextualizes Marinaj’s work, describing the ways in which Albanian history, culture, and politics have energized Marinaj’s poetry and its poetics.

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Niccolo Machiavelli's Art of War is one of the world's great classics of military and political theory. Praised by the finest military minds in history and said to have influenced no lesser lights than Frederick the Great and Napoleon, Art of War is essential reading for anyone wanting to understand the history and theory of war in the West. Christopher Lynch's fluid translation, faithful to the original but rendered in modern, idomatic English, helps readers appreciate anew Machiavelli's brilliant and often eerily prescient treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable army of precepts, prescriptions, and examples about such topics as how to motivate soldiers and demoralize the enemy, how to avoid ambushes, and how to gain the tactical and strategic advantage in countless circumstances. To help readers better appreciate Art of War, Lynch provides an insightful introduction and a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, in addition to maps, an index of names, and a glossary. Combining an abundance of relevant scholarship with the most flawless translation to date, this volume will surely be the standard for years to come.

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Niccolo Machiavelli's Art of War is one of the world's great classics of military and political theory. Praised by the finest military minds in history and said to have influenced no lesser lights than Frederick the Great and Napoleon, Art of War is essential reading for anyone wanting to understand the history and theory of war in the West. Christopher Lynch's fluid translation, faithful to the original but rendered in modern, idomatic English, helps readers appreciate anew Machiavelli's brilliant and often eerily prescient treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable army of precepts, prescriptions, and examples about such topics as how to motivate soldiers and demoralize the enemy, how to avoid ambushes, and how to gain the tactical and strategic advantage in countless circumstances. To help readers better appreciate Art of War, Lynch provides an insightful introduction and a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, in addition to maps, an index of names, and a glossary. Combining an abundance of relevant scholarship with the most flawless translation to date, this volume will surely be the standard for years to come.

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Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.Contributors. Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

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Irene Calboli and Jacques de Werra have put together a comprehensive look at trademark transactions throughout the world. Essential reading for specialists in international trademark law and for anyone who wants to understand more about laws other than their own.'- Mark A. Lemley, William H. Neukom Professor, Stanford Law School, US'Commercial transactions involving trademarks, especially across borders, have received scant in-depth attention in law literature. With insights from the emerging markets of Brazil, China and India to the EU and USA via Australia and Japan, this book deals with the multifarious aspects. The reader will finish it not only with their knowledge greatly enhanced but convinced that, at least in this field, the world most certainly is not flat.'- David Llewelyn, Singapore Management University and King's College London, UK'An incisive, must-have book for every practitioner or scholar who is serious about trademark transactions. The key areas of this crucial subject are compellingly unpacked by famous authors from around the globe in a user-friendly format. Outstanding scholarship and presentation.'- Frederick Mostert, University of Oxford, UK and Past President of the International Trademark AssociationThe Law and Practice of Trademark Transactions is a comprehensive analysis of the law governing trademark transactions in a variety of legal and business contexts, and from a range of jurisdictional and cross-border perspectives. After mapping out the international legal framework applicable to trademark transactions, the book provides an analysis of important strategic considerations, including: tax strategies; valuation; portfolio splitting; registration of security interests; choice-of-law clauses; trademark coexistence agreements, and dispute resolution mechanisms.Key features include:- A comprehensive overview of legal and policy-related issues- A blend of approaches underpinning strategic considerations with analytical rigour- Regional coverage of the key characteristics of trademark transactions in a range of jurisdictions- Authorship from renowned trademark expertsPractitioners advising trademark owners, including trademark attorneys, will find this book to be an invaluable resource for their practice, particularly where cross-border issues arise. It will also be a key reference point for scholars working in the field.Contributors: L. Anderson, N. Binctin, G. Bühler, R. Burrell, I. Calboli, C. Czychowski, L. Dal Molin, R.P. D'Souza, D.J. Gervais, S. Ghosh, J.C. Ginsburg, H. Guo, M. Handler, M. Höpperger, R. Jacob, S.H.S. Leong, C. Manara, J.-F. Maraia, R. Mittal, X.-T. Nguyen, A. Nordemann, M. Senftleben, S. Teramoto, J.C. Vaz e Dias, J. de Werra, N. Wilkof, D. Yokomizo

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"The three worlds theory is perhaps still the basis for our dominant assumptions about geopolitical and geocultural order," writes Frederick Buell, "but its hold on our imagination and faith is passing fast. In its place, a startlingly different model-the notion that the world is somehow interconnected into a single system-has emerged, expressing the perception that global relationships constitute not three separate worlds but a single network." In the wake of disillusionment with anticolonial nationalism, and in response to a wide variety of economic, political, demographic, and technological changes, Buell argues, we have come increasingly to view the world as complexly interconnected. In National Culture and the New Global System he considers how the notion of national culture has been conceived-and reconceived-in the postwar period. For much of the period, the "three world" theory provided economic, political, and cultural models for mapping a world of nation-states. More recently, new notions of interconnectedness have been developed, ones that have had profound-and sometimes startling-effects on cultural production and theory. Surveying recent cultural history and theory, Buell shows how our understanding of cultural production relates closely to transformations in models of the world order.

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Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to the widespread existence of a human rights tragedy and the urgent need to address it. Through storytelling and firsthand testimony, this anthology shapes a twenty-first-century narrative that many believe died with the end of slavery in the Americas. Organized around such issues as the need for work, the punishment of defiance, and the move toward activism, the collection isolates the causes, mechanisms, and responses to slavery that allow the phenomenon to endure. Enhancing scholarship in women's studies, sociology, criminology, law, social work, and literary studies, the text establishes a common trajectory of vulnerability, enslavement, captivity, escape, and recovery, creating an invaluable resource for activists, scholars, legislators, and service providers.

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The founder of the American Nazi party and its leader until he was murdered in 1967,George Lincoln Rockwell was one of the most significant extremist strategists and ideologists of the postwar period. His influence has only increased since his death. A powerful catalyst and innovator, Rockwell broadened his constituency beyond the core Radical Right by articulating White Power politics in terms that were subsequently appropriated by the one-time klansman David Duke. He played a major role in developing Holocaust revisionism, now an orthodoxy of the Far Right. He also helped politicize Christian Identity, America's most influential right-wing religious movement, and welded together an international organization of neo-Nazis. All of these extremist movements continue to thrive today. Frederick Simonelli's biography of this powerful and enigmatic figure draws on primary sources of extraordinary depth, including declassified FBI files and manuscripts and other materials held by Rockwell's family and associates. The first objective assessment of the American Nazi party and an authoritative study of the roots of neo-nazism, neo-fascism, and White Power extremism in postwar America, American Fuehrer is shocking and absorbing reading.

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Ecological restoration, the attempt to guide damaged ecosystems back to a previous, usually healthier or more natural, condition, is rapidly gaining recognition as one of the most promising approaches to conservation. In this book, William R. Jordan III, who coined the term "restoration ecology", and who is widely respected as an intellectual leader in the field, outlines a vision for a restoration-based environmentalism that has emerged from his work over twenty-five years. Drawing on a provocative range of thinkers, from anthropologists Victor Turner, Roy Rappaport, and Mary Douglas to literary critics Frederick Turner, Leo Marx, and R.W.B. Lewis, Jordan explores the promise of restoration, both as a way of reversing environmental damage and as a context for negotiating our relationship with nature. Exploring restoration not only as a technology but also as an experience and a performing art, Jordan claims that it is the indispensable key to conservation. At the same time, he argues, restoration is valuable because it provides a context for confronting the most troubling aspects of our relationship with nature. For this reason, it offers a way past the essentially sentimental idea of nature that environmental thinkers have taken for granted since the time of Emerson and Muir.

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This volume brings together sixteen essays on key and intersecting topics in critical cultural studies from major scholars in the field. Taking into account the vicissitudes of political, social, and cultural issues, the contributors engage deeply with the evolving understanding of critical concepts such as history, community, culture, identity, politics, ethics, globalization, and technology. The essays address the extent to which these concepts have been useful to scholars, policy makers, and citizens, as well as the ways they must be rethought and reconsidered if they are to continue to be viable.Each essay considers what is known and understood about these concepts. The essays give particular attention to how relevant ideas, themes, and terms were developed, elaborated, and deployed in the work of James W. Carey, the "founding father" of cultural studies in the United States. The contributors map how these important concepts, including Carey's own work with them, have evolved over time and how these concepts intersect. The result is a coherent volume that redefines the still-emerging field of critical cultural studies.Contributors are Stuart Allan, Jack Zeljko Bratich, Clifford Christians, Norman Denzin, Mark Fackler, Robert Fortner, Lawrence Grossberg, Joli Jensen, Steve Jones, John Nerone, Lana Rakow, Quentin J. Schultze, Linda Steiner, Angharad N. Valdivia, Catherine Warren, Frederick Wasser, and Barbie Zelizer.

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This volume brings together sixteen essays on key and intersecting topics in critical cultural studies from major scholars in the field. Taking into account the vicissitudes of political, social, and cultural issues, the contributors engage deeply with the evolving understanding of critical concepts such as history, community, culture, identity, politics, ethics, globalization, and technology. The essays address the extent to which these concepts have been useful to scholars, policy makers, and citizens, as well as the ways they must be rethought and reconsidered if they are to continue to be viable.Each essay considers what is known and understood about these concepts. The essays give particular attention to how relevant ideas, themes, and terms were developed, elaborated, and deployed in the work of James W. Carey, the "founding father" of cultural studies in the United States. The contributors map how these important concepts, including Carey's own work with them, have evolved over time and how these concepts intersect. The result is a coherent volume that redefines the still-emerging field of critical cultural studies.Contributors are Stuart Allan, Jack Zeljko Bratich, Clifford Christians, Norman Denzin, Mark Fackler, Robert Fortner, Lawrence Grossberg, Joli Jensen, Steve Jones, John Nerone, Lana Rakow, Quentin J. Schultze, Linda Steiner, Angharad N. Valdivia, Catherine Warren, Frederick Wasser, and Barbie Zelizer.

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A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. It has been widely acknowledged that Douglass, the subject of 160 photographic portraits and the most photographed American of the nineteenth century, anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13–December 10, 2022.

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Women's Entrepreneurship in the 21st Century: An International Multi-Level Research Analysis is the fourth in the series of books produced in partnership with the Diana International Research Network. The volume takes a multi-dimensional approach to the central theme of gender and entrepreneurship today and in the future.The book takes a holistic approach to exploring, via empirical and theoretical lenses, why women's involvement in venture creation matters. It offers a contemporary and diverse range of topics, written by leading scholars, that builds on a tradition of previous Diana volumes. The chapters span a wide range of countries, methodologies, and levels of analysis, all designed to contribute to advancing understanding of women and their engagement with entrepreneurial endeavors.With its broad span of geographic relevance and research driven by empirical data, this book will prove an essential guide for academics, students and researchers in the field, as well as policymakers and practitioners.Contributors: C.G. Brush, J. Byrne, S. Chasserio, S. Coleman, J. Courvisanos, A. de Bruin, M. Dlouhá, T. Esnard, S. Fattoum, H. Frederick, J. Gabrielsson, E.J.Gatewood, R.T. Harrison, C. Henry, K. Ibata-Arens, M. Jomaraty, N. Jurik, A. K í ková, T. Lebègue, C.M. Leitch, K.V. Lewis, Å.L. Dahlstrand, E. Lisowska, D. Mo nik, C. Nguyen, H. Nguyen, D. Politis, C. Poroli, A. Robb, N. Sappleton, K. irec, J. Watson, F. Welter

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A gorgeously illustrated tour of several centuries of American magazine history. The history of the American magazine is intricately entwined with the history of the nation itself. In the colonial eighteenth century, magazines were crucial outlets for revolutionary thought, with the first statement of American independence appearing in Thomas Paine’s Pennsylvania Magazine in June 1776. In the eighteenth century, magazines were some of the first staging grounds for still-contentious debates on Federalism and states’ rights. In the years that followed, the landscape of publications spread in every direction to explore aspects of American life from sports to politics, religion to entertainment, and beyond.Magazines and the American Experience is an expansive and chronological tour of the American magazine from 1733 to the present. Illustrated with more than four hundred color images, the book examines an enormous selection of specialty magazines devoted to a range of interests running from labor to leisure to literature. The contributors—Leonard Banco and Suze Bienaimee, both experts in the field of periodical history—devote particular focus to magazines written for and by Black Americans throughout US history, including David Ruggles’s Mirror of History (1838), [Frederick] Douglass’ Monthly (1859), the combative Messenger (1917), the Negro Digest (1942), and Essence (1970). With its mix of detailed descriptions, historical context, and lush illustrations, this handsome guide to American magazines should entice casual readers and serious collectors alike.

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Mary Austin (1868-1934) - eccentric, independent, and unstoppable - was twenty years old when her mother moved the family west. Austin's first look at her new home, glimpsed from California's Tejon Pass, reset the course of her life, 'changed her horizons and marked the beginning of her understanding, not only about who she was, but where she needed to be.' At a time when Frederick Jackson Turner had announced the closing of the frontier, Mary Austin became the voice of the American West. In 1903, she published her first book, "The Land of Little Rain", a wholly original look at the West's desert and its ethnically diverse people. Defined in a sense by the places she lived, Austin also defined the places themselves, whether Bishop, in the Sierra Nevada, Carmel, with its itinerant community of western writers, or Santa Fe, where she lived the last ten years of her life. By the time of her death in 1934, Austin had published over thirty books and counted as friends the leading literary and artistic lights of her day. In this rich new biography, Susan Goodman and Carl Dawson explore Austin's life and achievement with unprecedented resonance, depth, and understanding. By focusing on one extraordinary woman's life, "Mary Austin and the American West" tells the larger story of the emerging importance of California and the Southwest to the American consciousness.

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Frederick Klaeber's Beowulf has long been the standard edition for study by students and advanced scholars alike. Its wide-ranging coverage of scholarship, its comprehensive philological aids, and its exceptionally thorough notes and glossary have ensured its continued use in spite of the fact that the book has remained largely unaltered since 1936. The fourth edition has been prepared with the aim of updating the scholarship while preserving the aspects of Klaeber's work that have made it useful to students of literature, linguists, historians, folklorists, manuscript specialists, archaeologists, and theorists of culture. A revised Introduction and Commentary incorporates the vast store of scholarship on Beowulf that has appeared since 1950. It brings readers up to date on areas of scholarship that have been controversial since the last edition, including the construction of the unique manuscript and views on the poem's date and unity of composition. The lightly revised text incorporates the best textual criticism of the intervening years, and the expanded Commentary furnishes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. Aids to pronunciation have been added to the text, and advances in the study of the poem's language are addressed throughout. Readers will find that the book remains recognizably Klaeber's work, but with altered and added features designed to render it as useful today as it has ever been.

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Long before cities were scrambling to go green and eco-conscious commuters were sensibly strapping on their bike helmets, New Haven, Connecticut, was envisioning a plan for its growth taken from the challenging ideas of the City Beautiful Movement and its call for civic monumentality. In a 1910 plan commissioned from legendary landscape architect Frederick Law Olmsted and prominent architect Cass Gilbert, New Haven's leaders charted new ground by incorporating revolutionary models for studying social and demographic data and using that information to help guide the physical plan for the city's growth. The visionary result is a gem of American urban planning history that became a benchmark in discussions about the shape the new American city would take in the twentieth century. This facsimile edition of the 1910 Plan for New Haven, available to general readers for the first time, includes a critical contemporary review of the century-old plan. Architectural scholar Alan Plattus and urban economist Douglas Rae contribute modern perspectives on the plan's importance to the development of both New Haven and American urbanism in the current rediscovery of urban livability and sustainability. The lessons of master urban planners like Cass and Gilbert have never been more valuable and can guide an exploration of how American urbanism has evolved and where it is going in the twenty-first century.

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Volume 12 of Adams Family Correspondence, with 276 documents spanning from March 1797 through April 1798, opens with the inauguration of John Adams as president and closes just after details of the XYZ affair are made public in America. Through private networks of correspondence, the Adamses reveal both their individual concerns for the well-being of the nation and the depth of their public and political engagement with the republic. Abigail’s letters to friend and foe demonstrate the important role she played as an unofficial member of the administration. John Quincy and Thomas Boylston’s letters from The Hague, Paris, London, and finally Berlin offer keen observations about the political turmoil in France and its consequences, the shifting European landscape as a result of the war, and court life in Berlin following the coronation of Frederick William III.In the midst of crisis, the family’s domestic life and personal connections challenged and sustained them. The marriage of John Quincy and Louisa Catherine Johnson in London in July 1797 gave the family cause for celebration, while John’s appointment of John Quincy as U.S. minister to Prussia created a minor rift as the scrupulous younger Adams struggled with concerns about nepotism. Visits between the elder Adamses and their children Nabby and Charles in New York provided welcome distractions, even as John and Abigail worried about Nabby’s domestic situation. With the characteristic candor and perception expected from the Adamses, this volume again features forthright commentary from one family at the center of it all.

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Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras. With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge. Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.

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Blaise Cendrars was a pioneer of modernist literature. The full range of his poetry--from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor--offers a challenge no translator has accepted until now. Here, for the first time in English translation, is the complete poetry of a legendary twentieth-century French writer. Cendrars, born Frederick Louis Sauser in 1887, invented his life as well as his art. His adventures took him to Russia during the revolution of 1905 (where he traveled on the Trans-Siberian Railway), to New York in 1911, to the trenches of World War I (where he lost his right arm), to Brazil in the 1920s, to Hollywood in the 1930s, and back and forth across Europe. With Guillaume Apollinaire and Max Jacob he was a pioneer of modernist literature, working alongside artist friends such as Chagall, Delaunay, Modigliani, and Leger, composers Eric Satie and Darius Milhaud, and filmmaker Abel Gance. The range of Cendrars's poetry--from classical rhymed alexandrines to "cubist" modernism, and from feverish, even visionary, depression to airy good humor--offers a challenge no translator has accepted until now.

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Winner of the 2017 Virginia Marie Folkins Award, Association of King County Historical Organizations (AKCHO) Winner of the 2017 Hal K. Rothman Book Prize, Western History Association Seattle would not exist without animals. Animals have played a vital role in shaping the city from its founding amid existing indigenous towns in the mid-nineteenth century to the livestock-friendly town of the late nineteenth century to the pet-friendly, livestock-averse modern city. When newcomers first arrived in the 1850s, they hastened to assemble the familiar cohort of cattle, horses, pigs, chickens, and other animals that defined European agriculture. This, in turn, contributed to the dispossession of the Native residents of the area. However, just as various animals were used to create a Euro-American city, the elimination of these same animals from Seattle was key to the creation of the new middle-class neighborhoods of the twentieth century. As dogs and cats came to symbolize home and family, Seattleites’ relationship with livestock became distant and exploitative, demonstrating the deep social contradictions that characterize the modern American metropolis. Throughout Seattle’s history, people have sorted animals into categories and into places as a way of asserting power over animals, other people, and property. In The City Is More Than Human, Frederick Brown explores the dynamic, troubled relationship humans have with animals. In so doing he challenges us to acknowledge the role of animals of all sorts in the making and remaking of cities.

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