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In the twenty-first century, as in centuries past, stories of the supernatural thrill and terrify us. But despite their popularity, scholars often dismiss such beliefs in the uncanny as inconsequential, or even embarrassing. The editors and contributors to The Supernatural in Society, Culture, and History have made a concerted effort to understand encounters with ghosts and the supernatural that have remain present and flourished. Featuring folkloric researchers examining the cultural value of such beliefs and practices, sociologists who acknowledge the social and historical value of the supernatural, and enthusiasts of the mystical and uncanny, this volume includes a variety of experts and interested observers using first-hand ethnographic experiences and historical records.The Supernatural in Society, Culture, and History seeks to understand the socio-cultural and socio-historical contexts of the supernatural. This volume takes the supernatural as real because belief in it has fundamentally shaped human history. It continues to inform people’s interpretations, actions, and identities on a daily basis. The supernatural is an indelible part of our social world that deserves sincere scholarly attention. Contributors include: Janet Baldwin, I'Nasah Crockett, William Ryan Force, Rachael Ironside, Tea Krulos, Joseph Laycock, Stephen L. Muzzatti, Scott Scribner, Emma Smith, Jeannie Banks Thomas, and the editors

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An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher’s work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher’s Calling, Michael D. Torre provides an erudite and helpful introduction to Simon’s life and thought. The volume contains selected key texts from all of Simon’s twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon’s work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon’s last and most important essays: on sensitive knowledge and on the analogous nature of “act.” It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book’s contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.

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Written by working librarians, this is a day-to-day guide to reference service in community college libraries, based on their daily experience and intended to solve practical problems facing the librarians in these institutions. Contributors include Derrie R. Roark, Marilyn Searson Lary, Susan Anderson & Susanne Fischer, Al Carlson, Mary Adams Loomba, Mark Y. Herring, Richard N. Shaw, Dale Luchsinger, Diane Grund, Gene Elliott, Douglas K. Lehman, Sue Hatfield, Jennie S. Boyarski, Wanda K. Johnsto, Patricia Twilde, Pamela A. Price, Kate Donnelly Hickey, Stanley N. Ruckman, Wanda K. Johnston & Joan S. Clarke, Donald Ray, Tisa M. Houck, Camila A. Alire, Karen Fischer, Gloria Terwilliger, Mimi Gronlund, & Sylvia Rortvedt, and W. Jeanne Gardner.

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Four stories set in the Eleventh Doctor era, starring Jacob Dudman: 2.1 The Evolving Dead by Doris V Sutherland. The dead stalk the corridors of research station Romeo. For a technician (dead) and her ex-boyfriend (also dead), the Doctor’s their only chance to escape. For the rest of the crew, he’s their only chance to feed. 2.2 The Day Before They Came by Daniel Blythe. In the shabby seaside town of Bayview, Kayla Worthington is sitting on the beach waiting for an alien invasion. Her patience is rewarded when an alien arrives, although he doesn’t seem to be invading. He’s called the Doctor, and he wants to buy her a cup of tea. 2.3 The Melting Pot by Christopher Cooper. Arriving on Piir to sample the local cuisine, the Doctor finds a society wildly different from the one he remembers. With violence brewing on the streets, the Doctor will have to get to the bottom of what has gone wrong on Piir, before the world tears itself apart. 2.4 A Tragical History by Tessa North. To most of the inmates in Hythe Prison, life is miserable. However, some are living out their idealised lives within its walls. Amongst the dank conditions, the Doctor is about to uncover the key to everything he could ever desire. Cast: Jacob Dudman (The Doctor), Laura Aikman (Sarah Ellison), Tom Alexander (Maxwell/Headshot), Ayesha Antoine (Babs), Nicholas Asbury (Preacher Stem), Joe Barnes (Ray), Nicholas Briggs (Spongiform), Jacob Daniels (Lee), Bethan Dixon Bate (Lady Dora Swift), Joe Jameson (Arvin), Avita Jay (Evo/Eleanor Pearce), Jenny Lee (Eliza Smith), Paul Panting (Ilyani/Bailiff), Jeany Spark (Gonch/Piir Mother), Milly Thomas (Elix), Venice Van Someren (Mary Wainwright), Jo Woodcock (Kayla Worthington). Other parts played by members of the cast.

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Life for a life. With nowhere left to turn, the people of the realm beseech Elisabeth to sew chaos far and wide. And if she does not comply, Kaito, the hero of the realm will be offered up in sacrifice. Finding her path blocked by Jeanne and Elisabeth, Elisabeth receives aid from an unlikely source...her father figure, Vlad.

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Meet Barack ‘Barrie OB’ Obama, urban forager and burgeoning ukulele player; ‘Hilly’ Clinton, noted jeansmith and heritage denim brand pioneer; and Queen Elizabeth II, normcore fashion goddess and much-vaunted culture-jamming DJ. This set of 20 postcards re-imagines the biggest world leaders as modern-day hipsters. Send one to a friend and see the world in a whole new light!

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Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.

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In this volume, Alhena Gadotti and Alexandra Kleinerman investigate how Akkadian speakers learned Sumerian during the Old Babylonian period in areas outside major cities. Despite the fact that it was a dead language at the time, Sumerian was considered a crucial part of scribal training due to its cultural importance. This book provides transliterations and translations of 715 cuneiform scribal school exercise texts from the Jonathan and Jeanette Rosen Ancient Near Eastern Studies Collection at Cornell University. These tablets, consisting mainly of lexical texts, illustrate the process of elementary foreign-language training at scribal schools during the Old Babylonian period. Although the tablets are all without provenance, discrepancies between these texts and those from other sites, such as Nippur and Ur, strongly suggest that the texts published here do not come from a previously studied location. Comparing these tablets with previously published documents, Gadotti and Kleinerman argue that elementary education in Mesopotamia was relatively standardized and that knowledge of cuneiform writing was more widespread than previously assumed.By refining our understanding of education in southern Mesopotamia, this volume elucidates more fully the pedagogical underpinnings of the world’s first curriculum devised to teach a dead language. As a text edition, it will make these important documents accessible to Assyriologists and Sumerologists for future study.

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This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition. Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history. Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

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“Each day of my life has been dedicated in part to drawing. I have never stopped drawing and painting, seeking, where I could find them, the secrets of form.”—Le Corbusier Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process. Beautifully illustrated with more than 300 drawings that have never before been published for an English readership, this revealing book charts the evolution of Le Corbusier’s process from his youthful travels abroad to his arrival and maturation in Paris. Danièle Pauly shows how his drawings functioned within an intimate zone of private reflection and situates his work within the broader artistic and intellectual currents of Cubism, Purism, Primitivism, and Surrealism. In addition to providing a crucial new background against which to comprehend Le Corbusier’s architecture and urbanism, this important volume advocates for understanding him alongside leading modern artists including Pablo Picasso and Fernand Léger.

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Roberto Borgo llega a Marsella en 1934 para liberar a su amigo Xavier Saratov, encarcelado por un asesinato que realmente cometió Jeannot Villanova, jefe del hampa marsellesa. Para Borgo, el plan consiste en acabar con Villanova... Sólo así podrá conseguir el dinero necesario para la defensa de Xavier.

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Two architects, Jeanne Della Casa and Sylvie Pfaehler, together with their new partners Michael Perret and Lucile FontaRak, are working on a remarkable oeuvre in Lausanne. In the midst of an urban garden and an ensemble of housing, three timber residential developments have their own poetic radiance. The architects' award-winning works include clear tectonically structured residential buildings in Lausanne and the Lavaux region. Text in German and French.

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The first title in the Minack Chronicles, which tell the story of how Derek and his wife Jeannie left behind their London home to establish a flower farm on the coast of Cornwall. From inauspicious beginnings, this book includes tales of the couple's first animals, including Monty the ginger cat, and takes us through trials and tribulations until the arrival of a gull on the roof provides the first augury of better times to come.

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There's no denying Gomer's genius. Mechanics, botany, chemistry, zoology, musicology... His brain is capable of sudden brilliance in everything at which he tries his hand. The problem is that, brilliant or not, his inventions are never quite right for either the time, or the place. Which leads to disaster after disaster, fuelling his colleagues' aggravation. Fortunately, he still has the loyalty of his cat and gull - and the unfailing affection of Miss Jeanne...

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Charles-Eduard Jeanneret (La Chaux-de-Fonds, Suiza, 1887?Cap Martin, Francia, 1965), mundialmente conocido como Le Corbusier desde que así se autobautizara en 1920, es uno de los mejores arquitectos del siglo veinte y un personaje fundamental en la historia de las ideas. A pesar del profundo individualismo que marca su trayectoria e impide adscribirlo a alguna de las corrientes intelectuales de la época, su obra condensa todos los rasgos de la Modernidad, con sus logros y avances, pero también con sus tensiones y ambigüedades. Su anhelo vanguardista por contribuir al nacimiento del hombre nuevo, su fascinación por la civilización de la máquina y su racionalismo se combinan en una suerte de equilibrio inestable con su selectiva atención a la historia, su atracción por las formas orgánicas de la naturaleza y su emotivismo irracionalista. Obsesionado con la búsqueda de la belleza ?de pronto me conmovéis, me hacéis bien, soy dichoso y digo: es bello. Esto es arquitectura? y dispuesto a prá

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Long ago, France was terrorized by The Beast of Gévaudan, who indiscriminately murdered hundreds. Before the creature could be stopped, the Beast vanished into thin air. Now, on the streets of nineteenth century Paris, news breaks of the Beast's gruesome return. As Noé and Vanitas rush to learn more about the Beast and its connection to vampirekind, none other than the Holy Knight, Astolfo, and Jeanne, the Hellfire Witch, stand in their way...

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A picture book biography about an ordinary New York City couple and their extraordinary collection of art In the heart of Manhattan lived a librarian and a postal clerk who loved art so much that they collected it. Over the years, Dorothy and Herbert brought home hundreds of works of art—from little-known SoHo artists to luminaries such as Chuck Close and Christo and Jeanne-Claude—to their small, empty-walled apartment, much to the curiosity and delight of their eight cats and tank of fish. Their passion for art and support of artists was so impressive, Dorothy and Herbert became famous themselves. And when they gifted their extraordinary collection to the National Gallery of Art, their art became ours, inspiring new generations of artists.

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This reprint of the notebook Album Punjab Simla. Chandigarh, Mars 1951 kept by Le Corbusier from his two-week visit in the area that would become Chandigarh, the new capital city of the Indian state of Punjab, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. The Album Punjab constitutes a primary source for reconstructing the topics addressed by the small team of architects and governmental officials who in only a few days developed the outlines of the Chandigarh plan. The spiralbound notebook facsimile is accompanied by a paperback volume featuring previously unpublished photographs taken by Le Corbusier’s cousin Pierre Jeanneret during this early expedition. Jeanneret documented the landscape and people that the architects encountered upon their arrival – a scenario destined to totally change with the birth of the great city. A detailed commentary by architectural historian Maristella Casciato is also included. It reflects on the variety of topics assem- bled in the notebook and traces the story of these days in which the new capital city was planned.

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An interdisciplinary, multifaceted look at feminist engagements with governance across the global North and global SouthGovernance Feminism: Notes from the Field brings together nineteen chapters from leading feminist scholars and activists to critically describe and assess contemporary feminist engagements with state and state-like power. Gathering examples from North America, South America, Europe, Asia, and the Middle East, it complements and expands on the companion volume Governance Feminism: An Introduction. Its chapters argue that governance feminism (GF) is institutionally diverse and globally distributed—emerging from traditional sites of state power as well as from various forms of governance and operating at the grassroots level, in the private sector, in civil society, and in international relations. The book begins by confronting the key role that crime and punishment play in GFeminist projects. Here, contributors explore the ideological and political conditions under which this branch of GF became so robust and rethink the carceral turn. Other chapters speak to another face of GFeminism: feminists finding, in mundane and seemingly unspectacular bureaucratic tools, leverage to bring about change in policy and governance practices. Several contributions highlight the political, strategic, and ethical challenges that feminists and LGBT activists must negotiate to play on the governmental field. The book concludes with a focus on feminist interventions in postcolonial legal and political orders, looking at new policy spaces opened up by conflict, postconflict, and occupation.Providing a clear, cross-cutting, critical lens through which to map developments in feminist governance around the world, Governance Feminism: Notes from the Field makes sense of the costs and benefits of current feminist realities to reimagine feminist futures. Contributors: Libby Adler, Northeastern U; Aziza Ahmed, Northeastern U; Elizabeth Bernstein, Barnard College; Amy J. Cohen, Ohio State U; Karen Engle, U of Texas at Austin; Jacob Gersen, Harvard U; Leigh Goodmark, U of Maryland; Aeyal Gross, Tel Aviv U; Aya Gruber, U of Colorado, Boulder; Janet Halley, Harvard U; Rema Hammami, Birzeit U, Palestine; Vanja Hamzić, U of London; Isabel Cristina Jaramillo-Sierra; Prabha Kotiswaran, King’s College London; Maleiha Malik, King’s College London; Vasuki Nesiah, New York U; Dianne Otto, Melbourne Law School; Helen Reece; Darren Rosenblum, Pace U; Jeannie Suk Gersen, Harvard U; Mariana Valverde, U of Toronto.

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In 2021, the Chinese Communist Party celebrated a century of existence. Since the Party's humble beginnings in the Marxist groups of the Republican era to its current global ambitions, one thing has not changed for China's leaders: their claim to represent the vanguard of the Chinese working class. Spanning from the night classes for workers organised by student activists in Beijing in the 1910s to the labour struggles during the 1920s and 1930s; from the turmoil of the Cultural Revolution to the social convulsions of the reform era to China's global push today, this book reconstructs the contentious history of labour in China from the early twentieth century to this day (and beyond). This will be achieved through a series of essays penned by scholars in the field of Chinese society, politics, and culture, each one of which will revolve around a specific historical event, in a mosaic of different voices, perspectives, and interpretations of what constituted the experience of being a worker in China in the past century.Contributors: Corey Byrnes, Craig A. Smith, Xu Guoqi, Zhou Ruixue, Lin Chun, Elizabeth J. Perry, Tony Saich, Wang Kan, Gail Hershatter, Apo Leong, S.A. Smith, Alexander F. Day, Yige Dong, Seung-Joon Lee, Lu Yan, Joshua Howard, Bo Ærenlund Sørensen, Brian DeMare, Emily Honig, Po-chien Chen, Yi-hung Liu, Jake Werner, Malcolm Thompson, Robert Cliver, Mark W. Frazier, John Williams, Christian Sorace, Zhu Ruiyi, Ivan Franceschini, Chen Feng, Ben Kindler, Jane Hayward, Tim Wright, Koji Hirata, Jacob Eyferth, Aminda Smith, Fabio Lanza, Ralph Litzinger, Jonathan Unger, Covell F. Meyskens, Maggie Clinton, Patricia M. Thornton, Ray Yep, Andrea Piazzaroli Longobardi, Joel Andreas, Matt Galway, Michel Bonnin, A.C. Baecker, Mary Ann O'Donnell, Tiantian Zheng, Jeanne L. Wilson, Ming-sho Ho, Yueran Zhang, Anita Chan, Sarah Biddulph, Jude Howell, William Hurst, Dorothy J. Solinger, Ching Kwan Lee, Chloé Froissart, Mary Gallagher, Eric Florence, Junxi Qian, Chris King-chi Chan, Elaine Sio-Ieng Hui, Jenny Chan, Eli Friedman, Aaron Halegua, Wanning Sun, Marc Blecher, Huang Yu, Manfred Elfstrom, Darren Byler, Carlos Rojas, Chen Qiufan.

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The chapters in this volume cover a wide range of topics that concentrate around four themes: transitional change in therapeutic communities; in working conferences for professional development or training; in organisation consulting with an emphasis on organisational learning; and in self studies of working systems in action. In all these psychic activities, "time and space" were created to allow for transitional processes to become alive. A therapist, a manager, a consultant or a layman may create conditions that facilitate or hinder human beings to become engaged in these normal, healthy processes, but the persons concerned undertake the basic psychic work.'It is encouraging to notice that more and more clinical institutions, organisations and even professional associations are becoming aware of the important and complex interactions between psychic processes and organisational realities. The engagement in transitional processes, however, demands courage. Courage that is proper to any pursuit of truth and social justice. At times, this search generates excitement, at other times we become scared by the realities we discover. Sometimes we need to cast aside certain realities to imagine and invent new things and subsequently face them again to make effective use of whatever we created. Society and human beings need such pursuits of truth and social justice for genuine development. The courage it takes to become engaged is only matched by the courage to live with the consequences.'- From the IntroductionContributors:Gilles Amado; Rina Bar-Lev Elieli; Harold Bridger; Caroline Drevon; Ernest Fruge; J. Alan Harrow; Marc Horowitz; Dominique Lhuilier; Derek N. Raffaelli; Rafael Ramirez; Dominique Rolland; Andre Sirota; Marie-Jeanne Vansina-Cobbaert; and Leopold Vansina.

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A bold and fashionable look at the iconic golds of Yves Saint Laurent—in jewelry, couture, and accessories—from the 1960s to the 2000s“I love gold, it’s a magical color; when reflecting a woman, it’s the color of the sun.”As the official catalogue of the Gold, les ors d’Yves Saint Laurent exhibition in Paris, this stunning book presents the couture, jewelry, and accessories inspired by the golds of Yves Saint Laurent from the 1960s to the 2000s. This eye-catching metallic has been featured heavily throughout the entirety of the designer’s work: from the very first buttons adorning his pea coats to dresses that appear entirely fashioned from gold, no collection escaped the couturier’s “golden” touch. This heavily illustrated and photographed book presents Saint Laurent’s exquisite designs as we follow the thread of gold throughout his collections, offering special insight into the work and intricate techniques used to make the brocades, laces, lamés, leathers, and embroideries of YSL shine. Drawing on a large number of archival documents, interviews, and other resources such as films and shows, Yves Saint Laurent: Gold will show how the cultural, artistic, and social contexts of the time, especially the emancipation of women, resulted in these timeless designs. From the jeweled dress designed for his Autumn/Winter 1966 collection and photographed by David Bailey, to the sequined dresses worn by Zizi Jeanmaire and Catherine Deneuve, Gold sparkles as it conjures up the true treasures of Saint Laurent’s legacy and spirit.

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Brought to you by PenguinThe Lost Spells is an audio treasure, a new collection of 'spells' - acrostic poetry and artwork - by writer Robert Macfarlane and artist Jackie Morris. For those who loved The Lost Words - this is its little sister.Captivatingly read, calling to forest, field, riverbank, ocean and also to the heart, these 'spells' summon back what is often lost from sight and care. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they evoke the special spirit of each plant and creature. Above all, they celebrate a sense of wonder at nature's power to amaze, console and bring joy.Across a bewitching natural soundscape by renowned wildlife recordist Chris Watson, readers Yrsa Daley-Ward, Johnny Flynn and Julie Fowlis bring the magic of both nature and language to listeners in an immersive and unique audio experience.Praise for The Lost Words:'Gorgeous to look at and to read. Give it to a child to bring back the magic of language' Jeanette Winterson, Guardian'Breathtaking, magical... Jackie Morris has created something that you could spend all day looking at' New Statesman'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Observer© Robert Macfarlane, Jackie Morris 2020 (P) Penguin Audio 2020

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Outlines the key feminist debates on British women's fiction since the 'second wave' and grounds them in examples of women's writingThis book introduces you clearly and succinctly to the ways in which feminist ideas have transformed the form and content of British women's fiction and non-fiction writing. The Introduction sets out the critical background and the main feminist critical approaches to literature. This is followed by 5 chapters which outline feminist engagements with the canon, gender, the body, sexual difference and ethnicity to demonstrate the ways in which feminist ideas have affected the 'content' of women's literature. The next 5 chapters examine types of fiction writing: romance, crime, science fiction, life-writing and historical fiction, to show the effect of feminist ideas on the 'form' of women's literature.The text also provides a wide range of illuminating case studies which include: Virago Modern Classics, The Women Prize for Fiction, Charlotte Perkins Gilman's 'Herland', Angela Carter's 'The Passion of New Eve', Margaret Attwood's 'The Edible Woman', Lucy Ellmann's 'Sweet Desserts', Barbie dolls, French feminism and sexuality, trans identities, feminist publishing and ethnicity, black and minority ethnic women's writing, Zadie Smith's novels, Toni Morrison's 'Beloved', Eimear McBride's 'A Girl is a Half Formed Thing', Val McDermid and lesbian crime writing, Ruth Rendell and the invention of the 'whydunit', Margaret Atwood's 'Maddaddam' sci fi trilogy, Jeanette Winterson's 'Oranges Are Not The Only Fruit' and 'The Passion', Pat Barker's 'Regeneration' trilogy and Hilary Mantel's 'Wolf Hall' and 'Bring Up The Bodies'. Each chapter ends with a list of primary texts and recommended further reading.Key FeaturesProvides a clear overview of changing feminist debates and terms in the 20th and 21st centuriesShows the changing form of women's fiction and non-fiction during this periodAssesses the ways in which literary, political and mainstream cultures, as well as the book industry, have impacted on the work and ideas of female writersIncludes a wide range of case studies as well as recommended further reading and a list of primary texts with each chapter

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New recruits. New technology. New threats. SHADO is nearly fully operational, but the alien menace is intensifying at a greater rate than the fledgling organisation can cope with. Under ever-increasing pressures, Straker is repeatedly put to the test. Facing unimaginable weaponry, warring factions, and near-insurmountable personal strain - can the man leading the fight to defend Earth survive? Contains three new stories; 2.1 Lost in Action. An unexpected confrontation at 30,000 feet leads to a civilian casualty. With no other options, Straker must recruit this stubborn but brave pilot to join SHADO. Meanwhile, Straker’s team orders the early activation of Moonbase - without his consent. It’s just in time. Now, the nascent organisation is being put to the ultimate test, and SHADO’s latest recruit will have put his life on the line. 2.2 Assassination Time. In the wake of loss, SHADO’s problems are brought into sharp focus by a series of unexpected and inexplicable events. A new threat from the aliens emerges - one that the organisation is illequipped to deal with. With few options left, Straker must follow his instincts and put SHADO’s survival in the hands of a traitor. 2.3 Breaking Point. SHADO faces a severe security breach, swiftly followed by the most intense and highlycoordinated alien threat it has ever seen. Straker now faces unimaginable pressures from every angle. The strain on him, and his organisation, reach impossible levels. Mistakes will be made. Lives will be lost. Could this be the end? Based on the original tv series created by Gerry and Sylvia Anderson. UFO © ITC Entertainment Group Limited 1970. Licensed by ITV Ventures Limited. All rights reserved. CAST: Barnaby Kay (Commander Ed Straker), Jeany Spark (Lieutenant-Colonel Virginia Lake), Hywel Morgan (Paul Foster), Samuel Clemens (Colonel Alec Freeman), Nicholas Briggs (Dave Jansen / Richard Craven / Dr Schroeder / Jeff Randolph), Wayne Forester (SID / Gallison / Melville Hopkins / Radley), Charlotte Harris (Mary Straker / Captain Georgia Maxwell / Miss Ealand), Lynsey Murrell (Lieutenant Gay Ellis), George Naylor (Johnnie Straker / Lieutenant Ford). Other parts played by members of the cast.

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Dodder, Baldmoney, Cloudberry, and Sneezewort are the last four gnomes in Britain and were first introduced to us in the Carnegie Medal-winning book, The Little Grey Men. In this charming book their story continues and we find them tucked up in their cosy home, next to the Folly, for winter. But when they're awakened from their sleep with the terrible news that the Folly is drying up, they must pack up their belongings and head off in their boat, the Jeanie Deans, to find a new home where they can be safe once again. Along the way they face many dangers and their journey is sometimes perilous and packed with adventure.

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Astaroth's new life as a demon king rising up the ranks in an unfamiliar world has only just begun, yet he's already assembling quite a group of allies! With his maid, Eve, serving as his advisor, legendary swordsman Hijikata leading his forces into battle, and Jeanne d'Arc herself lending him her strength, it's no surprise how quickly he's making a name for himself. His next step is to recruit some talented dwarves to expand his castle town, but a fearsome necromancer stands in his way

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When Jeanne-Antoinette was nine, she was told by a fortune teller that she would one day become the mistress of the handsome young Louix XV - from that day she was groomed to become 'a morsel fit for a King'. Nancy Mitford lovingly tells the story of how the little girl rose, against a backdrop of savage social-climbing, intrigue, excess and high drama, to become the most powerful women of the eighteenth century French court, Le Pompadour.

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Early French Feminisms, 1830-1940 is a source book of personal and political writings by Flora Tristan, Pauline Roland, Jeanne Deroin, Helene Brion and Madeleine Pelletier, five key individuals in the development of women's rights in France. Though their writings and political activity ranged over more than a century, these women were linked by their commitment to feminism and to socialism and can be considered as seminal figures in French political thought. Their journals, letters and diaries have not been available in print or in English translation and the same is true of many of their published works. As well as extensive extracts from the original source material, Early French Feminisms, 1830-1940 contains biographical and contextual historical material which sets the writers in their period and links them to contemporary feminist and socialist debates. Tristan, Deroin, Roland, Pelletier and Brion were active in the growth of trade union organization, Saint-Simonian utopian socialism, the birth of the parliamentary Socialist Parties, pacifism during the First World War and the neo-Malthusian or birth control movement. Ranging across personal and public genres of writings, the texts reproduced for this volume, placed in historical context, demonstrate the difficulty which these largely self-educated women faced in entering the public sphere and the political persecution which they faced courageously. Early French Feminisms, 1830-1940 clarifies an important chapter in feminist and socialist militancy which will be of interest to students and scholars of women's studies and modern French history.

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Trained at the École Nationale Supérieure des Beaux-arts de Paris in the atelier of Georges Jeanclos, Elsa Sahal quickly focused on working with ceramics for their sensuality and fragility. Former resident at the Archie Bray Foundation for the Ceramic Arts, in 2013 (Helena, MT), at Alfred University, New York State College of Ceramics, in 2009-2010 (Alfred, NY) and at the Manufacture Nationale de Sèvres (2007-2008), Elsa Sahal has also taught at the Haute École d'Art et de Design in Geneva and at the École Supérieure d'Arts Décoratifs in Strasbourg. She experiments in particular with the idea of volume and balance in sculpture, while returning to an exploration of the themes of the body and femininity. Ambiguous, dense, sensual and colourful, her works oscillate between anthropomorphic landscape and the landscaped body, taking up Cézanne's dream of uniting women's curves with the shoulders of hills. Elsa Sahal conceives, kneads and then produces complex and disturbing forms sustained by dense colours and sublimated through enamel. Winner of the MAIF prize for sculpture, in 2008, and the contemporary sculpture prize awarded by the Fondazione Francesco Messina, in 2007, Elsa Sahal has presented her work in one-woman shows and group exhibitions in numerous museums around the globe: at the Bonnefantenmuseum, 'Ceramix, Ceramic art from Gauguin to Schütte', in 2015 (Maastricht); at the MAD Museum, 'Body and Soul, New International Ceramics', in 2013 (New York); at the Fondation d'entreprise Ricard, 'Sculptures', in 2008 (Paris); and at the Incheon Women Artists Biennale, in 2008 (Korea). Text in English and French.

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1938, París. Ludwig Fresenburg era cirujano principal en un hospital alemán. Pero, tras escapar de los nazis y convertirse en refugiado político en París, ahora se hace llamar Ravic y malvive como puede, con unas condiciones de trabajo pésimas y rodeado de alcohol y relaciones sentimentales sin ningún futuro? Hasta que conoce a Jeanne. Porque esta novela es, ante todo, una novela de amor. Amor que pudo ser total, que pudo ser puro, pero que es incompleto y turbulento. Amor y también venganza, que Ravic logra satisfacer. Jeanne Madou le da el amor, y Haake, el verdugo, el instrumento con que la Gestapo troncha su vida y su carrera, la ocasión de vengarse. Lo demás es la vida incierta y sobresaltada del hombre sin nombre, sin origen y sin destino; excepto uno, el más cruel: ser devuelto al horror nazi del que huyó. Porque, aunque el símbolo de Francia, el Arco de Triunfo, se hunda en la oscuridad de la guerra, y aunque Ravic se enfrente a un futuro negro, está emocionalmente listo para s

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An interdisciplinary, multifaceted look at feminist engagements with governance across the global North and global SouthGovernance Feminism: Notes from the Field brings together nineteen chapters from leading feminist scholars and activists to critically describe and assess contemporary feminist engagements with state and state-like power. Gathering examples from North America, South America, Europe, Asia, and the Middle East, it complements and expands on the companion volume Governance Feminism: An Introduction. Its chapters argue that governance feminism (GF) is institutionally diverse and globally distributed—emerging from traditional sites of state power as well as from various forms of governance and operating at the grassroots level, in the private sector, in civil society, and in international relations. The book begins by confronting the key role that crime and punishment play in GFeminist projects. Here, contributors explore the ideological and political conditions under which this branch of GF became so robust and rethink the carceral turn. Other chapters speak to another face of GFeminism: feminists finding, in mundane and seemingly unspectacular bureaucratic tools, leverage to bring about change in policy and governance practices. Several contributions highlight the political, strategic, and ethical challenges that feminists and LGBT activists must negotiate to play on the governmental field. The book concludes with a focus on feminist interventions in postcolonial legal and political orders, looking at new policy spaces opened up by conflict, postconflict, and occupation.Providing a clear, cross-cutting, critical lens through which to map developments in feminist governance around the world, Governance Feminism: Notes from the Field makes sense of the costs and benefits of current feminist realities to reimagine feminist futures. Contributors: Libby Adler, Northeastern U; Aziza Ahmed, Northeastern U; Elizabeth Bernstein, Barnard College; Amy J. Cohen, Ohio State U; Karen Engle, U of Texas at Austin; Jacob Gersen, Harvard U; Leigh Goodmark, U of Maryland; Aeyal Gross, Tel Aviv U; Aya Gruber, U of Colorado, Boulder; Janet Halley, Harvard U; Rema Hammami, Birzeit U, Palestine; Vanja Hamzić, U of London; Isabel Cristina Jaramillo-Sierra; Prabha Kotiswaran, King’s College London; Maleiha Malik, King’s College London; Vasuki Nesiah, New York U; Dianne Otto, Melbourne Law School; Helen Reece; Darren Rosenblum, Pace U; Jeannie Suk Gersen, Harvard U; Mariana Valverde, U of Toronto.

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The Strong family has survived against all odds, but their greatest test is still to come.After a seemingly endless thirty-six hours in labour, Horatia Strong is delighted to learn that she’s given her husband, Tom, a son. However, the birth is soon shrouded in secrets and she’ll do anything to keep them from her husband.Despite his enduring love for Blanche, Tom’s marriage to Horatia is the only thing keeping the Strong family from destitution. Locked in a powerful emotional triangle, will Tom stand by his wife as mistakes of the past come to light?Previously published as Forgotten Faces by Jeannie Johnson. If you loved Of Marriageable Age and Beneath a Burning Sky you will LOVE Return to Paradise.Don’t miss the rest of the Strong Family Sagas:1. Daughter of Destiny2. The Sugar Merchant’s Wife3. Return to Paradise

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**LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION 2024**Unmissable' Stephen Fry''A delight'' Katherine RundellIlluminating' Susie Dent''Brilliant'' Philippa Perry''Enthralling'' Jeanette WintersonWhat do three murderers, Karl Marx''s daughter and a vegetarian vicar have in common?They all helped create the Oxford English Dictionary.The Oxford English Dictionary has long been associated with elite institutions and Victorian men. But the Dictionary didn''t just belong to the experts; it relied on contributions from members of the public. By 1928, its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from astronomers to murderers, naturists, pornographers, suffragists and queer couples.Lexicographer Sarah Ogilvie dives deep into previously untapped archives to tell a people''s history of the OED. Here, she reveals, for the first time, th

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Some architects regard a visit to Chicago as equal in importance to a pilgrimage to Rome or Athens: The soaring American metropolis at the shores of Lake Michigan has amassed an unmatched collection of first-rate buildings in every possible style since late nineteenth-century industrialization. This book looks at Chicago through the prism of Post-Modernism — under the premise that this style did not cease to exist sometime in the 1990s, but is, in fact, still with us today. Starting with the 1978 Illinois Regional Library for the Blind and Physically Handicapped, curator and critic Vladimir Belogolovsky presents 100 structures, most of which were created after the turn of the millennium. These lavishly illustrated building descriptions are supplemented by introductory essays and interviews with Chicago architects, including Stanley Tigerman, Helmut Jahn and Jeanne Gang.

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This handy pocket guide illustrates and prices over a thousand Jadite and Delphite household glassware pieces, including many rarities. Most of the pieces shown were produce by Anchor Hocking, McKee, or Jeannette Glass companies from 1930-1970. Kitchenware, dinnerware, and household accessories are illustrated in color, with current prices for the extremely popular Jadite and its more elusive blue counterparts, including both Delphite and Chaline. Additionally Fire-King’s opaque blue dinnerware lines are included.

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The first career-spanning catalog of the work of Gianfranco Gorgoni, whose iconic photographs established Land Art as one of the major art movements of the twentieth century. For five decades, photographer Gianfranco Gorgoni (1941-2019) built his reputation as the premier documentarian of Land Art in the US and beyond. After leaving Italy, Gorgoni started making portraits of the major artists of the New York scene, including Michael Heizer, Robert Smithson, Nancy Holt, Walter De Maria, Carl Andre, and Richard Serra. It was not long before he was traveling with Heizer, Smithson, and De Maria to the American West in the late 1960s to plot the works that would famously break art practice out of the confines of the gallery world. In Nevada, New Mexico, and Utah, these artists embarked on major Land Art installations that would redefine contemporary art practice of the era. In many cases, Gorgoni was the only photographer on the ground to document their projects, and his images often serve as the definitive photographic record of the planning and creation of these groundbreaking works. Published to coincide with the first major exhibition of Gorgoni's photographic Land Art images at the Nevada Museum of Art, featuring over fifty of his large-scale photographs, Gianfranco Gorgoni: Land Art Photographs includes an introduction by Ann M. Wolfe, Andrea and John C. Deane Family senior curator and deputy director at the Nevada Museum of Art, an essay by the late art historian and critic Germano Celant, whose contribution here is among the last he wrote before his death in 2020, and William L. Fox, the Peter E. Pool Director of the Center for Art + Environment. A landmark collection of photographs of legendary and lesser-known works by Michael Heizer, Walter De Maria, Christo and Jeanne-Claude, Richard Serra, Robert Smithson, Ugo Rondinone, and Charles Ross, Gianfranco Gorgoni: Land Art Photographs is a major new assessment of one of the world's great art movements.

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'Woolf is modern ... With Joyce and Eliot she has shaped a literary century' Jeanette WintersonVirginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of 'Solid Objects' through the fragile impressionism of 'Kew Gardens' to the abstract exploration of consciousness in 'The Mark on the Wall'.Edited with an Introduction and Notes by Sandra Kemp

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In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

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Within the social sciences, kinship and statehood are often seen as two distinct modes of social organization, sometimes conceived of as following each other in a temporal line and sometimes as operating on different scales. Kinship is traditionally associated with small-scale communities in stateless societies. The state, meanwhile, is viewed as a development away from kinship as political order toward rational, impersonal, and functional forms of rule. In recent decades, theoretical and empirical scholarship has challenged these notions, but the underlying presumption of a deep-rooted opposition between kinship and the (modern) state has remained surprisingly stable. That this binary is so deeply engrained in Western self-understanding and knowledge production poses a considerable challenge to decoding their coproduction. Reconnecting State and Kinship seeks to trace the historical shifts and boundary work implied in the ongoing reproduction of these supposedly discrete or even opposing units of analysis. Contributors ask whether concepts associated with one sphere —including corruption, patronage, lineage, and incest—surface in the other. Policies and interventions modeled upon the assumed polarity can have lasting consequences for mechanisms of marginalization and exclusion, including decisions about life and death. Reconnecting State and Kinship not only explores the boundary-related and classificatory practices that reinforce the kinship/statehood binary but also tracks the traveling of these concepts and their underlying norms through time and space ultimately demonstrating the ways that kinship and "the state" are intertwined. Contributors: Erdmute Alber, Apostolos Andrikopoulos, Helle Bundgaard, Jeanette Edwards, Karen Fog Olwig, Victoria Goddard, Michael Herzfeld, Eirini Papadaki, Frances Pine, Ivan Rajković, Tatjana Thelen, Thomas Zitelmann.

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“Queering Archives: Intimate Tracings” is the second of two themed issues from Radical History Review (numbers 120 and 122) that explore the ways in which the notion of the “queer archive” is increasingly crucial for scholars working at the intersection of history, sexuality, and gender. Efforts to record and preserve queer experiences determine how scholars account for the past and provide a framework for understanding contemporary queer life. Essays in these issues consider historical materials from queer archives around the world as well as the recent critical practice of “queering” the archive by looking at historical collections for queer content (and its absence).This issue considers how archives allow historical traces of sexuality and gender to be sought, identified, recorded, and assembled into accumulations of meaning. Contributors explore conundrums in contemporary queer archival methods, probing some of them in essays on the Catholic Church and the Church of Jesus Christ of Latter-Day Saints. This issue also includes a series of intergenerational interviews reflecting on histories of LGBT archives, a roundtable discussion about legacies of queer studies of the archive, and a closing reflection by Joan Nestle, a founding figure in the practice of international queer archiving.Daniel Marshall is Senior Lecturer in the Faculty of Arts and Education at Deakin University, Melbourne. Kevin P. Murphy is Associate Professor of History at the University of Minnesota and a member of the Radical History Review editorial collective. Zeb Tortorici is Assistant Professor of Spanish and Portuguese Languages and Literatures at New York University.Contributors: Rustem Ertug Altinay, Anjali Arondekar, Elspeth H. Brown, Elise Chenier, Howard Chiang, Ben Cowan, Ann Cvetkovich, Sara Davidmann, Leah DeVun, Peter Edelberg, Licia Fiol-Matta, Jack Jen Gieseking, Christina Hanhardt, Robb Hernandez, Kwame Holmes, Regina Kunzel, A. J. Lewis, Martin F. Manalansan IV, María Elena Martínez, Michael Jay McClure, Caitlin McKinney, Katherine Mohrman, Joan Nestle, Mimi Thi Nguyen, Tavia Nyong’o, Anthony M. Petro, K. J. Rawson, Barry Reay, Juana María Rodríguez, Don Romesburg, Rebecka Sheffield, Marc Stein, Margaret Stone, Susan Stryker, Robert Summers, Jeanne Vaccaro, Dale Washkansky, Melissa White

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Based on a survey of more than 6,700 top civil servants in 17 European countries, this book explores the impacts of New Public Management (NPM)-style reforms in Europe from a uniquely comparative perspective. It examines and analyses empirical findings regarding the dynamics, major trends and tools of administrative reforms, with special focus on the diversity of top executives' perceptions about the effects of those reforms. Resulting from research funded by the European Commission, this book is an ambitious, comprehensive portrait of public administration in the central European bureaucracies after more than three decades of NPM reforms and in the aftermath of the 2008 financial crisis. The chapters present extensive data on single countries but invaluably take a comparative approach, presenting a broad, explorational perspective.Public Administration Reforms in Europe is an indispensable resource for researchers, practitioners and students in a variety of social science areas, especially public administration, public policy and public management.Contributors include: J. M. Alonso, R. Andrews, P. Bezes, R. Boyle, M.E. Cardim, J. Clifton, D. Díaz-Fuentes, J. Downe, N. Ejersbo, F. Ferrè, D. Galli, C. Greve, V. Guarneros-Meza, G. Hajnal, G. Hammerschmid, K. Huxley, G. Jeannot, S. Jilke, P. Lægreid, S. Leixnering, F. Longo, R.E. Meyer, L. Mota, V. Nakrosis, S.A. Öberg, E. Ongaro, A. Oprisor, L. Pereira, T. Randma-Liiv, R. Rauleckas, L.H. Rykkja, K. Sarapuu, L. Sarkute , R. Savi, A. Schikowitz, R. Snapstiene, T. Steen, V. Stimac, S. Van de Walle, J. van der Voet, T. Virtanen, U. Weske, H. Wockelberg

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In nineteenth century Paris, the young bohemian Charles Baudelaire roams the streets. Dressed impeccably - thanks to an inheritance that is quickly vanishing - and lost in the decadences of alcohol and opium, he is about to meet one woman destined to change his life forever: the beautiful Haitian cabaret singer, Jeanne Duval. Inspiring Baudelaire's most infamous poems - leading to the banning of his masterwork, Les Fleurs du Mal, and a scandalous public trial for obscenity - Duval becomes Baudelaire's muse, the catalyst for a legacy spanning centuries. Their volatile and passionate affair explodes through the Parisian literary scene but, as the ever-more fractious world catches up with them, the strength of their love will be tested to the end. Unfolding among the bars and salons during revolutionary times, Black Venus is an intoxicating story of love and betrayal in which drugs, absinthe and lust prove the making, and the destruction, of a great poet.

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Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures. Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia WoolfVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Love by Jeanette WintersonHome by Salman RushdieLanguage by Xiaolu GuoRace by Toni Morrison

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Use design thinking for competitive advantage.If you read nothing else on design thinking, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you use design thinking to produce breakthrough innovations and transform your organization.This book will inspire you to: Identify customers' "jobs to be done" and build products people love Fail small, learn quickly, and win big Provide the support design-thinking teams need to flourish Foster a culture of experimentation Sharpen your own skills as a design thinker Counteract the biases that perpetuate the status quo and thwart innovation Adopt best practices from design-driven powerhouses This collection of articles includes "Design Thinking," by Tim Brown; "Why Design Thinking Works," by Jeanne M. Liedtka; "The Right Way to Lead Design Thinking," by Christian Bason and Robert D. Austin; "Design for Action," by Tim Brown and Roger L. Martin; "The Innovation Catalysts," by Roger L. Martin; “Know Your Customers' 'Jobs to Be Done,'" by Clayton M. Christensen, Taddy Hall, Karen Dillon, and David S. Duncan; "Engineering Reverse Innovations," by Amos Winter and Vijay Govindarajan; "Strategies for Learning from Failure," by Amy C. Edmondson; "How Indra Nooyi Turned Design Thinking into Strategy," by Indra Nooyi and Adi Ignatius, and "Reclaim Your Creative Confidence," by Tom Kelley and David Kelley.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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The invitation to create his own show Untold Stories at Kunstpalast Düsseldorf Kunstpalast served Lindbergh as a blank canvas for the his unrestrained vision and creativity. Given artistic freedom, he curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This artist's book offers an extensive, firsthand look at the highly personal collection. When it came to printing his photos, Lindbergh chose a special uncoated paper – a thin sheet with a soft, open surface – as a deliberate aesthetic statement. Renowned the world over, Lindbergh’s images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Jeanne Moreau, Naomi Campbell, Charlotte Rampling and many more. This XL volume presents more than 150 photographs—many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper’s Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Krämer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.

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As discrete fields of inquiry, rhetoric and mathematics have long been considered antithetical to each other. That is, if mathematics explains or describes the phenomena it studies with certainty, persuasion is not needed. This volume calls into question the view that mathematics is free of rhetoric. Through nine studies of the intersections between these two disciplines, Arguing with Numbers shows that mathematics is in fact deeply rhetorical. Using rhetoric as a lens to analyze mathematically based arguments in public policy, political and economic theory, and even literature, the essays in this volume reveal how mathematics influences the values and beliefs with which we assess the world and make decisions and how our worldviews influence the kinds of mathematical instruments we construct and accept. In addition, contributors examine how concepts of rhetoric—such as analogy and visuality—have been employed in mathematical and scientific reasoning, including in the theorems of mathematical physicists and the geometrical diagramming of natural scientists. Challenging academic orthodoxy, these scholars reject a math-equals-truth reduction in favor of a more constructivist theory of mathematics as dynamic, evolving, and powerfully persuasive. By bringing these disparate lines of inquiry into conversation with one another, Arguing with Numbers provides inspiration to students, established scholars, and anyone inside or outside rhetorical studies who might be interested in exploring the intersections between the two disciplines.In addition to the editors, the contributors to this volume are Catherine Chaput, Crystal Broch Colombini, Nathan Crick, Michael Dreher, Jeanne Fahnestock, Andrew C. Jones, Joseph Little, and Edward Schiappa.

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In 1869, more than twenty years after Elizabeth Cady Stanton and Susan B. Anthony made their declaration of the rights of woman at Seneca Falls, New York, the men of the Wyoming Territorial Legislature granted women over the age of 21 the right to vote in general elections. And on September 6, 1870, a grandmother named Eliza Swain stepped up to a ballet box in Laramie, Wyoming, and became the first woman in the United States to exercise that right, ushering in the era of Western states’ early foray into suffrage equality. Wyoming Territory’s motives for extending the vote to women might have had more to do with publicity and attracting female settlers than with any desire to establish a more egalitarian society. However, individual men’s interests in the idea of women’s rights had their roots in diverse ideologies, and the women who agitated for those rights were equally diverse in their attitudes. No Place for a Woman explores the history of the fight for women’s rights in the West, examining the conditions that prevailed during the vast migration of pioneers looking for free land and opportunity on the frontier, the politics of the emerging Western territories at the end of the Civil War, and the changing social and economic conditions of the country recovering from war and on the brink of the Gilded Age. The stories of the women who helped settle the west and who ushered in voting rights decades ahead of the 19th Amendment and the stories of the country they were forging in the west will be of great interest to readers as the 100th anniversary of national woman suffrage approaches and is relevant in our current political climate. Revealed through the individual stories of women like Esther Hobart Morris, Martha Cannon, and Jeannette Rankin, this book fills a hole in the story of the West, revealing the real story of how the hard work and individual lobbying of a few heroines, plus a little bit of publicity-seeking and opportunism by promoters of the Wyoming Territory, ushered in a new era for the expansion of women’s rights.

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